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From Nikon USA:
The NIKKOR Z 85mm f/1.8 S Delivers Gorgeous, Natural Bokeh and Remarkable Edge-to-Edge Sharpness for Crisp Portraits and Dramatic Video
MELVILLE, NY – Today, Nikon Inc. announced the NIKKOR Z 85mm f/1.8 S lens, bringing a fast prime with a classic medium telephoto focal length to Z series full-frame mirrorless cameras. Ideal for headshots, fashion, wedding/event photography and tight video shots, the NIKKOR Z 85mm f/1.8 S is designed to take full advantage of the wider, brighter and faster Z mount. This new addition to the S-Line delivers exceptional sharpness all the way to the corners of the frame, even at f/1.8, while integrating the latest NIKKOR optical technologies for intense rendering capability. Nikon Z series photographers and videographers who want to bring striking clarity to a subject’s eyes or who demand shallow depth of field and beautiful, natural bokeh will find the NIKKOR Z 85mm f/1.8 S a welcome addition to their kit.
“The NIKKOR Z 85mm f/1.8 S lens is so sharp, yet the background blur is so natural; the incredible detail captured with this lens is nothing short of striking,” said Jay Vannatter, Executive Vice President, Nikon Inc. “For fashion and portrait photographers, to wedding shooters and all types of videographers, now is the time to discover why the new NIKKOR Z 85mm f/1.8 will be an indispensable asset for those creatives who are familiar with the outstanding performance of the Nikon Z series.”
NIKKOR Z 85mm f/1.8 S
With the addition of the new 85mm f/1.8 S, Nikon Z series photo and video shooters now have a native Z mount option for capturing incredible portraits, fashion photography, event images, tight interview shots or B-roll footage that add emphasis to any scene. This is also the latest lens to join the NIKKOR S-Line, representing pinnacle in optical superiority and construction.
The NIKKOR Z 85mm’s fast f/1.8 maximum aperture allows users to confidently shoot in low light and capture gorgeous, shallow depth of field that adds dimensionality and character to high-resolution images and 4K video footage alike. Helping to provide a natural look is a lens diaphragm consisting of nine rounded blades, which produce smooth, natural bokeh that gently leads the viewer’s eye to the subject of the frame. With the addition of Eye-Detection autofocus included in the recent release of Firmware 2.0, the Nikon Z series cameras and NIKKOR Z lenses offer even more control and capabilities when capturing stunning portraits and candids.
This lens uses an all-new optical design of 12 elements in 8 groups and features the industry-leading lens technology consumers have come to expect from NIKKOR glass. Two Extra-Low Dispersion (ED) elements help ensure minimal aberration, while Nikon’s patented Nano Crystal Coating offers superior control of ghosting and flare. Additionally, the high-speed Multi-Focus System realizes superior resolving power at minimum focus distance. These cutting-edge features are protected from the elements by Nikon’s professional-grade dust and drip resistance.
As with all NIKKOR Z S-Line lenses, the NIKKOR Z 85mm f/1.8 S is crafted to cater to the needs of videographers as well as image-makers. The lens features ultra-quiet focus motors, minimized focus breathing, a customizable control ring for smooth adjustment of aperture or exposure compensation, and full compatibility with the in-body 5-axis VR found in the Nikon Z 6 and Z 7 full-frame mirrorless cameras.
NIKKOR Z S-Line
The NIKKOR Z 85mm f/1.8 S joins the superb “S-Line” of NIKKOR Z lenses. Designed alongside the revolutionary Nikon Z mount system, S-Line lenses boast superior resolution, beautiful bokeh rendition, exceptional point-image reproduction, enhanced video recording performance and unmatched edge-to-edge sharpness, even when shooting at the maximum aperture.
Born out of Nikon’s heritage of optical excellence, the S-Line sits at the cutting edge of imaging technology and innovation and represents a new potential for image expression.
Price and Availability
The NIKKOR Z 85mm f/1.8 S will be available in September 2019 at a suggested retail price (SRP) of $799.95.
Nikon Z 7/Z 6 Firmware v.2.01
Changes from “C” Firmware Version 2.00 to 2.01:
Fixed the following issues:
If you photograph outdoors, now is the time to start thinking about fall photography opportunities and there are few better places to be in the fall than Acadia National Park. Consider joining a small group of enthusiastic photographers in this bucket-list-grade location from Tue, Oct 15 through Sun, Oct 20, 2019. Sign up now – only two spots remain open.
Hare are the details: Fall Landscape in Acadia National Park Instructional Photography Tour
Contact me now to sign up!
From the B&H YouTube Channel:
In this 6th video in our audio-for-video series, AB gives us a simple introduction to audio post production, highlighting the different steps of treating your audio once you’re done shooting your video. From naming your files correctly to thinking about your final output levels, this video will give you a general sense of the common practices used to get your audio sounding just right. Check it out!
Just posted: Canon RF 85mm F1.2 L USM Lens Review.
Meet your new favorite portrait lens.
Torrance, CA - Users no longer have to choose between the versatility of the TrekPak divider system or the protection of Pick N Pluck foam with the new Pelican Hybrid Cases. Available as a new standard offering in either the Pelican 1510 or Pelican Air 1535 Carry On Case, the interior features both the TrekPak system and the classic Pick N Pluck manually customizable foam.
“This new, extremely versatile configuration offers users the best of both worlds and a host of new organizational options,” said John Luna, Director of Commercial/Government Product Management, Pelican Products, Inc.
TrekPak Divider System
Case owners simply need to lay out their gear the way they wish for it to appear in the case, measure and cut the divider sections, and lock them in place with the provided U-pins. Each divider section is manufactured from a waterproof, closed-cell foam that is laminated to a rigid corrugated plastic panel. They are light weight, strong and almost impossible to tear or shred. Additional divider panels are available separately to switch up the layout any time.
Pick N Pluck Foam
Classic and simple Pick N Pluck foam is pre-scored and cubed for easy manual customization and offered standard in almost all Pelican case models. Replacement foam is available separately when the interior layout changes.
The Pelican Air 1535 Carry On case is engineered with a next generation polymer construction that is up to 40% lighter than standard Pelican Protector Case brand cases, yet still stands up to the harshest conditions on earth. It also features a removable rugged ID card holder. Since its introduction in 2004, the Pelican 1510 Carry On case has been the industry standard for travelling with sensitive equipment that users don’t want to check in. Its extremely tough polymer construction protects mission critical equipment in worst case scenarios.
Both cases sport a sturdy pull handle coupled with smooth stainless steel ball bearing wheels for effortless transport, a polymer O-ring for a dust and water-resistant seal, and an integrated automatic pressure equalization valve that keeps moisture out and prevents vacuum lock, ensuring the case is easier to open at any altitude. Available in black only, both cases are backed by the Pelican Products Legendary Guarantee of Excellence. Pelican Air 1535 Carry On case with hybrid foam MSRP is $324.95 US and the Pelican 1510 Carry On Case with hybrid foam MSRP is $299.95 US.
B&H has the Pelican 1535AirTPF Wheeled Carry-On Case with TrekPak Dividers and Pick-n-Pluck Foam available for preorder.
From Sony Europe:
July 25, 2019 – Sony today announced a new addition to its award-winning series of RX cameras with the launch of the RX100 VII (model DSC-RX100M7). Utilising technologies developed for Sony’s full-frame mirrorless camera Alpha 9, the RX100 VII achieves new levels of performance in a compact camera, in both stills and movie shooting, inspiring the user to feel confident that they are armed with professional-level power in their pocket for spontaneous shooting in everyday life.
The RX100 VII is powered by a newly developed 1.0-type stacked Exmor RS CMOS image sensor and the latest generation BIONZ X image processor. This combination delivers new levels of autofocus performance and achieves speed breakthroughs that have previously only been seen on the Alpha 9. Flexibility of shooting is ensured by a ZEISS Vario-Sonnar T* 24-200mmviii F2.8-4.5 high magnification zoom lens, making the RX100 VII a versatile choice for all types of shooting scenarios and users, from photo enthusiasts to professionals.
New Standard for AF Performance in a Compact Camera
The RX100 VII offers a world leadingv 357 focal-plane phase-detection AF points and 425 contrast-detection AF points. In addition, thanks to a newly optimised lens drive control, world’s fastestv 0.02 secviAF acquisition time is realised. A major leap in AF/AE tracking performance during continuous shooting[xiii] means the camera performs AF/AE calculations up to 60 times per secondii and captures fast moving action at 20fpsiii with AF/AE tracking, ensuring that each moment is shot with swift and accurate focus.
In addition, the image sensor realises blackout-free shootingiv for a completely live view, even when continuous shooting at 20fpsiii; the same experience as the Alpha 9.The RX100 VII also debuts a new drive mode, Single Burst Shootingix, for capturing the perfect high-speed shot at up to 90fpsx in JPEG/RAW format utilising the anti-distortion shutter. ‘Single Burst Shooting’ix allows the photographer to frame fast moving action and shoot as if taking a single shot but the camera will actually deliver 7 still images, taken at 90fps, 60fps or 30fps, so the user can select the perfect moment.
For the first time in a compact camera, the RX100 VII introduces advanced ‘Real-time Tracking’ and ‘Real-time Eye AF’ capabilities. ‘Real-time Tracking’ utilises Sony’s latest algorithm including artificial intelligence-based object recognition to ensure that subjects can be captured with excellent accuracy, even via the touch panel on the rear screen. ‘Real-time Eye AF’, the latest version of Sony’s acclaimed Eye AF technology, employs AI-based object recognition to detect and process eye data in real time, resulting in improved accuracy, speed and tracking performance of Eye AF for both humans and animalsvii, and allows the photographer to concentrate exclusively on composition[xiv].
The compact and lightweight characteristics of the RX100 VII (approx. 302g / 102mm x 58mm x 43mm[xv]) mean it can always be carried around and can be mounted in places that larger cameras cannot. But its small factor belies a multitude of pro-level movie-making capabilities perfect for on-the-go shooting such as vlogging:
“The RX100 VII sets new standards for both photography and videography in a compact camera and we are confident that its phenomenal speed and AF capabilities will be very well received by customers,” said Yann Salmon Legagneur, Director of Product Marketing, Digital Imaging, Sony Europe. “Users will feel the reassurance that that they have the power of an Alpha 9 in their pocket, in compact form, so they can trust this camera in any given situation.”
New Jacket Case for the RX100 Series
Sony has also introduced a new black leather-look body case for the RX100 series(LCJ-RXK) which includes a lens jacket and shoulder strap to protect the camera from bumps and shocks. It provides easy access to the microphone jack and USB terminal which enables charging and image transfers without the need to remove the case.
Pricing and Availability
The RX100 VII and LCJ-RXK will ship in Europe in August 2019 priced at approximately €1300 and €85 respectively.
[i] Approximate effective megapixels
[ii] When using the electronic shutter; effective when the shutter speed is 1/60 or above
[iii] When using the electronic shutter with "Continuous shooting mode: Hi". Effective when the shutter speed is 1/60 or above
[iv]Effective when using electronic shutter. The slower the shutter speed, the lower the refresh rate of the screen
[v] Among fixed-lens digital still cameras with 1.0-type sensor. As of July 2019, based on Sony research
[vi] CIPA standard, internal measurement, at f=9.0mm (wide-end), EV6.6, Program Auto, Focus mode: AF-A, Focus area: Centre
[vii] Real-time Eye AF for Animals supports still images only, and cannot be used in combination with tracking. Does not work with some types of animal. Focusing may not perform well depending on scene and subject conditions
[viii] Angle of view (35mm format equivalent)
[ix] Seven still images are shot per burst. Focus and exposure are fixed at the first shot
[x] When Drive Mode is set to “Single Burst Shooting: Hi”
[xi]3840×2160 pixels. A Class 10 or higher SDHC/SDXC memory card is required to record movies in the XAVC S format. UHS-I (U3) SDHC/SDXC card is required for 100Mbps. When “Auto Power Off Temperature” is set to “Standard”, continuous shooting is possible for about 5 minutes
[xii] Connect this product to an HDR (HLG) compatible Sony TV via a USB cable to display HDR (HLG) movies
[xiii] Compared to RX100 VI
[xiv] Both right eye and left eye are selectable, either via the menu or by the touchscreen panel
[xv]Width x Height x Depth
[xvi] Image compensation angle at wide-end (Comparison with 4K standard mode)
[xvii] Attaching a mic without the Shooting Grip Kit requires an optional accessory
[xviii] In-camera movie playback is in the horizontal position. Whether or not movies are displayed in the vertical position depends on your device
[xix] Wi-Fi does not work during interval shooting
[xx] Audio recording is not available. A Class 10 or higher SDHC/SDXC memory card is required
[xxi]One included with RX100 VII body
From the B&H YouTube Channel:
At B&H’s OPTIC 2019, photographer Ralph Lee Hopkins discusses the importance of patience when searching for the right shot. Capturing powerful photos is possible when the perfect combination of variables occurs: anticipating action; being in the right place at the right time; and practicing patience. For great images and an education on the importance of respecting nature, you should check out this video.
Lindblad Expeditions Santa Fe-based photographer Ralph Lee Hopkins is founder and director of the Expedition Photography program for the Lindblad-National Geographic alliance. For more than 20 years, he has led expeditions from the Arctic to Antarctica and points in between. Images from Ralph’s travels are published widely. His work documenting conservation issues in Baja California was published in the National Geographic Traveler story, Is Baja on the Block? A selection of his polar images was featured in the companion book to the major motion picture Arctic Tale.
Welcome to Topaz Studio 2, the future of creative photo editing. Harness the power of Topaz Studio to create stylized and striking works of art from your digital images. Edit your images beautifully with powerful filters and frictionless masking in a fine-tuned non-destructive layer workflow.
Topaz Studio 2 has only one purpose: creative photo editing. This starts after you select your image and ends when you export your finished work. It's designed specifically around the artisanal post-processing workflow of carefully crafting a single image to your vision. Get it on sale now for $79.99 before August 9th! Don't Just Take Your Photo - Make It.
Don't Just Take Your Photo - Make It.
Topaz Studio 2 includes an extensive creative toolbox containing over 30 powerful filters to give you full creative control over your image. You'll find that these aren't your everyday image editing filters as soon as you give them a try. Check out some featured filters below.
Filters work really well individually, but they work even better combined together. Explore creative one-of-a-kind looks for your images with a single click. Give your image a unique look from earthy to grunge, bright to dramatic, and more.
For a limited time, when you purchase Topaz Studio 2, you will receive a curated Look collection by award-winning photographer Hazel Meredith for free! Don't miss out on this special promotional deal. You can get Topaz Studio during this special introductory sale for just $79.99 ($20 off the original price!). The sale ends August 9th, so don't miss out on this one-time offer!
When a great animal is found, staying with it can lead to great images. Sometimes, it can lead to a lot of great images.
When photographing wildlife, the stay or go decision is often a tough one. The subject in front of us may not be entertaining for relatively long periods of time and the thought that a better opportunity may be nearby runs through our minds. On this day, staying was the right decision.
There is only one opening remaining for the September elk in rut photo tour!
Consider joining a small group of passionate wildlife photographers pursuing these awesome animals. Photographers at all skill levels are invited to join!
Photographers at all skill levels are also invited to join me for these tours:
Tue, Oct 15 through Sun, Oct 20, 2019
Sun, November 10 to Wed, November 13, 2019 and/or Wed, November 13 - Sat, November 16, 2019
Contact me to sign up!
A larger version of this image is available on Flickr.
Canon has released new versions of its Digital Photo Professional and Picture Style Editor with support for the new PowerShot cameras and R24-240mm F4-6.3 IS USM. (thanks Scott)
Changes for Digital Photo Professional 4.10.40 for Windows
Changes for Picture Style Editor 1.22.40 for Windows
From the Phlearn YouTube Channel:
Today we show you how to get perfect perspective in Photoshop using Grids to help straighten buildings and architecture. Learn how to add custom Rulers, create custom Grids, and use Transform tools to adjust any horizontal and vertical edges in your photos!
Peak Design Travel Tripod
The Canon, Nikon, and Sony 70-200mm f/4 lenses, along with the Canon 70-300 L lens, are now included in the site's Camera Lens MTF Measurements Comparison Tool.
When the size and weight (and price) of the f/2.8 models are too much, the f/4 models are the easy alternative.
Go make some comparisons, then share them with your friends.
From the Adorama YouTube Channel:
Join Daniel Norton OnSet as he makes some simple beautiful portraits with a less commonly used light shaper, the Lantern. The great thing about a lantern is it throws light everywhere creating a gentle and soft light that looks great on any subject that sits for your portrait session.
Canon has released its 2Q 2019 financial results and you can download the presentation material here. Looking through the material, we can see that sales in Canon's Imaging Systems are down compared to last year and its previous projection.
"In Imaging System, we expect sales and profit of interchangeable lens cameras to decline, due to the continued impact of mainly entry class DSLR market contraction. However, in the area of mirrorless cameras, where we are focusing our energy, the effects of expanding our lineup will continue to lead to sales growth."Canon has been impressing us with its mirrorless system releases, so continued growth in that segment is certainly a reasonable assumption.
From the B&H YouTube Channel:
At B&H’s Optic 2019, photojournalist and New York attorney Richard P. Liebowitz discusses the ownership of intellectual property, and he emphasizes that, as a photographer you need to iron out details—in writing—of who owns the copyright to your work before you sign a contract. If you’re a photographer interested in the best ways to protect your photos, this is a video you need to watch.
Richard P. Liebowitz, Esq., is a New York attorney who focuses on intellectual property law related to copyrights at Liebowitz Law Firm, PLLC. A 17-year member of the New York Press Photographers Association (NYPPA), he has produced award-winning photojournalism. Richard now helps his fellow NYPPA members and other artists around the world resolve intellectual-property infringements and protect their work, on a contingency basis. As a fellow photographer, he understands where artists are coming from and is passionate about helping the creative community.
Make some comparisons. I think that you will like what you see!
From the Matt Kloskowski YouTube Channel:
This is a great tip for landscape and outdoor photos when you want to add color to a certain part of the photo inside of Lightroom.
From the Aurora Aperture YouTube Channel:
One Set of Filters for Every Lens
Aurora Aperture Adapter Mount Format Filter (AMF) filter is a revolutionary filter format that works for all DSLR lenses on popular mirrorless mount adapters. You will only need one set of filters for all your adapted lenses, no more multiple sets of filters or step-up rings, or complicated and bulky square filter systems.
The AMF drop-in filters work extremely well with ultra wide-angle lenses, especially those that have a protruding front element and are without front filter threads. Those types of lenses require a bulky filter adapter paired with very large filters. They are inconvenient to carry around and are unfriendly to your wallet. The AMF Filters is currently available through a kickstarter.com crowdfunding campaign.
It started out innocently. After verifying firsthand that Mount Evans was closed due to snow and ice, despite it being summer, we decided to explore Guenella Pass. Traveling the entire previous day gave Brittany a strong desire to go for a hike and she didn't have to expend much energy convincing me to take that option.
The plan was to explore the nearby alpine tundra from trails leading from a parking area near the top of the pass. We grabbed a backpack, some water, snacks, and rain shells and set off on what we thought would be a mini-adventure. Carrying the Canon EOS 5Ds R with a Canon EF 100-400mm f/4.5-5.6L IS II USM Lens mounted (primarily for wildlife) and a Nikon Z 7 with a Nikon Z 24-70mm f/2.8 S Lens mounted (primarily for landscape) seemed to be an ideal set of gear for the planned short hike.
While hiking, Brittany continuously wanted to see what was over the next ridge. In this location, deception reigned and the answer to the what is over the next ridge question is always another ridge. Still, we kept asking the question until having climbed mostly rock and snowfield over 2,400' (730m) up in roughly 3.5 mi (5.6km). Unintentionally, we found ourselves on top of a very high mountain.
The view at the top of the 13,800' Table Top Mountain was spectacular. What Brit was feeling from the altitude ... was not nearly as pleasant.
Unfortunately, we needed to promptly go back down and couldn't spend much time on top. Fortunately, Brit found the mental fortitude to get some great photos despite the altitude sickness but she didn't feel good until after a nap back in town.
While I was not as strongly affected by the high elevation, I definitely should have left the 100-400 in the SUV as it gained a lot of weight on this hike.
See the distant thunderhead cloud looming over Brittany's head in the image? That was another reason to go down quickly. That storm brought us near white-out snow conditions for a short period of time during our descent, adding to the day's story.
While photography is great for storytelling, going on photo adventures is a great option for creating stories.
A larger version of this image is available on Flickr.
From the Phlearn YouTube Channel:
Today we show you how to change a subject's pose with the Puppet Warp Tool in Photoshop! Whether you're trying to get the perfect composition or trying to nail a particular effect, the Puppet Warp Tool can help you reshape and reposition any body part–for the perfect pose, every time.
From the Adorama YouTube Channel:
Shooting on location gives you an instant backdrop which will immediately tell a story about what you're shooting. However having a great location is only the start of the process however, so in this video photographer Gavin Hoey has some simple tips for maximizing the character in your location portraits shoots.
It's all about forward planning. Gavin starts by hiring the right model and outfit for the look he's after. In this case he combines a grimy urbex location with a beautiful red dress. Then he works on adding controlled flash to the existing ambient light to create some drama in his images. Finally he adds some simple props which when used on their own or combined together, create a variety of different looks within the same location.
The just-announced Sony a7R IV becomes available for preorder at 10:00 ET today. I like what I see. Many of the feature updates of the a7R IV show that Sony is listening and this model promises to be quite impressive.
Here is the Sony a7R IV compared to the Sony a7R III from a specifications perspective.
Highlight Sony a7R IV Features
Here is Sony a7R IV visual comparison to the Sony a7R III. Notice the changed controls?
Be sure to support this site by using our links to place your preorder.