Canon and Sony News and What's New (Excluding Deals) RSS Feed for Photography Deals Omitted

 Tuesday, October 4, 2022

Image quality test results are now available on the Tamron 50-400mm f/4.5-6.3 Di III VC VXD Lens page.

I like what I see except the wide open 400mm results are a bit soft (f/8 produces better sharpness).

Create a few comparisons.

Support this site by ordering the Tamron 50-400mm f/4.5-6.3 Di III VC VXD Lens from B&H | Adorama | Amazon USA | WEX

Please share!

Post Date: 10/4/2022 8:09:40 AM CT   Posted By: Bryan

Canon EOS R5 C firmware update version 1.0.2.1 is available for download.

Firmware Version 1.0.2.1 incorporates the following fixes and enhancements:

  1. Built-in Mic Audio Off
    a. The internal microphone on the camera body can now be turned off. (VIDEO mode)
  2. Fixes an issue, in which, in rare instances, the camera cannot be normally operated when operating the REC button with the camera set to the [Continuous Recording] function. (VIDEO mode)
  3. Fixes minor issues when using the CINE-SERVO lens. (VIDEO mode)

Get the Canon EOS R5 C at B&H.

Posted to: Canon News   Category: Canon Firmware Updates
Post Date: 10/4/2022 7:45:10 AM CT   Posted By: Bryan
 Monday, October 3, 2022

Hot Deals: the Canon fall savings promotion is now live, with some outstanding deals included.

If an item on this list is on your want list, now is likely the right time to buy it.

Browse the entire list of Canon deals at B&H.

ModelRebate Amount 
Canon EOS-1D X Mark II Buy$2,000.00  B&H | Adorama | Amazon
Canon EOS R Buy$200.00  B&H | Adorama | Amazon
Canon EF-S 24mm f/2.8 STM Lens Buy$20.00  B&H | Adorama | Amazon
Canon RF 14-35mm F4 L IS USM Lens Buy$400.00  B&H | Adorama | Amazon
Canon RF 15-35mm F2.8 L IS USM Lens Buy$400.00  B&H | Adorama | Amazon
Canon RF 70-200mm F4 L IS USM Lens Buy$300.00  B&H | Adorama | Amazon
Canon RF 100-400mm F5.6-8 IS USM Lens Buy$150.00  B&H | Adorama | Amazon
Canon RF 35mm F1.8 IS STM Macro Lens Buy$100.00  B&H | Adorama | Amazon
Canon RF 50mm F1.2 L USM Lens Buy$200.00  B&H | Adorama | Amazon
Canon RF 50mm F1.8 STM Lens Buy$40.00  B&H | Adorama | Amazon
Canon RF 85mm F1.2 L USM Lens Buy$200.00  B&H | Adorama | Amazon
Canon RF 85mm F1.2 L USM DS Lens Buy$200.00  B&H | Adorama | Amazon
Canon RF 85mm F2 Macro IS STM Lens Buy$100.00  B&H | Adorama | Amazon
Canon RF 100mm F2.8 L Macro IS USM Lens Buy$400.00  B&H | Adorama | Amazon
Canon RF 600mm F11 IS STM Lens Buy$100.00  B&H | Adorama | Amazon
Canon RF 800mm F11 IS STM Lens Buy$100.00  B&H | Adorama | Amazon
Canon EF-M 22mm f/2 STM Lens Buy$70.00  B&H | Adorama | Amazon
Canon EF-M 32mm f/1.4 STM Lens Buy$100.00  B&H | Adorama | Amazon
Canon BG-E22 Battery Grip for EOS R Buy$70.00  B&H | Adorama
Canon BG-E21 Battery Grip for EOS 6D Mark II Buy$70.00  B&H | Adorama
Canon Speedlite EL-1 Buy$70.00  B&H | Adorama

Thanks for supporting the site by using the provided links to make your purchase!

Posted to: Canon News   Category: Canon Rebates
Post Date: 10/3/2022 7:32:10 AM CT   Posted By: Bryan
 Thursday, September 29, 2022

From Tamron:

Launch Announcement

TAMRON Announces Category-Disrupting, Fast-Aperture Standard Zoom 20-40mm F/2.8 Di III VXD (Model A062)

New lens is smallest and lightest in its class* and opens new video opportunities

September 28, 2022, Commack, NY - Tamron announces the launch of the 20-40mm F/2.8 Di III VXD (Model A062), a fast-aperture standard zoom lens for Sony E-mount full-frame mirrorless cameras. The lens will be on sale October 27, 2022, at $699. However, due to the current global health crisis, the release date or product supply schedule could change.

The 20-40mm F2.8, TAMRON's latest innovation, is an unparalleled new fast-aperture standard zoom lens that can be easily carried around for everyday shooting for both still images and video. Designed for Sony E-mount full-frame mirrorless cameras, the lens was created in aggressive pursuit of portability that is ideal for everyday use. Starting from 20mm at the ultra wide-angle end and covering up to 40mm in the standard focal range, it is the smallest and lightest in its class1. The 20-40mm F2.8 delivers beautiful images across the entire zoom range and is great for still photography and for creating vlogs and other video content. The lens incorporates TAMRON’s VXD (Voice-coil eXtreme-torque Drive), an AF drive system using the linear motor focus mechanism. The VXD boasts superior quietness and agile performance and achieves high-speed and high-precision autofocus. With an MOD (Minimum Object Distance) of just 6.7” and maximum magnification ratio 1:3.8 at the wide end, the lens provides exceptional close-range shooting capability, offering the added feature of wide macro photography.

Product Highlights

1. Fast F2.8 aperture, compact size and exceptionally versatile 20-40mm zoom range

The 20-40mm F2.8 is TAMRON's innovative creation of a new standard zoom lens, born from the unbridled desire to produce a compact size that can be carried around easily. It delivers a fast F2.8 aperture across the entire zoom range from 20mm to 40mm and achieves a class-leading compact and lightweight design at just 3.4” and 12.9 oz. At the longest zoom end, the lens offers a standard focal range of 40mm, handy for everyday shooting of snaps, portraits, and food photos. Meanwhile at the wide end, the ultra-wide 20mm focal length lets users enjoy a broad range of photography including stunning and powerful natural landscapes that make use of the unique ultra wide-angle perspective, something that cannot be expressed as readily with a fast-aperture standard zoom lens that starts at 24mm.

2. Fabulous family videos, vlogs, and other online content

The compact and lightweight 20-40mm F2.8 offers excellent handling that is well balanced even when accessories like camera grips or gimbal stabilizers are attached. With this single lens, you won't miss a shot, from street videography to vast landscapes during travel and selfies that include wide backgrounds.

3. High image quality in a compact, lightweight body

4. TAMRON’s VXD linear motor for high-level AF speed and precision

5. Wide macro shooting: 6.7” MOD and maximum magnification ratio of 1:3.8 at the wide end

6. Rapid zooming (Zoom ring rotation arc is just 65°)

7. TAMRON Lens UtilityTM software for Focus Ring Function Setting and firmware updates

8. New design with improved texture and scratch resistance

9. Ø67mm filter size, same as most other TAMRON lenses for mirrorless cameras

10. User-friendly features (Moisture-Resistant Construction and Fluorine Coating)

11. Compatible with many camera-specific features and functions, including Fast Hybrid AF and Eye AF

Orders

Get the Tamron 20-40mm F/2.8 Di III VXD Lens at B&H.

* Specifications, appearance, functionality, etc., are subject to change without prior notice.

Posted to: Sony News   Category: Tamron News
Post Date: 9/29/2022 6:03:03 AM CT   Posted By: Bryan
 Wednesday, September 28, 2022

From Sony Electronics:

Sony Electronics Expands Cinema Line with New 4K Super 35 Camera for Future Filmmakers

LOS ANGELES, CA – September 28, 2022 – Sony Electronics Inc. is pleased to announce the newest addition to the brand's prestigious Cinema Line – the FX30 (model ILME-FX30). The new FX30 is a 4K Super 35 compact cinema camera that offers many professional features of the Cinema Line, such as Dual Base ISO, Log shooting modes, and user-imported LUTs (Look Up Tables) at a price point that appeals to many aspiring filmmakers.

In addition to introducing the new FX30, Sony announced two new CFexpress Type A Memory Cards – CEA-G320T and CEA-G640T. Both are large capacity cards that support high-speed performance with a maximum writing speed.

"The new FX30 is a great fit for a wide range of filmmakers," said Yang Cheng, Vice President, Imaging Solutions, Sony Electronics Inc. "As part of our Cinema Line, it is an attractive addition for seamless integration into large productions. Additionally, by incorporating many professional features found in our flagship cinema cameras, it is a perfect camera for up-and-coming filmmakers that are working with tight budgets."

Creating a Cinematic Look

The FX30 offers next-generation filmmakers cinematic expression with the latest imaging systems. It features a new back-illuminated 20.1 megapixels APS-C Exmor R™ CMOS sensor (Super 35 format) with a dual base ISO (800/2500) to deliver high sensitivity, low noise, and 14+1 stops of latitude.

The FX30 supports a variety of video recording codecs. It can shoot in high frame rates, including 4K at 120fps and full HD at 240fps2. The FX30 also features the ability to shoot 4K Super 35 (16:9) by oversampling from 6K at up to 60fps. Both 16:9 recording modes can shoot at 10-bit 4:2:2 while the HDMI Type-A port outputs 4K, 16-bit RAW3 for an external recorder4.

Like the rest of the Cinema Line, the FX30 features Log shooting modes by enabling Cine El, Cine El Quick, and Flexible ISO modes for recording with the S-Log3 gamma curve, which allows more flexibility when color grading. All three modes allow video shooting while monitoring with an appropriate LUT to preview the final image. In addition, the FX30 includes a selection of built-in cinematic looks, such as Sony's S-Cinetone™, and can shoot single stills. The camera offers advanced image processing capabilities with the BIONZ XR processing engine for natural gradations and realistic color reproduction.

Designed to Support Creators' Needs

The FX30 features Sony’s fast and reliable still and video autofocus, with settings including:

  • Real-time Eye AF (human, animal or bird5)
  • Real-time Tracking
  • Detailed AF settings
  • AF Assist6

Creatives also have more control when using the Focus Map7, which makes it easy to visualize depth of field, and Breathing Compensation8 to offer a stable angle of view when focusing. The camera includes effective stabilization for run and gun shoots using Active Mode9 thanks to the optical in-body 5-axis image stabilization. The FX30 also includes time code sync10.

The FX30 incorporates other features that retain the spirit of the Cinema Line, including:

  • New customizable list-style main menu screen for quick access to frequently used items
  • New standby movie screen that provides an unobstructed view of the subject
  • Buttons and dials dedicated to movie shooting

The FX30 also includes added functionality to assist with the creative workflow, such as post-production editing using embedded LUT, and EI metadata11. ? This metadata is available using the latest version of Sony’s Catalyst Prepare12 or Catalyst Browse applications. A new "Catalyst Prepare Plugin" for Adobe Premiere Pro was released in August.

Easy Operation and a Compact Form Factor

Compact and lightweight, the FX30 has a flat-top design with threaded accessory attachment points, making it easy to use for shooting handheld, capturing low-angle shots, mounting on a gimbal, or adding accessories. The FX30 also features an XLR handle unit13, which can be used to capture low-angle shots and also allows filmmakers to capture crystal clear audio through various audio inputs, including two XLR audio inputs and a 3.5 mm stereo mini jack for 4-channel recording. External microphones can be connected directly to the camera via the Multi Interface Shoe or microphone jack. The FX30 also features an internal stereo microphone for audio recording.

The FX30 are equipped with two memory card slots that are compatible with both CFexpress Type A cards and SDXC/SDHC cards, bringing wide range of shooting experiences to filmmakers. The FX30 is also compatible with the newly announced large capacity CFexpress Type A memory cards.14

The FX30 pairs advanced performance with outstanding reliability. It features an innovative heat dissipation structure for uninterrupted 4K/60p recording, reliable power for extended recording, and a durable magnesium alloy chassis. A comprehensive selection of E-mount lenses, high-performance microphones, and other essential components offers extraordinarily flexible systems for a broad range of creative needs.

Sony Future Filmmaker Awards

The new FX30 is an ideal choice for filmmakers actively working on or considering entering the Sony Future Filmmaker Awards, a major new annual awards program for short films. Sponsored by Sony and free to enter, the Awards set out to elevate original voices from around the globe with a fresh perspective on storytelling. For more information, please visit: www.sonyfuturefilmmakerawards.com. ?

?Pricing and Availability

The FX30 enables ultimate creative freedom and comes with an option to purchase with or without the XLR handle15.

The new FX30 (supplied with the XLR handle) will be available in late October for approximately $2,200USD and $2,900 CAD. It will be sold at a variety of Sony's authorized dealers throughout North America.

The new FX30B, (supplied without the XLR handle) will also be available in late October for approximately $1,800 USD and $2,400 CAD. It will be sold at a variety of Sony's authorized dealers throughout North America.

Orders

Order the Sony FX30 at B&H.

The FX30 will also be compatible with the new version of Camera Remote SDK (Version 1.06), a development kit for software that enables remote operation and configuration changes.

CFexpress Type A Memory Cards: CEA-G320T and CEA-G640T

The compact and high-performance CFexpress Type A memory card CEA-G320T will be available in October for approximately $650 USD and $850 CAD (CEA-G320T),while the CFexpress Type A memory card CEA-G640T16 will be available in December for approximately $1,250 USD and $1,630 CAD. In addition to the existing 80GB and 160GB cards, large capacity 320GB and 640GB cards will be added to the series.17

These large capacity cards support high-speed performance with a maximum writing speed of up to 700MB/s and Video Performance Guarantee "VPG400", which offers sustained writing speeds of up to 400MB/s, and enables 4K 120p high bit rate video shooting.

The new large capacity cards have achieved TOUGH specification, which means they have been certified to be waterproof, dustproof, and robust enough to support stable long-term shooting in various environments. 18

Orders

Order the Sony CFexpress A cards from B&H.

Notes:

1 S-Log3 movies, Sony tests.

2 With approx. 38 % image crop. Post-production editing or S&Q mode recording required. In case of S&Q mode, data must be recorded to a CFexpress Type A memory card when the frame rate is 120 (100 in PAL) fps or higher.

3 With a choice of 59.94p / 50p / 29.97p / 25p / 23.98p frame rates and color spaces

4 Supported devices are as follows: as of September 2022, ATOMOS NINJA V and NINJA V+ HDR monitor-recorder support planned. ? For further details, please contact ATOMOS.

5 Accurate focus may not be achieved with certain subjects in certain situations.

6 Not available when using the SELP1650, SEL18200LE or A-mount lenses.

7 The Focus Map function cannot be used in the following conditions: When shooting stills, when the Focus Magnifier function is in use, when using digital zoom, during USB streaming, when no lens is mounted, when an A-mount lens is mounted, or when using the SEL16F28. For other lenses, please use the latest lens software.

8 Angle of view and image quality may change slightly when this feature is turned on. Breathing Compensation is not available for unsupported lenses, 120p (100p) movie recording, S&Q recording at 120p (100p), or stills. The compatibility of lenses is limited. Please see Sony support page for lens compatibility. https://www.sony.net/dics/breathing/

9 Slight image crop in Active Mode. "Standard" setting is recommended for focal lengths of 200 mm or longer. Active Mode is not available when recording at frame rates of 120 (100) fps or higher, including S&Q.

10 VMC-BNCM1 is required for time code synchronization. VMC-BNCM1 requires the following annotations. The availability of the VMC-BNCM1 (product number: A-5051-506-A) may vary depending on the country or region. Refer to the following support site for inventory confirmation and purchase. https://www.sony.net/SonyInfo/Support/

11 This metadata includes Embedded LUT, Image stabilization, Breathing Compensation, Camera rotation and Movie mark

12 Software download page URL: https://www.sony.net/disoft/

13 FX30B ? does not include the XLR-H1 handle unit. The XLR-H1 handle unit will also be available as a stand-alone item, which will be available in early 2023.

14 The newly announced CEA-G320T and CEA-G640 CFexpress Type A memory cards.

15 FX30B comes without the XLR handle while the FX30 model which comes with the XLR handle

16 To use CEA-G640T memory card with the following cameras, the camera software version must be as listed below. Alpha 1 (Ver.1.31 or later), Alpha 7S III (Ver.2.11 or later), and FX3 (Ver.2.00 or later).

17 1 GB = one billion bytes. A portion of this card capacity is used for system files and may vary.

18 Actual performance may vary. Based on environmental conditions and usage. Sony does not guarantee damage to recorded data or card based on every situation or condition.

Posted to: Sony News   Category: Sony Announcements
Post Date: 9/28/2022 11:49:14 AM CT   Posted By: Bryan
 Sunday, September 25, 2022

The Canon RF 28-70mm F2 L USM Lens is still not regularly in stock at B&H, but it is available right now.

The RF 28-70 is my most frequently used event lens.

Learn more: Canon RF 28-70mm F2 L USM Lens Review

Posted to: Canon News   Category: In Stock Notices
Post Date: 9/25/2022 10:04:24 AM CT   Posted By: Bryan
 Friday, September 23, 2022

"This update was originally released and then suspended on August 24, 2022, because some products could not operate properly after the update to Ver.1.10. However, the update has resumed with countermeasures, and we are happy to bring all of its added functionality to the Alpha 7 IV."

Note: "This update is executed via SD card/CFExpress card, and users will need to ensure the Alpha 7 IV is running or updated to Ver.1.05 first, before updating to v1.1. Instructions can be found in the links in the release."

Here is the original press release from Sony:

New Alpha 7 IV Firmware Update Enables Lossless RAW File Options and Improved Accuracy and Operability

SAN DIEGO, CA – August 23, 2022 – Sony Electronics Inc. today announced the v1.1 firmware update for the Alpha 7 IV full-frame mirrorless interchangeable lens camera, adding Lossless Compressed RAW in three sizes for still images, shutter speed and ISO setting retention, touch shutter function, improved Eye AF (autofocus) accuracy and more. ? ?

The update adds Lossless Compressed RAW files in S, M and L (small, medium or large) file sizes – a highly requested feature. Selecting L size preserves the same image quality as an uncompressed RAW format while significantly reducing the file size. The M and S sizes record fewer pixels than the L size, providing even smaller RAW file sizes.

Alpha 7 IV v1.1 allows photographers to retain shutter speed and ISO settings for flash photography. This newest update also offers a Touch Shutter Function and improves the accuracy of the Eye AF feature.

Other updates in the Alpha 7 IV v1.1 include:

  • The ability to record the camera's serial number in the metadata of video files
  • Improved operability of Wi-Fi connections
  • A one-minute setting added to Power Save by Monitor menu
  • The ability to brighten the viewfinder display according to the ambient brightness
  • Improved operational stability of the camera

Availability

Alpha 7IV v1.1 is available now and can be downloaded HERE.

Download instructions can be found HERE.

More Information

Sony Alpha 7 IV Review

Order the Sony Alpha 7 IV at B&H | Adorama | Amazon | WEX.

Rent the Sony Alpha 7 IV from Lensrentals.

Posted to: Sony News   Category: Sony Firmware Updates
Post Date: 9/23/2022 9:27:49 PM CT   Posted By: Bryan
Posted to: Sony News   Category: In Stock Notices
Post Date: 9/23/2022 11:50:36 AM CT   Posted By: Bryan

From Canon Marketing Japan Inc. (translated):

To customers using the continuous recording function for professional video cameras and digital cinema cameras

Thank you for using Canon products.

We have found that the following phenomenon rarely occurs in the professional video camera "XF605" under specific usage conditions. We have also confirmed the possibility of this phenomenon occurring in the EOS C70 and EOS R5 C digital cinema cameras equipped with the same functions. There have been no reports of this phenomenon occurring with the EOS C70 and EOS R5 C.

We sincerely apologize for any inconvenience and concern caused to customers using this product. In the future, we will continue to implement thorough quality control so that our customers can use our products with peace of mind. Thank you for your understanding.

Phenomenon

Repeatedly starting and stopping normal recording while the constant recording function is set may occasionally cause the camera to become inoperable. In addition, it has been confirmed that phenomena such as "FAN error" display and media access lamp blinking may occur at the same time as the operation becomes impossible.

* This phenomenon does not occur if the constant recording function is not set.

The constant recording function is a function that can be set only when MP4 is selected as the main recording setting, and constantly records images on one SD card without interlocking the REC switch. Products

Professional video camera "XF605": Products whose serial number has a "2" or earlier in the seventh digit from the left

* The digital cinema cameras "EOS C70" and "EOS R5 C" that may cause this phenomenon are as follows.

"EOS C70": Products with firmware version 1.0.3.1 or earlier

"EOS R5 C": Products with firmware version 1.0.1.1 or earlier

About correspondence

We apologize for the inconvenience, but please download the latest XF605 firmware and update it.

In addition, we are preparing to release firmware that corrects the above phenomenon for the two models of digital cinema cameras.

Posted to: Canon News   Category: Canon Service Notices
Post Date: 9/23/2022 6:52:28 AM CT   Posted By: Bryan
 Tuesday, September 20, 2022

From Topaz Labs:

Topaz Photo AI is here.

Maximize your image quality on autopilot. Edit sharper, cleaner, enhanced, and upscaled photos with our brand new flagship app.

We know you love Topaz apps! This is your chance to get the all-new Topaz Photo AI at a huge discount! Topaz Photo AI is on sale until October 7, 2022

Buy Topaz Photo AI once, own it for life with unlimited upgrades for 1 year.

Learn more at Topaz Labs.

Posted to: Canon News, Nikon News, Sony News   Category: Topaz Labs News
Post Date: 9/20/2022 10:22:39 PM CT   Posted By: Bryan

"Capture One 22 (15.4.0) is a service pack containing several bug fixes, along with additional lens support."

Get the full details of this update in the release notes.

Order Capture One Pro at B&H.

Posted to: Canon News, Nikon News, Sony News   Category: Capture One News
Post Date: 9/20/2022 9:20:23 PM CT   Posted By: Bryan
 Wednesday, September 14, 2022

Learn more about the GoPro HERO11 Action Camera at B&H.

Learn more about the DJI Osmo Action 3 at B&H.

Posted to: Canon News, Nikon News, Sony News   Categories: DJI News, GoPro News
Post Date: 9/14/2022 10:31:18 AM CT   Posted By: Bryan

From Canon USA:

Help Make Your Memories Last with the New Canon SELPHY Photo Printer

For crafting, decorating, and more – the new Canon SELPHY compact photo printer provides high quality prints quickly and easily

MELVILLE, NY, September 14, 2022 –Scrapbookers and parents rejoice as Canon U.S.A., Inc., a leader in digital imaging solutions, announced today the SELPHY CP1500 compact photo printer as the newest addition to the SELPHY printer line. Delivering long lasting1, durable, high-quality prints in less than a minute2, gifting friends and family physical memories and keepsakes which can be shared and enjoyed for decades3 (when stored in an album) has never been easier.

Designed with Space in Mind

In a stylish and compact design, the Canon SELPHY CP1500 photo printer is small enough to fit in a pocket or small purse and can be taken on the go – whether using the included AC adapter or the optional battery (sold separately)4. Its diminutive size doesn’t make the CP1500 short on function, though. The printer’s standard print size is 4”x 6” postcard – printed in approximately 41 seconds2. With the purchase of the optional cassette (sold separately)5, it can also print card (2.1” x 3.4”) and square label (2.1” x 2.1”) sizes. Thanks to protective coating, the CP1500 creates long-lasting photos that can withstand wear for more than 100 years when stored in an album3. Those looking for a bit more fun can personalize photos with a variety of borders, text, and pattern overlays – such as hearts around your family or paw prints for your furry friends. The creative possibilities are endless – customers can use these photos for crafting, journaling, decorating, or for school projects such as family trees.

Photos In A Pinch

The SELPHY CP1500 compact photo printer comes with diverse connectivity, allowing users to connect wirelessly to a compatible smart phone using the Canon PRINT Inkjet/SELPHY app6. Additionally, users can utilize the SELPHY Photo Layout app7 to convert a URL into a QR code that can be printed onto a photo – directing to social media pages or to photo locations on a map.

Specific product specs of the SELPHY CP1500 compact photo printer include:

  • Dye-Sub technology
  • Accommodates paper sizes: Postcard (4.0” x 6.0”) and, with purchase of optional cassette (sold separately)5, Card Size (2.1” x 3.4”) and Square Label (2.1” x 2.1”)
  • Enlarged LCD monitor (3.5 inches) compared to the CP1300 printer
  • Pattern overcoats (stars, hearts, flowers, and others)

Pricing

The Canon SELPHY CP1500 compact photo printer is scheduled to be available in October 2022 for an estimated retail price of $139.998 and will be available in two colors, black and white.

Orders

Order the Canon Selphy CP1500 Compact Photo Printer from B&H.

###

Availability and specifications subject to change without notice.

1 Canon cannot guarantee the longevity of prints; results may vary depending on printed image, display/storage conditions, and environmental factors.

2 Postcard size (4” x 6”) prints in approximately 41 seconds. Print speed obtained using compatible digital camera incorporating DIGIC II (other camera models may vary).

3 Based on accelerated testing by Canon in dark storage under controlled temperature, humidity and gas conditions, simulating storage in an album with plastic sleeves. Canon cannot guarantee the longevity of prints; results may vary depending on printed image, display/storage conditions, and environmental factors.

4 Supplies may be limited. Battery has an anticipated suggested retail price of $89.99. Actual price is set by individual dealers and may vary. Price is subject to change without notice.

5 Supplies may be limited. Cassette has an anticipated suggested retail price of $12.99. . Actual price is set by individual dealers and may vary. Price is subject to change without notice

6 Requires an Internet connection and the Canon PRINT Inkjet/SELPHY app, available for free on the App Store and at Google Play. Compatible with Apple devices running iOS 7.0 or later and Android mobile devices running Android 4.0 or later. Your device must be connected to the same working network with wireless 802.11 b/g capability as your printer. Requires a compatible social media account and is subject to that social media account's Terms of Service. Certain exceptions may apply.

7 Requires an Internet connection and the SELPHY Photo Layout app, available for free on the App Store and at Google Play. Compatible with Apple devices running iOS 7.0 or later and Android mobile devices running Android 4.0 or later. Your device must be connected to the same working network with wireless 802.11 b/g capability as your printer. Requires a compatible social media account and is subject to that social media account's Terms of Service. Certain exceptions may apply.

8 Price is subject to change without notice. Actual price is set by individual dealers and may vary.

App Store is a service mark and Apple is a trademark of Apple Inc., registered in the U.S. and other countries and regions. iOS is a trademark or registered trademark of Cisco in the U.S. and other countries, and is used under license. Android and Google Play are trademarks of Google LLC. All other product and brand names are trademarks of their respective owners.

Post Date: 9/14/2022 10:07:37 AM CT   Posted By: Bryan

From Tokina:

Tokina atx-m 11-18mm F2.8 E worldwide sales date announcement

Kenko Tokina Co., Ltd. is proud to announce the sales release of the Tokina atx-m 11-18mm F2.8 E for Sony E (APS-C) camera mount.

Sales will commence on September 16, 2022.

Overview

The Tokina atx-m 11-18mm F2.8 E is the first super wide angle zoom lens in Tokina's product line-up designed exclusively for mirrorless cameras. It features a fast f/2.8 aperture throughout the zoom range, and a 11-18mm (17-27mm in 35mm equivalent) zoom stored in a compact and lightweight body for hybrid users who shoot stills and video.

The atx-m 11-18mm F2.8 E performs impressive resolution from the wide to tele end of the zoom. This lens boasts high contrast and low distortion, and quick and precise AF response in still and video modes. It is fully compatible with Sony camera functions, including Image Stabilization, Direct Manual Focus, MF Assist and optical corrections.

With its compact design, versatile focal length and optical quality, the Tokina atx-m 11-18mm F2.8 E is the perfect gear for shooting landscape, group photos, environmental portraits, architecture, automobile photography, street snaps, documentary videos and vlogging.

Highlighted Features

  • 11-18mm super wide angle zoom for dynamic landscape and architecture.
  • Fast f/2.8 aperture throughout the zoom range for shallower depth-of-field, and 9 blades rounded diaphragm for soft bokeh background.
  • Compact and lightweight design to carry while travelling, or attaching to gimbals.
  • 2 aspherical and 2 super low-dispersion glass elements suppress chromatic aberrations.
  • Superb optical design performs rich color reproduction, low distortion and low light fall-off.
  • Short minimum focusing distance to create unique wide-angle macro images with perspective effect.
  • Silent ST-M motor unit for fast and precise auto focusing operations in still and video modes.
  • Full compatibility with Sony E cameras, including Image Stabilization, Direct Manual Focus, MF Assist mode, Eye AF and optical corrections.
  • Micro USB port (Type B) for firmware updates.

In Stock Now

Support this site by ordering the Tokina 11-18mm f/2.8 ATX-M Lens for Sony E from B&H.

Posted to: Sony News   Category: Tokina News
Post Date: 9/14/2022 9:46:28 AM CT   Posted By: Bryan
 Tuesday, September 13, 2022

The Canon RF 1200mm lens is in stock and ready to ship at B&H!

Learn more on the Canon RF 1200mm F8 L IS USM Lens page.

Posted to: Canon News   Category: In Stock Notices
Post Date: 9/13/2022 10:05:35 PM CT   Posted By: Bryan

Canon RF 70-200mm F2.8 L IS USM Lens firmware update version 1.1.1 is available for download.

Firmware Version 1.1.1 incorporates the following fixes and enhancements:

  1. Fixes an issue, in which, in rare instances, “Err60” is displayed if zoom operations are performed when the camera is started.

Get the Canon RF 70-200mm F2.8 L IS USM Lens at B&H.

Posted to: Canon News   Category: Canon Firmware Updates
Post Date: 9/13/2022 8:32:27 AM CT   Posted By: Bryan
Posted to: Canon News   Category: Camera Gear Review News
Post Date: 9/13/2022 7:00:00 AM CT   Posted By: Bryan
 Monday, September 12, 2022
 Thursday, September 8, 2022

Just posted: Sigma 20mm F1.4 DG DN Art Lens Review

Image quality test results from a second lens (Sample 2) are now available. The second lens performs similarly to the first.

Please share!

Order the Sigma 20mm F1.4 DG DN Art Lens from B&H | Adorama | WEX

Rent the Sigma 20mm F1.4 DG DN Art Lens from Lensrentals.

Post Date: 9/8/2022 8:22:17 AM CT   Posted By: Bryan
 Wednesday, September 7, 2022

Image quality, vignetting, flare, and distortion test results along with specs, measurements, and standard product images are now available on the Canon RF 15-30mm F4.5-6.3 IS STM Lens page.

This lens has strong barrel distortion at the wide end.

Order the Canon RF 15-30mm F4.5-6.3 IS STM Lens from B&H | Adorama | Canon USA | WEX

Rent the Canon RF 15-30mm F4.5-6.3 IS STM Lens from Lensrentals.

Please share!

Posted to: Canon News   Category: Camera Gear Review News
Post Date: 9/7/2022 9:21:40 AM CT   Posted By: Bryan

From Canon USA:

Canon Targets High-End Broadcasters With New PTZ Camera

Broadcast Quality Video Capture and Advanced Connectivity Options Help Enable Broadcasters to Achieve Efficient Production

MELVILLE, NY, September 7, 2022 – Canon U.S.A., Inc., a leader in digital imaging solutions, announced today the launch of the CR-N700i – a 4K 60P 4:2:2 10-bit PTZ camera with a 1.0-inch Type CMOS Sensor and 12G-SDI connectivity, designed for professional broadcast, studios, and live event productions. Building on Canon’s broadcast heritage, the CR-N700 incorporates the intelligent AF from Canon’s popular professional video cameras, such as the EOS C70 and XF605, for precision focus across the entire pan, tilt and zoom range. With a host of powerful features, this launch expands Canon’s PTZ line-up, offering a PTZ camera for various types of productions and technical requirements. Additionally, Canon is announcing the availability of a firmware update for the Canon CR-N500 and CR-N300 PTZ cameras.

Achieve Broadcast Quality, Easily

To meet the current demands of broadcasters, the CR-N700 features a 1.0-inch Type CMOS sensor and DIGIC DV7 processor to deliver superb 4K UHD 60P 4:2:2 10-bit imagery for truly immersive content. Capable of high-quality transmission, Canon’s newest PTZ camera allows content creators to stream 4K 60P over IP with PoE++ support that allows for power, streaming, and camera control over a single cable – perfect for remote and live broadcast productions. The impeccable image quality is also the result of the high-performance lens, which has a 15x optical zoom and a 30x advanced zoom when shooting in Full HD. When coupled with Canon’s renowned Image Stabilizer, broadcasters can capture smooth, steady footage even from a distance. This can be ideal for shooting reality TV shows or even sports when camera operators want to discreetly zoom in on the action. The CR-N700 also features a Night Mode, allowing operators to capture footage in near darkness thanks to a removable built-in IR cut filter. Along with the HDR formats in PQ or HLG, broadcasters can capture virtually uncompromised footage in various lighting environments.

Breaking new ground for Canon’s line-up of PTZ cameras, the CR-N700 is equipped with fast, intelligent and extremely accurate focusing thanks to Canon’s proprietary Dual Pixel CMOS AF technology with advanced EOS iTR AF X. This deep learning autofocus locks onto a subject’s head, to track them as they move and even when they turn their face away. Eye Detection AF locks onto the subject’s pupil for even greater precision, while the Face Priority AF allows operators to prioritize a specific individual. This can be ideal for scenarios where it is imperative to stay locked onto the anchor throughout.

Superb Connectivity, Simple Workflows

As with Canon’s entire range of PTZ cameras, the CR-N700 supports multiple protocols to integrate with existing workflows seamlessly. Designed to fit into the diverse production ecosystems of broadcasters, the CR-N700 features SRT and NDI|HXii protocols for high-quality 4K video streams, while FreeD enables integration with virtual productions. Broadcasters can easily create multi-camera setups that meet their needs with these protocols, and with Canon’s XC protocol, it is possible to integrate the CR-N700 alongside other Canon Cinema EOS cameras such as the EOS C500 Mark II, EOS C300 Mark III, or professional camcorders including the XF605iii for a truly versatile setup. It’s even possible to match other Canon cameras’ look with Canon Log 3 and Wide Dynamic Range picture settings.

The flexible connectivity options include 12G-SDI and 3G-SDI, HDMI or IP, which allow the seamless transmission of 4K60P, for high-quality, consistent broadcasts. The CR-N700 also includes professional dual XLR audio inputs, Time code, and GEN-LOCK, for different production needs.

Enhanced control

Canon’s latest PTZ camera offers the same intuitive control as other models in the line. The advanced drive mechanism enables movements as slow and precise as 0.1° per second, meaning operators can capture cinematic shots. Compatible with both Canon’s RC-IP100 controller and Remote Camera Control Application, as well as selected third-party controllers, this further simplifies integration with existing production setups. With the CR-N700’s crop function, broadcasters can take two separate feeds from a single PTZ camera. They can select up to two regions of interest within the 4K frame and output them as a separate feeds in HD resolutions. This feature is perfect for productions with limited PTZ cameras on site.

Canon CR-N700 Key Features:

  • Dual Pixel AF with iTR AF X
  • 1.0-inch Type CMOS sensor with DIGIC DV7 Processor achieves 4K60P 4:2:2 10-bit
  • 15x Optical Zoom (30x Advanced Zoom)
  • Multiple protocols including NDI|HX, SRT, FreeD, RTMP(S), RTP, RTSP, Standard communication protocol & Canon XC Protocol
  • Enhanced connectivity with 12G-SDI, 3G-SDI, and HDMI output
  • Canon CR-N500 and CR-N300 PTZ Camera Firmware Update

The new firmware update for the Canon CR-N500 and CR-N300 PTZ cameras adds SRT and FreeD protocols. SRT protocol is a widely used video transmission protocol for live broadcasts that provides both low latency and error correction for smooth video over public internet connections. FreeD protocol is also a widely used protocol for transmitting camera positioning information, allowing the camera to be used in virtual applications such as virtual studio systems. Both protocols are supported by the CR-N700, and are now available on the CR-N300 and CR-N500 with firmware version 1.2.0 that is currently available for download.

Pricing and Availability

The Canon CR-N700 PTZ is scheduled to be available in December 2022 for an estimated retail price of $9,699.00.iv

Orders

Order the just announced Canon gear at B&H.

i This device has not been authorized as required by the rules of the Federal Communications Commission. This device is not, and may not be offered for sale or lease, or sold or leased, until authorization is obtained.

ii NDI is a trademark or registered trademark of NewTek, Inc. in the United States and other countries.

iii Firmware unlocking Canon’s XC Protocol on the XF605 requires firmware v1.0.1.1 or later.

iv Specifications, availability and prices are subject to change without notice. Actual prices are set by individual dealers and may vary.

Posted to: Canon News   Category: Canon Announcements
Post Date: 9/7/2022 12:41:52 PM CT   Posted By: Bryan

From Canon USA:

Canon Launches Five Versatile 4K Camcorders

Get your shot and tell your story, thanks to the XA65/XA60, XA75/XA70, and VIXIA HF G70 camcorders

MELVILLE, NY, September 7, 2022– Canon U.S.A., Inc., a leader in digital imaging solutions,announced the launch of four professional camcorders – the XA65, XA60, XA75, and XA70 – alongside the VIXIA HF G70 camcorder. The new camcorders are suited to a wide range of uses, including documentary, corporate events, and education. Capable of capturing amazing 4K quality content and HD UVC Streaming via USB-Ci, with advanced autofocus and face detection functionality, these models offer excellent performance. All of them enable MP4 and On-Screen Display (OSD) recording, while the four professional camcorders feature XF-AVC recording to support broadcast applications. Additionally, Canon has announced a firmware update for the XF605 camcorder.

High-Quality 4K Capture

With Canon’s line-up of compact camcorders, content creators can easily capture stunning 4K footage in multiple scenarios. Powered with the DIGIC DV6 image processor and leveraging the 1/2.3-inch type CMOS sensor and 1.0-inch type CMOS sensor, respectively, the XA65/XA60 and XA75/XA70 are capable of shooting 4K UHD and Full HD images using oversampling for superb HD quality, making them perfect for a wide range of shooting scenarios. When coupled with Canon’s intelligent optical design, these camcorders offer impressive zoom functionality in a lightweight body. Achieving a 35mm equivalent focal length, the XA65/XA60 offer a 20x optical zoom and the XA75/XA70 a 15x zoom. All professional models support 40x digital zoom, which extends to 800x in the XA65/XA60 and 600x in the XA75/XA70. These models are also designed to improve operability with a new, large 3.5 inch Touch Panel LCD Monitor and high-resolution Ocular EVF with impeccable video capabilities.

Precision Focus, Steady Footage

With Canon’s precision AF systems, the XA65/XA60 and XA75/XA70 help content creators lock onto their subjects and easily follow the action. Featuring Dual Pixel CMOS AF, the XA75/XA70 models are capable of fast and accurate focusing, which couples with the Dual Pixel focus guide to help make manually focusing on a subject easy. The XA65/XA60 line-up employs an advanced Hybrid AF system for precise focusing even in low light situations. All offer adjustable focusing speeds for either fast or smooth AF, which can also be controlled via the 3.5 inch LCD display, enabling operators to easily set the focus by touching a single AF point. For excellent accuracy and convenience, especially in busy environments where operators need to keep a subject in shot, Face Detection AF and Face Tracking are available. All feature manual focus, which can be set either by the focus/zoom ring, or the control ring on the lens of the XA75/XA70. Employing 5-axis image stabilization, these models capture steady, virtually shake-free footage.

Versatile Recording Formats

Featuring a range of flexible recording options, the XA65/XA60 and XA75/XA70 can seamlessly fit into multiple professional workflows. With a host of specialist recording options, including Slow and Fast Motion, on-screen display recording, which embeds the date and time into the video image, and an infrared mode to capture footage in the dark, these camcorders can be used for a wide range of use cases. They can also be easily integrated into a multi-camera setup thanks to the custom picture menu, allowing users to color match footage with other Canon cameras. For professional sound capture, the XA65/XA60 and XA75/XA70 have two XLR audio inputs and 4-channel linear PCM to set the recording level and input sensitivity.

New to the XA and VIXIA Series of camcorders, OSD recording embeds date, time, timecode and other data into your original camera files, effectively “time stamping” the information into each frame of video, a requirement for legal and law enforcement videographers.

Enhanced Connectivity Options

Canon’s new professional camcorders offer a range of connectivity options to enable simple and fast transmission of high-resolution video. The XA65/XA60 and XA75/XA70 can stream HD video in UVC via USB-Ci through a compatible PC – great for education or houses of worship which increasingly offer both in-person and virtual services. All models feature HDMI output and simultaneous backup and relay recording via dual SD cards, with the XA65 and XA75 offering an additional 3G-SDI output.

Unlock Your Inner Filmmaker

Designed for aspiring filmmakers and documentarians, the VIXIA HF G70 is a multi-functional camcorder delivering professional capabilities in an easy-to-use form factor so they can shoot like a pro. Utilizing a 1/2.3-inch type CMOS sensor and high-quality 20x Zoom lens, this camcorder captures 4K UHD video in MP4 and oversampled HD footage for impeccable video resolution. HDMI and USB-C output enable users to turn the VIXIA HF G70 into a web camera for high-quality video calls and sharing content online. Additional scene modes are also available, including night mode, on-screen display recording, and audio scene mode, which adds sound recording that is tuned to the shooting environment.

XF605 Firmware Update

Canon has also added a firmware update for the XF605 camcorder in response to feedback and requests from users. The firmware v1.0.1.1 offers greater efficiency for broadcasters, and more versatile shooting options for content creators using the XF605 – a professional broadcast camera designed for solo shooters.

To meet the growing demand for remote and live production, this latest firmware update adds Canon’s XC protocol, enabling the XF605 to work alongside other compatible Canon products within a multi-camera system. Combining the excellent performance of the camera with advanced network technologies, broadcasters can seamlessly integrate the XF605 into their setup and control the ISO, aperture, Custom Picture, and AF of all cameras from a single point. The v1.0.1.1 firmware also introduces a new 4K Intra 60P/50P recording option alongside XF-AVC Intra 410Mbps, creating a lightweight, high-quality codec that helps to minimize storage costs.

Powered by Canon’s Dual Pixel CMOS AF, users can now enjoy the benefit of Face and Eye Detection AF and tracking in both fast and slow-motion shooting, perfect for capturing fast-paced action. For even more options, the firmware now also adds support for vertical shooting – a feature first seen in the EOS C70. This feature is great for digital signage, where content creators need to capture 4K content in a portrait format. For simple operation in vertical shooting mode, the monitor and on-screen menu change orientation.

A camcorder designed for single operators and streamlined crews, such as on-the-ground broadcasting, the v1.0.1.1 firmware gives operators the ability to monitor all four audio channels in the on-screen meter display. Users can now select assignable button 11 as the record button – ideal for those shooting on a tripod or in a vertical orientation. Also added is a feature that retains the selected shooting mode while switching from standard to Slow and Fast shooting.

Responding to feedback from customers and end users and the broader adoption of multi-camera setups for live and remote production, this firmware levels up the performance of the XF605 and enables it to be easily integrated into multi-camera setup.

The Canon XF605 firmware update v1.0.1.1 is currently available for download.

Canon XA75/XA70 Key Features:

  • 1.0-inch type CMOS Sensor and DIGIC DV6 Processor for 4K UHD recording
  • 15x optical zoom with 40x digital zoom
  • DUAL Pixel CMOS AF and face tracking
  • OSD Recording
  • Dual XLR audio input with 4ch audio recording.
  • Infra-Red Shooting Support
  • USB Video Class (UVC) Supporti
  • 3G-SDI (XA75 only) and HDMI output

Canon XA65/XA60 Key Features:

  • 1/2.3-inch type CMOS Sensor and DIGIC DV6 Processor for 4K UHD recording
  • 20x optical zoom with 40x digital zoom
  • OSD Recording
  • Dual XLR audio input with 4ch audio recording.
  • Infra-Red Shooting Support
  • USB Video Class (UVC) Supporti
  • 3G-SDI (XA65 only) and HDMI Output

Canon VIXIA HF G70 Key Features:

  • 4K UHD 1/2.3-inch type CMOS sensor
  • High Quality 20x Zoom Lens
  • OSD Recording
  • USB-C Output for Streaming
  • Hybrid AF
  • Oversampled HD Processing
  • USB Video Class (UVC) Supporti

Price & Availability

The Canon XA75 and XA70 professional camcorders are both scheduled to be available in November 2022 for an estimated retail price of $2,999.00 and $2,499.00 respectively. ii

The Canon XA65 and XA60 professional camcorders are both scheduled to be available in October 2022 for an estimated retail price of $2,299.00 and $1,799.00 respectively. ii

The Canon VIXIA HF G70 prosumer camcorder is scheduled to be available in October 2022 for an estimated retail price of $1,249.00.ii

Orders

Order the just announced Canon gear at B&H.

i Audio output not supported via USB-C.

ii Specifications, availability and prices are subject to change without notice. Actual prices are set by individual dealers and may vary

Posted to: Canon News   Category: Canon Announcements
Post Date: 9/7/2022 12:27:23 PM CT   Posted By: Bryan

Especially for those of following the camera industry for many years, the lack of third-party autofocus lenses for the Canon RF mount seems unusual.

We expected to, minimally, have RF-mount AF lenses from the big lens companies like Sigma and Tamron by now. In talking to marketing reps at these companies, no comments were provided, though I (and likely everyone else) sense a strong desire to have products in this market.

Another data point is that the RF-mount version of the Rokinon (Samyang) AF 14mm F2.8 Lens (the mount versioned reviewed here) has gone missing. Also, there are no other brand RF-mount AF lenses available at B&H.

A statement German Photografix Magazine attributes to Canon Germany confirms what many of us were thinking:

"SHENZHEN JUEYING TECHNOLOGY CO.LTD, manufactures auto focus lenses for Canon RF mount under the brand name “Viltrox”. Canon believes that these products infringe their patent and design rights and has therefore requested the company to stop all activities that infringe Canon’s intellectual property rights."

That statement provides an improved understanding of where the third-party RF mount AF lens market currently stands. However, it does not tell us what the future holds.

Will Canon begin disclosing the RF mount specifications under licensing agreements? That is the position Sony is currently taking (and likely profiting from). Or, will the RF mount remain a protected, proprietary, closed system?

Posted to: Canon News   
Post Date: 9/7/2022 8:48:11 AM CT   Posted By: Bryan

From Canon USA:

Canon Expands Product Line-Up for Broadcast and Filmmaking

Canon’s New Tools Give Broadcasters and Filmmakers Enhanced Camera Functionality and the Flexibility to Create High-Quality 4K Content, Within Multiple Streamlined Workflows

MELVILLE, NY, September 7, 2022 – Canon U.S.A., Inc., a leader in digital imaging solutions, today strengthened its cinema and broadcast offering, in line with user needs, with a suite of products. This includes the CINE-SERVO 15-120mm T2.95-3.95 EF/PL (CN8x15 IAS S), Canon’s latest 8K CINE-SERVO lens for a broad range of productions; the EU-V3, a modular expansion unit for the EOS C500 Mark II and EOS C300 Mark III cameras; a Cinema EOS firmware update; and the DP-V2730[i], a 27-inch 4K professional reference display that may seamlessly fit into workflows of broadcasters and filmmakers.

Capture the World Cinematically: CINE-SERVO 15-120mm T2.95-3.95 EF/PL (CN8x15 IAS S)

With a superb combination of focal range, compact size, and lightweight, the CINE-SERVO 15-120mm T2.95-3.95 EF/PL (CN8x15 IAS S) supports Super 35mm and Full-Frame[ii] sensor cameras, making it ideal for a range of cinema and broadcast productions. With its versatile focal range from a wide 15mm, up to an impressive telephoto range of 120mm, the lens can further extend up to 180mm via the built-in 1.5x extender. To support future productions, 8K optical performance can be maintained across the full focal length, providing consistently high image quality across the entire frame.

The CINE-SERVO 15-120mm T2.95-3.95 EF/PL (CN8x15 IAS S) features Canon’s renowned warm color science, matching the existing range of Canon’s cinema lenses – and an 11-blade aperture, producing a beautiful, round bokeh. Offering outstanding optical performance – and breathtaking image quality for HDR, 4K, and 8K productions – the lens supports EF mount communication and advanced metadata capture with support for Cooke /i Technology™. The PL mount version of the lens is also the first Canon CINE-SERVO lens to enable both ZEISS eXtended Data™ (XD) communication and Cooke /i Technology™. Featuring the same 16-bit encoder found in Canon’s broadcast and existing CINE-SERVO lenses, which provides accurate lens position, zoom, focus, and iris metadata, the information and communication functions between the lens and camera are paramount for VFX, virtual, and cinema productions.

The high-end CINE-SERVO 15-120mm T2.95-3.95 EF/PL (CN8x15 IAS S) is available in both EF and PL mount, featuring a powerful and detachable servo motor drive unit. This adds to the versatility of the lens as it allows for live production and documentary-friendly Studio and Field- operation. The drive unit’s ergonomic hand grip and zoom rocker make on-the-go, shoulder/ENG-style shooting easy. With the drive unit’s two 20-pin ports for attaching zoom and focus controls and a third 20-pin that provides 16-bit encoded metadata for virtual systems, the lens also fits nicely into a tripod-mounted studio-style configuration.

EU-V3: Modular Expansion Unit for Live Production, Compatible with The EOS C500 Mark II and EOS C300 Mark III Cameras

With the increased move towards large format sensor cameras for broadcast, events, and live sports production – providing viewers with a unique perspective when watching their favorite teams play – Canon has listened to user requirements with the EU-V3 expansion module for both the EOS C500 Mark II and EOS C300 Mark III. Building on both cameras’ modular design, it expands and supports specific functionality for multi-camera and live productions.

For studio and live production use, the EU-V3 has a 4-pin XLR DC power input for constant power to both the expansion module and the camera body – no need for external batteries to power the devices.

The EU-V3 also offers an SDI return video feature, allowing real-time monitoring of a live broadcast feed from a production switcher. The return output destination can be selected from the VIDEO, EVF-V50, MON/HDMI, and SDI-OUT terminals. The EU-V3 also enables Tally support to alert the camera operator and the subject being captured. Both SDI Return video and Tally functions are essential for informing camera operators and their subjects of when their camera feed is live and the current status of the production.

The lens focus position can also be displayed on-screen when using the EU-V3 – with compatible broadcast and CINE-SERVO lenses via 12-pin serial communication. The Focus Position Meter, which users can choose to display along the top or right side of the screen, allows users to register multiple focus positions on a distance scale and highlights when the focus is achieved during manual operation – such as when selecting the finish line for a race.

The EU-V3 can be combined with the CINE-SERVO 15-120mm T2.95-3.95 EF/PL (CN8x15 IAS S) lens on the EOS C500 Mark II and EOS C300 Mark III cameras.

Cinema EOS Firmware: Expanding Horizons

A new Cinema EOS Firmware update is being introduced to strengthen the capabilities for the live production market for both the EOS C500 Mark II and EOS C300 Mark III cameras – enabling both cameras to be used within live environments and multiple workflows. Key updates include:

  • Implementing XC protocol: integration into multi-camera solutions, supporting direct control via RC-IP100 remote camera controller (sold separately) and ethernet connections.
  • Strengthening of AF features: 120p / 100p AF support, alongside face detection during Slow and Fast Shooting Mode.
  • Audio 4ch display: the audio level display will show all four audio channels when this mode is selected.
  • New accessory and lens support: allowing the EOS C500 Mark II and EOS C300 Mark III camera to work perfectly with both the CINE-SERVO 15-120mm T2.95-3.95 EF/PL (CN8x15 IAS S) lens and EU-V3, as well as support for the Flex Zoom series of lenses.

DP-V2730: 4K HDR Display For The New Generation

An advanced professional 4K HDR monitor, the DP-V2730, has a 4K UHD display engine and 1,000 cd/m² full-screen peak brightness, with Canon’s local dimming technology giving an ultra-low black level of 0.001 cd/m². A great option for both filmmakers and broadcasters, the DP-V2730 has a 27-inch screen that achieves high brightness with minimal noise, which is ideal for both on-set and post-production environments, and meets Dolby Vision certification standards and EBU TECH3320 user requirements[iii]. The DP-V2730 features a suite of award-winning monitoring tools such as a waveform monitor, histogram, frame luminance monitor, RGB parade, and much more – all driven by Canon’s latest processing platform. The display is a great companion for broadcast and filmmaking, delivering high-end 4K HDR performance for on-set video villages, on-location production facilities, and is ideal for virtual post-production editing, VFX, and color grading.

The DP-V2730 has an HDMI input and 12G-SDI terminals (4x Inputs and 5x Outputs) capable of delivering 4K60P 4:2:2 10-bit or 4K30P 4:4:4 12-bit signals, ideal for seamless integration into multiple workflows. The DP-V2730 can also easily be linked to a compatible computer, tablet, or smartphone plus multiple Canon Displays (via a LAN connection) with the Remote Control Web UI. This touch-optimized interface provides live image viewing, detailed signal information and direct control over inputs, monitoring tools, and settings. A paid license is required to activate this feature. Users can also access 4-way SDI input switching via a paid upgrade that supports various workflows, such as sending an output feed to a director’s monitor, external recorder, or live streaming solution.

Canon CINE-SERVO 15-120mm T2.95-3.95 EF/PL (CN8x15 IAS S) Key Features:

  • Wide angle 15-120mm, with 8x magnification
  • High-quality optics for HDR, 8K and 4K capture
  • Built-in 1.5x extender – providing reach up to 180mm
  • Full frame sensor coverage (with 1.5x extender engaged)
  • Modular design with a removable drive unit
  • Interchangeable lens mount from EF to PF
  • First CINE-SERVO lens to support ZEISS extended Data (XD)

Canon EU-V3 Key Features:

  • Constant DC IN power – no need for external batteries
  • Return SDI Signal Input
  • Remote B (RS-422)
  • Ethernet
  • Tally Signal Support (XC Protocol)
  • V-mount battery plate (with D-TAP)
  • 12-pin Lens Terminal
  • DC OUT 12V-2A

Canon Cinema EOS Firmware Update:

  • XC protocol support
  • 120p / 100p AF support
  • Face detection during Slow and Fast Mode Shooting
  • Audio 4ch display
  • Flex Zoom Series and CN8x15 IAS-S E1/P1 lens support

Canon DP-V2730 Key Features:

  • 27” 4K UHD HDR Display
  • 1000 cd/m2 brightness and 0.001 cd/m2 black levels
  • Award-winning monitoring tools
  • Achieves Dolby Vision certification standards and EBU TECH3220 user requirements.
  • 12G-SDI and HDMI connectivity

Pricing and Availability

The CINE-SERVO 15-120mm T2.95-3.95 EF/PL (CN8x15 IAS S) cinema lens and EU-V3 accessory are scheduled to be available in November and December 2022 for an estimated retail price of $30,999.00 and $2,999.00 respectively.

The Canon Cinema EOS Firmware Update is scheduled to be available in October 2022 free of charge.

The Canon DP-V2730 reference display is scheduled to be available in March 2023 for an estimated retail price of $18,999.00.[iv]

Orders

Order the just announced Canon gear at B&H.

[i] This device has not been authorized as required by the rules of the Federal Communications Commission. This device is not, and may not be offered for sale or lease, or sold or leased, until authorization is obtained.

[ii] Covers many Full-Frame sensors when the 1.5x optical extender is in the optical path

[iii] Grade 1A rating achieved for contrast ratio, peak luminance, black level, and luminance uniformity.

[iv] Specifications, availability and prices are subject to change without notice. Actual prices are set by individual dealers and may vary

Posted to: Canon News   Category: Canon Announcements
Post Date: 9/7/2022 9:19:04 AM CT   Posted By: Bryan

From Sony Electronics Inc.:

Sony Electronics Launches the FR7, the World’s First*1 Pan-Tilt-Zoom Camera to Combine a Full-frame Image Sensor, Lens Interchangeability, and Remote Shooting Functionality

Sony’s Cinema Line PTZ camera opens new creative and cinematic possibilities for content creators, from filmmakers to live event or music video producers

LOS ANGELES, CA – September 6, 2022 – Sony Electronics Inc. announces today the latest addition to its Cinema Line, the ILME-FR7, an E-mount interchangeable lens camera with a full-frame image sensor and built-in pan/tilt/zoom (PTZ) functionality. Its versatile remote control and cinematic features open creative possibilities in studio, live production and filmmaking settings.

A high-performance full-frame image sensor and the expressive scope of Sony’s extensive E-mount lens*2 lineup work with remote pan/tilt/zoom control, high flexibility in zoom capability and wide angle shooting to break through location and space limitations. It also offers the cinematic look and operability that have made Sony digital cinema cameras push the boundaries of the filmmaking industry, plus versatile connectivity and efficient multi camera workflow support.

“The cinematic look and feel is rapidly becoming the norm in broadcasting and live production as it opens up new ways to tell a narrative,” said Yang Cheng, Vice President, Imaging Solutions, Sony Electronics Inc. “In parallel, over the last 2 years, we’ve seen a steep rise in content created remotely or in small locations where access is difficult. At Sony, we are always listening to our customers. We are thrilled to announce the FR7 that combines the flexibility of a standard PTZ camera with stunning visuals through advanced cinematic features.”

Uncompromised Image Quality in a PTZ Form Factor

The FR7 features a back-illuminated 35mm full-frame CMOS image sensor Exmor R™ with approximately 10.3 effective megapixels and wide 15+ stop latitude*3 in a pan tilt zoom (PTZ) camera for the first time. In addition to wide dynamic range, low noise, and cinematic full frame bokeh, this amazing sensor also delivers high sensitivity that allows ISO to be expanded up to 409,600*4 when shooting in low light.

The FR7 features Sony’s E-mount and can mount a wide range of E-mount lenses*2, including the G Master™ series with stunning resolution and bokeh effect. A choice of focal lengths ranging from 12 mm to 1200 mm*5 gives users comprehensive creative control.

A number of Cinema Line features are built into the camera to deliver a cinematic look and feel including:

The Sensitivity setting allows ISO to be expanded up to 409,600*4 when shooting in low light.

A 15+ stop latitude*3 allows smooth highlights and low noise levels.

A number of preset scene files are included including S-Cinetone for natural mid-tones that are essential to healthy-looking skin color, plus soft colors and gorgeous highlights. Since the target look can be created while shooting, time can be saved in post-production. In the Cine EI mode, base sensitivity can be set to either ISO 800 or ISO 12800 to match lighting conditions and to minimize noise while maintaining a consistent look. This mode is ideal for post-production, as it allows the use of Sony’s original S-Log3 gamma, wide S-Gamut3 and S-Gamut3.Cine color spaces.

Shooting up to 120fps 4K (QFHD) and 240 fps FHD*6 slow-motion is possible, again creating that emotional possibility offered by a cinematic look.

Easy Operation for Storytelling from New Angles

With a new dedicated web application, pan, tilt, zoom, focus, record, playback, and all camera settings can be intuitively controlled from a tablet or computer web browser. Multiple people can monitor FR7 footage remotely at the same time. Multi camera monitoring is also enabled, allowing multiple cameras to be viewed remotely on one device. With its integrated remotely controllable pan/tilt mechanism, the FR7 can be mounted on a tripod, on a ceiling with the dedicated CIB-PCM1, or in other locations with limited access so that subjects can be unobtrusively followed and recorded from unique viewpoints. It is also compatible with Sony’s RM-IP500 remote controller*7 for multi-camera production, expanding creative potential while reducing the need for dedicated staff in production studios and other shooting situations. A single RM-IP500 unit can remotely control up to 100 PTZ cameras and provide precious joystick-controlled pan, tilt, and zoom operation. ?

The supplied infrared remote controller will also support the FR7’s simple operation.

Variable PTZ Movements for Smooth Camera Work

Pan and tilt speed can be continuously varied from 0.02 degrees per second to 60 degrees per second, supporting a wide range of stable and smooth camera movements. The pan angle range is from -170° to +170°, and the tilt angle range is from -30° to +195°.

Up to 100 Preset Camera Positions

The FR7 can memorize up to 100 camera position presets.*8 The built-in web application and optional RM-IP500 remote controller allow up to 100 camera position presets to be recalled. Presets include camera direction, zoom, and focus, and can be recalled at the touch of a button.

The FR7 will also support S700 protocol via Ethernet, enabling control of this product from Sony’s Remote Control Panel (RCP) and Master Setup Unit (MSU) with a firmware update*9.

Real-time Eye AF and Real-time Tracking

Fast Hybrid AF and pan/tilt/zoom functionalities combine to focus on static or fast-moving subjects precisely and smoothly over a wide area, to avoid blurred images, even when a shallow depth of field is used.

The integrated BIONZ XR™ engine realizes detection performance for pinpoint eye focus even when subjects are looking at steep angles, allowing the operator to concentrate on composing the best shot. Touch Focus can be used to initiate focusing with Real-time Tracking on the desired subject when using the FR7’s web application, with Real-time Eye AF if an eye is detected.

Sony’s Built-in Electronically Controlled Variable ND Filter

The built-in electronic variable ND filter allows seamless ND adjustment. An Auto ND function keeps exposure constant by automatically adjusting the ND filter to match changing light. Remote control is also possible, allowing exposure control at a distance from the camera.

Versatile Interfaces for Various Production Workflows

The FR7 is built to integrate and adapt to many workflow scenarios, from simple plug and play to more complex high-end productions, thanks to a comprehensive selection of video inputs and outputs, IP streaming, power supply, and synchronization with other devices.

Internal XAVC Recording and External RAW Output

A rare feature in a PTZ camera, the FR7 also features dual media slots that support CFexpress Type A and SDXC memory cards. The ability to record high-quality XAVC-I footage with metadata makes the FR7 an excellent choice for a wide variety of video production applications.

CFexpress Type A cards are particularly well suited to high bitrate 4K movie production, with high-speed write capability that ensures stable recording of high volume, high frame rate data. Simultaneous recording, relay recording, interval recording, and proxy recording are also supported. The SDI output can deliver a 16-bit RAW signal to a compatible external recorder (sold separately).

Professional Video and Audio Interface

HDMI Type A and 12G-SDI connectors are provided for video output as well as optical output*10 for long transmission.

The AUDIO IN (XLR type 5-pin) connector will receive signal from an external microphone or audio device. AUDIO CH-1 and CH-2 use a single connector.

Ethernet Connectivity

Camera control, video and audio transfer, and power supply can also be carried out via a single LAN cable, simplifying cabling requirements.

The FR7 LAN (network) connector supports a variety of streaming protocols, including RTSP, SRT and NDI ® |HX*11, perfect for working in an IP based environment.

The FR7 can be powered from an external PoE++ (Power over Ethernet Plus Plus)*12 device via a standard network cable, eliminating the need for separate power supply cabling.

Multicamera Production Synchronization

The Timecode IN connector receives timecode for synchronization with an external device, while the GENLOCK receives synchronization signals in multi camera setups.

Additionally, red/green tally lights are provided on the camera’s side panels, allowing performers and staff to easily identify the on-air and preview cameras in multi camera setups in studio or on location. ?

Pricing and Availability

The new FR7 will be available in November 2022 for approximately $9699.99 USD and $12,399.99 CAD. The FR7K, which includes the FR7 and SELP28135G lens, will be available for $12,199.99 USD and $15,699.99CAD while the CIB-PCM1 ceiling bracket will be available for $119.99 USD and $159.99 CAD. It will be sold at a variety of Sony's authorized dealers throughout North America.

The FR7 will be showcased for the first time on Sony’s booth at IBC 2022 in Amsterdam from September 9th to 12th. A product video on the new FR7 can be viewed here:

To see it in action, visit here:

Exclusive stories and exciting new content shot with the new FR7 as well as Sony's other imaging products can be found at www.sonycine.com a site created to educate and inspire all fans and customers of Sony Cinema Line.

Orders

Order the Sony FR7 PTZ Camera from B&H.

###

Notes:

*1 As of Sept 6th. 2022 product announcement, compared to cameras with integrated pan/tilt mounts, Sony survey.

*2 When using the SEL100400GM, SEL200600G, SEL400F28GM, and SEL600F40GM, please use after fixing the pan/tilt with the locking mechanism of the camera.

*3 S-Log3 recording. Sony measurement.

*4 Custom mode.

*5 SEL20TC teleconverter is required.

*6 10% crop, approximately.

*7 Sold separately.

*8 RM-IP500 software version 2.2 or later required.

*9 Update in early of 2023.

*10 Optical output requires SFP+ module (sold separately).

*11 NDI® is a registered trademark of NewTek, Inc. NDI®|HX is a technology of NewTek, Inc. An NDI®|HX Upgrade must be purchased from NewTek.

*12 Conforms to IEEE802.3bt (Type 4, Class 8). Internal recording and playback are not available when PoE++ power is used.

*13 Within the Cinema Line series. As of September 2022.

Posted to: Sony News   Category: Sony Announcements
Post Date: 9/7/2022 8:23:43 AM CT   Posted By: Bryan

From Sigma Corporation of America:

SIGMA Announces Development of 65mm T1.5 FF CINE Prime and 65mm T2.5 FF CINE Classic Prime Lenses, Plus Individual Purchase Option of All CINE Classic Prime Lenses

New lenses to debut at IBC 2022

Ronkonkoma, NY – September 7, 2022 – SIGMA Corporation of America, the US subsidiary of SIGMA Corporation (CEO: Kazuto Yamaki. Headquarters: Asao-ku, Kawasaki-shi, Kanagawa, Japan) is pleased to announce the development of the 65mm T1.5 FF CINE Prime lens, an addition to the SIGMA CINE LENS Full Frame Prime line, as well as the 65mm T2.5 CINE Classic Prime lens. With the addition of these new 65mm lenses, SIGMA now offers a total of eleven full-frame compatible prime lenses in each line ranging from 14mm to 135mm, covering the full range of standard cine focal lengths.

Additionally, effective with the introduction of the 65mm T2.5 FF CINE Classic Prime, lenses in this line may now be purchased individually. Prior to this announcement, the FF CINE Classic Prime lenses were offered exclusively for purchase as a ten-lens bundled kit.

Pricing and availability of the 65mm T1.5 FF CINE Prime will be announced at a future time. Pricing and availability of all individual CINE Classic Prime lenses will be announced at a future time.

Both new lenses will be on display at SIGMA Booth 12.C35 at IBC 2022, Amsterdam, the Netherlands, from September 9th to 12th, 2022.

Development of FF High Speed Prime Line 65mm T1.5 FF Announced

SIGMA Corporation (CEO: Kazuto Yamaki) is pleased to announce its development of the FF High Speed Prime Line 65mm T1.5 FF, an addition to the offering of SIGMA CINE LENS interchangeable lenses for movie production. The 65mm T1.5 FF is a FF High Speed Prime Line lens that is compatible with large format digital cinema cameras. This is a prime lens that incorporates an optical system specially designed for cinema lenses to meet the stringent demands of this audience. As one of the few options compatible with the latest digital cinema cameras with large image sensors, it further expands the possibilities of movie production in the digital age. With the addition of the 65mm T1.5 FF, SIGMA will have a total of eleven 35mm full-frame compatible prime lenses ranging from 14mm to 135mm. The 65mm T1.5 FF announced at this time will be exhibited at IBC 2022, which is scheduled to take place in Amsterdam, the Netherlands, from September 9th to 12th, 2022.

FF High Speed Prime Line
65mm T1.5 FF
Launch: TBD
Accessories: Cap, Lens Support Foot (SF-31) supplied
Lens Mounts: PL (/i Technology compatible), EF and E-mount

* The appearance and specifications of the product are subject to change.
* /i is a registered trademark of Cooke Optics Limited used with permission.
* For detailed specifications, please refer to the product specifications.

#SIGMA #SIGMA65mmT15FF #SIGMACINELENS

[ SPECIFICATIONS ]

Model Name 65mm T1.5 FF
Product Line FF High Speed Prime Line
Edition Number 023
Lens Mount PL Mount (/i Technology compatible), Canon EF Mount, Sony E-Mount
Focal Length 65mm
Aperture T1.5 – T16
Diaphragm Blades 9 (rounded)
Close Focus *1 0.65m / 2'2"
Magnification Ratio 1:7.9
Image Circle FF f43.3 mm
Front Diameter f95mm / 3.7"
Filter Size M 86 x 1.0mm
Length *2 PL Mount (/i Technology compatible): 120.6mm / 4.8"
Canon EF Mount: 128.6mm / 5.1"
Sony E-Mount: 154.6mm / 6.1"
Weight *3 TBD
Angle of View FF *4: 31°
S35 *5: 21.4°
APS-C *6: 20.7°
Lens Support Foot LENS SUPPORT FOOT SF-31

* 1 Close focus distance is measured from the image plane
* 2 Front to mount flange
* 3 Without lens support foot
* 4 Horizontal angle of view for a full-frame camera aperture (aspect ratio 1:1.5, dimensions 36mm x 24mm / 1.42" x 0.94")
* 5 Horizontal angle of view for a super 35 digital cinema camera aperture (aspect ratio 1:1.8, dimensions 24.6mm x 13.8mm / 0.97" x 0.54")
* 6 Horizontal angle of view for an APS-C camera aperture (aspect ratio 1:1.5, dimensions 23.7mm x 15.7mm / 0.93" x 0.62")

Development of FF Classic Prime Line 65mm T2.5 FF Announced

SIGMA Corporation (CEO: Kazuto Yamaki) is pleased to announce the development of the 65mm T2.5 FF from the SIGMA CINE LENS "FF Classic Prime Line". The Classic Prime Line 65mm T2.5 FF adopts an optical system designed exclusively for the 65mm T1.5 FF cinema lens, but like the previously released FF Classic Prime Line lenses, the optical system is centered upon uncoated lenses. This configuration makes it possible to achieve both the high resolution that SIGMA CINE LENS is known for, as well as classic image expression with low contrast and beautiful flaring and ghosting effects. With the addition of the 65mm T2.5 FF Classic Prime Line lens, SIGMA now offers a total of 11 of these expressive 35mm full-frame prime lenses ranging from 14mm to 135mm. Both new 65mm cine lenses announced at this time will be exhibited at IBC 2022, scheduled to take place in Amsterdam, the Netherlands, from September 9th to 12th, 2022.

FF Classic Prime Line
65mm T2.5 FF
Launch: TBD
Accessories: Cap, Lens Support Foot (SF-31) supplied
Lens Mount: PL (/i Technology compatible)

* The appearance and specifications of the product are subject to change.
* /i is a registered trademark of Cooke Optics Limited used with permission.
* From conventional cine lenses, it is not possible to apply for the Mount Conversion Service for this "FF Classic Prime Line".

#SIGMA #SIGMAClassicPrimeLine #SIGMACINELENS

[ SPECIFICATIONS ]

Model Name 65mm T2.5 FF
Product Line FF Classic Prime Line
Edition Number 023
Lens Mount PL Mount (/i Technology compatible)
Focal Length 65mm
Aperture T2.5 – T25
Diaphragm Blades 9 (rounded)
Close Focus *1 0.65m / 2'2"
Magnification Ratio 1:7.9
Image Circle FF f43.3 mm
Front Diameter f95mm / 3.7"
Filter Size M 86 x 1.0mm
Length *2 120.6mm / 4.8"
Weight *3 TBD
Angle of View FF *4: 31°
S35 *5: 21.4°
APS-C *6: 20.7°
Lens Support Foot LENS SUPPORT FOOT SF-31

* 1 Close focus distance is measured from the image plane
* 2 Front to mount flange
* 3 Without lens support foot
* 4 Horizontal angle of view for a full-frame camera aperture (aspect ratio 1:1.5, dimensions 36mm x 24mm / 1.42" x 0.94")
* 5 Horizontal angle of view for a super 35 digital cinema camera aperture (aspect ratio 1:1.8, dimensions 24.6mm x 13.8mm / 0.97" x 0.54")
* 6 Horizontal angle of view for an APS-C camera aperture (aspect ratio 1:1.5, dimensions 23.7mm x 15.7mm / 0.93" x 0.62")

Announcement of the Start of Individual Sales of FF Classic Prime Line

SIGMA Corporation (CEO: Kazuto Yamaki) is pleased to announce that the FF Classic Prime Line, the latest lineup of SIGMA CINE LENSES will be available for sale individually. The FF Classic Prime Line will be exhibited at IBC 2022, scheduled to take place in Amsterdam, the Netherlands, from September 9th to 12th, 2022.

LAUNCH: TBD

#SIGMA #SIGMACINELENS #SIGMAClassicPrimeLine

[ Common Specifications ]

Lens Mount PL Mount (/i Technology compatible)
Diaphragm Blades 9 (rounded)
Image Circle FF f43.3 mm
Front Diameter f95mm / 3.7"

Get your Sigma Cinema Lens at B&H.

Posted to: Canon News, Nikon News, Sony News   Category: Sigma News
Post Date: 9/7/2022 7:36:07 AM CT   Posted By: Bryan
 Tuesday, September 6, 2022
Posted to: Sony News   Category: Camera Gear Review News
Post Date: 9/6/2022 8:00:39 AM CT   Posted By: Bryan
 Monday, September 5, 2022

The Canon EOS R3 is in stock at B&H!

Learn more: Canon EOS R3 Review

Posted to: Canon News   Category: In Stock Notices
Post Date: 9/5/2022 2:40:06 PM CT   Posted By: Bryan
 Saturday, September 3, 2022

The Canon LP-E6NH Lithium-Ion Battery is back in stock at B&H for only $79.00.

I just picked up more to further the process of replacing older batteries showing reduced performance.

Posted to: Canon News   Category: In Stock Notices
Post Date: 9/3/2022 5:36:06 PM CT   Posted By: Bryan
 Friday, September 2, 2022
Posted to: Canon News   Category: Camera Gear Review News
Post Date: 9/2/2022 8:07:13 AM CT   Posted By: Bryan
 Monday, August 29, 2022

In addition to the Image quality test results shared last week (20mm, 24mm), vignetting, flare, and distortion test results along with specs, measurements, and standard product images are now available on the Sigma 20mm F1.4 DG DN Art Lens and Sigma 24mm F1.4 DG DN Art Lens pages.

Order the Sigma 20mm F1.4 DG DN Art Lens from B&H | Adorama | WEX

Order the Sigma 24mm F1.4 DG DN Art Lens from B&H | Adorama | WEX

Rent the Sigma 20mm F1.4 DG DN Art Lens from Lensrentals.

Rent the Sigma 24mm F1.4 DG DN Art Lens from Lensrentals.

Posted to: Sony News   Category: Camera Gear Review News
Post Date: 8/29/2022 11:08:30 AM CT   Posted By: Bryan
 Sunday, August 28, 2022

When two wide-angle f/1.4 lenses promoted as ideal for photographing the milky way (an addicting pursuit) show up in the same box with a dark, cloudless sky predicted for the next evening, you drop everything and drive hours to the darkest sky location in the region. In this case, that location was Cherry Springs State Park, an International Dark Sky Park, near Coudersport, PA. After a few hours of sleep and especially after loading the photos from the memory cards, you forget about arriving home at 2:30 AM.

The two lenses were the Sigma 20mm F1.4 DG DN Art Lens and the Sigma 24mm F1.4 DG DN Art Lens. The 20 and 24mm ultra-wide-angle focal lengths are ideal for framing the heart of the milky way, and the ultra-wide f/1.4 aperture allows sufficient light to reach the imaging sensor in the exposure time necessary to prevent star trails.

Here is the Cherry Springs State Park Milky Way at 24mm.


A larger version of this image is available here.

Post Date: 8/28/2022 7:00:00 AM CT   Posted By: Bryan
 Friday, August 26, 2022

The new Canon RF 24mm F1.8 Macro IS STM and RF 15-30mm F4.5-6.3 IS STM Lenses are now in stock.

Order the Canon RF 24mm F1.8 Macro IS STM Lens from B&H or Adorama.

Order the Canon RF 15-30mm F4.5-6.3 IS STM Lens from B&H or Adorama.

Posted to: Canon News   Category: In Stock Notices
Post Date: 8/26/2022 11:25:29 AM CT   Posted By: Bryan
Posted to: Sony News   Category: Camera Gear Review News
Post Date: 8/26/2022 8:06:52 AM CT   Posted By: Bryan
 Thursday, August 25, 2022

DJI just introduced the Avata FPV Drone. Check it out at B&H.

Posted to: Canon News, Nikon News, Sony News   Category: DJI News
Post Date: 8/25/2022 12:40:49 PM CT   Posted By: Bryan

From Sigma:

Firmware update for SIGMA MOUNT CONVERTER MC-11 SA-E and EF-E

Thank you for purchasing and using our products. We would like to announce that a firmware update for the SIGMA MOUNT CONVERTER MC-11 SA-E and EF-E is now available.

[Applicable product]

  1. SIGMA MOUNT CONVERTER MC-11 SA-E
  2. SIGMA MOUNT CONVERTER MC-11 EF-E

[Benefits of the update]

  1. Fixed a problem in which the MF assist function would not work in rare cases when a lens with the MF switching function (Manual Override) enabled, or a lens with the focus mode switch set to MO was attached.
  2. Fixed a problem in which the AF would not work in rare cases when the focus ring was turned during video recording in AF mode with a lens which has the MF switching function (manual override) enabled.

[How to update]

Connect the SIGMA MOUNT CONVERTER MC-11 to a computer with the included USB cable, then open SIGMA Optimization Pro*. If there is a newer firmware version available than the one currently installed on your converter, you will see the message ‘There is the latest firmware for the converter’. Click ‘Yes’ to update.

*Before attaching the updated SIGMA MOUNT CONVERTER MC-11 to the camera body, please remove the battery pack from the camera then reinsert.

*Please be sure to update SIGMA Optimization Pro to the latest version when updating the MC-11 firmware.

[SIGMA Optimization Pro Download page]

https://www.sigma-global.com/en/download/lenses/sigma-optimization-pro/

For further information, please contact your nearest authorized SIGMA subsidiary / distributor.

https://www.sigma-global.com/en/about/world-network/

We appreciate your continued support for our company and products.

Posted to: Sony News   Category: Sigma Firmware Updates
Post Date: 8/25/2022 11:34:43 AM CT   Posted By: Bryan

The Tamron 50-400mm F/4.5-6.3 Di III VC VXD Lens development announcement is now converted to a full product announcement. Availability of this lens is slated for Sep 22, 2022.

From Tamron:

Launch Announcement

Game-Changing Ultra-Telephoto Zoom Starting at 50mm

50-400mm F/4.5-6.3 Di III VC VXD (Model A067)

August 24, 2022, Commack, NY - Tamron announces the launch of the versatile 50-400mm F/4.5-6.3 Di III VC VXD (Model A067), a next level ultra-telephoto zoom lens for Sony E-mount full-frame mirrorless cameras on September 22, 2022, at $1299. Due to the current global health crisis, the release date or product supply schedule could change.

The 50-400mm F/4.5-6.3 Di III VC VXD (Model A067) creates an entirely new category for high-performance ultra-telephoto mirrorless zoom lenses. With an 8x zoom ratio that begins at an unprecedented 50mm (commonly called the “standard” focal length for full-frame cameras), this new ultra-telephoto zoom lens for Sony E-mount full-frame mirrorless cameras is the same size as conventional 100-400mm zoom lenses yet offers a wider angle of view on the wide end for excellent versatility.

The 50-400mm is remarkably compact with a length of just 7.2” and a light weight of 40.7 oz. but provides unparalleled high performance at all focal lengths. Despite the high magnification ratio, high image quality is delivered across the entire 50-400mm range through the effective arrangement of special lens elements. Equipped with TAMRON’s VXD (Voice-coil eXtreme-torque Drive) linear motor focus mechanism that offers excellent quietness and responsiveness, plus TAMRON's proprietary image stabilization mechanism VC (Vibration Compensation), the lens delivers versatile capability for all shooting scenarios.

Since the 50-400mm provides up to one-half life-size magnification during close focus, users can enjoy the world of half-macro photography with excellent close-up shooting capabilities, with an MOD (Minimum Object Distance) of 9.8” at the 50mm.

The filter size is 67mm, the same as most other TAMRON lenses for mirrorless cameras, providing greater convenience when using multiple lenses together. The lens also features ergonomic features that support comfortable shooting, such as the adoption of a new lens design with improved texture and operability, and a Connector Port for the dedicated TAMRON Lens UtilityTM originally and uniquely developed by TAMRON. In addition, for this 50-400mm, TAMRON Lens Utility newly offers a "Focus Limiter” function. An optional Arca-Swiss compatible accessory tripod mount is available for convenience when using a tripod.

The 50-400mm is a highly portable, versatile zoom lens that ensures users never miss a shooting opportunity, from the 50mm standard focal length up to the 400mm ultra-telephoto. This is a breakthrough product that creates an entirely new category of ultra-telephoto-mirrorless zoom lenses, another first for TAMRON.

PRODUCT HIGHLIGHTS

Expansive 8x zoom ratio starts at 50mm and extends to 400mm ultra-telephoto with a single lens

The 50-400mm is a groundbreaking ultra-telephoto zoom lens with an unprecedented 8x zoom ratio that covers focal lengths from 50mm to 400mm. The 50mm focal length has long been considered the “standard” focal length for full-frame digital cameras. The 50-400mm has an unprecedented wide-end focal length of 50mm, so users can create images that not only capture a subject close-up, but also utilize the background. Leveraging the versatility of this revolutionary new lens configuration, users can enjoy shooting a broad range of subjects from landscapes and wild birds to animals, sports, and small group photos, all with a single compact lens.

Unfaltering high image quality across the entire zoom range

The optical construction features 24 elements in 18 groups. The generous and effective use of special lens elements, including two XLD (eXtra Low Dispersion), three LD (Low Dispersion), one GM (Glass Molded Aspherical) and one Hybrid Aspherical lens elements, thoroughly controls aberrations including axial chromatic aberrations. The 50-400mm also features BBAR-G2 (Broad-Band Anti-Reflection Generation 2) Coating that minimizes ghosting and flares and expresses the minute details of subjects even under backlit conditions. In summary, the 50-400mm delivers clear and crisp images shot after shot.

VXD produces high-speed and high-precision AF The 50-400mm utilizes VXD linear motor focus mechanism. It combines high-level AF speed and precision, enabling fast and accurate focusing from MOD to infinity. The excellent focus tracking performance of moving objects makes it possible to capture sharp images even when shooting wild birds and sports in action. Plus, the lens is extremely quiet, so it’s perfectly suited for both still and video shooting in conditions that demand silent operation.

Equipped with TAMRON’s proprietary VC image stabilization

Despite its remarkably compact size, the 50-400mm is equipped with TAMRON's proprietary VC. The excellent image stabilization performance effectively reduces image blurring due to camera shake. Also, using AI technologies, the lens chooses the appropriate compensation characteristics for videography at focal lengths of 100mm or less.

Enhanced operational and versatile features

1. Connector Port for the TAMRON Lens Utility

• Comes standard with the TAMRON Lens Utility software. Connecting a computer to the lens’s Connector Port via the optional TAMRON Connection Cable1, users can customize various functions and update the lens’s firmware. Personal customization gives flexible shooting options to match the shooting situation for still photography and videography.

2. New “Focus Limiter” function added to the TAMRON Lens Utility

• The 50-400mm newly offers a Focus Limiter function accessible within TAMRON Lens Utility. The option can limit the AF focus search range, so users can shorten the time needed for refocusing when the subject becomes out of focus. It is also used to prevent the lens from focusing on obstacles in front of the distant subject.

3. Rapid zooming (Zoom ring rotation arc is just 75°)

4. Optional tripod mount (Arca-Swiss compatible model A035TM)

5. Super-compact with a length of only 7.2” and a weight of 40.7 oz.

• The 50-400mm F4.5-6.3 is lightweight and compact in size, despite covering an expansive focal length of 50mm to 400mm. The 50-400mm is the same size as a conventional 100-400mm, so it’s easy to pack, easy to carry and comfortable to shoot subjects like wild birds and sports all day.

6. Half-macro photography with magnification ratio of 1:2 at the 50mm setting

• The 50-400mm achieves extremely high close-up shooting performance, particularly for an ultra-telephoto zoom lens. Users can enjoy half-macro shooting with an MOD of 9.8” and a maximum magnification ratio of 1:2 at the 50mm zoom setting. Additionally, at the 400mm telephoto end the MOD is 59.1”, providing a maximum magnification ratio of 1:4 for dynamic shots. Focusing close without changing lenses adds versatility and enhances photographic creativity.

7. New design with improved texture and scratch resistance

8. Ø67mm filter size, same as most other TAMRON lenses for mirrorless cameras

9. User-friendly features (Moisture-Resistant Construction, Fluorine Coating, Zoom Lock switch, etc.)

10. Compatibility with many camera-specific features and functions, including Fast Hybrid AF and Eye AF

Tamron 50-400mm F/4.5-6.3 Di III VC VXD Lens Specifications

Orders

Order your Tamron 50-400mm F/4.5-6.3 Di III VC VXD Lens from B&H.

Notes

1 TAMRON Connection Cable (USB Type-A to Type-C) sold separately.

* Length is the distance from the front tip of the lens to the lens mount face.

** The circular diaphragm stays almost perfectly circular up to two stops down from maximum aperture.

Specifications, appearance, functionality, etc. are subject to change without prior notice.

This product is developed, manufactured, and sold based on the specifications of E-mount which was disclosed by Sony Corporation under the license agreement with Sony Corporation.

Posted to: Sony News   Category: Tamron News
Post Date: 8/25/2022 11:17:25 AM CT   Posted By: Bryan
 Wednesday, August 24, 2022
Post Date: 8/24/2022 7:00:00 AM CT   Posted By: Bryan
Posted to: Canon News   Category: In Stock Notices
Post Date: 8/24/2022 8:18:38 AM CT   Posted By: Bryan

Note that these cards are reasonably priced and currently on sale. From Lexar:

LEXAR UNVEILS THE WORLD’S FASTEST CFEXPRESS TYPE B CARD DIAMOND SERIES

Key Features:

  • Superior performance with transfer speeds of up to 1900MB/s, write speeds up to 1700MB/s and minimum sustained write speeds of 1600MB/s1
  • With read speeds of up to 1900MB/s1, dramatically accelerating your post-production workflow from start to finish
  • Features blazing-fast write speeds of up to 1700MB/s1 to capture smooth 8K RAW video. It is also compliant with VPG 400 video class
  • Features PCIe Gen 3×2 and NVMe protocols for smooth, high-speed recording of high-quality images and 8K video
  • Backwards compatible with select XQD® cameras2
  • Lifetime limited warranty3

San Jose, USA, August 24th, 2022 – Lexar, a leading brand of flash memory solution, proudly unveils the world’s fastest Lexar® Professional CFexpress™ Type B Card DIAMOND Series, designed for professional filmmakers and content creators.

Unleashing blazing fast speeds of up to 1900MB/s read and 1700MB/s1 write, you can experience the unmatched performance of the Lexar® Professional CFexpress™ Type B Card DIAMOND Series. With minimum sustained write speed of 1600MB/s1, dramatically accelerate your post-production workflow for enhanced productivity.

Featuring PCIe Gen 3×2 and NVMe high-speed protocols, the Lexar® Professional CFexpress™ Type B Card DIAMOND Series allows you to capture the highest quality RAW, ProRes, and 8K video with ease. This card also supports VPG 400 specification for professional-quality video, enabling seamless and sustained performance when content is written to the card.

For added versatility, the DIAMOND Series is backwards compatible with select XQD® cameras2, enabling existing devices with next-generation performance. And, the cards are designed to be shock and vibration-proof, and resistant to extreme temperatures* for added durability.

“Lexar has a long history of providing industry leading memory solution for professional users and we are excited to continue this tradition with the world’s fastest Lexar® Professional CFexpress™ Type B Card DIAMOND Series. This card will dramatically help professionals speed up their workflow while providing the quality, performance and reliability they’ve come to expect from Lexar.” said Joel Boquiren, General Manager of Lexar.

Lexar® Professional CFexpress™ Type B Card DIAMOND Series will be available in this month for purchase online at an MSRP of xxx:

Availability and Introductory Sale

Lexar Professional CFexpress Type B DIAMOND Series Cards are in stock and on sale at B&H.

Notes

1 Up to 1900MB/s read transfer, write speeds lower. Speeds based on internal testing. Actual sustained speed may vary depending on host device.

2 Compatible with firmware enabled CFexpress™ cameras

3 Limited lifetime warranty is limited to 10 years from purchase in Germany and regions not recognizing lifetime warranty

*Shock resistant (1500G, duration 0.5ms, Half Sine Wave) and vibration resistant (10~2000Hz, 1.5mm, 20G, 1 Oct/min, 30min/axis(X,Y,Z)). Based on internal testing. Actual performance may vary.

Temperature-proof: Withstands operating temperature range from 14ºF (-10ºC) or 158ºF (70 ºC) and non-operating temperatures from -13ºF (-25ºC) or 185ºF (85 ºC).

CFexpress™ Type B cards are only compatible with devices that support the CFexpress™ format. Highest transfer speed achieved only when used with a CFexpress™ Type B reader, indicated by a boxed USB logo on the product. Contact your device manufacturer for details.

Lexar is not liable for any loss of data or images.

Actual usable memory capacity may vary. 1GB equals 1 billion bytes.

Posted to: Canon News, Nikon News, Sony News   Category: Lexar News
Post Date: 8/24/2022 8:09:48 AM CT   Posted By: Bryan

Sony temporarily made a7 IV firmware version 1.1 available as shared below. The firmware was since taken down, with this notice provided:

"It was confirmed that some products that updated may not operate properly in some cases. Distribution will be suspended until we can inform you of modified version. (August 24, 2022)" [Sony]

I expect that we will see this update become available again very soon.

Here is the original press release from Sony:

New Alpha 7 IV Firmware Update Enables Lossless RAW File Options and Improved Accuracy and Operability

SAN DIEGO, CA – August 23, 2022 – Sony Electronics Inc. today announced the v1.1 firmware update for the Alpha 7 IV full-frame mirrorless interchangeable lens camera, adding Lossless Compressed RAW in three sizes for still images, shutter speed and ISO setting retention, touch shutter function, improved Eye AF (autofocus) accuracy and more. ? ?

The update adds Lossless Compressed RAW files in S, M and L (small, medium or large) file sizes – a highly requested feature. Selecting L size preserves the same image quality as an uncompressed RAW format while significantly reducing the file size. The M and S sizes record fewer pixels than the L size, providing even smaller RAW file sizes.

Alpha 7 IV v1.1 allows photographers to retain shutter speed and ISO settings for flash photography. This newest update also offers a Touch Shutter Function and improves the accuracy of the Eye AF feature.

Other updates in the Alpha 7 IV v1.1 include:

  • The ability to record the camera's serial number in the metadata of video files
  • Improved operability of Wi-Fi connections
  • A one-minute setting added to Power Save by Monitor menu
  • The ability to brighten the viewfinder display according to the ambient brightness
  • Improved operational stability of the camera

Availability

Alpha 7IV v1.1 is available now and can be downloaded HERE.

Download instructions can be found HERE.

More Information

Sony Alpha 7 IV Review

Order the Sony Alpha 7 IV at B&H | Adorama | Amazon | WEX.

Rent the Sony Alpha 7 IV from Lensrentals.

Posted to: Sony News   Category: Sony Firmware Updates
Post Date: 8/24/2022 7:47:34 AM CT   Posted By: Bryan
 Tuesday, August 23, 2022

Check out the new mid-sized Robus RTH-1030 Triple Action Ball Head at B&H.

The Robus brand offers excellent quality for a reasonable price.

Posted to: Canon News, Nikon News, Sony News   Category: Robus News
Post Date: 8/23/2022 9:28:09 AM CT   Posted By: Bryan
Posted to: Canon News, Nikon News, Sony News   Category: SanDisk News
Post Date: 8/23/2022 9:02:17 AM CT   Posted By: Bryan

The Canon RF 28-70mm F2 L USM Lens is back in stock at Adorama.

Learn more about this outstanding lens: Canon RF 28-70mm F2 L USM Lens Review

Posted to: Canon News   Category: In Stock Notices
Post Date: 8/23/2022 8:48:26 AM CT   Posted By: Bryan

As usual, this gear is being sold to fund new gear to review. Check the updated list to see if anything fits into your kit. Most items are like new.

Bryan's Used Gear for Sale

Brands available include Canon, Really Right Stuff, Manfrotto, Luxli, and more.
 

Post Date: 8/23/2022 7:49:36 AM CT   Posted By: Bryan

While announcing the Canon EOS R10, promoting the camera as the least expensive R-series option seemed logical. However, the Canon EOS RP was only $20.00 more expensive. That price differential is meaningless to anyone investing in a camera at the quality level we are discussing.

Let's make some lists highlighting many of the differences between these models.

Here are some of the R10 advantages:

  • DIGIC X vs. DIGIC 8
  • Higher density imaging sensor provides greater reach
  • HEIF and Dual Pixel RAW formats available
  • Joystick multicontroller
  • EVF magnification 0.95x vs. 0.70x
  • EVF has greater nose relief
  • Built-in flash
  • X-Sync 1/200 with mechanical shutter, 1/250 electronic 1st curtain vs. 1/180sec
  • Superior AF system featuring Subject Tracking and Eye Detection AF independant from AF area selection
  • Continuous shooting up to 15 fps with mechanical shutter for 460 JPG or 29 RAW images vs. 4 fps for card capacity limited images (fast memory cards can far exceed specifications)
  • Continuous shooting up to 30 fps with electronic shutter
  • RAW burst mode and preshooting
  • 4K 30 fps with 6k oversampling and Full HD 120 fps vs. 4k 24p and Full HD 60 fps
  • Max movie duration of up to 2 hours vs. 29:59
  • Max Live View frame rate 120 fps vs. 59.97 fps
  • HDMI Micro out vs. HDMI Mini
  • Power switch is accessible to grip hand
  • Longer battery life: 290 vs. 210 with EVF, 450 vs. 250 with LCD
  • Slightly different shape: 4.8 x 3.5 x 3.3" vs. 5.22 x 3.35 x 2.76" (122.5 x 87.8 x 83.4mm vs. 132.5 x 85.0 x 70.0mm)
  • Slightly Lighter: 15.1 vs. 17.1 oz (429 vs. 485g)
  • Slightly Less expensive

Here are the RP advantages.

  • Slightly higher resolution (26.2 MP vs. 24.2 MP, here is that comparison)
  • Larger imaging sensor with larger pixels shows less high ISO noise, including less high ISO noise at the pixel level (here is that comparison)
  • AF working range down to EV -5 vs. EV -4
  • Metering Range to EV -3 vs. -2
  • ISO 100-40000 (in 1/3-stop or whole stop increments), expanded to L:50, H1: 51200, H2: 102400 vs. 100-32000 (in 1/3-stop or whole stop increments), H1: 51200
  • 3 Custom Modes vs. 2

As seen in the product images, the controls for these cameras do not differ greatly.

Those shooting fast action will find the R10 better suited to their needs. Portrait photographers will appreciate the better image quality the RP delivers.

More Information

Canon EOS R10 Review
Canon EOS RP Review

Orders

Support this site by ordering the Canon EOS R10 at B&H | Adorama | Canon | Amazon | WEX.

Rent the Canon EOS R10 from Lensrentals.

Posted to: Canon News   Category: Camera Gear Review News
Post Date: 8/23/2022 8:23:33 AM CT   Posted By: Bryan
 Monday, August 22, 2022

The Canon EOS R10 Body is in stock at Adorama.

Posted to: Canon News   Category: In Stock Notices
Post Date: 8/22/2022 8:09:38 AM CT   Posted By: Bryan

The simultaneously announced Canon EOS R7 and Canon EOS R10 are the first APS-C imaging sensor format cameras in the Canon R-series. With identical era technology, they provide an interesting comparison.

Here are a pair of lists highlighting many of the differences between these models.

These are some of the R7 advantages:

  • Significantly higher resolution (32.5 MP vs. 24.2 MP, here is that comparison), with greater reach
  • 5-axis IBIS (In-Body Image Stabilization) provides approximately 7-stops of shake correction (increases with lens IS coordination) and auto image level
  • AF working range down to EV -5 vs. EV -4
  • Mechanical shutter to 1/8000 and electronic shutter to 1/16000 vs. 1/4000 for both
  • EVF magnification of 1.15x vs. 0.95x
  • Rear LCD with 1.62m dots vs. 1.04m
  • X-Sync of 1/250 vs. 1/200 with mechanical shutter and 1/320 vs. 1/250 with electronic 1st curtain
  • Continuous shooting up to 30 fps with electronic shutter for 224 JPG or 51 RAW images vs. 23 fps. for 70 JPG or 21 RAW images (fast memory cards can far exceed these specifications)
  • Rear control dial vs. top control dial
  • 4K 60 fps with 7k oversampling vs. 4K 30 fps with 6k oversampling
  • Movie position on the power switch
  • Canon Log 3
  • Movie record duration up to 6 hours vs. up to 2 hours
  • Water & dust resistance specified vs. not specified
  • Dual side-accessible memory card slots vs. single slot in battery door under camera
  • Larger LP-E6NH battery provides longer life (EVF: 500 vs. 290 shots, LCD: 770 vs. 450 shots) than LP-E17
  • Shutter Durability Rating specified at 200,000 vs. not specified
  • Dual Pixel RAW format

Here are the R10 advantages.

  • Considerably less expensive
  • Built-in flash
  • Smaller: 4.8 x 3.5 x 3.3" vs. 5.2 x 3.6 x 3.6" (122.5 x 87.8 x 83.4mm vs. 132.0 x 90.4 x 91.7mm)
  • Lighter: 15.1 vs. 21.6 oz (429 vs. 612g)

As seen in the product images, the controls for these cameras differ somewhat.

It is easy to justify the higher cost of the R7, but if those benefits are not important, the R10's advantages just might be.

More Information

Canon EOS R7 Review
Canon EOS R10 Review

Orders

Support this site by ordering the Canon EOS R7 at B&H | Adorama | Canon | Amazon | WEX.

Rent the Canon EOS R7 from Lensrentals.

Order the Canon EOS R10 at B&H | Adorama | Canon | Amazon | WEX.

Rent the Canon EOS R10 from Lensrentals.

Posted to: Canon News   Category: Camera Gear Review News
Post Date: 8/22/2022 7:00:00 AM CT   Posted By: Bryan
 Friday, August 19, 2022

What would a comparison between the more expensive, larger-sensored R6 and the higher resolution, faster-shooting R7 look like? Soon after the Canon EOS R7 announcement, I put a comparison with the Canon EOS R6 on the to-do list.

Let's make some lists highlighting many of the differences between these models.

Here are some of the R7 advantages:

  • Significantly higher resolution (32.5 MP vs. 20.1 MP, here is that comparison) with greater reach
  • Modestly superior AF system featuring Subject Tracking and Eye Detection AF independant from AF area selection
  • Electronic shutter with up to 1/16000 vs. 1/8000 (the R7's mechanical shutter also tops out at 1/8000)
  • Viewfinder magnification 1.15x vs. 0.76x
  • X-Sync of 1/320 with electronic 1st curtain shutter vs. 1/250
  • Continuous shooting up to 15 fps with mechanical shutter vs. 12 fps.
  • Continuous shooting up to 30 fps with electronic shutter vs. 20 fps.
  • RAW burst mode and preshooting
  • Movie mode setting on power switch that is accessible to grip hand
  • Movie recording up to 6 hours vs. up to 29:59
  • Canon Log 3 vs. Canon Log
  • Dual Pixel RAW format
  • Auto image level
  • USB 3.2 Gen 2 vs. USB 3.1 Gen 2
  • Slightly Smaller: 5.2 x 3.6 x 3.6" vs. 5.45 x 3.84 x 3.48" (132.0 x 90.4 x 91.7mm vs. 138 x 97.5 x 88.4mm)
  • Slightly Lighter: 21.6 oz (612g) vs. 24.0 oz (680g)
  • Less expensive

Here are the R6 advantages.

  • Battery grip available (the R7 should have this option)
  • Larger imaging sensor with larger pixels shows less high ISO noise at the pixel level (here is that comparison)
  • AF working range down to EV -6.5 vs. EV -5
  • Metering Range to EV -3 vs. -2
  • Larger image buffer — 1,000+ JPG or 240 RAW images vs. 224 JPG or 51 RAW images (fast memory cards can far exceed these specifications)
  • ISO 100-102400 (in 1/3-stop or whole stop increments), L:50, H1: 204800 vs. 100-32000 (in 1/3-stop or whole stop increments), H1: 51200
  • 0.5" (12.7mm) EVF with 3.69 M dots vs. 0.39" (9.9mm) with 2.36M dots

As seen in the product images, the controls for these cameras differ significantly.

The primary choice here is between the R6's larger sensor featuring lower noise and a stronger background blur vs. the R7's higher resolution, modestly more advanced AF system, faster shooting capabilities, and lower price. Both options have merit the choice.

More Information

Canon EOS R7 Review
Canon EOS R6 Review

Orders

Support this site by ordering the Canon EOS R7 at B&H | Adorama | Canon | Amazon | WEX.

Rent the Canon EOS R7 from Lensrentals.

Order the Canon EOS R6 at B&H | Adorama | Amazon USA | WEX

Rent the Canon EOS R6 from Lensrentals.

Posted to: Canon News   Category: Camera Gear Review News
Post Date: 8/19/2022 7:00:00 AM CT   Posted By: Bryan
 Thursday, August 18, 2022

With eight years separating their introductions, the Canon EOS R7 and Canon EOS 7D Mark II are significantly different cameras. However, both cameras were designed to deliver high-performance at a reasonable price — and both have a "7" in their moniker.

Let's look at a comparison highlighting many of the differences between these models.

Here are some of the R7 advantages:

  • Significantly higher resolution (32.5 MP vs. 20.2 MP, here is that comparison) with greater reach
  • 5-axis IBIS (In-Body Image Stabilization) provides approximately 7-stops of shake correction (increases with lens IS coordination) and auto image level
  • DIGIC X vs. Dual DIGIC 6
  • Vastly superior AF system featuring Eye Detection AF and near full-frame coverage, functioning in light level ranging from EV -5 to EV 20 vs. -3 - 18 and with apertures as narrow as f/22
  • Silent electronic shutter with up to 1/16000 vs. mechanical shutter to 1/8000 (the R7's mechanical shutter also tops out at 1/8000)
  • Metering Range to EV -2 vs. 0
  • EVF with up to 120 fps refresh rate, OVF emulation, considerably more information configurably available, greater nose relief, and 1.15x magnification vs. OVF with 1.00x
  • Vari-angle touch screen 2.95" (7.5 cm) LCD with approx. 1620k dots vs. 3.0" (7.7cm) LCD with approx. 1040K dots
  • X-Sync of 1/320 with electronic 1st curtain shutter (both cameras X-Sync at 1/250 with the mechanical shutter)
  • Has CRAW compressed file format available vs. reduced resolution M-RAW and S-RAW (R7 CRAW files are smaller than 7D II RAW images, despite the 32.5 MP vs. 20.2 MP difference)
  • Continuous shooting up to 15 fps with mechanical shutter for 224 JPG or 51 RAW images vs. 10 fps for 130 JPG or 31 RAW images (fast memory cards can far exceed these specifications)
  • Continuous shooting up to 30 fps with electronic shutter for 126 JPG or 42 RAW images (fast memory cards can far exceed these specifications)
  • RAW burst mode and preshooting
  • 4K UHD (3840 x 2160) 60 fps movies and Full HD up to 120 fps, recording up to 6 hours vs. Full HD (1920 x 1080) 60 fps for up to 29:59
  • Canon Log 3
  • ISO 100-32000 (in 1/3-stop or whole stop increments), H1: 51200 vs. 100-16000 (in 1/3-stop or whole stop increments), H1: 25600, H2: 51200
  • Built-in Wi-Fi (vs. Wireless File Transmitter WFT-E7) and Bluetooth
  • HEIF and Dual Pixel RAW format available
  • USB 3.2 Gen 2 vs. USB 3.0
  • USB Power
  • Dual UHS-II SD memory card slots vs. one CF and one UHS-I SD slot
  • HDMI Micro out vs. HDMI mini out
  • Utilizes newer RF mount, compatible with all RF lenses in addition to adapting to all 7D II compatible lenses
  • Smaller: 5.2 x 3.6 x 3.6" vs. 5.9 x 4.4 x 3.1" (132.0 x 90.4 x 91.7mm vs. 148.6 x 112.4 x 78.2mm)
  • Much lighter: 21.6 oz (612g) vs. 32.10 oz (910g)

That list is solid, but the old 7D Mark II holds some advantages.

  • Battery grip available (the R7 should have this option)
  • Cross-type AF points sensitive to lines of contrast in two directions
  • Exposure compensation of -5 to +5 EV vs. -3 to +3 EV
  • OVF with instant response
  • Top LCD panel (I don't find these to be as important on mirrorless cameras)
  • Higher level of weather sealing
  • N3-type remote control terminal vs. E3
  • Built-in GPS
  • Built-in pop-up flash with remote flash master control capabilities
  • PC Terminal socket
  • Anti-reflection LCD surface
  • Longer battery life with viewfinder use — 670 vs. 500 shots.

As seen in the product images, the controls for these cameras differ greatly.

Introducing a new camera does not make an old camera perform worse. However, the newer cameras' features are often highly attractive.

When the Canon EOS 90D was introduced, the 7D II recommendation was challenged. With the R7, there is no question about which camera I prefer — get the R7. Of course, the 7D Mark II being discontinued makes the decision even easier, unless that camera's considerably lower used price attracts you.

More Information

Canon EOS R7 Review
Canon EOS 7D Mark II Review

Orders

Support this site by ordering the Canon EOS R7 at B&H | Adorama | Canon | Amazon | WEX.

Rent the Canon EOS R7 from Lensrentals.

Posted to: Canon News   Category: Camera Gear Review News
Post Date: 8/18/2022 12:44:09 PM CT   Posted By: Bryan
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