Canon, Nikon, and Sony News for Aug 2019

The new Sony FE 35mm f/1.8 Lens is now in stock at B&H and Adorama | Amazon USA | WEX
 
Rent the Sony FE 35mm f/1.8 Lens from Lensrentals.

The new Canon RF 24-240mm F4-6.3 IS USM Lens just arrived in stock at B&H and Amazon USA
 
Rent the Canon RF 24-240mm F4-6.3 IS USM Lens from Lensrentals.

 
From the Adorama YouTube Channel:
 
In this video Gavin will show how to combine low-cost LED bulbs and flash in a small home studio.
 
Normally when Gavin is shooting in his small home studio the lighting he uses is some kind of flash, it's really versatile and bright, but today he's actually going to do a shoot where he balance's flash and LED and combines different lighting types.

From Rokinon
 
New AF 18mm F2.8 Full Frame Compact Lens for Sony E
 
Surprisingly Small but Super-Wide
 
(New York, New York) August 29, 2019 – ROKINON has announced its new AF 18mm F2.8 Full Frame Lens for Sony E mount that is optimized for portability, compactness, and ergonomic handling. It is ROKINON's fourth compact lens designed specially for Sony mirrorless cameras that is surprisingly capable for its size. At 5.12 oz in weight and 1.99" in length, it is the most compact, lightweight, and affordable super-wide angle full frame lens for Sony E mount.
 
The 18mm focal length provides a rectilinear 100.1° super wide angle view that is especially suitable for landscape, interior, architectural, and night sky applications. For Sony APS-C sensor cameras, the focal length is equivalent to 27mm with a 76.2° field of view.
 
Optically, the lens is made up of nine Ultra Multicoated elements in eight groups. Eight specialized lens elements (3 Aspherical, 2 High Refractive Index, and 3 Extra-low Dispersion elements) combine to minimize distortion and ensure high image sharpness, clarity, and contrast.
 
The internal focusing design of the ROKINON AF 18mm utilizes a STM (Stepless Motor) for quiet, smooth and precise autofocusing to 9.8". This also prevents both changes in length and front element rotation to enable easy use of 58mm polarizing and other filters that require precise positioning. This compact wide-angle optic is designed with a metal mount and glass strengthened composite material to reduce weight while increasing durability.
 
The ROKINON AF 18mm F2.8 Full Frame Compact Lens for Sony E is expected to be available in early October with a MSRP of $499.00. It will include a removable petal-shaped hood, lens caps, and a custom fitted case.
 
Order your Rokinon AF 18mm F2.8 Lens from B&H.

Information about the Canon EOS M6 Mark II Camera's 30 fps RAW burst feature was limited at the product launch, so I inquired of the man who seems to know everything about the Canon EOS system, Rudy Winston of Canon USA. Here is the very helpful information Rudy shared with me:
 
RAW burst is a separate line item in the camera’s shooting menu; it’s not one of the listed “Drive” speed choices. So it’s handled like a separate feature, and not just another FPS choice.
 
As the specs suggest, RAW burst fires at up to 30 fps, and will do so for up to 80 shots in a continuous burst, assuming a fast UHS-II compliant SD card is installed. I’ve tried it with UHS-I cards, and gotten around 50 or so images in a burst.
 
There’s a separate Menu choice for “Pre-shooting,” which by default is off. If user-enabled, it starts collecting image data **when the shutter button is pressed half-way down,** and then once it’s pressed FULLY to begin shooting, the last 0.5 seconds worth of images before the full press are recorded to the memory card as well. We’ve seen this before, in the video world, and the idea is if waiting for some split-second event to occur (for instance, a bird on a branch, waiting for it to take off in flight), you get the half-second before you actually reacted and fully pressed the shutter button down.
 
A few other points about RAW burst mode:

• It always records lower-resolution, slightly cropped RAW images (approx. 18 million pixels, 5184 x 3456 resolution); about 75% x 75% (H x V) of the sensor’s full dimensions is used during RAW burst shooting. Obviously, with the electronic viewfinder or LCD monitor, the user always sees the actual recorded image area.
• RAW burst is only possible in Creative Zone shooting modes (P, Tv, Av, Fv, or Manual)
• Processing is 12-bit, vs. 14-bit processing for standard RAW images
• Electronic shutter (only) is active during RAW burst shooting (the maximum drive speed with “mechanical” shutter is the camera’s normal 14 FPS high continuous setting)
• Servo AF **is** possible during RAW burst shooting
• RAW burst images are recorded in a “roll,” and play back in-camera slightly differently than a normal continuous sequence of files.
• RAW images have a “.CSI” prefix when taken in RAW burst mode; a compatible version of Canon’s DPP software (or third-party RAW processing software) is required to view and process them.
• The camera does NOT have to be pre-set to a continuous Drive setting, before activating RAW burst shooting in the Menu.
• At least on my pre-production sample camera, if RAW burst is set on the Menu, and the camera is turned off (or the card is removed), the camera reverts to normal Drive operation, and RAW burst is disabled. I don’t know of a way to force it to stay active if the camera’s turned off, at least at this point.
• Again, on my pre-production camera, it’s not possible to save RAW burst mode to one of the memorized, “Custom” shooting modes (C1 or C2)… if RAW burst is enabled, the Custom Shooting Modes within the Set-up Menu are grayed-out. They immediately are restored if RAW burst is disabled on the Menu.

The last two points MAY be a matter of it being pre-production… don’t have documentation from Japan to confirm or deny, but thought I’d mention it. At this stage of pre-production, I wouldn't’ be surprised if actual production cameras behave the same way as my sample camera.
 
Two of the keys that make RAW burst possible are the use of a DIGIC 8 processor, and most importantly, faster read-out speeds of the new 32.5 MP image sensor (while still allowing Dual Pixel CMOS AF to be carried out).
 
As a practical matter, at least judging from my pre-production sample camera, this feature is VERY sensitive to SD card write speed. A SanDisk UHS-I card, rated at 95 MB/sec, was not sufficient to record anything close to 80 straight images, and the little vertical buffer “scale” on the LCD monitor appeared almost immediately as shooting began. In other words, users should expect to use fast, UHS-II cards to really get the most out of this feature. Fortunately, unlike previous EOS M-series models, the M6 Mark II **is** compatible with UHS-II cards!
 
Thanks for sharing, Rudy!
 
Order the Canon EOS M6 Mark II at: B&H | Adorama | Amazon USA | WEX

From Sony:
 
Sony Electronics Announces Two New APS-C Zoom Lenses for Versatile E-mount System
 
New APS-C E 16-55mm F2.8 G Standard Zoom Lens and APS-C E 70-350mm F4.5-6.3 G OSS Super-Telephoto Zoom Lens Bring E-mount Lens Total to 54
 
SAN DIEGO — August 28, 2019 — Sony Electronics today has announced two new APS-C zoom lenses in the G Lens™ series for their E-mount line-up, including the E 16-55mm F2.8 G standard zoom lens and the E 70-350mm F4.5-6.3 G OSS super-telephoto zoom lens. With this announcement, Sony’s versatile E-mount system now features a total of 54 lenses.
 
In addition to the new lenses, Sony has also introduced two new APS-C Mirrorless Cameras, the Alpha 6600 and Alpha 6100 models, further strengthening the company’s APS-C lineup.
 
“Sony’s ‘One Mount’ solution for both APS-C and full-frame cameras provides creators a unified system for all of their photography and video needs, said Neal Manowitz, deputy president of Imaging Products and Solutions at Sony Electronics. “With a total of 54 different lenses and a growing range of camera bodies, E-mount offers more versatility than any other mirrorless system. We will continue to drive innovation in all aspects of imaging, empowering all creators to capture and create like they’ve never been able to before.”
 
Ultra-Sharp APS-C E 16-55mm F2.8 G Standard Zoom Lens (model SEL1655G)
 
The 16-55mm (24-82.5mm in 35mm equivalent focal length) APS-C standard zoom with a constant F2.8 aperture offers excellent G Lens image quality with outstanding all-around performance. This lens is ideal for both professionals and enthusiasts to capture landscapes, portraits, and everyday snapshots.
 
Key Features

1. Two AA (advanced aspherical) and two aspherical elements suppress aberration for outstanding corner-to-corner G Lens resolution, while three ED (Extra-low Dispersion) glass elements reduce chromatic aberration and color bleeding to a minimum
2. Clear and high image quality by suppressing flare and ghosting by adoption of Nano AR coating
3. 9-blade circular aperture mechanism and precisely controlled spherical aberration ensure beautiful bokeh
4. Bright constant F2.8 optics in a compact, lightweight lens at 494 grams (15.88 oz.)
5. XD (extreme dynamic) Linear Motor – as equipped in G Master™ series lenses – utilized for fast, precise, quiet AF and tracking
6. Professional control and reliability
7. Customizable focus hold button for instantaneous operation
8. Linear Response MF for fine, responsive manual focus control
9. Dust and moisture resistant design in order to deal with difficult outdoor conditions
10. Fluorine coated front element to resist dirt and fingerprints

Compact and Lightweight APS-C E 70-350mm F4.5-6.3 G OSS Super-telephoto Zoom Lens (model SEL70350G)
 
The new E 70-350mm F4.5-6.3 G OSS super-telephoto zoom lens with optimized optical and mechanical design provides excellent G Lens image quality throughout the image area, right out to the maximum 350mm (105-525mm in 35mm equivalent) focal length. High optical performance is combined with the convenience and mobility of a compact, lightweight design, even with 5x zoom. It also includes built-in optical image stabilization, which adds even further stability and convenience to this versatile super-telephoto zoom that is ideal for landscape and wildlife photographers.
 
Key Features

1. Excellent corner-to-corner G Lens image quality all the way to 350mm
2. One aspherical lens suppresses optical aberration and provide outstanding resolution from corner-to-corner
3. Three ED glass elements effectively arranged suppress chromatic aberration and control color blur even at corners
4. Circular aperture contributes to soft, beautiful bokeh
5. Compact, lightweight design at 625 grams (20.09 oz.) makes this 5x super-telephoto zoom remarkably mobile
6. Sony’s advanced XD Linear Motor technology in an APS-C format lens, for fast, precise AF and tracking
7. Excellent control and reliability
8. Built-in Optical SteadyShot™ image stabilization makes it easier to capture images with greatly reduced blur, particularly when shooting at super-telephoto focal lengths
9. A conveniently placed focus hold button can be assigned to a variety of functions via camera body
10. An AF/MF focus mode switch on the lens makes it easy to quickly switch between auto and manual focus to respond to changing shooting needs
11. Engage the zoom lock switch to prevent the lens from extending under its own weight during transportation
12. Dust and moisture resistant design

Pricing and Availability
 
The new E 16-55mm F2.8 G APS-C Standard Zoom Lens will be available in October 2019 and will be sold for approximately $1,400 US and $1,450 CA. It will be sold at a variety of Sony's authorized dealers throughout North America.
 
The E 70-350mm F4.5-6.3 G OSS APS-C Super-telephoto Zoom Lens will be available in November 2019 and will be sold for approximately $1,000 US and $1,000 CA. It will be sold at a variety of Sony's authorized dealers throughout North America.
 
Preorders
 
Preorder the new Sony gear at B&H.

From Sony UK:
 
Sony today announced two new additions to its a(Alpha) APS-C series of mirrorless cameras with the launch of the Alpha 6600 (model ILCE-6600) and Alpha 6100 (model ILCE-6100). These new additions to the range integrate Sony’s advanced technologies into compact and lightweight bodies including leading-edge autofocus performance, superb image quality and the very latest video technologies. The new Alpha 6600 has been designedtoaddress the needs of the most demanding photographers and videographers with its versatility making it suitable for multiple types of shooting scenarios and users. The Alpha 6100 is targeted at users who are looking to make the step-up to shooting with interchangeable lens cameras and wish to shoot high-quality photos and videos in a variety of different situations.
 
The Sony APS-C range has been further strengthened by the launch of two new lenses, the E 16-55mm F2.8 G standard zoom lens and the E 70-350mm F4.5-6.3 G OSS super-telephoto zoom lens. With this announcement, Sony’s versatile E-mount system now features a total of 54 lenses.
 
“Our ‘One Mount’ strategy to continually expand the E-mount system, cameras and lenses with complete inter-compatibility between full-frame and APS-C, means that we want to offer the widest range of exciting products that customers can select from when choosing the right tool for their needs,” said Yann Salmon Legagneur, Director of Product Marketing, Digital Imaging, Sony Europe. “The APS-C market is extremely important to Sony and the Alpha 6600 and Alpha 6100 are both cameras that pack-in the very latest technology breakthroughs and whether you shoot stills, video or a combination of the two, we are confident that users will be very happy with the results.”
 
At the heart of both the new Alpha 6600 and Alpha 6100 sit a24.2MP[i] Exmor CMOS image sensor, the latest BIONZ X image processor and a front-end LSI implemented in Sony’s full-frame cameras. This powerful trio combine to deliver all-round enhancements in image quality and performance across all areas of photo and video capture.
 
The Alpha 6600 and Alpha 6100 offer a lightning fast autofocus acquisition time of 0.02 seconds[ii]. With 425 focal-plane phase-detection AF points covering approximately 84% of the image area and 425 contrast-detection AF points, the high density and wide coverage of the AF system ensure reliable AF, even in the most challenging light conditions. Both new models benefit from Sony’s ‘Real-time Tracking’ which utilises Sony’s latest algorithm including AI[iii]-based object recognition to ensure that subjects can be captured with excellent accuracy, even via the touch panel on the rear screen. In addition, the new models offer ‘Real-time Eye AF’, the latest version of Sony’s acclaimed Eye AF technology, which employs AI-based object recognition to detect and process eye data in real time, resulting in improved accuracy, speed and tracking performance of Eye AF for both humans and animals[iv], and allows the photographer to concentrate exclusively on composition[v].
 
An Eye for Detail
 
Based upon feedback from users of existing Sony APS-C camera users, further features have been added to the Alpha 6600 and Alpha 6100 to fine tune the user experience. These include:
 

• Improved colour reproduction; Algorithms inherited from full-frame models deliver natural colour reproduction, particularly in skin tones
• Hi-resolution internal 4K[vi] movie recording with full-pixel readout without pixel binning in Super 35mm format with easy smartphone transfers via the Imaging Edge Mobile application[vii]
• Interval shooting[viii] for stunning time-lapse videos
• 180-degree tiltable, 3.0-type 921k-dot (approx.) LCD touch screen
• Integrated Microphone input for clear and crisp audio on video recordings

Alpha 6600
 
Across an ISO range of 100-32000 (expandable to ISO 50 – 102400[ix]), the new Alpha 6600 offers superb low-noise performance and delivers extremely high-quality images, even in low-light conditions. By applying noise reduction and sharpness processing optimally in each area, Area-specific Noise Reduction and Detail Reproduction Technology greatly reduce noise while preserving high resolution contributing to fine reproduction of subject textures and shadow details.
 
The Alpha6600 packs in many of the technology breakthroughs that are attracting praise on Sony’s high-end full-frame cameras. These include:
 

• Sony’s innovative 5-axis in-body image stabilisation system that results in a 5.0-step[x] shutter speed advantage
• Implementation of the industry-leading[xi] long battery life with Sony Z Battery for the first time on an APS-C camera, enabling extended power performance; approx. 720 still images using viewfinder, approx. 810 images using LCD monitor[xii]
• A tough magnesium alloy design that is dust and moisture resistant[xiii]
• Real-time Eye AF for movie shooting[xiv]. When activated, the eye of a subject is automatically tracked with high precision and reliability, allowing the shooter to focus on the content itself as opposed to what is in focus or not in focus. Touch Tracking functionality will also automatically initiate Eye AF when a human subject is selected
• Integrated headphone jack which allows the user to connect high-quality headphones for accurate monitoring of recorded sound

4K Recording [vi]
 
The Alpha 6600 boasts internal 4K movie recording in Super 35mm format with full pixel readout without pixel binning, to capture approximately 2.4x[xv] the amount of information required for 4K movies (Also available in Alpha 6100). This oversampling results in stunning footage, delivered in the XAVC S format with unparalleled resolution. The Alpha 6600 equips an HLG (Hybrid Log-Gamma)[xvi]picture profile that supports an instant HDR workflow. Recorded movies played back on an HDR (HLG)compatible TV will appear true-to-life, with no blocked shadows or blown highlights, without the need for colour grading. For users who want to colour grade their footage in post-production, S-Log3 and S-Log2 Gamma profiles are provided.
 
Pricing and Availability
 
The Alpha 6600 will ship in Europe in October 2019 priced at approximately €1600 body only or as a kit with the SEL18135 lens for €2000.
 
The Alpha 6100 will ship in Europe in October 2019 priced at approximately €900 body only, as a kit with the SEL1650 lens for €1000 or as a kit with the SEL1650 and SEL55210 priced at approximately €1250.
 
Preorders Begin at 10:00am Eastern Time Today:
 
Sony Alpha 6600 - B&H | Adorama | Amazon US
Sony Alpha 6100 - B&H | Adorama | Amazon US
 
[i]Approximate effective megapixels
[ii]Based on Sony research, CIPA-guideline-compliant internal measurement with an E 18-135mm F3.5-5.6 OSS lens mounted, Pre-AF off and viewfinder in use
[iii] AI (artificial intelligence) including machine learning technology is used
[iv]Real-time Eye AF for Animals supports still images only and cannot be used in combination with tracking. Does not work with some types of animal. Focusing may not perform well depending on scene and subject conditions
[v]Both right eye and left eye are selectable, either via the menu or by the touchscreen panel
[vi]3840×2160 pixels. A Class 10 or higher SDHC/SDXC memory card is required to record movies in the XAVC S format. UHS-I (U3) SDHC/SDXC card is required for 100Mbps
[vii] Imaging Edge Mobile Ver. 7.2 or later is required
[viii] Wi-Fi does not work during interval shooting
[ix]Only on still images
[x]Based on CIPA standard. Pitch/yaw shake only. With Sonnar T* FE 55mm F1.8 ZA lens mounted. Long-exposure Noise Reduction off
[xi]Among mirrorless interchangeable-lens digital cameras equipped with an APS-C image sensor. As of August 2019, based on Sony research
[xii]CIPA standard compliant
[xiii]Not guaranteed to be 100% dust and moisture proof
[xiv] This function does not track animal eyes
[xv]24p recording. Approx. 1.6x at 30p
[xvi] Connect this product to an HDR (HLG) compatible Sony TV via a USB cable when displaying HDR (HLG) movies

Canon's hot new gear is now available for preorder. Get in the front of the line!
 
Canon EOS 90D
 
B&H | Adorama | Amazon USA | WEX
 
Canon EOS M6 Mark II
 
B&H | Adorama | Amazon USA | WEX
 
Canon RF 15-35mm F2.8 L IS USM Lens
 
B&H | Adorama | Amazon USA | WEX
 
Canon RF 24-70mm F2.8 L IS USM Lens
 
B&H | Adorama | Amazon USA | WEX
 
As always, thank you for keeping this site going by starting your shopping using our links!

A recent Canon media event provided a significant amount of hands-on time with the new Canon EOS 90D and M6 Mark II. Both are excellent cameras and while I look forward to bringing these models into the studio for a more in-depth look, I have plenty of information to share with you now.
 
First, the review pages are a work-in-progress but already loaded with information:
 
Canon EOS 90D | Canon EOS M6 Mark II
 
From those pages, navigate to the specifications and product image pages for detailed comparisons. Note that the specifications are also a work-in-progress and the camera side images remain MIA.

From Canon USA:
 
TWO CAMERAS, TWO WAYS: CANON U.S.A. ANNOUNCES A PAIR OF HIGH-SPEED ADVANCED AMATEUR ILC CAMERAS, THE EOS 90D AND EOS M6 MARK II
 
Both Cameras Feature a 32.5 Megapixel APS-C CMOS Sensor, High-Speed Continuous Shooting, Dual Pixel CMOS AF and Uncropped 4K UHD Video Recording Capability
 
MELVILLE, N.Y., August 28, 2019 – It is often said that in life, having two options is generally considered a good thing. Today, Canon U.S.A., Inc., a leader in digital imaging solutions, introduced two advanced amateur ILC cameras, the EOS 90D and EOS M6 Mark II. These two models usher in the next generation of Canon APS-C sensor cameras and share many similar characteristics, while also being uniquely different at the same time. Both cameras are designed to fit the needs and preferences of a variety of photographers taking into account their skill level and subject matter.
 
“As camera technology continues to evolve, we find ourselves in a constant state of innovating and challenging the status quo to meet the various desires of our end-users,” said Kazuto Ogawa, president and chief operating officer, Canon U.S.A., Inc. “With the introduction of these cameras, Canon is reaffirming its continued commitment to a broad range of photographers by offering them the digital imaging tools required to meet their needs.”
 
The EOS 90D and EOS M6 Mark II include many core features that are identical and hold true to Canon’s imaging excellence. These features include:

• 32.5 Megapixel CMOS(APS-C) Sensor
• DIGIC 8 Image Processor
• 4K UHD up 30p and 1080p FHD up 120p video recording with no crop
• Dual Pixel CMOS AF in Live View with 5,481 manually selectable AF positions
• Electronic shutter with a minimum of up to 1/16000th
• Built-in Wi-Fi and Bluetooth Technology

The Performance DSLR Way: The EOS 90D
 
The EOS 90D DSLR camera is ideal for the advanced-amateur photographer who values the look-and-feel of the DSLR body and benefits such as an optical viewfinder, 3.0-inch vari-angle touch screen LCD, addition of the multi-controller and a shutter button feel of professional EOS cameras. Now capable of shooting up to 10 frames-per-second (fps), a drastic increase from the 7.0 fps with the EOS 80D, users can capture all of the action on the sidelines of a football game or wildlife while on safari. Assisting in a photographers’ ability to capture the action is the 45-point all-cross type AF system, 100 percent viewfinder coverage and now supports up to 27 points in f/8 metering. In addition, the new AE sensor boasts an impressive 220,000 pixels and utilizes EOS iTR AF (face priority) detection. Together, these two features allow for the detection and tracking of faces in various environments and shooting situations while using the viewfinder.
 
The Compact-and-Lightweight Way: The EOS M6 Mark II
 
Bringing the controls and functionality of a Canon EOS DSLR into a compact mirrorless camera, the EOS M6 Mark II is destined to wow advanced-amateur photographers. With its enhanced usability, the EOS M6 Mark II is capable of shooting up to 14fps with AF and AE tracking as well as capturing a remarkable 30fps when using RAW Burst Mode with pre-shooting capabilities. The camera also features touch-and-drag AF when using the optional EVF-DC2 electronic viewfinder. A popular and notable benefit of Canon mirrorless cameras allows photographers to select AF positions with the touch of a finger. The EOS M6 Mark II also includes Canon’s Dual Pixel AF with Eye AF Servo to help ensure images are in sharp focus and a 3.0-inch, touch-panel LCD screen with tilt-option to help ensure a user’s portrait or selfie game is and stays on point.
 
Pricing and Availability
 
The Canon EOS 90D is scheduled to be available mid-September 2019 for an estimated retail price of $1199.00 for body only, $1349.00 for EF-S 18-55mm f/3.5-5.6 IS STM kit and $1599.00 for EF-S 18-135mm f/3.5-5.6 IS USM kit*. The EOS M6 Mark II is scheduled to be available late September 2019 in both black and silver for an estimated retail price of $849.99 for body only, $1099.00 for EF-M 15-45mm f3.5-6.3 IS STM and EVF-DC2 kit and $1349.00 for EF-M 18-150mm f3.5-6.3 IS STM and EVF-DC2 kit*.

From Canon USA:
 
NEW CANON RF MOUNT LENSES BRING OPTICAL EXCELLENCE TO PRO AND ADVANCED AMATEUR PHOTOGRAPHERS
 
RF15-35mm F2.8 L IS USM and RF24-70mm F2.8 L IS USM Lenses Further Cement the Company’s Commitment to the EOS R Full-Frame Mirrorless Camera System
 
MELVILLE, N.Y., August 28, 2019 – The time has come and the wave of momentous advancements in the world of the EOS R full-frame mirrorless camera system continues as Canon U.S.A., Inc., a leader in digital imaging solutions, today announced the introduction of the RF15-35mm F2.8 L IS USM and RF24-70mm F2.8 L IS USM lenses. With their large, bright F2.8 aperture, a zoom range that covers a wide range of shooting scenes and image stabilization (IS), as well as Nano USM – these lenses are sure to become workhorse lenses for professional and advanced amateur photographers.
 
“As the emergence of mirrorless cameras continue accelerating the market and with Canon’s deeply rooted heritage in optics, we are excited to expand the lens offerings and acquiesce the needs of EOS R users,” said Kazuto Ogawa, president and chief operating officer, Canon U.S.A., Inc. “The technical improvements and features within these new RF lenses are needed to drive the market forward.”
 
RF15-35mm F2.8 L IS USM
 
As Canon’s first F2.8 wide zoom lens equipped with IS for full-frame with a CIPA standard of five stops, the RF15-35mm F2.8 L IS USM lens is furnished with edge-to-edge sharpness throughout the zoom range to capture clear images with high image clarity from the center of the image throughout the entire focal range. Speaking of focal range, the RF15-35mm is an ultra wide range that allows for broader photographic expression with more emphasis on perspective. Other components include:

• High Image quality has been achieved due to the large diameter mount and shorter back focus of the EOS R system.
• Total size of the lens is equivalent to the existing EF lens, but allows for IS, wider field of view and the control ring indicative of the RF lenses.
• Drip and dust resistant and ideal for landscape, architecture, nature, sports and portrait photography needs.

RF24-70mm F2.8 L IS USM
 
Created for a wide range of shooting scenarios from street scene snapshots to movie shooting, the RF24-70mm F2.8 L IS USM lens remains portable while equipped with IS. Other components include:

• Equivalent to the size of the EF counterpart but with Image Stabilization.
• High speed and high precision Nano USM motor for accurate, silent focus operation for stills and moving shooting.
• Takes moving shooting into account with focus breathing suppression during manual focus operation, sensitivity setting during MF operation, usage of the focus ring is adjustable and customization of the control ring to assign aperture, shutter speed, ISO speed and exposure compensation as desired.

Free Firmware Update
 
In addition, a new, free downloadable firmware update will be released in late September for the EOS R system. Those interested can download the update for their respective system via the EOS R and EOS RP support pages. The update will improve three main functions:

• Eye detection AF
• AF frame display delay
• Subject identification

The firmware update aims to add detection of the subject’s eye when the subject is at a distance, improve overall AF frame tracking for moving subjects, as well as improve initial subject recognition and start tracking when subjects are at a distance.
 
Pricing and Availability
 
The Canon RF15-35mm F2.8 L IS USM and RF24-70mm F2.8 L IS USM lenses are both scheduled to be available in late September 2019 for an estimated retail price of $2,299.00* each. To complete the trinity of F2.8 lenses, the RF70-200mm F2.8 L IS USM lens is scheduled to be shipping within the second half of 2019 – stay tuned!

If you are not familiar with B&H's Payboo card, take a few minutes and get acquainted. This card provides an immediate credit in the amount of your sales tax during checkout (here is our announcement post).
 
Most (all?) states that collect sales tax (most do) require you to pay the tax yourself (use tax) when the retailer does not collect sales tax and (most) businesses honor this requirement. Today, most retailers (including B&H) are required to collect the sales tax due. With Payboo, B&H collects the tax and then provides an immediate credit for the same amount as the tax.
 
It's a big deal.
 
I bought a lens a couple of days ago and saved $72 — I'm now getting a big discount on everything I buy from B&H.
 
What is the catch? Pay the bill in full before the due date to avoid the usual high credit card interest rate.
 
Click Here to Sign Up for the B&H Payboo Card
 
Don't forget that we need your support: make sure that all of your online shopping starts with a click on our retailer links!

 
From the Adorama YouTube Channel:
 
Mark Wallace explains his solutions for mounting lights, viewfinder, and microphones to his mirrorless camera. He also goes into detail on how you can customize your own rig so it's perfect just for you. Mark also explains how he uses the Tether Tools Case Relay Power System to make sure his camera, lights, and EVF never run out of power.
 
Gear Discussed
 

• Tether Tools Case Relay Camera Power System
• Tether Tools Case Relay Camera Couplers
• Tether Tools 8" Rock Solid Accessory Extension Bar
• Tether Tools Rock Solid 7" Articulating Arm with Center Lock
• Tether Tools Rock Solid 11" Articulating Arm with Center Lock
• Tether Tools Rock Solid Mini ProClamp
• MeVIDEO GlobeTrotter Carbon Fiber Tripod with Video Head
• SmallRig Camera Cage for Sony A7RIII/A7M3/A7III Camera
• Atomos Shinobi 5.2" IPS Touchscreen Full HD HDR Photo and Video Monitor, Supports 4K HDMI Input
• Savage Luminous Pro On-Camera Bi-Color LED Video Light

Canon has released an interim financial report for the period of January 1, 2019 to June 30, 2019, which can be downloaded here. The reason why Canon has decided to release this interim report is detailed below:

We are pleased to provide this overview of the first half (from January 1, 2019 to June 30, 2019) of our 119th Business Term.
 
The world economy in the first half of this term saw a slowdown in growth as a whole due to a deceleration in European economy and the effect of the lingering U.S.-China trade friction.
 
Under such conditions, corporate demand for office multifunction devices and laser printers stagnated, while the markets for digital cameras and inkjet printers continued to shrink. As a result, both Office Business Unit and Imaging System Business Unit experienced a decrease in sales. Sales of the Medical System Business Unit, which delivered strong sales results for computed tomography (CT) systems and other products in the Americas, increased. On the other hand, sales of the Industry and Others Business Unit, which includes semiconductor lithography equipment, decreased as customers continued to adjust their capital investment.
 
As a result of the above, on a consolidated basis, net sales for the first half of this term decreased by 10.0% year on year, while net income attributable to Canon Inc. decreased by 51.2% year on year. For the interim dividend, we decided to pay 80.00 yen per share, which is the same amount as the interim dividend for the previous term, from the perspective of ensuring stable returns to shareholders.
 
Although the business environment surrounding the Canon Group remains fluid, we will endeavor to improve our business results by further improving the competitiveness of our products and services not only in existing businesses, but also in steadily growing new businesses.
 
We look forward to our shareholders’ continued support and encouragement.

 
In this video, photographer Karl Taylor enumerates the vital accessories he relies on every day for product photography.
 
Items Covered
 

• Clamp
• Gel
• Acrylic Rod
• Hot Glue Gun
• Compressed Air
• Acrylic Mirror Card
• C-Stand
• Diffusion Scrim
• Foam Board (Black/White)
• Tape (Electrical/Gaffer)

Canon has released a new firmware update for its EOS RP Mirrorless Camera with the following changes: (thanks Goran Škrlec)
 
Firmware Version 1.2.0 incorporates the following enhancement and fix:
 

• Support for the RF24-240mm F4-6.3 IS USM lens has been added.
• Corrects a phenomenon in which the top of some captured images may be dark during high-speed sync shooting with an external flash.

Download: Canon EOS RP Firmware v1.2.0

A new Canon EOS R firmware – v.1.3.0 – which adds support for the RF24-240mm F4-6.3 IS USM lens, has been posted to Canon UK's website.

 
Tamron has released a teaser campaign alerting consumers of its plan to release four new mirrorless lenses. Considering the optical performance of its latest lens releases, there's good reason for mirrorless shooters to get excited about these impending announcements.

Image quality test results have been added to the Sony FE 200-600mm f/5.6-6.3 G OSS Lens page.
 
Sony is going to sell a LOT of copies of this lens. Here are some comparisons:
 
Compared to Sony FE 100-400mm f/4.5-5.6 GM OSS Lens
 
Compared to Canon EF 100-400mm f/4.5-5.6L IS II USM Lens
 
Compared to Nikon 80-400mm f/4.5-5.6G AF-S VR Lens
 
Compared to Sigma 100-400mm f/5-6.3 DG OS HSM Contemporary Lens
 
Compared to Sigma 150-600mm f/5-6.3 DG OS HSM Sports Lens
 
Compared to Sigma 150-600mm f/5-6.3 DG OS HSM Contemporary Lens
 
Compared to Tamron 150-600mm f/5-6.3 Di VC USD G2 Lens
 
Sanity check: Compared to Sony FE 600mm f/4 GM OSS Lens
 
This lens was a huge hit before we saw the image quality it was capable of. Finding one on the shelf anytime soon should be challenging. Preorder now to get in line. The Sony FE 200-600mm f/5.6-6.3 G OSS Lens is available for preorder at B&H | Adorama | Amazon USA | WEX
 
Rent the Sony FE 200-600mm f/5.6-6.3 G OSS Lens from Lensrentals.

The Sigma 35mm f/1.2 DG DN Art Lens for Sony E is in stock at B&H with free expedited shipping.
 
Product Highlights
 

• E-Mount Lens/Full-Frame Format
• Aperture Range: f/1.2 to f/16
• Three Aspherical & Three SLD Elements
• Hyper Sonic Motor AF System

Just posted: Tamron 35mm f/1.4 Di USD Lens Review.
 
I expect to see this lens ending up on many short lists.
 
The Tamron 35mm f/1.4 Di USD Lens is in stock at B&H | Adorama | Amazon USA | WEX
 
Rent the Tamron 35mm f/1.4 Di USD Lens from Lensrentals.