Thank you for purchasing and using our products. We are pleased to announce that a new firmware update for SIGMA’s interchangeable lenses for Sony E-mount is now available.
Applicable Products
Benefits of the update
* For customers who have Sony a9, please update the camera’s firmware to Ver.5.00 or later.
Applicable product
Benefits of the update
* For customers who have Sony a9, please update the camera’s firmware to Ver.5.00 or later.
Applicable product
Benefits of the update
* For customers who have Sony a9, please update the camera’s firmware to Ver.5.00 or later.
To update the firmware, please refer to this link.
From the Adorama YouTube Channel:
Join Daniel Norton OnSet as he walks you through the process of creating natural looking flash photography by working and balancing the strobe with the natural available window light coming into the location. When people claim flash photography does not look natural, often times they are not mixing it well with the environment. By working with the natural light in the space, your flash photography will be elevated to the next level.
Related Product - Profoto B10 Plus
Just posted: Canon EF 600mm f/4L IS III USM Lens Review.
The light weight of this lens is really incredible.
The Canon EF 600mm f/4L IS III USM Lens is in stock at B&H (save the tax, use the B&H Payboo card) | Adorama | Amazon | WEX.
Rent the Canon EF 600mm f/4L IS III USM Lens from Lensrentals.
From DJI:
Capture Smooth Footage With The New Compact, Lightweight Ronin-SC, A Single-Handed Stabilizer For Mirrorless Cameras
Updated design offers excellent portability and the latest intelligent features including subject tracking
July 17, 2019 - DJI, the world’s leader in creative camera technology, today announced the latest addition to the renowned Ronin series, the Ronin-S Compact (SC), a single-handed 3-axis gimbal designed for popular mirrorless cameras. Using over a decade of experience creating aerial and handheld gimbals, the Ronin-SC offers a highly compact design, high-grade materials and advanced technology to open the world of creative possibilities for users capturing videos and photographs.
“The Ronin-SC took the powerful technology from the Ronin-S and put it in a lighter and smaller form factor,” said Paul Pan, Senior Product Manager. “Now users can pair their mirrorless system with a stabilizer that is easier to transport, easier to set up, easier to use yet still equipped with high-performance features and technology.”
Compact, lightweight for ease of use
The Ronin-SC was created to be portable and travel friendly, weighing only 2.4 lbs., 41% lighter than the Ronin-S and can be taken apart to easily fit into backpacks and cases. The reduced weight makes the Ronin-SC not only easily transportable but aids in reducing fatigue when using it on extended photo and video shoots.
Robust and intuitive design
Using high quality materials including magnesium, steel, aluminum and composite plastic, the Ronin-SC’s durable construction is built to last and endure everyday use. Its powerful high-grade motors are capable of supporting up to 4.4 lbs and its dedicated battery offers users up to 11 hours of operation. Taking feedback from the Ronin-S, the Ronin-SC offers new design features including 3 axis locks on the pan, tilt and roll axis which makes balancing the camera simplified as well as helping during transportation. Additionally, the Ronin-SC features a new position lock system. Once the gimbal is balanced, the time it takes to remount the camera and start working is mere seconds, saving precious time during shoots. Similar to the Ronin-S, users can control the gimbal movement with the responsive joystick and easily access different modes and gimbal settings with the use of the Mode (M) button and the front trigger button.
Intelligent modes for endless creative possibilities
A staple in the Ronin series, the Ronin-SC features a host of intelligent modes to inspire all levels of content creators. Using the redesigned Ronin app, users can set up to 3 different custom profiles, adjust various settings such as motor output and even run balance tests to ensure that the camera system is properly setup. The popular 360-degree roll movement can be saved in one of the custom profiles by simply selecting it in the app and for fast paced scenes, Sport mode, which increases the response speed of the gimbal, is easily accessed by holding the Mode (M) button. The Ronin-SC offers the same modes as Ronin-S but with several exciting new additions, including Force Mobile and ActiveTrack 3.0:
Wide array of camera compatibility and accessories
Ronin-SC was created to work seamlessly with popular mirrorless camera systems on the market. A full list of compatibility can be found https://www.dji.com/ronin-sc. Additionally, the Ronin-SC is compatible with a variety of DJI accessories including a new, lighter external focus motor, Command Unit, DJI Force Pro, DJI Master Wheels, and some third-party accessories. Detailed information on compatible accessories can be found at https://store.dji.com/category/ronin-sc-and-accessories.
Pricing and availability
The Ronin-SC will be available for purchase at www.dji.com, flagship stores and retail partners today. Customers can choose between Ronin-SC Standard, which includes the essentials to get you up and running for $439 USD or the Ronin-SC Pro Combo, which adds the focus wheel along with the external focus motor and the Remote Start Stop (RSS) Splitter for $539 USD.
DJI Care Refresh
DJI Care Refresh is now available for Ronin-SC. For an additional $49 USD, DJI Care Refresh offers comprehensive coverage as well as up to two replacement units within one year. Receive your replacement even sooner with DJI Care Refresh Express. DJI Care Refresh also includes VIP after-sales support and free two-way shipping. For a full list of details, please visit https://www.dji.com/service/djicare-refresh.
* Currently Force Mobile functionality will only work with iOS devices.
** Distance is tested in an open unobstructed environment.
B&H has the new DJI Ronin SC Gimbal Stabilizer in stock. Adorama is accepting preorders.
From the Adobe Photoshop YouTube Channel:
Kyle T. Webster shares one of his favorite brush tricks in Photoshop. Watch to learn how he achieves this realistic, painted look.
Other videos by Kyle T. Webster:
B&H carries Adobe Photography Plan subscriptions.
The wildy-successful (nearly $10 million raised) KickStarter for the Peak Design ultra-compactable travel tripod ends tomorrow, Thu, July 18 2019 8:00 PM EDT. This is your last chance to get this tripod at the reduced KickStarter price.
From Sony:
Sony Electronics Introduces High-resolution Alpha 7R IV Camera with World’s First 61.0 MP Back-illuminated, Full-frame Image Sensor
Unprecedented Highest Resolution and Widest Dynamic Range for a - Alpha System, Combined with High-speed Performance and a Lightweight, Compact Body
Sony Electronics Introduces High-resolution Alpha 7R IV Camera with World’s First 61.0 MP Back-illuminated, Full-frame Image Sensor
NEW YORK — July 16, 2019 — Sony Electronics Inc. today announced the latest addition to its acclaimed Alpha 7R series full-frame mirrorless camera line-up: the extremely versatile, powerful Alpha 7R IV (model ILCE-7RM4).
Sony’s highest resolution full-frame camera ever, the new Alpha 7R IV delivers stunning image quality with high resolution and wide dynamic range while maintaining outstanding focusing performance, high-speed continuous shooting and much, much more.
“We are continuing to drive innovation, break boundaries and redefine the expectations of digital camera performance,” said Neal Manowitz, deputy president of Imaging Product and Solutions Americas at Sony Electronics. “The new Alpha 7R IV combines medium format-level image quality with high-speed shooting, extremely fast focusing and an extensive list of upgrades to design, connectivity and usability. This will allow professional photographers, videographers and all other types of creators to capture content in ways that were simply not possible before.”
A New Level of Image Quality
The new Alpha 7R IV features a newly developed 35mm full-frame, back-illuminated CMOS image sensor with a resolution of 61.0 MP[ii], the world’s first[i] of its kind. The new sensor’s back-illuminated structure and effective noise reduction techniques combine to deliver extremely low-noise and high-sensitivity performance, ensuring the absolute maximum image quality. The camera also boasts an impressive 15-stopiii dynamic range at low sensitivities, resulting in smooth natural gradations ranging from deep shadows to highlights, and utilizes algorithms from many of the latest Alpha cameras to maintain outstanding color reproduction.
This new full-frame model is equipped with an innovative 5-axis, optical in-body image stabilization system that has been fine-tuned to support its high-resolution shooting capacity, resulting in a shutter speed advantage of 5.5-steps[x]. Additionally, the shutter unit assembly has been carefully redesigned to reduce even the slightest movement that may cause blur.
The Alpha 7R IV also includes Sony’s highest resolution viewfinder ever, a 5.76 million dot UXGA OLED Tru-finder EVF. About 1.6x the resolution of the EVF in the Alpha 7R III, this new viewfinder provides an extremely accurate, true-to-life depiction of the scene being framed. The display quality can be set to ‘Standard’ or ‘High’ mode, and to either 60 fps or 120 fps refresh rate to best match the subject and shooting conditions.
Additionally, the new camera features an evolved Pixel Shift Multi Shooting[xi] mode that composites up to 16 full-resolution images. In this mode, the camera precisely shifts the sensor in one pixel or half-pixel increments to capture 16 separate pixel-shifted images containing a total of 963.2 million pixels of data, which are then composited into a 240.8 million pixel (19008 x 12672 pixels) image using Sony’s “Imaging Edge™” desktop application[xii]. Ideal for photographing architecture, art or any other still life subject, this enhanced mode produces photographs with a level of detail and color accuracy that is simply stunning.
Shooting and Focusing Speed
The innovative new Alpha 7R IV full-frame mirrorless camera can shoot full resolution images at up to 10 fps[iv] with continuous, accurate AF/AE tracking for up to approximately seven seconds[v] in full-frame, full-resolution mode (JPEG / RAW), and approx. three times as long in APS-C crop mode delivering 26.2MP[ii] images. These high-speed options ensure that fast moving subjects can be captured with extreme accuracy and incredible image detail.
The upgraded focusing system of the Alpha 7R IV is comprised of 567 focal-plane phase-detection AF points that cover approximately 74 percent of the image area. There are also 425 contrast AF points that add extra precision and reliability for low light and other situations that are best served by contrast AF. The higher AF sensor density and refined tracking algorithms of the new camera produce a notable improvement in tracking performance, allowing complex subject motion and sudden subject movements to be reliably tracked with greater precision than ever.
The Alpha 7R IV also supports Real-time Eye AF, which employs artificial intelligence to detect and process eye location data in real-time, locking and maintaining focus on the subject’s eye with extreme precision. This is available for both animal and human subjects, with either animal or human Eye AF mode selectable depending on the shooting situation. Real-time Tracking[vii] is available as well, which utilizes a newly developed subject recognition algorithm to ensure the ultimate subject tracking and persistence of the focusing system. There is also an anti-flicker shooting[xiii] mode, which automatically detects the presence of fluorescent or artificial lighting in a shooting environment to minimize any impact on the final image.
Enhanced Connectivity for Professional Workflow
Sony’s new Alpha 7R IV full-frame camera is equipped with a variety of advanced connectivity features designed to enhance professional workflow. The new model includes wireless LAN functionality to support the conventional 2.4 GHz band, as well as a high-speed 5 GHz[xiv] band for faster, more stable data transfer. Wireless PC remote connectivity (wireless tethering shooting)[viii] is also available on the new Alpha 7R IV, a first for Sony cameras. Requested by many working professionals, this allows for much more freedom in studio and location shoots, letting the photographer move around freely and without restriction.
In addition to high-speed Wi-Fi® and wireless PC connectivity[viii], the new full-frame camera is equipped with a SuperSpeed USB (USB 3.2 Gen 1) USB Type-C™ connector that supports extremely fast wired data transmission, with almost doubled data transfer speed achieved in combination with Sony’s Imaging Edge software (compared to the Alpha 7R III). It also supports FTP data transfer with background transfer capability, allowing photographers to send images to a specified FTP remote server while they are still shooting or reviewing images.
To support an efficient, high-speed, connected professional workflow, Sony has announced version 2.0 of its “Imaging Edge” desktop applications (‘Remote’/’Viewer’/’Edit’)[xiii]. The ’Remote’ application allows users to control cameras and monitor live shooting on their PC screen; the ‘Viewer‘ application is used to quickly preview, rate and select photos from large libraries; and the ’Edit‘ application can develop RAW data into high-quality photos for delivery.
To maximize convenience in image transfer, when utilizing the latest version of Sony’s Imaging Edge Mobile™ application[xv], the camera can now transfer images to a connected smartphone even if the camera’s power is set to OFF[xvi].
High-resolution 4K and Professional Filmmaking Features
In addition to its impressive still image capabilities, the new Alpha 7R IV performs exceptionally well as a serious filmmaking tool, offering 4K (3840x2160 pixels) video recording across the full width of the image sensor, and full pixel readout without pixel binning in Super 35mm mode[ix]. This ensures high-quality 4K footage with exceptional detail and depth. S-Log 2 and S-Log 3 are also available to maximize color grading flexibility, with S-Log 3 offering a total of 14-stops of dynamic range. Hybrid Log-Gamma (HLG)[xvii] is also available on the Alpha 7R IV to support an Instant HDR workflow.
For video autofocus, the versatile new full-frame camera utilizes a refined Fast Hybrid AF system that achieves faster, smoother, more stable autofocus during video shooting – even if an object temporarily moves in front of the intended subject. The camera also includes Touch Tracking functionality during movie shooting, allowing the user to simply touch the screen on their intended subject for instant acquisition.
The new Alpha 7R IV debuts Real-time Eye AF for movie shooting, a first in any of Sony’s cameras. When activated, the eye of a subject is automatically tracked with high precision and reliability, allowing the shooter to focus on the content itself as opposed to what is in focus or not. The aforementioned Touch Tracking functionality will also automatically initiate Eye AF when a human subject is selected.
Another notable video feature is the addition of a digital audio interface to the camera’s Multi Interface Shoe™ (MI Shoe), allowing a direct, digital connection from the new ECM-B1M Shotgun Microphone or XLR-K3M XLR Adaptor Kit for clear, low-noise and high-quality audio recording. Interval shooting for creating time-lapse videos is available, as well as full HD recording at up to 120 fps, Slow and Quick Motion[xviii] functions and much more.
Enhanced Build, Design and Customizability
The new Alpha 7R IV has several upgrades to its design and usability, with many adjustments being implemented directly from the voice of Sony’s professional community.
To maximize durability, the new Alpha 7R IV features upgraded dust and moisture resistance[xix], with additional sealing provided at all body seams, battery compartment cover and media slots. The camera is built with an extremely lightweight and durable magnesium alloy and also has an upgraded six screw, extra-firm lens mount.
Additional enhancements to the body design include an improved grip for greater comfort and a more sure hold within the hand; an increase in the diameter and feedback for the ‘AF-ON’ button; a new multi-selector joystick design for improvised control; an exposure compensation dial lock button; and a redesigned shape and new position for the rear dial. A strong request from many professional users, the new camera also includes two UHS-II compatible media slots, allowing for higher overall capacity and faster read/write speeds.
For added convenience, camera setting registration is expanded. Now, almost all camera settings can be saved to, and read from, an inserted memory card. Up to 10 combinations can be saved to any individual card and loaded into any camera body of the same model.
Despite its increased pixel count compared to the Alpha 7R III, the battery life has been improved with a CIPA measurement of up to 670 still images per change using LCD monitor, or 530 images with EVF. For even more uninterrupted operating time, the new optional VG-C4EM Vertical Grip holds two NP-FZ100 batteries, and the optional Multi Battery Adaptor (NPA-MQZ1K) can hold up to four Z batteries. The body can also be powered via the USB connector[xx].
New Accessories
Sony has also released a variety of new accessories to compliment the new Alpha 7R IV camera, including:
Pricing and Availability
The new Alpha 7R IV Full-frame Interchangeable Lens Camera will ship in September 2019 for approximately $3,500 US and $4,500 CA. It will be sold at a variety of Sony’s authorized dealers throughout North America.
The new VG-C4EM Vertical Grip will ship in September 2019 for approximately $400 US and $530 CA.
The new ECM-B1M Shotgun Microphone will ship in September 2019 for approximately $350 US and $470 CA.
The new XLR-K3M XLR Adapter Kit will ship in October 2019 for approximately $600 US and $800 CA.
Preorders
Be sure to support this site by using our links to place your preorder. Preorders for the Sony Alpha a7R IV Mirrorless Digital Camera will begin at 10am ET, Thu Jul 18: B&H | Adorama | WEX
Sony VG-C4EM Vertical Grip: B&H | Adorama | WEX
[i] As of July 2019, based on Sony survey of digital cameras with a full-frame image sensor
[ii] Approximately, effective
[iii] Still images. Sony test conditions
[iv] Up to 10 fps in continuous “Hi+” mode, and up to 8 fps in continuous “Hi” mode Maximum fps will depend on camera settings
[v] In JPEG (Extra fine / Fine) or compressed RAW mode
[vi] This function does not track animal eyes
[vii] “Tracking” in the menu. This function does not track animal eyes
[viii] Image Edge desktop application Ver. 2.0 or later is required
[ix] Super 35mm 4K recording results in a slightly narrower angle of view
[x] CIPA standards. Pitch/yaw shake only. Planar T* FE 50mm F1.4 ZA lens. Long exposure NR off
[xi] The Imaging Edge (Remote/Viewer/Edit) desktop application Ver. 2.0 or later is required for compositing. Image compositing may not be successful if camera or subject movement causes blur. Some restrictions apply to flash and other device
[xii] ‘Remote’/’Viewer’/’Edit’ version.2.0 will be released in August 2019
[xiii] Only 100 Hz and 120 Hz flicker is detected. Continuous shooting speed may decrease. Flicker-free shooting is not available during silent shooting, BULB exposure, or movie recording.
[xiv] Models sold in some countries/regions support IEEE 802.11b/g/n (2.4 GHz) wireless LAN only. 5 GHz communication may be restricted in some countries and regions
[xv] Imaging Edge Mobile version 7.2 will be released in July 2019
[xvi] Imaging Edge Mobile Ver. 7.2 or later is required. “Cnct. during power off” setting in camera must be turned ON and the camera and smartphone must be paired using Bluetooth® technology via the Imaging Edge Mobile application
[xvii] Connect this product to an HDR (HLG) compatible Sony TV via a USB cable when displaying HDR (HLG) movies
[xviii] Sound not recorded. Class 10 or higher SDHC/SDXC card required
[xix] Not guaranteed to be 100% dust and moisture proof
[xx] A battery must be installed in the body when power is being supplied via the USB connector
[xxi] Refer to the Sony support page for details and camera compatibility information https://www.sony.net/dics/b1m/
[xxii] Refer to the Sony support page for details and camera compatibility informationhttps://www.sony.net/dics/k3m/
70-200mm f/2.8 lenses from Canon, Nikon, Sigma, Sony, and Tamron are now included in the site's Camera Lens MTF Measurements Comparison Tool.
The 70-200mm f/2.8 image stabilized lens is a staple to many kits. Start comparing! Then share the results with your friends.
From Canon:
Service Notice: EOS M50 EF-M 15-45mm IS STM Kit may contain an incorrect battery charger (LC-E17)
An incorrect battery charger (LC-E17) may be included in some M50 EF-M 15-45mm IS STM Kits.
We would like to offer our sincere apologies to users who have been inconvenienced by this issue.
Support
If you received the LC-E17 battery charger in the EOS M50 EF-M 15-45mm IS STM Kit please contact our Customer Support Center, using the information below. Canon will replace the LC-E17 with the correct battery charger, LC-E12, free of charge.
This information is for residents of the United States and its five territories only. If you do not reside in the USA or its five territories, please contact the Canon Customer Support Center in your region.
If you have not already done so, please register the EOS M50. By registering, we will be able to notify you via email about future announcements.
Thank you,
Customer Support Operations
Canon U.S.A., Inc.
Contact Information for Inquiries
Canon Customer Support Center
Phone: 1-800-OK-CANON, 1-800-652-2666
TDD: 1-866-251-3752
Email: carecenter@cits.canon.com
Support options and hours of operation: www.usa.canon.com/support
B&H just added a significant number of items, many in "10" condition, to their used Really Right Stuff inventory.
RRS gear is extremely well made but not inexpensive. The 9+ rated gear should barely appear used and the 10-rated gear is like new. The discounts are significant.
Used Really Right Stuff gear currently available includes:
From the B&H YouTube Channel: In this fifth video in the Audio for Video series, AB discusses tips and techniques for how to best capture audio with lavalier and boom mics. From ways to conceal lavs on talent to proper operation of a boompole, you’ll see real-world examples of the types of methods that are used to enable great audio capture, regardless of environment or application. Check it out.
B&H has all you need to capture audio.
Just posted: Sony FE 100mm f/2.8 STF GM OSS Lens Review.
Along with much other information, learn why this lens' f/2.8 is equal T 5.6.
The Sony FE 100mm f/2.8 STF GM OSS Lens is in stock at B&H | Adorama | Amazon USA | WEX
Rent the Sony FE 100mm f/2.8 STF GM OSS Lens from Lensrentals.
I spotted this lone bristlecone pine tree on my first drive up Mount Evans. The uniquely shaped tree alone on the side of the mountain begged to be in an image and on the last day of this trip, I made that pine my sunrise subject.
A clear sky does not hold promise for an amazing sunrise or sunset, but what can be counted on is the opportunity to incorporate a great sunstar into the image.
To create a sunstar from a point light source requires a narrow aperture. The narrower the aperture, the bigger the sunstar is the rule. I often select f/16 for these types of images as the effects of diffraction are usually tolerable at this aperture, even on the highest resolution cameras. A downside to using a narrow aperture with the sun in the frame is that flare effects are increased, especially from lenses with high element counts. Whether or not the flare shapes are attractive and desired may be a personal preference. Also note that, in general, wide aperture lenses create the largest sunstars.
Nikon Z 14-30mm f/4 S Lens' f/4 aperture isn't terribly wide and in this case, I opted for f/22 to get a larger and more attractive (including stronger points) star. I don't like the softness that diffraction creates at f/22 so the portion of the frame without the sunstar in it was merged from an f/11-captured frame. I captured a 5-shot bracket (varying by 1 stop) at each aperture setting and opted to use a brighter f/11 image for the foreground.
The other property a clear sky can promise is a very warm light immediately after the sun rises or immediately before the sun sets and the warm first or last light of the day raking over a scene is often welcomed from a landscape photography perspective.
The small crescent moon included in the frame just above the left side of the pine tree was a bonus for this image.
A larger version of this image is available on Flickr.
Just posted: ProMediaGear PLX3x Universal L-Bracket Review.
I've wanted a universal L-bracket for a long time and this is the one I picked.
The ProMediaGear PLX3x Universal L-Bracket is in stock at Adorama
Watch as Adobe's Julieanne Kost explains five feature of the crop tool, some of which you may not have known.
B&H carries Adobe Photography Plan subscriptions.
Anhui China, Jul 8, 2019 – Venus Optics, the camera lenses manufacturer who had previously launched a number of unique Laowa camera lenses, are proud to introduce the the Nikon Z & Canon RF mount to the world’s widest rectilinear f/2 lens (Laowa 15mm f/2 Zero-D) and the world’s widest zoom lens (Laowa 10-18mm f/4.5-5.6).
Laowa 15mm f/2 Zero-D (Both Nikon Z & Canon RF mounts)
Laowa 15mm f/2 Zero-D (Both Nikon Z & Canon RF mounts)The Laowa 15mm f/2 Zero-D is currently the widest f/2 rectilinear native lens for full frame mirrorless cameras. The lens falls into the Laowa ‘Zero-D’ products line-up and the patented optical design successfully minimizes the optical distortion to the lowest. This compact and lightweight lens comprises of 12 elements in 9 groups with 2 pcs of aspherical elements and 3 pcs of Extra-low dispersion elements. Photographers can also take advantage of the super close focusing distance (less than 6” from the sensor) and the f/2 aperture to create some wide angle close-up shots with pleasing bokeh.
Despite the extreme specifications, Venus Optics have successfully minimized the size of the lens to only 1.1 lbs and 3” long. The flat front surface design allows photographers to use 72mm circular filter with ease. Unlike the Sony E variant, the new Nikon Z / Canon RF variants feature a design of 5 straight aperture blades which produce a clean and sharp 10-point sunstar rendering.
Laowa 10-18mm f/4.5-5.6 Zoom (Nikon Z mount only)
Laowa 10-18mm f/4.5-5.6 Zoom lens is currently the widest full frame zoom lens in the market.
The 102° (18mm) to 130° (10mm) FoV provides a great deal of flexibility for photographers to compose landscape or architecture photos with ease. The one-of-a-kind 130° FoV also helps photographers to realize many formerly impossible shots.
Similar to the Sony E-mount variant (released a few months ago), Venus Optics have managed to compress the size of this new Nikon Z variant to the smallest in its class, measuring approximately 3.5 inches (~9cm) long and weighing only 1.1 lbs (<500g) with a lens diameter of 70mm. It also incorporates a 5 straight blade aperture to deliver a sharp, clean, well-defined 10- point sunstars. The lens houses with 14 elements in 10 groups with 2 aspherical elements & 1 extra-low dispersion element. It comes with an excellent close up performance and is able to focus as close as 6” from the sensor. A rear 37mm filter thread is included to fit with 37mm UV/ND filter.
Venus Optics have NO plans to launch Canon R mount for Laowa 10-18mm f/4.5-5.6.
Availability
The new variants of Laowa 15mm f/2 Zero-D & Laowa 10-18mm f/4.5-5.6 are currently available to order and from authorized resellers. Recommended Retail Price in US (without tax) is USD 849 for each lens. Pricing may vary in different countries.
Adorama has the following available for preorder:
Image quality test results have been added to the Nikon Z 14-30mm f/4 S Lens page.
Compact, light, great focal length range, and ... very nice image quality (remember that lateral CA is usually easily removed). Create your own comparisons – share the results with your friends.
The Nikon Z 14-30mm f/4 S Lens is in stock at B&H | Adorama | Amazon USA | WEX ("Awaiting Stock")
Rent the Nikon Z 14-30mm f/4 S Lens from Lensrentals.
From Nikon Europe:
On February 26, 2014, Nikon released a Service Advisory informing users of the D600 that Nikon would provide corrective servicing, free of charge, of D600 cameras exhibiting a particular issue.
This announcement is to inform users of the D600 that requests for this free corrective servicing will only be accepted until January 10, 2020. Service to address this issue requested after the offer of free service expires will be handled in accordance with standard Nikon repair policies.
If you would like to have your Nikon D600 inspected for this issue and corrected as needed, at no cost to you, please request the service from a Nikon service center as soon as possible.
Issue
Some users have indicated the appearance of multiple granular dust spots in images captured with the Nikon D600 digital-SLR camera. These granular dust spots are reflections of internal dust generated with camera operation, or external dust particles that have found their way into the camera, either, or both of which, have adhered to the camera's low-pass filter.
While the structure and concept of digital-SLR cameras make the complete elimination of these dust spots very difficult, it has come to our attention that, in some rare cases, they may be reflected noticeably in images. Therefore, Nikon is informing users of a service to reduce this issue again.
From Sigma:
Sigma 14-24mm F2.8 DG DN Art
Ultimate large-diameter, wide-angle zoom lens optimized for full-frame mirrorless cameras -“The definitive lens for astrophotography” with astonishing resolution.
Many photographers like to use low sensitivity shooting to minimize noise as much as they can. Particularly in the photography of starry skies, bright wide-angle lenses are often selected because they can efficiently collect weak light. The 14-24mm F2.8 DG DN | Art has been developed as the ultimate large-diameter, wide-angle zoom lens by optimizing the standard specifications for photographing starry skies for full-frame mirrorless cameras. The uniform rendering performance and outstanding resolution to the edge of the frame make it the “definitive lens for astrophotography.” By utilizing the characteristics of the short flange focal length, this new-generation large-diameter zoom lens combines both compact body and unprecedented high-resolution image quality.
About Product Name: Product name includes “DG” when the lens is designed to deliver the ultimate in performance on cameras with full-frame sensors, and “DN” when the lens design is optimized for mirrorless cameras with the short flange focal length.
Key features
Bringing the “pursuit of ultimate image quality” to the next level with an F1.2 Art line lens for mirrorless cameras
First wide-angle AF lens with F1.2 maximum aperture for the full-frame Sony E-mount and L-Mount system. This lens enables a creation of artwork with astounding resolution and large bokeh effects, such as portraits that make use of a shallow depth of field. It brings the development concept of the Art line “pursuit of ultimate image quality” to the next level. While utilizing optical correction function inside the camera, aberrations that are difficult to post-process are thoroughly corrected thanks to the optical design and it thereby enhances resolution.
Key features
B&H has the following available for preorder:
Sigma 14-24mm f/2.8 DG DN Art Lens for Sony E
Sigma 14-24mm f/2.8 DG DN Art Lens for Leica L
Sigma 35mm f/1.2 DG DN Art Lens for Sony E
Sigma 35mm f/1.2 DG DN Art Lens for Leica L
Image quality test results from an additional lens have been added to the Canon EF 600mm f/4L IS III USM Lens page.
As I shared prior regarding the first lens' test results:
While these image quality results may appear simple, they have a background.
Keeping the story short, my first copy of this lens took forever to arrive and when it did, the performance was not as expected with damage sustained in transit being strongly suspected.
The second lens also took a long time to acquire and the results being shared here are from this lens.
Before announcing these results, I did some sanity checking including with my Canon USA technical rep. My concern (always) is ensuring that this lens' performance is representative of what buyers should expect from their own lens. The MTF charts suggest that the version III lens should perform nearly equally to the version II lens. While I'm not absolutely 100% confident that a better copy of this lens is not available (and will likely test at least one more copy of this lens to be sure), I have enough confidence that this lens is representative of the model, showing what we should expect, to share these results.
That said, let's jump right into the comparison that most will be interested in, the Canon EF 600mm f/4L IS III vs. II Lens image quality comparison. The version III lens produces very impressive image quality wide open. My only cause for concern about this lens copy was that the version II lens is very slightly sharper in the center of the frame with the difference primarily noticeable when extenders are being used. With less lateral CA, the version III lens produces better peripheral image quality, even with the 2x extender in place.
Unmistakably better is the version III's weight. As I was creating this post, I grabbed the lens from my desk and ran to attempt to catch a pileated woodpecker on a tree just outside the studio. That effort reminded me how amazingly light this lens is for its specs.
Back to the new copy of this lens ... as I mentioned, I wanted to test another copy and
here is the comparison between the two copies (copy "2" is the new one).
The Canon EF 600mm f/4L IS III USM Lens is in stock at B&H (save the tax, use the B&H Payboo card) | Adorama | Amazon | WEX.
Rent the Canon EF 600mm f/4L IS III USM Lens from Lensrentals.
From B&H:
Apple has updated the MacBook Air and the entry-level 13" MacBook Pro. The MacBook Air gets a True Tone display, while the entry-level 13" MacBook Pro gets fully kitted out with an 8th-Gen Intel® Core™ quad-core processor, Touch Bar, True Tone, and more. The MacBook Air now has True Tone on its Retina Display. True Tone automatically adjusts the white balance to the color temperature of the light around you, providing a much more natural viewing experience. Learn more here.
by Sean Setters
If you're like me, after having purchased the 5DayDeal Complete Video Creators Bundle (especially over multiple years), you may have a ton of LUTs (Look Up Tables) that can be used to color grade your videos and images. For instance, the last time I counted, I had over 600 LUTs sitting in a folder on my hard drive. Unfortunately, sifting through my LUTs to find one that's appropiate for a specific video/photo project has has been a painfully slow and tedius process, requiring the of application of each LUT individually within the software editor for preview purposes.
Thankfully, there's a better way. A Swedish software designer has created an excellent (and free) program – Bulk LUTs Previewer – that allows for fast and easy previewing of your locally stored LUTs.
How Does Bulk LUTs Previewer Work?
It's really simple.
Once you've found the LUT you'd like to use, here are the steps for applying the LUT to an image in Photoshop.
While the sofware is free, I highly suggest donating to the author (using the "About" menu option) to encourage the software's further development (I did).
Download: Bulk LUTs Previewer
As a photographer, you've probably run into a situation where your camera's sensor couldn't capture the full range of brightness levels in a scene, necessitating techniques – such as bracketing – to obtain a higher dynamic range image. Well, those recording audio often face a similar issue capturing the full range of sounds available without clipping and/or distortion.
However, the new Zoom F6 uilizes 32-bit floating recording and dual analog to digital converters (one tuned to capture loud sounds, one tuned to capture low sounds) which the unit combines to create a full range of clean audio. The processing is so good, in fact, that it's almost impossible to clip audio when the device is set to 32-bit recording (the limiter isn't even available at this setting).
B&H has the Zoom F6 6-Input / 14-Track Multi-Track Field Recorder available for preorder.
Please visit the Photography Workshops page for the latest openings.
If you are you interested in photographing brown bears chasing salmon (among other things) in a remote section of Katmai National Park, I need to hear from you very soon.
I have the opportunity to charter a boat with an extremely-experienced operator, one very familiar with coastal Katmai NP and the brown bears. Photographing brown bears chasing and catching salmon is the anticipated highlight of this trip which would take place at the typical peak of the salmon run, at end of August or early September in 2020.
I've had the privilege of going on this trip and highly recommend having it on your bucket list.
The scenery in this area is amazing. The float plane flight to and from the boat is amazing. The animals are amazing. Every day is a new adventure.
I do not have much time to lock in this opportunity. I need 8 participants to make this affordable with the cost being very approximately $8,500 for 6 nights. This rough estimate cost is all-inclusive from Kodiak (and possibly Homer) (aside from crew tips).
Again, the window on this opportunity will close quickly, so I need to hear from you soon if this is a trip you are interested in joining me on. Email me now to reserve your spot or ask questions!
From Sony:
Sony Electronics Boosts Full-frame Lens Line-up with Introduction of FE 35mm F1.8 Lightweight Prime
SAN DIEGO —July 9, 2019 —Sony Electronics Inc. today announced the latest addition to its E-mount full-frame lens line-up with the introduction of the FE 35mm F1.8 wide-angle prime lens, model SEL35F18F.
The compact dimensions and lightweight of this full-frame, large-aperture lens provide mobility and convenience for shooting a wide range of subjects, such as everyday snapshots, food photography, landscapes, night scenes and more. The new lens provides outstanding corner-to-corner image quality, while its quiet autofocus and tenacious tracking performance make it a great choice for both stills and movie shooting. Additionally, its compact form makes it an appealing choice for both APS-C body users, offering a 52.5mm equivalent focal length on APS-C cameras.
“Our E-mount lens lineup now includes 34 full-frame models and 52 lenses in total,” said Neal Manowitz, deputy president of Imaging Products and Solutions Americas at Sony Electronics. “The new 35mm prime combines outstanding corner-to-corner sharpness with a compact design, making it an ideal choice for a wide range of shooters. Sony will continue to develop and expand its imaging lineup, giving creators more options than ever before to realize their vision.”
Product Highlights
High-resolution and large-aperture, full-frame performance in compact and lightweight lens
Versatile control and handling for a wide range of imaging needs
Quiet AF with excellent tracking for movies as well as stills
Pricing and Availability
The FE 35mm F1.8 will ship in August 2019 for approximately $750 US and $800 CA and will be sold at a variety of Sony’s authorized dealers throughout North America.
Preorders
Sony FE 35mm f/1.8 Lens preorders start at 11am ET on Thu, Jul 11th (be sure to preorder using our links): B&H | Adorama | WEX
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