by Sean Setters
I'm sure you've seen them before, but in short, a photomosaic is a photo that is made up of lots of individual photos. If arranged and edited properly – and viewed from a distance – the individual tiles transform into one beautiful overall image.
My first experience with photomosaics came in high school. A favorite history teacher of mine had a photomosaic of Abraham Lincoln
adorning his door which utilized pictures of the Civil War as the tiles. It was captivating.
After college I came across a very cool free program – AndreaMosaic
– that allowed users to create photomosaics simply and easily by adjusting a few variables and letting the computer do all the hard work. I created several photomosaics at the time but I hadn't created one in several years before last week.
The good news is that AndreaMosaic is still in development and works better than ever. The desktop application is compatible with Windows XP, Vista, 2000, 2003, Windows 7 / 8 / 8.1 / 10, OS X 10.7 - 10.11, and can even be installed and run from a flash drive (Windows only). And the best news – it's still free
. There are a few very advanced features that are unlocked by purchasing the software, but... my guess is that very few people will feel limited by the features included in the free version.
The ease and simplicity of creating photomosaics – along with the large batch of images necessary to create a good one – make it a perfect add-on for your wedding photography services. Wedding clients typically love
For the example photomosaic seen above, I used a little more than 450 images from a wedding I shot in late 2014 as the individual tiles. The overall image was my favorite shot of the couple, Kim and Brian, on their wedding day.
Below is an enlargement of the happy couple from the photomosaic above: How to Create a Photomosaic with AndreaMosaic
For starters, the more tile images you have to start with, the better off your final photomosaic will look (with fewer duplicates). My suggestion is to create a resized batch of tile images to reduce the algorithmic processing load. I personally used COOLTWEAK
to create a set reduced resolution images that were 800 pixels on the longest side (although I could have resized to an even smaller resolution). If using Lightroom or DPP, simply set the Resize option accordingly in the program's export/batch dialogue.
The main reason for using reduced resolution tile images is that your photomosaics will be calculated and compiled much more quickly, meaning that you can easily modify the various parameters and create several different versions of your photomosaic in a very short amount of time. And since your tiles will likely end up relatively small (depending on your chosen settings), you won't likely miss the incremental resolution you gave up to gain faster processing time (each tile in the photomosaic seen above is only 120 x 80 pixels at full-resolution).
Once your tiles are ready, the next step is to open AndreaMosaic. You'll be greeted with the following screen:
As you are visiting this site, you are probably most interested in the "DSLR Tiles (3:2)" option, and that's what I chose for creating the example atop this post. After that, another window will appear:
Now use the "+" button at the top of the window to point AndreaMosaic to your main mosaic image. Using a full resolution file is preferable here, as it gives the program the best chance to closely match details using the tile images.
Next, click the stacked images below the number "2" to select your tile images. The program will bring up another window. Click the Add Images or Add Folder buttons to specify your tile images.
Now click "Save List" to save this collection of tile images. Doing so will expedite the process of creating future photomosaics with the same images. The program will then analyze your tiles and provide some handy information on them.
Notice the part at the bottom that says, "307 Landscape images, 157 Portrait images" from my example tile set. It's important to note an approximate ratio of landscape to portrait images as it will help us choose an optimal Pattern algorithm later on. Click the OK button to return to the main parameters window.
The Size Parameters
will vary widely based on need, but I chose to create a [roughly] 20 MP image at 300 PPI. Because details in my overall image are quite small, I chose a relatively large number of tiles per row (30) because smaller tiles will help define smaller details. If your overall mosaic image has larger (and fewer critical) details, you can easily choose a lower number of tiles per row. However, if your photomosaic features a relatively small number of tiles per row, your individual tiles will have to be large enough in resolution to fill the row accordingly.
The Tile Parameters
, just like size parameters, will vary significantly from user to user and from job to job. For my image, I set the Pattern
option to "Mixed (2.0L 1P)" because I had roughly a 2-to-1 ratio of landscape to portrait images in my tile set, meaning that the program should utilize my tile set more effectively (with less need for duplication) using that option. I also could have chosen "Parquet (2L 1P)" or "Mixed2 (2.0L 1P)" for similarly tile-efficient results but with a different looking pattern. If you resized your tile images as advised, you can easily try several different tile variations in a short amount of time to see which one best suits your overall image and intended use.
Note that some of the features, like certain patterns and select 1/2 and 1/4 tile options, are only available to those who donate at least $2.00
to the developers.
Let's take a look at the next set of options – Use same tile up to
, Duplicate spacing
& Color Change
By default, AndreaMosaic will analyze your tiles and attempt to use the place them in the overall image where it calculates they look best. This means some of your image tiles may get used significantly more than others. To minimize duplication, you can limit how many times the program utilizes any one tile with the Use same tile up to
One way AndreaMosaic helps you improve the look of your photomosaic is to allow you to space out duplicate tiles with the Duplicate Spacing
option. I chose the "5 tiles minimum" spacing option, but if you're starting with a large number of tiles (with less need for duplication), you might want to set this value even higher for optimal results.
The next option, Color Change
can have a huge impact on how your final photomosaic will look. If you set this value to a low percentage, your final photomosaic may not be recognizable as far as the overall image is concerned. Setting this value to a higher number will ensure that the overall photomosaic is a good representation of your featured image, with the downside that each individual tile will be automatically adjusted to a higher degree. For my purposes, I chose "65%."
The next set of options is the Tile Variants
. These parameters are here to help bolster your number of tiles available (reducing duplicates) by allowing rotated, mirrored and flipped images. Note that the "Integral Tiles" option is new (it isn't even shown in the User Manual that's installed with the program) and, from my understanding, is supposed
to keep your final row intact (uncropped) by adjusting the overall dimensions of the image slightly to accommodate for any discrepancies in sizing. Unfortunately, my final row was cropped even though I left a checkmark beside the option.
You can save your parameters in the Load/Save Settings
section for future use and/or specify file type, mosaic filename/save location using the More Options icon located at the top/right of the window. When ready, simply click the Mosaic icon at the top of the window (it has a "3" beside it) to compile your photomosaic.
And voilà! Your photomosaic will be created after processing.
Keep in mind, the photomosaic market isn't limited to wedding couples. Hospitals, large businesses and any medium-to-large sized organization will likely enjoy seeing their logos comprised of hundreds of images of their employees or group members. And creating a photomosaic is an excellent way to generate income through large print sales and billable hours of photography services necessary capturing the tile images.
As I noted earlier, a donation
of at least $2.00 will unlock a few additional features of the program. If you need even more flexibility in creating photomosaics, you can unlock Professional options with a $35.00 donation
What do you get with the Professional version of the software? Take a look at the following screen shot from their User Manual.
Want to create a 100 Gigapixel photomosaic? The price for the Professional version of the software will be well worth the investment. And even if you don't plan on making photomosaics that ambitious, you might consider throwing a few dollars the developers' way to thank them for providing an excellent profit-generating program.
The DJI Phantom 4's Active Track and Obstacle Avoidance features were heavily hyped during the product launch, but the question remains - just how reliable are the new features? Early purchasers are now finding out.
Here's a small bit of advice if you have a new DJI Phantom 4 headed your way - try not to be overconfident in the Phantom 4's new technology. Always be aware of your drone's surroundings and understand the limits of its capabilities. [Sean]
From the LIXI Studios Vimeo Channel:
We just got the new DJI Phantom 4 here at Lixi Studios, and decided to try the new Active Track feature in the most ironic way: by trying to track the DJI Phantom 3!
We also do a review of the new features, show off test footage, compare it with the DJI Phantom 3, and participate in our usual hijinks along the way. B&H
has the DJI Phantom 4
available for preoreder.
TOKYO, March 28, 2016—Canon Inc. announced today that the Company will begin accepting entries for its New Cosmos of Photography 2016 (39th edition) photo competition on April 20. The New Cosmos of Photography is Canon’s cultural support project to discover, nurture, and support new photographers who pursue new possibilities in creative photographic expression. Aiming to incorporate diverse perspectives, the number of judges for this year’s competition will be increased to seven toward the realization of an even more open photo exhibition.
Entries for New Cosmos of Photography 2016 will be accepted between April 20 and June 15, 2016, while the Excellence Award selection committee is to meet in July to choose seven Excellence Award winners and fourteen Honorable Mention Award winners. Later, in November, the Grand Prize selection committee is scheduled to meet to select one Grand Prize winner from among the seven Excellence Award-winning entries.
The Grand Prize winner of this year’s competition will receive not only JPY 1 million in prize money and a Canon product, but as an added bonus will be granted the right to hold a solo exhibit at the exhibition of winning entries for next year’s New Cosmos of Photography. Additionally, to encourage the continued pursuit of their creative activities, 2016 Excellence Award and Honorable Mention Award winners will each receive prize money and the right to display their works at this year’s exhibition of winning entries.
For additional information about this year’s New Cosmos of Photography competition, visit the New Cosmos of Photography homepage at: www.canon.com/scsa/newcosmos/
According to the Egami Blog
, Sigma has patented the optical formula and technology for a 24-70mm f/2.8 DG OS HSM | Art lens. Patent Details
Patent Publication No. 2016-38502
- Published 2016.3.22
- Zoom ratio: 2.74
- Wide-angle intermediate telephoto
- Focus distance: 24.85 50.00 68.00
- F-number: 2.92 2.92 2.93
- Angle of View: 83.71 45.71 34.33
- Image height: 21.63 21.63 21.63
- The total lens length: 150.73 167.12 178.30