From Venus Optics:
Featuring an ultra-wide 122° Angle of View and weighing only 1.34 pounds, this is also the world’s *fastest 12mm lens for full frame cameras. It is now on Kickstarter.
Anhui China, Jul 30, 2016 – Venus Optics, the camera lenses manufacturer who had previously launched several unique lenses including a Wide Angle Macro Lens & a Smooth Trans Focus Lens, is pround to introduce the world’s widest f/2.8 Lens, Laowa 12mm f/2.8 Lens for full frame cameras.
The new Laowa 12mm f/2.8 Lens features a close-to-zero optical distortion, allowing photographers to take landscape/architecture shots with straight lines retained. Featuring a widest angle of view (122°) ever built with a f/2.8 lens, the Laowa Lens is an ideal lens for a variety types of photography. From landscape, architecture, interior, travel to the most important one, astro photography. The combination of ultra wide-angle and fast aperture makes this lens a perfect tool for creating impressive milky way shots.
The Laowa 12mm f/2.8 Lens is designed for photographers for everyday use and hence the weight and size has been controlled to the minimal. The lens weighs only 1.34 pounds (0.6kg) and has a front diameter of 77mm. Venus Optics also offers a filter holder which is designed to fit 2 pieces of 100mm filters and 1 piece of Circular Polariser.
The lens incorporates with 16 elements in 10 groups optical design, including 3 pieces of Extra-Low Dispersion elements and 2pc of Aspherical Elements. This design not only delivers an outstanding image sharpness and controls the distortion to the minmal, but also controls the chromatic aberration at its lowest level. A floating design is also adopted to ensure a good performance even in the closest focusing distance (0.18cm). The enclosure of the lens is fully made of metal to strengthen its durability. Canon EF, Nikon F, Sony E, Sony Alpha and Pentax K mounts are available.
Laowa Magic Shift Converter
Along with the new Laowa 12mm f/2.8 Lens, Venus Optics also announces the Laowa Magic Shift Converter which is able to enlarge the full frame image circle through the 4pcs of elements inside the converter. The enlarged image circle provides sufficient image field for lenses shifting by a maximum of 10mm without vignetting. It will transform the Laowa 12mm f/2.8 Lens (DSLR mount) into a 17mm f/4 Professional Shift Lens with +/- 10mm shift capability for Full-Frame E-mount cameras. It is a perfect tool for professional architectural photography. The principle is explained in below diagram.
The Laowa 12mm f/2.8 lens will firstly be available for backing via Kickstarter from July 30 (EST Time) onwards. It will then be available for purchase at authorized distributors and resellers from Sept 2016 onwards. The recommended retail price without tax is USD $949.00.
The Laowa Filter Holder & Laowa Magic Shift Converter will be available at authorized distributors and resellers from October onwards. The recommended retail price without tax is USD $50.00 and USD $300.00 respectively.
According to the Egami Blog, Tamron has patented a 10-24mm f/3.5-4.5 VC optical design.
by Sean Setters
There are few simple joys in life that surpass witnessing a beautiful sunrise, a fog-laden valley or a majestic mountain with snow-capped peaks. However, to capture the magnificence of the outdoors, there are a few accessories that every landscape photographer should have at hand.
1. Circular Polarizing Filter
If I had to pick the most important landscape accessory, the venerable circular polarizer would be an easy choice. Not only can a circular polarizer give you rich, dark blue skies, but it can also allow you to dial in just how much surface reflection you want in water scenes. No other item on this list will have as much of an impact on your landscape photography than a CPOL. If you want better landscape photos and it's not already part of your kit, make a CPOL your next photography purchase. Our particular favorites are B+W XS-Pro circular polarizers. Their rims are wide enough to use standard lens caps but not too wide to cause vignetting.
2. ND Filter(s)
Sometimes captivating landscape photographs require longer-than-normal exposures times. Want blurred water in your waterfall pictures? How about clouds streaking across the sky? Unless the ambient light is relatively low, you'll need a neutral density filter to restrict the amount of light reaching your camera's sensor.
ND filters come in two basic flavors – solid and variable. Solid NDs have been around for decades and feature a fixed opacity. The opacity rating can be a bit confusing, though. For instance, an ND that blocks 10-stops of light can be listed as a "10-stop filter," "3.0 filter" or "ND1000." Just for the sake of clarification, here's a reference table below:
In addition to solid ND filters, variable ND filters are also available. The benefit of a variable ND is that you can dial in the exact amount of density you want for a specific need. That means a typical variable ND filter can replace a 2-stop, 4-stop, 6-stop and 8-stop filter thereby reducing the amount of gear needed for a given landscape adventure. The downside is that variable ND filters are thicker than their solid ND counterparts and may cause strong vignetting (especially on wide-angle lenses).
When it comes to solid ND filters, Breakthrough Photography's X4 filters came out tops in Bryan's tests. As for variable NDs, Singh-Ray makes some of the best, but they are extremely pricey (and even that may be an understatement). I own the Singh-Ray Vari-N-Duo, a combination variable ND and circular polarizer, and love it. However, its width makes it impossible to use at wide focal lengths without hard vignetting. If I were in the market for a variable ND right now, I'd probably pick up the B+W XS-Pro ND Vario MRC-Nano. It's still pricey, but compared to the Singh-Ray, a definitely more wallet-friendly.
Before we get off the topic of ND filters, let's address the issue of color casts. Most ND filters will introduce some sort of color cast in your image. To counteract this, shoot a properly exposed test image of a color calibration target (like the X-Rite ColorChecker Passport Photo) in the same light as your landscape and calibrate colors in post processing.
3. Lightweight Tripod and Head
While just about any focal length can be advantageous for landscape photography, very few photographers will prefer carrying around big white supertelephoto lenses for landscape use. As such, a landscape-oriented tripod can be smaller and lighter with a low-to-moderate load capacity. We generally prefer to purchase a tripod with a maximum load capacity at least twice what we intend on using on the tripod to ensure optimal stability. For my own general landscape use, that translates to a tripod with a load capacity rating of around 15 lbs.
How'd I arrive at that number? Well, my typical landscape setup includes a gripped 5D Mark III with an L-bracket and an EF 17-40mm f/4L USM with the hood attached. That combination tips the scales at 4 lb 10 oz (note including the weight of any filters being used). While that may be a "typical" setup, I want the tripod to be able to support my 70-200mm f/2.8L IS as well (should the focal range be desired), and that combination weighs in at 7 lb 8 oz.
Arguably the three most important factors for choosing a tripod for landscape use are size, weight and load capacity. While there are many great landscape vistas within a short walk from available parking, the vast majority of breathtaking views require at least some hiking to reach. As such, the benefits of a lightweight, compact tripod seem to be augmented with each step required to arrive at your ultimate destination.
When it comes to lightweight, compact, high-quality tripods, Gitzo Traveler and Mountaineer carbon fiber tripods are hard to beat. Unfortunately, they feature a price tag that may be difficult to justify unless you consider landscapes to be a primary photography interest. Other tripods you may want to look at in this market are the Benro Travel Angel, Oben Travel and Manfrotto Manfrotto 190go!-series tripods.
As travel tripods are not designed with ultimate in load capacities in mind, you don't necessarily need the highest-spec'd head on top of it. While the Arca-Swiss Monoball Z1 is our favorite ball head, it's anything but lightweight. Considering that my needs above dictated a tripod with a load capcity in the neighborhood of 15 lb, putting a ball head on top which can support 130 lb may be the definition of "overkill."
One of the best ball heads for travel tripods is the Acratech GP-ss Ballhead with Lever Clamp. Reasons why we like it: 1) it's lightweight at 0.84 lb, 2) has a load capacity rating of 25 lb, 3) features an Arca-style lever release clamp on top and 4) is compatible with tripod legs which fold up beyond the ball head (relatively common with travel tripods) and 5) it looks really cool. Ok, so that last benefit doesn't really matter from a landscape perspective, but still...
With lower load capacity requirements, there are many ball heads that can fill the role of a travel head. Weighing in at only 1 lb, the Oben BC-126 would be a lower-end but quite reasonably spec'd option.
Of course, if reduced size and weight are not important for your landscape photography needs, any high quality tripod and ball head will work.
4. Hiking Backpack
When it comes to choosing a backpack for landscape photography, there are a few things to keep in mind:
Note: Site visitor Mark suggests the Olivon PodTrek Backpack is a great option for smaller amounts of gear. Simply attach the pack to your tripod, throw it on your shoulders and get going!
5. LCD Viewfinder Loupe
This is one of those items that you can't imagine living without after you've added one to your kit – an LCD Viewfinder Loupe. Whether focusing at 10x Live View or checking an image preview on the LCD screen, the loupe blocks out all extraneous light so that you see things clearly. While we certainly advise using the histogram to aid in determining exposure settings, being able to see the LCD without glare can help you get a better sense of the tones in your image and how they relate to one another.
My particular favorite LCD viewfinder loupe is the Hoodman Compact HoodLoupe Optical Viewfinder for 3.2" LCD Screens which I use with a 5D Mark III and 7D Mark II. I like it because it works well and compacts down into a relatively small space.
Well, that's our Top 5 Landscape Accessories. Was there another piece of gear that deserved to be included but wasn't? Let us know in the comments.
Site Visitor Suggestions:
Firmware Version 188.8.131.52.00 incorporates the following update:
Download: Canon EOS C300 II Firmware v.184.108.40.206.00
This lens is looking sharp. Let's look at some comparisons:
Canon 400mm f/5.6L vs Canon 300mm f/4L IS with 1.4x
Canon 400mm f/5.6L vs Canon 400mm f/2.8L IS II
Canon 400mm f/5.6L vs Canon 300mm f/2.8L IS II with 1.4x
Canon 400mm f/5.6L vs Canon 100-400mm f/4.5-5.6L IS II
Canon 400mm f/5.6L vs Canon 70-200mm f/2.8L IS II with 2x
According to the Egami Blog, Tamron has patented the optical forumla for a 20mm f/2 VC.
This lens would make a very interesting addition to Tamron's recent releases, notably the 35, 45 & 85mm f/1.8 VC primes. A 20mm f/2 prime with VC would compete strongly against the Sigma 20mm f/1.4 Art (and Nikon 20mm f/1.8G ED, for that matter) as many will gladly give up a 1-stop aperture advantage to gain built-in stabilization.
Description of Patent*
* Some specifications have been omitted here due to translation concerns.
Fast, prime mid-telephoto lens delivering the large, smooth and beautiful bokeh and edge-to-edge rendering
TOKYO - Nikon Corporation is pleased to announce the release of the AF-S NIKKOR 105mm f/1.4E ED, a fast, mid-telephoto fixed focal length (prime) lens that is compatible with Nikon FX-format digital SLR cameras.
The AF-S NIKKOR 105mm f/1.4E ED is a fast, mid-telephoto fixed focal length (prime) lens with which a focal length of 105mm, a maximum aperture of f/1.4, and AF capabilities have been achieved. The 105mm and f/1.4 specifications achieve a shallow depth of field and large bokeh, enabling photographic expression that makes the most of the impressive cropping of a scene and optimal compression effects.
This lens was developed based on the design concept that is, "three-dimensional high fidelity". Thus, it is capable of more natural 3D reproduction of three-dimensional subjects on the two-dimensional fields that are photos, as well as large and beautiful bokeh characteristics, that provide smooth alteration of bokeh as the distance from the focus position increases. These characteristics enable rendering with a natural sense of depth in portraits and images of still objects.
On the other hand, landscapes are reproduced with superior resolution all the way to the edges of the frame, even at maximum aperture, for extremely sharp and clear rendering. Superior point image reproduction capabilities ensure rendering of points and sharp points for very little distortion or bleed with the pinpoint light sources in night landscapes. Night landscapes are sharply reproduced.
In addition, three ED lens elements that provide compensation for chromatic aberration have been adopted, Nano Crystal Coat is utilized for effective reduction of ghost and flare, the lens is equipped with an electromagnetic aperture mechanism that enables stable exposure control, even with high-speed continuous shooting, and highly durable fluorine coat, which effectively repels dust, water, grease, and dirt, has been adopted.
The bright viewfinder image of this fast fixed focal length (prime) lens is advantageous not only because it reduces stress for more comfortable shooting, but also it enables hand-held capture of dimly lit scenes.
The AF-S NIKKOR 105mm f/1.4E ED, which embodies the "three-dimensional high fidelity" concept, responds to the demands of professional and advanced amateur photographers pursuing their own imaging intent with a variety of photographic scenes. It is capable not only of impressive portraits and photos of still subjects that beautifully utilize the large and smooth bokeh characteristics, but also daytime, evening, and night landscapes that exhibit superior resolution all the way to the edges of the frame, and excellent reproduction of point images.
TOKYO - Nikon Corporation is pleased to announce that total production of NIKKOR lenses for Nikon interchangeable lens cameras reached one-hundred million* in June of 2016.
NIKKOR's history began in 1932 with Nikon's (then Nippon Kogaku K.K.) registration of the NIKKOR trademark, soon followed in 1933 with the release of Aero-Nikkor aerial photographic lenses. In 1959, Nikon released the Nikon F SLR camera as well as its first NIKKOR lenses for Nikon SLR cameras including the NIKKOR-S Auto 5cm f/2.
The NIKKOR brand
NIKKOR is Nikon's brand of photographic lenses. The NIKKOR name arose from adding "r"—a common practice in the naming of photographic lenses at the time the name was established—to "Nikko", the Romanized abbreviation for Nippon Kogaku K.K., the original name used when the company was established.
The entire length of the road that leads to the release of new NIKKOR lenses, from initial design and development to production and final inspection, is managed in accordance with Nikon's exclusive and exacting quality standards, which support high-quality NIKKOR lenses that respond to the strict demands of users.
Nikon's lineup of NIKKOR lenses currently consists of more than 90 types of lenses, including fixed focal length (prime) lenses covering ultra-wide-angle to super-telephoto angles of view, fisheye lenses, zoom lenses, Micro lenses, and PC-E lenses that support a wide variety of applications, as well as 1 NIKKOR lenses for Advanced Cameras with Interchangeable Lenses.
Nikon has launched the NIKKOR.com global branding site, which spreads the appeal of NIKKOR lenses around the world with a wide variety of captivating contents, including photo and video galleries containing works recorded with NIKKOR lenses, video interviews with lens designers, and much more.
Nikon F mount, running parallel to NIKKOR lenses for more than 50 years
The mount used by Nikon for its SLR cameras and interchangeable lenses in the more than half a century that has passed since Nikon released its first SLR camera in 1959, the Nikon F, has been the Nikon F mount. Since the introduction of the Nikon F mount in 1950, a bayonet mount has been adopted, stainless steel, known for its superior durability and corrosion resistance has been used, and the mount's basic design foresaw the increase in lens diameters. Throughout its history, the cutting-edge technologies of the time, including aperture control and autofocus, have been adopted for the F mount, and we will continue to do so, ensuring support for the latest digital cameras and lenses.
While developing the latest optical technologies and commercialization of products utilizing these technologies, Nikon continues its work in the research and development of means of evaluating optical performance. In 2013, Nikon began development and deployment of OPTIA, a device for measuring all forms of aberration occurring with photographic lenses that was originally developed as a means of measuring aberration in IC steppers and scanners, as well as a dedicated image simulator that is used with OPTIA. OPTIA and the dedicated image simulator are still used to evaluate and verify NIKKOR lens characteristics today.
In addition to resolution, camera lens performance is indicated by such characteristics as blur (as known as "bokeh"), reproduction of textures, and sense of depth. The application of OPTIA's aberration measurement to Nikon lenses has always had a very high reputation.
The image simulator (software) developed alongside OPTIA enables simulation at the design stage that is equivalent to actual photography with lens prototypes. Consequently lenses can be developed with greater control over not only resolution, but also a wide variety of lens characteristics.
Adoption of the new design concept formulated with the use of OPTIA and the image simulator will enable more effective development of high-performance lenses with unique characteristics, and allow Nikon to provide customers with interchangeable lenses that offer new forms of value never before seen.
One of the lenses designed using OPTIA is the AF-S NIKKOR 105mm f/1.4E ED, released today. This lens embodies the "three-dimensional high-fidelity (superior reproduction characteristics)" design concept that represents Nikon's ideal with more natural three-dimensional reproduction of three-dimensional objects on the two-dimensional field known as a photograph. It enables photos with a natural sense of depth and in which the primary subject is impressively rendered, while expressing beautiful bokeh characteristics that change gradually as the distance from the focus position increases.
Nikon will celebrate its 100th anniversary in 2017. Nikon will continue to develop high-quality, appealing products that exceed expectations with more advanced technologies and even stricter quality control, and to offer the services our users need.
*Interchangeable lenses for Nikon SLR cameras and Nikon 1, Advanced Camera with Interchangeable Lenses
Lightroom CC 2015.6.1 and Lightroom 6.6.1 are now available. The goal of this release is to provide additional camera raw support and address critical bugs that were introduced in previous releases of Lightroom.
Thank you for all your feedback and passion for Lightroom.
New Camera Support in Lightroom CC 2015.6.1 / 6.6.1
Customer reported issues resolved
Please select Help > Updates to update to the latest version.
Here are some comparisons you might find interesting:
Canon EF 300mm f/4L IS vs. Canon 300mm f/2.8L IS II
Canon EF 300mm f/4L IS w/ 1.4x vs. Canon 100-400mm f/4.5-5.6L II IS
Canon EF 300mm f/4L IS vs. Canon 100-400mm f/4.5-5.6L II IS at 300mm
Canon EF 300mm f/4L IS vs. Canon 200mm f/2.8L II w/ 1.4x
EOS 5Ds R results from the Canon EF 400mm f/5.6L USM Lens are coming soon. The 300mm f/4L IS plus 1.4x vs. 400mm f/5.6L comparison is always a good one.
Today we’re proud to introduce the newest member of the Lightroom family: Lightroom for Apple TV.
Our goal has always been to make Lightroom the one solution that you use to enjoy your photography, anywhere and to let you share your photos with anyone, anywhere, with the best possible quality. Now, with Lightroom for Apple TV that goal has become a reality on the big screen. Wow your friends, family, and clients with your favorite photos, in the comfort of your home or studio.
With this Lightroom for Apple TV release, you’ll be able to share your photos one by one in a slideshow, with the ability to stop and zoom in to see all the detail within your photo. Quickly navigate through all your photos to find that exact memory you’re looking for.
All your photos, are always available with your latest edits. In Lightroom for Apple TV, you can view and share all of your synced Lightroom photos including photos you’ve uploaded via Lightroom CC on your desktop, Lightroom on mobile, or Lightroom on the web.
Lightroom for Apple TV requires an Apple TV 4th Gen as well as a Creative Cloud subscription to login. The app can be downloaded for free from the App Store on your Apple TV, and is available right now.
We’d love to hear what you think about the app, as well as any recommendations for the future.
Josh and the Lightroom team
From the Mike Olbinski Vimeo Channel:
Blood. Sweat. Tears. Joy. That's what this spring was for me. The miles, the grind, the failing, the epic days missed, the lack of sleep, the jubilation, the friendships strengthened, and the time away from my family. And when the chasing was all done...wondering, was worth it all?
Heck yeah it was.
I had three goals this spring: Get a tornado on time-lapse, capture the best footage I possibly could, and chase as much as my schedule would allow. That ended up totalling 18 chase days. 20,000 miles driven. Almost 60,000 time-lapse frames shot. Nine total states. Hours and hours and hours of editing. All between April 15th and June 15th.
Read the rest of the video description on Vimeo.
From Makiko Yamazaki, Reuters:
Canon Inc (7751.T) cut its full-year profit forecast on Tuesday, becoming Japan's first major technology company to report a weaker outlook on the yen's surge following Britain's vote to leave the European Union.See the entire article on Reuters.com.
The world's biggest maker of cameras and printers forecast group operating profit of 265 billion yen ($2.54 billion) for the year through December, from 300 billion yen estimated three months prior.
by Sean Setters
Verizon has agreed to purchase Yahoo for the paltry sum of $4.83 billion. Considering that Microsoft offered to buy Yahoo only 8 years ago for a cool $45 billion, "paltry sum" seems like a fair descriptor even if Yahoo's glory days seem far behind them.
Included in the purchase – and of special interest to our site visitors – is Flickr, the still-popular photo sharing site. While Flickr may not be the juggernaut it once was, it's a service that I still personally enjoy using on a daily basis.
Even though I have many photo sharing accounts (500px, SmugMug, Google Photos, Instagram, etc), Flickr continues to be the one I like best. It's simple to use and there are wonderful groups who enjoy aiding in one's growth in photography. And even though Flickr has seemed neglected at times over the last few years, it has steadily improved (for the most part), regaining some relevance in the process (in my opinion, of course).
However, Verizon's takeover of Flickr gives me pause. I doubt Flickr is highly profitable in its current form, so I'm concerned about what changes Verizon might bring about to better capitalize on their investment.
Ads everywhere? A higher price for Pro Accounts? Disk quota limitations placed on all members? A complete liquidation assets or shutting it down entirely? Your guess is as good as mine.
Only time will tell if I am needlessly worried or hopelessly spinning my wheels with a photo sharing service that's seen its last hurrah.
Just posted: Samyang 135mm f/2 ED UMC Lens Review.
The Samyang 135 f/2 has limitations, but it is a lot of lens for the money.
From the Joe Edelman YouTube Channel:
Shine is great on silver and gold but not so much on your portrait subjects face. It is not too difficult to fix oily skin in Photoshop. Stay tuned and I’ll show you a super quick retouching tip to eliminate shiny skin or oily skin in both Photoshop and Lightroom.
From the Adobe Photoshop Lightroom YouTube Channel:
Lightroom tips and tricks in 60 seconds or less from longtime Lightroom team member Benjamin Warde.
From the Canon Professional Network:
When planning their next IMAX 3D film ‘A Beautiful Planet’ about the International Space Station, Director Toni Myers and Cinematographer James Neihouse soon realised they would have to make the move from film to digital. Since their last Space Station film together in 2002, the Space Shuttle had been withdrawn from service, removing the option to shift weighty film canisters in and out of orbit. CPN writer James Morris asked Neihouse how the 4K quality of Canon’s EOS C500 and EOS-1D C digital cinema cameras helped reveal space in all its three dimensional glory...See the entire article on the Canon Professional Network.
There is no question that this one is 5Ds R-ready. The 200 f/2.8 II is a great lens and you are probably not going to be surprised by the excellent results it delivers in front of the 5Ds R. Results with extenders are included as usual. The sharpness of this lens is especially impressive considering its price.
London, UK, 22 July 2016 – Canon Europe will be demonstrating its full range of professional imaging products at IBC 2016, the leading global tradeshow for the media and broadcast industry in Amsterdam, Netherlands. Having exhibited at IBC for more than three decades, Canon will display its latest industry-leading innovations – the range will include professional cameras, broadcast live streaming, reference displays and in excess of 100 lenses.
The Canon stand will provide visitors with the opportunity to get hands-on with Canon’s Full HD, 4K and HDR products, through a variety of end-to-end workflow scenarios – from shooting experiences, to review and editing processes, including innovative low-light and long distance live shooting demos.
Since its inception in 2011, Canon’s Cinema EOS range has been instrumental in transforming the professional video industry – with a range of innovations, including Dual Pixel CMOS AF for effective autofocus, leading sensor technology and advances in resolution. In April 2016, Canon saw the family of Cinema EOS products expand further with the launch of the versatile ME200S-SH, a compact professional multi-purpose video camera, and CN-E18-80mm T4.4 L IS, a compact cinema EOS lens with cine-servo style functionality. Both will be on display for touch and try, for the first time in Europe.
“The recently announced ITU HDR TV standard reaffirms the importance of both HDR and 4K for the future viewing experience, at Canon we continue to listen to our customers when developing the product range to ensure our innovations meet their needs,” said Kieran Magee, Director Professional Imaging, Canon Europe. “We understand that content providers and creators demand quality products that will deliver the creative vision in HDR and 4K. At IBC 2016, we’ll display our largest range of 4K HDR products to-date.”
At the show, broadcast and cinematography professionals will be able to get hands-on with Canon’s full range of 4K, Full HD and HDR products including the prestigious Cinema EOS Range, stunning reference display units and broadcast solutions. Visitors can experience the full power of the company’s optics portfolio, with Canon’s extensive range of lenses, from broadcast to cinema and EF lenses.
Canon’s IBC stand can be found at Hall 12, stand D60.
Wex Photographic is a Canon authorized retailer in Great Britain.
According to the Egami Blog, Tamron has patented the optical formula for a 70-200mm f/4 VC lens.
Description of Patent
From the KelbyOne YouTube Channel:
Scott Kelby shares a really slick little tricky for aligning two piece of anything and have it be right-on-the-money pixel perfect using (wait for it...) a little used Blend Mode. It's cooler than it sounds.
Camera Raw 9.6.1 is now available through the update mechanism in Photoshop CC and the Creative Cloud application. Our focus with this release was to fix reported customer issues.
Thank you for all your feedback and passion for Camera Raw.
Bugs Fixed in Camera Raw 9.6.1
New Camera Support in Camera Raw 9.6.1
Please select Help>Updates to install the update. See Keeping Photoshop & Camera Raw up-to-date.
Please note – If you have trouble updating to the latest ACR update via the Creative Cloud application, please refer to the following plugin installation:
From Tamron USA:
Deadline for Tamron lens users residing in the USA to create their exhibit entry on myphotoexhibits.com for a chance to win any Tamron lens is September 30, 2016
July 20, 2016, Commack, New York - Tamron USA announces its fifth "My Travel Exhibit" photo contest, offered exclusively to Tamron USA lens users. Entrants will create a 3D virtual exhibit showcasing 8-14 of their best images in a travel theme on Tamron's unique photo-sharing exhibit site, myphotoexhibits.com. Tamron judges will select the winning exhibit based on overall image quality and originality of the collection. The winning exhibit will be featured on the Tamron USA website and in the Tamron eNewsletter. The winner will also receive his/her choice of any Tamron lens.
Unlike traditional static online galleries, Tamron's SoHo-styled MyPhotoExhibits (MPE) interface, available at myphotoexhibits.com, allows users to create customizable gallery exhibits with a vibrant interactive experience. Photographers simply set up a user avatar and bio, upload their favorite high-resolution images, and create their personalized online exhibit space. After organizing the exhibit and captioning the photographs, users can put finishing design touches on their exhibit. By choosing wall and floor textures and colors, frames, furniture, and lighting, photographers are invited to extend their creativity and show their work in complimentary settings. It's easy to go back into the MPE interface at any time to add more photos, tweak presentation specs, or create an unlimited number of new exhibits that feature travel pictorials, special events, projects, and more.
Spreading the word about these custom exhibits is another way in which MyPhotoExhibits stands out from other online galleries. Once an exhibit is ready to "open," it's easy to share it with friends. Users simply send invitations from the website or the iPhone and iPad app to Facebook or other social media platforms or by email. Visitors can sign the photographer's guestbook, choose favorite exhibits, and follow exhibiting photographers.
Companion App for On-the-Go Viewing and Sharing
An app for iPhone and iPad for photography enthusiasts on the go will further enhance MyPhotoExhibits' convenience and user-friendliness. The free app-available in the iTunes App Store, which can also be accessed from tamron-usa.com/lenses/apps_mpe.php, offer easy mobile access to MyPhotoExhibits. Through their iPhone or iPad, users can browse through all available MPE exhibits, view their own exhibits, check out other photographers, and share exhibits by sending out invites to friends.
Want to know more about Tamron lenses? Check out the site's Tamron lens reviews!