Sony News (Page 10) RSS Feed for Sony News

 Friday, August 2, 2024

I'm pulling a line item out of my long-forming and yet unpublished Bryan's Laws of Photography. That law is:

Bryan's Law of Following: Those you follow set the quality bar for your imagery. While you may not love your images as much when comparing them to the best, your path to producing great imagery will be shorter if you know what great is, if you have a goal. Follow the greats.

For example, I have long respected Ian Plant's work. He is a photographer I consider to be great and, therefore, follow.

Ian's compositional skills are outstanding, and his ability to combine composition with the perfect light makes his images impressive.

Next steps:

  1. Check out Ian's website at https://ianplant.com/.
  2. Sign up for Ian's free webinar to learn many of his favorite techniques for making artistic photos.
  3. Consider signing up for Ian's Photo Masters Pro membership.
  4. Through Aug 4th, save 25% on select ebooks and videos (some are free).

You, too, might start asking, "What would Ian do?" when approaching a composition.

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Posted to: Canon News, Sony News   Category: Photo Tips and Stories
Post Date: 8/2/2024 9:00:00 AM ET   Posted By: Bryan Carnathan
 Wednesday, July 31, 2024

From Tamron Americas:

TAMRON Announces the Launch of the 10.7x All-in-One Zoom Lens
28-300mm F/4-7.1 Di III VC VXD (Model A074)

Commack, NY – Tamron announces the launch of the 28-300mm F/4-7.1 Di III VC VXD (Model A074), a 10.7x all-in-one zoom lens for Sony E-mount full-frame mirrorless cameras on August 29, 2024, at $899 USD / $1199 CAD.

The TAMRON 28-300mm F4-7.1 VC is an all-in-one zoom lens for Sony E-mount full-frame mirrorless interchangeable lens cameras. This lens covers a broad focal length range from 28mm wide-angle to 300mm telephoto with superior imaging performance. It achieves a zoom ratio of 10.7x with a length of just 5” (126mm) and weighs only 21.5 oz. (610g). The lens is equipped with the VXD (Voice-coil eXtreme-torque Drive) linear motor focus mechanism, enabling it to focus quickly and accurately throughout the entire zoom range. The lens also features TAMRON’s VC (Vibration Compensation) mechanism to ensure sharp hand-held images when shooting at the 300mm telephoto end and in low-light conditions. With an MOD (Minimum Object Distance) of 7.5” (0.19m) and a maximum magnification ratio of 1:2.8 at the wide end, the lens allows users to enjoy the world of wide macro photography. It includes a Focus Set Button and a connector port for the dedicated TAMRON Lens Utility™ software independently developed by TAMRON to expand the scope of expression for still images and video. The lens features Moisture-Resistant Construction, and the front element has a protective Fluorine Coating. The new 28-300mm F/4-7.1 VC lets users take photos in an extremely wide range of situations with just one lens.

PRODUCT HIGHLIGHTS

1. 10.7x zoom lens for full-frame mirrorless cameras that covers the focal length range from 28mm wide-angle to 300mm telephoto

The greatest feature of the 28-300mm F/4-7.1 VC is its 10.7x zoom focal length range. In response to users stating that 200mm is not quite long enough at the telephoto end for an all-in-one zoom lens, TAMRON has extended the focal length to 300mm. Exceptionally portable, the lens features a highly compact design. This single lens allows shooting in everyday life and during travel, including landscapes, snapshots, portraits and sports photography. It's an extremely versatile lens that lets users take photos in any situation of any subject without changing lenses.

2. Outstanding imaging performance

This new TAMRON zoom has an optical construction of 20 elements in 13 groups. It includes one XLD (eXtra Low Dispersion) lens element and an LD (Low Dispersion) lens element to efficiently control aberrations such as chromatic aberration. The BBAR-G2 (Broad-Band Anti-Reflection Generation 2) Coating suppresses ghosting and flare, producing clear images even in backlit conditions. It boasts best-in-class image quality as an all-in-one zoom lens for full-frame mirrorless interchangeable lens cameras.

3. Lightweight and compact lens body

Despite covering a 10.7x focal length range from 28mm wide-angle to 300mm telephoto, the lens is very compact, with a length of only 5” (126mm) and a weight of 21.5 oz. (610g). Small and versatile, it can be casually carried anywhere, and users are unlikely to tire even after long hours of shooting. It's ideal for people who want to carry a smaller camera bag. Additionally, the lens makes it easy to frame accurately when shooting still and moving images while zooming in and out, such as sports and wildlife, and is designed to be comfortable to use.

4. Equipped with VXD, TAMRON’s top-class linear motor focus mechanism

The 28-300mm F/4-7.1 VC is equipped with the VXD autofocus drive that includes TAMRON’s premium linear motor focus mechanism to ensure that the focus is attained quickly and accurately throughout the 10.7x zoom range. Upending the stereotype of all-in-one zoom lenses having slow autofocus, its nimble operation allows users to capture more fleeting photo opportunities. The quietness supports photography and videography in conditions that require silence.

5. TAMRON’s proprietary VC mechanism

Although it's compact, the 28-300mm F/4-7.1 is equipped with TAMRON’s proprietary VC mechanism that lets users take steady photos, especially at the 300mm telephoto end of its broad 10.7x range. VC effectively suppresses camera shake that often occurs when shooting in the telephoto range or under low-light conditions, thereby helping users take sharp photos without a tripod.

6. Proprietary software tool TAMRON Lens Utility for lens function customization and firmware updates

7. High convenience and operability

- 67mm filter size, same as most other TAMRON lenses for mirrorless cameras
- Focus Set Button for assigning camera function and TAMRON Lens Utility function
- Enhanced overall lens design for user-friendly operation
- Zoom Lock mechanism

8. Protective features (Moisture-Resistant Construction and Fluorine Coating)

9. Compatible with many camera-onboard features and functions, including Fast Hybrid AF and Eye AF

SPECIFICATIONS

Model: A074
Focal Length: 28-300mm
Maximum Aperture: F4-7.1
Angle of View (diagonal): 75°23'-8°15' (for full-frame mirrorless format)
Optical Construction: 20 elements in 13 groups
Minimum Object Distance: 7.5” / 0.19m (WIDE), 39” / 0.99m (TELE)
Maximum Magnification Ratio: 1:2.8 (WIDE) / 1:3.8 (TELE)
VC (Vibration Compensation): Yes
Filter Size: Ø67mm
Maximum Diameter: Ø77mm
Length*: 5” (126mm)
Weight: 21.5 oz. (610g)
Aperture Blades**: 9 (circular diaphragm)
Minimum Aperture: F22-40
Standard Accessories: Flower-shaped hood, Front cap, Rear cap
Mount: Sony E-mount

* Length is the distance from the front end of the lens to the lens mount face.

** The circular diaphragm stays almost perfectly circular up to two stops down from maximum aperture.

Specifications, appearance, functionality, etc. are subject to change without prior notice.

This product is developed, manufactured, and sold based on the specifications of E-mount which was disclosed by Sony Corporation under the license agreement with Sony Corporation.

Orders

Support this site by ordering the Tamron 28-300mm F4-7.1 Di III VC VXD Lens (or anything else) from B&H.

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Posted to: Canon News, Sony News   Category: Tamron Announcements
Post Date: 7/31/2024 12:01:00 AM ET   Posted By: Bryan Carnathan
 Tuesday, July 30, 2024

Sony Alpha 7 IV firmware update version 3.02 is available for download.

Firmware Version 3.02 incorporates the following fixes and enhancements:

  1. Improved an issue where recording may stop during video recording.

Always read the precautions.

Get the Sony Alpha 7 IV at B&H.

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Posted to: Sony News   Category: Sony Firmware Updates
Post Date: 7/30/2024 10:07:21 AM ET   Posted By: Bryan Carnathan
 Monday, July 29, 2024

I've been using a pair of Alpha 1 cameras for Sony lens testing and for field use when a Sony lens better fit the need. The flagship a1 is an outstanding camera. What are the differences between the Canon EOS R5 Mark II and the Sony Alpha 1?

Check out the R5 II vs. a1 specification comparison along with the visual comparison of these cameras.

Here is a summary of the R5 II's advantages:

  • Eye Control AF vs. no (dramatically faster AF point or area positioning)
  • Pre-continuous shooting (hindsight is far clearer than foresight, and recording an image of an action in the near past is game-changing)
  • AF working range of EV -7.5 to 21 vs. EV -4 – 20 (the Canon camera focuses in considerably darker environments)
  • 6144-zone metering vs. 1200-zone (more areas evaluated yields potential improvement in auto exposure results)
  • More framerate options – 30, 20, 15, 12, 10, 7.5, 5, 3, 2, and 1 compared to 30, 20, 15, and 5 (with electronic shutter, but the mechanical shutter adds 10, 8, 6, and 3)
  • Up to 8k DCI 60p RAW vs. 8K 30p
  • 2.1 million dot vari-angle LCD vs. 1.44 million tilt
  • CFexpress Type B and UHS-II SD slots vs. dual multi slot for UHS-II SD and CFexpress Type A (Type B cards are faster and less expensive than A cards, but A cards are smaller and faster than SD cards)
  • 8.5-stop IBIS vs. 5.5
  • Neural Network upscaling (2x larger in both dimensions to 179 megapixels) and noise reduction processing in camera (both with JPG output only)
  • High-Frequency Anti-Flicker shooting (evaluates the scene and precisely adjusts the shutter speed to avoid banding and flicker, including from LED signage)
  • 802.11ax Wi-Fi 6 GHz vs. 802.11ac (5 GHz)
  • 4-Channel 24-Bit LPCM Audio vs. 2-Channel 16-Bit
  • Modestly lighter
  • Far lower price

That is a solid list.

Here are the a1's advantages:

  • 50 megapixels vs. 45 megapixels (50 is my favorite, but 45 is close)
  • 3.8 ms imaging sensor readout speed vs. 6.3 (faster readout reduces electronic shutter issues)
  • +/- 5 stops exposure compensation vs. 3
  • 240 fps EVF vs. 120
  • Pixel Shift Multi Shooting (provides dramatically higher resolution after post processing, but everything in the frame must be still)
  • 0.64" (16mm) 9.44 million dot EVF vs. 0.50" (12.7mm) 5.76 million dots
  • 1/400 max flash sync vs. 1/250
  • Ethernet port vs. available with accessory grip
  • Modestly smaller

Comparing across brands is significantly challenged by the differing interface and ergonomics, and these two cameras have significant differences in those regards. Advantages will often be determined by personal preference.

The bottom line is that both cameras are incredible and my two favorites. However, the R5 II's $2,199.00 lower price makes it a considerably better deal.

If you have not already done so, order the R5 II immediately if you have even a remote interest in it.

More Information

Canon EOS R5 Mark II

Sony Alpha 1

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Posted to: Canon News, Sony News   Category: Camera Gear Review News
Post Date: 7/29/2024 9:00:00 AM ET   Posted By: Bryan Carnathan
 Friday, July 26, 2024

The a9 series targets sports and action, and the a9 III is Sony's latest model in that series. This camera was introduced earlier in the same year as the R1, and includes some outstanding features.

Check out the R1 vs. a9 III specification comparison along with the visual comparison of these cameras.

What are the differences between the Canon EOS R1 and the a9 III? Here are the R1 advantages:

  • ISO 100-102400 expandable to 50 and 409600 vs. 250–25600 and 125 to 51200 (notably, the a9 III omits the lowest noise settings)
  • Eye Control AF vs. no (dramatically faster AF point or area positioning)
  • AF working range of EV -7.5 to 21 vs. EV -5 – 20 (the Canon camera focuses in darker environments)
  • 6144-zone metering vs. 1200-zone (more areas evaluated yields potential improvement in auto exposure results)
  • 230 image RAW buffer vs. 106
  • Has 6K RAW
  • 802.11ax Wi-Fi 6 GHz vs. 802.11ac (5 GHz)
  • Has a top LCD panel
  • Dual CFexpress Type B slots vs. dual multi slot for SD, SDHC, SDXC (UHS-I/II)/CFexpress Type A (Type B cards are faster and less expensive than A cards, but A cards are smaller and SD cards are less expensive)
  • Higher capacity battery rated for 1330 LCD and 700 EVF vs. 530 and 400 (the a9 III's battery grip doubles these numbers, closing much of the gap)
  • Neural Network upscaling (2x larger in both dimensions to 179 megapixels) and noise reduction processing in camera (both with JPG output only)
  • 8.5-stop IBIS vs. 8

The a9 III's advantages are:

  • Global shutter, 0 ms imaging sensor readout speed vs. 2.7 ms (While this difference seems small, the global shutter can eliminate some issues, such as LED signage flicker)
  • 120 fps continuous shooting vs. 40 (while 40 fps is sufficient for most needs, the 120 fps difference is noticeable)
  • Metering range of EV -5 – 17 compared to EV -3 – 20
  • +/- 5.0 EV exposure compensation vs. +/- 3
  • 1/80000 shutter vs. 1/64000 (likely few us us will care about this difference)
  • Flash sync to 1/80000 vs. 1/400
  • 0.64" (16mm) EVF vs. 0.50" (12.7mm)
  • 240 fps EVF refresh rate vs. 120 fps
  • 4-axis multi-angle touchscreen LCD vs. vari-angle
  • Considerably smaller and lighter: 26.0 vs. 39.3 oz (737 vs. 1115 g) (but the a9 III's grip adds 10.23 oz (290 g) and considerable size, closing the gap)
  • Slightly less expensive

Again, comparing across brands is significantly challenged by the differing interface and ergonomics, and these two cameras are vastly different. Those advantages are a personal preference.

If you have not already done so, order the R1 immediately if you have even a remote interest in it.

More Information

Canon EOS R1

Sony Alpha 9 III

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Posted to: Canon News, Sony News   Category: Camera Gear Review News
Post Date: 7/26/2024 10:00:00 AM ET   Posted By: Bryan Carnathan

Three Sigma DG DN Art lenses have firmware new updates available:

Download these updates from Sigma Global.

These firmware updates incorporates the following fixes and enhancements:

  1. Compatibility with continuous shooting of up to approximately 120 frames per second has been added for the autofocus modes (AF-S/DMF/MF) on Sony a9 III cameras.
  2. The operational stability has been improved. (only Sigma 14-24mm f/2.8 DG DN Art Lens)
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Posted to: Sony News   Category: Sigma Firmware Updates
Post Date: 7/26/2024 9:44:12 AM ET   Posted By: Bryan Carnathan

Let's compare a pair of outstanding Sony cameras, starting with the flagship Sony Alpha 1. Check out the R1 vs. Alpha 1 specification comparison along with the visual comparison of these cameras.

What are the differences between the Canon EOS R1 and the a1? Here are the R1 advantages:

  • 40 fps for 230 RAW images vs. 30 fps for 238 (96 frame using the comparable lossless compression) (having faster continuous shooting available is an advantage, but 30 fps is really fast)
  • 12 fps with mechanical shutter vs. 10 (only matters if you use it)
  • More framerate options – 40, 30, 20, 15, 12, 10, 7.5, 5, 3, 2, and 1 compared to 30, 20, 15, and 5 (with electronic shutter, but the mechanical shutter adds 10, 8, 6, and 3)
  • 2.7 ms imaging sensor readout speed vs. 3.8 (while technically a win for the R1, you won't likely notice the difference, and the Sony is reading 50 megapixels at that speed)
  • AF working range of EV -7.5 to 21 vs. EV -4 – 20 (the Canon camera focuses in considerably darker environments)
  • ISO 100-102400 expandable to 50 and 409600 vs. 100–32000 and 50 to 102400 (the R1 will show less noise at the pixel level, but the two should nearly equalize if the a1 image is down sampled to 24 megapixels — and you won't want to use the highest ISO settings)
  • 1/64000 vs. 1/32000 (crazy fast holds a small niche advantage over extremely fast)
  • Eye Control AF vs. no (dramatically faster AF point or area positioning)
  • Pre-continuous shooting (hindsight is far clearer than foresight, and recording an image of an action in the near past is game-changing)
  • 6144-zone metering vs. 1200-zone (more areas evaluated yields potential improvement in auto exposure results)
  • Electronic shutter flash sync up to 1/400 sec. (some sources say 1/320) vs. 1/200
  • 2.1 million dot vari-angle LCD vs. 1.44 million tilt
  • Has a top LCD panel
  • Dual CFexpress Type B slots vs. dual multi slot for SD, SDHC, SDXC (UHS-I/II)/CFexpress Type A (Type B cards are faster and less expensive than A cards, but A cards are smaller and SD cards are less expensive)
  • Neural Network upscaling (2x larger in both dimensions to 179 megapixels) and noise reduction processing in camera (both with JPG output only)
  • 8.5-stop IBIS vs. 5.5
  • High-Frequency Anti-Flicker shooting (evaluates the scene and precisely adjusts the shutter speed to avoid banding and flicker, including from LED signage)
  • 802.11ax Wi-Fi 6 GHz vs. 802.11ac (5 GHz)
  • 4-Channel 24-Bit LPCM Audio vs. 2-Channel 16-Bit
  • Higher capacity battery rated for 1330 LCD and 700 EVF vs. 530 and 430 (the a1's battery grip doubles these numbers, closing much of the gap)
  • Slightly less expensive

Despite being introduced 3 years earlier, the a1 still holds advantages:

  • 50 megapixel vs. 24 (a big difference, but not everyone finds the higher resolution worth the increased storage size and processing time)
  • Touch and drag AF area slection vs. not available
  • +/- 5 stops exposure compensation vs. 3
  • 240 fps EVF vs. 120
  • 8K 30p vs. 6K 60p movies
  • Pixel Shift Multi Shooting (provides dramatically higher resolution after post processing, but everything in the frame must be still)
  • 0.64" (16mm) EVF vs. 0.50" (12.7mm)
  • Considerably smaller and lighter: 26.0 vs. 39.3 oz (737 vs. 1115 g) (but the a1's grip adds 10.23 oz (290 g) and considerable size, closing the gap)

Comparing across brands is significantly challenged by the differing interface and ergonomics, and these two cameras are vastly different in those regards. Advantages will often be determined by personal preference.

If you have not already done so, order the R1 immediately if you have even a remote interest in it.

More Information

Canon EOS R1

Sony Alpha 1

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Posted to: Canon News, Sony News   Category: Camera Gear Review News
Post Date: 7/26/2024 9:00:00 AM ET   Posted By: Bryan Carnathan
 Wednesday, July 24, 2024

Sony a7S III firmware update version 3.02 is available for download (Sony).

Firmware Version 3.02 incorporates the following fixes and enhancements:

  1. Fixed an issue where the ISO value was not reflected correctly when outputting RAW video to a RAW-compatible device connected via HDMI, and where the upper and lower limit ranges that could be set when the ISO value was set to AUTO were incorrect.
  2. Fixed an issue where network connection was not possible.
  3. Improved operational stability.

This update is only available for Windows and macOS. The memory card version is not available.

* Read the precautions before beginning this update.

Get the Sony a7S III at B&H.

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Posted to: Sony News   Category: Sony Firmware Updates
Post Date: 7/24/2024 8:49:45 AM ET   Posted By: Bryan Carnathan
 Wednesday, July 17, 2024

Before we dig into the details, I strongly advise preordering these cameras immediately if you have even a remote interest in them. They are in extremely high demand, and I expect preorders to long consume supply. Orders are easy to cancel, but lines are not easy to get to the front of.

Important: Using the links on this site, including below, to place your order provides important support. Thanks in advance for that!

Extensive Hands-On Information:   Canon EOS R5 Mark II     Canon EOS R1

If you are short on time, browse the feature summaries near the top of each page. Note the comparisons between the R5 II and the R5, R6 II, R3, and R1 included on the Canon EOS R5 Mark II page.

Preorders

Canon EOS R5 Mark II: B&H | Adorama | Canon USA | Amazon (all available countries) | WEX | Camera Canada

Canon EOS R1: B&H | Adorama | Canon USA | Amazon (all available countries) | WEX | Camera Canada

Get extra Canon LP-E6P Batteries: B&H | Adorama | Canon USA | WEX

Canon BG-R20 Battery Grip: B&H | Adorama | Canon USA | WEX | Camera Canada

Canon BG-R20EP LAN Port Grip: B&H | Adorama | Canon USA | WEX | Camera Canada

Canon CF-R20EP Cooling Fan Grip: B&H | Adorama | Canon USA | WEX | Camera Canada

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Posted to: Canon News, Sony News   Category: Camera Gear Review News
Post Date: 7/17/2024 6:00:00 AM ET   Posted By: Bryan Carnathan
 Tuesday, July 16, 2024

Just posted: Canon RF 35mm F1.4 L VCM Lens Review.

Find out how the new lighter, smaller, and more affordable 35 L lens performs. Additional sample photos are coming.

Support this site by ordering the Canon RF 35mm F1.4 L VCM Lens from B&H | Adorama | Canon USA | WEX | Amazon (all available countries) | Camera Canada

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Posted to: Canon News, Sony News   Category: Camera Gear Review News
Post Date: 7/16/2024 9:54:21 AM ET   Posted By: Bryan Carnathan
 Wednesday, July 10, 2024

From Sony Electronics:

Sony Electronics Announces the Next-Generation ZV-E10 II and E PZ 16-50mm F3.5-5.6 OSS II Lens Kit

The Newest APS-C Camera in Sony’s ZV Series Brings Highly Requested Features and Updates to the Top-Selling Mirrorless Camera

July 10, 2024

SAN DIEGO, July 10, 2024. Sony Electronics launches the ZV-E10 II, the second generation of the top-selling mirrorless ZV-E10 camerai. The original ZV-E10 is a staple APS-C camera in Sony’s ZV content creation camera series, designed to provide an easy, compact, and versatile tool for content creators of any level. The new ZV-E10 II maintains all the features creators love about the original, such as Creative Looks, Product Showcase Setting, Background Defocus function, and the vari-angle flip screen – and builds on it to increase sophistication and ease of use.

The ZV-E10 II’s internal hardware has been improved from its predecessor with an upgraded 26-megapixel (MP) (approx. effective) Exmor R™ CMOS sensor and adoption of Sony’s latest BIONZ XR™ image processing engine. A few additional updates to this model include improved autofocus and video capturing capabilities: Cinematic Vlog Settingii, a new vertical format user interface (UI), an upgraded large-capacity Sony Z battery for improved stamina and improved connectivity for easy live streaming and data transfer. Staying true to the ethos of the ZV Series, this camera has been redesigned to streamline the content creation process even further, enabling creators to focus less on camera settings and more on their art and creativity. It is compact and lightweight and fits into a creator’s hand with ease, weighing in at approximately 377 gramsiii.

In addition, the E PZ 16-50mm F3.5-5.6 OSS II (SEL1650/2) is announced, a compact APS-C power zoom lens which will be available separately or as part of the ZV-E10 II’s camera kit. The upgraded kit lens is lightweight and offers improved autofocus (AF) and video performance compared to the first-generation model.

“From the beginning, the goal of the Sony ZV line was to create cameras that produced high-quality results while being extremely easy to use. Today, the ZV line continues to uphold that standard, but we’re taking it a step further,” says Yang Cheng, Vice President, Imaging Solutions, Sony Electronics Inc. “Our aim with the advancements of the ZV-E10 II is to inspire creators to develop or recreate their own unique style through features like personalized Creative Looks and Cinematic Vlog Setting. We are continually evolving our technology to help creators of all skill levels bring their visions to life.”

Create Your Own Photo and Video Aesthetic

The ZV-E10 II features two key functions designed to produce premium-looking content straight from the camera, Creative Looks and Cinematic Vlog Setting. When shooting both stills and videos, users can instantly enhance their images by selecting any of the ten Creative Look options: Standard (ST), Portrait (PT), Neutral (NT), Vivid (VV), Vivid 2 (VV2), Film (FL), Instant (IN), Soft Highkey (SH), Black & White (BW), and Sepia (SE). Each of these looks are further customizable and can be edited through eight different parameters, allowing creators to fine-tune their content. Once customized, creators can save up to six custom styles directly in the camera for easy access and reuse.

The ZV-E10 II allows creators to produce premium, cinematic video content with a single touch using the Cinematic Vlog Setting. This feature automatically adjusts the aspect ratio, frame rate, and AF transition speed to optimal settings for cinematic video capture. Additionally, creators can enhance their footage by selecting from five “Looks”, such as S-Cinetone™ that enhances skin tones, and applying one of four “Moods”iv, that emphasize specific colors, offering extensive options to maximize creative expression.

Key Camera Specifications

  • 759-point Focal Plane Phase-detection AFv with Real-time Eye AF for Human/Animal/Bird and Real-time Tracking
  • Backside illuminated 26MP Exmor R CMOS sensor offering an ideal combination of high sensitivity and low noise with an ISO range from 100 to 32000vi
  • APS-C interchangeable lens camera compatible with over 70 Sony E-mount lenses
  • High-speed readout, 5.6K oversampling compresses a vast amount of information into stunning 4K footage at up to 60pvii
  • Active Modeviii electronic image stabilization employs a precision gyroscope and advanced algorithm to accurately measure and compensate for camera shake, providing highly effective stabilization without sacrificing mobility, even when shooting 4K
  • Upgraded large-capacity Z battery (NP-FZ100), allowing continuous movie recordingix for up to 195 minutes per charge

Additional Features to Streamline Content Creation

  • New Vertical User Interface (UI) that auto rotates from horizontal to vertical orientation to streamline vertical content creation. When paired with the vari-angle LCD monitor, users can create and view their content from any angle
  • With 4K 60p capture and up to 120p capture in clear XAVC-S Full HD quality, the user can record stunning motion sequences using the S&Q modex at 5x slow motion (24p playback)
  • Product Showcase Setting which delivers convenient shooting of product review videos with smooth focus transitions from your face to the item being highlighted
  • Background Defocus Function to adjust the depth of field and create bokeh within the background with a single touch
  • Face Priority Auto-Exposure immediately detects faces and adjusts the exposure to optimize facial brightness, even while actively recording in changing lighting scenarios
  • Soft Skin Effect smooths the appearance and reduces blemishes on the subject’s skin
  • Stress-free connectivity with the USB 3.2 Type-C® (SuperSpeed USB 5 Gbps) port also allows high-speed wired transfer to a compatible smartphone or PC through the Creators App for easy post-production and sharing on social mediaxi
  • Time-lapse sequencesxii can be created in-camera and the exposure interval can be set from 1 second to 60 secondsxiii
  • Advanced, onboard 3-capsule microphone with selectable directivity (previously debuted in the ZV-E1) for capturing clear, high-quality audio. Users can select “Auto” or choose from “Front”, “Rear”, or “All Directions” for the audio directivity depending on the environment and recording scenario settings
  • Supplied with the camera, is a windscreen to reduce noise when shooting in windy conditions
  • Multi-interface (MI) shoe allows for simple connection to an external microphone for additional audio options, if needed
  • Livestream through the support of 5 GHzxiv Wi-Fi connectivity
  • Sony’s Screen Reader functionxv, which reads menus and video playback screens aloud to assist operations, and a menu Magnify Display function are included to provide accessibility solutions
  • Designed with Environmentally Friendly Principles in Mind

The ZV-E10 II camera body is made from recycled materials, including SORPLAS™ xvi, reducing environmental impact without sacrificing functionality. The individual packaging is made from Sony's unique recycled paper "Original Blended Material" that uses materials such as bamboo, sugar cane fiber, and recycled paper collected from the market. Over the past 11 years, Sony has replaced approximately 395 tonsxvii of virgin plastic with recycled plastic in digital cameras and digital video cameras.

Main Features of the Versatile E PZ 16-50mm F3.5-5.6 OSS II

The E PZ 16-50mm F3.5-5.6 OSS II is Sony’s 75th E-mount lens and an ideal kit lens solution for the new ZV-E10 II due to its compact size and versatile range (35 mm full-frame equivalent focal length: 24-75 mm). High-resolution performance is achieved by four aspherical elements and one ED (Extra low Dispersion) element in an effective optical design. With a minimum focusing distance of 9.8 inch (0.25 m) (wide)/ 11.8 inch (0.30 m) (tele) and maximum magnification of 0.215x, the E PZ 16-50mm F3.5-5.6 OSS II offers versatile close-up performance to capture details. It retracts to a total length of approximately 1.25 inches (31.3 mm) when camera power is turned off. Due to its diminutive size and low weight of approximately 3.8 oz. (107 grams) it is a portable lens that can support day-to-day shooting.

Smooth, useful power zoom is ideal for movie shooting, and AF is available even while zooming. Built-in optical stabilization works with in-body stabilizationxviii, including Active Mode, to minimize blur in movies. The E PZ 16-50mm F3.5-5.6 OSS II supports in-body breathing compensationxix to minimize shifts in angle of view while focusing for smooth, stable footage.

Pricing and Availability

The ZV-E10 II will be available at the end of July 2024 for a suggested retail price of $999 USD ($1,399 CAD) for the camera body only, and $1,099 USD ($1,499 CAD) for the kit. The E PZ 16-50mm F3.5-5.6 OSS II in black will be available in August 2024 for a suggested retail price of $299 USD ($399 CAD). They will be sold directly through Sony.com and other Sony authorized dealers throughout North America.

Orders

Preorders will be accepted starting Thu, Jul 11, 2024 at 10:00am ET.

Order the Sony ZV-E10 II and Sony E PZ 16-50mm f/3.5-5.6 OSS II Lens at B&H.

Order the Sony ZV-E10 II and E PZ 16-50mm F3.5-5.6 OSS II Lens direct from Sony.

Order the Sony ZV-E10 II and Sony E PZ 16-50mm f/3.5-5.6 OSS II Lens at Wex.

Notes:

i Sony’s Alpha ZV-E10 is #1 in Mirrorless Cameras. Source: Circana, Retail Tracking Service, 12 months ending December 2023, U.S. unit sales

ii Available in the movie and S&Q modes. Not available for XAVC S-l 4K recording in S&Q mode.

iii Weight included with battery and SD card.

iv Mood is not available when the [Mono] Look is selected.

v When shooting stills. The number of AF points depends on the shooting mode.

vi Expandable to ISO 50 - 102400 when shooting stills. ISO range is 100 - 6400 when SteadyShot is set to Active.

vii Recording frame rates are listed as integer values, but the actual frame rates are as follows: 24p = 23.98 fps, 30p = 29.97 fps, 60p = 59.94 fps, and 120p = 119.88 fps.

viii Slight image crop in Active Mode. Active Mode is not available when recording at frame rates of 120 fps/100 fps or higher, including S&Q. ISO range is 100 - 6400 when SteadyShot is set to Active in movie mode.

ix When the battery is fully charged, using the E PZ 16-50mm F3.5-5.6 OSS II and recording in XAVC S HD 60p 50M 4:2:0 8-bit. Actual performance varies based on settings, environmental conditions, storage, and usage. ? Batteries are consumable products and their capacity degrades over time as they age. Sony does not guarantee the life span of the battery.

x Audio recording is not available in the S&Q mode.

xi The Creators' App is required for transfer to a smartphone. Visit https://www.sony.net/cca/ for information on regional availability. The server info and stream key for the streaming service to be used must be registered before use. Download app at Google Play and the App Store. Network services, content, and operating system and software subject to terms and conditions and may be changed, interrupted or discontinued at any time and may require fees, registration and credit card information.

xii Shooting time will vary according to conditions. Use the [Interval Timer] function to shoot time-lapse sequences at long intervals (e.g. 10 minutes or more).

xiii Maximum shooting interval is 6 seconds when shooting 4K.

xiv 5 GHz communication may be restricted in some countries and regions.

xv Supported languages differ depending on the sales region.

xvi Depending on the time of production, SORPLAS™ may not be used for some parts.

xvii ? According to Sony. Recycled materials used for product bodies and accessories from April 2012 to March 2023.

xviii See camera compatibility (Image stabilization with body-lens coordinated control) info at: https://www.sony.net/dics/fnc1002/

xix Please refer to support page; https://support.d-imaging.sony.co.jp/www/cscs/function/compatibility.php?area=jp&lang=en&cs_ref=slct_lang&fnc=1001

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Posted to: Sony News   Category: Sony Announcements
Post Date: 7/10/2024 10:37:19 AM ET   Posted By: Bryan Carnathan

One power adapter to replace them all. The Xcellon PDG-4200B 4-Port 200W GaN USB Charger is on sale for half price today ($59.99) at B&H.

We have an ever increasing number of USB charged and powered devices, and often, each has its own power adapter, often vying for receptical space in the same location. Taking all those chargers traveling is another complication.

What if a single charger could cover of all your needs? And, what if that charger had more power than all your other chargers combined? This might be that one.

B&H recently sent me the high-quality, ultra-useful, Xcellon PDG-4200B GaN (Gallium Nitride, remains cooler than silicon) charger, featuring 4 ports with up to 200W total power output. Increasing our productivity (and feeding our impatience) is this charger's support of PD 3.0, PPS (Programmable Power Supply), QC4+, and Samsung Super Fast fast charging. Short circuit, overcurrent, overvoltage, and overtemperature preventions are provided.

The individual port ratings add up to more than the 200w this charger is capable of, and thus, limits are imposed. Here are the possible power distribution combinations:

USB-C (Port 1 or 2): 100W
USB-C (Port 3): 65W
USB-A: 60W
USB-C (Port 1 and 2): 100W + 100W
USB-C (Port 1 or 2 and 3): 100W + 65W
USB-C (Port 1 or 2) and USB-A: 100W + 60W
USB-C (Port 3) and USB-A: 12W + 12W
USB-C (Port 1 & 2) and USB-C (Port 3) or USB-A: 100W + 65W + 30W
USB-C (Port 1 or 2), USB-C (Port 3), and USB-A: 100W + 12W + 12W
USB-C (All 3 Ports) and USB-A: 100W + 65W + 12W + 12W

The 3' (0.9m) power cable moves the snarl and space competition away from recepticals.

The simple charger is compact, measuring only 3.5 x 2.5 x 1.4" (89.2 x 64.7 x 36.3 mm), with the 11.7 oz (331 g) weight being its primary con. The weight feels substantial compared to the small size, but it aids in the solid feel.

With various devices connected to the same charger, it seems that hub capabilities would have been an easy feature to include, but this device is dedicated to providing power.

Consider pairing this charger with Pearstone USB4 Type-C 240W Power Delivery Cables (up to 40 Gb/s, 48V/5A, Thunderbolt 3 & 4) to power laptops, cameras, etc.

Get the Xcellon PDG-4200B 4-Port 200W GaN USB Charger for half price today at B&H.

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Post Date: 7/10/2024 12:01:00 AM ET   Posted By: Bryan Carnathan
 Monday, July 1, 2024

Image quality, vignetting, and distortion test results are now available on the Canon RF 35mm F1.4 L VCM Lens page.

Here are some comparisons to get you started:

Compared to the Canon EF 35mm f/1.4L II USM Lens

Compared to the Sony FE 35mm F1.4 GM Lens

Compared to the Sigma 35mm f/1.4 DG DN Art Lens

Compared to the Tamron 35mm f/1.4 Di USD Lens

Please share!

Support the site by ordering the Canon RF 35mm F1.4 L VCM Lens from B&H | Adorama | Canon USA | WEX | Amazon (all available countries) | Camera Canada

Rent the Canon RF 35mm F1.4 L VCM Lens from Lensrentals.

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Posted to: Canon News, Sony News   Category: Camera Gear Review News
Post Date: 7/1/2024 9:00:00 AM ET   Posted By: Bryan Carnathan
 Wednesday, June 26, 2024

From Sony Japan (translated):

Notification of free repairs and apology to customers who use CFexpress Type A memory cards CEA-G series

Thank you for using Sony products. We have discovered that in some CFexpress Type A memory cards in the CEA-G series, there are rare cases where the card is not recognized or writing does not finish in low-temperature environments near the lower limit of operating temperature (-10°C).

Therefore, we will repair the affected products free of charge during the free repair period listed below. If you are using an affected memory card product, please check whether your product is eligible for free repair, and if so, please apply via the website below or contact us at the address listed below. We apologize for any inconvenience caused to customers using the affected products. We appreciate your continued patronage of our products.

Products CFexpress Type A memory cards CEA-G series
CEA-G80T / CEA-G160T / CEA-G320T / CEA-G640T that have the specific numbers listed below printed on the back of the product How to check for applicable items The following numbers are printed on the back of the product.
*Please take a photo of the number on the back of the product using your smartphone or other device, enlarge it, and check the number.

(1) CEA-G80T:

Products with 8-digit numbers 22030050 to 23050157, except for products with the following numbers: 22030077, 22030094 , 22040022, 22050028, 22050067, 22070075, 22110010, 22110015, 22110029, 22110037, 22110103 Products with the nine-digit number 220300500 to 230501570

(2) CEA-G160T:

Products with 8-digit numbers 22030127 to 24029999,
except for products with the following numbers:
22040025, 22040068, 22050029 , 22050068, 22070076
Products with a 9-digit number between 220301270 and 240299990

(3) CEA-G320T:

Products with 8-digit numbers between 22090001 and 24029999
Products with a 9-digit number between 220900010 and 240299990

(4) CEA-G640T:

Products with 8-digit numbers between 23010001 and 24029999
Products with a 9-digit number between 230100010 and 240299990

Free repair period

Until June 29, 2029

Confirmation of applicable items by number

Enter the number in the "Apply online" [Japan] section below and press the "Proceed to confirmation/application screen" button to check whether or not your product is eligible for free repair.

at B&H.

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Posted to: Sony News   Category: Sony Service Notices
Post Date: 6/26/2024 4:05:14 PM ET   Posted By: Bryan Carnathan

Skylum has announced Aperty Portrait Software.

The first 1,000 customers get a lifetime license.

From Skylum:

Skylum Announces A New Photo Editing App For Professional Portrait Photographers

NEW YORK, NY – May 23, 2024 - Skylum, a leading innovator in photo editing software and the company behind the award-winning, AI-powered program Luminar Neo, is proud to announce Project “Barcelona”, a new desktop application specifically for professional portrait retouching.

Recognizing the increasing demand for time-saving tools in portrait photography that would enable professional and semi-professional photographers to focus on creative growth and client engagement, Skylum is collaborating with renowned portrait photographer Julia Trotti to develop this specialized software solution. Set for release in September 2024, Project “Barcelona” will empower photographers by automating routine face retouching processes through an efficient, AI-optimized workflow that runs locally on the user’s device, making it as easy as applying presets. With the added advantage of precise and adjustable masking tools, it provides enhanced control and accuracy for perfect results every time. This, in turn, will allow portrait photographers to balance the time-intensive task of photo retouching with shooting and growing their photography business.

Designed with the specific needs of portrait photographers in mind, the new app’s key features include:

Skin Toning: Make subtle changes to the skin tone of specific areas thanks to an accurate facial skin segmentation model; remove the red hue or unify the overall color. On top of that, the new app's state-of-the-art face mesh model provides unique makeup correction capabilities, allowing the application of extra textures like blush, highlight, and contour, and changing the color of lips, brows, and other elements.

Eye Enhancement: Add iris flare, remove redness, and adjust eye shape with a comprehensive suite of tools to perfect a subject’s eyes in portraits.

Teeth Whitening: Ensure radiant smiles with advanced teeth whitening and brightening capabilities.

Makeup Application: Enjoy customizable options for creative makeup styles and colors to compliment any complexion, clothing, or backdrop.

Bokeh Effects: Create stunning depth-of-field effects with the bokeh feature, adding dimension and allure to portraits.

Body Enhancement: Adjust bodily proportions to correct posture and account for unflattering angles, making sure portraits capture subjects in their best light.

"In the development of Project “Barcelona” (public name to be announced soon), we’re working closely with acclaimed photographer Julia Trotti to infuse our software with professional insights that meet the specific needs of portrait photographers everywhere," says Ivan Kutanin, CEO of Skylum. "Just as Luminar Neo provides convenient editing solutions for a broad set of photography challenges, this new app uses cutting-edge AI technology to help portrait photographers achieve top-quality retouching and inspire them with new creative possibilities."

Early bird offer starts June 25, 2024. Find out more on Skylum’s website and sign up for the waiting list for early access.

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Posted to: Canon News, Sony News   Category: Skylum News
Post Date: 6/26/2024 3:48:41 PM ET   Posted By: Bryan Carnathan

While this Shenandoah National Park buck is staring directly at the camera, it is the doe behind me that he cares about. No move she makes goes unnoticed, which provides an alert look for his portrait.

Getting down low was an important technique for this photo. The lower camera position pushes the background farther away, which provides a stronger blur. The lower position aids in getting catchlights in the eyes and in making the buck appear regal.

He bedded for a long time, perhaps close to an hour. After getting way too many shots, I did the same. He was warmer than me.

The Sony Alpha 1 and Sony FE 600mm F4 GM OSS Lens were an outstanding combination for the fields and less-dense forest areas at SNP.


A larger version of this image is available here.

 
Camera and Lens Settings
600mm  f/4.0  1/400s
ISO 1250
8640 x 5760px
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Posted to: Canon News, Sony News   Category: Photo Tips and Stories
Post Date: 6/26/2024 1:00:00 AM ET   Posted By: Bryan Carnathan
 Tuesday, June 25, 2024

In April 2024, Sigma announced a list of lenses slated to gain Canon RF lens mount compatibility. The first lens on that list has now been formally announced. Expect the demand for the RF mount version of the #1 best selling mirrorless lens at B&H to be high.

Learn more about this lens in the site's review: Sigma 18-50mm F2.8 DC DN Contemporary Lens

Sigma 18-50mm F2.8 DC DN Contemporary Lens Side with Hood

Here is the official announcement from SIGMA Corporation:

Launch schedule of SIGMA 18-50mm F2.8 DC DN | Contemporary for Canon RF Mount

SIGMA Corporation is pleased to announce the launch schedule of SIGMA 18-50mm F2.8 DC DN Contemporary for Canon RF Mount.

Supplied accessories: PETAL-TYPE HOOD LH582-02, FRONT CAP LCF-55 III, REAR CAP LCR II

Mount: Canon RF Mount

Launch : July, 2024

* Product appearance and specifications are subject to change.

#SIGMA #SIGMA1850mmF28Contemporary #SIGMAContemporary #SIGMADCDN #SIGMARFMount

Sigma 18-50mm F2.8 DC DN Contemporary Lens RF Mount

A large F2.8 aperture zoom lens that need never leave your camera. This exceptionally light, bright, and sharp standard zoom for crop-sensor mirrorless cameras is the ultimate workhorse lens.

Long-awaited Canon RF Mount addition

SIGMA's first APS-C size mirrorless dedicated zoom lens, the SIGMA 18-50mm F2.8 DC DN | Contemporary, will now be available for the Canon RF Mount. This addition allows users to enjoy high-performance, and high-quality SIGMA zoom lenses in native mount on their Canon RF Mount system.

A control algorithm including AF drive and communication speed optimization has been developed specifically for Canon RF Mount interchangeable lenses. In addition to realizing high-speed AF, the lens also supports Servo AF and in-camera aberration correction*. The mount is rubber-sealed to cater for use in a variety of environments.

* Available on supported cameras only.

Mount Conversion Service is available to convert other mounts of SIGMA 18-50mm F2.8 DC DN Contemporary to Canon RF Mount.

Sigma 18-50mm F2.8 DC DN Contemporary Lens

Features

1. Large F2.8 aperture and superb image quality

The compact body offers a versatile full-frame equivalent zoom range of 28.8mm to 80mm, a wide aperture of F2.8 throughout the entire zoom range that allows you to enjoy bokeh expressions, and sharp images achieved by the latest optical design technology. With a minimum focusing distance of 12.1cm and a maximum magnification of 1:2.8*1, it allows photographers to take advantage of the compact shooting system, such as shooting close-ups of your subject.

2. Exceptionally compact and lightweight body ideal for mirrorless cameras

The main feature of the SIGMA 18-50mm F2.8 DC DN | Contemporary is its overwhelmingly compact and lightweight body that maximizes the excellent portability and advantages of an APS-C mirrorless camera. Despite its large aperture of F2.8, it is the smallest and lightest in its class*2 boasting a maximum diameter of f69.2mm, a length of 74.5mm and weight of 300g.*3 This makes the large-aperture standard zoom easy to carry around in daily life.

*1 The minimum focusing distance and maximum magnification ratio are both values at the wide end.

*2 As an AF compatible, F2.8 constant aperture standard zoom lens for APS-C (as of June 2024, by SIGMA).

*3 Size and weight measurements given for Canon RF Mount version.

Specifications

Values are for Canon RF Mount

Lens Construction: 10 groups, 13 elements (1 SLD and 3 aspherical lenses)
Angle of View (APS-C): 73.4°(W)-30.0°(T)
Number of Diaphragm Blades: 7 (rounded diaphragm)
Minimum Aperture: F22
Minimum Focusing Distance: 12.1 (W) - 30 (T) cm / 4.8 (W) - 11.9 (T) in.
Maximum Magnification Ratio: 1:2.8 (W) - 1:5(T)
Filter size: 55mm
Dimensions (Diameter × Length): 69.2mm × 74.5mm / 2.7in. x 2.9in.
Weight: 300g / 10.6oz.

Product Barcode

Canon RF Mount: 00-85126-58572-3

Accessories (Supplied) Name of product / Product Barcode
LENS HOOD LH582-02: 0085126 939694
FRONT CAP LCF-55 III: 0085126 930066
REAR CAP LCR II: For Canon RF Mount 0085126 941468

Accessories (Optional) Name of product / Product Barcode
SIGMA WR PROTECTOR 55mm: 0085126 930912
SIGMA PROTECTOR 55mm: 0085126 931049
SIGMA WR UV FILTER 55mm: 0085126 930653
SIGMA WR CIRCULAR PL FILTER 55mm: 0085126 930783

Orders

Order the Sigma 18-50mm F2.8 DC DN Contemporary Lens in your preferred mount at B&H.

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Posted to: Canon News, Sony News   Category: Sigma News
Post Date: 6/25/2024 1:00:00 AM ET   Posted By: Bryan Carnathan
 Monday, June 24, 2024

Just posted: Tamron 50-300mm F/4.5-6.3 Di III VC VXD Lens Review.

An attractive addition to Tamron's lineup.

Support this site by ordering the Tamron 50-300mm F/4.5-6.3 Di III VC VXD Lens (or anything else) from B&H | Adorama | WEX

Please share!

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Posted to: Canon News, Sony News   Category: Camera Gear Review News
Post Date: 6/24/2024 9:00:00 AM ET   Posted By: Bryan Carnathan
 Thursday, June 20, 2024

From Sony Europe:

Reuters selects Sony cameras for its worldwide video group equipment

Reuters’s global network of on location reporters will be using the Alpha 7S III and PXW-Z280 cameras starting this year to bring world events to everyone.

Weybridge, June 12th, 2024 – Sony is delighted to announce that Reuters, one of the largest news agencies in the world, has selected Alpha and XDCAM cameras, G Master lenses and audio equipment to equip its video journalists across the world. The fleet will be using Alpha 7S III, and PXW-Z280 as their main shooting kit, paired with UWP-D wireless audio.

Since its launch, the Alpha 7S III has established itself as a go to camera for on location content creators needing a compact form factor and exceptional picture quality. In this instance, the advanced autofocus performance for hybrid use, together with its outstanding low light performance were key features in Reuters’ decision making. Sony’s E-Mount strategy will also provide journalists with the flexibility to capture images in their truest form, when perfectly paired with the vast options of Sony lenses of their choosing, including the SEL2470GM2.

The PXW-Z280 has become an industry standard, thanks to its ease of use, electronic variable ND filter and Sony’s Instant HDR workflow, eliminating the need for colour grading. Its advanced network features and multiple format support means it can easily, securely, and wirelessly fit into a cloud-based news gathering workflow.

Both cameras benefit for the connectivity features needed to easily connect to the cloud for seamless and reliable content transfer, from the capture location back to the remote broadcast unit, particularly critical for news gathering, with its emphasis on speed.

The cameras and associated equipment started shipping to 23 Reuters locations across the world from April 2024.

This investment from Reuters is a testament to the long-standing relationship between Reuters Sony, powered by Sony’s in-depth knowledge of on the terrain requirement from journalists and Reuters mission to provide timely and quality news. Sony’s Media Backbone Hive is already in use at Reuters as its main multi-platform news production system.

Gildas Pelliet, Imaging and Professional Solutions, Sony Europe, commented: “We are delighted that Reuters has chosen Sony for this key piece of their technological ecosystem. In pressured environments, nothing is more important for a news organisation than to be reliable and timely. This is where reliability, picture quality and cloud-based workflows become crucial – and those are the qualities we have brought to our cameras and workflow solutions.

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Posted to: Sony News   Category: Sony Announcements
Post Date: 6/20/2024 11:27:22 AM ET   Posted By: Bryan Carnathan

Sony Alpha 9 III firmware update version 2.01 is available for download (Sony USA).

Firmware Version 2.01 incorporates the following fixes and enhancements:

  1. Fixes an issue where the exposure may be underexposed when shooting continuously with an aperture value of F18 or higher
  2. Improves the operational stability of the camera

Get the Sony Alpha 9 III at B&H.

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Posted to: Sony News   Category: Sony Firmware Updates
Post Date: 6/20/2024 11:08:03 AM ET   Posted By: Bryan Carnathan
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