Tamron is on a roll with their Di III lenses.
Ultra-light and ultra-tiny has big value.
This could be an image you captured. Contact me ASAP to sign up for the Brown Bear Chasing Salmon, Remote Katmai National Park, Alaska instructional photo tour!
Dates: Thu, September 17 to Fri, September 24, 2020
This is a very nice little lens.
Find out how this ultra-wide aperture Sony lens stacks up!
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Impact damage, sensor scratches, and shutter failure, oh my! Roger, Aaron, and Joey are back and this time they’re talking about all the ways you can break a camera, what can be fixed and what is always a kiss of death. From discussing the most common damage they see on returned gear, to repairs you might be able to tackle at home, Roger, Joey, and Aaron discuss how to take care of your camera bodies, and what do expect when something breaks.Listen to the podcast on the LensRentals Blog, Apple Podcasts, Spotify, Google Podcasts, or YouTube.
We were told that this lens could be slightly sharper than the excellent Canon RF 85mm F1.2 L USM Lens and it is that.
Check out the Canon RF 85mm F1.2 L USM DS Lens vs. Canon RF 85mm F1.2 L USM Lens comparison to see that impressive performance.
The leg locks are awesome and contribute heavily to making this the best monopod I've used.
This is a great little backpack for a mirrorless or a small DSLR kit.
As you can probably tell from our struggles doing this disassembly, the Nikon Z lenses are very different than their legacy lenses. They’re also different than what we’ve seen from other manufacturers. That suggests Nikon Z lenses, like Canon R lenses, are a completely new optomechanical design, probably done entirely in-house.Check out the full Nikon Z 24-70mm f/2.8 S Lens Teardown.
The engineering itself is incredible in most ways. The neatly laid out and solidly adhered flexes reflect the careful design. The taping of every possible point that Loctite or anything else could get in the lens does, too. The design is logical and clean; the difficulties in the tear-down were ours. Now that we know our way around, disassembly won’t be bad at all.
This year, Mr. Incredibull was a 7x7 (referencing 7 points on each antler) with remarkably long G3s (the third point on each side) and long swords (G4s, the fourth point on each side). This morning found the huge elk in my favorite meadow, with short grass and a clean background ideal for photographing in.
While the Sony FE 200-600mm f/5.6-6.3 G OSS Lens is not the ultimate choice for blurring the background (compared to the Sony FE 600mm f/4 GM OSS Lens for example), it's zoom range has very strong benefits. The 600mm prime does not do 500mm, the focal length needed for this image.
This bull was not moving fast and permitted a large number of images to be captured. I chose this one as a favorite in part due to the leg position, showing nice separation and a bent front leg conveying a sense of action.
I like as many tines as possible to show in antlered animal images.
With this bull's head tilted up, the tail of the left antler is hidden by the body.
However, I'd rather capture the desirable bugling pose and there is not much that can be done about partial missing antler in this situation.
One tine is hidden on the right antler but the shadow brings that one to light.
Antler shadows are great.
A larger version of this image is available on Flickr.
Tokina atx-m 85mm F1.8 FE worldwide sales date announcement
Jan 17, 2020
The Tokina atx-m 85mm F1.8 FE is the first lens debuting in atx-m series designed to fit Sony E-mount full frame cameras. It is a completely newly designed medium tele photo prime lens in Tokina line-up featuring popular 85mm focal length and fast f/1.8 aperture that is excellent spec combination for shooting portraits, landscapes, street snaps and close up shots.
Sales will commence on February 7, 2020.