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From Tokina:
 
Dear TOKINA AT-X 16-28 F2.8 PRO FX Lens Users!
 
Thank you for Your continued support.
 
This is to inform you that TOKINA AT-X 16-28 F2.8 PRO FX lens is not fully compatible with CANON EOS 6D MARK II DSLR camera released on August 4th 2017.
 
We found out that when TOKINA AT-X 16-28 F2.8 PRO FX is used on CANON EOS 6D MARK II during the “Live View” mode activated with “Lens aberration correction” function set to “Enable”, an error would occur. Glitch occurrence may also depend on lens focal length position. We suggest to set the “Lens aberration correction” function to “Disable” .
 
The “Lens aberration correction” can be set to “Disable” in case Program AE (P), Shutter Priority AE (Tv), Aperture Priority AE (Av) or Manual exposure shooting mode is selected.
 
Please also note that the error may also occur in case Tokina AT-X DX (APS-C) type lens are used on CANON EOS 6D MARK II camera.
 
When error occurred restart camera by removing and inserting camera battery.
 
Should you have any requirements or questions, do not hesitate to contact your nearest authorized Tokina distributor/ dealer.
 
As always, we express You our gratitude for using Tokina lenses.

I actually held onto this press release for a few days hoping a better version of it would surface (the release looks like it was authored in another language and run through Google Translate). Unfortunately, a more eloquent version never appeared. [Sean]
 
DECEMBER 28, 2015 – Kenko Tokina Co., Ltd. is pleased to announce the new AT-X 14-20 F2 PRO DX.
 
Characteristics
 
The fast F2.0 Zoom lens of Tokina
Since the maximum aperture of F2.0 is given this lens, it's possible to support the low sensitivity photography used ISO64 and ISO100 setting. The maximum aperture of F2.0 shows its power for the photography using the blur feeling and photography with the low brightness (In the room, In the night).
 
Adopt highly precise Plastic Aspherical lens
The 2nd lens group in this lens is adopted the plastic aspherical lens which improved surface accuracy, and is given antireflection coat. This lens is designed tough against ghost flare.
 
Arrange highly precise Glass molded Aspherical lens
2 pieces of super low dispersion glass molded aspherical lens is located in the back goup of the lens, and various aberration are corrected by these lenses.
 
Compact Body and Excellent Operability
Tokina’s exclusive One-touch Focus Clutch Mechanism allows the photographer to switch between AF/MF simply by sliding the focus ring, forward side for AF and back toward the camera for MF. This lens is designed as the fast aperture F2.0 in all focal range, but it is a compact body. This lens has a thread in the front frame, so it’s possible to attach filters of 82mm size.
 
The new Tokina AT-X 14-20 F2 PRO DX is an ultra-wide-angle zoom lens for the DX(APS-C) size, and has the maximum aperture of F2.0. In low brightness situation, use it demonstrates its preeminent power
 
Specifications
 
Focus distance: 14 - 20mm
Brightness: f/2.0 Canon
Format : APS-C
Minimum aperture: f/22
Lens configuration: 13 elements in 11 group
Coating: Multilayer film coating
Angle of view: 91.68° ~ 71.78°
Filter size: 82mm
Shortest Object Distance: 0.28m
Macro maximum magnification: 1:8.36
Focus method: Internal focus
Number of Aperture blades: 9
Maximum diameter: 89.0mm
Full length: 106.0mm
Weight: 725g
Hood (Attached) : BH-823
Above mentioned specifications are for a Nikon mount.
 
There is no indication when the lens will be available for preorder.

From Kenko Tokina USA:
 
JUNE 23, 2015 – Kenko Tokina USA, Inc. is excited to announce the new Tokina AT-X 24-70mm F/2.8 PRO FX lens designed for use with Canon and Nikon full-frame sensor DSLR cameras.
 
Tokina’s latest addition to its family gives full-frame photographers a 24mm wide-angle to 70mm moderate telephoto lens with a fast F/2.8 aperture at an affordable price.
 
The new groundbreaking proprietary optical design uses three precision molded all-glass aspherical lens elements to achieve excellent contrast, sharpness, and corrects for spherical aberrations. One of these elements is very special and difficult to manufacture. G09, is made from Super-Low Dispersion (SD) glass and is a large sized aspherical element.
 
These lens elements also yield even illumination across the whole image sensor.
 
The Tokina 24-70MM lens also uses three SD (super-low Dispersion, “FK01” and FK03”) glass elements in the rear groups to control chromatic aberrations.
 
All these specialized lens elements work in consort to yield maximum resolution to match the 50-megapixel DSLR cameras entering the market.
 
The fast constant F/2.8 aperture makes viewing and auto focusing possible in very low light situations while keeping some flexibility for setting the shutter speed.
 
In addition to excellent optics, the lens incorporates a fast moving SDM (Silent Drive-Module) motor to greatly reduce AF noise making it one of Tokina’s quickest and quietest auto-focusing lenses to date.
 
Tokina’s exclusive One-touch Focus Clutch Mechanism allows the photographer to switch between AF and MF simply by snapping the focus ring forward for AF and back toward the lens mount for manual focusing. The lens is also designed to stand up to the rigors of daily use by photographers in a wide variety of shooting conditions and environments.
 
Specifications:
 

Mount Availability	Canon, Nikon
Focal Length	24-70MM
Full Frame Sensor Comp’	Yes
Maximum Aperture	F/2.8
Minimum Aperture	F/22
Optical Construction	15 Elements / 11 Groups
Coatings	Multi-layer coatings
Angle of View	84.20° – 34.49°
Minimum Focus Distance	14.96 in. (0.38m)
Reproduction Ratio	1
Zooming System	Rotary Zoom
Number of Diaphragm Blades	9
Filter Size	82mm
Maximum Outer Diameter	3.52 in. (89.6mm)
Dimensions	4.23 in. (107.5mm L) x 3.52 in. (89.6mm W)
Weight	35.63 oz. (1,010g)
Lens Hood	BH-822 Included with lens (pictured)
ETA	August
Price	$999.00

B&H has the Tokina 24-70mm f/2.8 FX Lens available for preorder with an expected availability at the "End of August."

From Kenko Tokina USA:
 
APRIL 13, 2015 – Kenko Tokina USA, Inc. is pleased to announce the specialized Tokina Cinema Hydrophilic filters for broadcast and cinema use. Tokina Cinema Hydrophilic filters have a coating layer that does not allow water to bead up like traditional filter coatings. If water cannot bead it simply flows evenly off the filter surface making for clear viewing and recording even in a steady rain.
 
Water-drops on glass are formed by surface tension and adhesion. Once the weight of the water is sufficient to overcome the strength of these two forces the water beings to flow. This can be seen every time water drops first “stick to” and then cascade down a window when it rains.
 
The Tokina Cinema Hydrophilic coating does not allow surface adhesion so water drops cannot form. The coating Tokina Cinema Hydrophilic filters permanent and does not ever need to be reapplied, unlike over-the counter products that make a similar claim. The filter coating is “recharged” by UV light making it ideal for stationary weather cameras or other cameras that are being exposed to sunlight for several hours a day.*
 
Tokina Cinema Hydrophilic filters come in standard broadcast sizes from 77MM to 127MM as well as square and rectangular.
 
Specifications: Glass: Optical Clear Protector Glass
Coating: Multi-layer Proprietary Coating
Size Availability: 77MM, 82MM, 86MM, 95MM, 105MM, 112MM, 127MM, 4x4, 4x5.65
Retail Price: Starting at $405.00
Availability: April, 2015

From Kenko Tokina USA:
 
APRIL 13, 2015 – Kenko Tokina USA, Inc. is pleased to announce the Tokina Cinema IRND neutral density filters for cinematography.
 
The Tokina Cinema IRND filters use ACCU-ND technology to yield a truly neutral color balance that will not add any noticeable color cast to your footage. This series was created specifically for the cinema and HDSLR video markets.
 
The Metallic ACCU-ND coating on the IRND filters do not color shift as you move from one density to the next, a common problem with almost all other series of neutral density filters. Now you can set your white balance once and have the same color balance even if you need to change filters due to changes in lighting, or have multiple cameras with different strengths of filters on them.
 
The ACCU-ND metallic coating also has the added essential benefit of accurately controlling and suppressing infrared (IR) light so color fidelity is maintained. This is important as IR can add its own color cast when recording outside and manly other IR filters on the market add their own color cast that can be difficult to correct in post production.
 
The IRND filters use an exclusive clear optical glass that has a metallic ACCU-ND coating bonded to the surface of the glass to create the neutral density affect.
 
The Tokina IRND series has round filters in common sizes from 82MM to 127MM and strengths from one stop (0.3) to four stops (1.2). The series also has two square mat-box sizes that are available from one stop to 7 stops of light reduction.
 
Prices start at $210.00 for the 82MM size.

From Tokina:
 
February 11, 2015 – Kenko Tokina USA, Inc. is pleased to announce the Tokina Cinema AT-X 50-135mm T3.0 lens. Tokina engineers created a lens of this focal length that is Parfocal, has dramatically reduced breathing and image shift, and has a de-clicked, 9-bladed, curved iris for beautiful bokeh and precise exposure control. With its 1M close-focus capability, the lens allows you the freedom to capture tight close-ups while maintaining a comfortable distance from your subject.
 
The Tokina Cinema 50-135mm T3.0 optic is 4K ready and beyond and delivers a highly versatile zoom range in a compact design. The lens has an industry standard 114mm outer front barrel for matt boxes and a 112mm filter threat for mounting filters or other accessories.
 
Features:
 

• Parfocal lens design allows you to maintain precise focus while using the zoom control.
• Constant T3.0 throughout the 50mm to 135mm zoom range
• Reduced breathing so you can focus on the scene and not the lens
• Smooth, de-clicked, 9-bladed, curved iris for beautiful out-of-focus areas.
• Virtually no image shift when using the zoom control during filming
• Aspherical elements and Super-Low Dispersion glass reduce distortion and increase optical performance
• 4K Image ready
• Durable, all-metal cine-style housing with geared manual zoom, focus, and aperture rings for use in follow-focus systems.
• Common 114mm front diameter for use with a wide variety of matte boxes and accessories.
• Zoom, focus, and iris markings are on both sides of the lens for easy viewing and more mounting/follow-focus options.
• LDS (Lens Data System) support is possible
• Available Mounts: PL and EF

Specifications:
 

Mounts	PL, Canon EF
Focal Length	50-135mm
Maximum Aperture	T3.0 Constant
Zoom Ratio	2.7
Optical Structure	14 groups /18 elements
Sensor Size	Super 35mm
Minimum Focus Distance	1m ( 3.28 ft)
Magnification Ratio	00:00.0
Zoom Mode	Rotary Zoom
Aperture/Iris Blades	9
Depth of Field	T3.0 – T22 (F2.8 – F22)
Filter Size	112 mm
Overall Length	PL Mount - 159mm (from 142mm mount surface) EF Mount - 155.5mm (from 150mm mount surface)
Diameter of Front	114mm
Maximum Diameter	123mm
Weight	1.53kg
Price	$4,499.00
Availability	April 2015

B&H has the Tokina Cinema 50-135mm T3.0 available for preorder.
 
Note: Image above shows the PL mount version of the lens. The EF mount image was not available at the time of this post.

B&H has the Tokina AT-X 70-200mm f/4 PRO FX VCM-S Lens for Nikon in stock with free expedited shipping.

Tokina announced a new stabilized telephoto zoom to the Japanese market – the AT-X 70-200mm f/4 PRO FX VCM-S for Nikon. The google translation for the announcement is a little clunky, but you can find it on Tokina Japan's website.
 
Specifications

Focal length	70-200 mm
Angle of view	34.45 ° ~ 12.42 ° (35mm full format)
Brightness	F4
Lens constitution	19 pieces of 14 group
Minimum focusing distance	1.0 m
Maximum magnification macro	1:3.57
Filter Size	67mm
Size	82mm (maximum diameter) X167.5 mm (total length)
Weight	980 g
Supported Formats	To 24x36mm (35mm full format)
Corresponding mount	Nikon DSLR (full-size solid-state image sensor) JAN Code: 4961607 216 569

Thoughts – I'm assuming Tokina will eventually come out with a Canon version of this lens. The price quoted for the Nikon version in the Japanese market is 150,000 yen, or roughly $1,480.00 USD. At that price, it would exceed the MSRP of the similarly spec'd Canon EF 70-200mm f/4L IS USM. The specs indicate Tokina will be built like a tank (as most Tokinas are), with a much heavier weight in comparison (980g vs 760g). [Sean]

From Tokina:
 
Wide Zoom Range
The new Tokina AT-X 12-28mmF/4lens has a super-wide to standard zoom range while maintaining a constant fast f/4.0 aperture. This makes ita very versatile lens for different photo applications such as scenery, street scenes photography and event coverage. The lens is designed for DSLR cameras with APS-C (DX) sized sensors.
 
New Optical Design
A new optical design using aspherical elements and super-low dispersion glass matches even the highest mega-pixel DX sensors cameras available today.
 
One asphericallenselement is positioned in the front group. This together with another precision molded glass aspherical lens element placed in the rear group ideally focuses marginal light rays andmaintains sharpness at the edgeswhile also correcting distortion. The use of two different SD(Super-low Dispersion)glass elements,typeFK01 and FK03,correctschromatic aberration. The combination of all these specialized elements in the optical design yield excellent sharpness and color.
 
New Auto Focus Mechanism
The new AF “GMR magnetic precision” control sensor is capable offastauto-focus. Tokina placed the new sensor closerto the drive unit in the lens for faster communicationbetween the controller and AF motor. This combined with the motor's high-precision focus control yields faster, more accurate auto-focus.
 
Additionally, a brand new “SD-M” (Silent Drive-Module) has greatly lowered the sounds emitted by the auto focusdrive system allowing for much quieter AF. Both Canon and Nikon mounts have a built-in AF motor to make them auto-focus compatible with all current camera bodies.
 
Compact Body Design
The Tokin AT-X 12-28mmF/4 compact designmakes the lens easy to carry and handle. Manual focus is achieved through Tokina's one-touch focus clutch AF/MF mechanism. Simply slide the manual focus ring forward for auto-focus or back for manual focus operation. The lens focus ringis damped in the manual mode for smooth and precise focusing.
 
In addition thelens has a 77mm filter size allowing filters such as the Hoya HD2low-profilecircular polarizer or UV to be used.
 
Specifications
Focal Length: 12-28MM
Equivalent Focal Length:18-42MM Nikon / 19-45MM Canon
Maximum Aperture: F/4
Minimum Aperture: F/22
Optical Construction: 14 Elements / 12 Groups
Coatings: Multi-layer coatings
Angle of View: 99.37° –54.73°
Minimum Focus Distance: 9.8 in. (25cm)
Reproduction Ratio: 1:4.94
Zooming System: Rotary Zoom
Number of Diaphragm Blades: 9curved blades
Filter Size: 77mm
Maximum Outer Diameter: 3.31n. (84mm)
Dimensions: 3.31in. (84mm) x 3.54L in. (90mm)
Weight:: 18.70 oz. (530g)
Lens Hood: BH-77B
Mount Availability: Canon, Nikon
Est. Street Price: $599.00
 
B&H has the Tokina 12-28mm f/4.0 AT-X Pro Lens available for preorder.

Tokina has announced that the Tokina 11-16mm f/2.8 AT-X Pro DX II Lens release has been slightly delayed.
 
The Nikon digital (APS-C) mount version will be released April 6, 2012 and the Canon digital (APS-C) mount version will be released in late July 2012 .

Tokina will be showing a prototype of the new Tokina AT-X 70-200mm f/4 PRO SD IF FX Lens at the Kenko Tokina booth at the CP + show.
 

 
The new Tokina AT-X 70-200mm f/4 PRO SD IF FX Lens will feature a Ring-type ultrasonic motor and image stabilization.
 
Specifications
 
Focal length: 70-200mm
Max Aperture: f/4
Minimum Focusing Distance: 1.0m
Width: 80mm
Length: 168mm
Weight: Undecided
Remarks: Ultrasonic motor, built-in image stabilization

From Kenko Tokina, translated by Google:
 
Successor of the Tokina AT-X 116 PRO DX, Tokina AT-X 116 PRO DX II announced
 

 
Popular super wide zoom lens, Tokina AT-Tokina AT X 116 PRO DX-successor model appeared X 116 PRO DX II. Keep the optical system of the AT-X 116 PRO DX, a new coating applied. Smoother gradations in the shadows.
 
Placed in the front group P-molded glass aspherical lens that together with the group after the aspherical lens placed in MO, and distortion, aberration correction, ideally each.
 
In addition, SD very close to fluorite (ultra low dispersion) glass uses two. Elimination of chromatic aberration.
 
Not only for Canon digital with a motor inside the lens for Nikon. AT-X 16-28 F2.8 PRO FX , 17-35 F4 AT-X PRO FX Tokina SD and GMR sensors mounted on its own-M (Silent Drive-Module), quiet and highly accurate combination of has realized the AF.
 
Lens construction: 13 elements in 11 groups each (Retail Price: ¥ 90,000 (tax not included with hood)
 
Nikon digital (APS-C): Will be released in late March 2012.
Canon digital (APS-C): Will be released in late July 2012.

The Tokina 17-35mm f/4 AT-X Pro FX Lens was formally announced today via a press release.
 
Adorama has had the Tokina 17-35mm f/4 AT-X Pro FX Lens in stock for over a week.

The Tokina 17-35mm f/4 AT-X Pro FX Lens in Canon FX mount will be released on August 31, 2011 according to a Kenko Tokina statement issued today.

Kenko-Tokina has announced that, due to defects found in component parts, production of the Tokina 17-35mm f/4 AT-X Pro FX Lens has been temporarily suspended.
 
The Canon mount Tokina 17-35mm f/4 AT-X Pro FX Lens is now scheduled for release at the end of August (originally late July).
 
The Nikon mount Tokina 17-35mm f/4 AT-X Pro FX Lens is now scheduled for release in early September (originally end of August).