Highly advantageous for capturing sports action is this camera's 14 fps continuous shooting rate and the latest version of Canon's Dual Pixel CMOS AF is also very high-performing, up to this task.
How does this little camera handle larger lenses such as the Canon EF 70-200mm f/2.8L IS III USM Lens used for this image?
Canon's latest tiny M-series cameras are surprisingly easy to use with larger lenses such as this one and the Canon EF 100-400mm f/4.5-5.6L IS II USM Lens I was using to photograph action on the track.
As when using DSLR cameras, the left hand controls the lens and the right grips the camera.
There is not as much grip real estate on the M models, but the design provided is adequate for this use.
A larger version of this image is available on Flickr.
While I promptly deleted a lot of my images, I only needed a few images from this event and I wanted them to have a very strong panning blur. That plan worked.
Using a circular polarizer filter often brings substantial improvements to photos taken mid-day and a Breakthrough X4 CPL was used for this capture. To get a longer shutter speed under bright sunlight without going to an extremely narrow aperture (diffraction being the issue), a 2-stop neutral density filter was stacked behind the CPL to block additional light. Because the gear being introduced and evaluated at this event was unknown prior to arrival, I chose to take a set of large-sized filters along with a stack of step-up filter adapter rings to provide versatility and one was used for this image.
This is Dustin Miles turning right to go left and leaving tire on the track.
The Canon EOS 90D with its fast 10-fps continuous shooting rate is a great choice for capturing fast action.
A larger version of this image is available on Flickr.
On this big day of test shooting, the Canon EOS 90D performed superbly, as its heritage leads us to expect.
This is a superb general-purpose camera choice and while this particular scene did not challenge it, the subjects outside on the Michelin Raceway Road Atlanta track provided a greater challenge, one which the 90D also met.
A larger version of this image is available on Flickr.
In this scenario, I gave the M6 II's AF system full control, selecting servo AF mode with face and eye detection.
With the camera very impressively handling the task of following the model's face and eyes, I could concentrate fully on composition and that was especially helpful when shooting in awkwardly low positions such as this one.
A larger version of this image is available on Flickr.
New AF 18mm F2.8 Full Frame Compact Lens for Sony E
Surprisingly Small but Super-Wide
(New York, New York) August 29, 2019 – ROKINON has announced its new AF 18mm F2.8 Full Frame Lens for Sony E mount that is optimized for portability, compactness, and ergonomic handling. It is ROKINON's fourth compact lens designed specially for Sony mirrorless cameras that is surprisingly capable for its size. At 5.12 oz in weight and 1.99" in length, it is the most compact, lightweight, and affordable super-wide angle full frame lens for Sony E mount.
The 18mm focal length provides a rectilinear 100.1° super wide angle view that is especially suitable for landscape, interior, architectural, and night sky applications. For Sony APS-C sensor cameras, the focal length is equivalent to 27mm with a 76.2° field of view.
Optically, the lens is made up of nine Ultra Multicoated elements in eight groups. Eight specialized lens elements (3 Aspherical, 2 High Refractive Index, and 3 Extra-low Dispersion elements) combine to minimize distortion and ensure high image sharpness, clarity, and contrast.
The internal focusing design of the ROKINON AF 18mm utilizes a STM (Stepless Motor) for quiet, smooth and precise autofocusing to 9.8". This also prevents both changes in length and front element rotation to enable easy use of 58mm polarizing and other filters that require precise positioning. This compact wide-angle optic is designed with a metal mount and glass strengthened composite material to reduce weight while increasing durability.
The ROKINON AF 18mm F2.8 Full Frame Compact Lens for Sony E is expected to be available in early October with a MSRP of $499.00. It will include a removable petal-shaped hood, lens caps, and a custom fitted case.
Order your Rokinon AF 18mm F2.8 Lens from B&H.
RAW burst is a separate line item in the camera’s shooting menu; it’s not one of the listed “Drive” speed choices. So it’s handled like a separate feature, and not just another FPS choice.
As the specs suggest, RAW burst fires at up to 30 fps, and will do so for up to 80 shots in a continuous burst, assuming a fast UHS-II compliant SD card is installed. I’ve tried it with UHS-I cards, and gotten around 50 or so images in a burst.
There’s a separate Menu choice for “Pre-shooting,” which by default is off. If user-enabled, it starts collecting image data **when the shutter button is pressed half-way down,** and then once it’s pressed FULLY to begin shooting, the last 0.5 seconds worth of images before the full press are recorded to the memory card as well. We’ve seen this before, in the video world, and the idea is if waiting for some split-second event to occur (for instance, a bird on a branch, waiting for it to take off in flight), you get the half-second before you actually reacted and fully pressed the shutter button down.
A few other points about RAW burst mode:
The last two points MAY be a matter of it being pre-production… don’t have documentation from Japan to confirm or deny, but thought I’d mention it. At this stage of pre-production, I wouldn't’ be surprised if actual production cameras behave the same way as my sample camera.
Two of the keys that make RAW burst possible are the use of a DIGIC 8 processor, and most importantly, faster read-out speeds of the new 32.5 MP image sensor (while still allowing Dual Pixel CMOS AF to be carried out).
As a practical matter, at least judging from my pre-production sample camera, this feature is VERY sensitive to SD card write speed. A SanDisk UHS-I card, rated at 95 MB/sec, was not sufficient to record anything close to 80 straight images, and the little vertical buffer “scale” on the LCD monitor appeared almost immediately as shooting began. In other words, users should expect to use fast, UHS-II cards to really get the most out of this feature. Fortunately, unlike previous EOS M-series models, the M6 Mark II **is** compatible with UHS-II cards!
Thanks for sharing, Rudy!
Order the Canon EOS M6 Mark II at: B&H | Adorama | Amazon USA | WEX
Sony Electronics Announces Two New APS-C Zoom Lenses for Versatile E-mount System
New APS-C E 16-55mm F2.8 G Standard Zoom Lens and APS-C E 70-350mm F4.5-6.3 G OSS Super-Telephoto Zoom Lens Bring E-mount Lens Total to 54
SAN DIEGO — August 28, 2019 — Sony Electronics today has announced two new APS-C zoom lenses in the G Lens™ series for their E-mount line-up, including the E 16-55mm F2.8 G standard zoom lens and the E 70-350mm F4.5-6.3 G OSS super-telephoto zoom lens. With this announcement, Sony’s versatile E-mount system now features a total of 54 lenses.
In addition to the new lenses, Sony has also introduced two new APS-C Mirrorless Cameras, the Alpha 6600 and Alpha 6100 models, further strengthening the company’s APS-C lineup.
“Sony’s ‘One Mount’ solution for both APS-C and full-frame cameras provides creators a unified system for all of their photography and video needs, said Neal Manowitz, deputy president of Imaging Products and Solutions at Sony Electronics. “With a total of 54 different lenses and a growing range of camera bodies, E-mount offers more versatility than any other mirrorless system. We will continue to drive innovation in all aspects of imaging, empowering all creators to capture and create like they’ve never been able to before.”
Ultra-Sharp APS-C E 16-55mm F2.8 G Standard Zoom Lens (model SEL1655G)
The 16-55mm (24-82.5mm in 35mm equivalent focal length) APS-C standard zoom with a constant F2.8 aperture offers excellent G Lens image quality with outstanding all-around performance. This lens is ideal for both professionals and enthusiasts to capture landscapes, portraits, and everyday snapshots.
Key Features
Compact and Lightweight APS-C E 70-350mm F4.5-6.3 G OSS Super-telephoto Zoom Lens (model SEL70350G)
The new E 70-350mm F4.5-6.3 G OSS super-telephoto zoom lens with optimized optical and mechanical design provides excellent G Lens image quality throughout the image area, right out to the maximum 350mm (105-525mm in 35mm equivalent) focal length. High optical performance is combined with the convenience and mobility of a compact, lightweight design, even with 5x zoom. It also includes built-in optical image stabilization, which adds even further stability and convenience to this versatile super-telephoto zoom that is ideal for landscape and wildlife photographers.
Key Features
Pricing and Availability
The new E 16-55mm F2.8 G APS-C Standard Zoom Lens will be available in October 2019 and will be sold for approximately $1,400 US and $1,450 CA. It will be sold at a variety of Sony's authorized dealers throughout North America.
The E 70-350mm F4.5-6.3 G OSS APS-C Super-telephoto Zoom Lens will be available in November 2019 and will be sold for approximately $1,000 US and $1,000 CA. It will be sold at a variety of Sony's authorized dealers throughout North America.
Preorders
Canon EOS 90D
B&H | Adorama | Amazon USA | WEX
Canon EOS M6 Mark II
B&H | Adorama | Amazon USA | WEX
Canon RF 15-35mm F2.8 L IS USM Lens
B&H | Adorama | Amazon USA | WEX
Canon RF 24-70mm F2.8 L IS USM Lens
B&H | Adorama | Amazon USA | WEX
As always, thank you for keeping this site going by starting your shopping using our links!
First, the review pages are a work-in-progress but already loaded with information:
Canon EOS 90D | Canon EOS M6 Mark II
From those pages, navigate to the specifications and product image pages for detailed comparisons. Note that the specifications are also a work-in-progress and the camera side images remain MIA.
TWO CAMERAS, TWO WAYS: CANON U.S.A. ANNOUNCES A PAIR OF HIGH-SPEED ADVANCED AMATEUR ILC CAMERAS, THE EOS 90D AND EOS M6 MARK II
Both Cameras Feature a 32.5 Megapixel APS-C CMOS Sensor, High-Speed Continuous Shooting, Dual Pixel CMOS AF and Uncropped 4K UHD Video Recording Capability
MELVILLE, N.Y., August 28, 2019 – It is often said that in life, having two options is generally considered a good thing. Today, Canon U.S.A., Inc., a leader in digital imaging solutions, introduced two advanced amateur ILC cameras, the EOS 90D and EOS M6 Mark II. These two models usher in the next generation of Canon APS-C sensor cameras and share many similar characteristics, while also being uniquely different at the same time. Both cameras are designed to fit the needs and preferences of a variety of photographers taking into account their skill level and subject matter.
“As camera technology continues to evolve, we find ourselves in a constant state of innovating and challenging the status quo to meet the various desires of our end-users,” said Kazuto Ogawa, president and chief operating officer, Canon U.S.A., Inc. “With the introduction of these cameras, Canon is reaffirming its continued commitment to a broad range of photographers by offering them the digital imaging tools required to meet their needs.”
The EOS 90D and EOS M6 Mark II include many core features that are identical and hold true to Canon’s imaging excellence. These features include:
The Performance DSLR Way: The EOS 90D
The EOS 90D DSLR camera is ideal for the advanced-amateur photographer who values the look-and-feel of the DSLR body and benefits such as an optical viewfinder, 3.0-inch vari-angle touch screen LCD, addition of the multi-controller and a shutter button feel of professional EOS cameras. Now capable of shooting up to 10 frames-per-second (fps), a drastic increase from the 7.0 fps with the EOS 80D, users can capture all of the action on the sidelines of a football game or wildlife while on safari. Assisting in a photographers’ ability to capture the action is the 45-point all-cross type AF system, 100 percent viewfinder coverage and now supports up to 27 points in f/8 metering. In addition, the new AE sensor boasts an impressive 220,000 pixels and utilizes EOS iTR AF (face priority) detection. Together, these two features allow for the detection and tracking of faces in various environments and shooting situations while using the viewfinder.
The Compact-and-Lightweight Way: The EOS M6 Mark II
Bringing the controls and functionality of a Canon EOS DSLR into a compact mirrorless camera, the EOS M6 Mark II is destined to wow advanced-amateur photographers. With its enhanced usability, the EOS M6 Mark II is capable of shooting up to 14fps with AF and AE tracking as well as capturing a remarkable 30fps when using RAW Burst Mode with pre-shooting capabilities. The camera also features touch-and-drag AF when using the optional EVF-DC2 electronic viewfinder. A popular and notable benefit of Canon mirrorless cameras allows photographers to select AF positions with the touch of a finger. The EOS M6 Mark II also includes Canon’s Dual Pixel AF with Eye AF Servo to help ensure images are in sharp focus and a 3.0-inch, touch-panel LCD screen with tilt-option to help ensure a user’s portrait or selfie game is and stays on point.
Pricing and Availability
The Canon EOS 90D is scheduled to be available mid-September 2019 for an estimated retail price of $1199.00 for body only, $1349.00 for EF-S 18-55mm f/3.5-5.6 IS STM kit and $1599.00 for EF-S 18-135mm f/3.5-5.6 IS USM kit*. The EOS M6 Mark II is scheduled to be available late September 2019 in both black and silver for an estimated retail price of $849.99 for body only, $1099.00 for EF-M 15-45mm f3.5-6.3 IS STM and EVF-DC2 kit and $1349.00 for EF-M 18-150mm f3.5-6.3 IS STM and EVF-DC2 kit*.
NEW CANON RF MOUNT LENSES BRING OPTICAL EXCELLENCE TO PRO AND ADVANCED AMATEUR PHOTOGRAPHERS
RF15-35mm F2.8 L IS USM and RF24-70mm F2.8 L IS USM Lenses Further Cement the Company’s Commitment to the EOS R Full-Frame Mirrorless Camera System
MELVILLE, N.Y., August 28, 2019 – The time has come and the wave of momentous advancements in the world of the EOS R full-frame mirrorless camera system continues as Canon U.S.A., Inc., a leader in digital imaging solutions, today announced the introduction of the RF15-35mm F2.8 L IS USM and RF24-70mm F2.8 L IS USM lenses. With their large, bright F2.8 aperture, a zoom range that covers a wide range of shooting scenes and image stabilization (IS), as well as Nano USM – these lenses are sure to become workhorse lenses for professional and advanced amateur photographers.
“As the emergence of mirrorless cameras continue accelerating the market and with Canon’s deeply rooted heritage in optics, we are excited to expand the lens offerings and acquiesce the needs of EOS R users,” said Kazuto Ogawa, president and chief operating officer, Canon U.S.A., Inc. “The technical improvements and features within these new RF lenses are needed to drive the market forward.”
RF15-35mm F2.8 L IS USM
As Canon’s first F2.8 wide zoom lens equipped with IS for full-frame with a CIPA standard of five stops, the RF15-35mm F2.8 L IS USM lens is furnished with edge-to-edge sharpness throughout the zoom range to capture clear images with high image clarity from the center of the image throughout the entire focal range. Speaking of focal range, the RF15-35mm is an ultra wide range that allows for broader photographic expression with more emphasis on perspective. Other components include:
RF24-70mm F2.8 L IS USM
Created for a wide range of shooting scenarios from street scene snapshots to movie shooting, the RF24-70mm F2.8 L IS USM lens remains portable while equipped with IS. Other components include:
Free Firmware Update
In addition, a new, free downloadable firmware update will be released in late September for the EOS R system. Those interested can download the update for their respective system via the EOS R and EOS RP support pages. The update will improve three main functions:
The firmware update aims to add detection of the subject’s eye when the subject is at a distance, improve overall AF frame tracking for moving subjects, as well as improve initial subject recognition and start tracking when subjects are at a distance.
Pricing and Availability
The Canon RF15-35mm F2.8 L IS USM and RF24-70mm F2.8 L IS USM lenses are both scheduled to be available in late September 2019 for an estimated retail price of $2,299.00* each. To complete the trinity of F2.8 lenses, the RF70-200mm F2.8 L IS USM lens is scheduled to be shipping within the second half of 2019 – stay tuned!
Most (all?) states that collect sales tax (most do) require you to pay the tax yourself (use tax) when the retailer does not collect sales tax and (most) businesses honor this requirement. Today, most retailers (including B&H) are required to collect the sales tax due. With Payboo, B&H collects the tax and then provides an immediate credit for the same amount as the tax.
It's a big deal.
I bought a lens a couple of days ago and saved $72 — I'm now getting a big discount on everything I buy from B&H.
What is the catch? Pay the bill in full before the due date to avoid the usual high credit card interest rate.
Click Here to Sign Up for the B&H Payboo Card
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We are pleased to provide this overview of the first half (from January 1, 2019 to June 30, 2019) of our 119th Business Term.
The world economy in the first half of this term saw a slowdown in growth as a whole due to a deceleration in European economy and the effect of the lingering U.S.-China trade friction.
Under such conditions, corporate demand for office multifunction devices and laser printers stagnated, while the markets for digital cameras and inkjet printers continued to shrink. As a result, both Office Business Unit and Imaging System Business Unit experienced a decrease in sales. Sales of the Medical System Business Unit, which delivered strong sales results for computed tomography (CT) systems and other products in the Americas, increased. On the other hand, sales of the Industry and Others Business Unit, which includes semiconductor lithography equipment, decreased as customers continued to adjust their capital investment.
As a result of the above, on a consolidated basis, net sales for the first half of this term decreased by 10.0% year on year, while net income attributable to Canon Inc. decreased by 51.2% year on year. For the interim dividend, we decided to pay 80.00 yen per share, which is the same amount as the interim dividend for the previous term, from the perspective of ensuring stable returns to shareholders.
Although the business environment surrounding the Canon Group remains fluid, we will endeavor to improve our business results by further improving the competitiveness of our products and services not only in existing businesses, but also in steadily growing new businesses.
We look forward to our shareholders’ continued support and encouragement.
Sony is going to sell a LOT of copies of this lens. Here are some comparisons:
Compared to Sony FE 100-400mm f/4.5-5.6 GM OSS Lens
Compared to Canon EF 100-400mm f/4.5-5.6L IS II USM Lens
Compared to Nikon 80-400mm f/4.5-5.6G AF-S VR Lens
Compared to Sigma 100-400mm f/5-6.3 DG OS HSM Contemporary Lens
Compared to Sigma 150-600mm f/5-6.3 DG OS HSM Sports Lens
Compared to Sigma 150-600mm f/5-6.3 DG OS HSM Contemporary Lens
Compared to Tamron 150-600mm f/5-6.3 Di VC USD G2 Lens
Sanity check: Compared to Sony FE 600mm f/4 GM OSS Lens
This lens was a huge hit before we saw the image quality it was capable of. Finding one on the shelf anytime soon should be challenging. Preorder now to get in line. The Sony FE 200-600mm f/5.6-6.3 G OSS Lens is available for preorder at B&H | Adorama | Amazon USA | WEX
Rent the Sony FE 200-600mm f/5.6-6.3 G OSS Lens from Lensrentals.
I expect to see this lens ending up on many short lists.
The Tamron 35mm f/1.4 Di USD Lens is in stock at B&H | Adorama | Amazon USA | WEX
Rent the Tamron 35mm f/1.4 Di USD Lens from Lensrentals.
I am not aware of this cascade having a name, but I always find it photo-worthy. It is hard to go wrong with a series of lines leading into the bottom of the frame and the leading lines in the rock are the big draw to this location.
Camera height is something a photographer usually has some control over, at least within their physical reach ability or the height of their tripod if such is being used. When photographing flat water (pond, lake, ocean, slow-moving river, etc.), a higher camera position will often provide a higher percentage of the frame being filled with water than a lower camera position IF a similar overall scene framing is used. For example, photographing an ocean from a standing position with a level camera will result in far more water percentage in the frame than doing the same while lying down at the edge of the water due to the angle of view across a flat surface. Often, supporting that big IF requires that the camera angle be changed and camera angle also plays a role in determining how much of the frame is filled with water. A downward-tilted camera can include more water than a level camera.
The key is to find the right balance for the scene you are photographing and there may be multiple right answers. Work with a scene until you can find no more camera positions that work well. Then move on.
The small waterfalls seen here do not qualify as flat water, but there is still a lot of near-flat water in this scene. The right balance for this image was using an ultra-wide-angle focal length positioned with enough downward angle to show a significant amount of water and low enough to gain the right perspective to emphasize the foreground rock lines.
I don't always take the time to photograph this cascade, but especially with the wet rock bringing out strong color (saturation aided by a circular polarizer filter), I couldn't resist stopping on this day.
A larger version of this image is available on Flickr.
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