Sony News (Page 16)

From SIGMA Corporation of America

SIGMA Releases 23mm F1.4 DC DN | Contemporary Lens, an Essential Focal Length Prime for APS-C Format Cameras

Ronkonkoma, NY – April 3, 2023 – SIGMA Corporation of America, the US subsidiary of SIGMA Corporation (CEO: Kazuto Yamaki. Headquarters: Asao-ku, Kawasaki-shi, Kanagawa, Japan) is pleased to announce the SIGMA 23mm F1.4 DC DN | Contemporary ($549 US MSRP through authorized retailers) lens, a wide-angle fast-aperture prime lens designed specifically for APS-C mirrorless systems. This lens offers a 35mm field of view equivalency with the 1.5X crop factor applied, and is the fourth fast-aperture F1.4 DC DN | Contemporary prime lens, joining the popular 16mm F1.4 DC DN | Contemporary, 30mm F1.4 DC DN | Contemporary, and 56mm F1.4 DC DN | Contemporary for crop-sensor mirrorless systems. The DC DN family also includes the 18-50mm F2.8 DC DN | Contemporary Zoom lens.

The SIGMA 23mm F1.4 DC DN | Contemporary is offered in Sony E-mount, Leica L-Mount, and Fujifilm X Mount versions. The Sony E-mount and L-Mount versions will be available through authorized SIGMA retailers in late April 2023. The X mount version will be available in summer 2023.

To take advantage of the mobility of APS-C mirrorless cameras, the lens body is compact and lightweight, with a weight of 340g*, length of 76.9mm* and filter diameter of 52mm, offering exceptional imaging performance when paired with compact APS-C mirrorless camera along with high-megapixel, full-frame mirrorless cameras in APS-C crop mode such as the 61MP SIGMA fp L.

AF is driven by a quiet, high-speed stepping motor for swift, silent operation for both still and video capture, and excellent flare/ghosting resistance makes it ideal for real-world conditions. The lens is ideal for landscapes, journalism, everyday photography, and so much more; with a maximum magnification ratio of 1:7.3 and a minimum focusing distance of just under 10 inches.

* L-Mount version

Learn More

Sigma 23mm F1.4 DC DN Contemporary Lens

Orders

Support this site by ordering the Sigma 23mm F1.4 DC DN Contemporary Lens at B&H

Exclusively designed for APS-C mirrorless cameras

C | Contemporary

SIGMA 23mm F1.4 DC DN

A prime lens that is hard to let go.

• Large aperture F1.4 brightness and excellent resolution from maximum aperture
• Compact body optimized for APS-C mirrorless cameras
• A wide variety of APS-C format F1.4 prime lenses

Supplied accessories: Petal Type Hood LH554-01, FRONT CAP LCF-52 III, REAR CAP LCR II

Available mounts: L-Mount, Sony E-mount, FUJIFILM X Mount

* The appearance and specifications of the products are subject to change.

* Sony E-mount lenses are developed, manufactured and sold in accordance with the E-mount specifications licensed under a license agreement with Sony Corporation.

* L-Mount is a registered trademark of Leica Camera AG.

#SIGMA #SIGMA23mmContemporary #SIGMAContemporary #SIGMAContemporaryPrime #SIGMADCDN

The wide-angle lens ideal for APS-C mirrorless cameras joins the Contemporary line. High optical performance, F1.4 brightness, and compact enough to carry around every day.

With an easy-to-use angle of view equivalent to 35mm (on full frame), high optical performance, the brightness of a large F1.4 aperture, and a compact and lightweight lens body, SIGMA's experience accumulated in the Contemporary line has culminated in a lens that is ideal for use with APS-C mirrorless cameras. The lens offers excellent resolution from maximum aperture and the rich bokeh effects thanks to its F1.4 brightness. The lens demonstrates its descriptive power in a wide range of applications, including landscapes, portraits, and table photography. In order to take advantage of the high mobility of mirrorless cameras, the compactness of the lens body was also pursued. The SIGMA Contemporary lineup includes several compact and lightweight F1.4 single focal length lenses in the APS-C format, which are surprisingly compact to carry around. If you want to keep your equipment light and small, but not compromise on image rendering performance, this lens is sure to meet your needs, and will be a lens you will never want to let go.

[Key Features]

1. Large aperture F1.4 brightness and excellent resolution from maximum aperture.

The SIGMA 23mm F1.4 DC DN | Contemporary has an easy-to-use angle of view equivalent to 35mm in 35mm format, as well as the brightness of a large F1.4 aperture and high descriptive power. The optics is composed of 13 elements in 10 groups, including 3 SLD glass elements and 2 aspherical lens elements, to achieve sharp, clear images. The lens delivers excellent resolving power from the maximum aperture. Furthermore, the large F1.4 aperture allows for large, beautiful bokeh effects. The compact, palm-size body allows you to enjoy the rich descriptive power of mirrorless cameras. Careful countermeasures against ghosting and flare enable clear shooting even in backlit environments.

2. Compact body optimized for APS-C mirrorless cameras

To take advantage of the mobility of APS-C mirrorless cameras, the lens body is compact and lightweight, with a weight of 340g*, length of 76.9mm*, and filter diameter of 52mm. At the same time, the quality of the lens body itself has not been compromised. The high-precision machining technology of SIGMA's sole production facility in Aizu, Japan, has enabled the lens body to achieve the ideal balance between excellent optical performance based on the latest optical and mechanical design and compactness. The AF drive system uses a quiet, high-speed stepping motor. The latest algorithm enables quick focusing for easy shooting.

*The figures are for L-Mount.

Support for switching between linear and non-linear focus ring settings (L-Mount only)

For L-Mount cameras, it is possible to switch to "linear focus," in which the focus shifts by a fixed amount according to the rotation angle of the focus ring.

*Only for compatible L-Mount camera bodies.

3. A wide variety of APS-C format F1.4 prime lenses

The SIGMA Contemporary line offers a wide variety of APS-C format F1.4 prime lenses. All of them share the concept of combining superior resolution with compactness and light weight. By combining them according to your needs, you can build a compact photographic system without compromising on image quality.

The above figures are for L-Mount.

[Additional Features]

• Lens construction: 13 elements in 10 groups with 3 SLD and 2 aspherical lens elements
• Inner focus system
• Compatible with high-speed autofocus
• Stepping Motor
• Compatible with Lens Aberration Correction
  *Function available on supported cameras only. Available corrections may vary depending on the camera model.
• Support DMF and AF+MF
• Compatible with AF assist (Sony E-mount only)
• Super Multi-Layer Coating
• Petal Type Hood LH554-01
• Mount with dust and splash resistant structure
• Support for switching between linear and non-linear focus ring settings (for L-Mount only)
• Compatible with SIGMA USB DOCK UD-11 (sold separately / for L-Mount only)
• Designed to minimize flare and ghosting
• Every single lens undergoes SIGMA's proprietary MTF measuring system
• 9-blade rounded diaphragm
• High-precision, durable brass bayonet mount
• "Made in Japan" craftsmanship

[Key Specifications]

The figures below are for the L-Mount version:

Lens Construction: 13 elements in 10 groups (3 SLD and 2 aspherical elements)
Angle of view: 63.4°
Number of diaphragm blades: 9 (rounded diaphragm)
Minimum aperture: F16
Minimum focusing distance: 25cm / 9.9 in.
Maximum magnification ratio: 1:7.3
Filter size: 52mm
Dimensions (Max. Diam. x Length): 65.8mm x 76.9mm / 2.6 in. x 3.0 in.
Weight: 340g / 12.0 oz.

[Product Barcode]

L-Mount: 0085126348694
Sony E-mount: 0085126348656
FUJIFILM X Mount: 0085126348755

[Accessories: Supplied]

Product Name / Barcode

Petal Type Hood LH554-01 0085126940461
FRONT CAP LCF-52 III: 0085126929800
REAR CAP LCR II (L-Mount): 0085126937256
REAR CAP LCR II (Sony E-mount): 0085126929879
REAR CAP LCR II (FUJIFILM X Mount): 0085126939861

[Accessories: Optional]

Product Name / Barcode

SIGMA USB DOCK UD-11 for L-Mount: 0085126878696
SIGMA WR PROTECTOR 52mm: 0085126930905
SIGMA PROTECTOR 52mm: 0085126931032
SIGMA WR UV FILTER 52mm: 0085126930646
SIGMA WR CIRCULAR PL FILTER 52mm: 0085126930776

Sony Alpha 7R V firmware update version 2.00 is available for download.

Firmware Version 2.00 incorporates the following fixes and enhancements:

1. Adds support for the Creators' App
   Note: The new Creators' App mobile application replaces the Imaging Edge Mobile app. The Creators' App allows you to transfer images from the camera to your smartphone, shoot remotely, and use various other functions.
2. Adds a function that improves security when connecting with the Creators' App and Imaging Edge Desktop software for remote shooting and image transfers
   Note: Please update the Imaging Edge Desktop software to the latest version (Ver.3.6 or later)
3. Adds a function to switch the face that is prioritized for focus with a custom key
4. Improves the operational stability of the camera

Get the Sony Alpha 7R V at B&H.

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From Sony Electronics:

Sony Electronics Announces the ZV-E1, a New Full-Frame, Interchangeable Lens Camera for Video Creators

A Compact Lightweight Body Designed to Give Creators the Ultimate Video and Content Creation Tool

SAN DIEGO, CA - March 29, 2023 – Sony Electronics announced today the new ZV-E1, an interchangeable lens camera with a high performance 35mm full-frame image sensor for the ultimate video creation experience. Newly positioned in Sony’s ZV vlog camera line-up, the ZV-E1 boasts a 12MP full-frame image sensor, Sony’s latest BIONZ XR image processing engine, a dedicated AI (artificial intelligence) processing unit, compatibility with over 70 Sony E-mounti lenses, and other advanced technologies for capturing cinematic imagery with rich colors, low noise and high precision. The world’s most compact, lightweight full frame interchangeable lens cameraii , the ZV-E1 offers outstanding mobility, with refined operation to give video creators maximum creative freedom and versatility.

“The ZV-E1 has been designed to deliver a premium content creation tool for video creators who want to elevate their content,” says Yang Cheng, Vice President, Imaging Solutions, Sony Electronics Inc. “We are constantly listening to feedback from our customers, pushing to innovate to meet their demands. We have taken all the information into mind with our development of this new camera – with more sophisticated video features, a streamlined user experience and an extremely compact design, the ZV-E1 offers a whole new way for today’s creators to create top level video content.”

Expressive Imagery That Emphasizes the Subject

The ZV-E1 is a dedicated content creation camera that features a 35mm full-frame back-illuminated CMOS Exmor R™ sensor, with approximately 12.1 effective megapixels, delivering high sensitivity, low noise and gorgeous bokeh.

With up to eight timesiii more processing power than previous Sony processors, the new BIONZ XR™ image processing engine markedly boosts high-sensitivity performance, gradation rendering, color reproduction, low-noise performance, and more. The high volume of data generated by the image sensor can be processed in real time, even when shooting 4K (QFHD: 3840 x 2160) footage at 120piv. The BIONZ XR processor also contributes significantly to improved AF speed and precision.

High-quality 4K (QFHD) video can be recorded with full pixel readout at 10-bit 4:2:2, without the need for pixel binning and with very high speed to minimize rolling shutter. This makes the expressive advantages of the full-frame format available for video recording while delivering high-resolution 4K footage. Users can upgrade from 4K 60p to 4K 120pv through the Creators’ Cloud for extraordinarily smooth 5x (max.) slow-motion imageryvi. Direct playback for video in slow or quick motion in the S&Q modevii boasts outstanding image quality.

With 15+ stop latitudeviii, it’s possible to capture natural looking images in a wide variety of lighting to capture natural looking images even in extraordinarily low light situations without losing highlight or shadow detail. The standard ISO range extends from 80 to 102400 for both stills and movies. The expanded range for stills is 40 to 409600, and the expanded range for movies is 80 to 409600.

Turn Cinematic Dreams Into Reality

The ZV-E1 can create standout content with Cinematic Vlog Settingsix, an intuitive way to capture scenes with the cinematic look of feature movies. By choosing an appropriate Look, Moodx and AF transition speed, anyone can create cinematic footage that ideally matches the scene and creative intent. The overall cinematic feel is further enhanced by a 24 fpsxiv frame rate and the widescreen Cinemascope aspect ratio (2.35:1)xv.

For a truly cinematic look, the ZV-E1 features S-Cinetone, a unique Sony feature which can create a cinematic look straight out of the camera without post-processing. Based on Sony’s Cinema Line technology, S-Cinetone delivers natural mid-tones that are essential to healthy-looking skin color to deliver cinematic quality.

A selection of new Creative Looks makes it easy to create interesting appearances for stills and video right in the camera. Ten Creative Looks are provided as presets that can be used as they are or customized with the touch of a button. Newly added My Image Style xvi makes it possible to shoot in the Intelligent Auto or Scene Selection mode; icons on the touch-sensitive monitor make it easy to directly adjust background bokeh, brightness, and color tone, as well as select a Creative Look.

AI Plus Leading Technology Delivers Consistently Stunning Imagery

The ZV-E1 features a dedicated, powerful AI (artificial intelligence) processing unit that leverages Sony’s technologies to uniquely overcome the challenges of self-taken footage faced by “crew of one” creators. By using AI human recognition, newly developed features of Multiple Face Recognition, Auto Framing, Framing Stabilizer and even Auto Microphone directivity have now become possible. For the first time, the ZV-E1 allows for true self-taken footage and even minimizes or eliminates the need for a second shooter.

Real-time Recognition AF incorporates an innovative AI processing unit that uses subject form data to accurately recognize movement - human pose estimation technology uses learned human forms and postures to recognize not just eyes, but body and head position with high precision, making it possible to lock onto and track a subject facing away from the camera. The AI processing unit can even differentiate between multiple subjects having different postures and recognition of individual faces so that tracking reliability is achieved in challenging situations such as when a subject’s face is tilted, in shadow, or backlit. In addition to Human and Animalxvii, the AI processing unit now makes it possible to recognize Birdxviii, Insect, Car/Train and Airplanexviv subjects, providing even greater flexibility and reliability when shooting both stills and video.

The camera features Multiple Face Recognitionxx which automatically adjusts bokeh and focus on multiple recognized faces when shooting group selfies or group portraits - preventing problems like only the faces in the front being in focus while others further back are out of focus. Breathing Compensationxxi suppresses image shifts when focusing to maintain a consistent angle of view and achieve smooth focusing effects.

The ZV-E1 features AI-based Real-time Trackingxxii that can be activated by specifying the subject and half-pressing the shutter button. The camera will then automatically track the subject, leaving the user free to concentrate on framing and composition. The new camera has a fast Hybrid AF for fast acquisition and tenacious tracking as well detailed AF settings for ultimate precision and control.

Another new feature of the ZV-E1 is the AI-based Auto Framing for videoxxiii which is ideal for recording interviews, music performances, cooking, and much more. Using AI-based subject recognition technology, the Auto Framing feature automatically crops the frame to the users desired level, keeping the subject in a prominent position when shooting video. Even when the camera is mounted on a tripod, for example, the framing is continually adjusted so that the recorded footage looks like the subject is being followed by an experienced camera operator, ideal for a single person shooting scenario.

A compact, 5-axis xxiv stabilization unit and gyro sensors with optimized algorithms achieve up to 5.0-stepxxv stabilization. The in-body image stabilization of the camera provides effective stabilization with a wide range of lenses, including E-mount lenses that do not include their own stabilization. Dynamic active Mode stabilization xxvi is approximately 30% more effective than what Active Modexxvii provides. This makes it easier than ever to shoot smooth, stable footage while moving around for bold, dynamic expression. The ZV-E1 also boasts a Framing Stabilizerxxviii that uses advanced AI-based subject recognition in conjunction with the camera’s Dynamic active mode image stabilization to automatically keep the subject’s position in the frame constant.

The camera also features a Bokeh Switch for one-touch background bokeh enhancementxxviii and of course, the ZV-E1 also includes the Product Showcase Settingxxix in the rest of the Sony ZV line, designed for product review videos and allowing users to smoothly switch focus from the presenter’s face to a product and back.

Control Time To Capture Unforgettable Moments and Situations

In-camera time-lapse creation is a great feature for users who want to record time-lapse video sequences like the movements of clouds, people, cities and other slowly changing subjects in uniquely expressive ways. The exposure intervalxxx can be set from 1 second to 60 seconds, making it easy to compress slow action into enjoyable time-lapse sequences. Interval shooting used to capture individual still images at intervals greater than 60 seconds is also available.

Advanced Audio for Winning Content

The ZV-E1 features a high-performance 3-capsule microphone with variable directivity to optimize clear and crisp audio recordings. Front, all directions, and rear directivity settings are available to match a variety of environments, and for the first time, automatically switches to a direction in line with face recognition, so users can easily make optimal recordings. The new Autoxxxi setting allows [Front] or [All Directions] directivity to be automatically selected according to the current subject recognition and tracking status. The camera also includes a Multi Interface (MI) shoe with digital audio interface and mic and headphone jacks offer expanded audio capabilities. Supplied with the camera, is a windscreen that can significantly reduce noise when shooting in windy conditions.

Advanced and in-Depth Editing Support Gets The Creator’s Intent Across

The ZV-E1 can record 10-bit 4:2:2 video internally when using Long GOP or All Intra compression, supports internal intra-frame (All-I)xxxii recording and XAVC HSxxxiii format recording using the MPEG-H HEVC/H.265 codec provides approximately doubled efficiency.

The camera has Flexible ISO, which can be set to AUTO or manually set between 640 and 102400 (160 and 409600 in expanded ISO mode). Picture profiles with assignable LUTs are available so users can create specific looks when shooting in modes other than one of the preset Log modes.

The ZV-E1 records image stabilization and camera rotation metadata that can be useful when editing in the free Catalyst Browse desktop application, paid Catalyst Prepare desktop applicationxxxiv or pluginxxxv as users can quickly and precisely stabilise footage during editing. Lens breathing compensation can be applied during editing.

Designed for easy content creation

The ZV-E1 has been designed for ease of use, with a side-opening vari-angle, 3 inch type 1.07 Mdot LCD Screen for easy monitoring, a touch function while recording and control layout and grip optimized for content creation.

The new camera features uninterrupted power for extended recording with Sony’s high-capacity Z battery and USB PD (Power Delivery) that supports fast chargingxxxvi. The ZV-E1 also features a dust and moisture resistant designxxxvii.

Stream top-quality live content as when connected to a personal computer or smartphonexxxviii via USB the ZV-E1 can function as a 4K (2160p) webcam and take online meetings, live events, and even simple conversations with family and friends to new creative heights.

Creators’ Cloud and Easy Smartphone Connection

Creators can connect and share content easily with Sony’s newly announced Creator’s Cloudxxxix platform and easy smartphone connection.

The Creator’s App can be used to control the ZV-E1 from the smartphone, and transfer stills and videos shot on the camera to the smartphone. Camera battery and media status can be monitored from the smartphone, and date and camera names can be edited as needed. The Creator’s App also provides a convenient way to update camera software.

Designed With Sustainability in Mind

In addition to Sony’s commitment to a sustainable future with global initiatives like Road to Zero and the 2030 renewable energy goal, the ZV-E1 has been specifically developed with sustainability in mind.

The camera has a newly developed windscreen using fibers made from recycled PET bottlesxxxx to reduce Sony’s environmental impact, without compromising functionality. Lastly, the outer packaging of the ZV-E1 is environmentally conscious and recyclable with no plastic and employs Sony’s ‘Original Blend Material’ – bamboo, sugar cane and recycled paper. Also, plant-based non-woven fabrics are used for the product bagsxxxxi to minimize Sony’s environmental footprint.

Also, ZV-E1 includes accessibility features that facilitate operation in several ways, including screen reader functionality for the visually impairedxxxxii. Accessibility features allow anyone to enjoy shooting and playback using the ZV-E1.

Pricing and Availability

The new ZV-E1 will be available in May 2023 at a variety of Sony’s authorized dealers, for an estimated retail price of $2,199.99 USD and $2,999.99 CAN. A kit variation including the compact full-frame 28-60 mm F4.5-5.6 zoom lens is also available for an estimated retail price of $2,499.99 USD and $3,399.99 CAN.

Orders

Preorder starts at 10am ET, Thu Mar 30. Support this site by ordering the Sony ZV-E1 at B&H.

Notes:

i It can be used with all E-mount lenses including the superlative G Master series with stunning resolution and world-class bokeh.

ii As of the March 2023 product announcement, based on a Sony survey of interchangeable-lens digital cameras with 35mm full-frame image sensors and optical in-body image stabilization.

iiiCompared to the BIONZ X image processing engine in the ZV-E10. Sony tested.

iv A free license key must be downloaded from Sony’s camera upgrade website and installed in the camera. Not available in some countries and regions. To be released in June 2023 or later. Visit the following URL for details: https://creatorscloud.sony.net/cameraupgrade/4k120p/ QFHD(3840×2160) with approx. 10% image crop.

v A free installation key must be downloaded from the issuing web site and installed in the camera. QFHD(3840×2160) with 10% image crop.

vi Post-production editing and S&Q mode recording required.

vii Audio recording not available in the S&Q mode.

viii S-Log3 movies, Sony tests.

ix Available in the Movie and S&Q modes. Not available for XAVC S-I 4K recording in S&Q mode.

x Mood is not available when the [Mono] Look is selected.

xi S-CINETONE/ CLEAN / CHIC / FRESH / MONO

xii AUTO / GOLD / OCEAN / FOREST

xiii HIGH / MID / LOW

xiv Recording frame rates are indicated as the closest integer values. The actual corresponding frame rates are as follows: 24p: 23.98 fps, 30p: 29.97 fps, 60p: 59.94 fps, and 120p: 119.88 fps.

xv The black bands above and below the image are recorded as part of the image. The image area between the black bands is Cinemascope aspect ratio, but aspect ratio of the entire recorded image area is 16:9.

xvi Settings are reset when switching between the still, movie, and S&Q modes (including REC in Still mode).

xvii Animal recognition has been expanded, now recognising the eye of some grazing and small animals in addition to the eyes and heads of dogs, cats, and similarly featured animals

xviii The newly added Bird mode easily pinpoints the eyes of a variety of bird types as well as recognising bird heads, bodies, and poses

xviv Camera may not accurately recognize all specified subjects in all conditions. Available subject settings are: [Human], [Animal/Bird], [Animal], [Bird], [Insect], [Car/Train], and [Airplane]. Subject types other than the type specified may be erroneously recognized in some cases

xx Available in the movie or S&Q mode when Intelligent Auto is selected with [AF Subject Recognition] set to [Human].

xxi Only available with lenses that support Breathing Compensation. Angle of view and image quality may change slightly. Full compensation may not be possible with all lenses. This function is not available when Distortion Comp. is OFF, the S&Q mode is in use, or the recording format is set to RAW or any format that includes RAW. http://support.d-imaging.sony.co.jp/support/ilc/breathing/en/

xxii [Tracking] in the menu. Based on advanced artificial intelligence, including machine learning.

xxiii Only available for video. Framing is cropped from 4K images, resulting in reduced angle of view.

xxiv Angular shake (pitch/yaw) has the biggest impact on image quality and tends to increase at longer focal lengths, X/Y shift that is most apparent in high magnification macro shots and rotational shake (roll) that can ruin night shots and movies.

xxv CIPA standards. Pitch/yaw shake only. FE 50mm F1.2 GM lens. When shooting stills.

xxvi Dynamic active Mode reduces angle of view more than Active Mode. Clear Image Zoom is not available when shooting 4K movies using Dynamic active Mode.

xxvii Compared to the a7S III Active Mode. Sony internal tests.

xxviii Backgrounds can be quickly defocused by simply pressing it. This feature makes it easy to achieve beautiful full-frame bokeh that effectively emphasizes the main subject while creating deep, impressive images.

xxix [Subject Recognition in AF] is locked to [Off], and [Focus Area] is set to [Zone].

xxx Maximum exposure interval is 6 seconds when shooting 4K.

xxxi [Front] or [All Directions] directivity is automatically selected according to the current subject recognition and tracking status.

xxxii When XAVC S-I 4K or HD is selected via the file format menu.

xxxiii Catalyst Browse™ Version 2022.1 or later, or other XAVC HS compatible editing software is required for editing

xxxiv Supported in Catalyst Browse/Prepare Version 2020.1 or later. Image stabilisation metadata that can be used by Catalyst is generated when using a Sony E-mount lens with the camera’s optical image stabilisation set to [OFF] or [Active].

xxxv These features may not be usable in some countries or regions. For details, refer to Service Availability by Country/Region here https://support.d-imaging.sony.co.jp/app/cpplugin/

xxxvi USB charging and power delivery are only supported via the USB Type-C® terminal. A battery must be installed in the camera when supplying USB power. The internal battery may drain even if USB power is supplied, depending on the adapter used and camera operating conditions.

xxxvii Not guaranteed to be 100% dust and moisture proof.

Xxxviii When streaming via USB maximum image resolution is 3840 x 2160 and maximum frame rate is 30 fps. The OS of the computer or smartphone used must be compatible with UVC/UAC. Use the most up-to-date OS available for your device. A commercially available USB cable and/or terminal adaptor may be used to connect to equipment with a USB Type-C port. When connected via USB2.0. maximum image resolution is HD (720p) and maximum frame rate is 30p.

xxxix Sony’s Creator’s Cloud platform brings the latest camera technology together with cloud AI technology to support the entire creator workflow, from shooting to production. Availability timing of services will vary by region and country.

xxxx Recycled material may not be available depending on the time of production.

xxxxi Not including materials used in coatings and adhesives. Natural non-woven fabric may not be available during some production periods.

xxxxii The initial shipping setting is English and can be changed to 10 different languages in the menu.

Image quality, vignetting, flare, and distortion test results from the Canon EOS R7 are now available on the Canon RF-S 55-210mm F5-7.1 IS STM Lens page.

Support this site by ordering the Canon RF-S 55-210mm F5-7.1 IS STM Lens from B&H | Canon USA | WEX

"Capture One 23 (16.1.2) is a service release containing multiple bug fixes and improvements, along with feature updates to Capture One Live. Plus additions to both camera and lens support."

Get the full details of this update in the release notes.

New Cameras Supported

Canon EOS R8
Canon EOS R50

New Lenses Supported

Canon RF 15-30mm F4.5-6.3 IS STM Lens
Canon RF 100-400mm F5.6-8 IS USM Lens
Canon RF 16mm F2.8 STM Lens
Canon RF 24mm F1.8 Macro IS STM Lens
Canon RF 135mm F1.8 L IS USM Lens
Canon RF-S 18-150mm F3.5-6.3 IS STM Lens
Sigma 50mm F1.4 DG DN Art Lens

Get Capture One 23 at B&H.

From DxO:

DxO PureRAW 3, the groundbreaking RAW photo enhancement software, gives photographers incredible image quality thanks to DeepPRIME XD

Together with innovative DeepPRIME XD — eXtreme Detail — denoising technology, this major new version of DxO’s award-winning RAW processing software delivers greater control without reducing the‘one-click’ functionality that users love. It also features pivotal upgrades to the user interface, making workflow even smoother.

Paris (France): DxO Labs, the company which kick-started modern RAW processing and lens correction, today announces the immediate availability of DxO PureRAW 3, its revolutionary RAW enhancement software. PureRAW 3 optimizes the quality of any RAW image by eliminating noise, improving color, enhancing detail and correcting lens flaws. DxO PureRAW 3 now features DxO’s latest artificial intelligence technology, DeepPRIME XD, delivering industry-leading noise reduction and RAW image enhancement; greater control over which corrections are applied through DxO’s renowned Optics Modules; and user interface modifications that offer improved integration with every photographer’s workflow.

DxO DeepPRIME technology gets even better — and for Fujifilm photographers, too! DxO PureRAW set the standard for noise reduction and image improvements – but the introduction of DeepPRIME XD pushes performance even further. By using a larger neural network than regular DeepPRIME, DeepPRIME XD delivers greater levels of detail, improved color accuracy, and smoother, noise-free bokeh when shooting at even the highest ISO levels.

With DeepPRIME XD, photographers report improvements of more than 2.5 stops in noise performance. For example, images shot at ISO 4000 more closely resemble those captured at ISO 500 in terms of noise, color, and clarity.

Because noise reduction is performed as part of the RAW conversion process, DeepPRIME XD can also improve the dynamic range of an image, giving photographers greater flexibility when shooting in challenging situations where light is limited. The original DeepPRIME mode remains part of DxO PureRAW 3 for images that demand less enhancement or where faster performance is required.

“DeepPRIME almost surprised us when we first saw the results,” explains DxO’s VP of Marketing and Product Strategy, Jean-Marc Alexia. “We quickly realized that a larger neural network could boost performance, and that’s what we’ve delivered with DeepPRIME XD. This technology pushes the boundaries even further, and DxO PureRAW 3 will revolutionize any photographer’s images — and without disrupting their existing workflow.”

Until today, DeepPRIME XD did not process RAW files from cameras with an X-Trans sensor. However, with DxO PureRAW 3, Fujifilm X Series photographers will be delighted to learn that their cameras are supported, a development reflected in DxO PhotoLab 6.4, also released today. As a result, X-Trans images can undergo incredible noise reduction, remarkable detail enhancement, and the restoration of accurate colors, especially when shooting at high ISO levels.

Power is nothing without control

As well as greater performance, DxO PureRAW 3 gives photographers a new level of control. The software’s updated interface now offers options for levels of lens softness correction, as well as the ability to toggle vignetting and chromatic aberration corrections. Furthermore, photographers can access the whole image area captured by the sensor, avoiding the crop enforced by other software when correcting deformations.

Interface improvements for a smoother workflow

DxO PureRAW 3 also introduces a number of improvements when it comes to workflow. Users can create multiple queues when batch processing large numbers of files, with the option to edit, re-order, and prioritize both images and queue lists while processing is underway. In addition, photographers can now choose to export files in TIFF format, alongside the existing JPEG and Linear DNG options.

Try DxO PureRAW 3 for free at DxO Software.

Just posted: Sony FE 20-70mm F4 G Lens Review

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Support this site by ordering the Sony FE 20-70mm F4 G Lens from B&H | Amazon (all available countries) | WEX

Rent the Sony FE 20-70mm F4 G Lens from Lensrentals.

Check out the new Stash Master Camera Cubes at Think Tank Photo.

"Turn any backpack, roller, or duffel into a camera bag — or use as a photo storage cube that’s ready to go at any time!"

Sony Alpha 7 IV firmware update version 2.00 is available for download. Read the instructions carefully.

Firmware Version 2.00 incorporates the following fixes and enhancements:

1. Adds support for the Creators' App
   Note: The new Creators' App mobile application is available to replace the Imaging Edge Mobile app. The Creators' App allows you to transfer images from the camera to your smartphone, shoot remotely, and use various functions.
2. Adds functions that improve security when connecting for remote shooting and image transferring with Creators' App and Imaging Edge Desktop software
   Note: Please update the Imaging Edge Desktop software to the latest version (Ver.3.6 or later)
3. Improves the operational stability of the camera

Get the Sony Alpha 7 IV at B&H.

Just posted: Sigma 50mm F1.4 DG DN Art Lens Review.

Is this the next lens for your kit?

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Support this site by ordering the Sigma 50mm F1.4 DG DN Art Lens from B&H | Amazon (all available countries) | WEX

Rent the Sigma 50mm F1.4 DG DN Art Lens from Lensrentals.

Image quality test results are now available on the Sony FE 20-70mm F4 G Lens page.

This is a sharp lens. Check out these comparisons:

Compared to the Sony FE 24-105mm F4 G OSS Lens

Compared to the Sony FE 24-70mm F4 ZA OSS Lens

Compared to the Sony FE 24-70mm F2.8 GM II Lens

Compared to the Sony FE PZ 16-35mm F4 G Lens

Build your own comparisons.

Support this site by ordering the Sony FE 20-70mm F4 G Lens from B&H | Amazon (all available countries) | WEX

Rent the Sony FE 20-70mm F4 G Lens from Lensrentals.

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For a long time, I have been sharing my camera setup guides and including a link to them at the bottom of each relevant review page. These pages have become quite popular, so now a "Setup Guide" link is included in the top navigation for these camera reviews.

The guides are free, but please remember to support this site.

Here is the complete list of setup guides (as of this post):

• Canon EOS-1D X Mark III
• Canon EOS-1D X Mark II
• Canon EOS 5D Mark IV
• Canon EOS 5Ds R
• Canon EOS 6D Mark II
• Canon EOS 90D
• Canon EOS 80D
• Canon EOS 77D
• Canon EOS Rebel T8i / 850D
• Canon EOS Rebel T7i / 800D
• Canon EOS Rebel SL3 / 250D
• Canon EOS 5Ds
• Canon EOS 5D Mark III
• Canon EOS 7D Mark II
• Canon EOS Rebel T6s / 760D
• Canon EOS Rebel T6i / 750D
• Canon EOS Rebel T6 / 1300D
• Canon EOS Rebel SL2 / 200D
• Canon EOS R3
• Canon EOS R5
• Canon EOS R6 Mark II
• Canon EOS R6
• Canon EOS R7
• Canon EOS R8
• Canon EOS R10
• Canon EOS R50
• Canon EOS R
• Canon EOS RP
• Canon EOS M50
• Canon EOS M200
• Canon EOS M5
• Canon EOS M6 Mark II
• Canon EOS M6
• Canon EOS M100
• Nikon Z 7
• Nikon Z 6
• Nikon D850
• Sony Alpha 1
• Sony Alpha 9 II
• Sony Alpha 7R V
• Sony Alpha 7R IV, IVA
• Sony Alpha 7R III, IIIA
• Sony Alpha 7 IV
• Sony Alpha 7 III
• Sony Alpha 7C
• Sony Alpha 9

Image quality test results have been added to the Sigma 50mm F1.4 DG DN Art Lens page.

Check out how Sigma's latest entry into the beloved, affordable 50mm f/1.4 lens category performs.

Compared to the Sigma 50mm f/1.4 DG HSM Art Lens

Compared to the Sony FE 50mm F1.4 ZA Lens

Compared to the Sony FE 50mm F1.2 GM Lens

Compared to the Canon RF 50mm F1.2 L USM Lens

Support this site by ordering the Sigma 50mm F1.4 DG DN Art Lens from B&H | Adorama | Amazon (all available countries) | WEX

Rent the Sigma 50mm F1.4 DG DN Art Lens from Lensrentals.

Please share!