In this tutorial I will demonstrate a classic technique to match colors in Adobe Photoshop. I discovered this technique in the beginning of time and it is still just as helpful today. This technique uses the RGB, grayscale channels to adjust colors within an image.
According to a recent press release, Canon is planning on purchasing roughly 14 million of its own shares – at an estimated cost north of $450 million dollars (50 billion yen) – with the "...aim of improving capital efficiency and ensuring a flexible capital strategy that provides for such future transactions as share exchanges."
The stock acquisition is scheduled to take place June 1 through July 14, 2017.
Note: At Canon's current stock price ($34.79 USD at the time of this article), they would only be able to purchase 12,976,343 shares with a 50 billion yen investment. [Sean]
The Production Brief covers many of the features found in the C200, including the detached touch-screen monitor, built-in dual rotary ND filter and 4-channel audio. The Post-Production Brief covers available recording formats including Cinema RAW Light.
With a moderate temperature and sparse clouds overhead, I set off with the goal of photographing a local marsh with my infrared converted Canon EOS 7D and EF-S 10-18mm f/4.5-5.6 IS STM. I was particularly interested in photographing the dormant trees often found in such locations. After a little exploration, I found an area behind an apartment complex that seemed perfect. The marsh was mostly dry and featured obvious walking paths used by nearby residents.
The dry marsh featured dozens of dormant trees which I intended on photographing as my primary subjects, using the wide, flat marsh and blue sky as a backdrop. However, I photographed several trees but was unsatisfied with my results.
And then I started thinking about my composition. A good landscape image needs to have a distinct foreground, middle and background, or else it needs an element that guides the eye through the composition. When photographing the trees with an ultra-wide angle lens, the images had a distinct foreground and background, but the lack of an element clearly connecting the two – guiding my eye through the scene – resulted in boring photographs. With that revelation and a fresh set of eyes looking at the scene, I began searching for ways to connect the foreground and background in the composition. The answer appeared just beneath my feet.
The curved pathway that snaked through the scene seemed ideal for leading a viewer's eye through the image. If the path had been straight, it wouldn't have had the same effect. But with a gentle S-curve running from the foreground through the middle part of the image, the resulting composition (including interesting clouds) proved to be my favorite shot from this outing. Of course, the image doesn't feature one of the trees I was so anxious to photograph, but... the trees aren't going anywhere, so I'll likely try again another day.
United Kingdom, Republic of Ireland, 31 May 2017 – Canon Europe, world leader in imaging solutions, today announces the launch of the EOS C200, the latest addition to the esteemed Cinema EOS range. Offering exceptional creativity and flexibility, the new 4K compact digital cinema camera is perfect for a broad range of imaging professionals.
As the first Cinema EOS camera to support the new RAW recording format – Cinema RAW Light – the EOS C200 provides the same flexibility in colour grading as Cinema RAW in a smaller file size, enabling filmmakers to record internally to a CFast 2.0 card.
Newly developed Canon Dual DIGIC DV6 processors provide the ability to record internally 4K UHD/50P MP4, 4K DCI RAW and continuous 120fps High Frame Rate (HFR) in Full HD without crop. At the same time, advances in Dual Pixel CMOS Auto Focus (AF) technology and a new touch screen LCD monitor provide smooth AF operation and effective tracking.
Capability drives creativity
The EOS C200 features Canon’s 4K Super 35mm CMOS sensor with an effective pixel count of 8.85MP, along with the newly developed Dual DIGIC DV6 image processors. As a result, it can deliver Cinema RAW Light recording at 4K DCI 50P internally to a CFast 2.0 card. It can also deliver 4K UHD recording at 150Mbps, and 2K or Full HD at 35Mbps to SD cards in MP4 format.
Supporting up to 15-stops of dynamic range with Cinema RAW Light and up to 13-stops of dynamic range in MP4 (Canon Log / Log 3), the camera is perfect for capturing highlight and shadow details.
The EOS C200 is also capable of delivering both slow and fast motion recording at up to 120fps with no crop in Full HD/MP4, ideal for those wanting creative slow motion capture.
An ISO range of 100 to 102,400 guarantees excellent performance, even in difficult lighting conditions, such as when quickly switching between locations. The built-in optical ND filters of up to 10 stops provide further flexibility and convenience, allowing filmmakers to shoot in bright light and expand the depth of field control.
Advanced operability and ergonomic design
Built for professionals and ideal for single shooters, the EOS C200 features an advanced AF system that provides reliability and accuracy when shooting 4K, as well as a touch screen LCD panel for filmmakers to easily select their subject. For those who need to switch effortlessly between several subjects in a single shot, the Dual Pixel CMOS AF enables smooth AF operation whilst the Manual Focus Assist Function, Face Detection with Face Priority and Face-Only options provide greater creative focus control.
The EOS C200’s lightweight body of just 1.4kg is designed for comfortable hand-held shooting and will benefit those who are filming for long periods. The compact size also makes the camera suitable for mounting onto a drone or gimbal.
Built-in Wi-Fi and Ethernet connectivity allows for browser remote control and the ability to transfer files via FTP, whilst the camera’s compatibility options mean new and existing accessories can be used, including Canon’s electronic viewfinder - the EVF-V70.
Cinema RAW Light for next generation workflows
Canon has worked with several partners to ensure Cinema RAW Light is integrated with various software programs. As a result, editing and grading of the Cinema RAW Light video format will be supported in DaVinci Resolve of Blackmagic Design. Editing will be possible in Media Composer from Avid Technology, using Canon RAW Plugin for Avid Media Access. This format can also be processed using a Canon application, Cinema RAW Development.
Support for Cinema RAW Light is also scheduled for EDIUS Pro, Grass Valley’s editing software, during 2017. Additionally, a future version of Final Cut Pro X from Apple Inc. will support Canon’s Cinema RAW Light, using Canon RAW Plugin for Final Cut Pro X.
Future Firmware upgrade
Canon’s XF-AVC video format will be available with a future firmware upgrade. This upgrade is free of charge and is planned to be available from 1H 2018.
EOS C200 key features:
Internal 4K recording with Cinema RAW Light and MP4 format
Continuous 120fps (maximum) High Frame Rate with no cropping at Full HD
Up to 15-stops dynamic range (Cinema RAW Light)
Professional High Quality image and audio
Dual Pixel CMOS AF with touch control and extensive shooting functions
So. Burlington, VT – May 30, 2017 – LPA Design, manufacturers of PocketWizard Photo Products, the global leader in reliable wireless control of cameras, flash lighting and light meters, announces the new FlexTT6 Transceiver for Canon – the latest in PocketWizard’s flagship TTL radios. With new under-the-hood technology, it is compatible with the Canon 5D Mark IV, 1D X Mark II, 80D, 77D, T7i and T6 cameras, along with Canon’s 600 EX II-RT and 430 EX III-RT flashes. It is legacy compatible with more than 20 additional Canon cameras and flashes. The FlexTT6 addresses faster camera sensor speeds and is future-proof for next generation camera releases. The new FlexTT6 includes all the features and reliability as the FlexTT5, such as TTL, HSS and PocketWizard’s patented HyperSync technology.
“Owners of newer Canon cameras can now access the remarkable wireless TTL technology pioneered and patented by PocketWizard,” comments Karen Marshall, CEO of LPA Design. “Our engineering team was able to conquer the challenges presented by faster camera sensors with this hardware solution.”
The FlexTT6 is forward, backward and cross-compatible with the PocketWizard family of wireless radios. This includes compatibility with the FlexTT5 as a receiving radio, as well as the entire line of Plus radios, the MultiMAX, MiniTT1, AC3 ZoneController and Control TL receivers.
“We remain focused on the essential value and reliability of the PocketWizard family of wireless gear for our photographers. Add the FlexTT6 to your gear bag, get your flash off your camera and you are ready to shoot with new and older Canon cameras supported by your PocketWizard wireless radios”, said Marshall. “Our customers also tell us that in an increasingly overcrowded 2.4 GHz smart device world that our unique 344 MHz (FCC) and 433 MHz (CE) radios cut through the wireless clutter delivering reliability every shot,” said Patrick Clow, Manager of Customer and Technical Support.
Patented HyperSync technology allows photographers to shoot at higher sync speeds, over power the sun, stop action, and control both ambient light and flash at the same time. HSS allows for shooting wide open apertures (up to 1/8000th) in bright sun with speedlites for amazing lighting effects.
“At PocketWizard we’re here for one reason, to create and support products that allow you to take your best image every time,” added Clow.
The new FlexTT6 for Canon will be available at retail and on line in the US and Canada starting June 8, 2017.
Whether Exploring New Heights on the Slopes or Diving Off-Shore, Share-Worthy Images and Videos Are Easily Captured with the COOLPIX W300
MELVILLE, NY – Today, Nikon Inc. introduced the new COOLPIX W300, a rugged compact camera designed to capture and share high-quality images and 4K UHD video of any adventure with ease. The waterproof, shockproof, freezeproof and dustproof W300 is well-equipped with intuitive features to chronicle an action-packed excursion, whether a user is hiking, camping, skiing or relaxing on the beach. The W300 makes it easier to shoot in the moment with an improved grip and handling, a large 3-inch LCD display and a 5x optical zoom NIKKOR lens with an exceptionally wide field of view. Furthermore, the W300 allows users to seamlessly share their latest adventures with built-in Wi-Fi3 and Bluetooth2 via the Nikon SnapBridge app1.
“For those experiencing a once in a lifetime vacation or adventure, the COOLPIX W300 is an exciting rugged and lightweight camera option, offering an advanced feature-set that delivers stunning image quality, improved handling and advanced performance to easily capture fast-action moments and 4K UHD video,” said Kosuke Kawaura, Director of Marketing and Planning, Nikon Inc.
Handle Rugged Situations: The Durable Nikon COOLPIX W300
Featuring a 16-megapixel CMOS back-side illuminated (BSI) sensor, the COOLPIX W300 captures life’s adventures in stunning quality, even in low-light. Built to withstand even the toughest outdoor elements, the robust COOLPIX W300 offers a waterproof (100ft. / 30m), freezeproof (14F / -10C), dustproof and enhanced shockproof (7.9ft. / 2.4m) camera body that any outdoor enthusiast could appreciate. Whether exploring underwater or venturing out in a snowstorm with gloved hands, the adventurous photographer will feel confident capturing moments with ease due to the camera’s increased grip area and ergonomically improved shutter button placement.
The W300 is the ideal companion for exploring remote areas, as users can pinpoint precise locations using the built-in GPS to recall exactly where that stunning image of a hidden natural wonder was captured. Additional outdoor-friendly features include the ability to go off the beaten path with Points of Interest (POI) and mapping functions, as well as an altimeter and depth gauge. The camera also has a dedicated button to activate an LED light for illumination, and a new Active Guide function to easily display location and altitude data at a glance.
Additionally, with built-in Wi-Fi and Bluetooth connectivity, images can transfer automatically to a photographer’s smart device so that family and friends can instantly view vacation highlights. When connected, users can also operate the camera remotely with a smart device to capture new perspectives and explore their creative potential.
Capturing Incredibly Stunning Images and 4K UHD Video
The COOLPIX W300 allows the user to get close to the action with a 5x optical zoom wide-angle lens (f/2.8-4.9) and 10x dynamic fine zoom for detailed images from far-away distances, even in challenging light. The camera’s hybrid VR technology provides up to three stops of compensation to capture sharp images and smooth 4K UHD (3840×2160/30p) videos, great for when snorkeling or rock climbing. Additional video features include a variety of creative functions, such as time-lapse and superlapse recording to offer a unique perspective of once-in a lifetime adventures.
Price and Availability
The COOLPIX W300 will be available in Summer 2017 in orange, yellow and black for a suggested retail price (SRP) of $389.95.
MELVILLE, NY – Today, Nikon announced three exciting new wide-angle NIKKOR lenses to give a diverse array of users’ brilliant image quality and maximum versatility whether shooting vast landscapes, architecture, interiors, events and many other wide-angle applications. The new ultra-wide zoom and lightweight DX-format AF-P DX NIKKOR 10-20mm f/4.5-5.6G VR is an excellent value for budding shutterbugs and novice shooters looking to explore a wide-angle point of view, while the new AF-S Fisheye NIKKOR 8-15mm f/3.5-4.5E ED is an FX-format circular fisheye zoom lens for photographers and content creators who desire a truly unique perspective. Lastly, the new AF-S NIKKOR 28mm f/1.4E ED is a superior prime lens that provides professional and advanced photographers the ultimate in wide-angle image quality. Both the AF-S Fisheye NIKKOR 8-15mm f/3.5-4.5E ED and AF-S NIKKOR 28mm f/1.4E ED are the latest additions to the Gold Ring Series of NIKKOR lenses, a mark identifying Nikon’s premium lens offerings.
“Nikon continues to push the limits of optical excellence, while making new perspectives more attainable than ever before with our latest wide-angle NIKKOR offerings,” said Kosuke Kawaura, Director of Marketing and Planning, Nikon Inc. “Whether a photographer is a novice learning the art of landscapes, an enthusiastic video creator or a working professional shooter, Nikon now makes the wide-angle perspective achievable for everyone.”
The AF-P DX NIKKOR 10-20mm f/4.5-5.6G VR – Ultra-Wide Zoom Lens That’s Compact and Portable
The new NIKKOR 10-20mm is an ultra-wide-angle DX-format zoom lens that opens new perspectives and possibilities for those new to photography, and is ideal for shooting travel and scenery, real estate, large group portraits or vlogging. This new lens combines superior image quality and an attainable price to give consumers wide-angle versatility with a lens that’s remarkably compact and lightweight.
Like all NIKKOR lenses, the new AF-P DX NIKKOR 10-20mm f/4.5-5.6G VR provides advanced optical technologies for stellar image quality in any light, whether shooting a sun-drenched coastal vista, tight spaces or the night sky. The lens features the equivalent of 3.5 stops1 of Vibration Reduction (VR) performance, to help capture sharp images while handheld or in challenging light. Additionally, it utilizes Nikon’s Pulse Motor technology for super-fast and whisper quiet AF operation- which is especially useful when recording video. The optical formula contains three aspherical elements for excellent image quality with minimal distortion even at the widest focal length.
This is a versatile lens that not only excels at shooting expansive horizons, but also offers a remarkably close working distance that’s useful for images or showing up-close details when making product-related videos or how-to content. To get closer to capture small objects with big details, the lens has a close minimum focusing distance of only 8.6 inches (0.22 meters), bringing small objects to life in glorious size.
AF-S Fisheye NIKKOR 8-15mm f/3.5-4.5E ED – Circular Fisheye for Photographers and Content Creators
Nikon’s first fisheye zoom gives photographers and filmmakers an FX-format lens with the look and feel of a circular fisheye and the versatility of a full-frame fisheye, all in one lens. The new lens design provides a creative circular 180-degree vertical / horizontal angle of view on full frame cameras, and zooms to a non-circular fisheye view (180-degree diagonal angle of view) on the long end of the focal range. The lens can also be used on DX-format cameras for a distinctive point-of-view and extreme wide-angle applications. When looking to push creative boundaries, the intriguing perspective from a fisheye lens should be considered to provide a distinct look to your photos and videos, such as a dramatic emphasis on a subject or an extremely wide interior point of view.
The AF-S Fisheye NIKKOR 8-15mm f/3.5-4.5E ED is also the latest in Nikon’s Gold Ring Series of premier lenses and features a next-generation design for high-resolution Nikon DSLR cameras. Made for advanced photographers and creators, this durable lens is constructed of lightweight magnesium alloy, and employs internal focusing (IF) to retain its compact size, even while focusing. It is also Nikon’s latest lens to use an electromagnetic diaphragm for consistent exposure during high speed shooting, or smooth exposure control while capturing video.
The optical formula of the Fisheye NIKKOR 8-15mm consists of three ED elements to reduce chromatic aberration, while two aspherical lens elements minimize coma, even at the widest aperture, and enable a more compact lens size. Additionally, the front lens element is coated with Nikon's non-stick Fluorine coat to help resist dirt, fingerprints and smudges, while Nikon’s exclusive Nano Crystal Coat helps reduce ghost and flare.
AF-S NIKKOR 28mm f/1.4E ED – The Latest in The Gold Ring Series of f/1.4 Primes in the NIKKOR Line
The new AF-S NIKKOR 28mm f/1.4E ED is Gold Ring glass that provides maximum versatility for outstanding definition and sharpness regardless of shooting scenario. With a fast f/1.4 maximum aperture and nine blade rounded diaphragm, it affords a shallow depth of field with gorgeous bokeh and stellar low light performance, making it a great choice for shooting low light landscapes, interiors and events.
The superbly balanced and solid body is composed of lightweight magnesium alloy, and features dust and water drop resistant sealing to withstand the elements, combined with a fluorine coating to resist dirt and smudges. The optical construction of the lens is engineered for the best possible wide-angle image quality. It consists of 14 elements in 11 groups, with three aspherical elements that virtually eliminate coma, aberration and distortion, with two ED glass elements that minimize chromatic aberration. The lens also uses Nikon’s Nano Crystal coat to reduce instances of ghosting and flare.
The new AF-S NIKKOR 28mm f/1.4E ED is a welcome addition to Nikon’s stable of impressive f/1.4 primes that give professional photographers and creators the highest levels of image quality and performance, which also include; The AF-S 24mm f/1.4G ED, AF-S NIKKOR 35mm f/1.4G, AF-S NIKKOR 58mm f/1.4G, AF-S NIKKOR 85mm f/1.4G and AF-S NIKKOR 105mm f/1.4E ED.
Price and Availability
The Nikon AF-S Fisheye NIKKOR 8-15mm f/3.5-4.5E ED will be available immediately for a suggested retail price (SRP) of $1249.95. The AF-P DX NIKKOR 10-20mm f/4.5-5.6G VR and AF-S NIKKOR 28mm f/1.4E ED will be available in late June for a suggested retail price (SRP), $309.95 and $1999.95, respectively.
In this episode Mark Wallace demonstrates three ways to add light to interior room to match the bright light from the sun. After watching this tutorial you'll be able to balance the light so your interior shots look natural with the light from outside. Mark shows how you can use a speedlight, a small off-camera flash, and even a fully manual studio setup.
Note: Instead of using high-speed sync, you can also use ND filters to reduce the shutter speed required for a proper exposure to arrive at a shutter speed at or below your camera's max flash sync speed. [Sean]
Before we address the need for off-camera flash, it's vital to understand why investing in any flash – whether it be an on-camera shoe-mount flash or a studio strobe – is worthwhile. While beautiful, natural, soft ambient light is ideal, many times circumstances don't line up with pre-scheduled portrait sessions. With a flash (or multiple flashes) in your kit, you gain the ability to create the ideal light wherever and whenever you need it.
Now let's say you have invested in a shoe-mount flash. However, with the shoe-mount flash mounted to the camera's hot shoe and pointing forward, you find your portraits don't look quite right. There's a good reason for that. Think of it this way – how often do you view the world with a bright, small sized light emanating from your forehead? My guess is... not often (outside of you spelunkers out there).
When you view the world day in and day out, light is usually generated from many different sources, and therefore, it comes from varying directions (but as we established, rarely from your forehead). One way to change the size and direction of your camera mounted flash's output is to swivel the flash head and bounce the light off of a nearby neutral colored wall or ceiling. For flash owners, this is the first and easiest step to improving the look of images taken using [on-camera] flash. But unfortunately, bounce flash is not a panacea. Sometimes there isn't a nearby surface suitable for bouncing your flash, and other times you may want more control over the light than this option permits.
Now let's consider positioning the flash in a location other than the camera's hot shoe. With the flash off-camera, more natural looking portraits can be created compared to portraits utilizing on-camera (especially bare, pointed forward) flash. With a huge array of light modifiers available, each influencing your flash's light quality in a unique way, the possibilities for creative, compelling and professional looking imagery are endless.
In the next installment in this series, we'll take a look at the various types of off-camera flashes and studio strobes.
We have found that the combination of SIGMA MOUNT CONVERTER MC-11 (SA-E and EF-E) and some of SIGMA's interchangeable zoom lenses may not focus precisely, if it is attached to SONY a9 (ILCE-9), released by SONY in May in 2017. When using AF-S mode and shooting in telephoto range, it could occasionally display the shot is in focus, although it may not properly be focused on the subject.
We apologize for the inconvenience experienced by customers who use these products. We are now investigating the phenomenon and will make a further announcement on the website shortly.
We appreciate your continued support for our company.