Sony News (Page 11)
Sony Alpha 7C R firmware update version 1.01 is available for download.
Firmware Version 1.01 incorporates the following fixes and enhancements:
- Fixes an issue where the High ISO NR feature can not be set
- Fixes an issue where some movie metadata (Shutter Speed, Aperture, ISO, etc.) may not be recorded
- Improves the operational stability of the camera
Get the Sony Alpha 7C R at B&H.
Sony Alpha 7C II firmware update version 1.01 is available for download.
Firmware Version 1.01 incorporates the following fixes and enhancements:
- Fixes an issue where some movie metadata (Shutter Speed, Aperture, ISO, etc.) may not be recorded
- Improves the operational stability of the camera
Get the Sony Alpha 7C II at B&H.
Do you have go-to locations to use when you must bring home high-quality images?
Three new cameras (Sony Alpha 7C R, Alpha 7C II, and Alpha 6700), two new lenses (Sony FE 16-35mm F2.8 GM II Lens and Sigma 10-18mm F2.8 DC DN Contemporary Lens), and some new accessories needed a workout. When many good images are needed, that go-to location is called upon, and it the success rate at Ricketts Glen State Park in the fall is high.
The optimal (cloudy) weather forecast selected the day choice, and the above gear (plus some additional gear and food) went into a MindShift Gear BackLight 26L for a big day in the field.
I have many favorite photo locations in this park and often revisit them as it seems new angles that create different, often better, results can often be found. In this case, Triangle Falls was the revisited subject, and I wanted a slightly lower-angle image than the last one from here.
As I said when posting that image, sometimes the picture does not tell the full story. While this image appears to be a simple capture, you don't see that the rock I'm standing on is slippery and the RRS TVC-24L Mk2 Tripod is in the fast-flowing water. Learned was that the tripod flowing downstream during exposures creates interesting motion blurs.
Fast-flowing water meeting a stationary object causes splashing, and in addition to forcing recomposition, the fast-flowing water also splashed onto the camera and lens from the tripod legs positioned forward of the camera. The mentioned lower angle perspective positioned the lens close to the water, and the splashing water was hitting the circular polarizer filter (responsible for this image's deep saturated colors). Thus, wiping the filter with a microfiber cloth between every shot was part of the process, with hope that the next exposure would finish before the water drops reappeared or the tripod washed downstream again. The cameras' weather sealing was appreciated in this scenario.
Fortunately, patience and repetition prevailed, and there were sufficient good images to select from.
The a7C R and FE 16-35mm F2.8 GM II got the call for this image. This full-featured compact camera delivers incredibly detailed images, and this lens has the optical quality to support that extreme resolution. This combination is an outstanding choice for landscape and travel photography.
ISO 100
9504 x 6336px
Sony Alpha 7R V firmware update version 2.01 is available for download.
Firmware Version 2.01 incorporates the following fixes and enhancements:
- Fixes an issue where JPEG files could not be enlarged and played
- Fixes an issue where the power may not turn on or turn off even if the Power switch is used
- Fixes an issue where the Switch V/H AF Area feature may not work correctly
- Fixes a Creators' App issue where the Auto Time Correction and Auto Area Adjustment features may turn off
- Improves the operational stability of the camera
Get the Sony Alpha 7R V at B&H.
Sony Alpha 6700 firmware update version 1.02 is available for download.
Firmware Version 1.02 incorporates the following fixes and enhancements:
- Fixes an issue where some movie metadata (Shutter Speed, Aperture, ISO, etc.) may not be recorded
- Fixes an issue where JPEG files could not be enlarged and played
- Fixes an issue where the Switch V/H AF Area feature may not work correctly
- Fixes a Creators’ App issue where the Auto Time Correction and Auto Area Adjustment features may turn off
- Improves the operational stability of the camera
Get the Sony Alpha 6700 at B&H.
The Sony Alpha 7C R and Sony Alpha 7C II cameras are here, and it is time to set up these cameras for use. For setup purposes, these cameras are identical, and the steps taken to prepare out-of-the-box a7C R and 7C II cameras for use are as follows.
- Charge the battery
- Record the serial number, and add the camera to insurance policy
- Download and install Capture One (for Sony) or Sony Imaging Edge (unless your current favorite RAW image processing software supports this camera)
- Insert a memory card(s) (we'll format it later)
- Insert the charged battery, and power on the camera
- Set the time zone, date, time, and timeformat
- Select M mode, press "Menu", and configure the camera as follows:
- Shooting Menu 1 Image Quality: Image Quality Settings: File Format: RAW, RAW File Type: Lossless Compressed L (ultimate image quality with reduced file size)
- Shooting Menu 1 Image Quality: Long Exposure NR: Off (manually enable this option for very long exposures)
- Shooting Menu 1 High ISO NR: Low (most software overrides this setting)
- Shooting Menu 1 Image Quality: Lens Compensation: Shading, Chromatic Aberration, and Distortion Comp: All Off (software often overrides this setting, use the RAW processing software to enable any lens compensation with CA correction frequently selected)
- Shooting Menu 2 Media: Format (ensure there are no important files on the card(s) prior to formatting)
- Shooting Menu 3 File: Copyright Info: Write Copyright Info: On, Set Photographer: [your name], Set Copyright: [as desired], Write Serial Number: On (put your name and your business name on your images, also helpful if your camera gets lost) (note that you may find entering this information on the touchscreen a painful process)
- Shooting Menu 5 Drive Mode: Selftimer during Bracket: 2 Sec (avoid camera shake)
- Shooting Menu 5 Drive Mode: Bracket Settings: Bracket order: ->0>+ (eases image selection for HDR processing)
- Shooting Menu 6 Shutter/Silent: Release w/o Lens: Disable
- Shooting Menu 6 Shutter/Silent: Release w/o Card: Disable (why is this not the default?)
- Shooting Menu 9 Shooting Display: Grid Line Display: On (Rule of Thirds selected)
- Exposure/Color Menu 6 Color/Tone: D-Range Optimizer: Off
- Exposure/Color Menu 6 Color/Tone: Creative Look: NT (Neutral) Sharpness = 1 (this setting provides a lower contrast histogram. I usually process with a Standard or Natural creative style)
- Focus Menu 1 AF/MF: Focus Mode: Single-shot AF (this setting gets changed frequently)
- Focus Menu 1 AF/MF: Priority Set in AF-S: AF
- Focus Menu 1 AF/MF: Priority Set in AF-C: AF (I care more about properly focused images than maintaining a high frame rate)
- Focus Menu 2 Focus Area: Focus Area: Spot: S (this setting gets changed frequently)
- Focus Menu 2 Switch V/H AF Area: AF Point Only
- Focus Menu 5 Peaking Display: On (show focus indication when manually focusing)
- Playback Menu 4 Delete: "Delete" first (makes deleting images faster — the camera still provides a second change to cancel the delete request)
- Playback Menu 7 Playback Option: Display Rotation: Off (the reviewed image always fills LCD)
- Network Menu: 8 Network Menu: Airplane Mode: On
- Setup Menu: 4 Dial Customize: Custom Key/Dial Set.: Dial/Wheel: Front Dial: Av/Tv (Tv in M mode) (option #2) (I adjust the shutter speed more frequently and urgently than aperture and the front dial is easier to access quickly); Rear Dial: Av/Tv (Av in M mode)
- Setup Menu: 5 Touch Operations: Touch Panel/Pad: Both Valid
- Setup Menu: 5 Touch Operations: Touch Pad Settings: Touch Position Mode: Relative Position, Operation Area: Whole Screen
- Setup Menu: 10 Sound Option: Audio signal (Shooting): Off (how to turn off the AF beep sound)
- My Menu: Format, Shutter Type, Steady Shot, Recognition Target, Anti-flicker Set., Flash Comp., Focus Mode
- With a lens mounted and a subject in focus (or view the menu system), adjust the viewfinder diopter until the scene is sharp
I make additional menu and other setting changes based on current shooting scenarios, but this list covers my initial camera setup process.
To copy this configuration means you intend to shoot as I do, including in RAW-only format. While this setup works optimally for me, you should adjust the camera setup to your needs.
If you can't remember your menu setup parameters, keeping an up-to-date list such as this one is a great idea. Anytime the camera is set to the factory state, such as when serviced or when acquiring an additional camera, the list will ensure all settings are quickly re-established. Consider saving the camera settings to a card (Tools menu, tab 2, Reset/Save Settings) for an easy restore or replication. The setup file can be copied to a computer drive for long-term storage. Unfortunately, I couldn't load the a7C R settings on the a7C II.
Support this site by ordering the Sony Alpha 7C R from B&H | Adorama | WEX | Camera Canada
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Just posted: Sony E PZ 16-50mm F3.5-5.6 OSS Lens Review.
This lens is tiny, ultra-light, and affordable (especially in used condition).
Support this site by ordering the Sony E PZ 16-50mm F3.5-5.6 OSS Lens (or anything else) from B&H | Adorama | Amazon (all available countries) | WEX | Camera Canada | KEH | MPB
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Just posted: Sigma 10-18mm F2.8 DC DN Contemporary Lens Review.
Again, this is going to be a popular lens.
Sharing this review supports the site.
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Two weeks of guiding elk photography in Rocky Mountain National Park resulted in a rather overwhelming number of images. Selecting the keepers is a huge project, and deciding which image to share first was daunting. It seems that everyone loves breath shots, so I'll start with that option.
This bull walked in so close to us that it didn't fit in the 600mm frame when its head was turned. While I liked the tight image that crops the back of the antlers, I knew that having the entire elk and its breath in the frame might be an option I later wanted.
To avail that option, additional images containing the cropped content on the left and right were captured immediately after the primary image, and the three images were manually stitched in Photoshop as a panorama.
This image utilized a camera position near the ground, just high enough to create a blur that transitions into the animal's legs, and elk legs are one of my favorite leading line sources, especially when they are equally spaced apart. The relatively close proximity of the elk combined with the distant background creates a strong background blur that makes this bull stand out.
Getting obvious breath in an image requires cold temperatures and a supporting background. While I could see the breath in many other images by the changes apparent when browsing one after the other, light-colored and detailed backgrounds often hide the breath in single images. A dark background and backlighting create an ideal scenario for making the breath element obvious.
A larger version of this image is available here.
ISO 5000
7967 x 8843px
Just posted: Sony FE 16-35mm F2.8 GM II Lens Review
This is a great little lens.
I need you to share this review!
Support this site by ordering the Sony FE 16-35mm F2.8 GM II Lens (or anything else) from B&H | Adorama | Amazon (all available countries) | WEX | Camera Canada
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From Sigma Corporation:
Development announcement of SIGMA 70-200mm F2.8 DG DN OS|Sports
The SIGMA Corporation is pleased to announce the development of the SIGMA 70-200mm F2.8 DG DN OS | Sports.
The SIGMA 70-200mm F2.8 DG DN OS | Sports is a large-aperture zoom lens for full-frame mirrorless cameras. In addition to the expressive imaging capabilities owing to the latest optical design, the lens offers a high level of performance and features that meet the expectations of professionals in both still and video, including high-speed autofocus with HLA (High-response Linear Actuator), optical stabilizer with the latest algorithm "OS2", and the superior weather resistance of SIGMA’s Sports line.
Combined with the SIGMA 14-24mm F2.8 DG DN | Art and the SIGMA 24-70mm F2.8 DG DN | Art, SIGMA's three zoom lenses for full-frame mirrorless cameras with a bright F2.8 constant aperture cover a wide range of focal lengths.
Launch: December, 2023
Available mounts: L-Mount, Sony E-mount
*The appearance and specifications of the product are subject to change.
* This product is developed, manufactured and sold based on the specifications of E-mount which was disclosed by Sony Corporation under the license agreement with Sony Corporation.
* L-Mount is a registered trademark of Leica Camera AG
Image quality, vignetting, flare, and distortion test results, along with specs, measurements, and standard product images, are now available on the Sigma 10-18mm F2.8 DC DN Contemporary Lens page.
This is going to be a popular lens.
Please share!
Support this site by ordering the Sigma 10-18mm F2.8 DC DN Contemporary Lens (or anything else) from B&H | Adorama
From Sigma Corporation of America:
SIGMA Announces 10-18mm F2.8 DC DN | Contemporary, the World's Smallest and Lightest F2.8 Zoom Lens for APS-C Mirrorless Cameras
Ronkonkoma, NY – October 5, 2023 – SIGMA Corporation of America, the US subsidiary of SIGMA Corporation (CEO: Kazuto Yamaki. Headquarters: Asao-ku, Kawasaki-shi, Kanagawa, Japan) is pleased to announce the SIGMA 10-18mm F2.8 DC DN | Contemporary lens. This is the first SIGMA lens being announced and released concurrently for the L-Mount, Sony E-mount and Fujifilm X Mount. The lens will be available through authorized retail partners on October 26, 2023 for $599.
This is the world's smallest and lightest F2.8 zoom lens designed for APS-C format mirrorless systems at just 2.8 x 2.4 inches (72.2 x 62mm) and 9.2 ounces (260g)*. The lens covers a 15-27mm (35mm equivalent) focal range, with a fast F2.8 constant aperture. Paired with the 18-50mm F2.8 DC DN | Contemporary, this duo of lenses covers a 15-75mm (35mm equivalent) range with the same bright F2.8 maximum aperture at a combined weight of under 19.5 ounces (550g).
* As an AF F2.8 zoom lens for mirrorless cameras with an APS-C sensor. As of October 2023 by SIGMA. Figures are for L-Mount. Additional specifications included in the full press release below.
The SIGMA 10-18mm F2.8 DC DN | Contemporary uses an aspherical concave lens with a large polarization ratio and high refractive index in the first group, reducing the number of elements in the first group and shortening the overall length. Additionally, a new push-on petal type hood has been developed. Thanks to the new structure with a spring and lever, which is not utilized by any other manufacturer, the hood has been made both thinner and smaller, which also contributes to the overall compactness of the lens.
The optical design of the lens delivers a short 4.6 inch (11.6cm) minimum focusing distance and a maximum magnification ratio of 1:4 at the wide end, allowing for close-up photography with pleasing background separation. The optical design also minimizes focus breathing, and the stepping motor delivers swift, quiet autofocus during both still and video use.
Thanks to its high optical quality and compact size, the SIGMA 10-18mm F2.8 DC DN | Contemporary lens is an excellent choice for travelers, adventure photographers, vloggers, content creators, and family photographers who want great image quality when paired with today's leading lightweight crop-sensor cameras on the three supported mirrorless platforms.
#SIGMA #SIGMA1018mmContemporary #SIGMAContemporary #SIGMAContemporaryZoom
C | Contemporary
SIGMA 10-18mm F2.8 DC DN
Small lens, big personality
- Large-aperture, ultra-wide-angle zoom with expressive imaging capabilities
- Extremely compact and lightweight
- Ideal for landscapes, travel, video and online content creation
Available: October 26th, 2023
Supplied accessories: Push-on petal type hood LH706-02, FRONT CAP LCF-67mm ?, REAR CAP LCR II
Available mount: L-Mount, Sony E-mount, FUJIFILM X Mount
* The appearance and specifications of the product are subject to change.
* This product is developed, manufactured and sold based on the specifications of E-mount which was disclosed by Sony Corporation under the license agreement with Sony Corporation.
* L-Mount is a registered trademark of Leica Camera AG
#SIGMA #SIGMA1018mmContemporary #SIGMAContemporary #SIGMAContemporaryZoom #SIGMADCDN
Create expressive images on the go with the world's smallest and lightest ultra-wide-angle zoom lens for APS-C cameras*
The SIGMA 10-18mm F2.8 DC DN | Contemporary is the world's smallest and lightest ultra-wide- angle zoom lens for APS-C cameras*, covering an effective focal range of 15-27mm (35mm equivalent). With ultra-sharp optics, a bright F2.8 aperture and a newly developed push-on petal type lens hood, photographers can create expressive images anytime, anywhere. The lens features a unique aspherical element that reduces the overall size of the lens and enhances image quality.
An 11.6cm (1:4) minimum focusing distance to produce unique compositions, with expansive backgrounds and pleasing bokeh. With a weight of only 260g*, a fast AF stepping motor and minimal focus breathing, the lens can be easily mounted onto a motorized gimbal to create impressive video content for social media use and professional projects. The lens is available for L-Mount, Sony E-Mount and FUJIFILM X Mount systems.
* As an AF F2.8 zoom lens for mirrorless cameras with an APS-C sensor. As of October, 2023 by SIGMA.
* L-Mount Specification.
[Key features]
1. Large-aperture, ultra-wide-angle zoom with expressive imaging capabilities
By utilizing unique optics which have been designed to correct lens aberrations, the SIGMA 10-18mm F2.8 DC DN | Contemporary produces images that are sharp across the entire image.
Aspherical lens, special low-dispersion glass
The use of an aspherical lens with large eccentricity and refractive index as the first lens element has enabled a lens construction with a reduced number of elements. Used in conjunction with multiple aspherical lenses and special low-dispersion glass, the lens can produce high resolution images whilst remaining compact and lightweight.
Minimum focusing distance 11.6cm, maximum magnification ratio 1:4
Create expressive close-up images using the 11.6cm minimum focusing distance when shooting at 10mm. With a magnification ratio of 1:4, the lens captures unique portraits, still life and more.
2. Extremely compact and lightweight
The SIGMA 10-18mm F2.8 DC DN | Contemporary is the world's smallest and lightest ultra-wide angle zoom lens for APS-C cameras*, with a length of 62.0mm, a maximum diameter of 72.2mm, and a weight of 260g*. The lens can be carried around with ease or attached to an APS-C mirrorless camera and a gimbal to create an ultra-portable video setup.
* As an AF F2.8 zoom lens for mirrorless cameras with an APS-C sensor. As of October, 2023 by SIGMA.
* The values are for L-mount.
Newly developed push-on petal type hood
A newly developed push-on petal type hood is included with the lens. Unlike the conventional bayonet type lens hoods that attach with a rotating movement, this push-on type lens hood is attached onto the lens using a spring and lever system. The implementation of this new design reduces the size and thickness of the hood so that it matches the compact size of the lens.
Compact, lightweight, high-performance F2.8 constant aperture zoom lens series
When combined with the SIGMA 18-50mm F2.8 DC DN | Contemporary, a total, unbroken focal range of 15-75mm (35mm equivalent) with a constant F2.8 aperture can be covered. The combined weight of both lenses is only 550g.
* The values are for L-mount.
Fast-growing lineup of lenses for APS-C mirrorless cameras
In addition to the SIGMA 18-50mm F2.8 DC DN | Contemporary, the lineup of lenses for APS-C mirrorless cameras includes 16mm, 23mm, 30mm, and 56mm prime lenses, all with F1.4 brightness. This flexible lens selection can be used for a wide variety of photographic applications.
*Lineup is as of October 2023.
Mount with dust and splash resistant structure
The lens mount incorporates rubber sealing to protect it from dust and water drops.
3. Ideal for landscapes, travel, video and online content creation
With ultra-wide focal length, portable body and razor-sharp optics, the SIGMA 10-18mm F2.8 DC DN | Contemporary is the perfect portable option for landscape, travel, interior and street photography. It also boasts impressive video capability owing to its bright F2.8 aperture, which makes it well-suited to shooting in low-light environments and creating a shallow depth-of-field. The ultra-wide angle-of-view is ideal for hand-held vlogging that requires the capture of both the subject and the environment.
Designed to minimize focus breathing
The lens has been designed to suppress focus breathing. The change in angle-of-view due to focus shift is minimized, creating a natural-looking focus shift when recording video.
Supports various camera functions
The lens is compatible with the electronic image stabilization function, aberration correction function, DMF, and AF+MF in camera bodies from various manufacturers. The advantage using this ultra-wide-angle lens is that it provides a generous angle-of-view even when the electronic image stabilization function crops the image.
* Function available on supported cameras only. Available corrections or auto correction functionality may vary depending on the camera model.
Stepping Motor
A fast and quiet stepping motor is used to deliver precise AF when shooting stills and video. It is fully compatible with in-camera AF tracking modes.
[Additional features]
- Lens construction: 13 elements in 10 groups (3 FLD, 1 SLD, and 4 aspherical elements)
- Inner focus system
- Compatible with high-speed autofocus
- Stepping motor
- Compatible with Lens Aberration Correction
*Function available on supported cameras only. Available corrections or auto correction functionality may vary depending on the camera model.
*On cameras where lens aberration correction is controlled with ‘ON’ or ‘OFF’ in the camera menu, please set all aberration correction functions to ‘ON'(AUTO). - Support DMF and AF+MF
- Compatible with AF assist (Sony E-mount only)
- Super Multi-Layer Coating
- Support for switching between linear and non-linear focus ring settings on L-Mount bodies
* Function available on supported cameras only. - Mount with dust and splash resistant structure
- Push-on petal type hood LH706-02
- Compatible with SIGMA USB DOCK UD-11 (sold separately / for L-Mount only)
- Designed to minimize flare and ghosting
- Every single lens undergoes SIGMA’s proprietary MTF measuring system
- 7-blade rounded diaphragm
- High-precision, durable brass bayonet mount
- Mount Conversion Service available
- "Made in Aizu, Japan" craftsmanship
To learn more about SIGMA’s craftsmanship, please visit SIGMA website at: https://www.sigma-global.com/en/about/craftsmanship/
[Key specifications] The figures below are for L-Mount.
Lens construction: 13 elements in 10 groups (3 FLD, 1 SLD, and 4 aspherical elements)
Angle of view: 109.7°-76.5° (APS-C)|Number of diaphragm blades: 7 (rounded diaphragm)
Minimum aperture: F22|Minimum focusing distance: 11.6 (W) -19.1 (T) cm / 4.6 (W) -7.6 (T) in. | Maximum magnification ratio: 1:4 (W) - 1:6.9 (T)|Filter size: f67mm
Dimensions (Maximum Diameter x Length): f72.2mm × 62.0mm / f2.8in. × 2.4in.
Weight: 260g / 9.2oz.
[Barcode]
L-Mount: 0085126 207694 Sony E-mount: 0085126 207656 FUJIFILM X Mount 0085126 207755
[Accessories: Supplied] Name of product / barcode
Lens Hood LH706-02: 0085126 941093
FRONT CAP LCF-67mm: 0085126 929473
REAR CAP LCR: L-Mount 0085126 937256
Sony E-mount 0085126 929879
FUJIFILM X Mount 0085126 939861
[Accessories: Optional] Name of product / barcode
SIGMA USB DOCK UD-11 for L-Mount: 0085126 878696
SIGMA WR CERAMIC PROTECTOR 67mm: 0085126 931803
SIGMA WR PROTECTOR 67mm: 0085126 930943
SIGMA PROTECTOR 67mm: 0085126 931070
SIGMA WR UV FILTER 67mm: 0085126 930684
SIGMA WR CIRCULAR PL FILTER 67mm: 0085126 930813
Orders
Support this site by ordering the Sigma 10-18mm F2.8 DC DN Contemporary Lens (or anything else) from B&H | Adorama
Image quality, vignetting, and distortion test results, along with specs and standard product images, are now available on the Sony FE 16-35mm F2.8 GM II Lens page.
The Sony FE 16-35mm F2.8 GM II Lens is shown between the Sony FE 16-35mm F2.8 GM Lens in this post's image, showing the II's nicely reduced size.
Let's look at some image quality comparisons:
Compared to the Sony FE 16-35mm F2.8 GM Lens
Compared to the Sony FE 12-24mm F2.8 GM Lens
Compared to the Tamron 17-28mm f/2.8 Di III RXD Lens
Compared to the Sigma 16-28mm F2.8 DG DN Contemporary Lens
Compared to the Sigma 14-24mm f/2.8 DG DN Art Lens
Compared to the Canon RF 15-35mm F2.8 L IS USM Lens
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Sony ZV-E1 firmware update version 1.02 is available for download.
Firmware Version 1.02 incorporates the following fixes and enhancements:
- Fixes an issue where some movie metadata (Shutter Speed, Aperture, ISO, etc.) may not be recorded
- Fixes an issue where JPEG files may not be enlarged and played
- Fixes an issue where Switch V/H AF Area may not work correctly
- Fixes a Creators' App issue where the Auto Time Correction and Auto Area Adjustment features turn off
- Improves the operational stability of the camera
Support this site by ordering the Sony ZV-E1 at B&H.
Sony Alpha 7 IV firmware update version 2.0.1 is available for download.
* Please read the provided instructions before proceeding. The firmware installation order requirement is specified.
Firmware Version 2.0.1 incorporates the following fixes and enhancements:
- Fixes a Creators' App issue where the Auto Time Correction and Auto Area Adjustment features turn off
- Improves the operational stability of the camera
Get the Sony Alpha 7 IV at B&H.
Formerly a development announcement, the Tamron 17-50mm f/4 Di III VXD Lens for Sony E is now formally announced by Tamron Americas and available for preorder:
TAMRON announces world’s first1 17-50mm wide-angle zoom lens for full-frame mirrorless cameras
Zooming from 17mm ultra wide-angle to 50mm standard, unique lens offers maximum versatility for still and video creators
September 20, 2023, Commack, NY – Tamron announces the launch of the 17-50mm F/4 Di III VXD (Model A068), a wide-angle zoom lens for Sony E-mount full-frame mirrorless cameras. The lens will be available on October 19, 2023, at $699 USD / $949 CAD.
This groundbreaking lens zooms from 17mm ultra wide-angle to 50mm standard, the world’s first1 with such a dynamic zoom range for full-frame mirrorless cameras. TAMRON’s new 17-50mm F4 for Sony mirrorless cameras is a wide-angle zoom with a constant F4 aperture covering ultra wide-angle to standard focal lengths, a zoom range ideal for both still photography and video recording. This lens achieves excellent optical performance across the entire zoom range, with crispness from edge-to-edge. The lens also incorporates VXD (Voice-coil eXtreme-torque Drive) linear motor focus mechanism with superior quietness and agile performance and achieves high-speed and high-precision autofocus. Additionally, the physical length of the lens does not change while zooming. It’s the perfect lens for taking still photos and is also ideal for video shooting, in part since it’s easy to balance even when fitted to a gimbal stabilizer or other equipment. The excellent close-range shooting performance provides an MOD (Minimum Object Distance) of 0.19m (7.5in) at the wide end and 0.3m (11.8in) at the tele end. This lets users get closer to the subject to capture one-of-a-kind photos in a broad range of situations. The ideal “walk around” lens, the new 17-50mm F4 zoom offers great portability and convenience and makes it possible to shoot a variety of content, both still images and video, from sweeping landscapes to snapshots, all without switching lenses.
1 Among the zoom lenses for full-frame Sony E-mount mirrorless cameras (As of July 2023 — TAMRON)
PRODUCT HIGHLIGHTS 1. Zoom lens that covers ultra wide-angle to standard focal length at constant F4 aperture
No need to switch lenses— users can zoom from ultra wide-angle 17mm for dynamic expressions to snapshot photography at the 50mm standard focal length end, an angle of view close to that of human vision. What’s more, the wide-open aperture of F4 is consistent across the entire zoom range and thereby maintains constant exposure when zoomed in or out. Whether shooting still images or video, the new 17-50mm F4 has you covered.
2. High optical performance and image quality throughout the entire zoom range
With the expert arrangement of 15 lens elements in 13 groups, including three LD (Low Dispersion), a GM (Glass Molded Aspherical), and two hybrid aspherical lens elements. the new 17-50mm lens efficiently suppresses chromatic and other optical aberrations, ensuring clear capture of fine details from edge-to-edge in all images. The lens also delivers outstanding bokeh at the F4 wide open aperture, creating appealing shots in which subjects such as trees and flowers that color the seasons pop out against the background in natural landscape photography.
3. Compact for easy handling with internal zoom for superlative balance
The 17-50mm F4 weighs just 460g (16.2oz) and is only 114.4mm (4.5in) long, a form factor that is well-balanced on a Sony mirrorless camera body. The lens employs an internal zoom mechanism that keeps the lens barrel at its fixed length, so it’s easy to balance when framing still or video shots or when paired with a video rig or gimbal stabilizer. Additionally, the new zoom features Moisture-Resistant Construction and Fluorine Coating. The easy handling provided by its compact size makes it a great choice for active scenarios such as mountain climbing or other outdoor activities.
4. Fast and accurate AF for still and video shooting
The 17-50mm F4’s AF drive uses VXD linear motor focus mechanism to achieve class-leading high-speed and high-precision auto-focusing. With fast and accurate focusing of moving objects, plus excellent subject-tracking performance, users can readily shift into a fast-paced shooting rhythm. Thanks to the quiet operation during AF, the lens is superb when shooting still images or video for low noise shooting in silent settings.
5. Outstanding close-range shooting performance expands versatility
The MOD of the 17-50mm F4 are 0.19m (7.5in) at the wide end and 0.30m (11.8in) at the standard 50mm end. The working distance at 17mm is only about 5.7cm (2.3in), closer even than most non-zoom lenses. Users can freely get close to the subject and can enlarge the foreground against a blurred background, or comfortably focus without needing to change their shooting position even in places with limited space.
6. Additional features for greater convenience
7. Proprietary software tool TAMRON Lens UtilityTM expands the possibilities of still imaging and video capture
8. User-friendly features (Moisture-Resistant Construction and Fluorine Coating)
9. 67mm filter size, same as most other TAMRON lenses for mirrorless cameras
* Length is the distance from the front end of the lens to the lens mount face.
** The circular diaphragm stays almost perfectly circular up to two stops down from maximum aperture.
*Specifications, appearance, functionality, etc. are subject to change without prior notice.
This product is developed, manufactured, and sold based on the specifications of E-mount which was disclosed by Sony Corporation under the license agreement with Sony Corporation.
Orders
Order the Tamron 17-50mm F/4 Di III VXD Lens at B&H
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From Rode:
MacOS Sonoma and How It Impacts RØDE Products
Released 14 Sep 2023
Apple recently announced its latest major MacOS update, Sonoma. This is currently in beta and will most likely be rolled out in mid-late 2023.
A limitation has been identified in Intel-based Mac devices running Sonoma that affects compatibility with some MFi-certified USB audio devices (note: this does not includes M1 and M2 Macs).
MFi stands for “Made for iOS" and is a certification that denotes that an accessory has been approved by Apple to be used with its products. Many RØDE products are MFi-certified and will be affected by this limitation (along with audio devices from a wide range of other manufacturers). This causes compatibility issues and will likely mean you cannot use your RØDE product with your device that is running MacOS Sonoma.
This includes the following RØDE products:
AI-Micro
NT-USB+
PodMic USB
VideoMic GO II
VideoMic NTG
Wireless GO II
Wireless ME
Wireless PRO
RØDECaster Pro II (note: this affects USB 2 only)
RØDECaster Duo (note: this affects USB 2 only)
This limitation has been present in all beta versions of MacOS Sonoma, including the current “release candidate” version, and is likely going to be present in the public release.
RØDE has escalated this issue to Apple and we are waiting for further information on when it will be addressed. Until then, we recommend you do not update to MacOS Sonoma if you wish to continue using your RØDE product.
If you have any questions, contact our friendly customer service team at info@rode.com and we will be happy to help.
From Tamron Americas:
TAMRON announces 2nd-generation 70-180mm F2.8 zoom with Vibration Compensation and TAMRON Lens Utility™ compatibility
Class-leading compact and lightweight1 telephoto zoom for Sony E-mount full-frame mirrorless
September 13, 2023, Commack, NY – Tamron announces the launch of the 70-180mm F/2.8 Di III VC VXD G2 (Model A065), a fast-aperture telephoto zoom lens for Sony E-mount full-frame mirrorless cameras on October 12, 2023, at $1299 USD / $1699 CAD.
The 70-180mm F2.8 G2 marks the further evolution of the 1st-generation model that earned high acclaim in the marketplace and incorporates several enhancements. Leading the list of improvements of the new G2 lens is the incorporation of TAMRON’s proprietary VC (Vibration Compensation) mechanism. The lens maintains the maneuverability of class-leading compact size and weight1 while enabling shooting with greater stability.
The optical design has been revamped from the 1st-generation 70-180mm F2.8 and achieves uncompromising high image quality across the entire zoom range. TAMRON also shortened the MOD (Minimum Object Distance) at the wide end to 0.3m (11.8in) compared to the 1st-generation 0.85m (33.5in), enabling users to enjoy unique photographic expressions distinctive to the lens. Additionally, the new 70-180mm F2.8 G2 zoom features TAMRON’s renowned VXD (Voice-coil eXtreme-torque Drive) linear motor focus mechanism enabling high-speed, high-precision auto-focusing that performs well whether shooting stills or video. The new 70-180mm F2.8 G2 zoom also supports the dedicated TAMRON Lens Utility™ and TAMRON Lens Utility Mobile™ apps that were developed in-house by TAMRON. The software can be used to customize functions based on various shooting styles for still photography and video. The new lens design improves operability and provides scratch resistance. This single lens combines profound maneuverability and practicality that is worthy of the 2nd-generation G2 badge and will deliver shooting experiences that make a fast-aperture telephoto zoom lens even more enjoyable.
1 Among full-frame compatible fast-aperture F2.8 telephoto zoom lenses equipped with Vibration Compensation (As of August 2023: TAMRON)
Product features:
1. Even with VC image stabilization, the lens is just 156.5mm (6.2in) long and weighs only 855g (30.2oz)
As with the 1st-generation, the new 70-180mm F2.8 G2 embodies the aggressive pursuit of compact size and reduced weight. TAMRON achieved a class-leading compact size and lightweight design while still providing a constant F2.8 aperture, 180mm telephoto reach and VC. The filter size is f67mm, maximum diameter is f83mm and the length at the 70mm focal length is 156.5mm (6.2in). The total weight is just 855g (30.2oz). The new 70-180mm F2.8 G2 zoom offers outstanding maneuverability and is well-balanced on a camera body. Add it all together and you have a zoom lens that puts the enjoyment of handheld fast-aperture telephoto zoom shooting within easy reach.
2. Revamped optical design delivers truly superb performance at all focal lengths
The optical construction of the new 70-180mm F2.8 G2 zoom comprises 20 elements in 15 groups. The design has been completely reworked and features a generous and effective arrangement of special lens elements, including one XLD (eXtra Low Dispersion), one hybrid aspherical lens element, three LD (Low Dispersion) and two GM (Glass Molded aspherical) lens elements. These combine to efficiently control chromatic aberration and other artifacts and deliver high resolution without compromise throughout the entire zoom range. BBAR-G2 (Broad-Band Anti-Reflection Generation 2) Coating is used to suppress ghosting and flare, ensuring that fine subject detail is captured even in backlit situations, and delivering stunning clarity and contrast. Another feature everyone enjoys is the beautiful, soft bokeh that only the fast F2.8 aperture can provide.
3. VXD provides high-speed and high-precision AF with vastly improved subject tracking
The new 70-180mm F2.8 G2 zoom is equipped with a VXD linear motor focus mechanism that was first used in the 1st-generation model. Tracking performance when following moving subjects such as sports action and vehicles has received a further boost while maintaining TAMRON’s highest-ever level of high-speed, high-precision autofocus. The enhanced performance ensures users won’t miss decisive moments whether shooting stills or video. The linear motor also suppresses vibrations and noise during AF more effectively than conventional drive systems, making it ideal for shooting both still photos and video in environments that demand quietness.
4. Equipped with TAMRON’s proprietary VC mechanism
The new 70-180mm F2.8 G2 zoom is equipped with TAMRON’s proprietary VC mechanism. VC effectively suppresses camera shake that tends to occur when shooting at the telephoto end, when panning to capture moving objects, or during close-focusing, thereby enabling stable handheld shooting. It also suppresses camera shake that often occurs when shooting handheld under low-light conditions such as dimly lit interiors and night landscapes, vastly expanding the freedom of shooting without a tripod. Moreover, at focal lengths up to 100mm, artificial intelligence (AI) technology provides vibration compensation with videography in mind.
5. Close MOD of 0.3m (11.8in) at 70mm and 0.85m (33.5in) at 180mm
By optimizing the optical design, TAMRON has reduced the MOD from the 0.85m (33.5in) in the 1st-generation, to 0.3m (11.8in) in the new model. Users can now get a step closer to subjects and make the most of shooting with beautifully soft bokeh effects. In addition, with an outstanding maximum magnification ratio of 1:2.6, users can enjoy distinctive and powerful composition unique to the lens.
6. Proprietary software tool TAMRON Lens Utility for lens function customization
7. Additional features for greater convenience
8. User-friendly features (Moisture-Resistant Construction and Fluorine Coating)
9. Compatible with many camera-specific features and functions, including Fast Hybrid AF and Eye AF
10. 67mm filter size, same as most other TAMRON lenses for mirrorless cameras
Orders
Support this site by ordering the Tamron 70-180mm F2.8 Di III VC VXD G2 Lens from B&H.
* Length is the distance from the front end of the lens to the lens mount face.
** The circular diaphragm stays almost perfectly circular up to two stops down from maximum aperture.
Specifications, appearance, functionality, etc. are subject to change without prior notice.
This product is developed, manufactured, and sold based on the specifications of E-mount which was disclosed by Sony Corporation under the license agreement with Sony Corporation.
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