Camera Gear Review News

Just posted: Sony Alpha 6700 Review.

Superb camera.

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Just posted: Sony FE 70-200mm F4 Macro G OSS II Lens Review.

Is it worth the price?

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The Sony Alpha 6700 is here, and it is time to set up this camera for use. Following are the steps taken to prepare an out-of-the-box a6700.

1. Charge the battery. Note that a battery charger or USB cable is not included in the box.
2. Record the serial number, and add the camera to insurance policy
3. Download and install Capture One (for Sony) or Sony Imaging Edge if you want free RAW image processing software.
4. Insert the charged battery, and power on the camera
5. Insert a memory card (we'll format it later)
6. Select M mode press "Menu" and configure the camera as follows:
7. Set the timezone date time timeformat
8. Shooting Menu 1 Image Quality: Image Quality Settings: File Format: RAW (provides the best image quality)
9. Shooting Menu 1 Image Quality: Image Quality Settings: RAW File Type: Lossless Compressed (full image quality reduced file size)
10. Shooting Menu 1 Image Quality: Long Exposure NR: Off (I'll enable this option for very long exposures)
11. Shooting Menu 1 High ISO NR: Low
12. Shooting Menu 1 Image Quality: Lens Compensation: Shading Chromatic Aberration and Distortion Comp: All Off (I use the RAW processing software to enable any lens compensation with CA correction frequently selected)
13. Shooting Menu 2 Media: Format (ensure there are no important files on the card(s) prior to formating)
14. Shooting Menu 3 File: Copyright Info: Write Copyright Info: On Set Photographer: [your name] Set Copyright: [as desired] Write Serial Number: On (note: entering this information on the touchscreen may be a painful process)
15. Shooting Menu 5 Drive Mode: Bracket Settings: Selftimer during Bracket: 2 Sec
16. Shooting Menu 5 Drive Mode: Bracket Settings: Bracket order: ->0>+ (eases image selection for HDR processing)
17. Shooting Menu 6 Shutter/Silent: Release w/o Lens: Disable
18. Shooting Menu 6 Shutter/Silent: Release w/o Card: Disable (why is this not the default?)
19. Shooting Menu 9 Shooting Display: Grid Line Display: On (Rule of Thirds selected)
20. Exposure/Color Menu 6 Color/Tone: D-Range Optimizer: Off
21. Exposure/Color Menu 6 Color/Tone: Creative Look: NT (Neutral) Sharpness = 1 (this setting provides a lower contrast histogram. I usually process with the Natural creative style in Capture One)
22. Focus Menu 1 AF/MF: Focus Mode: Single-shot AF (I prefer to control the type of focusing in use, Single-shot or Continuous AF)
23. Focus Menu 1 AF/MF: Priority Set in AF-S: AF
24. Focus Menu 1 AF/MF: Priority Set in AF-C: AF
25. Focus Menu 2 Focus Area: Focus Area: Spot: S (I change this setting frequently)
26. Focus Menu 2 Switch V/H AF Area: AF Point Only
27. Focus Menu 4 Initial Focus Mag.:c x6.1
28. Focus Menu 5 Peaking Display: On
29. Playback Menu 4 Delete confirm.: "Delete" first
30. Playback Menu 7 Playback Option: Display Rotation: Off (image fills LCD)
31. Network Menu: 7 Network Menu: Airplane Mode: On
32. Setup Menu: 3 Operation Customize: Custom Key/Dial Set.: Rear1: Focus Mode
33. Setup Menu: 4 Dial Customize: Custom Key/Dial Set.: Dial/Wheel: Front Dial: Av/Tv (Tv in M mode) (option #2) (I adjust the shutter speed more frequently and urgently than aperture and the front dial is easier to access quickly); Rear Dial: Av/Tv (Av in M mode)
34. Setup Menu: 5 Touch Operations: Touch Panel/Pad: Both Valid
35. Setup Menu: 5 Touch Operations: Touch Pad Settings: Touch Position Mode: Relative Position
36. Setup Menu: 10 Sound Option: Audio signals: Off (how to turn off the loud and usually-annoying AF beep sound)
37. My Menu: Format, Shutter Type, Steady Shot, Recognition Target, Anti-flicker Set., Flash Comp.
38. With a lens mounted and a subject in focus adjust the viewfinder diopter until the scene is sharp

I make additional menu and other setting changes based on current shooting scenarios, but this list covers my initial camera setup process.

To copy this configuration means you intend to shoot as I do, including in RAW-only format. While this setup works optimally for me, you should adjust the camera setup to your needs.

If you can't remember your menu setup parameters, keeping an up-to-date list such as this one is a great idea. Anytime the camera is set to the factory state, such as when serviced or when acquiring an additonal camera, the list will ensure all settings are quickly re-established. Consider saving the camera settings to a card (Setup menu, tab 2: Reset/Save Settings menu, Save/Load Settings, Save) for an easy restore or replication. The setup file can be copied to a computer drive for long-term storage.

More Information

Sony Alpha 6700

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Image quality, vignetting, and distortion test results are now available on the Sony FE 70-200mm F4 Macro G OSS II Lens Review.

Here are some comparisons:

Compared to the Sony FE 70-200mm F4 G OSS Lens

Compared to the Sony FE 70-200mm F2.8 GM OSS II Lens

Compared to the Canon RF 70-200mm F4 L IS USM Lens

Compared to the Tamron 70-180mm f/2.8 Di III VXD Lens

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Image quality, vignetting, flare, and distortion test results, along with standard product images, are now available on the Sony E PZ 16-50mm F3.5-5.6 OSS Lens Review.

This lens is tiny, ultra-light, and affordable (especially in used condition).

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Just posted: Alpine Astro Baader AstroSolar BDSF 3.8 Digital Solar Filter Review.

Now is a good time to prepare to photograph the April 2024 total solar eclipse.

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Just posted: Canon RF 100-300mm F2.8 L IS USM Lens Review

Outstanding lens.

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Just posted: Canon RF 28mm F2.8 STM Lens Review.

The RF 28 will become a most-loved lens. Sample pictures will be added soon.

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Image quality, vignetting, and distortion test results, along with specs and measurements are now available on the Canon RF 100-300mm F2.8 L IS USM Lens page.

Can you find a zoom lens sharper wide open than this one? This lens optically performs better with extenders than even the big white RF prime lenses do with them.

Here is the comparison to the Canon EF 300mm f/2.8L IS II USM Lens. Incredibly, the zoom lens matches the sharpness of this impressive prime lens, including in the corners.

Add the 1.4x, and the zoom lens still matches, even exceeds in the corners, the optical performance of the prime.

At this point, you are not likely surprised that the zoom lens keeps up with the prime with the 2x extender mounted. I seldom appreciate the image quality produced with a 2x extender in the optical path, but the EF 300mm F2.8 IS II lens was one of the best with-2x performers, and the RF 100-300mm lens performs similarly (with slightly more but easily correctable lateral CA).

Creating high-grade with-extender image quality vastly increases the versatility of this zoom lens, and brings another outstanding zoom lens, the Canon EF 200-400mm f/4L IS USM, into the radar.

This 200mm wide-open aperture comparison shows no winner. The 420mm vs. 400mm f/4 comparison also shows no winner, and ditto in the 600mm vs. 560mm f/5.6 comparison (though the RF lens has more lateral CA).

Many other comparisons are available:

Compared to the Canon RF 70-200mm F2.8 L IS USM Lens.

Compared to the Canon RF 100mm F2.8 L Macro IS USM Lens.

With 2x compared to the RF 400 with 2x.

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Image quality, vignetting, and distortion test results are now available on the Canon RF 28mm F2.8 STM Lens page.

This tiny lens has an impressive sharpness to size, weight, and price ratio.

Compared to the Canon EF 40mm f/2.8 STM Pancake Lens

Compared to the Canon RF 35mm F1.8 IS STM Macro Lens (at f/2.8)

Compared to the Canon RF 24mm F1.8 Macro IS STM Lens (at f/2.8)

Compared to the Canon EF 28mm f/2.8 IS Lens

Compared to the Canon RF 50mm F1.8 STM Lens (at f/2.8)

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Just posted: Canon EOS R100 Review

Mostly, this review contains only minor updates to the expectations. The R100 is an extremely lightweight, compact, and affordable camera that produces excellent image quality.

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Just Posted:

Sachtler aktiv10 Fluid Head Review
Sachtler flowtech 100 Tripod Review

This Sachtler kit is expensive, but the quality of the movements it enables and its fast setup speed are worth the price to serious videographers.

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The Canon EOS R100 is here, and it is time to set up this camera for use. Following are the 32 steps taken to prepare an out-of-the-box R100.

1. Record serial number, and add camera to the insurance policy
2. Open the box, find the battery, place it in the charger, and plug it in.
3. Consider downloading and installing the latest Canon imaging software to gain support for the latest camera model(s). Canon Digital Photo Pro (DPP) and EOS Utility are the options I include in the install.
4. Insert a memory card (we'll format the card in a later step), insert a charged battery, and power the camera on.
5. The date, time, and time zone setup display will show at the first startup. Use the rear cross keys and set button to update this information.
6. Set the camera's mode to Av, Tv, or M (some modes may provide only a subset of available menu options) and press the menu button.
7. Shooting Menu, Tab 1: Image quality: Use the top control dial to set RAW to "RAW", and use the rear direction keys to set JPEG to "-" (RAW image files provide the highest quality and are especially valuable for post-processing work)
8. Shooting Menu, Tab 1: Auto Lighting Optimizer: Off (my choice is to adjust the images later)
9. Shooting Menu, Tab 2: White balance: AWB W (White) (I seldom use another white balance setting while shooting, though I often adjust white balance modestly during post-processing)
10. Shooting Menu, Tab 3: Picture Style: Neutral with Sharpness = 1 (Note: the low contrast "Neutral" picture style provides a histogram that best shows the available dynamic range. I usually change the Picture Style to "Standard" in DPP after capture.)
11. Shooting Menu, Tab 3: Lens Aberration Correction: All options "OFF" (I suggest that most photographers enable Chromatic Aberration correction, enable others to taste)
12. Shooting Menu, Tab 3: High ISO speed NR: Low (noise reduction is destructive to images details, so I prefer to add noise reduction sparingly during post-processing)
13. Shooting Menu, Tab 4: Continuous AF: Disable (I want the camera to focus only when I half-press the shutter release)
14. Shooting Menu, Tab 5: MF peaking settings: On (highlight in-focus detail in red during manual focusing)
15. Shooting Menu, Tab 6: Image review: Review duration: 4 sec.
16. Shooting Menu, Tab 7: Shooting info. disp.: Screen info. settings: Enable 1, 2, and 4; edit screen 2 to show only: Basic shooting info and Histogram
17. Shooting Menu, Tab 7: Shooting info. disp.: VF info/toggle setting: Enable 1 and 3 (the default); edit screen 3 to show only Histogram
18. Shooting Menu, Tab 7: Shooting info. disp.: Grid display: 3x3 (sometimes the 3x3 grid is helpful for alignment checking while not complicating the view)
19. Shooting Menu, Tab 7: Shooting info. disp.: Histogram disp: RGB, Small (show the brightness levels of each channel separately and do not let the graph to take up much space in the display as it can affect the perceived composition)
20. Shooting Menu, Tab 7: Disp performance: Smooth (select Smooth if shooting fast action and battery life is not a concern, select Power saving otherwise.)
21. Playback Menu, Tab 5: Playback information display: 1 and 2 only; change view 2 histogram to RGB
22. Wireless Settings Menu, Tab 1: Airplane mode: Off (only choose this setting if not using the camera's wireless features)
23. Function Settings Menu, Tab 1: Format card (always format a memory card in the camera before using it — all data on the card will be lost)
24. Function Settings Menu, Tab 1: Auto Rotate: On computer (images are properly rotated when viewed on a computer, but are always oriented to fill the LCD when viewed on the camera)
25. Function Settings Menu, Tab 2: Beep: Disable (most will find your camera's beep annoying)
26. Custom Functions Menu, Tab 4: Custom Functions(C.Fn): C.Fn II:Others 5: Retract lens on power off: Disable (I opt for off to prevent a carefully-selected focus distance from resetting when the camera auto powers off)
27. Custom Functions Menu, Tab 4: Copyright information: enter as desired
28. Display Level Settings Menu, Tab 1: Menu Display: Standard (novices may appreciate this feature)
29. Display Level Settings Menu, Tab 1: Mode guide: Disable (novices may appreciate this feature)
30. Display Level Settings Menu, Tab 1: Feature guide: Disable (novices may appreciate this feature)
31. My Menu: Add My Menu 1: Register your most-used options
32. With a lens mounted and a subject focused on, adjust the viewfinder diopter until the scene is sharp

I make additional menu and other setting changes based on current shooting scenarios, but this list covers my initial camera setup process.

To copy this configuration means you intend to shoot as I do, including in RAW-only format. While this setup works optimally for me, you should adjust the camera setup to your needs.

If you can't remember your menu setup parameters, keeping an up-to-date list such as this one is a great idea. Anytime the camera is set to the factory state, such as when serviced or when acquiring an additonal camera, the list will ensure all settings are quickly re-established.

More Information

Canon EOS R100

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The short answer is "Get both." Otherwise, read on.

In this comparison, we look at a pair of stand-out professional-grade lenses in the ultra-popular 70-200mm focal length range, frequently used for photographing people and people participating in events, including sports. Landscape and product photography are two additional popular uses for these lenses. In addition to being so useful, lenses in this class also represent some of the longest focal length and widest aperture combinations available in an affordable, easily carryable lens.

Canon has long had a pair of 70-200mm image stabilized lens options in their lineup, and while their sizes and weights were reasonable, these were relatively long, heavy, fixed-size lenses that commanded a significant chunk of space in the case, requiring a horizontal position in most backpacks. Canon's first mirrorless 70-200mm lens option, the retracting RF 70-200mm F2.8 L IS USM Lens amazed us with its dramatically reduced size and weight, and the image quality produced by this lens was just as impressive.

Announced just over 1 year later, Canon RF 70-200mm F4 L IS USM Lens provided the second mirrorless option, featuring the same relative advantages as the F2.8 version.

The primary difference between these lenses from a use perspective is the maximum aperture opening. An f/2.8 aperture provides twice as much light to the imaging sensor as f/4, allowing it to do the same work in far darker conditions.

A wider aperture creates a shallower depth of field that results in a stronger background blur, and that is another big advantage of the f/2.8 lens.

While those two differences are tied directly to the required build specifications, the f/2.8 lens's modest image quality advantage is the result of optical design quality. The RF 70-200mm F2.8 vs. F4 lens image quality comparison shows the F2.8 lens as sharp (resolution and contrast) or sharper at f/2.8 as the f/4 lens at f/4. Equalized at f/4, the F2.8 lens has an advantage, and the two lenses perform more similarly at f/5.6.

The F2.8 lens has less lateral and spherical CA overall, shows modestly fewer flare effects at narrow apertures, and stopped down 1 stop, has less peripheral shading at 200mm f/4. The F2.8 lens has slightly better bokeh, creates better sunstars, and has less pincushion distortion at 200mm. The F4 lens has slight focus shift at narrow apertures and close focus distances.

Thanks primarily to the smaller lens elements required to create an f/4 aperture vs. an f/2.8 aperture, the F4 lens's big advantages are a considerably smaller size, lighter weight (about 2/3 as much), and lower price (about 43% less).

The Canon RF 70-200mm F2.8 L IS USM Lens vs. Canon RF 70-200mm F4 L IS USM Lens comparison shows the just-mentioned size and weight benefits of the f/4 aperture.

The F2.8 lens has a tripod mount ring, an advantage for rotating a camera mounted on a tripod or monopod, but the F4 lens isn't heavy enough to require such for balance purposes. The F4 lens has a modest maximum magnification advantage (0.28x vs. 0.23x). The F4 lens's zoom ring is located behind the focus ring and closer to the rear of the lens (an advantage), and its control ring positioned at the front of the lens is easier to use vs. the F2.8 lens's rear position. The F2.8 lens's hood has a filter adjustment window (that I don't like).

If the size, weight, and price differences are not an issue, get the F2.8 lens. I choose the F2.8 version most frequently, including for freezing low light action such as sports on a cloudy day, after the sun sets, or indoors, creating a stronger background blur, and creating starburst effects. This lens version is also the best option for portraits, weddings, and stage events. I also use this lens version for product photography and other close work where focus shift is not tolerable.

Otherwise, the F4 lens has your name on it. If hiking and traveling are on the agenda, small and light are likely more important than the f/2.8 aperture, and I likely have the F4 lens in my pack.

As hinted in the short answer, the ideal kit will include both lenses.

Support this site by ordering the Canon RF 70-200mm F2.8 L IS USM Lens from B&H | Adorama | Canon USA | Amazon USA | WEX

Get the Canon RF 70-200mm F4 L IS USM Lens at B&H | Adorama | Canon USA | Amazon USA | WEX

Rent the Canon RF 70-200mm F2.8 L IS USM Lens and Canon RF 70-200mm F4 L IS USM Lens from Lensrentals.

Just posted: Canon BG-R10 Battery Grip Review.

The BG-R10 is one of my most-used and highest-valued accessories.

Used BG-R10 prices are influenced by the current $50.00 instant savings promotion on the new BG-R10. B&H currently has three used Canon BG-R10 Battery Grips in stock. Conditions from 9+ to "Like New" are priced at only $244.95 to $262.95.

Adorama also has a couple of BG-R10s starting at $221.00.

Get it new from B&H | Adorama | Canon USA | Amazon (all available countries) | WEX

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After presenting the Canon EOS R8 compared to the EOS R6 Mark II, I was asked how the Canon EOS R8 compared to the EOS R6. Good question, so let's answer it.

The Canon EOS R8 vs. EOS R6 specification comparison, along with the visual comparison of these cameras, highlight most of the "What are the differences between the Canon EOS R8 and the EOS R6?" answer.

Here are the R8 advantages over the R6:

• Newer imaging sensor featuring 24.2 MP resolution vs. 20.1
• Improved AF algorithms
• Autofocuses in slightly brighter conditions (EV -6.5 to 21 vs.EV -6.5 to 20)
• 1/16000 sec. electronic shutter
• 40 fps continuous shooting with electronic shutter vs. 20
• RAW Burst Mode with 0.5-second Pre-Shooting
• 2 hour max movie continuous recording time vs. 29 min 59 sec.
• Depth Compositing available in-camera
• USB 3.2 Gen 2 vs. USB 3.1 Gen 2
• Smaller: 5.22 x 3.39 x 2.76" vs. 5.45 x 3.84 x 3.48" (132.5 x 86.1 x 70.0mm vs. 138 x 97.5 x 88.4mm)
• Lighter: 16.3 oz vs. 24.0 oz (461g vs.680g)
• Considerably less expensive list price (though R6 promotions are equalizing this factor)
• Has a stills/video switch
• Has a Multi-Function Shoe

Here are the R6 advantages over the R8:

• In-Body Image Stabilization
• 1/8000 sec. electronic first curtain shutter vs. 1/4000
• 0.5" (12.7mm) EVF vs. 0.39" (9.9mm) with 2.36 million dots vs. 3.69, 0.76x magnification vs. 0.70x
• Anti-smudge coating on LCD
• 1/250 sec. X-Sync vs. 1/200
• 12 fps shooting with electronic first curtain vs. 6
• Dual memory card slots
• Higher capacity LP-E6NH battery vs. LP-E17, 510 shots vs 370 (LCD), 380 shots vs. 200 (EVF)
• Has a battery grip available
• Has a joystick, a rear dial, and additional buttons
• Has 3 custom modes vs. 2

While both cameras have signification advantages that should be carefully considered, the R8 delivers impressively for the lower list price. As mentioned, the R6 promotions are now equalizing this difference.

Have a difference to add? Email it to me.

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Just posted: Sigma 14mm F1.4 DG DN Art Lens Review.

Designed for astrophotography.

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Let's compare the Canon EOS R100 to the least expensive camera in Canon's current DSLR lineup, the EOS Rebel T7 (2000D).

The Canon EOS Rebel T7 / 2000D is shown behind the R100 above.

Here is the EOS R100 vs. Rebel T7 specification comparison. Also view the complete visual comparison of these cameras.

What are the differences between the Canon EOS R100 and the Rebel T7? Here are the R100 advantages:

• Electronic Viewfinder with far more information available and 100% coverage vs. 95%
• 0.95x Viewfinder Magnification vs. 0.80x
• 7 years newer
• DIGIC 8 vs. DIGIC 4+
• 3,975 AF points vs. 9
• AF working range of EV -4 – 20 vs. EV 0 – 18 (center point only, EV 1 – 18 for other 8)
• Face and Eye Detection and Tracking
• 384 Zone Metering vs. 63
• Metering to EV -2 – 20 vs. EV 1 – 20
• ISO 100–12800 (in 1/3- or 1-stop increments), H (25600) vs. 100–6400 (in 1-stop increments), H (12800)
• LCD with 1,040,000 dots vs. 920,000
• 1/250 X-Sync vs. 1/200
• Lens Aberration Correction
• Continuous Shooting with AF at 3.5 fps vs. 3.0 for 6 RAW images vs. 11
• C-RAW format
• Bluetooth
• Smaller: 4.6 × 3.4 × 2.7" vs. 5.1 x 4.0 x 3.1" (116.3 x 85.5 x 68.8mm vs. 129.0 x 101.3 x 77.6mm)
• Lighter: 12.6 vs. 16.75 oz (356 vs. 475g)

Here are the Rebel T7 advantages:

• Optical Viewfinder with instant response
• One additional button plus a Flash button
• Exposure Compensation of +/-5 EV in 1/3 or 1/2 stop increments vs. +/-3 EV in 1/3 stop increments
• Has 1/2-stop shutter speed increments available
• Built-in flash rated to 9 GN vs. 6
• NFC
• Battery rated to 500 shots (CIPA) vs. 320 with EVF
• Noticeably less expensive

I would find it difficult to go back to the limitations of a DSLR. Still, those with an extremely limited budget may find the T7 to be the right camera for them.

Support this site by ordering the Canon EOS R100 from B&H | Adorama | Canon USA | Amazon (all available countries) | WEX

Order the Canon EOS T7 from B&H | Adorama | Canon USA | Amazon (all available countries) | WEX

It is always interesting to compare a camera to its predecessor, and the Canon EOS M50 Mark II gets that distinction for the Canon EOS R100. The R100 is shown to the left of the M50 II in the image above.

Here is the EOS R100 vs. M50 Mark II specification comparison. Also available is the complete visual comparison of these cameras.

What are the differences between the Canon EOS R100 and the M50 II? Here are the R100's advantages:

• RF mount and compatibility with RF lenses
• 3 years newer (but same imaging sensor and processing engine, ported OS)
• Built-in flash rated to 6 GN vs. 5
• USB Type-C vs. Micro-B
• LP-E17 Battery vs. LP-E12, 320 shots vs. 250 (EVF), 400 vs. 305 (LCD)
• Slightly smaller: 4.6 × 3.4 × 2.7" vs. 4.6 x 3.5 x 2.3" (116.3 x 85.5 x 68.8mm vs. 116.3 x 88.1 x 58.7mm)
• Slightly lighter: 12.6 vs. 13.7 oz (356 vs. 387g)
• Noticeably less expensive

Here are the M50 II's advantages:

• Vari-Angle, Touchscreen LCD
• Touch and Drag AF
• 10 fps without AF for up 10 RAW images vs. 6.5 fps for 6 fps
• 7.4 fps with AF vs. 3.5 fps
• Compatibility with EF-M lenses (small number of options)

Mostly, the R100 is the M50 II updated with an RF mount. Some continuous shooting speed and the Vari-Angle touchscreen were omitted, but the R100 is less expensive.

As always, send me a message if I missed a relevant difference.

The Canon EOS R50 became the Canon EOS R-series entry-level model, primarily due to it having the lowest price. Still, there seemed to be room for a lower-end model. About 3 months later, the Canon EOS R100 was announced — with a $200.00 lower price tag.

A compact, lightweight, entry-level camera with an ultra-low price begs the question: "What is missing?" Or, in this comparison, "Where did the $200.00 go?"

The Canon EOS R100 is shown to the left of the R50 in the image above. Check out the EOS R100 vs. R50 specification comparison, along with the complete visual comparison of these cameras.

What are the differences between the Canon EOS R100 and the R50? Here are the R50's advantages:

• 24.2 MP vs. 24.1 MP (the resolution difference is not noticeable, but the R50 has a newer imaging sensor)
• DIGIC X vs. DIGIC 8 and operating system port from M50 and M50 II
• More advanced AF area selection and subject detection
• Touch and Drag AF area selection
• Focus Bracketing
• Light Flicker avoidance mode
• Exposure compensation of +/-3 stops in 1/3- or 1/2-stop increments vs. +/- 2 EV in 1/3-stop increments
• ISO 100-32000, H (51200) vs. 100–12800, H (25600)
• Up 1/8000 sec. shutter in 1/2 or 1/3 stop increments vs. up to 1/4000 in 1/3 stop increments
• Full-featured electronic shutter mode with 35.3 ms readout vs. limited silent shooting mode (full auto only) with 78 ms readout
• Vari-angle touch screen Clear View LCD II with approx. 1.62 million dots vs. 1,040,000 dots. (not Vari-Angle or Touchscreen)
• Flash Exposure Compensation (FEC) of +/- 3EV vs. +/- 2EV
• Multi-function Shoe vs. Conventional Hot Shoe
• 2s+remote, 10s+remote shooting modes
• 12 fps 1st curtain electronic shutter continuous shooting with AF vs. 3.5
• 15 fps electronic shutter continuous shooting with AF vs. n/a
• HEIF, HDR PQ, HEVC
• 4K UHD 30 fps (uncropped, 6K oversampling, 10-bit) vs. 4K UHD 24 fps (cropped, 8-bit)
• FHD 120 fps vs. 60 fps
• Max movie duration 1:00 vs. 29:59
• Has an ISO button on top
• Has an electronic level
• Selectable Control Ring functionality vs. exposure compensation only
• Compatible with Control Ring on mount adapter
• Compatible with Canon USB Power Adapter PD-E1
• Compatible with the Canon RF 1.4x and 2x Extenders, RF 85mm F1.2 L USM DS Lens

What are the R100's advantages?

• E3 Remote Release Port
• Slightly Lighter: 12.6 vs. 13.2 oz (356 vs. 375g)
• Considerably less expensive

While the R50 holds most of the advantages, and some of them are compelling, the lower price line item on the R100's list holds significant weight.

Support this site by ordering the Canon EOS R50 from B&H | Adorama | Canon USA | Amazon (all available countries) | WEX

Order the Canon EOS R100 from B&H | Adorama | Canon USA | Amazon (all available countries) | WEX

Significant information is now available on the Canon EOS R100 page.

This is a remarkably inexpensive camera.

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Image quality test results from the Canon EOS R7 have been added to the Canon RF 100mm F2.8 L Macro IS USM Lens Review.

The Canon RF 100mm F2.8 L Macro IS USM Lens in stock at Canon USA and can be ordered from B&H | Adorama | Amazon USA | WEX

Rent the Canon RF 100mm F2.8 L Macro IS USM Lens from Lensrentals.

Check out the Canon RF 100-300mm F2.8 L IS USM Lens page for information about and expectations for this outstanding new lens option.

The MTF chart comparison is especially interesting.

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Image quality test results from the Canon EOS R7 are now available in the Canon RF 135mm F1.8 L IS USM Lens Review.

Still impressive.

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Just posted: Sony FE 50mm F1.4 GM Lens Review.

Is this your next lens?

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Significantly updated: Canon RF 135mm F1.8 L IS USM Lens Review.

This is one of the best-performing lenses ever produced.

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Image quality test results are now available on the Sony FE 50mm F1.4 GM Lens page.

This is an impressive-performing lens.

There is no shortage of comparable lenses. I'll get you started:

Compared to the Sigma 50mm F1.4 DG DN Art Lens

Compared to the Sony FE 50mm F1.2 GM Lens

Compared to the Sony FE 50mm F1.4 ZA Lens

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Image quality test results are now available in the Canon RF 135mm F1.8 L IS USM Lens Review.

As I said before, this lens is impressive.

Here are some Canon RF 135mm F1.8 L IS USM Lens comparisons:

The RF 135 far outperforms its predecessor, the Canon EF 135mm f/2L USM Lens, at a 1/3 stop wider aperture setting.

The Sony FE 135mm F1.8 GM Lens is an outstanding performer, but the Canon RF 135 is sharper at f/1.8.

The Sigma 135mm f/1.8 DG HSM Art Lens also falls short of the RF 135's outstanding performance.

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Just posted: Sigma 23mm F1.4 DC DN Contemporary Lens Review.

Check out how the first 23mm lens reviewed on this site performs. Hint: it's good.

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Just posted: Sigma 50mm F2 DG DN Contemporary Lens Review

This is another great little Sigma I Series lens. I hope to add a selection of sample images to this review soon.

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Just posted: Sigma 17mm F4 DG DN Contemporary Lens Review

Again, this is a sweet little lens. I hope to add a selection of sample images to this review soon.

Please share!

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The Canon EOS R8 and Canon EOS R6 Mark II have the same imaging sensor, the same processor, and the same image quality. Otherwise, these two cameras have some significant differences.

Here are the Canon EOS R6 Mark II advantages over the R8:

• IBIS (In-Body Image Stabilization)
• Has dual memory card slots vs. 1
• Has full mechanical shutter
• 0.5" (12.7mm) vs. 0.39" (9.9mm) OLED color EVF, 3.69 Million dots vs. 2.36, 0.76x vs. 0.70x magnification
• Has a customizable DOF Preview button on the front
• Has Anti-smudge on the LCD
• X-Sync 1/250 vs. 1/200 with electronic 1st curtain
• 12 fps continuous shooting vs. 6 fps with electronic 1st curtain
• At 40 fps (full electronic shutter), 75 image RAW buffer vs. 56
• Movie recording length up to 6 hours vs. 2 hours.
• LP-E6NH Li-ion Battery vs. LP-E17, 760 shots with LCD vs. 370
• Has battery grip available
• Has a joystick and rear control dial
• Has a rate button
• Has 3 custom modes vs. 2

The EOS R8 has some advantages:

• Full electronic shutter supports exposures up to 30 seconds vs. 0.5 sec.
• Smaller: 5.22 x 3.39 x 2.76" vs. 5.45 x 3.87 x 3.48" (132.5 x 86.1 x 70.0mm vs. 138.4 x 98.4 x 88.4mm)
• Lighter: 16.3 oz vs.23.6 0z (461g vs. 670g)
• At review time, $1,000 USD less expensive

You may also find the full EOS R8 vs. EOS R6 Mark II specification comparison and the visual comparison helpful.

While the R6 II is clearly the superior camera, the R8 earns a place in many kits by delivering the same image quality at a far lower price and by having a smaller size and lighter weight.

Image quality, vignetting, flare, and distortion test results, along with specs and standard product images, are now available on the Sigma 17mm F4 DG DN Contemporary Lens page.

This is a sweet little lens.

Please share!

Support this site by ordering the Sigma 17mm F4 DG DN Contemporary Lens from B&H

Image quality, vignetting, flare, and distortion test results, along with specs and standard product images, are now available on the Sigma 23mm F1.4 DC DN Contemporary Lens page.

Sigma recently promised to announce some unique lenses, and this lens is one of them. A 23mm lens? The Sigma 23mm F1.4 DC DN C Lens covers the APS-C image circle, and a 23mm on a Sony APS-C format camera provides a 34.5mm full-frame-equivalent angle of view (23mm x 1.5), and 34.5mm rounds to the 35mm angle of view that everyone loves.

This lens is a great addition to the Sigma F1.4 DC DN Contemporary Lens series.

Compared to the Sigma 16mm F1.4 DC DN Contemporary Lens

Compared to the Sigma 30mm F1.4 DC DN Contemporary Lens

Compared to the Sigma 56mm F1.4 DC DN Contemporary Lens

Order the Sigma 23mm F1.4 DC DN Contemporary Lens from B&H

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Image quality, vignetting, flare, and distortion test results, along with specs and standard product images, are now available on the Sigma 50mm F2 DG DN Contemporary Lens page.

I expect that you will like this lens.

Compared to the Sigma 50mm F1.4 DG DN Art Lens

Compared to the Sigma 65mm F2 DG DN Contemporary Lens

Compared to the Sony FE 50mm F2.5 G Lens

Support this site by ordering the Sigma 50mm F2 DG DN Contemporary Lens from B&H

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Just posted: Canon RF-S 55-210mm F5-7.1 IS STM Lens Review.

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Image quality, vignetting, flare, and distortion test results from the Canon EOS R7 are now available on the Canon RF-S 55-210mm F5-7.1 IS STM Lens page.

Support this site by ordering the Canon RF-S 55-210mm F5-7.1 IS STM Lens from B&H | Canon USA | WEX

Just posted: Canon RF 24-50mm F4.5-6.3 IS STM Lens Review

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Image quality, vignetting, flare, and distortion test results, along with specs measurements, are now available on the Canon RF 24-50mm F4.5-6.3 IS STM Lens Review.

Check out the performance of this tiny, lightweight, affordable lens.

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The RF 24-50's estimated ship date is Tue, Apr 18 per B&H and Canon.

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Just posted: Sony FE 20-70mm F4 G Lens Review

Is this lens right for your kit?

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Just posted: Sigma 50mm F1.4 DG DN Art Lens Review.

Is this the next lens for your kit?

Please share!

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Image quality test results are now available on the Sony FE 20-70mm F4 G Lens page.

This is a sharp lens. Check out these comparisons:

Compared to the Sony FE 24-105mm F4 G OSS Lens

Compared to the Sony FE 24-70mm F4 ZA OSS Lens

Compared to the Sony FE 24-70mm F2.8 GM II Lens

Compared to the Sony FE PZ 16-35mm F4 G Lens

Build your own comparisons.

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For a long time, I have been sharing my camera setup guides and including a link to them at the bottom of each relevant review page. These pages have become quite popular, so now a "Setup Guide" link is included in the top navigation for these camera reviews.

The guides are free, but please remember to support this site.

Here is the complete list of setup guides (as of this post):

• Canon EOS-1D X Mark III
• Canon EOS-1D X Mark II
• Canon EOS 5D Mark IV
• Canon EOS 5Ds R
• Canon EOS 6D Mark II
• Canon EOS 90D
• Canon EOS 80D
• Canon EOS 77D
• Canon EOS Rebel T8i / 850D
• Canon EOS Rebel T7i / 800D
• Canon EOS Rebel SL3 / 250D
• Canon EOS 5Ds
• Canon EOS 5D Mark III
• Canon EOS 7D Mark II
• Canon EOS Rebel T6s / 760D
• Canon EOS Rebel T6i / 750D
• Canon EOS Rebel T6 / 1300D
• Canon EOS Rebel SL2 / 200D
• Canon EOS R3
• Canon EOS R5
• Canon EOS R6 Mark II
• Canon EOS R6
• Canon EOS R7
• Canon EOS R8
• Canon EOS R10
• Canon EOS R50
• Canon EOS R
• Canon EOS RP
• Canon EOS M50
• Canon EOS M200
• Canon EOS M5
• Canon EOS M6 Mark II
• Canon EOS M6
• Canon EOS M100
• Nikon Z 7
• Nikon Z 6
• Nikon D850
• Sony Alpha 1
• Sony Alpha 9 II
• Sony Alpha 7R V
• Sony Alpha 7R IV, IVA
• Sony Alpha 7R III, IIIA
• Sony Alpha 7 IV
• Sony Alpha 7 III
• Sony Alpha 7C
• Sony Alpha 9

The Canon EOS R50 is here, and it is time to set up this camera for use. Following are the 36 steps taken to prepare an out-of-the-box EOS R50.

1. Record serial number, and add camera to the insurance policy
2. Open the box, find the battery, place it in the charger, and plug it in.
3. Consider downloading and installing the latest Canon imaging software to gain support for the latest camera model(s). Canon Digital Photo Pro (DPP), EOS Utility, and Lens Registration Utility are the options I include in the install.
4. Insert a memory card (we'll format the card in a later step), insert a charged battery, and power the camera on.
5. The date, time, and time zone setup display will show at the first startup. Use the rear control dial and set button to update this information.
6. The camera will prompt to connect your phone running the Canon Connect App. Follow the prompts as desired.
7. Set the camera's mode to Av, Tv, or M (some modes may provide only a subset of available menu options) and press the menu button.
8. Shooting Menu, Tab 1: Image quality: Use the top control dial to set RAW to "RAW", and use the rear direction keys to set JPEG to "-" (RAW image files provide the highest quality and are especially valuable for post-processing work)
9. Shooting Menu, Tab 4: White balance: AWB W (White) (I seldom use another white balance setting while shooting, though I often adjust white balance modestly during post-processing)
10. Shooting Menu, Tab 4: Picture Style: Neutral with Sharpness = 1 (Note: the low contrast "Neutral" picture style provides a histogram that best shows the available dynamic range. I usually change the Picture Style to "Standard" in DPP after capture.)
11. Shooting Menu, Tab 5: Lens Aberration Correction: All options "OFF" (I suggest that most photographers enable Chromatic Aberration correction)
12. Shooting Menu, Tab 5: High ISO speed NR: Low (noise reduction is destructive to images details, so I prefer to add noise reduction sparingly during post-processing)
13. Shooting Menu, Tab 6: Release shutter without card: OFF (only in a retail store would you want to press the shutter release without saving the image file)
14. Shooting Menu, Tab 7: Image review: Review duration: 4 sec. (the Viewfinder review option is disabled by default, speeding the shooting process)
15. Shooting Menu, Tab 8: Shooting info. disp.: Screen info. settings: Enable 1, 2, 3, and 4; edit screen 2 to show only: Basic shooting info and Electronic level; edit screen 3 to show only: Basic shooting info, Histogram, and Electronic level
16. Shooting Menu, Tab 8: Shooting info. disp.: VF info/toggle setting: Enable 1, 2, and 3 (the default); edit screen 2 to show only: Electronic level; edit screen 3 to show only: Histogram and Electronic level
17. Shooting Menu, Tab 8: Shooting info. disp.: Grid display: 3x3 (sometimes the 3x3 grid is helpful for alignment checking while not complicating the view)
18. Shooting Menu, Tab 8: Shooting info. disp.: Histogram disp: RGB, Small (show the brightness levels of each channel separately and do not let the graph to take up much space in the display as it can affect the perceived composition)
19. Shooting Menu, Tab 8: Disp performance: Smooth (select Smooth if shooting fast action and battery life is not a concern, and Power saving otherwise.)
20. AF Menu, Tab 1: Subject to detect: Select Auto, People, Animals, Vehicles, or No priority as makes sense for your current shooting scenario
21. AF Menu, Tab 2: Preview AF: Disable
22. AF Menu, Tab 3: Touch & drag AF settings: Touch & drag AF: Enable (allows the thumb drag across the rear LCD to quickly move the AF point while looking through the electronic viewfinder)
23. AF Menu, Tab 3: MF peaking settings: On
24. Playback Menu, Tab 4: Playback information display: 1, 2, and 3 only; change view 2 histogram to RGB
25. Set-up Menu, Tab 1: Format card (always format a memory card in-camera before using it - all data on the card will be lost)
26. Set-up Menu, Tab 1: Auto Rotate: On computer (images are properly rotated when viewed on a computer, but are always oriented to fill the LCD when viewed on the camera)
27. Set-up Menu, Tab 2: Mode guide: Disable (novices may appreciate this feature)
28. Set-up Menu, Tab 2: Feature guide: Disable (novices may appreciate this feature)
29. Set-up Menu, Tab 2: Beep: Disable (probably no one wants to hear your camera's beep)
30. Set-up Menu, Tab 2: Power saving: Screen dimmer: Disable (I found the dimmer annoying - the LCD is as useful off as dimmed)
31. Set-up Menu, Tab 5: Copyright information: enter as desired
32. Custom Functions Menu, Tab 3: Customize dials: Control ring: Av
33. Custom Functions Menu, Tab 3: Retract lens on power off: OFF (prevents a carefully-selected focus distance from resetting when the camera auto powers off)
34. My Menu: Add My Menu 1; Register the following options: Expo.comp./AEB, Display simulation, Subject to detect, Format card, Date/Time/Zone (great for monitoring the time); reorder menu items as desired
35. My Menu: Add My Menu 2; Register the following options: Anti-flicker shoot., Shutter mode, reorder menu items as desired
36. With a lens mounted and a subject focused on, adjust the viewfinder diopter until the scene is sharp

I make additional menu and other setting changes based on current shooting scenarios, but this list covers my initial camera setup process.

To copy this configuration means you intend to shoot as I do - including in RAW-only format. While this setup works great for me, you should adjust the setup to your needs.

If you can't remember your menu setup parameters, keeping an up-to-date list such as this one is a great idea. Anytime the camera is set to the factory state, such as when serviced or when acquiring an additonal camera, you will be ready to create your setup quickly, while ensuring that an important setting is not omitted.

More Information

Canon EOS R50

Support this site by ordering the Canon EOS R50 from B&H | Adorama | Canon USA | WEX

Please share!

The Canon EOS R8 is here, and it is time to set up this camera for use. Following are the 44 steps taken to prepare an out-of-the-box EOS R8.

1. Record serial number, and add camera to the insurance policy
2. Open the box, find the battery, place it in the charger, and plug it in.
3. Consider downloading and installing the latest Canon imaging software to gain support for the latest camera model(s). Canon Digital Photo Pro (DPP), EOS Utility, and Lens Registration Utility are the options I include in the install.
4. Insert a memory card (we'll format the card in a later step), insert a charged battery, and power the camera on.
5. The date, time, and time zone setup screen will show at the first startup. Use the rear control dial and set button to update this information.
6. Set the camera's mode to Av, Tv, or M (some modes may provide only a subset of available menu options) and press the menu button.
7. Shooting Menu, Tab 1: Image quality: Use the top control dial to set RAW to "RAW", and use the rear control dial to set JPEG to "-" (RAW image files provide the highest quality and are especially valuable for post-processing work)
8. Shooting Menu, Tab 4: White balance: AWB W (White) (I seldom use another white balance setting while shooting, though I often adjust white balance modestly during post-processing)
9. Shooting Menu, Tab 4: Picture Style: Neutral with Sharpness = 1 (Note: the low contrast "Neutral" picture style provides a histogram that best shows the available dynamic range. I usually change the Picture Style to "Standard" in DPP after capture.)
10. Shooting Menu, Tab 5: Lens Aberration Correction: All options "OFF" (I suggest that most photographers enable Chromatic Aberration correction)
11. Shooting Menu, Tab 5: High ISO speed NR: Low (noise reduction is destructive to images details, so I prefer to add noise reduction sparingly during post-processing)
12. Shooting Menu, Tab 7: Release shutter without card: OFF (only in a retail store would you want to press the shutter release without saving the image file)
13. Shooting Menu, Tab 8: Image review: Review duration: 4 sec. (the Viewfinder review option is disabled by default, speeding the shooting process)
14. Shooting Menu, Tab 9: Shooting info. disp.: Screen info. settings: Enable 1, 2, 3, and 4; edit screen 2 to show only: Basic shooting info and Electronic level; edit screen 3 to show only: Basic shooting info, Histogram, and Electronic level
15. Shooting Menu, Tab 9: Shooting info. disp.: VF info/toggle setting: Enable 1, 2, and 3 (the default); edit screen 2 to show only: Electronic level; edit screen 3 to show only: Histogram and Electronic level
16. Shooting Menu, Tab 9: Shooting info. disp.: Grid display: 3x3 (sometimes the 3x3 grid is helpful for alignment checking while not complicating the view)
17. Shooting Menu, Tab 9: Shooting info. disp.: Histogram disp: RGB, Small (show the brightness levels of each channel separately and do not let the graph to take up much space in the display as it can affect the perceived composition)
18. Shooting Menu, Tab 9: Disp performance: Smooth (select Smooth if shooting fast action and battery life is not a concern, and Power saving otherwise.)
19. AF Menu, Tab 1: Subject to detect: Select Auto, People, Animals, Vehicles, or No priority as makes sense for your current shooting scenario
20. AF Menu, Tab 4: Touch & drag AF settings: Touch & drag AF: Enable (allows the thumb drag across the rear LCD to quickly move the AF point while looking through the electronic viewfinder)
21. AF Menu, Tab 4: Limit AF methods: enable Spot AF, Single Point, and Whole area AF (fewer options means faster changing between these options)
22. AF Menu, Tab 4: Orientation linked AF point: Separate AF pts: Pt only (instructs the camera to individually save the selected AF points for vertical and horizontal orientation)
23. AF Menu, Tab 5: MF peaking settings: On
24. AF Menu, Tab 6: RF lens MF focus ring sensitivity: Linked to rotation degree (forces linear MF adjustment)
25. Playback Menu, Tab 3: Magnification: 10x (allows one button press during playback to zoom deeply into the image)
26. Playback Menu, Tab 4: Playback information display: 1, 2, and 3 only; change view 2 histogram to RGB (fewer options means faster changing between these options)
27. Playback Menu, Tab 4: Highlight Alert: Enable (overexposed pixels will blink during image review)
28. Set-up Menu, Tab 1: Format card (always format a memory card in-camera before using it – all data on the card will be lost)
29. Set-up Menu, Tab 1: Auto Rotate: On computer (images are properly rotated when viewed on a computer, but are always oriented to fill the LCD when viewed on the camera)
30. Set-up Menu, Tab 2: Mode guide: Disable (novices may appreciate this feature)
31. Set-up Menu, Tab 2: Feature guide: Disable (novices may appreciate this feature)
32. Set-up Menu, Tab 2: Beep: Disable (probably no one wants to hear your camera's beep)
33. Set-up Menu, Tab 3: Power saving: Screen dimmer: Disable (I found the dimmer to be annoying - the LCD is as useful off as dimmed)
34. Set-up Menu, Tab 5: Custom shooting mode (C1, C2): Auto update set: Enable (see Configuring Custom Shooting Modes)
35. Set-up Menu, Tab 5: Copyright information: enter as desired
36. Custom Functions Menu, Tab 1: Bracketing auto cancel: OFF (I want to control when AEB (Auto Exposure Bracketing) is enabled and disabled)
37. Custom Functions Menu, Tab 1: Bracketing sequence: -0+ (if images are captured in brightness sequence, they are easier to work with during post-processing. Capturing the darkest image first means quickly getting the first frame)
38. Custom Functions Menu, Tab 3: Customize buttons: Multi-function button: Dial function and press info to set details: Top row: 1. Drive mode, 2. One Shot - Servo, 3. Exp. comp, 4. Off, 5: Off; Bottom row: 1. ISO, 2. AF area, 3. Flash exp. comp, 4. Off, 5: Off
39. Custom Functions Menu, Tab 3: Customize dials: Control ring: OFF (consider using this dial for a function logical for your needs)
40. Custom Functions Menu, Tab 4: Default erase option: [Erase] selected (less safe, but one less button press required to delete an image)
41. Custom Functions Menu, Tab 4: Retract lens on power off: OFF (prevents a carefully-selected focus distance from resetting when the camera auto powers off)
42. My Menu: Add My Menu 1; Register the following options: Expo.comp./AEB, Display simulation, Subject to detect, Format card, Date/Time/Zone (great for monitoring the time); reorder menu items as desired
43. My Menu: Add My Menu 2; Register the following options: Anti-flicker shoot., RAW burst mode, Focus bracketing, Shutter mode, Number of bracketed shots, reorder menu items as desired
44. With a lens mounted and a subject focused on, adjust the viewfinder diopter until the scene is sharp

I make additional menu and other setting changes based on current shooting scenarios, but this list covers my initial camera setup process.

To copy this configuration means you intend to shoot as I do, including in RAW-only format. While this setup works optimally for me, you should adjust the camera setup to your needs.

If you can't remember your menu setup parameters, keeping an up-to-date list such as this one is a great idea. Anytime the camera is set to the factory state, such as when serviced or when acquiring an additonal camera, you will be ready to create your setup quickly, while ensuring that an important setting is not omitted.

More Information

Canon EOS R8

Support this site by ordering the Canon EOS R8 from B&H | Adorama | Canon USA | Amazon (all available countries) | WEX

Please share!

Image quality test results have been added to the Sigma 50mm F1.4 DG DN Art Lens page.

Check out how Sigma's latest entry into the beloved, affordable 50mm f/1.4 lens category performs.

Compared to the Sigma 50mm f/1.4 DG HSM Art Lens

Compared to the Sony FE 50mm F1.4 ZA Lens

Compared to the Sony FE 50mm F1.2 GM Lens

Compared to the Canon RF 50mm F1.2 L USM Lens

Support this site by ordering the Sigma 50mm F1.4 DG DN Art Lens from B&H | Adorama | Amazon (all available countries) | WEX

Rent the Sigma 50mm F1.4 DG DN Art Lens from Lensrentals.

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Let's take a closer look at the Canon RF-S 55-210mm F5-7.1 IS STM Lens.

This page features a hands-on preview of a preproduction lens. The full review, including an image quality evaluation, will be completed when this lens hits the streets.

Support this site by ordering the Canon RF-S 55-210mm F5-7.1 IS STM Lens from B&H | Adorama | Canon USA | WEX

As the dust from the Sony Alpha 7R V review is settling, I have a decision to make. Do I keep my Sony Alpha 7R IV / IVA or upgrade to the 7R V.

Check out the Sony a7R V vs. a7R IV specification comparison along with the visual comparison of these cameras.

What are the differences between the Sony Alpha 7R V and the Alpha 7R IV? Here is a summary:

• New AI processing unit dedicated to AI-based image recognition
• BIONZ XR processor, a significant upgrade to the BIONZ X
• Next-generation AF Real-time Recognition and tracking AF in still and movie modes utilizing detailed information about human form and pose estimation to dramatically improve recognition accuracy beyond systems that only detect face and eye
• AI subject recognition subject types added, now including animals, vehicles, and insects (Human, Animal/Bird, Animal, Bird, Insect, Car/Train, and Airplane available)
• 8-stop image stabilization system — most effective ever offered in a Sony Alpha camera, a noticeable improvement from the a7R IV's IBIS
• AF Working Range expanded to EV -4 – 20 vs. EV -3 – 20
• 0.64" (1.6 cm), 9.44 million dot OLED electronic viewfinder vs. 0.5" (1.3 cm) with 5.76 million dots
• New 4-axis multi-angle LCD monitor that combines the utility of a conventional tilting monitor with side-opening vari-angle flexibility
• 3.15" (8.2cm), Touch Screen with 2,095,104 dots vs. 2.95" (7.5cm) non-Touch Screen with 1,440,000 dots (the IVA has 2,359,296 dots)
• 8K 25/24p video, 4K 60p, 4K video oversampled from 6.2K without binning vs. 4K 30p
• Breathing compensation
• Focus Bracketing
• Stacked mode dial and exposure compensation dial is customizable
• Movie start/stop button moved from back to top
• In-body Active mode image stabilization for smoother on-the-go recording (slight image crop in Active mode, Active mode not available when recording XAVC HS 8K or using a frame rate of 120 (100) fps)
• Improved heat dissipation for extended recording times
• Upgraded Pixel Shift Multi Shooting, taking advantage of the precision in-body image stabilization system
• Variable shutter function for stills and movies (higher than 100 Hz or 120 Hz)
• Lossless RAW image compression and selectable RAW image sizes for storage efficiency
• High-quality HEIF images with high compression efficiency
• Dual CFexpress Type A and SDXC compatible media slots
• New menu system with touch control and a wide range of customizable functions
• Support for UVC/UAC, allowing direct streaming of up to 4K (QFHD) with audio
• a7R V has shorter battery life — Viewfinder: 440 vs. 530, LCD: 530 vs. 670
• a7R V is slightly heavier: 25.6 vs. 23.5 oz (723 vs.665g)

The primary factor against this upgrade is that the 61.0MP full-frame back-illuminated Exmor R CMOS image sensor, Sony’s highest resolution in an Alpha camera, remains the same. While there were surely cost factors involved with the decision to stay with this imaging sensor, it is a high-performing one, and the latest technology available may not warrant an upgrade.

If the acquisition cost, selling a used camera and buying a new camera, was not a factor, this decision would be extremely simple. For many, the improved AF performance alone justifies the upgrade and numerous bullet points are solid upgrade reasons, but my decision is further complicated by having a Sony Alpha 1 for higher performance demands. Thus, I'm still contemplating this decision.

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Just posted: initial Canon RF 24-50mm F4.5-6.3 IS STM Lens Review.

It's time to share some initial impressions from this tiny, lightweight, affordable lens.

The RF 24-50's estimated ship date is Tue, Apr 18 per B&H and Canon.

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Please share!

Just posted: Sony Alpha 7R V Review.

This camera is impressive.

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