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From Tokina:
 
Apr 19, 2019 – Kenko Tokina Co., Ltd. is pleased to announce the worldwide sales date for the new Tokina FíRIN 100mm F2.8 FE MACRO (SONY E-mount) for digital mirrorless cameras.
 
Sales will commence on April 26th, 2019.
 
Tokina FíRIN 100mm F2.8 FE MACRO is the second lens in FíRIN series designed to help shooting artistic photos of people, landscape or things at a very close distance, allowing to see the details that human eyes would hardly see.
 
It is a moderate tele macro lens with incorporated optics designed for Sony full frame E-mount mirrorless cameras. The lens is capable of life-sized (1:1) reproduction at 30cm. Due to its macro specifications the lens has extremely high resolution, low distortion and low falloff. Fast aperture f/2.8 provides excellent performance in low light conditions. Beautiful soft bokeh makes this lens an extremely attractive tool for macro, portraits, landscapes, art reproduction, commercial and general purpose shooting.
 
B&H will have the Tokina FíRIN 100mm F2.8 FE MACRO for Sony E available for preorder.

From Kenko-Tokina:
 
Feb 22, 2019 – Inspired by the focal length and aperture of the widely acknowledged Tokina AT-X 16-28mm F2.8 PRO FX lens, Tokina opera 16-28mm F2.8 FF has been developed with the same concept as the already released opera 50mm F1.4 FF, to offer the photographers another contemporary tool for professional photography. Super wide angle, superior resolving ability coupled with high contrast and beautiful bokeh rendering, fast f/2.8 constant aperture throughout the zoom range and accurate AF drive system make this lens attractive for photographers who specialize in landscape, interior architect, documentary, environmental style portrait and night sky/time lapse photography genres.
 
Sales start date worldwide: March 15th, 2019
 
EAN code: 4961607 634660 (for Canon EF mount full frame)
EAN code: 4961607 634677 (for Nikon F mount full frame)
 
Preorders:
B&H | Adorama

The Tokina opera 50mm f/1.4 FF Lens in Canon or Nikon mounts is in stock at B&H and Adorama.
 
Product Highlights
 

• Full-Frame Format
• Aperture Range: f/1.4 to f/16
• Three Super-Low Dispersion Elements
• One Aspherical Element
• ELR Coating
• Ring-Shaped Ultrasonic AF Motor
• Weather-Sealed Construction

From Tokina:
 
Thank you for using Tokina lenses.
 
We have thoroughly tested all current Tokina interchangeable lenses (Canon EF mount) with the Canon EOS R mirrorless camera and the Canon EF-EOS R mount adapter.
 
The results confirm that the current Tokina lens models showed no issues in general operations, with the following exception:
 

• Tokina AT-X 17-35 F4 PRO FX

Issue: the image Cropping/Aspect ratio would be fixed at "1.6x (Crop)" and cannot be set at "Full (3:2)".
 
We are currently preparing a firmware to fix the issue, which will be specifically notified about in due time.
 
Furthermore, when using Tokina APS-C format lenses (Tokina DX lenses), in case the Cropping/Aspect ratio is set otherwise, it is necessary to reset it on "1.6x (Crop)" manually. When shooting with a different Cropping/Aspect ratio setting, vignetting is likely to occur.
 
For any questions about compatibility of Tokina interchangeable lenses with Canon EOS R mirrorless cameras, please contact us via contact form.

From Tokina:
 
Thank you for using Tokina products.
 
We have thoroughly tested all current Tokina interchangeable lenses (Nikon F mount) with the Nikon Z 7 mirrorless camera using the Nikon mount adapter FTZ.
 
The results confirm that current Tokina lens models showed no issues in general operations with the following exceptions:
 

• Tokina opera 50mm F1.4 FF
  Issue: Compared with general conditions AF speed is slower.
• Tokina AT-X 70-200mm F4 FX VCM-S
  Issue: AF communication error. However, the lens will operate normally in manual focus mode.

Please, note that due to mount adapter FTZ specifications, the following Tokina lenses do not AF but will operate in manual focus mode:
 

• Tokina AT-X M100 AF PRO D
• Tokina AT-X 107 AF DX NH Fisheye
• Tokina AT-X 107 AF DX Fisheye

For any question about compatibility of Tokina interchangeable lenses with Nikon Z 7 mirrorless camera contact us via contact form.
 
B&H carries the Nikon Z 7 and Tokina lenses.

From Tokina:
 
To celebrate the launch of new FíRIN 20mm F2 FE AF, we launched a great GIVEAWAY CAMPAIGN with a unique Grand Prize - one winner can get both Tokina FíRIN 20mm AF and MF versions! Experience the advantages of both lenses according to your shooting style and your video review will be shared on our channels for all Tokina fans to watch.
 
The Second Prize is no less worth a try, as the winner will still have the chance to choose between FíRIN AF or MF version! And the Third Prize is also great as you can get one of Kenko best selling products: Kenko DG Extension Tube Set for Sony E-mount cameras.
 
This great chance will last only until July 14th, and time is already running out.
 
Access the campaign page NOW to get all necessary information and enter the GIVEAWAY. We wish you good luck!
 
Enter the Giveaway

From Tokina:
 
Thank you for Your constant support to Tokina brand. We here by announce the availability of a firmware update for Tokina FíRIN 20mm F2 FE AF lens.
 
Benefits of this firmware update
 
With this firmware update the auto-focus performance of Tokina FíRIN 20mm F2 FE AF in AF-C mode at high-speed shooting (Hi+/Hi/Mid) when used with Sony a7III, Sony a7RIII, Sony a9 cameras will be improved (when used with Sony a9 auto-focus tracking will work only in Mechanical Shutter type AF-C mode).
 
Product
 
Tokina FíRIN 20mm F2 FE AF for Sony E-mount (EAN code: 4961607634509)
 
For the firmware update procedures and further instructions please contact the shop where the lens has been purchased. For more information please contact your local official Tokina Distributor or contact us.

FEBRUARY 28, 2018 - Kenko Tokina Co., Ltd. is proud to announce the new Tokina opera 50mm F1.4 FF , a premium Full Frame lens for high-end DSLR cameras.
 
Overview
 
About opera series
 
With the debut of opera 50mm F1.4 FF we are launching a new series of next generation premium full-frame lenses for high-end DSLR cameras called "opera" series.
 
Opera series is designed to perfectly match recent high-spec full-frame DSLR cameras, which keep requiring high quality optics to be used with. In addition to originally high-valued Tokina AT-X series, this new opera series is positioned as top premium series of full-frame size lenses and will be further expanded with other lenses of related specifications and performance.
 
In modern society the word “opera” is commonly used to express general genres of stage art. In Italian it means work or work of art. As an omitted art genre definition opera comes from "opera musicale" that means a piece of music work. In Latin opera comes from "opus” and in contemporary language "magnum opus", "opera magna” still has a meaning of "great literary, artistic or intellectual work". We chose the name "opera" for a new premium full-frame DSLR lens series thinking of a lens that will help photographer in creating real "work of art".
 
About the product
 
The debuting premium full-frame lens for high-end DSLR cameras in opera series is 50mm F1.4 FF (FF - Full-Frame). Designed for full-frame format DSLR cameras, opera 50mm F1.4 FF adopts a ring-shaped ultrasonic motor for autofocus drive module. Weather sealing prevents from dust and moisture to come inside the lens body. For the first time in Tokina line up Nikon mount model incorporates an electric diaphragm mechanism. The direction of the focus ring rotation fits the genuine Nikon and Canon lens.
 
Mounts: Nikon F, Canon EF Sensor size: full-frame format
Sales release: Summer 2018
 
B&H will carry the Tokina opera 50mm f/1.4 FF Lens.

From Tokina:
 
Kenko Tokina Co., Ltd. is proud to announce the new Tokina FíRIN 20mm F2 FE AF, the second prime lens in Tokina’s premium lens series “FíRIN” for mirrorless cameras.
 
Overview
FíRIN 20mm F2 FE AF is the long-awaited autofocus version of the existing FíRIN 20mm F2 FE super wide angle lens for full-frame Sony E-mount. Adopting the same optical design as in MF model, now we offer two options for end-users to choose according to the purpose and style of shooting.
 
Optical performance
Being optimized for full size camera sensors in terms of size and resolving ability, the optical design adopts 2 aspherical elements and 3 lenses molded from Super-low Dispersion glass to significantly reduce any type of aberration including spherical aberration, distortion and chromatic aberration while assuring high resolution and stunning performance even at wideopen aperture.
 
Functionality
Keeping along with the basic development concept of the previous model FíRIN 20mm F2 FE AF is made compatible to autofocus and other functions of the camera providing perfect functionality and usability for the photographer.
 
Ring-shaped ultrasonic autofocus motor
For AF drive system FíRIN 20mm F2 FE AF adopts quick responsive and silent ring-shaped ultrasonic motor. Coupled with GMR sensor AF performs fast and accurate focusing.
 
Full compatibility to AF system
FíRIN 20mm F2 FE AF is fully compatible with Fast Hybrid AF system and all AF function settings, providing the same AF performance as with common E-mount AF lenses. Fine manual focus adjustment is also possible.
 
MF Assist function
Accurate focusing is supported by compatibility to MF Assist function, when fine focusing adjustment is operated by manual rotation of the focusing ring with the simultaneous interlocking with image enlarging function and bar distance display on the monitor.
 
Optical correction
Due to the data transmittance ability via electric contacts the camera obtains necessary data from the lens chip to correct shading, distortion and lateral chromatic aberrations. Optical corrections can be done by the camera as well.
 
Image Stabilization
By transmitting focal length data FíRIN 20mm F2 FE AF is able to get maximum use of In-Body Image Stabilization function of the camera.
* When in-built camera flash is used vignetting may occur. Please use external flash.
 
About sales release:
 

• Sales release in Japan: end of April, 2018 (tentative)
• Sales release worldwide: end of May, 2018 (tentative)

Lens Specifications
 

From Tokina:
 
Dear TOKINA AT-X 16-28 F2.8 PRO FX Lens Users!
 
Thank you for Your continued support.
 
This is to inform you that TOKINA AT-X 16-28 F2.8 PRO FX lens is not fully compatible with CANON EOS 6D MARK II DSLR camera released on August 4th 2017.
 
We found out that when TOKINA AT-X 16-28 F2.8 PRO FX is used on CANON EOS 6D MARK II during the “Live View” mode activated with “Lens aberration correction” function set to “Enable”, an error would occur. Glitch occurrence may also depend on lens focal length position. We suggest to set the “Lens aberration correction” function to “Disable” .
 
The “Lens aberration correction” can be set to “Disable” in case Program AE (P), Shutter Priority AE (Tv), Aperture Priority AE (Av) or Manual exposure shooting mode is selected.
 
Please also note that the error may also occur in case Tokina AT-X DX (APS-C) type lens are used on CANON EOS 6D MARK II camera.
 
When error occurred restart camera by removing and inserting camera battery.
 
Should you have any requirements or questions, do not hesitate to contact your nearest authorized Tokina distributor/ dealer.
 
As always, we express You our gratitude for using Tokina lenses.

I actually held onto this press release for a few days hoping a better version of it would surface (the release looks like it was authored in another language and run through Google Translate). Unfortunately, a more eloquent version never appeared. [Sean]
 
DECEMBER 28, 2015 – Kenko Tokina Co., Ltd. is pleased to announce the new AT-X 14-20 F2 PRO DX.
 
Characteristics
 
The fast F2.0 Zoom lens of Tokina
Since the maximum aperture of F2.0 is given this lens, it's possible to support the low sensitivity photography used ISO64 and ISO100 setting. The maximum aperture of F2.0 shows its power for the photography using the blur feeling and photography with the low brightness (In the room, In the night).
 
Adopt highly precise Plastic Aspherical lens
The 2nd lens group in this lens is adopted the plastic aspherical lens which improved surface accuracy, and is given antireflection coat. This lens is designed tough against ghost flare.
 
Arrange highly precise Glass molded Aspherical lens
2 pieces of super low dispersion glass molded aspherical lens is located in the back goup of the lens, and various aberration are corrected by these lenses.
 
Compact Body and Excellent Operability
Tokina’s exclusive One-touch Focus Clutch Mechanism allows the photographer to switch between AF/MF simply by sliding the focus ring, forward side for AF and back toward the camera for MF. This lens is designed as the fast aperture F2.0 in all focal range, but it is a compact body. This lens has a thread in the front frame, so it’s possible to attach filters of 82mm size.
 
The new Tokina AT-X 14-20 F2 PRO DX is an ultra-wide-angle zoom lens for the DX(APS-C) size, and has the maximum aperture of F2.0. In low brightness situation, use it demonstrates its preeminent power
 
Specifications
 
Focus distance: 14 - 20mm
Brightness: f/2.0 Canon
Format : APS-C
Minimum aperture: f/22
Lens configuration: 13 elements in 11 group
Coating: Multilayer film coating
Angle of view: 91.68° ~ 71.78°
Filter size: 82mm
Shortest Object Distance: 0.28m
Macro maximum magnification: 1:8.36
Focus method: Internal focus
Number of Aperture blades: 9
Maximum diameter: 89.0mm
Full length: 106.0mm
Weight: 725g
Hood (Attached) : BH-823
Above mentioned specifications are for a Nikon mount.
 
There is no indication when the lens will be available for preorder.

From Kenko Tokina USA:
 
JUNE 23, 2015 – Kenko Tokina USA, Inc. is excited to announce the new Tokina AT-X 24-70mm F/2.8 PRO FX lens designed for use with Canon and Nikon full-frame sensor DSLR cameras.
 
Tokina’s latest addition to its family gives full-frame photographers a 24mm wide-angle to 70mm moderate telephoto lens with a fast F/2.8 aperture at an affordable price.
 
The new groundbreaking proprietary optical design uses three precision molded all-glass aspherical lens elements to achieve excellent contrast, sharpness, and corrects for spherical aberrations. One of these elements is very special and difficult to manufacture. G09, is made from Super-Low Dispersion (SD) glass and is a large sized aspherical element.
 
These lens elements also yield even illumination across the whole image sensor.
 
The Tokina 24-70MM lens also uses three SD (super-low Dispersion, “FK01” and FK03”) glass elements in the rear groups to control chromatic aberrations.
 
All these specialized lens elements work in consort to yield maximum resolution to match the 50-megapixel DSLR cameras entering the market.
 
The fast constant F/2.8 aperture makes viewing and auto focusing possible in very low light situations while keeping some flexibility for setting the shutter speed.
 
In addition to excellent optics, the lens incorporates a fast moving SDM (Silent Drive-Module) motor to greatly reduce AF noise making it one of Tokina’s quickest and quietest auto-focusing lenses to date.
 
Tokina’s exclusive One-touch Focus Clutch Mechanism allows the photographer to switch between AF and MF simply by snapping the focus ring forward for AF and back toward the lens mount for manual focusing. The lens is also designed to stand up to the rigors of daily use by photographers in a wide variety of shooting conditions and environments.
 
Specifications:
 

Mount Availability	Canon, Nikon
Focal Length	24-70MM
Full Frame Sensor Comp’	Yes
Maximum Aperture	F/2.8
Minimum Aperture	F/22
Optical Construction	15 Elements / 11 Groups
Coatings	Multi-layer coatings
Angle of View	84.20° – 34.49°
Minimum Focus Distance	14.96 in. (0.38m)
Reproduction Ratio	1
Zooming System	Rotary Zoom
Number of Diaphragm Blades	9
Filter Size	82mm
Maximum Outer Diameter	3.52 in. (89.6mm)
Dimensions	4.23 in. (107.5mm L) x 3.52 in. (89.6mm W)
Weight	35.63 oz. (1,010g)
Lens Hood	BH-822 Included with lens (pictured)
ETA	August
Price	$999.00

B&H has the Tokina 24-70mm f/2.8 FX Lens available for preorder with an expected availability at the "End of August."

From Kenko Tokina USA:
 
APRIL 13, 2015 – Kenko Tokina USA, Inc. is pleased to announce the specialized Tokina Cinema Hydrophilic filters for broadcast and cinema use. Tokina Cinema Hydrophilic filters have a coating layer that does not allow water to bead up like traditional filter coatings. If water cannot bead it simply flows evenly off the filter surface making for clear viewing and recording even in a steady rain.
 
Water-drops on glass are formed by surface tension and adhesion. Once the weight of the water is sufficient to overcome the strength of these two forces the water beings to flow. This can be seen every time water drops first “stick to” and then cascade down a window when it rains.
 
The Tokina Cinema Hydrophilic coating does not allow surface adhesion so water drops cannot form. The coating Tokina Cinema Hydrophilic filters permanent and does not ever need to be reapplied, unlike over-the counter products that make a similar claim. The filter coating is “recharged” by UV light making it ideal for stationary weather cameras or other cameras that are being exposed to sunlight for several hours a day.*
 
Tokina Cinema Hydrophilic filters come in standard broadcast sizes from 77MM to 127MM as well as square and rectangular.
 
Specifications: Glass: Optical Clear Protector Glass
Coating: Multi-layer Proprietary Coating
Size Availability: 77MM, 82MM, 86MM, 95MM, 105MM, 112MM, 127MM, 4x4, 4x5.65
Retail Price: Starting at $405.00
Availability: April, 2015

From Kenko Tokina USA:
 
APRIL 13, 2015 – Kenko Tokina USA, Inc. is pleased to announce the Tokina Cinema IRND neutral density filters for cinematography.
 
The Tokina Cinema IRND filters use ACCU-ND technology to yield a truly neutral color balance that will not add any noticeable color cast to your footage. This series was created specifically for the cinema and HDSLR video markets.
 
The Metallic ACCU-ND coating on the IRND filters do not color shift as you move from one density to the next, a common problem with almost all other series of neutral density filters. Now you can set your white balance once and have the same color balance even if you need to change filters due to changes in lighting, or have multiple cameras with different strengths of filters on them.
 
The ACCU-ND metallic coating also has the added essential benefit of accurately controlling and suppressing infrared (IR) light so color fidelity is maintained. This is important as IR can add its own color cast when recording outside and manly other IR filters on the market add their own color cast that can be difficult to correct in post production.
 
The IRND filters use an exclusive clear optical glass that has a metallic ACCU-ND coating bonded to the surface of the glass to create the neutral density affect.
 
The Tokina IRND series has round filters in common sizes from 82MM to 127MM and strengths from one stop (0.3) to four stops (1.2). The series also has two square mat-box sizes that are available from one stop to 7 stops of light reduction.
 
Prices start at $210.00 for the 82MM size.

From Tokina:
 
February 11, 2015 – Kenko Tokina USA, Inc. is pleased to announce the Tokina Cinema AT-X 50-135mm T3.0 lens. Tokina engineers created a lens of this focal length that is Parfocal, has dramatically reduced breathing and image shift, and has a de-clicked, 9-bladed, curved iris for beautiful bokeh and precise exposure control. With its 1M close-focus capability, the lens allows you the freedom to capture tight close-ups while maintaining a comfortable distance from your subject.
 
The Tokina Cinema 50-135mm T3.0 optic is 4K ready and beyond and delivers a highly versatile zoom range in a compact design. The lens has an industry standard 114mm outer front barrel for matt boxes and a 112mm filter threat for mounting filters or other accessories.
 
Features:
 

• Parfocal lens design allows you to maintain precise focus while using the zoom control.
• Constant T3.0 throughout the 50mm to 135mm zoom range
• Reduced breathing so you can focus on the scene and not the lens
• Smooth, de-clicked, 9-bladed, curved iris for beautiful out-of-focus areas.
• Virtually no image shift when using the zoom control during filming
• Aspherical elements and Super-Low Dispersion glass reduce distortion and increase optical performance
• 4K Image ready
• Durable, all-metal cine-style housing with geared manual zoom, focus, and aperture rings for use in follow-focus systems.
• Common 114mm front diameter for use with a wide variety of matte boxes and accessories.
• Zoom, focus, and iris markings are on both sides of the lens for easy viewing and more mounting/follow-focus options.
• LDS (Lens Data System) support is possible
• Available Mounts: PL and EF

Specifications:
 

Mounts	PL, Canon EF
Focal Length	50-135mm
Maximum Aperture	T3.0 Constant
Zoom Ratio	2.7
Optical Structure	14 groups /18 elements
Sensor Size	Super 35mm
Minimum Focus Distance	1m ( 3.28 ft)
Magnification Ratio	00:00.0
Zoom Mode	Rotary Zoom
Aperture/Iris Blades	9
Depth of Field	T3.0 – T22 (F2.8 – F22)
Filter Size	112 mm
Overall Length	PL Mount - 159mm (from 142mm mount surface) EF Mount - 155.5mm (from 150mm mount surface)
Diameter of Front	114mm
Maximum Diameter	123mm
Weight	1.53kg
Price	$4,499.00
Availability	April 2015

B&H has the Tokina Cinema 50-135mm T3.0 available for preorder.
 
Note: Image above shows the PL mount version of the lens. The EF mount image was not available at the time of this post.