CPN has posted a new article by Syl Arena, talking a closer look at Canon’s New Radio Speedlite Flash System.
From Sigma Corporation of America:
Newly designed telephoto zoom lens with Sigma’s own Optical Stabilizer system at street price of $1099
Ronkonkoma, NY, March 30, 2012 – Sigma Corporation of America, a leading researcher, developer, manufacturer and service provider of some of the world's most impressive lines of lenses, cameras and flashes, is pleased to announce that its newly upgraded 50-150mm F2.8 APO EX DC OS HSM telephoto lens is now available for the street price of $1,099.
The 50-150mm F2.8 APO EX DC OS HSM telephoto lens is the successor to the 50-150mm F2.8 APO EX DC II HSM. The updated lens now features Sigma’s own proprietary Optical Stabilizer (OS) technology, which offers the use of shutter speeds approximately four stops slower than would otherwise be possible. The lens design utilizes an inner-focusing and inner-zooming system that provides convenient handling and this, along with the OS feature, makes it favorable for high-performance, handheld, close-up photography. Additionally, the Hyper Sonic Motor (HSM) ensures quiet and high-speed auto focusing, while allowing full-time manual focus capability.
The Sigma 50-150mm F2.8 APO EX DC OS HSM Canon mounts will be available next week, while the Nikon and Sigma mounts are expected to be available by the end of April.
“This lens is a great addition to our lineup of telephoto lenses, and will be a fantastic tool for portrait, landscape and nature photography,” said Mark Amir-Hamzeh, president of Sigma Corporation of America. “This is our tenth telephoto lens with Optical Stabilizer technology and provides another option for photographers looking to produce high-quality images.”
Six SLD glass elements provide exceptional corrections for all types of aberrations and provide high-quality imagery throughout the zoom range. It also has a rounded, nine-blade diaphragm that creates an attractive blur to the out-of-focus areas of the image.
The lens’ Super Multi-Layer Coating reduces flare and ghosting and ensures sharp and high contrast images even at the maximum apertures. The addition of Sigma’s 1.4x EX DG APO and 2x EX DG APO teleconverters produce a 70-210mm F4 autofocus telephoto zoom lens and a 100-300mm F5.6 autofocus telephoto lens, respectively.
Are Your Canon PowerShot G1 X RAW images soft? If so, I may know why.
G1 X RAW files, when processed by Canon Digital Photo Pro v126.96.36.199 with the "Viewing and savings RAW images" preference to "High quality" (the default), are rendered very soft.
This is the same problem I currently have outlined on the Canon EOS 5D Mark III Review page. The G1 X RAW images are being affected by the same software flaw the 5D III images are affected by.
Canon has been notified. The workaround is to set the "Viewing and savings RAW images" preference to "High speed". Or use another RAW converter.
In a forum post, Kirk Baker, Senior Software Engineer, has released Photo Mechanic 4.6.9 Beta 1.
Version 4.6.9 Features
Canon has posted EOS 1D Mark IV Firmware v1.1.1. Note: you must select your OS to get the firmware download option.
Firmware Version 1.1.1 incorporates the following change.
Optimizes the camera’s exposure accuracy when using EF 24mm f/2.8 IS USM and EF 28mm f/2.8 IS USM lenses, which are scheduled for release in June 2012.
If these lenses are used with an EOS-1D Mark IV camera that has not been updated with the new firmware, the image may be overexposed depending on the subject and shooting scene.
As I mentioned recently, I used the Canon EF 300mm f/2.8 L IS II USM Lens with the Canon EF 2x III Extender as a lightweight, handheld bird photography lens in Florida in early March and found the results to be quite impressive.
The Canon EF 800mm f/5.6L IS USM Lens served as my primary tripod-mounted birding lens for this trip (the perfect full frame choice), but the 300 L II, along with a 1.4x III and a 2x III filled the handheld and wider focal lengths needs. And did so remarkably well.
My initial comment stirred many inquiries about the 300 II + 2x III combination. I'm not a big extender user, but the Canon EF 300mm f/2.8 L IS II USM Lens is so amazingly sharp that the with-extender results are still remarkable. And I had no problems handholding the with-2x-resulting 600mm f/5.6L IS USM Lens.
I have uploaded a sample picture from this combination for your review. The Brown Pelican image was captured near sunset at f/8 (f/5.6 results are not as sharp), 1/250 with a handheld Canon EOS-1Ds Mark III in RAW format using the Neutral Picture Style (lower contrast for better histogram). The JPG sample was processed in DPP using the Standard Picture Style, sharpness set to "2" (low) and saturation set to "1".
License granted for personal gear-evaluation purposes only.
I will add this full size sample picture to the Canon EF 300mm f/2.8 L IS II USM Lens Review for more-permanent reference.
Apparently the 600EX will also be available without the RF feature in some regions. Check your local region to see if you will have access to this model. (thanks Ben)
Canon USA has issued an official response to the 5D III IS noise issue:
“We have acknowledged that when using the camera with specific lenses, there is an abnormal noise during IS operation when the shutter button is pressed halfway (or remains pressed halfway), and we are now considering the countermeasures. We will let you know about the countermeasures as soon as they are finalized”
Note that image quality is not affected by the abnormality. Also note that this noise does not occur during Live View including during video capture.
Adobe Photoshop Lightroom 4.1 Release Candidate is now available for download.
New Camera Support
The last two posts at Lightroom Journal are worth reading.
Confirmed: The Canon EF 200mm f/2.0L IS USM Lens' image stabilization system makes a modestly-disturbing churning sound when used on the Canon EOS 5D Mark III in AI Servo AF mode. The same sound is made briefly when the shutter release button is released in One Shot AF mode.
I do not know if this is a problem or not. IS appears to be working properly and the images created during the strange sound are quite sharp. I'll let Canon know (others may have already done so).
Tom Hogarty, Lightroom Product Manager, has announced in a blog post that an update to Adobe Photoshop Lightroom 4 is expected to be released as early as this week.
Especially good news is that, along with many bug fixes, this update will add support for Canon EOS 5D Mark III RAW files.
Taking a new approach to padded dividers in backpacks is TrekPak. (thanks Jeffrey)
Taking a new approach to camera body plates is Custom SLR with their M-Plate.
Clarification: the M-Plate Kickstarter project is funded and he M-Plate is now available from Custom SLR.
Please note that we are rapidly approaching B&H's passover closing - plan your purchases accordingly:
B&H will be closed Friday April 6th in observance of Passover and will reopen on Sunday April 15th at 10:00AM EDT. Orders must be placed by 4:00PM EDT on Thursday April 5th in order to ship before the Holiday. Orders placed after this time will ship when we reopen.
Modifications enabled with version 2.3.1:
• Support for the Coolpix S30 has been added.
• When images to which voice messages recorded using the Leave a message and Leave a reply options built into the COOLPIX S30, have been attached are transferred with Nikon Transfer 2 Ver. 2.3.1, the two voice messages are transferred as a single audio file. The audio file will be created with the same file name as the image, but with the extension “.wav”.
From Canon U.S.A.:
CANON U.S.A. ANNOUNCES GOOGLE CLOUD PRINT™ SUPPORT FOR SELECT PIXMA PRINTERS
LAKE SUCCESS, N.Y., March 27, 2012 – Canon U.S.A., Inc., a leader in digital imaging solutions, today announced that the PIXMA MG8220 and MG6220 Wireless1 Photo All-In-One (AIO) inkjet photo printers now support Google Cloud Print™ 2 allowing users to print from Gmail™ and Google Docs™ on a mobile device and from the Google Chrome™ browser for Mac, Windows, Linux, and Chrome devices. With Google Cloud Print, you can print from wherever you are, from applications you use every day. You can even share your home and work printers with anyone you choose. The PIXMA MX892 Wireless Office AIO inkjet printer is also scheduled to provide the same support in May.
“We are excited to work with Google on the addition of this connectivity feature on our PIXMA printers,” said Yuichi Ishizuka, executive vice president and general manager, Imaging Technologies & Communications Group, Canon U.S.A. “In today’s world, we understand that consumers are always interested in additional connectivity options to print their important photos and documents and we are more than happy to be able to deliver this new feature to our users today.”
"We designed the Google Cloud Print service to make it easy to print to a home or work printer directly from any app or device that you use every day," said Mike Jazayeri, Product Management Director at Google. "It's exciting to see that the latest range of Canon printers are Google Cloud Print ready, offering people a seamless printing experience."
For further details on Google Cloud Print™ and the compatible PIXMA printers, please visit
Sans press release, the Nikon 18-300mm f/3.5-5.6G ED AF-S DX VR Nikkor Lens has shown up on Nikon UK's website. Here are the details:
High-powered DX-format zoom lens with wide-angle to super-telephoto reach. Built to handle diverse situations, this all-round lens offers an ultra-high 16.7x zoom ratio with an incredibly wide 18-300mm focal range.
Nikon’s second-generation Vibration Reduction system delivers sharp results, even when shooting handheld at the super-telephoto end of the range, and enables a steady image in the camera’s viewfinder. The high quality optical design boasts three ED glass elements for outstanding sharpness and contrast. A practical zoom-lock switch keeps the lens secure when not in use.
Incredibly versatile, this lens is perfect for travel, or for days when you only want to take one lens out with you.
Focal length: 18-300 mm
Maximum aperture: f/3.5-5.6
Minimum aperture: f/22-32
Lens construction: 19 elements in 14 groups (including 3 aspherical lens elements and 3 ED lens elements)
Angle of view: 76°-5°20'
Focusing: Nikon Internal Focusing (IF) System with autofocus controlled by Silent Wave Motor and separate focus ring for manual focus
Minimum focus distance: 300 mm focal length: 0.45 m (1.48 ft) from focal plane
Maximum reproduction ratio: 1/3.2x
No. of diaphragm blades: 9 (rounded diaphragm opening)
Filter-attachment size: 77 mm (P=0.75 mm)
Dimensions: Approx. 83 mm diameter x 120 mm (distance from camera lens mount flange)
Weight: Approx. 830 g (29.3 oz)
I am getting a lot of email asking about the Canon EOS 5D Mark III and the image softness issue. Let me clarify what I'm seeing:
The Canon EOS 5D Mark III is Delivering Very Sharp Images
There is a softness issue, but it appears to be completely isolated to the Canon Digital Photo Pro software's "High quality" RAW conversion algorithm.
You can see the sharp 5D III images in DPP's quick viewer and in the Edit window with preferences set to High speed. The issue appears to be completely in DPP's High quality processing algorithm.
Canon has been in touch with me again this morning and appears very eager to resolve the problem. My personal expectation is that the problem resolution will be in the form of a DPP update. The 5D III appears to be fine from my perspective. I have no intentions of returning my camera - I'm having far too much fun with it.
From Nikon UK:
Nikon UK can confirm a correction to the originally published recommended retail prices (RRP) on the D800, D800E and D4 products.
Due to a local internal systems error, the incorrect RRPs on the D800, D800E and D4 products were communicated in the UK and Irish markets at the time of announcement. The correct RRPs for the products should have been D4: £5289.99, D800: £2,599.99 and D800E: £2,899.99. We would like to apologise sincerely to our customers for this unfortunate mistake, which has been corrected with immediate effect. We know that there has been strong consumer interest in these products and a high level of pre-orders placed with retailers; Nikon will be honouring the original prices to retailers on all customer pre-orders placed before March 24th 2012.
From Adobe: Beginning today, "customers who purchase Creative Suite 5.5 (CS5.5) software will receive a complimentary upgrade to CS6 when it becomes available. No coupon code necessary, offer valid in North America and the European country stores listed below."
North America Store: Buy CS5.5 now and get CS6 at no additional cost. Offer ends May 6, 2012.
European Store: Buy CS5.5 now and get CS6 at no additional cost. Offer ends 6 May, 2012.
(Austria, Belgium, Czech Republic, Denmark, Finland, France, Germany, Ireland, Italy, Luxembourg, Netherlands, North America, Norway, Poland, Portugal, South Africa, Spain, Sweden, Switzerland, Turkey, and The UK.)
I've received lots of emails and have had more communication with Canon about the problem with Digital Photo Professional generating soft images from Canon EOS 5D Mark III RAW files.
There are currently two workarounds to this problem.
The first workaround involves changing the DPP "Viewing and saving RAW images" preference (in the "General settings" tab of the "Preferences" menu selection) from "High quality (recommended)" to "High speed". In High Speed mode, the noise reduction palette cannot be used and moiré correction is not performed, but 5D III images are rendered sharp. DPP's Quick Viewer (which displays 5D III images properly) displays images at high speed, so that this solution works is not surprising.
The second solution is to use a third party RAW converter - namely Adobe Camera Raw 6.7 RC. You can use ACR 6.7 RC to output DNG files for use in Lightroom 4 - which will not support the 5D III natively until a point release.
I do not plan to update the color block noise comparison on the Canon EOS 5D Mark III Review page until Canon corrects the problem because I can see a difference between High Speed and High Quality in my 5D II images. You can too - look for the false color in the "5D II Quick View" example that is not present in the "5D II Edit Window" example currently on the 5D III review page.
My case with Canon remains open and has been escalated. I'll let you know when I learn anything new about the 5D III DPP softness problem. Thanks to everyone that contributed to this post.
I've been pouring many hours into adding a set of noise comparisons to the Canon EOS 5D Mark III Review page, but the road has been a rough one.
My first take is that the Canon EOS 5D Mark III is an awesome camera, but Canon's Digital Photo Pro software has made the road to showing you this a difficult one. Let me explain this further on the Canon EOS 5D Mark III Review page itself.
I have lowered the pricing on my currently-available used gear for sale - including a Canon EOS-1Ds Mark III.
Apple Digital Camera RAW Compatibility Update 3.11 is now available for download.
Support for the Nikon D800 is the added functionality. The complete list of supported RAW formats can be found here.
Nikon Wireless Transmitter Utility 1.3.1 (Full Version) is now available for download.
Support for the Nikon D800 is the added functionality.