Significant information is now available on the Canon EOS R100 page.
This is a remarkably inexpensive camera.
Please share!
Support this site by ordering the Canon EOS R100 from B&H | Adorama | Canon USA | Amazon (all available countries) | WEX | Camera Canada
From Sigma:
Firmware update for SIGMA 150-600mm F5-6.3 DG DN OS | Sports
Thank you for purchasing and using our products. We would like to announce that a firmware update for the 150-600mm F5-6.3 DG DN OS | Sports is now available.
[Applicable product]
SIGMA 150-600mm F5-6.3 DG DN OS | Sports for L-Mount
[Benefit of the update]
Ver.1.1
The newly developed “OS2” image stabilization algorithm has been updated to improve the image stabilization effect from approximately 4 stops to approximately 6.5 stops at the wide end and 5.5 stops at the telephoto end.
Supports Leica Extender L 1.4x by Leica Camera AG
[How to update]
For those who update the firmware in-camera
Refer to the following page for firmware updates.
https://www.sigma-global.com/en/support/purpose/firmware/?mode=search&product_category=lens
For those who own the SIGMA USB DOCK UD-11
Connect the lens to a computer via the SIGMA USB DOCK UD-11 (sold separately), then open SIGMA Optimization Pro. If the lens firmware isn’t the latest version, the following message will appear: ‘The latest lens firmware is available’. Click ‘Yes’ to update.
Note:
Before updating lens firmware using the SIGMA USB DOCK UD-11, please ensure you update SIGMA Optimization Pro to the latest version.
Do not remove the lens or press the detachment button while updating firmware.
[SIGMA Optimization Pro download page]
https://www.sigma-global.com/en/software/sigma-optimization-pro/
[Applicable product]
·SIGMA 150-600mm F5-6.3 DG DN OS | Sports for Sony E-mount
[Benefit of the update]
Ver.03
The newly developed “OS2” image stabilization algorithm has been updated to improve the image stabilization effect from approximately 4 stops to approximately 6.5 stops at the wide end and 5.5 stops at the telephoto end.
Improved tracking performance when the camera’s focus mode is set to AF-C.
[How to update]
Please select the applicable product from the following page, go to the download page, click “Sony E-mount(applicable Serial No.)” and follow the update procedure.
https://www.sigma-global.com/en/support/purpose/firmware/?mode=search&product_category=lens
*After the update is complete, be sure to remove the battery pack from the camera and reinsert it.
For further information, please contact your nearest authorized SIGMA subsidiary / distributor.
https://www.sigma-global.com/en/world-network/
We appreciate your continued support for our company and products.
Learn more: Sigma 150-600mm f/5-6.3 DG DN OS Sports Lens Review
Get the Sigma 150-600mm f/5-6.3 DG DN OS Sports Lens at B&H.
With a lack of fanfare, the Canon OC-E4A Off-Camera Multi-Function Shoe Cord was introduced today. The OC-E4A provides functionality simlar to the Canon Off-Camera Shoe Cord OC-E3 to cameras featuring Canon's Multi-Function Hotshoe.
The OC-E4A facilitates easy repositioning a flash or other Multi-Function Shoe accessory, such as the Canon DM-E1D Stereo Microphone, to within the 2.6' (.8m) cord length, without wireless communications required. Mounting a flash on a bracket is a common use for this accessory.
Get the Canon OC-E4A at B&H.
The products Canon announced today take the highly desirable compact, lightweight, and affordable concepts to the extreme. This site's product pages include images, specifications, an MTF chart for the lens (it looks good), and other information:
Canon EOS R100
Canon RF 28mm F2.8 STM Lens
From Canon USA:
Canon Introduces its Most Affordable, Compact, and Lightweight EOS R Camera Ever: The EOS R100
The Company Also Announced the Wide-Angle “Pancake” Style RF28mm F2.8 STM Lens
MELVILLE, N.Y., May 24, 2023 – Canon U.S.A., Inc., a leader in digital imaging solutions, is excited to announce the launch of the EOS R100 camera and RF28mm F2.8 STM lens, two new affordable, compact, and lightweight tools for entry-level and emerging content creators to elevate their skills.
The Canon EOS R100 camera was designed for new, first-time mirrorless camera or existing interchangeable camera users who previously enjoyed EOS Rebel or EOS M cameras. The camera touts key features such as a 24.2 megapixel APS-C size sensor, the DIGIC 8 image processor, 4K (Cropped) and Full HD (Full-Width) video at up to 24 and 60 frames-per-second respectively, Autofocus with eye and face detection, and Bluetooth™ and Wi-Fi® connectivity capabilities. For users who are making the EOS R100 their first interchangeable lens (ILC) camera, a significant advantage over using a smartphone camera will be lens selection. The EOS R100 is compatible with the complete lineup of RF and RF-S lenses, and EF and EF-S lenses can be utilized when using one of three available Canon EF-EOS R mount adapters (each sold separately). This selection of lenses includes the Canon RF28mm F2.8 STM lens, which was also announced today.
The Canon RF28mm F2.8 STM is a “pancake” style, value lens that targets a wide variety of users, from amateur to enthusiast Full-Frame and APS-C camera users. Key features of the new lens include:
Pricing and Availability
The Canon EOS R100 camera is scheduled to be available in July 2023 for an estimated retail price of $479.99 for body only, $599.99 with the RF-S18-45mm F4.5-6.3 IS STM lens, and $829.99 with the RF-S18-45mm F4.5-6.3 IS STM and RF-S55-210mm F5-7.1 IS STM lenses*.
The RF28mm F2.8 STM lens is scheduled to be available in July 2023 for an estimated retail price of $299.99*.
Orders
Support this site by ordering the Canon EOS R100 from B&H | Adorama | Canon USA | WEX
Order the Canon RF 28mm F2.8 STM Lens from B&H | Adorama | Canon USA | WEX
Canon Introduction Video
From Canon USA:
Service Notice: EOS Webcam Utility Pro App: Version 2.0.30 Features
The new version of the EOS Webcam Utility Pro for Win/Mac app incorporates the following enhancements and fix:
New Features:
UI Improvements:
Fixes:
EOS Webcam Utility app Version 2.0.30 is available for the following EOS models:
1D X Mark III, Rebel SL1, 1D X Mark II, Rebel T7, 5DS R, Rebel T6, 5DS, Rebel T5, 5D Mark IV, Rebel T100, 5D Mark III, R3, 6D Mark II, R5, 6D, R6, 7D Mark II, R7, 90D, R10, 80D, Ra, 77D, R, 70D, RP, Rebel T8i, M6 Mark II, Rebel T7i, M50 Mark II, Rebel T6s, M50, Rebel T6i, M200, Rebel T5i, PowerShot G5 X Mark II, Rebel SL3, PowerShot G7 X Mark III, Rebel SL2, Powershot SX70 HS
From Canon USA:
Service Notice: Kokomo by Canon Early Access App for Meta Quest 2: Version 0.0.102 Features
The updated version of the Kokomo by Canon Early Access app for Meta Quest 2 incorporates the following enhancements and fixes:
Enhancements
Fixes:
Kokomo by Canon Early Access app Version 0.0.102 is available on the Meta AppLab.
From Sony Electronics:
Sony Electronics Announces Newest Ultra Wide-Angle Zoom Vlogging Camera, the ZV-1 II
The Integrated Lens and Compact Camera in the Vlog Camera ZV-Series Opens the Door for a Wider Audience of Content Creators
SAN DIEGO, May 23, 2023 /PRNewswire/ -- Sony Electronics launches the all-new second generation camera to the ZV-1 in the vlog camera ZV series, the ZV-1 II, which includes highly requested and popular market-leading features. With a wider-angle lens than ZV-1, the ZV-1 II helps vloggers make more engaging storytelling with attractive photogenic image quality.
With the 1.0-type Exmor RS™ image sensor (approximately 20.1 effective megapixels), BIONZ X™ image processing engine, and newly developed ZEISS® Vario-Sonnar T* 18-50 mm F1.8-4i lens, the ZV-1 II allows for creators of many skill levels to enjoy sophisticated capabilities. From the 18-50mmii wide angle lens which can frame everything from group selfies to narrow interiors or dynamic recordings of everyday scenes to the Multiple Face Recognitioniii, which recognizes multiple faces and automatically adjusts to keeps all faces sharp and clear when taking selfie shots that include two or three people, the ZV-1 II is the advanced vlogging camera packed into a travel-size.
"The ZV-1 II is an exciting chapter for content creators and will be the go-to camera for many, including vloggers, social media influencers and short form video creators. With the newest vlog camera in the ZV series, we have taken requests from various users and included features that matter most to vloggers," says Yang Cheng, Vice President, Imaging Solutions, Sony Electronics Inc. "We are striving to take feedback from our community to continue to expand and elevate our ZV series and the ZV-1 II does just that."
Comprehensive Features for Vloggers & Video Content Creators
The ZV-1 II has a number of new and popular features that will empower creators to capture better content.
Compact and Lightweight for Easy Portability, Operability, Connectivity
The ZV-1 II is perfect for on-the-go; its compact and lightweight design can be easily carried in a pocket or small bag, even with its optical wide zoom lens. The ZV-1 II supports different filming styles with the vari-angle screen suitable for selfies, easy to hold body grip (or with an optional GP-VPT2BT grip), user-friendly key and control layoutxi and the recording indicator on the front face of the body. The monitor display has been redesigned with a bold, clearly visible red frame that makes it obvious when recording is in progress. Power charge easily via a USB Type-C® connector.
Creators can connect and share content easily with Sony's Creators' Cloud platform and easy smartphone connection. The Creators' App can be used to control the ZV-1 II from a smartphone, monitor camera battery and media status, edit date and camera names, and easily transfer stills and videos shot, even in the background. The Creators' Appxii also provides a convenient way to update camera software.
For easy high-quality live streaming, simply connect the ZV-1 II to a PC or smartphone xiii with a commercially available USB cable (not included) to use it as a webcam. Make your video more attractive in online meetings and live streaming by using Creative Look to improve the skin's appearance and adjust the hue. Faces will appear clearer and brighter (Face Priority AE) and the eyes will be kept in focus (Real-time Eye AF).
Sustainable and Accessible Design
In addition to Sony's commitment to a sustainable future with global initiatives like Road to Zero and the 2030 renewable energy goal, the ZV-1 II has been specifically developed with sustainability in mind. Recycled materials, including SORPLAS™xiv, are used for the camera body, reducing environmental impact without sacrificing functionality. Sony's unique recycled paper "Original Blended Material", which does not use plastic and is easy to recycle, is used for individual packaging. Using materials such as bamboo, sugar cane fiber, and recycled paper collected from the market, it is both environmentally friendly and high quality.
The ZV-1 II includes accessibility features that facilitate operation in several ways, including screen reader functionality for people with low vision or with visual impairments. Accessibility features allow anyone to enjoy shooting and playback. When the screen reader functionxv is activated, text on the menu screens is read aloud. The screen reader function can be activated by turning the [Screen Reader] function in the [Setup] tab ON. Screen reader volume can be adjusted via the [Sound Options] settings. In addition to the above, the ZV-1 II includes several functions that assist in achieving pinpoint focus on a variety of subjects. Additionally, the Real-time Eye AF can automatically recognize and focus on [Human] or [Animal], or the Real-time Tracking function. Focus Magnification, and Peaking functions make it easier to focus manually, and features like Touch Focus, Touch Tracking, and Touch Shutter let the user focus, track, and shoot simply by touching the subject on the monitor screen. ZV-1 II accessibility features (items listed in the specifications): Screen Reader, Touch AE, Focus Magnifier, Peaking Display, Real-time Eye AF, Real-time Tracking, Touch Focus, Touch Tracking, Touch Shutter, Vari-angle LCD screen and Custom function.
Pricing and Availability
The new ZV-1 II will be available in June 2023 at a variety of Sony's authorized dealers, for an estimated retail price of $900 USD and $1,200 CAN.
Orders
Order the Sony ZV-1 II Vlogging Camera at B&H or Adorama.
Notes:
i 35mm format equivalent. 9 elements in 9 groups, including 5 aspherical and 1 AA (because the advance aspherical element is one of the 5 aspherical lenses) lens elements. 7-bladede circular aperture. T* Coating to suppress ghost and flaring.
ii 35mm format equivalent.
iii Compatible with video modes/S&Q mode only. Wide side. iAUTO mode selected. Does not work when the Bokeh switch is ON or when subject recognition is OFF.
iv Direction may be fixed depending on the shooting settings.
v Not compatible with digital audio interface.
vi The black bands at the image top and bottom are recorded as part of the image. The image (excluding the bars) is in CinemaScope aspect ratio, but the recorded image is 16:9.
vii Recording frame rates are indicated as the closest integer values. The actual corresponding frame rates are as follows: 24p: 23.98 fps, 30p: 29.97 fps, 60p: 59.94 fps, and 120p: 119.88 fps.
viii Creative Look presets: ST, PT, NT, VV, VV2, FL, IN, SH, BW, SE and Advanced settings (Saturation cannot be adjusted when BW or SE is selected): Contrast, highlights, shadows, fade, saturation, sharpness and clarity.
vix S&Q mode records in XAVC S HD format. Audio cannot be recorded. A Class 10 or higher SDHC/SDXC memory card is required. Recording at 100 Mbps requires a UHS-I (U3) SDHC/SDXC memory card.
x The angle of view is slightly narrower in Active Mode. Active Mode is set to be off when the recording frame rate is 120 p or when the "Slow & Quick Motion Frame Rate" is 120 fps.
xi Keys and controls on the ZV-1 II are optimally arranged for greater usability, including REC button and Still/Movie/S&Q button.
xii Check regional availability of services and applications via the URL below: Creators' App: https://www.sony.net/cca , Creators' Cloud: https://www.sony.net/cc/ Download app at Google Play and the App Store. Network services, content, and operating system and software subject to terms and conditions and may be changed, interrupted or discontinued at any time and may require fees, registration and credit card information.
xiii Streaming via USB gives 1280×720 resolution and 30 fps frame rate. To use this function, the PC's or smartphone's OS must support UVC/UAC. Be sure to use the OS's latest version. When connecting to a mobile device equipped with a USB Type-C® port, use a commercially available USB cable or terminal conversion adapter.
xiv SORPLAS™ may not be used for the parts used depending on the production period.
xv Availability varies depending on region and language.
King of Wings is a crazy hoodoo rock formation west of Nageezi, New Mexico, near the Bisti Badlands, De-Na-Zin Wilderness, Valley of Dreams, and Ah-Shi-Sle-Pah Wilderness areas. Photographing this unique feature rose to the top of the to-do list, and the planning started.
The first King of Wings photography challenge occurs during online research. "King of Wings" search results are primarily related to a chicken part covered in BBQ sauce. Adding location-related keywords easily resolved that problem, and considerably more challenging obstacles remained. Getting there was one of them.
The King of Wings trailhead (a generous term) is another long-drive-from-everywhere New Mexico location. The last roads (about 17 miles of them) are rutted, and the final drive is a rough two-track. This long slab of rock hanging about 10' (3m) beyond the pillar holding it is another GPS-guided two-mile hike across a non-descript trailless desert.
For energy conservation reasons, I opted to take one camera and one lens. My choice? The Canon EOS R5 and the RF 15-35mm F2.8 L IS USM Lens.
Based on scouting, this lens's focal length range had the optimal angles of view. This lens delivers superb optical quality, and the R5 is my go-to camera for nearly everything.
King of Wings is unique enough to be photogenic at any time of the day, but the timing goal for this shoot was such that the setting sun would cast a warm light tone practically upward as it set.
With only a few minutes of the ideal light color, it was imperative that clouds not be present. However, clouds in the background would be welcomed. The weather forecast indicating a clearing sky at sunset seemed optimal, and it was go time.
The long hike back to the SUV in the dark and subsequent drive to the airport were better with the knowledge that another goal shot was on the memory card.
A larger version of this image is available here.
Canon just released eleven camera firmware updates.
These firmware updates incorporate the following fixes and enhancements:
The following camera firmware is now available:
Image quality test results from the Canon EOS R7 have been added to the Canon RF 100mm F2.8 L Macro IS USM Lens Review.
The Canon RF 100mm F2.8 L Macro IS USM Lens in stock at Canon USA and can be ordered from B&H | Adorama | Amazon USA | WEX
Rent the Canon RF 100mm F2.8 L Macro IS USM Lens from Lensrentals.
From Canon Japan (translated):
Apology and information regarding product supply status
Updated: May 18, 2023
Thank you for your continued patronage of Canon products.
Currently, we have received more orders than expected for each of the following products, and due to the impact of global supply of parts, delivery delays are occurring. Expected that the new product RF100-300mm F2.8 L IS USM will take a lot of time. We apologize again for making our customers wait so long. We will continue to take measures for stable product supply so that we can deliver products as soon as possible. Thank you kindly look forward for your understanding.
Product Name – About Supply
We are planning to ship sequentially, but it is expected that it will take a considerable amount of time to deliver. Even if you have already placed an order, it may be difficult to deliver it within 2023.
RF400mm F2.8L IS USM
RF800mm F5.6L IS USM
We are planning to ship in order, but it may take longer than usual to deliver.
Check out the Canon RF 100-300mm F2.8 L IS USM Lens page for information about and expectations for this outstanding new lens option.
The MTF chart comparison is especially interesting.
Support this site by ordering the Canon RF 100-300mm F2.8 L IS USM Lens from B&H | Adorama | Canon USA | WEX
"Be ready for the new camera"
Image quality test results from the Canon EOS R7 are now available in the Canon RF 135mm F1.8 L IS USM Lens Review.
Still impressive.
Support this site by ordering the Canon RF 135mm F1.8 L IS USM Lens from B&H | Adorama | Canon USA | WEX
Please share!
Photographing Alien Throne in the Valley of Dreams, near Bisti Badlands, De-Na-Zin Wilderness Area and Ah-Shi-Sle-Pah Wilderness Area was on my to-do list, and obviously, I made that trip happen.
You've heard it said that a photo should tell a story. I agree that telling a story is a good aspect of a photo, but storytelling is not always important, and oftentimes, the capture of an image creates a story. This image falls into that latter category.
Some images are complicated to capture, some images are complicated to edit, and some images are both. Again, this one landed solidly in the latter category.
Even beyond any travel required to get to New Mexico, getting to Valley of Dreams requires a long drive (for everyone) that ends on high-clearance two-track "roads" (and a popular mapping app does not currently provide the correct directions). Once driving capabilities are exhausted, the hike to Alien Throne is nearly two miles with, at least for the newcomers, GPS guidance over the trailless desert.
The Valley of Dreams is a dark sky location, optimal for photographing the Milky Way. Add darkness to the hike, and even most Valley of Dreams-experienced hikers need constant GPS navigation assistance as your vehicle becomes a needle in a haystack on the return hike.
Choosing to photograph the Milky Way in April means a middle-of-the-night shooting time (with, likely, no other photographers competing for your location). After photographing a sunrise, napping, scouting, and photographing sunset at Alien Throne, and resting back in the SUV for a couple of hours, we started the second hike to Alien Throne in the darkness at 1:00 AM.
Once in position, establishing the composition was the first goal, and darkness greatly increases this challenge. I brought low-level lighting for this scene, but we opted to go with natural lighting due to the myriad of hard shadows present here.
With the composition established, the Milky Way became the focus. The lens was manually focused on the stars, and the mental note for a quick return to optimal infinity focus was that this setting was immediately after the camera's distance meter changed from a number to the ∞ symbol.
I was uncertain where the Milky Way would be compositionally ideal as it rotated through the image, and there were clouds that could shut down visibility later. Thus, images were continuously captured until the Milky Way was clearly rotated beyond the optimal position.
Next, without moving the camera, the foreground was focused on. The 24mm focal length at f/1.4 does not provide adequate depth of field for this entire scene, making focus bracketing important for that goal.
The ground subjects would not be obscured by clouds, and they were not moving in relation to the camera. Thus, they could be photographed at leisure, and longer exposures created a brighter image without concern for star trails. For this image's foreground, three 30-second images were captured at three focus distances, with the duplicate images enabling some of the noise to be averaged out.
After the blending, the three foreground images were focus-stacked into a single image. Focus stacking is easy in Photoshop (& Lightroom). Open as layers in Photoshop, select all layers, select Edit > Auto-Align Layers [select Auto], choose Edit > Auto-Blend Layers [select Stack Images]. Then, the Milky Way sky image was focus-stacked into the final image.
Further processing primarily consisted of adding contrast, cooling the color tone, and darkening the foreground significantly.
It was after 4:00 AM when we packed up to start the GPS-guided route back to the car, and the sun was up by the time we arrived at the hotel. Hotel breakfast was the end of the story behind this image.
Was the reward worth the effort? Definitely. With photography, it usually is.
A larger version of this image is available here.
The Cracked Eggs (or Alien Egg Hatchery) rock formations about 2 miles into Bisti Badlands, De-Na-Zin Wilderness Area are an intriguing subject.
This scene called for the classic use of a wide-angle focal length. Move in close to render the foremost egg large while keeping nearly the entire hatchery and a significant amount of interesting background in the frame. This lens can go significantly wider, but 22mm seemed the right choice for the background details inclusion.
Selecting the camera height is typically a necessary consideration for landscape photography. In this case, a high position provided separation of the foreground cracked egg and the one behind it. This position also showed the number of cracked eggs vs. having foreground eggs obscuring them.
Scouting showed that this scene would look great at sunset, and that timing was the photographic plan implemented. As is often the case, the light was best immediately before the scene went into shadows, the optimal (warmest) light only lasted for a few minutes, and the images shot before the best light are seldom seen by anyone else.
Immediately before the eggs went into shadows, I flipped the camera to vertical orientation (Cracked Eggs at Sunset) (an L-bracket makes this change fast and holds the same alignment) to capture a variation. When the eggs went into shadows (Cracked Eggs in Sunset Shade, they were evenly illuminated, and the glowing canyon walls in the background remained attractive.
Larger versions of these images are available here.
An issue to be aware of. From Canon USA and Amazon:
Canon and Amazon file a joint trademark infringement lawsuit in the U.S.
TOKYO, May 11, 2023—Canon Inc. and Canon U.S.A., Inc. together with Amazon.com, Inc., and Amazon.com Services LLC jointly filed a lawsuit in the United States District Court for the Western District of Washington against 29 selling accounts which sold camera batteries and chargers in the Amazon store in the U.S., alleging infringement of Canon's trademark rights.
Canon aggressively pursues counterfeiters in the United States and around the world to protect its customers from fake and potentially unsafe products, which unlawfully use the Canon name, as well as to protect the value, trusted reputation, and loyalty that the Canon brand has acquired over decades in producing high-quality, safe, and reliable products. Sales of counterfeit goods on e-commerce websites are increasing in proportion to the growth of the e-commerce market, and Canon and Amazon are collaborating in fighting against counterfeiters and protecting both of our customers. This joint lawsuit was filed as a part of our collaboration.
For more information about Canon's anti-counterfeiting measures, please visit the following website: https://global.canon/en/intellectual-property/sword-shield/index.html#anti-counterfeit
For more information about Amazon's efforts to protect brands and customers, please visit the following website: https://brandservices.amazon.com/counterfeitcrimesunit
From Sony Electronics:
Sony Electronics Launches New Xperia® 1 V Smartphone
A newly developed image sensor and Alpha™ series technology enables you to create impressive portraits with accurate color, day and night.
SAN DIEGO, CA – May 10, 2023 – Sony Electronics Inc. introduces the Xperia 1 V, its’ first flagship smartphone equipped with a newly developed stacked CMOS image sensor with 2-layer Transistor Pixel. The Xperia 1 V is packed with Sony’s cutting-edge technology, meeting the high-level needs of creators, while at the same time, supporting future creators who want to shoot or deliver their content with pride.
“We continue to prioritize the needs of our customers and the new Xperia 1 V allows for the next level of content creation, viewing experience, gaming performance, battery life and audio capabilities,” says Yang Cheng, Vice President, Imaging Solutions, Sony Electronics Inc. “The opportunities and needs for smartphones are increasing and with the Xperia 1 V the possibilities for both photo and video creation is truly endless.”
Elevating Content Capture
The Xperia 1 V is raising the bar with its’ newly developed image sensor which depicts rich colors and textures of people, landscapes, and scenes in even dark locations. Due to the combination of the low-light performance, which is approximately double compared to the previous modelii and the high-speed multi frame overlay procession technology of the Xperia 1 V, it is possible to shoot a noise resistant photo with a wider dynamic range that is equivalent to a full-frame camera. The 24mm lens on the back of the Xperia 1 V equipped with a 2-layer Transistor Pixel stacked CMOS image sensor “Exmor T for mobile” which is about 1.7 times larger than the Xperia 1 IV’s image sensor. In addition, the 85-125mm (F2.3-F2.8) optical zoom lens enables bright portraits with little distortion.
S-Cinetone, designed for cinematographersiii, has been adjusted and installed for mobile. Since the texture of the human skin can be beautifully expressed when shooting, it is possible to record as an impressive cinematic image as it is, without color grading. In addition, the new sensor has approximately three times of saturation signal levelii compared to the conventional sensor, and unique image quality processing suppresses noise that tends to occur in dark scenes, resulting in beautiful images with soft colors.
The Xperia 1 V has a multitude of functions including color presets such as Creative Look, also found in Alpha series cameras, and high-performance real time AF (auto focus). Various color settings are preset, such as colorful flowers and clear blue sky, or creating a soft, transparent finish. Xperia’s high-performance Real-time Eye AFiv and Real-time trackingiv allows shooting with the focus on the eyes of a person or a specified subject. With AI depth that analyzes distance information, even distant subjects can be clearly focused. Additionally, high-speed continuous shooting of up to 30 frames per second with AF/AEv tracking is newly available, so no moment will be missed.
Improved Vlog Experience
Xperia 1 V fits all creators’ needs with the Product Showcase Setting, which is a popular function in Sony’s VLOGCAM series and shifts the focus on the camera to the product, instead of reviewer’s face, when shooting. Additionally, a new voice priority mic is placed near the rear camera. Even when in a busy outdoor location, the creator’s voice is clearly recorded, so it makes an easy transition from shooting to distributing the video. When doing a YouTube™ live stream via the video recording function “Videography Pro”, chats from viewers can be viewed in the comment section simultaneously, allowing for immediate interactionvi with viewers in real time. The user interface also supports vertical shooting, so you can shoot content in any orientation, either vertically or horizontallyvii.
Immersive Experience
Packed into the newest compact smartphone is a 6.5-inch 4K OLED display with a refresh rate of 120Hzviii and less blur. The powerful and low-noise speaker amplifier improves the spread and depth of the sound, and the extension of the low and high frequencies, creating a more dynamic and clear sound. Xperia 1 V offers an authentic viewing experience of movies and music without a need for an additional speaker. On the backside, it has a functional tactile design that uses a uniquely developed texture glass. Combined with the fine slits on the side, it provides a stable grip and prevents from slipping when you hold the smartphone during shooting or viewing.
Best in Class Gaming Performance
The game assist function "Game Enhancer" provides visual and auditory support for game players. In addition to simply playing, players can also livestream their playing scene on YouTube. Qualcomm's Snapdragon® 8 Gen2 Mobile Platform and Elite Gamingx optimizes the experience of shooting, viewing and playing games with superior level.
Long Lasting Battery Power and Powerful CPU
Despite using a 4K display, approximately 20 hoursx of continuous video playback is available with a powerful 5,000mAh battery. It supports wireless charging, 30 minutes quick charge up to 50%xi, and furthermore, Xperia’s unique charging optimization technology supports users with a battery that maintains 80% or more of its maximum capacityxii even after 3 years. By improving power consumption and heat dissipation, Xperia 1 V achieves both high performance and durability, and allows for shooting for a longer time while suppressing heat generation. Equipped with the Snapdragon® 8 Gen2 Mobile Platform, the power efficiency of the CPU has been improved by approximately 40%xiii compared to the previous model. The power consumption during camera operation has been improved by approximately 20%, and the volume of the heat diffusion sheet has been increased by approximately 60% for the heat dissipation performance of the main unit. ?
Accessibility & Sustainability
With continued efforts to provide more accessibility, Xperia 1 V includes a function in the Photo Pro feature that uses sounds to inform users of the horizontal and vertical measurement of the screen.
The Sony Group has set an environmental plan "Road to Zero" aiming for zero environmental load by 2050. In order to achieve this, we are taking action while setting medium-term environmental targets in stages. As part of these mid-term environmental goals, we aim to completely eliminate plastic packaging materials for newly designed small products by 2025. Xperia 1 V ‘s plastic-free packagexiv is comprised of Sony’s unique Original Blended Material, which is made from bamboo, sugar cane fibers, and recycled paper collected from the market. We are also working to reduce the amount of virgin plastic used inside the main unit. Some elements, both internal and external, of the main unit use SORPLAS™, a flame-retardant recycled plastic developed by Sony that uses up to 99% recycled materials. For more details, please visit: www.sony.net/xperia-eco
Style Cover with Stand for Xperia 1 V(XQZ-CBDQ
The Xperia 1 V exclusive cover has a grip on the bottom of the main unit to enhance the shooting experience. In addition to the conventional horizontal stand, it supports vertical stand, making it easy to use not only for watching videos but also for live distribution and video chat. The back of the cover incorporates the textured design applied to the back of the "Xperia 1 V" body, so that the original design of the device is not compromised even when the cover is attached. Two colorsxv are available to match the body (black and khaki green).
Pricing and Availability
The Xperia 1 V will be available for pre-order on May 11, 2023 for approximately $1399.99 USD with first customer deliveries July 28, 2023. It will be sold unlocked in black at a variety of Sony’s authorized dealers throughout the United States. A khaki green color variation will be available exclusively at www.electronics.sony.com.
For a limited time, customers who pre-order the Xperia 1 V starting May 11, 2023, will be eligible to receive Sony’s latest LinkBuds Truly Wireless Earbuds (WFL900/H) with purchase (a $179.99 USD value).xvi
Orders
Sony Xperia 1 V Smartphone at B&H
?Notes:
i In terms of noise resistance performance and dynamic range for still images in lighting environments of LV2 or less. Comparison with a digital camera equipped with our full-frame sensor.
ii Compared to "Xperia 1 IV"’s image sensor installed in the 24mm lens.
iii Such as the professional handheld camcorder "FX9" and the videographers’ attracted model "Alpha" series.
iv Some performance restrictions may apply.
v Auto Focus / Auto Exposure.
vi Please use this app in compliance with YouTube's terms of service and live streaming requirements.
Vii "Videography Pro" and "Photography Pro" support "Product Review Shooting" and vertical interface.
viii Display refresh rate may vary according to settings, contents, and applications used.
ix Qualcomm and Snapdragon are trademarks of Qualcomm Incorporated, registered in the United States and other countries, used with permission.
X Conditions under: video file resolution 720p, 4K upscaling activated, content is saving to the main unit, sound output via Bluetooth, LTE or Wi-Fi connection, and with automatic screen brightness adjustment off. Actual video playback time depends on many other factors such as network connection, settings, video file format, screen brightness and battery status.
xi We recommend using genuine chargers and cables as XQZ-UC1 (charge and cable bundle). Availability may vary.
xii Simulated result by Sony Corporation, based on actual usage profile using the same type of battery and USB charging. Actual performance varies based on settings, environmental conditions, storage, and usage. Batteries are consumable products, and their capacity degrades over time as they age. Sony does not guarantee the life span of the battery.
xiii Comparison with Xperia 1 IV, when using Photography Pro/Videography Pro.
xiv Packaging refers to the individual product box, as well as components such as in-box trays, spacers, wraps and sleeves. Excludes materials used in coatings and adhesives.
xv Colors and availability will differ depending on the region.
xvi Offer valid on purchases starting on May 11, 2023 for U.S. residents 18+ with purchase of a new Xperia 1 V smartphone from a participating Sony authorized retailer. Offer not combinable with other offers and not redeemable for cash. Specifications, availability, prices, and terms of offer are subject to cancellation or change without notice.
No experience necessary.
From Canon USA:
REALIZE NEW VIDEO COMMUNICATION WITH THE CANON POWERSHOT V10 VLOG CAMERA AND THE INTRODUCTION OF THE POWERSHOT V CAMERA SERIES
MELVILLE, NY, May 11, 2023 – If you’ve picked up your smartphone in the last few minutes, chances are you’ve viewed a video via a social media platform. From the YPulse 2023 Social Media Behavior Report, 59% of Gen Y/Z say they create their own social media content for a broader audience than just their friends and family. As video content continues to absorb our attention for work and leisure, Canon U.S.A., Inc., a leader in digital imaging solutions, today announced the new PowerShot V10 Vlog Camera, the first product in the Company’s new consumer video production, live streaming and vlogging line, the PowerShot V (V= Video Communication) camera series.
The PowerShot V10 Vlog Camera has in mind the on-the-go content creator who wants to level-up their creative content and step-up from using a smart phone. Packed with key features, including an intuitive control user interface on the touch panel and frame AF mode for product reviews, the PowerShot V10 Vlog Camera can be the priority piece of imaging equipment used for almost all things video.
Additional features include:
There is no shortage of usage cases for the PowerShot V10 Vlog Camera. Traveling? The camera is super compact and includes a built-in stand, a port for a tripod and a microphone. Live streaming for gaming? You can easily connect the vlogging camera to a Wi-Fi® router and output video directly to YouTube or Facebook platforms via the Camera Connect app1. Haven’t experienced a traditional DSLR or mirrorless camera before? The PowerShot V10 Vlog Camera is intuitive like a smartphone – making the transition from smartphone to the camera fairly seamless.
With the introduction of the new Canon PowerShot V Series of cameras, the Company continues to reinforce its commitment to the ever-changing needs and wants of customers. If you’d like to be part of the conversation, join the Canon Community3 to ask questions, share knowledge and connect with others.
Pricing and Availability
The PowerShot V10 Vlog Camera is anticipated to be available in June for an estimated retail price of $429.99*.
Orders
Order the Canon PowerShot V10 Vlog Camera at B&H
Additional Information
† Based on weekly patent counts issued by United States Patent and Trademark Office.
* Specifications, availability and prices are subject to change without notice. Actual prices are set by individual dealers and may vary.
1 Requires an internet connection and the Canon Camera Connect App Ver. 2.7.10 or later, available for free on the App Store and on Google Play. Compatible with select smartphone and tablet devices equipped with Bluetooth® version 4.1 or later and iOS® versions 15.7 to 16.3. or Android™ OS versions 10.0,11.0,12.0, or13.0. Data charges may apply with the download of the free Canon Camera Connect app. This app helps enable you to upload images to social media services. Please note that image and video files may contain personally identifiable information that may implicate privacy laws. Canon disclaims and has no responsibility for your use of such images or video. Canon does not obtain, collect or use such images, video or any information included in such images through this app. . This application is not guaranteed to operate on all listed devices, even if minimum requirements are met. Third-party platforms may change or terminate your ability to livestream and/or utilize other of their services at any time and your use of such platforms is subject to the respective platform’s terms and conditions. Canon disclaims and has no responsibility for services provided by such third-party platforms, including, but not limited to, livestreaming.
2 Requires an internet connection and the image.canon app, available for free on the App Store and on Google Play. Compatible with select smartphone and tablet devices equipped with iOS 15 to 16.3 or Android OS 10.0, 11.0, 12.0 or 13.0. Data charges may apply with the download of the free image.canon app. This app helps enable you to upload images to social media services. Please note that image and video files may contain personally identifiable information that may implicate privacy laws. Canon disclaims and has no responsibility for your use of such images or video. Canon does not obtain, collect or use such images, video or any information included in such images through this app. This application is not guaranteed to operate on all listed devices, even if minimum requirements are met. Third-party platforms may change or terminate your ability to utilize their service(s) at any time and your use of such platforms is subject to the respective platform’s terms and conditions. Canon disclaims and has no responsibility for services provided by such third-party platforms.
3 Registration is available to residents of the 50 United States and the District of Columbia only and is subject to the Canon Community Guidelines and the Canon U.S.A., Inc. Terms of Use.
Sony Alpha 1 firmware update version 1.32 is available for download.
Firmware Version 1.32 incorporates the following fixes and enhancements:
Get the Sony Alpha 1 at B&H.
Just posted: Sony FE 50mm F1.4 GM Lens Review.
Is this your next lens?
Please share!
Support this site by ordering the Sony FE 50mm F1.4 GM Lens from B&H | Amazon (your country) | WEX
Rent the Sony FE 50mm F1.4 GM Lens from Lensrentals.
The pink Huguenot Church is one of my favorite subjects in Charleston, SC, and this entrance is especially eye-catching.
From a distance, the depth of this doorway is deemphasized, but moving in close with an ultra-wide-angle lens reveals that attribute. This lens's angle of view also permits a foreground fence to be omitted while keeping most of the doorway in the frame.
The RF 16 was not my first choice for street photography while walking around Charleston with the Canon EOS R8 this afternoon. However, this little lens was easy to take along for just-in-case needs, and it proved worth having along.
The Canon RF 16mm F2.8 STM Lens provides outstanding utility (and fun) for its size, weight, and especially, price. As I share this sample image, the RF 16 in refurbished condition is on sale for only $179.00.
A larger version of this image is available here.
The new Sony ZV-E1 Mirrorless Camera is in stock at B&H and Adorama.
Significantly updated: Canon RF 135mm F1.8 L IS USM Lens Review.
This is one of the best-performing lenses ever produced.
Support this site by ordering the Canon RF 135mm F1.8 L IS USM Lens from B&H | Adorama | Canon USA | WEX
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Learn more about the new Speedtop 20 and 30 Backpacks, featuring magnetic lids, at Think Tank Photo.
Don't forget that you'll get a free gift and free shipping when using this site's links for your purchase ($50.00 minimum purchase required).
That image is shared on the canon.jp website.
No additional details are provided, and zooming the full image to 200% reveals little.
As usual, this gear is being sold to fund new gear to review. A Sony a7R IV is the headlining opportunity in this sale. Check the updated list to see if anything fits into your kit.
Sony's FY 2022 financial results are available on the Investor Relations page.
Presentation (track ET&S for the Entertainment, Technology & Services Segment (cameras), I&SS for the Imaging and Sensing Solutions segment)
Speech Transcript
Financial Statements
Supplementary Information
Webcast
This report shows the Entertainment, Technology & Services and Imaging and Sensing Solutions divisions looking strong.
On a trip targeting the Bisti / De-Na-Zin Wilderness Area in New Mexico, I ended up in Bears Ears National Monument, Utah.
Why? Two reasons.
First, 3 days of sand and dust storms (even stones were in the air) provided an unfavorable New Mexico greeting. Second, Bears Ears National Monument has some great photo subjects.
This image is of House on Fire in Mule Canyon, Cedar Mesa. Late in the morning, the sun reaches the red rock below this ancient Puebloan granary, creating a warm-toned light that reflects up into the massive rock overhang. That warm light color combines with lines in the rock to create the look of a raging fire over the ancient building.
Photographers chose a wide range of editing choices for this subject, some including red color tone emphasis and wild saturation. The chosen concept is typically to make the flames appear intense, and personal preference or audience preference rules (unless processing for a client).
I opted to process this image using the cloudy white balance setting, cooler than the shade option technically right for the scenario (6500k vs. 7500k), with a bit of vibrance (+30) to bring out the richness in the colors.
House on Fire affords a wide variety of compositions. To fully cover the focal length range potentially desired, I carried two awesome zoom lenses, the Sony FE 12-24mm F2.8 GM Lens and the Sony FE 24-70mm F2.8 GM II Lens.
Primarily, the 12-24mm lens met the needs, delivering this corner-to-corner sharp image in a single shot.
A larger version of this image is available here.
Image quality test results are now available on the Sony FE 50mm F1.4 GM Lens page.
This is an impressive-performing lens.
There is no shortage of comparable lenses. I'll get you started:
Compared to the Sigma 50mm F1.4 DG DN Art Lens
Compared to the Sony FE 50mm F1.2 GM Lens
Compared to the Sony FE 50mm F1.4 ZA Lens
Please share!
Support this site by ordering the Sony FE 50mm F1.4 GM Lens from B&H | Amazon (your country) | WEX
Rent the Sony FE 50mm F1.4 GM Lens from Lensrentals.
Image quality test results are now available in the Canon RF 135mm F1.8 L IS USM Lens Review.
As I said before, this lens is impressive.
Here are some Canon RF 135mm F1.8 L IS USM Lens comparisons:
The RF 135 far outperforms its predecessor, the Canon EF 135mm f/2L USM Lens, at a 1/3 stop wider aperture setting.
The Sony FE 135mm F1.8 GM Lens is an outstanding performer, but the Canon RF 135 is sharper at f/1.8.
The Sigma 135mm f/1.8 DG HSM Art Lens also falls short of the RF 135's outstanding performance.
Support this site by ordering the Canon RF 135mm F1.8 L IS USM Lens from B&H | Canon USA | WEX
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Canon has released first quarter 2023 financial results to the Investor Relations page.
Presentation Material
Results
Supplementary Data
Presentation Material and Speech Summary
While camera sales revenue increased 8.5% in the 1st quarter vs. 2022 (16% increase for the full year), the number of digital interchangeable lens camera units sold decreased by 6%. Canon still expects to see a 1% growth in unit sales in 2023.
Buy your Canon cameras, lens, and accessories at B&H.
The Sigma 17mm F4 DG DN Contemporary Lens is in stock at B&H.
Learn more: Sigma 17mm F4 DG DN Contemporary Lens Review
The latest supply status update from Canon JP (translated) is relatively short compared to what it has been recently. Not surprising is that the new Canon RF 100-300mm F2.8 L IS USM Lens made the short list.
Apology and Information Regarding Product Supply Status
Updated: April 24, 2023
Thank you for your continued patronage of Canon products.
Currently, we have received more orders than expected for the following products, and due to the global supply of parts, delivery delays are occurring. We will continue to take measures for stable product supply so that we can deliver products as soon as possible. Thank you kindly for your understanding.
Product Name:
RF100-300mm F2.8 L IS USM
RF400mm F2.8L IS USM
RF800mm F5.6L IS USM
About Supply
We are planning to ship in order, but it may take longer than usual to deliver.
If you want a Canon RF 100-300mm F2.8 L IS USM Lens, get in line at B&H | Adorama | Canon USA | WEX
This is hot: select refurbished cameras and refurbished lenses are on sale at Canon USA.
Here is a non-conclusive list of the items on sale:
EOS R5 – $3,099.00
EOS R6 – $1,699.00
EOS RP – $599.00
EOS-1D X Mark III – $3,999.00
EOS 5D Mark IV – $1,499.00
EOS 6D II – $799.00
RF 14-35mm – $999.00
RF 15-35mm – $1,699.00
RF 70-200mm F4 – $1,349.00
RF 100-400mm – $399.00
RF 35mm F1.8 – $319.00
RF 50mm F1.8 – $119.00
RF 85mm F2 – $399.00
RF 100mm F2.8 Macro – $899.00
EF 11-24mm – $1,699.00
EF 16-35mm – $1,299.00
EF 24-70 F2.8 – $1,299.00
EF 85mm F1.4 – $999.00
More!
Take a moment to browse the entire Canon USA Store refurbished camera and refurbished lens inventory.
Expect Canon USA refurbished gear to be like new with an as-new warranty and a great price.
Learn about the new MindShift Gear Firstlight 35L+ and 46L Camera Backpack at Think Tank Photo.
Don't forget that you'll get a free gift and free shipping when using this site's links for your purchase ($50.00 minimum purchase required).
The FirstLight 35L+ and 46L+ are also available to order at B&H.
The Sony FE 50mm F1.4 GM Lens is now in stock at B&H and Adorama.
A Sigma 150-600mm f/5-6.3 DG DN OS Sports Lens firmware update is coming soon.
This firmware update will incorporate the following fixes and enhancements:
Get the Sigma 150-600mm f/5-6.3 DG DN OS Sports Lens at B&H.
Canon EOS R3 firmware update version 1.4.1 is available for download.
Note that only items 7, 8, and 9 are new since version 1.4.0.
Firmware Version 1.4.1 incorporates the following fixes and enhancements:
Get the Canon EOS R3 at B&H.
From Canon:
CANON INTRODUCES THE RF100-300MM F2.8 L IS USM TO ITS LENS LINEUP
The new lens combines the flexibility of a zoom lens with the quality of a telephoto lens
MELVILLE, NY, April 20, 2023 – Today, Canon U.S.A., Inc., a leader in digital imaging solutions, announced the launch of the RF100-300mm F2.8 L IS USM lens, answering calls from photojournalists and professional level customers for a modern 300mm f/2.8 equivalent lens.
“This lens is an absolute game changer! It gives you the most incredible range, but without sacrificing the f/2.8 aperture. To have this kind of performance at your fingertips is incredible!” Roberto Valenzuela, fashion and wedding photographer
For decades, the 300mm f/2.8 telephoto lens has been an industry standard for photojournalists, professionals, and aspiring enthusiast photographers due to its outstanding image quality, excellent speed for indoor shooting, and relatively light weight for hand-holding. Now, with the launch of the RF100-300mm F2.8 L IS USM, Canon delivers the flexibility of a zoom lens design with the truly outstanding quality of a 300mm f/2.8 L-series telephoto lens. Exceeding the reach and potential of traditional 70-200mm lenses, and adding zoom flexibility to its Canon EF 300mm f/2.8L IS predecessor, the RF100-300mm F2.8 L IS USM lens brings new value to customers with the following features:
“I love this lens! It’s incredibly lightweight, versatile, and sharp. Toss on the 2x extender and you can snipe gorgeous frames at a distance, especially with the built in image stabilizer. This lens is going to change the game for live concerts, weddings, and so much more.”
Ben Hagarty, Grammy award-winning cinematographer
This telephoto zoom lens is ideal for professionals who use a Canon EOS R3, EOS R5 or EOS R6 Mark II full-frame mirrorless camera, but can also be a catalyst for users who have developed into serious, aspirational enthusiasts and are looking to step beyond their traditional telephoto lens experience. Best use cases include, but are not limited to, indoor sports, motorsports, outdoor fashion, video and cinema, photojournalism and theater work. For high-level shooters and videographers particularly working in low-light settings and seeking a hand-holdable solution, this lens provides the total answer.
Price & Availability
The Canon RF100-300mm F2.8 L IS USM lens is expected to be available in May for an estimated retail price of $9,499.00*.
Support this site by ordering the Canon RF 100-300mm F2.8 L IS USM Lens from B&H | Adorama | Canon USA | WEX
Rudy Winston of Canon USA
The Canon EOS R8 is in stock at B&H | Adorama | Canon USA | Amazon (all available countries) | WEX
Learn more: Canon EOS R8 Review
Canon EOS C70 firmware update version 1.0.6.1 is available for download.
Firmware Version 1.0.6.1 incorporates the following fixes and enhancements:
Get the Canon EOS C70 at B&H.
Just posted: Sigma 23mm F1.4 DC DN Contemporary Lens Review.
Check out how the first 23mm lens reviewed on this site performs. Hint: it's good.
Please share!
Order the Sigma 23mm F1.4 DC DN Contemporary Lens from B&H | WEX
Rent the Sigma 23mm F1.4 DC DN Contemporary Lens from Lensrentals.
From Canon USA:
Cadabra is a curated photography marketplace from Canon U.S.A., Inc. that offers a selection of digital art (NFTs) from innovative creators. The Cadabra marketplace aims to empower creators by connecting them to enthusiastic collectors who celebrate the art of photography through a shared appreciation for these digital artworks.
Sign up for notifications here.
Just posted: Sigma 50mm F2 DG DN Contemporary Lens Review
This is another great little Sigma I Series lens. I hope to add a selection of sample images to this review soon.
Support this site by ordering the Sigma 50mm F2 DG DN Contemporary Lens from B&H | WEX
Rent the Sigma 50mm F2 DG DN Contemporary Lens from Lensrentals.
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From Sony Electronics:
Sony Electronics Launches New SDK Version Taking Remote Shooting and Camera Integration to the Next Level
Sony’s new Camera Remote SDK version introduces faster processing speed and enhanced function support as well as extending compatibility to the ZV-E1
SAN DIEGO, CA. April 12, 2023 – Sony Electronics announces the launch of a new version (Version 1.08) of the Camera Remote Software Development Kit (SDK) that enables remote operation and setting changes of Sony cameras. Version 1.08 widens the range of potential applications with new features, as well as expanding the compatible models. Version 1.08 means the SDK can be used with the ZV-E1 full-frame interchangeable lens camera, announced on March 29, 2023.
“With each SDK release, we are integrating learnings from customers and expanding the functionality and magnitude of applications and capabilities,” says Yang Cheng, Vice President, Imaging Solutions, Sony Electronics Inc. “The updated SDK allows our cameras to be used in more industrial and B2B applications, ranging from photogrammetry or medical companies, to inspection, and e-Commerce. We are excited for professional clients to have the ability to explore new functionalities.”
Key new features include:
With this SDK release, software developers can design bespoke applications tailored to business requirements, integrating Sony’s equipment for size-critical drone and speed camera systems, as well as other medical, education, government, and e-commerce applications. This SDK will continue to be available free of charge. The Camera Remote SDK can be used to control several cameras in the Sony camera range including Cinema Line cameras, with the full list of compatible cameras available here.
For details and download of the Camera Remote SDK, please refer to the following URL: Camera Remote SDK | SONY
Notes:
i When compared with the combination of a1 and Camera Remote SDK Version 1.07. According to Sony measurement conditions. Compatible models: ZV-E1, a7R V, and a7 IV, when using their latest available software update.
ii Compatible model: ZV-E1. To use the extended interface function, users must configure and connect through another device. Please refer to the API reference for details.
iii Compatible models: ZV-E1, a7R V, a7 IV when using the latest software update
iv Compatible models: ZV-E1, a1, a9 II, a7R V, a7R IV, a7S III, a7 IV, a7C, FX3, FX30, DSC-RX0M2
From Sony Electronics:
Sony Electronics Announces New Firmware Update for FX3 & FX30
The new firmware enables the cameras to shoot DCI 4K in true 24 fps, adds anamorphic lens desqueeze and breathing compensation to bring unified operability and common workflow to the Cinema Line
SAN DIEGO, CA –Today, Sony Electronics announced new firmware updates for the FX3 full-frame digital cinema camera and the FX30 Super 35 digital cinema camera, enhancing their features for cinematic storytelling and connectivity for film creators. Since its launch, the FX3 has become a popular tool for everyone from high-end feature films, television series and independent filmmakers around the world. Now, after feedback from the community, Sony is pleased to offer new updates to enhance high-end filmmaking. FX3 Version 3.00 and FX30 Version 2.00 include highly requested features such as the ability to shoot DCI 4K in true 24.00p (4096 x 2160)ii with new format XAVC S-I DCI 4K (17:9).
"The FX3 is a great companion to the VENICE in the filmmaking adventure. Its color rendering and accuracy equals its bigger sibling, the VENICE. I have used the FX3 on my last several shows and always find myself excited and pleasantly surprised. I’m looking forward to seeing what else it can do,” says Emmy award-winning cinematographer Checco Varese ASC.
In addition to true 24p, FX3 Version 3.00 and FX30 Version 2.00 now offer anamorphic lens desqueeze options of 1.3x and 2.0x while FX3 Version 3.00 now features focus breathing compensation. When used with compatible lenses iii, focus breathing compensation minimizes the shifts in the angle-of-view as the focus point shifts, with additional compensation available in post-production using Catalyst Prepare/Browse and the Catalyst Prepare Plugin. Other functionality has also been added to improve the camera’s ease of use, including the ability to switch from Standard Movie and S&Q Motion modes via the press of a button. File naming is now similar to our high-end CineAlta cameras such as the FX9, VENICE and VENICE 2, to ensure easy workflow, especially in projects where the FX3/FX30 is used as a B- or C-cam iv.
The new firmware update also features smartphone connection and integrates with Sony’s new Creators’ Cloudv platform for individual content creators. Creators’ Cloud provides services and optimized applications from shooting to collaborating with creators around the world. This Creators' Cloud platform also includes Creators’ App, a content transfer mobile application from camera to cloud.
Pricing and Availability
The new FX3 Version 3.00 and FX30 Version 2.00 update will be available on April 11, 2023, at 9pm PT. Filmmakers can easily download the update directly to their camera using a PC or Mac. More details can be found HERE.
About Cinema Line
Cinema Line is a series of cameras that have a cinematic look – cultivated from Sony’s long experience in digital cinema production – plus enhanced operability and reliability that respond to the wide variety of creators’ high demands.
Cinema Line includes Sony’s flagship digital cinema camera VENICE, which has been used on over 500 feature films, television and commercials, including three of the top grossing feature films in the world in 2022. The Cinema Line includes the professional camera FX9, which is popular for documentary and drama production and the FX6, for grab and shoot action and content creation. With the addition of the FX3 and FX30, the most compact cameras in the series, Sony offers a true line up of versatile creative tools for all types of visual storytellers.
Notes:
i When de-squeeze is active, autofocus and image stabilization are disabled. This function cannot be assigned to a custom button or Fn menu. ii At 24.00p, proxy recording is disabled. When 24.00p is selected or deselected, the camera will automatically restart.
iii Compatible lenses are listed at: https://support.d-imaging.sony.co.jp/support/ilc/breathing/en/ Angle of view and imager quality may change slightly when this function is turned ON. Full compensation may not be possible with some lenses. This function is not available when shooting movies at 120p, when using the S&Q mode at 120p or when shooting stills.
iv The file name of the recorded movie becomes "Camera ID+Reel number+Cameraposition+File number+Date+Random” string.
v Availability will vary by timing, countries and regions. The service will be updated regularly.
Just posted: Sigma 17mm F4 DG DN Contemporary Lens Review
Again, this is a sweet little lens. I hope to add a selection of sample images to this review soon.
Please share!
Support this site by ordering the Sigma 17mm F4 DG DN Contemporary Lens from B&H | WEX
Rent the Sigma 17mm F4 DG DN Contemporary Lens from Lensrentals.
Act fast: the impressive Canon RF 135mm F1.8 L IS USM Lens is in stock at Canon USA and WEX.
Learn more: Canon RF 135mm F1.8 L IS USM Lens
The Canon EOS R8 and Canon EOS R6 Mark II have the same imaging sensor, the same processor, and the same image quality. Otherwise, these two cameras have some significant differences.
Here are the Canon EOS R6 Mark II advantages over the R8:
The EOS R8 has some advantages:
You may also find the full EOS R8 vs. EOS R6 Mark II specification comparison and the visual comparison helpful.
While the R6 II is clearly the superior camera, the R8 earns a place in many kits by delivering the same image quality at a far lower price and by having a smaller size and lighter weight.