Sony News (Page 21)
Image quality test results are now available on the Tamron 20-40mm f/2.8 Di III VXD Lens Review page.
Create some comparisons.
Support this site by ordering the Tamron 20-40mm f/2.8 Di III VXD Lens from B&H | Adorama | Amazon USA | WEX
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It seemed awkward to show up for dinner with a tripod, but I did take a camera. Then the balance of the hotel lights with the blue hour sky called.
Until this point, most of the R6 II photo opportunities involved fast action that stressed its outstanding AF capabilities and high-speed frame rate. This subject was going nowhere, but the light was dim. While the ISO settings could be increased, a clear blue sky makes high ISO noise readily apparent.
Squatted down with a Canon RF 15-35mm F2.8 L IS USM Lens set to 27mm and mounted to the Canon EOS R6 Mark II, The R6 II captured mostly sharp 1-second exposures and a solid number of sharp 2-second exposures (even with ADD kicking in before a second of holding the shutter release down). While a tripod would have been the optimal support for this shot, IBIS did the job remarkably well.
The capabilities of IBIS are extremely valuable, adding versatility to the kit. The value of adding image stabilization to your current non-stabilized lenses (including EF models) is huge.
Note that a preproduction R6 II captured this image.
A larger version of this image is available here.
ISO 250
6000 x 4000px
From Canon USA:
Boundless Creativity: Canon Announces the Canon EOS R6 Mark II Hybrid Full-Frame Camera
New RF135mm F1.8 L IS USM Lens and Speedlite EL-5 Flash Unit Also Announced
MELVILLE, NY, November 2, 2022 – Canon U.S.A., Inc., a leader in digital imaging solutions, announced today the launch of the new EOS R6 Mark II camera body, Canon’s new hybrid full-frame camera, and the first EOS R series full-frame mirrorless to take the step into the second generation. In addition, Canon is also introducing the new RF135mm F1.8 L IS USM mid-telephoto portrait lens and Speedlite EL-5 flash unit.
Ideal for advanced amateurs and featuring user-friendly functions, the EOS R6 Mark II camera is a high-performance hybrid camera that’s designed to capture decisive moments in both photo and video formats. It will satisfy a wide range of needs including professional production, vlogging, still pictures, filmmaking, and more. The camera is also well-suited for various photography subjects such as portrait, landscape, sports and wildlife. With the EOS R6 Mark II camera, creativity has virtually no borders.
As the market share leader for mirrorless cameras in the United States through Q3 of 2022[i], Canon continues to strengthen its innovative EOS R lineup with the new EOS R6 Mark II camera. The EOS R6 Mark II offers enhanced video and photo functions, such as in-body Image Stabilization, as well as specifications that can satisfy video production needs, such as controlled focusing.
“As a filmmaker who is always on the move, I need a camera I can trust in a multitude of environments as well as keeping up with my fast paced style of shooting and the new Canon EOS R6 Mark II does just that.” said Canon Co-Lab Creator, Sam Newton.
In addition to its compact size and ease of use, the EOS R6 Mark II camera also features:
- 24.2 megapixels, full-frame image sensor
- 4K 59.94p video recording
- External 6K RAW video recording / Internal 4K video recording oversampled from 6K
- High-speed burst shooting
- Canon Log 3 maximizing dynamic range
- Autofocus (AF): highly accurate subject detection with human, animal[ii], vehicle and automatic settings
- Horses, trains, and airplanes are newly detectable through the use of deep learning technology
- Continuous movie recording that exceeds 30 minutes
- Up to 12 frames per second mechanical shutter
- Up to 40 frames per second with electronic shutter
- In-body Image Stabilization as effective as up to 8 stops faster shutter speed[iii]
Alongside the new camera body, Canon has announced a new addition to its growing line of innovative RF lenses – the RF135mm F1.8 L IS USM. This is a fixed focal length mid-telephoto portrait lens that is compatible with any EOS R-series camera. The RF135mm F1.8 L IS USM achieves beautiful and generous bokeh with the large-diameter F1.8 and comes equipped with in-lens Image Stabilization. The coordinated control of this IS coupled with the in-body IS present in the EOS R6 Mark II camera and other EOS R equipped IBIS cameras helps reduce camera shake and empowers photographers to express a feel of motion when shooting in dark areas with slow shutter speeds.
“The image quality and super smooth bokeh out of the new RF135mm F1.8 L IS USM lens is absolutely spectacular and superior to the EF version.” said Canon Explorer of Light, Vanessa Joy.
Additionally, Canon has announced the new Speedlite EL-5 flash unit, designed for superior compatibility with the new EOS R6 Mark II. The Speedlite EL-5 is Canon’s first flash product compatible with the new multi-function shoe present in the EOS R6 Mark II, EOS R3, EOS R7 and EOS R10 cameras.
“The new Canon Speedlite EL-5 flash will give that magical kiss of light that brings a picture to life and illuminates your creative vision.” said Canon Explorer of Light, Bob Davis.
Price & Availability
Canon EOS R6 Mark II camera body only and kits with either the Canon RF24-105 F4 L IS USM or the RF24-105 F4.0-7.1 IS STM USM lens will be available in late November 2022 for estimated retail prices of $2499.00, $3599.00 and $2799.00 respectively*.
The Canon RF135mm F1.8 L IS USM will be available in late January 2023 for an estimated retail price of $2099.00*.
The Canon Speedlite EL-5 flash unit will be available in late March 2023 for an estimated retail price of $399.99*.
Orders
Support this site by ordering the Canon EOS R6 Mark II from B&H | Adorama | Canon USA | WEX
Order the Canon RF 135mm F1.8 L IS USM Lens from B&H | Adorama | Canon USA | WEX
Order the Canon Speedlite EL-5 from B&H
# # #
[i] The NPD Group/Retail Tracking Service, U.S., Detachable Lens Cameras, Digital Lens Type: Mirrorless, Jan.- Sept. 2022 combined.
[ii] Effectiveness varies depending on the subject. In some cases, dogs, cats or birds may not be detected, while some animals other than dogs, cats or birds may be detected.
[iii] CIPA standards compliant, using RF24-105 F4 L IS USM as the lens, with a focal length of 105mm.
* Specifications, availability and prices are subject to change without notice. Actual prices are set by individual dealers and may vary.
Sony's 2022 Q2 financial results are available on the Investor Relations page.
Presentation (track ET&S Segment for the Entertainment, Technology & Services Segment, I&SS for the Imaging and Sensing Solutions segment)
Speech Transcript
Financial Statements
Supplementary Information
Webcast
This report shows that Entertainment, Technology & Services and Imaging and Sensing Solutions had a good quarter and first half, with a strong forecast. A positive impact of foreign exchange rates and an increase in camera and imaging sensor sales are cited.
From Sony Electronics Inc.:
Sony Electronics’ New Alpha 7R V Camera Delivers a New High-Resolution Imaging Experience with AI-Based Autofocus
New Artificial Intelligence (AI) Processing Unit with 61 MP High Resolution Image Sensor and BIONZ XR™ Processing Engine Combine to Deliver Best-Ever Image Quality for an Alpha Body
SAN DIEGO, CA – October 26, 2022 – Sony Electronics Inc. announced the Alpha 7R V (model ILCE-7RM5) as the newest R series camera in its acclaimed line of Alpha mirrorless interchangeable lens cameras. The Alpha 7R V combines Sony’s highest resolution image sensor in an Alpha camera with a new AI (artificial intelligence) processing unit dedicated to AI-based image recognition – a first in any Alpha camera – as well as the powerful BIONZ XR™ image processing engine – a first in the “R” full-frame lineup. The combination of the high-resolution sensor and these processors enables new breakthroughs in subject recognition and capture for both still photography and video.
The new Alpha 7R V offers 61.0MP still images plus the most effective 8-step image stabilization system ever offered in any of Sony’s Alpha cameras, as well as refined 8K movie recording, a new 4-axis multi-angle LCD monitor, high-speed communication functions, high-level operability and smooth workflow integration. Sony’s newest camera is ideal for professionals who need a first-class high-resolution imaging tool.
“The newest addition to our Alpha 7R lineup is the perfect example of our relentless drive to develop industry-leading imaging technology,” said Yang Cheng, Vice President, Imaging Solutions, Sony Electronics Inc. “We are thrilled to introduce the all-new Alpha 7R V with high-resolution and extremely advanced AI integrations that deliver next-generation autofocus performance. We are excited to see what our community creates with the new Alpha 7R V.”
Improved AF Accuracy Based on Newly Developed AI Processing Unit
The Alpha 7R V features next-generation AF Real-time Recognition AF, with advanced accuracy and broader subject recognition thanks to a new AI (artificial intelligence) processing unit with deep learning. The state-of-the-art AI processing uses detailed information about human form and pose estimation to dramatically improve recognition accuracy beyond systems which only detect face and eye and make full use of its potential. Real-time Recognition AF, using AI subject recognition, has been developed to include several subject types, including animals, vehicles and insects. The Alpha 7R V also includes continuous shooting at up to 10 fps with AF/AE tracking.
In addition to the advanced AI technology, the Alpha 7R V includes improvement to many beloved features from other cameras in Sony’s Alpha series that are now included for the first time in Sony’s 7R series:
- Tenacious Real-time Tracking
- Faster and more precise wide-area, high-density AF system
- Silent, vibration-free shooting at up to 7 fps
- Continuously shoot up to 583 compressed RAW images at high speed
The Alpha 7R V also includes focus features that support high resolution including full-time DMF (direct manual focus), and focus bracketing, a highly-requested capability that allows for focus stacked images.
Extraordinary Resolution Known to Sony’s Alpha 7R Series
The Alpha 7R V was designed to deliver overwhelming detail thanks to the latest BIONZ XR™ image processing engine and a 35mm full-frame back-illuminated Exmor R™ CMOS image sensor with approximately 61.0 effective megapixels. The latest BIONZ XR image processing engine ensures that the resolution potential of the camera’s sensor is fully utilized to deliver the highest resolution at low sensitivity in the Alpha series thus far. This enables sensitivity settings from ISO 100 to ISO 32000 for both stills and movies and wide dynamic range with 15 stops for stills.
The Alpha 7R V’s entire image stabilization system has been updated with a high-precision image stabilization unit, advanced gyro sensors, and optimized image stabilization algorithms for stills and video. In addition to up to the 8-step compensation effect for stills, the new stabilization algorithm provides precise detection and control right down to the single-pixel level, taking full advantage of the sensor’s 61.0-megapixel resolution potential to bring out the finest subject details. Sony’s newest camera also offers upgraded Pixel Shift Multi Shooting, which takes advantage of the precision in-body image stabilization system control, capturing multiple pixel-shifted images that are later composited using a computer to achieve overwhelming resolution in a single image. Using the latest version of Imaging Edge Desktop™ Ver.3.5 computer application, small pixel-level movements, such as a shift in the subject’s position or leaves on a tree, are automatically detected and corrected for optimized compositing can be achieved. 16-image composites with approximately 240.8 million pixels (19,008 x 12,672 pixels) can be produced from data that is equivalent to approximately 963.2 million pixels. The Alpha 7R V also supports precise and versatile external flash control for additional creative flexibility. Additionally, when in challenging lighting conditions the Alpha 7R V effectively suppresses flickering from artificial lights for stills and video.
Additional features that offer flexibility for still photography includes:
- Addition of Lossless RAW image compression and selectable RAW image sizes and quality
- Greatly expanded focus and exposure bracketing
- Creative Look settings for stills and videos in camera
- High-quality HEIF images with high compression efficiency
- Wide brightness range for large screen viewing.
Cinematic Video Capabilities
In addition to incredible still photography capabilities, the Alpha 7R V offers advanced video capabilities. Sony’s newest camera delivers 8Ki 24/25p video, 4K video oversampled from 6.2K without binning, a high-efficiency MPEG-H HEVC/H.265 codec, all intra recording, 10-bit 4:2:2 recording, and more for high image quality and flexible editing. It also includes evolved subject recognition for unprecedented real-time tracking reliability, breathing compensation and the ability to use camera metadata for post-processing and advanced in-body image stabilization. In addition to in-body Active mode image stabilization for smoother on-the-go recording, the Alpha 7R V is compatible with select lenses that include built-in image stabilization for even more stable framing and smooth footage.
Operability and Reliability
The Alpha 7R V pairs outstanding reliability for professional needs in both stills and videos with a compact, lightweight form factor. The Alpha 7R V includes a new 4-axis multi-angle LCD monitor that combines the utility of a conventional tilting monitor with side-opening vari-angle flexibility, and an electronic viewfinder with 9.44 million dots. The Alpha 7R V also includes two CFexpress Type A/SDXC compatible media slots and a brand-new menu system with touch control and a wide range of customizable functions.
The Alpha 7R V also allows professionals to optimize their workflow with updated connectivity for improved support. Data can be transferred at high speed over Wi-Fi (802.11ac) 2x2 MIMO or a wired SuperSpeed USB 10Gbps connection via a USB-C® port. In addition to allowing efficient remote shooting as well as still and movie file transfers, new USB streaming features support UVC/UAC, allowing direct streaming from the camera even in 4K (QFHD) resolution with audio as well.
Based on feedback from professionals, the Alpha 7R V includes improved heat dissipation for extended recording times, an upgraded dust and moisture resistant design, a durable magnesium alloy chassis, and other refinements for maximum reliability in challenging working environments.
The Alpha 7R V is also compatible with the new PCK-LG3 Screen Protect Glass Sheet, which maintains touch sensitivity while protecting the LCD monitor against stains and fingerprints. ?
Designed for Professionals with Sustainability in Mind
Measures have been taken to reduce the environmental footprint of this product at various stages of its life cycle: from product development through supply chain, production, and packaging. Sony aims to inspire through efficient use of energy and resources. Recycled plastic including SORPLAS™ ? were partially used for the camera body. In addition, manufacturing takes place at a facility using renewable energy.
Sony is working towards the use of plastic free packaging materials that provide ample protection against shock and impact. Plant-based non-woven fabrics are used for product bags. All of these considerations help to minimize environmental impact.
Pricing and Availability
The new Alpha 7R V will begin shipping in December and is available for approximately $3,900 USD and $5,300 CAD. It will be sold at a variety of Sony’s authorized dealers throughout North America.
Orders
Support this site by ordering your Sony Alpha 7R V from B&H.
Notes:
1 CIPA standards. Pitch/yaw shake only. FE 50mm F1.2 GM. Long exposure NR off.
2 Slow & Quick Motion is not available when recording XAVC HS 8K movies. [APS-C/S35 Shooting] is fixed at [Off]. Angle of view is approx. 1.2x.
3 Camera may not accurately recognize all specified subjects in all conditions. Subject types other than the type specified may be erroneously recognized in some cases.
4 Camera may not accurately recognize all specified subjects in all conditions. Available subject settings are: Human, Animal/Bird, Animal, Bird, Insect, Car/Train, and Airplane. Subject types other than the type specified may be erroneously recognized in some cases.
5 Up to 8 fps with AF/AE tracking when shooting with live view. Maximum continuous shooting speed will depend on camera settings.
6 [Tracking] in the menu. Based on advanced artificial intelligence, including machine learning.
7 Some image distortion may occur when shooting fast-moving subjects or when panning or otherwise moving the camera rapidly.
8 Up to 7 fps in continuous “Hi+” mode. Maximum continuous shooting speed will depend on camera settings.
9 Sony CEA-G160T CFexpress Type A memory card used. Continuous Hi+ mode. Actual number of images may vary according to shooting conditions.
10 Not applicable to the E PZ 16-50mm F3.5-5.6 OSS and E 18-200mm F3.5-6.3 OSS LE lenses or any A-mount lens. Full-time DMF is not available when shooting continuously in AF-C or AF-A mode (not including Lo), or when using the SEL70200GM lens in AF-C mode.
11 A-mount lenses not supported.
12 Expandable to ISO 50-80 and 40000-102400 for stills.
13 Sony test conditions. Still images
14 As of the October 2022 product announcement. Applicable models: Alpha 1 and Alpha 7R V
15 Image size after compositing is approx. 60.2 million (9 504×6 336) pixels for 4-image shots, and approx. 240.8 million pixels (19 008 x 12 672) for 16-image shots.
16 Only 100 Hz and 120 Hz flicker is detected. Continuous shooting speed may decrease. Phase-detection AF coverage is reduced. Flicker-free shooting is not available during silent shooting, BULB exposure, or movie recording.
17 When shooting Super 35mm at 30p or 24/25p.
18 Slight image crop in Active Mode. Active mode not available when recording XAVC HS 8K or using a frame rate of at 120 (100) fps.
19 See Sony’s support web page for information on compatible lenses: https://www.sony.net/dics/7rm5-s/ ? A software update may be required for some lenses. Compensation effectiveness may vary according to the lens used.
20 Monitor movement may be limited when cables are connected to the camera’s connectors.
21 Wi-Fi® communication is enabled on the 2.4 GHz and 5 GHz bands. 5 GHz communication may be restricted in some countries and regions.
22 Sony internal tests with [Auto Power OFF Temp.] set to [High].
23 Not guaranteed to be 100% dust and moisture proof.
24 Depending on the time of production, SORPLAS™ may not be used for some parts
25 Not including materials used in coatings and adhesives.
26 Not including materials used in coatings and adhesives. Natural non-woven fabric may not be available during some production periods.
From Sigma Global:
Firmware update for SIGMA Global Vision lenses in SONY E-mount
Thank you for purchasing and using our products. We would like to announce that a new firmware update is now available for SIGMA Global Vision lenses in SONY E-mount listed below.
[Applicable products]
- SIGMA 24-70mm F2.8 DG DN | Art in SONY E-mount
- SIGMA 35mm F1.4 DG DN | Art in SONY E-mount
[Benefit of the update]
AF assist function during video recording is now supported.
*Only SONY camera models with AF assist function are supported.
[Applicable product]
- SIGMA 14-24mm F2.8 DG DN | Art in SONY E-mount
- SIGMA 20mm F2 DG DN | Contemporary in SONY E-mount
- SIGMA 24mm F2 DG DN | Contemporary in SONY E-mount
- SIGMA 35mm F2 DG DN | Contemporary in SONY E-mount
- SIGMA 65mm F2 DG DN | Contemporary in SONY E-mount
- SIGMA 85mm F1.4 DG DN | Art in SONY E-mount
[Benefits of the update]
AF assist function during video recording is now supported.
*Only SONY camera models with AF assist function are supported.
The focus distance shown on the screen during manual focus has been optimized.
[How to update]
Please select the appropriate product from the following page, go to the download page, click “Sony E-mount” and follow the update procedure. https://www.sigma-global.com/en/support/purpose/firmware/?mode=search&product_category=lens * After the update is complete, be sure to remove the battery pack from the camera and reinsert
Just posted: Tamron 50-400mm f/4.5-6.3 Di III VC VXD Lens Review
This lens is currently ranked 21st among the best-selling mirrorless lenses at B&H — out of 1204 lenses.
Support this site by ordering the Tamron 50-400mm f/4.5-6.3 Di III VC VXD Lens from B&H | Adorama | Amazon USA | WEX
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The foreground lighting in this Badlands National Park Milky Way image is courtesy of a pair of Simorr Vibe P96L RGB Video LED Lights on Manfrotto Befree Advanced Travel Tripods.
Even at their lowest intensity settings (1%), half the light face required gaffer tape to bring the overall light balance down to Milky Way levels.
Post-processing of this image primarily involved peripheral shading correction and increasing the contrast of the foreground and background independently.
A larger version of this image is available here.
ISO 6400
8640 x 5760px
The key to photographing at Zabriskie Point in Death Valley National Park is knowing when and where to point the camera. Fortunately, there are so many good options that it is easy to get some of them right.
The simplistic and distinct erosion features seen in this image held my attention long enough to create a selection problem. Today, it was time to pick one and move on. Well, that is at least until I decide it is time to pick another one.
This scene is looking into the rising sun, with reflected light creating a warm color temperature.
While a telephoto lens may not be an obvious first-choice landscape lens, the long focal lengths often provide easy compositions even in locations with limited beauty. The Canon RF 70-200mm F2.8 L IS USM Lens is an outstanding choice for this purpose (and Zabriskie has unlimited beauty).
A larger version of this image is available here.
ISO 100
8192 x 5464px
It is my favorite time of the year — Fall. The landscape is taking on spectacular colors, and I feel the need to make the colors last by photographing them.
However, I frequently encounter beautiful trees in full fall color with uninspiring surroundings. The challenge is to capture the beauty without including unsupporting subjects, especially power lines, in the composition.
As the relevant example for this image, our local high school grounds have a border of large maple trees that get extraordinary color each fall. While the school property and nearby neighborhood are nice, the buildings, streets, wires, etc., are not what I'm looking for in a nature picture.
In this case, the simplest tactic is often to get out the telephoto lens and isolate a portion of the tree.
The timing of this year's peak fall leaf color coincided with the Tamron 50-400mm f/4.5-6.3 Di III VC VXD Lens review. This lens has the perfect range for isolating leaves (and the excellent image quality necessary to make the shoot worthwhile).
A large tree can offer many compositions, but after moving around to figure them out, I typically come back to a small number of favorites. To find these, try zooming out to the widest focal length and then zooming in as the composition is adjusted until nothing extraneous is in the frame, and the remaining limb lines and leaf clumps are balanced. Lock the tripod head, take that shot (perhaps several if the leaves are moving in the wind), create some variations, and then zoom in further to get a different look. Then, start over, perhaps after moving to a different position.
This maple tree's foliage was not solid, meaning some background showed through. The best options were to fill the foreground tree's holes with sky or, as shown here, with a background tree across the street. Note that the horizon and other orientation-identifying subjects are not discernable in this image. In this case, it is OK to tilt the camera slightly to adjust for the available details (I keep telling myself that).
This image was captured just before the sun set. The bright red leaf color lit by warm light made the red channel the one to watch for exposure. A Breakthrough Photography circular polarizer filter reduced the reflections on the leaves, further saturating the primarily red colors.
A larger version of this image is available here.
ISO 100
8640 x 5760px
This handsome bull elk is watching his herd of cows from the forest's edge on a rainy afternoon in Rocky Mountain National Park.
Does rain keep you from your pursuit? While heavy rain hinders visibility, light rain is often not a problem. Wet foliage appears saturated, and the rain clouds create even (though dim) lighting. That combination, along with the raindrops, adds diversity to the portfolio.
Put a LensCoat rain cover on the camera and rain gear on yourself, and go out shooting.
Images captured on cloudy days or in the shade often benefit from warming the color balance — add red and subtract blue. A slight increase in vibrance brings out the colors.
A larger version of this image is available here.
ISO 2500
9621 x 5928px
Just posted: Canon RF 1200mm F8 L IS USM Lens Review page.
Fun, but expensive, lens.
Please share!
Order the Canon RF 1200mm F8 L IS USM Lens from B&H | Adorama | Canon USA | WEX
Rent the Canon RF 1200mm F8 L IS USM Lens from Lensrentals.
From Sony Electronics Inc.:
Sony Electronics Expands Vlogging Line-Up with New ZV-1F Camera
A perfect first compact camera with a fast wide-angle lens and many of the advanced camera technology known to Sony’s ZV cameras
SAN DIEGO, CA – October 13, 2022 – Today Sony Electronics Inc. announced the newest addition to its popular ZV lineup – the ZV-1F compact vlog camera. The ZV-1F is designed for content creators stepping up to a compact camera that packs advanced video and still capabilities with easy-to-use features, advanced connectivity, and a focus on sustainability.
“We’re thrilled to add the new ZV-1F to our very popular ZV camera lineup,” said Yang Cheng, Vice President, Imaging Solutions, Sony Electronics Inc. “With the rise of vertical video and new platforms that make it easier than ever to become a content creator, the ZV-1F is an all-in-one camera solution that delivers superior quality with easy-to-use features and wireless sharing. This is the perfect solution for content creators looking to improve their video quality.”
High-Quality Stills, Video, and Audio
The ZV-1F was designed for vloggers and content creators to capture high-quality content in a compact form factor. These features and technologies include:
- Ultra-wide 20mm1 F2.0 prime lens, perfect for selfie-style recording
- Background bokeh in both stills and video to make the subject easily stand out
- Compact and lightweight, weighing approximately 8.1 ounces2 (229 grams)
- Face Priority AE (auto exposure) that automatically adjusts the brightness based on the subject’s face, even in situations with large changes in lighting.
- High precision focusing and Eye AF (autofocus) for humans and animals3, with touchscreen operation
- Directional 3-Capsule Mic and wind screen provide clear voice recording and reduced background noise in windy or loud conditions
- Steady and smooth footage with Active Mode4 image stabilization
- S&Q mode5 to shoot in both slow motion at 5x slower speed6 and quick motion at 60x faster7 hyperlapse speed
Designed for Easy Content Creation
The ZV-1F was developed for content creators of all levels, including those who may be stepping up to a compact camera for the first time. The camera is designed with a handful of features for easy content creation and streamlined editing, including:
- Vari-Angle LCD touch screen to easily change features and settings, including zoom8
- Background Defocus Function to quickly blur the background, even while recording video
- Product Showcase Setting to automatically and seamlessly shift focus between a face and products
- Self-timer9 for both stills and video
- Recording lamp and red frame on the screen to indicate when recording has started and stopped
- Ten preset Creative Look options to automatically add a specific look
- ‘Soft Skin Effect’ feature to add skin smoothing options as desired
- Compatible with the GP-VPT2BT10 Shooting Grip/tripod with Wireless Bluetooth™ control
- Accessory shoe11 to easily attach an external microphone
- Remote camera control capabilities and simple file transfer for ? sharing to popular social media platforms with Sony’s new Imaging Edge Mobile Plus™12 smartphone application
- Shot Mark13 to efficiently reference key clips or cut out and transfer specific 15, 30, or 60 second14 marked clips to their smartphone and post directly to social without editing.
- High-quality live-streaming device or web camera, with appropriate video streaming, conference application or similar software, when connected to a computer or smartphone via USB15
Supporting a Sustainable Future
The ZV-1F was designed with features and technology for sustainable future in mind. Recycled materials16 including SORPLASTM are used in both the camera body and bundled accessories like the newly-developed wind screen17 that have been adapted to maintain performance. Plant-based non-woven fabrics are used for product bags to reduce disposable plastic packaging.
Pricing and Availability
The new ZV-1F will be available in late October for approximately $500 USD and $650 CAD. It will be sold at a variety of Sony's authorized dealers throughout North America.
Orders
Order the Sony ZV-1F Vlogging Camera from B&H.
Notes:
1 35mm format equivalent
2 Not including battery and memory card
3 Still images only. Does not work with all types of animal
4 Slight image crop in Active Mode. Active Mode is not available when recording frame rate is 120 (100) p for normal movies and frame rate is 120 (100) fps for S&Q.
5 The recording format in S&Q mode is XAVC S HD. Sound recording is not possible. A Class 10 or higher SDHC/SDXC card is required. UHS speed class 3 or higher is required for 100 Mbps recording.
6 S&Q mode recording at 120 fps (frame rate) 24p (recording frame rate).
7 S&Q mode recording at 1 fps (frame rate) 60p (recording frame rate).
8 Users can select from zooms of 1.0/1.5/2.0/4.0x to quickly change the angle of view. In FHD, zooms of 1.5x and 2.0x use Clear Image Zoom and 4.0x uses digital zoom; in 4K, 1.5x ? uses Clear Image Zoom and 2.0x and 4.0x use digital zoom.
9 Not available when shooting movie in still image mode by pressing MOVIE button.
10 Sold separately
11 Since this model’s accessory shoe does not have electronic contacts, it does not support operation of an external flash, audio input, etc
12 Please use Imaging Edge Mobile Plus Ver. 1.0 or later. The Imaging Edge Mobile Plus app can be downloaded at Google Play and the App Store. Network services, content, and operating system and software subject to terms and conditions and may be changed, interrupted or discontinued at any time and may require fees, registration and credit card information.
13 Two types of shot marks: Shot Mark1 and Shot Mark2
14 Depending on where the shot mark is added, the length of the cut-out video may be shorter than the set length.
15 When streaming via USB, the resolution is 1280 x 720 and the frame rate is 30 fps. To use this function, the OS on the PC or smartphone side must support UVC/UAC. When connecting to a mobile device equipped with a USB Type-C(R) port, please use a commercially available USB cable or terminal conversion adapter.
16 Recycled materials may not be available, depending on the time of production.
17 The wind screen fibres are made exclusively from recycled polyester. Recycled polyester may not be available, depending on the time of production
This is a case of the big being ideal for the small, the big Canon RF 1200mm F8 L IS USM Lens was perfect for capturing a small eastern chipmunk.
After we placed many large rocks around the house, the local chipmunk population grew significantly. These cute little animals are frequently scurrying around, and they often sit on the rocks to watch for danger and whatever else chipmunks find interesting.
The chipmunk was doing exactly what I wanted it to do. Having finished its constant chirping (what alerted me to the photo op), it was sitting on a rock in the morning sunlight doing nothing.
It gave me time to grab the RF 1200mm already mounted on an EOS R5 and a Wimberley WH-200-S Sidemount Head on a ProMediaGear TR424L Carbon Fiber Tripod and head into the front yard.
The super long focal length meant I could move into tight framing distance without spooking the chipmunk, and the still chipmunk permitted many test images (438 to be exact) from the lens.
Upon getting a solid number of images at one position, I'd move slightly to align a different background. Eventually, a rose bush added some color to the background (the 1200mm angle of view doesn't require a large background).
A sudden itch apparently prompted a quick scratching session, and that was the end of the shoot. The chipmunk left to find more breakfast.
Long shutter speeds with image stabilization were being tested when the scratching happened, meaning there was no time to change the shutter speed. However, the motion blur created a fun variation of the otherwise still-posed chipmunk.
Captured on Sabrent. Are you familiar with this company? They recently introduced CFexpress Type B and SDXC memory cards and readers. I've been working Sabrent's cards and readers into the workflow with no issues, and the low prices are especially attractive. Find these cards and readers at B&H.
A larger version of this image is available here.
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From Sony Electronics Inc.:
Sony Announces New Updates to Camera Remote SDK, adding enhanced functionality for Inspection and Drone applications
SAN DIEGO, CA – October 12, 2022 – Sony Electronics Inc. today launched an updated version (version 1.06) of its Camera Remote Software Development Kit (SDK), adding compatibility with Cinema Line Cameras, the FX6, FX3, and FX30 and key functionality to support third parties in the development of bespoke applications utilizing the industry-leading performance of Sony cameras1.
Version 1.06 of the Camera Remote SDK, which is available to download for free starting today, offers new features that are particularly important in the areas of inspection, and multi-camera production.
A newly added Drone GPS sync with location information transfer function enables linking GPS information to still images in real-time with high precision. This is done by sending “ImageID”2 from SDK.
New operational menu settings, including the Reset / Save Settings, provides smooth and efficient workflows, especially when multiple takes are needed in a row.
The new compatibility with FX6 offers basic control3 supported by Content Mobile Browser and allows for up to five units4 to be controlled in parallel.
“We are fully committed to enhancing the SDK experience and maintaining an open policy for partners to find new and different ways to benefit from our industry-leading camera technologies,” said Yang Cheng, Vice President, Imaging Solutions, Sony Electronics Inc. “We’ve been thrilled with all the innovation we’ve seen to date from developers and are excited to continue to build this strong momentum.” ? ?
The Camera Remote SDK can be used to control several cameras in the Sony camera range including newly added Cinema Line cameras, with the full list of compatible cameras available here.
About Camera Remote SDK
Camera Remote SDK allows users to control Sony’s cameras remotely from a computer, this includes changing the camera settings, to remote shutter release and live view monitoring. With this SDK, software developers can design bespoke applications tailored to business requirements, integrating Sony’s professional equipment for size-critical drone and speed camera systems, as well as other medical, education, government, and e-commerce functions.
Further details can be found at: https://pro.sony/ue_US/camera-remote-sdk.
Notes:
1 All apps require network services, content, and operating system and software subject to terms and conditions and may be changed, interrupted or discontinued at any time and may require fees, registration and credit card information.
2 Arbitrary IDs can be given to captured images, and by recording the combination of GPS location information and IDs at the time of shooting, it is possible to associate captured images with GPS location information after shooting.
3 REC START/STOP, Iris, Shutter, Gain, ND, Zoom, Focus, and so on. Please read API reference for detail.
4 Sony tested connection up to 5 units. Based on Sony tests. The maximum number of units is different depending on the device or system.
Also, the press release from Sony Corporation:
Sony Announces free download of new updates to Camera Remote SDK
The new features will enhance functionality for Inspection and Drone applications and is available to download free from today
LONDON UK, 12th October 2022 – Today, Sony launched an updated version of its Camera Remote Software Development kit (SDK), adding compatibility with Cinema Line Cameras, the FX6, FX3, and FX30 and key functionality to support third parties in the development of bespoke applications utilising the industry-leading performance of Sony cameras.
Version 1.06 of the Camera Remote SDK, which is available to download for free from today, offers new features that are particularly important in the areas of inspection, drones and content creation.
A newly added ‘Drone GPS sync’ (Location Information Transfer) function enables to link GPS information to still images in real-time with high precision by sending “ImageID[iii]” from SDK.
New operational menu settings, including Reset / Save Settings, allow users to experience a smooth and efficient workflow.
The new compatibility with FX6 offers control functionality through Content Mobile Browser and allows for up to 5 unitsii to be controlled in parallel. With an expanded ISO range of up to 409600 and a 35mm full-frame sensor, the FX6 offers the ability to capture content in extremely low-light conditions.
Yasuo Baba, Director, Digital Imaging, Sony Europe BV said:
“Uptake of the Sony Camera Remote SDK increases every quarter and the breadth of companies with whom we are having conversations to utilise it, is both fascinating and professionally satisfying. We are seeing end use applications that are truly benefiting from the industry leading quality of Sony cameras and the enhanced video functionality of Version 1.06 means that we can continue this momentum. We are fully committed to enhancing the SDK experience and working with both existing and new partners to deliver true market innovation.”
Sony is a market leader in mirrorless full-frame (35mm) cameras, with the company’s cameras renowned for their speed, image quality, resolution compactness and wide lens line-up.
The Camera Remote SDK can be used to control several cameras in the Sony camera range including newly added Cinema Line cameras, with the full list of compatible cameras available here.
These cameras all benefit from Sony’s renowned Exmor R™ and Exmor RS™ CMOS image sensors, which give resolutions from 12 to 61 MP; as well as Sony’s BIONZTM image processing engines; and can be used with over 70 E-mount lenses.
About Camera Remote SDK
Camera Remote SDK allows users to control Sony’s cameras remotely from a computer, from changing the camera settings, to remote shutter release and live view monitoring. With this SDK, software developers can design bespoke applications tailored to business requirements, integrating Sony’s professional equipment for size-critical drone and speed camera systems as well as other medical, education, government, and e-commerce functions.
Further details can be found at: www.sony.eu/businesssolutions.
Trademarks and registered trademarks are the property of their respective owners.
[i] REC START/STOP, Iris, Shutter, Gain, ND, Zoom, Focus, and so on. Please read API reference for detail.
[ii] Sony tested connection up to 5 units. Based on Sony tests. The maximum number of units is different depending on the device or system.
[iii] Arbitrary IDs can be given to captured images, and by recording the combination of GPS location information and IDs at the time of shooting, it is possible to associate captured images with GPS location information after shooting.
Do you leave room for words?
Leaving room for words is a great excuse to pull out when focal length limited, so be sure to keep that answer ready for when the situation dictates. However, many uses for photos, especially paid uses, involve adding words.
If the subject fills the frame, overlaid words can appear awkward, with subject lines and details competing with the message. Leaving space, especially strongly blurred space, permits aesthetic message presentation.
I create invitation cards for an annual sportsman's banquet. While wildlife portrait images are plentiful in my collection, message-ready images are less so, and I've been working on changing that balance.
For this bighorn ram image, a relatively long subject distance, very distant background, long focal length, wide aperture, and low shooting position combine to provide adequate smoothly blurred space for inclusion of a message.
It is usually easier to be farther away from an animal but don't let the distance lower the quality bar. Many of the same factors important to close portraits still apply. Look for good light and body position — and spectacularly large horns are advantageous.
We encountered this big boy in Badlands National Park. Observation showed that he was eating the yellow flowers. Moving into position for the next flower patch made preparation easy.
Heatwave distortion is frequently encountered when shooting at long subject distances in direct sunlight. The solution here was to shoot many images at a fast frame rate. Periodically, a photo with a sharp sheep head was captured.
A larger version of this image is available here.
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I did not set out to photograph coyotes this evening, but Rocky Mountain National Park sometimes produces the unexpected.
While waiting for a herd of elk to do something interesting, movement in the tall grass caught my eye. It didn't take long to determine that a coyote was on the hunt. However, it was mostly obscured by the grass. Autofocusing on the coyote was impossible, and focusing on the grass at precisely the same distance was nearly as challenging.
Then, the coyote made a pounce to catch a rodent. On heightened alert, I readied to hit the shutter release on the next leap. This process was mostly waiting with little shooting, but it only takes one successful sequence to get the desired image.
As the coyote cleared the grass, a Sony Alpha 1 shutter release press instantly locked the FE 600mm F4 GM OSS Lens's focus and tracked through the leap.
Yes, this leap also resulted in dinner for the coyote. Of course, that dinner was mostly hidden by the grass.
A larger version of this image is available here.
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I just returned from over two weeks of chasing the elk rut (and landscapes and nightscapes), including nearly two weeks of leading small photography groups in Rocky Mountain National Park.
With the incredible performance of the cameras now available, selecting a small number of images to share is daunting, to say the least. The image shared here was low-hanging fruit. Why do I like it?
The subject is a good starting point. Elk make great photo subjects, and this bull is an especially great specimen, having a big body and a large set of antlers, with all points visible. Also, all four legs are partially visible (no overlap).
Bugling is one of the primary elk rut activities, and this bull, angled slightly toward the camera, has his nose up and curled back. The high head position better facilitates a catchlight.
The cloudy sky provided even lighting void of harsh shadows.
The 600mm f/4 compression and shallow depth of field combined with a low shooting position render the foreground and background strongly blurred, making the subject stand out. At the same time, the juxtaposition of the blurred items is complementary to the bull.
While working on a monopod is significantly more demanding than working on a tripod, the monopod permits fast position adjustment that makes captures such as this one possible.
When photographing wildlife in dim light levels, it is advantageous to use a relatively slow shutter speed to enable optimally bright images with a lower ISO setting for less noise. However, motion-blurred subjects are not usually acceptable.
Elk seldom move fast when bugling, and the bugle usually lasts long enough for a quick adjustment before shooting. However, once the bugle is completed, the bull may suddenly chase after another animal. This fast action requires a significantly faster shutter speed.
I use manual exposure mode with the ISO set to Auto to enable quick shutter speed adjustment. A quick roll of the top dial takes the camera from still motion to fast action shutter speeds in a fraction of a second, with the ISO automatically adjusting as needed.
To accommodate auto exposures being affected by bright grass or a dark forest (both seen in this image), I adjust exposure compensation. That adjustment is simply the turn of a dial on the Sony Alpha 1.
A larger version of this image is available here.
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From Western Digital
Western Digital Turbocharges Versatility with New SanDisk Professional PRO-G40 SSD
San Jose, Calif. - October 05, 2022
Western Digital Corp. (NASDAQ: WDC) today announced it has expanded its SanDisk® Professional line of premium storage solutions with the new PRO-G40™ SSD that supports dual-mode compatibility with both Thunderbolt™ 3 and USB 3.2 Gen 2 interfaces. Inspired by the way people create and share data today, this new drive is the company’s most rugged offering to date with a high-level IP68 rating, allowing professionals to immerse themselves in the action wherever their work or vision takes them.
“The nature of my work is unpredictable and as a result I must be incredibly flexible and versatile. I share the same expectations for every piece of equipment that I use from capture to archive which is why the SanDisk Professional PRO-G40 drive will immediately be a crucial part of my workflow,” said Andy Handcock, action, portrait and reportage photographer, and PRO-TEAM ambassador. “I need storage solutions that are lightweight, compact, rugged, and insanely fast. This checks all the boxes for me. The PRO-G40 SSD can easily withstand the rigors of travel and location work while doing so with a minimal footprint. Thanks to SanDisk Professional products like these, workflow is one less thing I need to stress about which frees me to focus more on the creative. That is paramount.”
Whether for a business professional or creative pro, the PRO-G40 SSD is a simple, flexible solution that offers great efficiency to get the job done. Professionals who are ingesting, editing, rendering, and transferring large amounts of mission-critical content need portable storage that is powerful enough to eliminate unnecessary downtime, and durable enough to handle heavy usage. The versatility of both Thunderbolt 3 and USB 3.2 Gen 2 interface compatibility when collaborating eliminates the need to have two different drives, one for each interface. The PRO-G40 SSD offers extreme speed and durability for real-time editing 4K/8K straight off the drive, smooth AR/VR rendering, or transferring daily workloads in quickly.
“The new PRO-G40 SSD eliminates the problem we have all experienced before: grabbing the wrong USB-C™ cable or computer for our Thunderbolt 3 or USB devices,” said Hector Sandoval, vice president of product marketing, pricing and programs at Western Digital. “By supporting both interfaces and including a cable that does as well, this drive enables creatives to efficiently collaborate across devices without having to worry about carrying the right gear nor diminishing sustained performance as they continue producing impactful content that powers our world.”
Key Features
- Dual-mode compatibility with both Thunderbolt 3 (40Gbps) and USB 3.2 Gen 2 (10Gbps) hosts through a single port makes collaboration across devices easier for maximized efficiency.
- The new offering boasts super-fast speeds up to 2700MB/s** read and 1900MB/s** write with a Thunderbolt 3 (40Gbps) interface. Move 50GB in 30 seconds or less and power through even the most demanding workloads. The cool aluminum core pulls heat away from the internal drive to help maintain super-fast transfer speeds over time.
- The PRO-G40 SSD has a pro-grade enclosure that is ready for any adventure and delivers a premium strength you can feel. Its ultra-rugged design with IP68 dust/water resistance, up to 4000-pound crush resistance, and up to 3-meter drop resistance*** help withstand the elements in just about every location for ultra-durability.
Availability
The PRO-G40 SSD is available now for MSRP $299.99 (1TB*) and $449.99 (2TB*) in the United States with a five-year limited warranty.
Orders
Order the SanDisk Professional PRO-G40 SSD from B&H.
* 1TB = 1 trillion bytes. Actual user capacity may be less depending on operating environment.
** 1 MB/s = 1 million bytes per second. Based on internal testing; performance may vary depending upon host device, usage conditions, drive capacity, and other factors.
*** On a carpeted concrete floor.
From Benro:
Introducing Polaris
The world’s first electric tripod head with camera interface controller, remote DSLR preview & configuration through WiFi/cellular.
Remote Shooting - From Anywhere, Easily Capture the Best Moments, Smooth & Precise
As the world’s first electric tripod head with camera interface controller, Polaris enables remote precision - whether you’re adjusting the composition of a photo - or programming the geared head and camera to capture a series of photographs to create a high resolution motion timelapse. The head also supports WiFi or Cellular connection - you can preview, review, and download files quickly and from anywhere.
The intuitive app based pre-programming and electromotion system allows you to customize your own shooting schedule or routine. Simply frame the shot by adjusting your pitch and pan angles - then check and input your parameters like ISO, apeture, shutter and more.
After that - let Polaris take care of your pro-level shooting without the need to even snap the shutter. Moreover, Polaris is so smart that it analyzes your shots and automatically dials in exposure values and sharpens details in your creations, saves you from the time consuming hassle of image retouching like focus stacking and time-lapse, etc.
More than just a remote head, Polaris contains high-precision brushless motors that allow you to have control over micro adjustments to framing both vertically and horizontally.
Even a novice can tune in the perfect composition by adjusting the head through the app or manually using the physical knobs. Make the fine details in your photos even finer and capture enrapturing videos without missing a degree of what you were trying to capture.
Also, the built in GPS & compass can easily determine celestial paths and adjust the camera angles for you to capture your perfect starry sky shot or hone in on a breathtaking timelapse of a stunning landscape during sunrise or sunset.
Remote-Shooting-From-Anywhere, Strong, From Inside Out
Engineered to withstand the harsh elements outdoor shooting presents, Polaris is made with aluminum alloy that endures severe working environments. Having a bad weather day? With an IPX6 waterproof level, Polaris resists water and dust even when it comes as a splash, light rain, or a heavy storm - your inspiration is no longer limited. Polaris’s weather resistance makes every event you want to capture possible.
Moreover, driven by a high-efficiency power supply system with low consumption, Polaris ensures you an outdoor shooting experience that is both concise and reliable; The unique power-saving design further prolongs Polaris’s battery life for ultra-long outdoor shooting.
Polaris not only allows you to adjust the composition of a photo, but it enables users to program the intelligent head to capture a series of photographs, easily track and take long exposures of stars, or create high resolution motion timelapses. Polaris also offers a wireless connection so you can do all of the above remotely as well as preview, review, and download files via a dedicated app from nearly anywhere.
The Astro version is capable of all intelligent modes, and the Timelapse version is capable of all modes apart from star tracking. An Astro module add-on is also available separately if wish to upgrade your Timelapse version to be Astro capable.
Suport this site buy ordering the Benro Polaris Smart Tripod Head from B&H.
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