Sony News
Sigma has scheduled a new product announcement for Wed, August 4th at 8:00 AM EDT.
The Sigma 150-600mm f/5-6.3 DG DN Lens is expected to be introduced at that time.
Watch live from this post:
While badlands may be bad for farming and inhabiting, they are awesome for photography. Late spring brings the storm season to Badlands National Park, and the clouds associated with stormy weather bring the sky color that makes landscape photographers drool.
I can't think of any scenarios I like better than the sun shining under heavy cloud cover immediately before setting. The flat prairie often provides very late in the day ultra-warm, direct sunlight, which was the case this evening.
With a close foreground and a very distant background, this scene called for the use of the Canon EOS R5's focus shift feature.
A very high (100) number of images setting was selected, indicating that the camera should create sharpness until infinity. The closest subject in the frame was focused on, and with the press of the shutter, the R5 determined that two frames were adequate for this 15mm f/11 capture. The Depth Compositing tool in Canon Digital Photo Professional (DPP) merged the two images.
In this case, some soft areas remained in the seams in the lower left and lower right regions of the merged image. A Photoshop overlay using a small portion of the sharp foreground image corrected this issue.
A larger version of this image is available on Flickr.
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The Lexar 128GB Professional 2000x UHS-II V90 SDXC Memory Card (the V90 rating ensures fast writing to the card) is on sale at B&H and Adorama.
Want to save twice as much? Select the 2-pack option.
Several Sony FE 14mm f/1.8 GM Lenses (8+ to 10-rated options) are currently included in the just-updated used Sony inventory at B&H.
Other attractive used Sony lenses are available, including the FE 200-600mm f/5.6-6.3 G OSS, FE 20mm f/1.8 G, and FE 28-60mm f/4-5.6 Lenses.
Review: Sony FE 14mm f/1.8 GM Lens
From Sony:
Register now (it’s free!) and join us for #BeAlpha Live Online on August 15 – featuring workshops, interactive live shoots and much more! In addition to bringing you knowledge and inspiration from some of the leading creatives in the industry, we’ll have exclusive content featuring Sony Alpha gear, including the new trio of G lenses, the Sony 50mm f/1.2 G Master and Sony 14mm f/1.8 G Master.
Register now and join us for our free event, #BeAlpha Live Online, on August 15 – featuring workshops, live shoots + much more!
During the live shoots at #BeAlpha Live Online you'll join pros like Brian Smith, Monica Sigmon, Steve Irby, Jessica Hirsch and Drew Geraci as they share their expertise while running a photography shoot. These will be totally interactive and the pros will be taking questions from viewers during the live shoots.
You can also learn from some of the best in the industry on a variety of creative topics during the #BeAlpha Live Online workshops and have the opportunity to ask them your questions live. With top photographers and videographers like Colby Brown, Jermaine Horton, Cristina Mittermeier, Jose Villa and Ira Block, our Alpha Community is in store for an educational and inspirational experience to remember. All #BeAlpha Live Online workshops are open attendance - once you register for the event no additional pre-workshop registration is required.
Learn more and register for free HERE.
From Skylum:
Luminar AI Update 4 — Beautiful Bokeh In Seconds
With the fourth update to Luminar AI, Skylum introduces Portrait Bokeh AI, a powerful new tool for the portrait photographer’s toolbox.
NEW YORK, NY - July 27, 2021 — Today, Skylum released LuminarAIUpdate 4, which delivers the much-anticipated Portrait BokehAI along with other, useful, free features to help visual storytellers unlock their creativity.
Complete control of focus with Portrait BokehAI
Building on our AI-guided depth mapping tools, Portrait BokehAI isolates the subject of a portrait from the background. It recognizes people in groups or in unusual positions or poses. With subjects isolated from the background, Portrait BokehAI blurs the background to emulate the rich, hazy bokeh of a high end lens at a wide open aperture.
Intelligent mask creation. Thanks to amazing artificial intelligence, LuminarAI can recognize people in a photo and can create the perfect mask to separate subjects from the background. The mask is generated automatically, but the artist can still refine and customize the mask to add or subtract focus to a photo.
Creative control. While the bokeh is automatically generated, it is entirely controlled by the artist with a single slider.
Any lighting; any lens: Traditionally, creamy bokeh could require expensive cameras and lenses coupled with complex lighting. No more. Bokeh PortraitAI works on any portrait.
Refined backgrounds. In addition to adjustable bokeh, artists can further refine the background using sliders to adjust the background exposure, add glow to highlights, set a specific depth of field and refine edges.
Stunning subjects. With the background made perfect, artists can use our AI-powered Portrait Tools — FaceAI, SkinAI and BodyAI — to really make subjects stand out in the frame.
Audition Textures with visual preview
We’ve improved Textures to help artists see how they might be used to achieve their creative vision. To understand how a Texture might fit your work in progress, you can now visually browse Textures just as you do with our SkyAI and Augmented SkyAI tools. Using custom Textures? They are now also accessible right within the dropdown grid. Artists can also load their own textures for reuse to build up a library of their favorites.
Visual Horizon Control in SkyAI
We pride ourselves on making complex things simple for our artist community. With that in mind, we’ve reimagined how replacement skies are aligned to the horizon in SkyAI. The Vertical Position, Horizontal Position, and Horizon Blending sliders have been replaced with the Shifting Horizon Control, found in the Sky Orientation section. This single control allows the artist to better position a replacement sky in the frame to align it with the horizon and create a much more seamless and naturalistic final image.
Availability
LuminarAI Update 4 is a free update for current LuminarAI users. To update:
macOS: Open LuminarAI. In the Top Menu Bar, choose LuminarAI > Check for updates. If you purchased via the Mac App Store, open the App Store and go to the Updates tab.
Windows: Open LuminarAI. In the Top Menu Bar, choose LuminarAI > Help > Check for Updates.
If you are running LuminarAI as a plugin with Photoshop, Lightroom Classic or Photoshop Elements, it’s also recommended you rerun the plugin installer. Click here for more information.
The LuminarAI user manual has also been expanded to make it easier than ever for users to search and find answers to questions they might have about LuminarAI.
To purchase LuminarAI, visit https://skylum.com/luminar-ai.
Don't forget to use our coupon code THEDIGITALPICTURE to (usually) get a $10.00 discount.
Sony Electronics Introduces the New Interchangeable-Lens Vlog Camera ZV-E10 for Vloggers and Video Creators
The ZV-E10 APS-C Camera Delivers High Quality Video and Audio Performance, Vlog-Optimized Functions and Versatile Connectivity – Perfect for Video Creators
SAN DIEGO, CA – July 27, 2021 – Sony Electronics Inc. today announced the first Alpha series interchangeable lens vlog camera, the new ZV-E10. Designed from the ground up for vlogging and vloggers, the new camera combines Sony’s advanced imaging technology with extensive usability and a custom-built feature set that is optimized for video creators.
At its core, the ZV-E10 features a 24.2-megapixel (approx. effective) APS-C Exmor™ CMOS sensor and BIONZ X image processing engine to produce high-quality imagery with high-sensitivity, detailed texture depiction and beautiful natural bokeh. Additionally, the ZV-E10 includes the acclaimed vlogging-specific features favored in the popular ZV-1 digital camera including “Background Defocus”[i] that can smoothly switch between a blurred (bokeh) and sharp background, as well as the “Product Showcase Setting”[ii] mode that allows the camera to automatically shift focus from the subject’s face to an object being highlighted.
“With the introduction of Sony’s first interchangeable lens vlog camera, the ZV-E10, we are excited to meet the growing needs of today’s creators,” said Yang Cheng, Vice President, Imaging Solutions, Sony Electronics Inc. “The new ZV-E10 pairs the versatility and excellent image quality of a large-sensor interchangeable lens camera with user-friendly features that are specifically designed for vlogging, making it an ideal tool for video creators looking to transition to a more advanced set up.”
The ZV-E10 features a video-first design in a lightweight form factor (approx. 12 oz. / 343g[iii]) and includes the popular side-opening Vari-angle LCD Screen that allows creators to connect external mics on top of the camera. This simplifies setup while still allowing users to see the screen in selfie shooting mode and from high and low angles.
In addition to the screen, the ZV-E10 includes several other easy-to-use functions that are specifically designed for vlogging, including a new mode button located on the top of the camera that allows creators to easily change between Still/Movie/Slow and Quick modes with just one touch.
The new camera also includes advanced video features such as 4K (QFHD: 3840 x 2160) video shooting and Slow Motion with high picture quality (FHD 120p)[iv]. Electronic image stabilization with Active Mode[v] is also available and delivers stable video recording even while walking and shooting hand-held. Further, the ZV-E10’s advanced AF (autofocus) technology provides fast, precise AF with excellent tracking performance, as well as high quality audio for clear sound recording.
Sony Vlog Challenge Contest
Together with this announcement, Sony will host their second Sony Vlog Challenge Contest that encourages entrants to create a vlog that highlights something that they are the most passionate and enthusiastic about. The entry period is July 27 – September 27, 2021 and is open to video creators in the U.S. (excl. terr.) and Canada (excl. Quebec). See contest official rules here*.
Creative Versatility
An Interchangeable Lens Camera for Expanded Creative Expression
The ZV-E10 allows the user to expand their creative expression by utilizing the ideal lens for each individual scene they want to shoot. The wide variety of compatible lenses in Sony’s E-mount lens lineup lets the user choose the perfect lens based on their creative vision.
Advanced Autofocus
Sony’s industry-leading AF technology enables the user to leave focusing to the camera so that they can concentrate on composing their shot. The ZV-E10 includes Fast Hybrid AF and Real-time Eye AF for video[vi] with Real-time Tracking[vii] that allows the camera to keep track of the subject’s face and eyes for fast and precise autofocusing even while recording on-the-go and in challenging environments. The user can also customize the camera’s AF settings, such as AF Transition Speed and AF Subject Shift Sensitivity, to choose the rate at which the camera shifts from one point to another according to their creative preferences.
Additionally, the ZV-E10’s Touch Focus function allows the user to intuitively set the focus position by simply touching the screen. With one tap, the user can instantly shift the focus position from one subject to another – almost anywhere in the frame. This is available in both still and video modes.
High Quality Audio
Sony’s leading technology, thanks to its internal Directional 3-Capsule Mic, enables the ZV-E10 to capture crystal clear sound recordings that accurately capture the speaker’s voice and the supplied wind screen to greatly reduce wind noise. For expanded audio options, the ZV-E10 includes a Digital audio interface via Multi Interface (MI) Shoe and a mic jack to connect an external mic. The inclusion of a headphone jack allows the user to connect headphones to accurately monitor sound recordings. Audio output timing can also be set for Live or Lip Sync.
Putting the Subject First
When shooting in different settings with dramatic changes in light, the user can rest assured that the ZV-E10 will automatically correct the exposure, using an original Face Priority AE (autoexposure) algorithm capable of rapid AE transitions, so that the subject’s face is not over or under exposed. This allows the camera to detect the subject’s face and adjusts the exposure to ensure that the face is depicted at optimal brightness, even when selfie-shooting in scenes with extreme changes in lighting, and even if the subject’s face turns away momentarily from the camera. In addition, the camera features the same advanced color science from the popular ZV-1 to optimize skin tones for any subject in both still and video modes.
Cutting-Edge Video Features
- Internal 4K movie recording through full pixel readout without pixel binning[viii]
- High bit rate XAVC S™ codec[ix] at 100Mbps when recording 4K
- Slow & Quick Motion[x]
- High-speed full HD recording at 120 fps[xi]
- Interval Shooting[xii] for stunning time-lapse videos[xiii]
- Hybrid Log-Gamma (HDR) [xiv] / S-Gamut3.Cine / S-Log3, S-Gamut3 / S-Log3
Designed for Video Creators
Users can comfortably operate the new ZV-E10 thanks to its easy-to-hold body grip and large MOVIE button that is conveniently located on top of the camera. When paired with the optional Shooting Grip with Wireless Remote Commander (GP-VPT2BT, sold separately), one-handed shooting is simplified with easy to access zoom, record and a customizable button. A recording lamp (tally light) is also provided on the front face of the body for an at-a-glance indication of recording status. A red frame on the LCD screen also appears while recording to quickly and easily lets the user know if recording is active when behind the camera.
A unique feature of the ZV-E10 is the zoom lever that can operate optical zoom with power zoom lenses and Clear Image zoom with both zoom and prime lenses. Using Clear Image zoom, the user can zoom without losing video resolution to maintain full 4K video. The user can also choose from eight zoom speed settings for added creative flexibility.
The ZV-E10 features long battery performance with enough power to capture up to 125 minutes[xv] or 440 images[xvi] on a full charge so the user can record for long periods without worry. When shooting indoors, AC power supplies like the optional AC-PW20AM can supply power, so the user can continue to record without worrying about battery consumption. Power can also be supplied through a USB Type-C® connector, allowing external batteries to power the camera for extended battery life when shooting on the go. To conserve the camera’s battery, the ZV-E10’s Vari-angle LCD Screen allows the user to put the camera into Power save mode[xvii] by closing it and instantly turn the camera on by opening the panel.
Stay Connected
Livestreaming
The ZV-E10 can also be used as a high-quality webcam or live streaming camera by simply connecting it to a PC or smartphone[xviii] for increased mobility while streaming with no additional software needed. The feature allows the user to take advantage of the ZV-E10’s outstanding image quality and crystal-clear audio as well Face Priority AE and Soft Skin Effect while livestreaming or on video calls. The ZV-E10 supports standards used for USB cameras like UVC (USB Video Class) / UAC (USB Audio Class). The ZV-E10 also allows users to connect to a power supply via USB cable while livestreaming for longer usage. For added convenience, the user can assign this function to a custom button to start streaming instantly.
Easy File Data and Transfers
Using Sony’s Imaging Edge Mobile app[xix], users can transfer selected images and video files to a mobile device via Wi-Fi. This also allows the user to transfer RAW image files. After the camera has been paired to the Imaging Edge Mobile app, the files’ location data can be acquired from the mobile device and recorded. Users can transfer files from an SD card in the camera to a smartphone (mobile device) via Bluetooth even if the camera is powered OFF[xx].
Pricing and Availability
The new ZV-E10 will be available in black and white in the end of August for approximately $700.00 USD and $900.00 CAD. It will be sold at a variety of Sony’s authorized dealers throughout North America.
A new kit featuring the ZV-E10 camera and E PZ 16-50mm F3.5-5.6 OSS power zoom lens will also be available in the end of August and will be sold for approximately $800.00 USD and $1,000.00 CAD. It will be sold at a variety of Sony's authorized dealers throughout North America.
Exclusive stories and exciting new content shot with the new camera and Sony's other imaging products can be found at www.alphauniverse.com, a site created to educate and inspire all fans and customers of Sony a - Alpha brand.
New content will also be posted directly at the Sony Photo Gallery. For detailed product information, please visit:
(US) – ZV-E10
(CA) – ZV-E10
More Information
For more information on the ZV-E10 visit the Alpha Universe website ZV-E10 page.
More information on the Sony Vlog Challenge Contest can be found HERE.
* NO PURCHASE OR PAYMENT NECESSARY. “Sony Vlog Challenge Contest”. Open to legal residents of U.S. / D.C. (excluding territories) and Canada (excluding Quebec), 18+ (19+AL, NE,) at time of entry. 07/07/21-09/07/21. See Official Rules, including prizes, entry instructions, and odds of winning at https://www.sony.net/united/sonyvlogchallenge/northamerica/en. Void in P.R., Quebec and where prohibited. Sponsor: Sony Electronics Inc., 16535 Via Esprillo, San Diego, CA 92127.
Orders
Order the Sony ZV-E10 from B&H and Adorama.
Videos
Notes
[i] Background Defocus is the name of the function assigned by default to the C1 button. Aperture values in Bokeh Switch Defocus / Clear are as follows. Movies: [Background Defocus: Defocus] lens widest aperture; [Background Defocus: Clear] F8-11, controlled automatically between F8 and F11 according to the environment. Stills: [Background Defocus: Defocus] lens widest aperture; [Background Defocus: Clear] F11. F values are not displayed in either Movies or Stills. The menu item associated with the Bokeh Switch is named “Background Defocus”.
[ii] When Product Showcase Setting is activated image stabilization on this model it remains on.
[iii] With battery and memory card included.
[iv] A Class 10 or higher SDHC/SDXC memory card is required to record movies in the XAVC S format. UHS-I (U3) SDHC/SDXC card is required for 100Mbps.
[v] Image crop in Active Mode. Active Mode is not available when recording at frame rates of 120 (100) fps, including S&Q
[vi] Real-time Eye AF for animals is not available in movie shooting.
[vii] Tracking” in the menu.
[viii] When recording at 24p. With image stabilization Off/Standard Mode.
[ix] A Class 10 or higher SDHC/SDXC memory card is required to record movies in the XAVC S format. UHS-I (U3) SDHC/SDXC card is required for 100Mbps
[x] Sound recording is not possible. A Class 10 or above SDHC/SDXC card is required.
[xi] A Class 10 or higher SDHC/SDXC card is required for XAVC S format movie recording. UHS speed class 3 or higher is required for 100 Mbps recording. Frame rates are 1-120fps (NTSC) or 1-100fps (PAL).
[xii] Wi-Fi is not operational during interval shooting
[xiii] Time-lapse movie creation is possible on a PC
[xiv] Connect this product to an HDR (HLG) compatible Sony TV via a USB cable to display HDR (HLG) movies
[xv] Continuous recording time for movies. Actual performance varies based on settings, environmental conditions, and usage.
[xvi] CIPA standards.
[xvii] On this model, whatever the screen orientation (inward or outward facing), the user can shoot as soon as they open the screen.
[xviii] Your PC or smartphone OS must be compatible with UVC/UAC to use this functionality. Among smartphones, operation has been verified with the Xperia 1 II and Xperia 5 II (latest firmware required) for Android™ 11 or later (As of May 2021). Compatibility with other smartphones depends on manufacturers’ specifications. A commercially available USB cable and/or terminal adaptor may be used to connect to equipment with a USB Type-C port.
[xix] Imaging Edge Mobile version 7.5.1 or later is required. Download app at Google Play and the App Store. Network services, content, and operating system and software subject to terms and conditions and may be changed, interrupted or discontinued at any time and may require fees, registration and credit card information.
[xx] “Power off connection” in the camera’s smartphone settings must be turned ON, and the camera and smartphone must be paired via Bluetooth.
As usual, this gear is being sold to fund new gear to review. Check the updated list to see if anything fits into your kit. Most items are like new.
Brands available include Canon, Sony, Really Right Stuff, and more.
Sony will be announcing a new camera tomorrow, July 27th at 10:00 AM ET.
Check out today's B&H Deal Zone Deals for big savings on the Tokina atx-i 11-16mm f/2.8 CF Lens (for Canon EF or Nikon F) along with other excellent savings opportunities.
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I scheduled three days to photograph Custer State Park in South Dakota. Those three days included two significant travel days and followed a nearly 1-week-long photo trip in Badlands National Park. On that day, the plan was for my daughter and I to scout from Spearfish Canyon down into Custer State Park.
Upon arriving in the park, the highest priority was to scout a milky way photography location in The Needles, featuring incredible rock formations. A Needles Highway closure foiled that plan. An unfortunate person's camper was stuck in the Needles Tunnel, a peril relatively easy to encounter in this extremely narrow tunnel.
After checking in to the hotel mid-afternoon and grabbing a bite to eat, my daughter and I drove the Custer State Park wildlife loop in search of wildlife subjects. That endeavor was mostly unproductive, with only the donkeys cooperating on this evening.
Exhausted from driving all day (and a rough schedule for the prior two weeks), we opted to sleep in the next morning. With the camper now extracted from the tunnel, the original Needles Highway scouting mission was completed late on our only full day in the park. The perfect position was established, and with help from The Photographer's Ephemeris and a compass, it was determined that the milky way would ideally align just before 3:30 AM, just before the sky started brightening in the morning (nautical start).
Hotel checkout was in the morning, and a 7-hour drive to the airport was on the must-do list. Thus, a reasonable amount of sleep was required for a safe drive. However, the National Weather Service forecasted the clouds to (finally) dissipate at approximately 2:30 AM, the already set moon meant that the sky would be dark, and I couldn't pass up this opportunity. So the alarm went off at 2:30 AM. We jumped into warm clothes and drove to the selected site.
While it was the middle of June, the air temperature was low and the sustained wind speed was extremely high. Tucking into the rock spires helped reduce the felt wind, and the high-performing Really Right Stuff TVC-24L Mk2 Tripod and BH-40 Ball Head combination took care of the remaining stabilization requirements. Every frame the Sony Alpha 1 and Sony FE 12-24mm f/2.8 GM Lens captured on this shoot was tack sharp.
Upon establishing the ideal composition, with manual focus on the stars, images were captured in quick succession (as quick as 25-second exposures permit) to ensure the perfect alignment among the needles spire formations, including the Needles Eye, was captured. Also captured was an increasingly bright blue sky, providing a range of options to choose from later. As the new day dawned, the sky continued increasing in brightness, with the foreground brightening as well. Once the milky way had passed through the optimal alignment among the spires, it was time to do some light painting for foreground compositing options.
My light painting flashlight of choice is the Black Diamond Spot 325 Headlamp. This small, lightweight headlight is an excellent all-around choice for outdoor photographers, featuring an extremely bright spot light for navigating in the dark, a red light for preserving night vision, and lower-power floodlight that casts a wide, even light, perfect for many uses, including light painting. The duration of the light panning across the scene was informally measured by counting and adjusted from frame to frame to create varying brightness options.
To gain improved directionality to the light painting, the flashlight was positioned around the far side of the nearby rock spire. The 10-second self-timer provided time to run to this position after the shutter was released.
At 4:00 AM, the milky way was no longer visible. Tired but exhilarated, we packed up and headed back to the hotel for second bedtime.
As so often is the case, the memory of the tiredness, coldness, and effort required for this shot was short-lived, already faded. However, the photos and positive memories will last a lifetime.
Note that a benefit of shooting at this time of the day was that, not surprisingly, we didn't see another car or person during this entire shoot.
A larger version of this image is available on Flickr.
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A Capture One 21 Update 14.3.0 (save 25% at B&H) has been released, featuring the Magic Brush, new Exporter, asset management, tethering support, additional camera and lens support, and more.
Get the full details here:
From Tamron:
TAMRON Announces Development of its First Lens for FUJIFILM X-Mount, Also Available in Sony E-mount
The world’s first[1] 16.6x all-in-one zoom for APS-C mirrorless cameras
July 21, 2021, Commack, NY - Tamron Co., Ltd. announces the development of its first lens for FUJIFILM X-mount and Sony E-mount cameras simultaneously. The lenses are expected to be available in the Fall 2021.
Since the launch of the 28-75mm F/2.8 Di III RXD (Model A036), a fast-aperture standard zoom lens for Sony E-mount full-frame mirrorless cameras in 2018, TAMRON has continually expanded its line of lenses for Sony mirrorless cameras. The popularity and wide adoption of these lenses prompted many user requests for the manufacture of the lens for other camera brands.
As a specialist in the all-in-one zoom lens category, TAMRON recognized the potential to develop the first all-in-one zoom lens for the FUJIFILM X-mount. The 18-300mm F/3.5-6.3 Di III-A[2] VC VXD (Model B061) is the world's first all-in-one zoom lens for Sony and FUJIFILM APS-C mirrorless cameras featuring a 16.6x zoom ratio. To provide the pleasure of photography to more people around the world, TAMRON will continue to develop unique products and expand the number of lenses compatible with more camera brands.
[1] Among interchangeable zoom lenses for APS-C mirrorless cameras (As of June 2021: TAMRON)
[2] Di III-A: For APS-C format mirrorless interchangeable-lens cameras
Overview of the 18-300mm F/3.5-6.3 Di III-A VC VXD (Model B061) features
The 18-300mm F3.5-6.3 covers a wide zoom range from approximately 27mm to 450mm (full-frame equivalent focal length). The first APS-C mirrorless camera zoom lens in the world with a 16.6x zoom ratio, the lens delivers the benefits of a versatile all-in-one zoom lens ideal for a broad array of photographic possibilities. Its AF drive system uses TAMRON’s linear motor focus mechanism VXD (Voice-coil eXtreme-torque Drive) for superior quietness and agile performance; and the lens includes special lens elements arranged precisely to maintain high resolution performance from edge-to-edge and provide high image quality that is among the best of all all-in-one zoom lenses.
With an MOD (Minimum Object Distance) of 5.9” at the wide end and a maximum magnification ratio of 1:2, this lens performs astonishingly well in its category when shooting up close. It is equipped with TAMRON's proprietary VC (Vibration Compensation) mechanism that supports stable photography even at ultra-telephoto focal lengths. And it features a unified Ø67mm filter size, the same as most other TAMRON lenses for mirrorless cameras.
Main features
- The world’s first 16.6x all-in-one zoom.
- Extremely fast and precise autofocus—the highest-level in its class—with TAMRON’s VXD linear motor focus mechanism.
- MOD: 5.9“ / maximum magnification ratio: 1:2 at 18mm wide end.
- The best image quality in its class.
- Outstanding VC.
- Comfortably compact.
- User-friendly features (Moisture-Resistant Construction, Fluorine Coating, Zoom Lock switch)
* Specifications, appearance, functionality, etc. are subject to change without prior notice.
Orders
Order the Tamron 18-300mm F/3.5-6.3 Di III-A VC VXD Lens from B&H.
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Check out today's B&H Deal Zone Deals for big savings on the Delkin Devices 2TB CFexpress POWER Memory Card. Save $450.00.
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Get the details on the new Oben Skysill Series Aluminum and Carbon Fiber Tripods at B&H.
Through August 2nd and while supplies last, save 15% on Urban Access Backpacks, Urban Approach Backpacks and Urban Access Sling Bags at Think Tank Photo.
Don't forget that you'll get a free gift and free USA shipping when using our links for your purchase ($50.00 minimum purchase required).
Check out today's Adorama Deals of the Day (available until 10:00 AM tomorrow) for big savings on:
- Zhiyun Crane-2S 3-Axis Handheld Gimbal Stabilizer – only $319.00 after $280.00 instant savings
- Monster Cable UltraHD Black Platinum 4K High Speed 9' HDMI Cable with Ethernet+Indicator Lights – only $44.95 after $55.04 instant savings
Use coupon code SUMMER50 (one use per customer) at Lensrentals to save $50 off orders $200.00 or more arriving by 7/30/2021.
If you plant it, they will come. Coneflowers, butterflies, and the Canon RF 100mm F2.8 L Macro IS USM Lens go together beautifully.
This eastern tiger swallowtail was moving from flower to flower, rotating in a circle on each. Getting to the flower and in position before the rotation was complete was the key to capturing a pleasing angle.
Hanging out in the garden with the Canon RF 100mm F2.8 L Macro IS USM Lens is quite fun.
A larger version of this image is available on Flickr.
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The Sony FE 50mm f/1.2 GM Lens is back in stock at B&H.
A Sony FE 20mm f/1.8 G Lens and FE 1.4x Teleconverter just arrived in the B&H used department. Many other highly desirable used Sony lenses are in stock.
B&H has a used Really Right Stuff TVC-34L Versa Series 3 Mk2 Carbon Fiber Tripod available.
Adorama has a used Really Right Stuff TFC-34 Mk2 Carbon Fiber Tripod in stock along with some great ball heads (BH-55, BH-40, BH-30).
From Sigma:
Firmware update for SIGMA 100-400mm F5-6.3 DG DN OS | Contemporary for Sony E-mount
Thank you for purchasing and using our products.
We would like to announce that a new firmware update is now available for the SIGMA 100-400mm F5-6.3 DG DN OS | Contemporary for Sony E-mount.
It has been found that the lens firmware cannot be updated from Ver.01 to Ver.02 by the end user via the camera. Therefore, SIGMA will update the lens firmware free of charge.
[Applicable product]
SIGMA 100-400mm F5-6.3 DG DN OS | Contemporary for Sony E-mount with firmware Ver.01
[How to check the current firmware version]
Please check the firmware version from the camera menu. If the lens version is firmware Ver.01 it is necessary to update to the new firmware version.
[Benefits of the update]
Firmware Ver.02:
It has improved the phenomenon whereby the lens' optical stabilizer effect differs depending on the shutter type and drive mode used.
It has corrected the phenomenon whereby the lens firmware cannot be updated via the camera.
[Treatment on this issue]
For customers who use the target product with the affected firmware version, SIGMA will update the lens firmware to Ver.02 free of charge.
Please note that customers cannot update to lens firmware Ver.02 by themselves. After the lens has been updated to Ver.02 by SIGMA, the user can then update all future lens firmware via the camera.
For US-based customers, please contact SIGMA America at: https://www.sigmaphoto.com/service-support
For worldwide support, please contact your local authorized SIGMA Service Station at: https://www.sigma-global.com/en/world-network/
We apologize for any inconvenience.
SIGMA Corporation
Note that the L-mount version of this lens has also has a firmware update for the OS issue.
Our review: Sigma 100-400mm f/5-6.3 DG DN OS C Lens
From Tamron Japan (translated):
28-75mm F / 2.8 Di III RXD (Model A036) For customers who purchased after June 22, 2021
Target serial number
28-75mm F / 2.8 Di III RXD (Model A036) for Sony Mirrorless Cameras
9087206 – 9087237 9088710 – 9087725 9088742 – 9088005 9089551 – 9089606 9090311 – 9090312 9090314 – 9090318 9090327 – 9090363 9090365 – 9090374 9090959 – 90090974 9090991 – 9091046 9092527 – 9092582 9092607 – 9092611
Future response
Details are under investigation and will be announced on the support information page at a later date. We apologize for the inconvenience, but thank you for your patience. If you have purchased a lens with the target serial number, please contact us. We apologize for the inconvenience.
Our review: Tamron 28-75mm f/2.8 Di III RXD Lens
A pair of Sony FE 14mm f/1.8 GM Lenses (9 and 10-rated options) are currently included in the just-updated used Sony inventory at B&H.
Review: Sony FE 14mm f/1.8 GM Lens
The B&H Optic Conference how specials are worth browsing.
Note that some specials require coupon code BHOPTIC2021.
Also, see today's full list of B&H Deal Zone Deals for more savings opportunities.
The Skylum Summer Sale features The LuminarAI (click the 1-computer license tab) for only $47.00 (reg. $79.00). Plus, the Enchanting Twilight Skies Pack is included for free.
The Expert and Guru package are also heavily discounted — about 40% off.
Lifetime license, 30-day money back guarantee, 24/7 tech support.
Learn more at Skylum.
Our $10.00 discount coupon code, THEDIGITALPICTURE, is sometimes disabled during sales, but give it a try.
SmugMug has released Source RAW file management add-on.
"SmugMug Source is a new workflow add-on for your SmugMug subscription that lets you upload, organize, and manage your RAW files from anywhere—on the same awesome platform you use to store, share, and sell your photos."
For those of you without an online portfolio, I recommend SmugMug. The starter plan is quite affordable and full-featured. Try for free.
Now Available: the B&H Optic Conference 2021 Show Book features educational articles and loads of deals.
With four lenses in the lab right now, some testing is happening in parallel for efficiency reasons. While not as exciting to most as the image quality test results already shared, valuable additional results, including vignetting, flare, and distortion test results, along with measurements and standard product images are now available on the pages of these four lenses:
Canon RF 100mm F2.8 L Macro IS USM Lens (flare testing awaits a clear sky)
Sigma 28-70mm f/2.8 DG DN Contemporary Lens
Sigma 105mm f/2.8 DG DN Macro Art Lens
Tamron 150-500mm f/5-6.7 Di III VXD Lens
Essentially, all tripods, monopods, and heads have included a weight capacity rating for as long as I can remember. However, a specific standard for establishing these ratings is seldom (never?) mentioned.
Manfrotto has just announced compliance with a new standard to ensure safety for supported gear.
From Manfrotto:
For the first time in the imaging industry, UNI/PdR 105:2021 establishes an official reference practice for payload safety providing full transparency about payload measurements to consumers.
No more gear purchased on arbitrary product specifications:
UNI/PdR 105:2021 guarantees that a support loaded with a weight equal to the declared Safety Payload is never jeopardized, no matter the position, taken all the safety parameters into account.
Whereas, Max Payload indicates the maximum load a support can hold, sometimes not taking safety parameters into account. This means that applying the maximum weight, the support’s safety and functionality might be compromised.
Get more details at https://www.manfrotto.com/us-en/safetypayloadunipdr105-2021/.
Get more Manfrotto gear at B&H.
Adorable or vicious killer? Right — both descriptions accurately describe this little predator.
The opportunity was a unique one. What started as a glimpse of a weasel hunting in the brush turned into an afternoon of waiting, with some watching and photographing mixed in.
Often nocturnal, weasels are seldom seen, and when they show do themselves, getting these fast- and erratically-moving critters in the frame is tremendously challenging, even without accounting for accurate focusing. This weasel finally paused momentarily to check out (her reflection in?) the near-ground-level Sony FE 600mm f/4 GM OSS Lens aimed in her direction.
A larger version of this image is available on Flickr.
ISO 500
8640 x 5760px
Lensrentals is celebrating their 15th birthday, and you get a gift in the form of a 20% off coupon code.
Use coupon code BDAY20 (one use per customer) at Lensrentals to save 20% on orders arriving by 7/16/2021.
As always, renting is a great option for trying new gear or for getting otherwise unaffordable gear to use for short periods of time.
Check out today's B&H Deal Zone Deals for big savings on:
- Lexar Professional 1066x UHS-I SDXC Memory Cards – only $29.99 - $49.99 after up to $15.00 instant savings
- ZEISS Batis 25mm f/2 Lens (for Sony E) – only $999.00 after $300.00 instant savings
- Tiffen 72/77/82mm Variable Neutral Density Filters – only $39.95 - $59.95 after up to $94.00 instant savings and $20.00 MIR
- edelkrone StandONE All-Terrain Foldable Camera Stand – only $99.00 after $50.00 instant savings
- GVM 560AS Bi-Color LED Studio Video 2-Panel Light Kit – only $159.00 after $40.00 instant savings with free softbox ($39.00 value)
- Nanuk 935 Wheeled Hard Utility Cases with Foam (available in 8 colors) – only $134.95 after $70.00 instant savings
Going fast: B&H has the Sony Alpha 1 in stock.
Breaking them out: here are the B&H Optic Conference memory card deals.
Some Optic Conference deals require coupon code BHOPTIC2021.
The popular Oben CTT-1000 Carbon Fiber Tabletop Tripod is on sale at B&H for $79.96, regularly $99.95.
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Robus products feature very high quality with a reasonable everyday price.
During the Optic Conference, save 20% or more on most Robus tripods, monopods, heads, and accessories at B&H.
Some Optic Conference deals require coupon code BHOPTIC2021.
Reviews
Robus RC-5570 Vantage Carbon Fiber Tripod
Robus RC-8860 Vantage Carbon Fiber Tripod
Robus RCM-439 Carbon Fiber Monopod
This is a great time to add another year to your plan (or get a new plan): Get a free $20 B&H e-gift card with the purchase of the Adobe Creative Cloud Photography Plan (20GB Cloud Storage, 12 Month Subscription, Download Card) at B&H.
Worth browsing: the B&H Optic Conference and show specials are now live.
Note that some specials require coupon code BHOPTIC2021.
Also, see today's full list of B&H Deal Zone Deals for more savings opportunities.
You don't leave when the sun sets, do you? Usually, the best show is yet to come when the fiery ball goes below the horizon.
With primarily flat ground outside of Badlands National Park, the sun is not blocked by tall nearby mountains when the sun is at a low angle. This scenario bodes extremely well for sunrise and sunset sky color, creating an above-average percentage of great opportunities, especially during the storm season.
Sunrises and sunsets can be seen nearly anywhere, and they are often beautiful — highly photogenic. But, having a great foreground can give sunrise and sunset images an additional positive element, and when you are somewhere special, make your images show that place.
My least favorite foreground element is a power line. My most favorite foreground element is a glassy reflective lake or pond. However, a mountain with character ranks just behind that favorite. So when it became apparent that the skies would light up after sundown this evening, I headed for such a mountain.
Upon arrival on the scene, the first task was to set up a Canon EOS R5 with an RF 15-35 mounted with an also interesting close foreground. With exposure duration bracketing established for later HDR compositing, getting the time of day bracketed was the remaining key for this camera's capture. Pressing the shutter release frequently (using the 2-second self-timer) took care of the latter goal.
As this scene's primary intrigue seemed to be the incredible sunset color fronted by the gnarly character of the Badlands mountain, a panorama capture was calling me. The Canon RF 100-500mm F4.5-7.1 L IS USM Lens mounted on another R5 was the perfect option.
The first task was to establish a manual exposure. The scene brightness varied significantly throughout the proposed pano, promising a range of auto exposures that would increase the stitching challenge later. This manual exposure was established by pushing the red channel, much brighter than the green or blue, against the right side of the histogram.
After autofocusing on the mountains (I depend on the R5's excellent AF accuracy), the AF/MF switch was moved into the MF position. Having all images focused at the exact same distance eliminates any focus breathing issues for panorama stitching.
The image captures ensued. The camera was rotated from left to right, capturing vertically orientated images with at least 1/3 scene overlap between frames (more like 50% overlap, which was overkill). The frames were captured in quick succession to reduce cloud movement and sky brightness change between the frames. The viewfinder grid was used to keep the images vertically aligned. Upon pressing the shutter release, the height of the horizontal grid line was noted against the background and maintained as the camera was panned.
When quickly capturing frames handheld, it is easy to rush the shots and end up with blurry images. Ensure that the camera is still for each gentle press of the shutter release (with a slight lag to the release of the press — a follow-through of sorts) to ensure sharp images. A tripod works best for this task, but that support was under the RF 15-35 mentioned above, and there was not enough capacity to bring two tripods on this trip (my preference). The RF 100-500 and R5 coordinated IS were not stressed by the 1/100 second shutter speed and delivered a 100% sharp image rate.
I mentioned that the exposure was established to protect the red channel. That exposure provided a dark foreground. While the foreground needed to stay dark for a natural balance, making foreground details slightly visible seemed a good idea. Taking advantage of the R5's dynamic range, the original frames were processed brighter. Note that the brighter foreground is much easier to see in a larger version and with a darker background.
Photoshop's Photomerge feature with "Reposition" selected created the pano from 16 source images. Unfortunately, that PS feature created a slightly different resulting image from the brighter-processed source files than from the darker ones. Creating 16 HDR images to use for the stitching source seemed too much work (and likely prone to additional differences), so the foreground pano was manually position-adjusted where it did not properly align. A small area of the sky was processed slightly darker and blended into position. The final images measure over 300 megapixels. For improved display on devices, the image was cropped on the right side, with a sense of balance used to establish where the right side should be.
A larger version of this image is available on Flickr.
ISO 100
24449 x 9050px
From Sigma:
Firmware update for SIGMA 500mm F4 DG OS HSM | Sports in Canon EF mount
We would like to announce that a new firmware update is now available for SIGMA 500mm F4 DG OS HSM | Sports in Canon EF mount.
[Applicable product]
SIGMA 500mm F4 DG OS HSM | Sports in Canon EF mount
[Benefits of the update]
It has improved the AF speed when used in combination with Canon mount adapter EF-EOS R series attached on Canon EOS R5 and EOS R6.
[How to update]
Connect the lens to a computer via the SIGMA USB DOCK UD-01 (sold separately), then open SIGMA Optimization Pro*. If the lens firmware isn't the latest version, the following message will appear: "The latest lens firmware is available". Click "Yes" to update.
* Before updating lens firmware using the SIGMA USB DOCK UD-01, please ensure you update SIGMA Optimization Pro to the latest version.
SIGMA Optimization Pro Download page: https://www.sigma-global.com/en/software/sigma-optimization-pro/
From Sigma:
Firmware update for the SIGMA MOUNT CONVERTER MC-11 EF-E
We are pleased to announce that a firmware update for the SIGMA MOUNT CONVERTER MC-11 is now available.
[Applicable product]
SIGMA MOUNT CONVERTER MC-11 EF-E
[Benefits of the update]
It makes the converter compatible with the SIGMA 500mm F4 DG OS HSM | Sports in Canon EF mount, that has the latest firmware Ver. 2.03.
[How to update]
Connect the SIGMA MOUNT CONVERTER MC-11 to a computer with the included USB cable, then open SIGMA Optimization Pro. If there is a newer firmware version available than the one currently installed on your converter, you will see the message "There is the latest firmware for the converter". Click "Yes" to update.
* Before attaching the updated SIGMA MOUNT CONVERTER MC-11 to the camera body, please remove the battery pack from the camera then reinsert.
* Please be sure to update SIGMA Optimization Pro to the latest version when updating the MC-11 firmware.
SIGMA Optimization Pro Download page: https://www.sigma-global.com/en/software/sigma-optimization-pro/
B&H has a 10-rated Really Right Stuff Ascend-14 Long Travel Carbon Fiber Tripod in stock. Save $250.00 over the new price.
Act fast — these will sell right away: B&H has 9 and 10-rated ("looks good as new; no signs of wear") used Sony Alpha a1 cameras in stock! Save $975.05 and $650.05 over the $6,498.00 new price.
A large assortment of other used Sony mirrorless camera models are also available.
The best support gear available at nicely-lowered prices. The used Really Right Stuff inventory at B&H has been significantly updated.
Included in the current inventory are the:
- TFC-14 MK2 Series1 Ultralight Carbon Fiber Tripod (47.2")
- BH-55 Ball Head with Full-Size Lever-Release Clamp (Black)
- MC-34 Series 3 Carbon Fiber Monopod (3/8"-16)
- Ground Tripod
- BH-30 Ball Head with Compact Lever-Release Clamp
- TFA-01 Ultra Pocket Pod with BPC-16 Microball Package
- PC-LR Round Panning Clamp with Lever-Release Release
- BGE20-L Set L-Plate for Canon 5D Mark IV with BG-E20 Battery Grip
- TFA-01 Ultra Pocket Pod and BC-18 Microball Package
- Pro Monopod Head with Standard Screw-Knob
- Really Right Stuff MPR-192 & FAS Clamp Package
- LCF-54 Foot for Canon 100-400mm f/4.5-5.6L IS II USM Lens
- More!
Image quality test results have been added to the Tamron 150-500mm f/5-6.7 Di III VXD Lens page.
Here are some comparisons to get you started:
Comparison to Sony FE 200-600mm f/5.6-6.3 G OSS Lens
Comparison to Sony FE 100-400mm f/4.5-5.6 GM OSS Lens
Comparison to Tamron 150-600mm f/5-6.3 Di VC USD G2 Lens
The Tamron 150-500mm f/5-6.7 Di III VXD Lens is available for order at B&H | Adorama | Amazon USA (in stock) | WEX
Rent the Tamron 150-500mm f/5-6.7 Di III VXD Lens from Lensrentals.
Please share!
Check out the just-launched Deals of the Week at B&H.
Some standout deals include:
- Sea and Sea MDX Underwater Housings – $1,000.00 instant savings
- BlackRapid Straps – Save 15%
- Angelbird 256GB AV Pro CFexpress 2.0 Type B Memory Card – $199.99, save $50.00 instantly
- PNY Technologies SD Cards – as low as $4.99, save up to $50.00
- Seagate Hard Drives & SSD – save up to $300.00
- Much More!
A huge range of additional items are available, and most deals include free shipping.
Check out today's B&H Deal Zone Deals for big savings on the Rokinon AF 35mm f/1.8 FE Lens for Sony E – only $299.00 after $100.00 instant savings.
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What Sony gear were you waiting for funds to buy?
Until July 25th, get 24 month no interest special financing(*) on Sony gear at B&H.
(*) Read the fine print for the details.
Use coupon code SUMMER50 (one use per customer) at Lensrentals to save $50 off orders $200.00 or more arriving by 7/30/2021.
As I've said many times before, renting is a great option for trying new gear or for getting otherwise unaffordable gear to use for short periods of time.
No rush on this one – Until July 31st, save $190.00 on the DJI Ronin-S Gimbal Stabilizer at B&H.
- Canon RF 50mm F1.2 L USM Lens In Stock at B&H
- Sigma Expected to Announce 150-600mm f/5-6.3 DG DN Lens on Wed, August 4th
- Trio of Used Canon RF 24-105mm f/4L IS USM Lenses at B&H – Starting at $748.95
- Canon USA Refurbished RF Lenses In Stock, Including 70-200 L, 24-70 L, and 50 L
- When Bad is Good, R5 and RF 15-35 Capture Sunset in Badlands National Park
- Fast Card on Sale: Lexar 128GB Professional 2000x UHS-II V90 SDXC Memory Card – Only $137.99, Save $52.00
- Canon Releases 2Q 2021 Financial Results
- Used Sony Lens Inventory Refresh at B&H – Several Sony FE 14mm f/1.8 GM Lenses Available
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