August 31, 2017 – DJI, the world’s leader in civilian drones and aerial imaging technology, has introduced two new drones, the Mavic Pro Platinum and Phantom 4 Pro Obsidian and announces the ‘Sphere’mode for the Spark at IFA 2017 in Berlin.
“DJI continuously look for ways to improve its products and introduce new features, many of which are the result of the positive feedback and requests we received from customers around the world,” said Paul Pan, DJI Senior Product Manager. “Starting with our Osmo Mobile Silver handheld stabilizer, DJI has been expanding its product variations to meet the different lifestyles and needs of consumers. Similarly, we’ve done the same with two of the most iconic DJI drone products, the Mavic Pro and Phantom 4 Pro. The Spark’s newly added ‘Sphere’mode will also introduce a new way for people to experience the fun of aerial photography.”
The New and Improved Mavic Pro Platinum
The DJI Mavic Pro Platinum takes all of the advanced features of the Mavic Pro which revolutionised personal flight and builds on them. It is ideal for travellers, amateur photographers and outdoor sports enthusiasts.
With an 11 percent gain in flight time taking it up 30 minutes coupled with a 60% noise power reduction, the Mavic Pro Platinum provides the best portable drone experience yet. Additionally, the drone’s compact and powerful body has also been created with an attractive platinum coloured shell.
The increased flight time and quieter operation has been achieved by integrating new electronic speed controllers (ESC’s) and freshly designed propellers which are also compatible with the current Mavic Pro.
Furthermore, pilots of the DJI Mavic Pro Platinum benefit from a portable, powerful and easy-to-use camera drone that features a 4K stabilised camera, 4.3 mile (7km) range, innovative FlightAutonomy technology to sense obstacles up to 49ft (15m) away and a range of intelligent flight modes that make it extremely fun and easy to fly.
Spark is an easy-to-use, fun-to-fly mini camera drone that lifts off from the palm of your hand to capture and share those special moments on the go. Spark is the first consumer drone that users can control by hand gestures alone, whether it's sending it up and away, taking a selfie or shooting a video, or calling it back.
With the newly introduced Sphere mode in the Panorama photo feature, users now have more ways to enjoy the Spark and can easily produce a panoramic photo with a fisheye lense effect. This ‘Sphere’can then be shared directly to social media sites, some of which already support interactive images. The new feature will be included soon in the forthcoming DJI GO 4 mobile app and Spark firmware updates.
This mode joins the following recently announced firmware updates which allow Spark users to get the best flying experience with easy to use photo and video functions:
A new gesture to start and stop video recording
Enhanced QuickShot video features for more cinematic control
A 180-degree photo shooting mode and improved photo image resolution
Full integration with the DJI Goggles
Optimization of the PalmLaunch function for better stability after takeoff
Improved control accuracy under the QuickShot Dronie mode
DJI Phantom 4 Pro Obsidian: The professional drone photographer’s perfect tool
The iconic Phantom 4 Pro drone which made professional aerial imaging easier for everyone is back with a new professional appearance; a sleek matte-gray Obsidian colour shell featuring a magnesium, electroplated and anti-fingerprint coated gimbal which requires a higher standard manufacturing technique.
For professionals who demand excellence while capturing images and video for a commercial client or documenting a wedding, the Phantom 4 Pro Obsidian has a large 1” CMOS sensor and a 4K 60fps recording capability to ensure a professional outcome in any situation.
The Phantom 4 Pro Obsidian offers intelligent performance and a powerful imaging system for any serious drone photographer.
Price and Availability
With a retail price of 1,119 GBP (1,299 EUR), the Mavic Pro Platinum will begin shipping in September. The Mavic Pro Fly More Combo will be available at a later date with a retail price of 1,459 GBP (1,599 EUR). Phantom 4 Pro Obsidian will retail for 1,589 GBP (1,699 EUR) and will be available in September at authorized dealers worldwide.
Aside from the Rebel T6, all of Canon DSLRs currently produced feature Multi-Shot Noise Reduction (MSNR). With the feature enabled, your camera takes a burst of 4 images which are combined and output to a JPEG file with less visible noise compared to a single exposure.
Unfortunately, there are many downsides to using MSNR. For a good overview of those downsides, let's take a look at a couple of paragraphs from Bryan's review of the 5D Mark IV:
Multi Shot Noise Reduction (MSNR) is one of the additional in-camera options available in many of the latest EOS models including the 5D IV. MSNR merges information from multiple (four) exposures taken in a full-frame-rate burst into a reduced noise image. The concept makes a lot of sense. MSNR generally provides a remarkable one stop or more of noise reduction, but ... I still have not found a compelling use for this feature.
The downsides to Multi Shot Noise Reduction include: MSNR is currently available only with JPG output (I would like to see this feature added to Canon's Digital Photo Pro software for RAW capture processing – perhaps as another HDR preset). Multi-Shot Noise Reduction is not so useful with moving subjects (or with a moving camera). Long exposure NR, Dust Delete Data, Multiple Exposure and HDR Mode must be set to off to enable MSNR. The 5D IV reverts back to Standard NR in Auto/Basic zone modes, during video recording, in Bulb mode and when the camera is powered off. Flash is not supported in MSNR mode. After the 4 shot burst is captured, the camera remains "busy" for a noticeable period of time while processing the merged image. So, while this feature is a nice idea, its limitations make it less useful in real-world applications. I am far more likely to use a low ISO setting with a longer exposure when shooting stationary subjects from a tripod.
Fortunately, with several of Canon's upper-level DSLRS, there's a slightly better way to accomplish the same goal. It involves many of the same compromises as Multi Shot Noise Reduction, but instead of being limited to JPEG output, you can output a RAW file instead.
Before I go any further, it's important to know exactly which of Canon's DSLRs this information applies to:
EOS-1D X Mark II
EOS 5D Mark IV
EOS 5Ds R
EOS 5D Mark III
EOS 6D Mark II
EOS 7D Mark II
The secret is to use your camera's Multiple Exposures feature and set the Multiple Exposure Control Method to "Average." By setting the desired number of shots to 9 (the max), noise in the combined image will be greatly reduced.
The best part about using this technique is that it enables reduced noise to be captured in a RAW file rather than JPEG. However, drawbacks of using this method include:
Tripod use is required, especially as there is no option to align the images in-camera.
Any subject that moves during the 9-image capture duration will be blurred.
You must first shoot a base image before selecting the Multiple Exposure options, as designating a base image is required. Therefore, there will be delay between the first image and the following 8 images.
In-camera lens profile corrections are not supported.
With the drawbacks listed above in mind, you may be wondering what situations would benefit from using the Noise Reduction through Multiple Exposure technique. Here are a few ideas I came up with.
If photographing a lighted sign that lights up sequentially (as if being handwritten), and there is only a small portion of time when the sign is completely illuminated. If you were to use a longer shutter speed, the illumination of the sign may not be even. However, if you time your 9 shots when the sign is completely illuminated, you can avoid the uneven brightness.
If photographing a moderately busy street scene, but you do not want pedestrians or traffic in the image. You can easily time your images so as not to include pedestrians or traffic in the final image.
To get a better understanding of just how significant the noise in your RAW images can be reduced using this technique, download the full resolution 7D Mark II ISO 12800 single exposure and 7D Mark II ISO 12800 multiple exposure files and compare the noise for yourself. The RAW files were processed identically (except for white balance) in Adobe Camera RAW with no noise reduction applied before the JPEG conversion. Note that the sample images were not taken under circumstances where this technique would be especially beneficial, as a longer shutter speed could easily have been used (they are only used for noise reduction demonstration purposes).
Tips for Using Multiple Exposures (Average) for Noise Reduction
As previously mentioned, the best noise reduction will result from the combining highest possible number of shots (max 9)
With Multiple Exposures set to Function and Control Priority (On:Func/Ctrl), the source files will be saved along with the final combined result. However, if using continuous shooting, the burst rate will be significantly reduced.
With Multiple Exposures set to Continuous Shooting Priority (On:ContShtng), the source files will not be saved (only the final result) but continuous shooting will operate at a normal-for-the-circumstances rate.
You can get similar results in post processing by combining separate exposures in Photoshop CC by using File/Scripts/Statistics and stacking your images using "Mean."
While the technique may not be feasible under a wide variety of situations, the noise reduction benefits will certainly be worthwhile in the specific situations where this technique can be employed.
Can you think of more situations where this technique might be useful and advantageous? Let us know in the comments.
Threat Identification Reward Program Will Address Software Concerns
August 28, 2017 – DJI, the world’s leader in civilian drones and aerial imaging technology, is establishing a “bug bounty” program to reward people who discover security issues with DJI software. The DJI Threat Identification Reward Program is part of an expanded commitment to work with researchers and others to responsibly discover, disclose and remediate issues that could affect the security of DJI’s software.
“Security researchers, academic scholars and independent experts often provide a valuable service by analyzing the code in DJI’s apps and other software products and bringing concerns to public attention,” said DJI Director of Technical Standards Walter Stockwell. “DJI wants to learn from their experiences as we constantly strive to improve our products, and we are willing to pay rewards for the discoveries they make.”
The DJI Threat Identification Reward Program aims to gather insights from researchers and others who discover issues that may create threats to the integrity of our users’ private data, such as their personal information or details of the photos, videos and flight logs they create. The program is also seeking issues that may cause app crashes or affect flight safety, such as DJI’s geofencing restrictions, flight altitude limits and power warnings.
Rewards for qualifying bugs will range from $100 to $30,000, depending on the potential impact of the threat. DJI is developing a website with full program terms and a standardized form for reporting potential threats related to DJI’s servers, apps or hardware. Starting today, bug reports can be sent to firstname.lastname@example.org for review by technical experts.
The DJI Threat Identification Reward Program is part of a renewed focus on addressing concerns about DJI product security, including new efforts to partner with security researchers and academics who have a common goal of trying to improve the security and stability of DJI products. DJI is also implementing a new multi-step internal approval process to review and evaluate new app software before it is released to ensure its security, reliability and stability.
DJI has not previously offered formal lines of communication about software issues to security researchers, many of whom have raised their concerns on social media or other forums when they could not determine how best to bring these issues to DJI’s attention.
“We want to engage with the research community and respond to their reasonable concerns with a common goal of cooperation and improvement,” Stockwell said. “We value input from researchers into our products who believe in our mission to enable customers to use DJI products that are stable, reliable and trustworthy.”
Automation makes manufacturing at home more competitive
TOKYO -- Canon plans to have a new camera plant in Japan up and running by 2019 as it moves more production back home, relying on factory automation to lower the cost of domestic operations.
The Japanese electronics maker will acquire 300,000 sq. meters of land for a digital camera factory in southern Japan's Miyazaki Prefecture as early as September. The plant will be Canon's first new camera factory in this country since 2010, and will feature labor-saving assembly lines of the sort Canon is installing across its Japanese facilities to make domestic production cost-competitive. Total costs are projected to be around 20 billion yen ($181 million).
The facility will take over production of single-lens reflex cameras formerly manufactured at another Miyazaki plant. Canon will eventually consider bringing production of some compact digital cameras now made overseas back to Japan as well. The company produced 56% of its cameras and other offerings in this country in the year 2016, and plans to raise that figure to 60%.
Up To 40% Lighter and 45% Deeper for the Perfect Fit
Torrance, CA— August 15, 2017 - Pelican Products, Inc. (Pelican), the global leader in the design and manufacture of high-performance cases, today set another benchmark for the segment with the launch of three new deeper cases in the re-engineered, up to 40% lighter, Pelican Air Case line.
Since 1976, the classic Pelican Protector Case has been the go-to protective case solution for millions of professionals and consumers worldwide. As a part of the innovative and lighter Pelican Air case line, the three new cases, 1557, 1607 and 1637, continue Pelican’s relentless quest to offer users more versatility, portability and durability.
“Our engineering team consistently explores how to deliver innovative and meaningful new solutions,” said Stephan Corti, President, Pelican Products Commercial and Government Division. “The Pelican Air case line is a major transformation, designed to maintain Pelican’s signature concept of high-performance durability while cutting the weight out.”
The entire Pelican Air case line, constructed of lightweight HPX2 resin, is available in nine travel-ready sizes, in both long and, now, deep options. With over 13” of depth available, the new cases provide room for fragile and valuable equipment, such as drones and cinema-grade cameras. Pelican Air cases continue to be the gold-standard of premium equipment protection while remaining 40% lighter and now 45% deeper. All Pelican Air cases are available in black, yellow, orange, and gray.
Available configurations offer the choice of four unique interior options to meet almost any performance needs
The TrekPak Divider system (not available with 1607 or 1637), feature durable, waterproof, closed-cell foam laminated to corrugated panels to provide a fully customizable and precise protection grid without wasting space.
The Classic Pick N’ Pluck Foam offers a manually customizable solution for fast and simple protection with pre-scored foam to fit almost any equipment.
The Padded Divider configuration includes infinitely customizable, protective, padded dividers with Velcro so users can change their equipment organization scheme on a moment’s notice.
The No Foam configuration allows a blank slate for custom interior solutions.
“I couldn't wait to customize my Pelican Air case with the TrekPak system,” said Roy Pena, fire photographer, Bakersfield, CA. “I was able to fit all my camera gear in its own tailored compartment. When you're shooting action shots, like a fire in the heat of the moment, you have to rush in to get the shot. If you don't know exactly where the right gear is, you miss it".
The new 1607 and 1637 cases have wheels, roll tested over 914 meters. The line’s newest products boast classic Pelican case features including a watertight O-ring gasket, a crushproof and dustproof exterior, stainless steel hasp protectors, rubberized, over-molded handles and proven tough double-throw latches. Each Pelican Air Case meets the same performance tests (impact, drop, submersion and high and low temperatures). Pelican Air cases are also backed by the company’s legendary lifetime guarantee of excellence.
I know, you are trying to decide if it was the 28 hour round trip drive or the celestial body alignment that warped my mind. But, with the solar disk (or a portion of it) imaged against a completely black background, the composite opportunities become endless and are limited only by your own creativity.
The site's circular-crescent logo seemed to be a good design fit for the solar eclipse. So, I made a transparency template to overlay a sun image captured during the eclipse.
You likely spent a lot of time and effort to photograph the eclipse. While I will treasure some of the solar eclipse images I captured forever, there are a lot of other identically-captured images out there. But, there are not likely any that look like this one (you can be the judge of whether or not this uniqueness is fortunate). Have fun with the rewards of your efforts – spend some time being creative with the results.
It is time to let some gear go in the name of fund raising. Check out the long list of my own used gear currently available including a couple of sweet Gitzo tripods, a Gitzo monopod, ball heads, a Surefire headlamp and much more.
Our friends at MindShift Gear have let us know that their PhotoCross Sling Bags – most of which sold out within the first week of availability – are back in stock. And, as a bonus for using one of our links to make your purchase, you'll get free shipping and a free gift.
We have determined that some EF50mm f/1.4 USM lenses exhibit a focus operation-related malfunction. The details of the phenomenon and Canon’s service policy are described below.
We would like to offer our sincere apologies to users who have been inconvenienced by this issue. Going forward, we will spare no effort in our quality management to make sure our customers can use our products with confidence.
While in AF or MF mode, when the focus position is moved from the infinity end to the close-up end, the focus operation stops near the area shown in the dotted circle below.
Possibly Affected Products
If the first four digits (from the left) in the serial number on the lens body (see image below) are “4918”, “5018”, “5118”, “5218”, “5318”, or “5418” then your lens may possibly be affected.
Potentially affected products will be inspected and if necessary repaired free of charge. If you own one of the potentially affected products please contact our Customer Support Center.
When preparing your lens for inspection please be sure to attach the lens cap and the dust cap to the lens.
If you have not already done so, please register your Canon Product. By registering, we will be able to notify you via email about future announcements.
This information is for residents of the United States and its five territories only. If you do not reside in the USA or its five territories, please contact the Canon Customer Support Center in your region.
Customer Support Operations
Canon U.S.A., Inc
Contact Information for Inquiries
Canon Customer Support Center
MELVILLE, N.Y., August 29, 2017 – Canon U.S.A., Inc., a leader in digital imaging solutions, today announced the new Canon EF 85mm f/1.4L IS USM lens as an addition to the Company’s existing 85mm focal-range lens line-up and three new Tilt-Shift macro lenses: the TS-E 50mm f/2.8L Macro lens, TS-E 90mm f/2.8L Macro lens and TS-E 135mm f/4L Macro lens. Canon also announced a new Macro Twin-Lite MT-26EX-RT flash. These new products will help provide both advanced amateur and professional photographers the unique photography tools for a variety of applications and solutions including architecture, landscape, food, product and portrait photography.
“Creating a powerful, timeless image requires more than just a camera. It requires high-quality, well-crafted optics and flashes to capture compelling photography,” said Yuichi Ishizuka, president and COO, Canon U.S.A., “These new lenses along and the Macro Twin-Lite flash will continue to push the boundaries and expand the possibilities of what advanced amateur and professional photographers capture and share with the world.”
Canon EF 85mm f/1.4L IS USM Lens
Canon EF 85mm focal-length lenses are traditionally very sought-after options for portrait photographers. With that in mind, Canon is expanding its EF 85mm line up with the introduction of the new Canon EF 85mm f/1.4L IS USM; the first Canon EF 85mm lens to feature image stabilization, providing up to four stops of shake correction for smooth and crisp imagery.
The EF 85mm utilizes one large diameter, high-precision molded glass aspherical lens and features an ASC coating. The large f/1.4 aperture produces shallow depth-of-field, fast shutter speeds and a bright image inside the viewfinder, allowing photographers to focus and compose their image reliably. In addition, a circular aperture with 9-blade iris allows for beautiful bokeh.
The New Canon EF 85mm f/1.4 L IS USM is scheduled to be available November 2017 for an estimated retail price of $1599.00.
New Tilt-Shift Lenses
Tilt-Shift lenses have several applications for suitable photographers because of their ability to provide enhanced creative control over perspective through the tilt function and depth-of-field through the shift function in their images. This ability can be optimal when photographing landscapes, portraits, and architecture.
The image quality derived from Canon Tilt-Shift lenses has evolved considerably since their first inception several years ago. Enhanced optical elements like molded aspherical glass and UD lenses are at the core of the new Canon TS-E 50mm f/2.8L Macro lens, TS-E 90mm f/2.8L Macro lens and TS-E 135mm f/4L Macro lens. These features provide users with edge-to-edge resolution, improved image quality over previous Canon TS-E lenses and minimum distortion. Canon also included two anti-reflective coatings, SubWaveLength Structure Coating (SWC) in the TS-E 50mm f/2.8L and TS-E 135mm f/4L Macro lenses and Air-Sphere Coating (ASC), into the TS-E 50mm f/2.8L and TS-E 90mm f/2.8L Macro lenses. SWC helps to reduce flare and ghosting, while ASC is a new technology that provides amazingly high, anti-reflective performance, particularly when alleviating incidental light that can enter a lens.
The new Canon Tilt-Shift lenses also offer improved operability over previous models, including larger tilt, shift-and-lock knobs, lock-release button and a new tilt-locking mechanism that firmly locks the lens in the zero-tilt position to help prevent unintended tilting to increase more precise shooting capabilities. The rotation of the tilt-shift lenses also allows users to freely change the axis of tilt movement and shift from right angles to parallel to better adapt to various shooting conditions and situations.
The new Canon TS-E 50mm f/2.8L Macro lens, TS-E 90mm f/2.8L Macro lens and TS-E 135mm f/4L Macro lenses are scheduled to be available November 2017 for an estimated retail price of $2199.00††.
Canon Macro Twin-Lite MT-26EX-RT Flash
To further enhance a photographer’s ability to shoot macro photography, the new Canon Macro Twin-Lite MT-26EX-RT Flash can be the ideal tool. The use of a macro twin-lite allows for a more ideal lighting situation for photographers, and can be adjusted and shifted depending on the direction the photographer would like to control. Detachable macro twin lites can be rotated up to 60 degrees, and features a maximum guide number of 85.3 ft (26 m).
The new Canon Macro Twin-Lite MT-26EX-RT Flash inherits the ease of use and operability of Canon’s latest Speedlite EX series flashes and increased brightness of the focusing lamp compared to previous Canon Macro-Twin Lites. There is also less noise produced from the charging of the lights.
The new Canon Macro Twin-Lite MT-26EX-RT Flash is scheduled to be available November 2017, for an estimated retail price of $989.99.
Compact, Stylish and Packed with Canon technology, the EOS M100 is the Newest Interchangeable-Lens Camera Option for Users Ready to Take their Photography to the Next Level
MELVILLE, N.Y., August 29, 2017 – Canon U.S.A., Inc., a leader in digital imaging solutions, today announced the successor to the EOS M10 interchangeable lens camera: the compact and stylish EOS M100. An easy-to-use yet powerful camera, the EOS M100 is an excellent choice for those looking to step up from smartphone photography, offering the versatility of interchangeable lenses, optical zoom and the latest imaging technology, without sacrificing size, style or the ability to share instantly.
“We are living in a moment where more images are being taken and shared than any other time in history. In an increasingly visual world, high-quality images are the ones that truly stand out from the crowd,” said Yuichi Ishizuka, president and COO, Canon U.S.A. “The new Canon EOS M100 can be the ideal camera for those eager to step up their images and share their creative vision without sacrificing image quality or on-the-go performance.”
Discover a World That Cannot Be Captured with Smartphone Photography
Canon’s newest EOS M-Series offering helps expand creativity while providing the ability to capture photos that simply cannot be matched by smartphone photography. The EOS M100 camera is boosted by a powerful 24.2-megapixel APS-C CMOS sensor and the Canon DIGIC 7 processor. These attributes, alongside Canon lenses, are capable of rendering incredible details even when zoomed in on distant subjects or shooting in low-light scenarios, such as a dark restaurant. Packed with high-end features like Dual Pixel CMOS AF, which enables high-speed focusing for capturing fleeting moments nearly across the entire frame, and video mode, novice and enthusiast photographers alike will appreciate the tremendous capabilities of the new EOS M100 camera.
For those eager to share family photos, epic adventures or culinary creations with their friends and family, the EOS M100 camera is also Wi-Fi, Near Field Communication (NFC) and Bluetooth connected, allowing for live-view remote shooting and the viewing and transferring of images to a compatible smart device, via the Canon Camera Connect app††. High-quality images and video can be uploaded to a compatible device for easy sharing to select social media networks. Once connected through Bluetooth, the EOS M100 camera can also work with a compatible smartphone’s GPS function to provide a geo-tagged log of where every photo was taken on one’s journey.
The EOS M100 camera features a revamped and simple touch user interface that makes it easy for users to change settings, adjust modes and even focus on their subject. The 3.0-inch LCD touch-panel display also offers tilt functionality, helpful when shooting subjects from creative angles. Users can also use touch focus and Dual Pixel CMOS AF to smoothly transition focus between subjects with the touch of a finger.
Users will also discover a newly designed and intuitive touch interface that makes it easy to choose settings and focus shots, while beginners can learn and improve on their photography using Canon’s Creative Assist function, an intuitive setting that allows users to execute their creative vision, even without an “expert level” of camera knowledge. To make a scene brighter or blur backgrounds, users simply select their desired change within the Creative Assist menu, and the camera will automatically make corresponding setting adjustments, available immediately in live view. Preferred settings can be saved for next time, while those using the mode will begin to learn more advanced camera techniques to further pursue their creative vision—beyond just Auto Mode.
Sized to be an on-the-go camera, the EOS M100 is slimmer and lighter than other M-Series offerings, and fits neatly into a bag with ease. The new sleek and refined design features two body color options—white or black.
The use of interchangeable lenses is a differentiator factor of the Canon EOS M-Series from most smartphone photography, with Canon offering seven distinct and lightweight EF-M lenses, spanning wide-angle, telephoto and macro applications. EOS M100 users can find a lens for nearly any application while maintaining a compact system ready for on-the-go moments. For those with Canon’s EF lenses, the EF-EOS M Mount Adapter (sold separately) will allow for the use of Canon’s complete lineup of EF and EF-S lenses. Exploring close-up macro photography is also possible using the EOS M100, combined with a macro lens option—great for wildlife or detailed food photos.
Expand Your Horizons with Useful Functions
The EOS M100 camera sports a host of useful functions for users of any level—whether a true beginner in the world of photography or someone who simply wants to take their images or video to the next level. These functions include:
Video Mode: Record Full HD 1080/60p video or picturesque time-lapse movies with the push of a button or use Hybrid Auto to pull still frames form HD video recording
Continuous Shooting: Don’t miss a moment with up to 4 frames-per-second (fps) continuous shooting; up to 6.1 with fixed AF
ISO Range: 100-25,600 ISO range helps capture sharp images, even in low light
In-Camera RAW Conversion: Allows users to experiment with RAW photography and experiment with various in-camera expressions
Self-Portrait Mode: Using the 180-degree tilt of the LCD screen, take beautiful selfies and adjust brightness, focus and Smooth Skin functions with ease
HDR Backlight Control: Shoot three images with different exposures to help naturally correct scenes that are backlit or show differences in contrast
Bulb exposure: Continue shooting after the shutter button is released for light painting or capturing fireworks
Creative Filters: To add a personal touch, choose from a variety of creative filter options like Grainy Film, Art Bold, Fish-eye Effect and more
The Canon EOS M100 is scheduled to be available in black or white in October 2017 for an estimated retail price of $599.99 with the EF-M 15-45mm f/3.5-6.3 IS STM lens and $949.99 with EF-M 15-45mm f/3.5-6.3 IS STM lens and EF-M 55-200mm f/4.5-6.3 IS STM lens. In addition, the Canon EOS EF-M Mount Adapter is currently available for a suggested retail price of $199.99. For more information please visit usa.canon.com.
Iconic carrying solutions for the style-conscious photographer
Upper Saddle River, N.J. (August 28, 2017) - Gitzo, a pioneer in many of the most advanced, revolutionary technologies for professional camera equipment, is celebrating one hundred years of outstanding innovation and technological leadership. To mark its 100th anniversary, the brand is redefining excellence with the launch of several highly exclusive products, including the iconic Gitzo Century Camera Bag Collection.
This exquisite new selection of photography bags are designed especially for Gitzo Traveler fans who own premium cameras and require similar standards of premium quality and detail in their photography bags.
All the models in Gitzo’s new range are built to meet the needs of the world’s most style-conscious photographers. Made in Italy, they are an appealing combination of genuine Italian cow leather and wear-resistant nylon, guaranteeing high resistance to scratches and abrasions. The bags are water-repellent and were crafted to resemble the look of carbon fiber, reminiscent of the Gitzo Traveler tripod legs.
The range includes the Gitzo Century Traveler Backpack, the Gitzo Century Traveler Messenger and the Gitzo Century Compact Messenger, all of which are the perfect choice for Gitzo Traveler Series tripod users.
The Gitzo Century Traveler Backpack has a roomy internal insert that easily accommodates a medium-size DSLR or a Premium CSC with 70-200mm f/2.8 lens attached plus two additional lenses, or it can hold a DJI Mavic Pro with its remote control and accessories. The dual side access enables owners to reach for their equipment from the right or left side. The elegant front opening is the perfect carrying solution for a 0 and 1 Series Gitzo Traveler or similar sized tripod. The removable insert provides the option to pack photography gear and personal items, or effortlessly turn it into a luxurious everyday bag. Featured video tutorial
The second model in this selection is the new Gitzo Century Traveler Messenger. It is equipped with a G-lock flap closing system powered by Fidlock. With this smart magnetic lock, the Gitzo Century Traveler Messenger can be easily opened and closed. It holds a mid-range DSLR or a CSC with a standard zoom lens attached plus another lens and a detached 70-200m f/2.8 lens or a premium mirrorless camera with a 70-200mm attached plus 2/3 standard zoom lenses. It is also perfect to carry a DJI Mavic Pro and its accessories. A pocket on the front bottom unzips to hold and protect a 0 and 1 Series Gitzo Traveler or similar sized tripod. Featured video tutorial
For photographers who prefer a smaller bag, the Gitzo Century Compact Messenger is the perfect choice. It can hold a premium mirrorless camera with a standard zoom lens attached plus two additional lenses or a DJI Mavic Pro and its smaller accessories. The Gitzo Century Compact Messenger is also equipped with the G-lock flap closing system powered by Fidlock. Featured video tutorial
For added security, the Messengers have an interior top flap that keeps the gear compartment secure and the Backpack features a lockable zipper pull on the top and laptop compartments. Each bag comes with its own branded, dust-resistant pouch for protection when not in use and all three carrying solutions include a dedicated soft-touch compartment designed to keep a tablet or a laptop safe (this varies according to the bag).
Regardless of the model, owners of Gitzo Century bags can enjoy the assurance that their camera and accessories are safeguarded thanks to the engineered interior compartments, concealed pockets and countless intelligent storage solutions for all the equipment, accessories and personal items they may require.
The following models are now available nationwide:
Anyone can create the invisibility effect, the key is taking the right pictures to make your job easy in Photoshop. In this tutorial, we guide you through the process of taking multiple photos and provide tips and tricks to make the job easy and fun.
The basic idea behind making yourself invisible has to do with taking a “base image” of yourself or anyone else and then taking supplemental photos to composite over top the base image.
Quick Tip: Focus on photography, most of this effect is completed in camera.
For example, if you want to make your head invisible, you would take a photograph of your head and then another photograph of your shirt in the same place. When you combine these photos together, it will look like the shirt is filled out from the base photo, but there will be no head from the photo of just your shirt.
If interested in purchasing a Canon Rebel-series camera, you may be wondering if the additional features of the Rebel T7i / 800D are worth the additional size and weight compared to the Rebel SL2 / 200D. If so, it's important to know how the two cameras stack up against one another.
Below are some of the primary similarities and differences between the Rebel T7i and Rebel SL2.
Canon EOS Rebel T7i and Rebel SL2 Shared Primary Features:
Ambience priority, White priority Auto White Balance (AWB)
Pentamirror viewfinder with 95% coverage
Vari-angle touchscreen LCD, 7.7 cm (3.0") 3:2 Clear View II TFT, approx. 1040 K dots
Up to 1920 x 1080 (59.954, 29.97, 25, 23.98 fps) video recording
Video output (PAL/ NTSC) (integrated with USB terminal), HDMI micro out, external microphone (3.5mm Stereo mini jack)
Built-in Wi-Fi, NFC & Bluetooth
Advantages of the EOS Rebel T7i over the EOS Rebel SL2:
More advanced AF: 45 cross-type AF points (27 f/8 points [9 cross-type], center point f/2.8 and f/5.6 dual cross-type) vs. 9 AF points (f/5.6 cross type at center, extra sensitivity at f/2.8)
Wider AF working range (better in low light): EV -3 - 18 vs. EV -0.5 -1
Better metering: 7560-pixel RGB+IR metering sensor, metering with the area divided into 63 segments (9 × 7) vs. 63 zone dual-layer metering sensor
More autoexposure bracketing (AEB) options: 2, 3, 5 or 7 Shots +/-3 EV vs. 3 shots +/- 2 EV
Intelligent viewfinder vs. fixed
Single axis electronic level vs. N/A
More powerful pop-up flash: 13.1 GN vs. 9.8
Pop-up flash can act as master vs. N/A
Faster continuous shooting and larger buffer: 6 fps, 27 RAW vs. 5 fps, 6 RAW
Longer battery life: 820 shots vs. 650
Advantages of the EOS Rebel SL2 over the EOS Rebel T7i
Higher viewfinder magnification: 0.87x vs. 0.82x
Smaller size/weight: 4.82 x 3.65 x 2.75" (122.4 x 92.6 x 69.8mm), 15.98 oz (453g) vs. 5.16 x 3.93 x 3.00" (131.0 x 99.9 x 76.2mm), 18.77 oz (532g)
Who should opt for the Canon EOS Rebel T7i / 800D?
If minimal size/weight are not top priorities, and the Rebel T7i's higher price tag is not a barrier to investment, the T7i's higher-end features will make it a more versatile choice for most photographers. In fact, its more advanced, more sensitive in low light AF system alone is likely worth the T7i's price over the SL2.
Who should opt for the Canon EOS Rebel SL2 / 200D?
If you want the most lightweight, compact DSLR, or if your budget does not extend to the Rebel T7i's price tag, the Rebel SL2 will be a solid investment. The SL2 provides a solid feature set at a very reasonable price, and anyone carrying their camera kit for long periods of time (those hiking, for example) will surely appreciate the camera's smaller size and weight. Other groups who will gravitate to the SL2 include those with smaller hands and those intending to use the camera in a high-risk remote setup. Because of its small size and simple user interface, the SL2 may be the perfect DSLR to buy for a young photographer-in-training.
Built around an identical sensor and sharing many noteworthy features, the Rebel T7i and SL2 are more similar than they are different. Both deliver very good image quality, feature excellent subject tracking in video mode and offer an intuitive user interface that makes the cameras very easy to use, especially for those with minimal photography experience or otherwise transitioning from a compact camera or a smartphone.
Arguably the Rebel T7i's biggest drawback – its higher price tag – results from the inlcusion of noteworthy features not found in the SL2 (primarily, a much better AF system). For most photographers, the Rebel T7i will fulfill their needs better because of those additional features. But for those who don't need those features, are budget limited or who otherwise value reduced size and weight, the Rebel SL2 remains a viable option.
August 25, 2017 – TOKYO – Nikon Corporation is pleased to announce that the National Aeronautics and Space Administration (NASA) has placed an order for 53 Nikon D5 digital SLR cameras. NASA plans to use the cameras both at astronaut training facilities on Earth, and for recording intra- and extravehicular activities at the International Space Station (ISS).
NASA has ordered 53 standard Nikon D5 cameras with no special hardware modifications. Just as with the D3S digital SLR cameras delivered to NASA in 2009, these D5 cameras will be the same models available to consumers, confirming the incredible reliability of Nikon products, as well as their ability to withstand even the harshest of environments.
Highlights of Nikon's history with NASA:
The Nikon Photomic FTN* (NASA specifications) and NIKKOR lens were used on Apollo 15.
The "Small Camera", based on the Nikon F3 film SLR camera and equipped with a motor drive, and the F3 "Big Camera", which utilized long film, were delivered to NASA. The "Small Camera" was used aboard the Space Shuttle Columbia launched the following year.
The Nikon F5 film SLR camera and AF NIKKOR lens were carried aboard the Space Shuttle Discovery to photograph extravehicular activities (EVA).
The Nikon D2XS digital SLR cameras were delivered to NASA. Six D2XS cameras are used in space to document activities such as inspection and maintenance.
A total of 38 Nikon D4 digital SLR cameras, 64 NIKKOR lenses, including the AF-S NIKKOR 800mm f/5.6E FL ED VR, and various other accessories were delivered to NASA. These products are used, among other things, to check solar panels and outer surfaces of the ISS.
An additional 10 Nikon D4 digital SLR cameras were delivered to NASA, and are also used to check solar panels and outer surfaces of the ISS.
*Nikon F equipped with Photomic FTN viewfinder that supports TTL center-weighted metering.
This year, Nikon celebrates its 100th anniversary. Throughout this 100-year history, Nikon has supported the research and observation of extreme environments such as space and the Antarctic with strong and durable cameras and NIKKOR interchangeable lenses developed based on its optical and precision technologies. Nikon has focused on making its products better able to respond more completely to the demands made by photographers, their work and the environments that challenge them. Nikon is excited to continue to contribute to the observation and research of such regions by developing extremely reliable products that are able to stand up to even the most challenging of situations.
Fans of Nikon, space exploration, and photography in general can enjoy a time-lapse video titled "Nikon in Space" - this time-lapse video was created from stunning photos of our magnificent Earth captured from space using Nikon cameras and NIKKOR lenses.