Sony News (Page 15)
Bighorn sheep are common in Badlands National Park, but I don't see rams this big so frequently.
The key to capturing this image was observing that the ram was eating the yellow flowers. While eating, the ram's head was primarily down, not my favorite position. Positioning to capture the ram leaving one harvested patch on its way to another yielded a selection of head-up poses.
Getting the 600mm and f/4 combination down low on the flat grasslands creates a strongly blurred background.
Heatwave distortion was a problem during this capture, but shooting many images at a fast frame rate provided an adequate number of sharp results.
A larger version of this image is available here.
ISO 640
7901 x 5270px
From Sony Corporation of America:
Sony Electronics Announces New High-Performance M Series CFexpress Type A Memory Cards CEA-M1920T and CEA-M960T
Compact, high-performance, high-capacity and toughness CFexpress Type A memory cards take the compact dimensions and advanced features of Sony's Alpha Series to the next level
SAN DIEGO, June 1, 2023 /PRNewswire/ -- Today, Sony announced two new CEA-M Series CFexpress Type A memory cards, CEA-M1920T and CEA-M960T, that conform to the CFexpress 2.0 and VPG200 and offer high 1920 GB and 960 GB capacities. In addition to a VPG200 rating that guarantees fast and stable video recording without dropped frames, they are resistant to bending and drop impact and feature a dust and moisture sealing that ensures maximum reliability in any environment. These compact, high-performance memory cards are ideal for professional users who need high capacities and stress-free, reliable operation.
Sony Electronics Announces New High-Performance M Series CFexpress Type A Memory Cards CEA-M1920T and CEA-M960T
CEA-M1920T and CEA-M960T reliably shoot longeri on location and have some of the highest available capacities in CFexpress Type A memory cards that comply to VPG standard anywhere in the worldii, so running out of media space is not a concern. The memory cards provide plenty of capacity for extended recording video or when shooting stillsiii. For video shooters, the VPG200 Video Performance Guarantee rating enables stable recording at 200 MB/s with no dropped frames for an extended period, even when recording XAVC S-I 4K footage and high bitrates.
Despite their large capacities, these CFexpress Type A memory cards are very compact, about half the size of Type B cards, and even shorter and narrower than SD cards. An original alloy with superior heat transmission characteristics is used to conduct heat out of the cards and maintain optimum performance. This results in long-term stability and reliable operation when internally recording the large volume of data required for 4K 120p video. What's more, the CEA-M1920T and CEA-M960T offer the same outstanding toughness of dust and moisture resistance, plus resistance to water, bending and drop impact as Sony's acclaimed CEA-G series CFexpress Type A memory cards, so important data is protected.
Sony's free desktop applications support protecting important data in the CFexpress Type A cards: Media Scan Utility diagnoses the state of the flash memory in memory cards, and Memory Card File Rescue recover accidentally deleted image data on memory cardsiv v. RAW images and 4K movie data are supported.
The new CEA-M1920T and CEA-M960T will be available in June 2023 at a variety of Sony's authorized dealers, for an estimated retail price of $1400 USD and $760 USD, respectively.
Orders
Support this site by ordering your Sony CFexpress Type A TOUGH Memory Card at B&H
i Depends on shooting settings
ii As of 1st June, 2023 product announcement.
iii The number of RAW still images recordable during high-speed bursts is lower, and buffer clearing times are longer than Sony's CFexpress Type A CEA-G series memory cards. Details at https://www.sony.net/dics/cfea_spec/
iv Separately sold MRW-G2 card reader is required for CFexpress Type A card diagnosis (diagnosis is not possible with readers from other manufacturers or a direct camera connection).
v File Rescue downloadable software available at official website. Does not support data recovery for Content Protected and Game Data files. Not all data may be recoverable.
From Atomos:
Atomos Supports ProRes RAW Plug-ins
Taking ProRes RAW to the next level
Melbourne, Australia – 23rd May 2023 – Atomos announces immediate support for Apple ProRes RAW plug-ins, an innovation that lets camera manufacturers provide their own ProRes RAW processing pipeline to take advantage of the unique properties of their cameras, sensors, lenses, and more.
ProRes RAW is widely regarded as the universal RAW video format. With the introduction of plug-ins, now every camera maker can provide their own unique processing, in a completely confidential way, by writing a single ProRes RAW plug-in that brings out the best quality and unique looks created by their own cameras. ProRes RAW becomes, in effect, the conduit for their custom processing, carrying the unique characteristics of any camera, sensor, processing, and lens combination into post-production. ProRes RAW plug-ins will be supported in Final Cut Pro as well as many third-party applications that have licensed the ProRes RAW SDK, such as nonlinear editors (NLEs) and color correction applications.
The process is very straightforward: simply install the camera vendor’s ProRes RAW plug-in and Final Cut Pro will automatically show all the new enhanced features of the supported camera. Using a ProRes RAW plug-in enables camera-specific adjustments such as custom white balancing, noise reduction, demosaicing, lens distortion correction, and more. Canon is the first camera maker to deliver a ProRes RAW Plug-in, with the EOS R5, R5 C and R6 Mark II cameras outputting RAW to an Atomos monitor-recorder. Atomos has already enabled full ProRes RAW plug-in support for these cameras in the current release firmware for Ninja V, Ninja V+, and Shogun Connect. Atomos supports over 50 camera models recording ProRes RAW from the camera’s RAW output over SDI or HDMI, so is uniquely placed to record this new enhanced metadata standard.
“This new feature for the ProRes RAW ecosystem is absolutely going to change the way people think about recording ProRes RAW,” said Trevor Elbourne, Atomos CEO. “For the first time the filmmaker literally gets the best of all worlds: shoot in ProRes RAW with the option to immediately apply camera-specific processing, use standard processing, or customise individual parameters to their own taste. You have to ask yourself: why wouldn’t you shoot in ProRes RAW?”.
“We are very proud to be working alongside Apple and Canon to bring this ProRes RAW innovation to market,” Elbourne added. “We were first to market with an 8K ProRes RAW compatible mirrorless camera - the Canon EOS R5 - and now we are making another huge advancement with the ProRes RAW format.” The ProRes RAW plug-in model has been designed to work not only with macOS but also with Windows and Linux.
From Sigma:
Firmware update for SIGMA 150-600mm F5-6.3 DG DN OS | Sports
Thank you for purchasing and using our products. We would like to announce that a firmware update for the 150-600mm F5-6.3 DG DN OS | Sports is now available.
[Applicable product]
SIGMA 150-600mm F5-6.3 DG DN OS | Sports for L-Mount
[Benefit of the update]
Ver.1.1
The newly developed “OS2” image stabilization algorithm has been updated to improve the image stabilization effect from approximately 4 stops to approximately 6.5 stops at the wide end and 5.5 stops at the telephoto end.
Supports Leica Extender L 1.4x by Leica Camera AG
[How to update]
For those who update the firmware in-camera
Refer to the following page for firmware updates.
https://www.sigma-global.com/en/support/purpose/firmware/?mode=search&product_category=lens
For those who own the SIGMA USB DOCK UD-11
Connect the lens to a computer via the SIGMA USB DOCK UD-11 (sold separately), then open SIGMA Optimization Pro. If the lens firmware isn’t the latest version, the following message will appear: ‘The latest lens firmware is available’. Click ‘Yes’ to update.
Note:
Before updating lens firmware using the SIGMA USB DOCK UD-11, please ensure you update SIGMA Optimization Pro to the latest version.
Do not remove the lens or press the detachment button while updating firmware.
[SIGMA Optimization Pro download page]
https://www.sigma-global.com/en/software/sigma-optimization-pro/
[Applicable product]
·SIGMA 150-600mm F5-6.3 DG DN OS | Sports for Sony E-mount
[Benefit of the update]
Ver.03
The newly developed “OS2” image stabilization algorithm has been updated to improve the image stabilization effect from approximately 4 stops to approximately 6.5 stops at the wide end and 5.5 stops at the telephoto end.
Improved tracking performance when the camera’s focus mode is set to AF-C.
[How to update]
Please select the applicable product from the following page, go to the download page, click “Sony E-mount(applicable Serial No.)” and follow the update procedure.
https://www.sigma-global.com/en/support/purpose/firmware/?mode=search&product_category=lens
*After the update is complete, be sure to remove the battery pack from the camera and reinsert it.
For further information, please contact your nearest authorized SIGMA subsidiary / distributor.
https://www.sigma-global.com/en/world-network/
We appreciate your continued support for our company and products.
Learn more: Sigma 150-600mm f/5-6.3 DG DN OS Sports Lens Review
Get the Sigma 150-600mm f/5-6.3 DG DN OS Sports Lens at B&H.
From Sony Electronics:
Sony Electronics Announces Newest Ultra Wide-Angle Zoom Vlogging Camera, the ZV-1 II
The Integrated Lens and Compact Camera in the Vlog Camera ZV-Series Opens the Door for a Wider Audience of Content Creators
SAN DIEGO, May 23, 2023 /PRNewswire/ -- Sony Electronics launches the all-new second generation camera to the ZV-1 in the vlog camera ZV series, the ZV-1 II, which includes highly requested and popular market-leading features. With a wider-angle lens than ZV-1, the ZV-1 II helps vloggers make more engaging storytelling with attractive photogenic image quality.
With the 1.0-type Exmor RS™ image sensor (approximately 20.1 effective megapixels), BIONZ X™ image processing engine, and newly developed ZEISS® Vario-Sonnar T* 18-50 mm F1.8-4i lens, the ZV-1 II allows for creators of many skill levels to enjoy sophisticated capabilities. From the 18-50mmii wide angle lens which can frame everything from group selfies to narrow interiors or dynamic recordings of everyday scenes to the Multiple Face Recognitioniii, which recognizes multiple faces and automatically adjusts to keeps all faces sharp and clear when taking selfie shots that include two or three people, the ZV-1 II is the advanced vlogging camera packed into a travel-size.
"The ZV-1 II is an exciting chapter for content creators and will be the go-to camera for many, including vloggers, social media influencers and short form video creators. With the newest vlog camera in the ZV series, we have taken requests from various users and included features that matter most to vloggers," says Yang Cheng, Vice President, Imaging Solutions, Sony Electronics Inc. "We are striving to take feedback from our community to continue to expand and elevate our ZV series and the ZV-1 II does just that."
Comprehensive Features for Vloggers & Video Content Creators
The ZV-1 II has a number of new and popular features that will empower creators to capture better content.
- Ultra-wide angle and Zoom - 18mmii wide angle of view makes it easy to capture attractive photogenic image with the entire scene – especially when shooting selfies at arm's length. The 18-50mm optical zoom and the Clear Image Zoom smoothly enlarges images while minimizing loss of image quality to create variety in videos by changing the angle of view.
- 1.0 type sensor with Bokeh Switch which gives beautiful bokeh by defocusing the background with a single touch.
- Intelligent 3-capsule microphone - In Auto mode, the camera recognizes human faces or objects and automaticallyiv switches the direction of the built-in microphone ([Front] or [All Directions]). In Manual mode, you can select [Front] for selfies, [Rear] when shooting with narration or [All Directions]. The supplied windscreen ensures a clear recording of the speaker when outdoors. Easy to use cableless attachment to Multi Interface Shoev and a 3.5 mm microphone jack makes it easy to connect external microphones.
- Cinematic Vlog Setting function responds to the demands to easily capture videos with a filmic look. It enables impressive imagery at a touch. Simply tap the on-screen function icon and the camera will automatically set a CinemaScope size (2.35:1) vi and a frame rate of 24 fpsvii --the same as for a cinema movie. Then finish off the work with the on-screen buttons to select from five LOOKs and four MOODs
- Creative Look which supports 10 preset looksviii to suit your creative preferences and pro-level imaging features.
- Face Priority AE and Soft Skin Effect automatically and immediately detects faces and adjusts the exposure to optimize facial brightness, no matter the lighting. Soft skin effect smooths skin and facial features when filming.
- Fast Hybrid AF System - Even in high-definition 4K where precise focusing is required, the camera will keep the images sharp with the same Fast Hybrid AF system seen in a series cameras. The camera is equipped with AF Transition Speed to select the focusing speed during video recording, and AF Subject Shift Sensitivity to control whether the camera shifts focus from one subject to another. In addition, the Real-time Eye AF can accurately keep focus on human or animals for both stills and movies.
- Product Showcase Setting - which delivers convenient shooting of product review videos with smooth focus transitions from your face to the item you are highlighting.
- S&Q shoot modevix which allows a selection up to 5x slow or up to 60x quick motion to add impact to everyday scenes. The combination of shooting and recording frame rates can now be set on a single screen.
- ISO sensitivity spanning from 125 to 12800 - allows the camera to record sharp images with less noise, even in low lighting.
- Active Mode electronic image stabilization - content can be captured while walking or in motion and is especially useful for handheld shootingx. Useful for handheld Movie and Slow & Quick motion shooting.
- Built-in ND filter – to reduce exposure by three stops and allow for beautiful background bokeh even in the brightest situation.
Compact and Lightweight for Easy Portability, Operability, Connectivity
The ZV-1 II is perfect for on-the-go; its compact and lightweight design can be easily carried in a pocket or small bag, even with its optical wide zoom lens. The ZV-1 II supports different filming styles with the vari-angle screen suitable for selfies, easy to hold body grip (or with an optional GP-VPT2BT grip), user-friendly key and control layoutxi and the recording indicator on the front face of the body. The monitor display has been redesigned with a bold, clearly visible red frame that makes it obvious when recording is in progress. Power charge easily via a USB Type-C® connector.
Creators can connect and share content easily with Sony's Creators' Cloud platform and easy smartphone connection. The Creators' App can be used to control the ZV-1 II from a smartphone, monitor camera battery and media status, edit date and camera names, and easily transfer stills and videos shot, even in the background. The Creators' Appxii also provides a convenient way to update camera software.
For easy high-quality live streaming, simply connect the ZV-1 II to a PC or smartphone xiii with a commercially available USB cable (not included) to use it as a webcam. Make your video more attractive in online meetings and live streaming by using Creative Look to improve the skin's appearance and adjust the hue. Faces will appear clearer and brighter (Face Priority AE) and the eyes will be kept in focus (Real-time Eye AF).
Sustainable and Accessible Design
In addition to Sony's commitment to a sustainable future with global initiatives like Road to Zero and the 2030 renewable energy goal, the ZV-1 II has been specifically developed with sustainability in mind. Recycled materials, including SORPLAS™xiv, are used for the camera body, reducing environmental impact without sacrificing functionality. Sony's unique recycled paper "Original Blended Material", which does not use plastic and is easy to recycle, is used for individual packaging. Using materials such as bamboo, sugar cane fiber, and recycled paper collected from the market, it is both environmentally friendly and high quality.
The ZV-1 II includes accessibility features that facilitate operation in several ways, including screen reader functionality for people with low vision or with visual impairments. Accessibility features allow anyone to enjoy shooting and playback. When the screen reader functionxv is activated, text on the menu screens is read aloud. The screen reader function can be activated by turning the [Screen Reader] function in the [Setup] tab ON. Screen reader volume can be adjusted via the [Sound Options] settings. In addition to the above, the ZV-1 II includes several functions that assist in achieving pinpoint focus on a variety of subjects. Additionally, the Real-time Eye AF can automatically recognize and focus on [Human] or [Animal], or the Real-time Tracking function. Focus Magnification, and Peaking functions make it easier to focus manually, and features like Touch Focus, Touch Tracking, and Touch Shutter let the user focus, track, and shoot simply by touching the subject on the monitor screen. ZV-1 II accessibility features (items listed in the specifications): Screen Reader, Touch AE, Focus Magnifier, Peaking Display, Real-time Eye AF, Real-time Tracking, Touch Focus, Touch Tracking, Touch Shutter, Vari-angle LCD screen and Custom function.
Pricing and Availability
The new ZV-1 II will be available in June 2023 at a variety of Sony's authorized dealers, for an estimated retail price of $900 USD and $1,200 CAN.
Orders
Order the Sony ZV-1 II Vlogging Camera at B&H or Adorama.
Notes:
i 35mm format equivalent. 9 elements in 9 groups, including 5 aspherical and 1 AA (because the advance aspherical element is one of the 5 aspherical lenses) lens elements. 7-bladede circular aperture. T* Coating to suppress ghost and flaring.
ii 35mm format equivalent.
iii Compatible with video modes/S&Q mode only. Wide side. iAUTO mode selected. Does not work when the Bokeh switch is ON or when subject recognition is OFF.
iv Direction may be fixed depending on the shooting settings.
v Not compatible with digital audio interface.
vi The black bands at the image top and bottom are recorded as part of the image. The image (excluding the bars) is in CinemaScope aspect ratio, but the recorded image is 16:9.
vii Recording frame rates are indicated as the closest integer values. The actual corresponding frame rates are as follows: 24p: 23.98 fps, 30p: 29.97 fps, 60p: 59.94 fps, and 120p: 119.88 fps.
viii Creative Look presets: ST, PT, NT, VV, VV2, FL, IN, SH, BW, SE and Advanced settings (Saturation cannot be adjusted when BW or SE is selected): Contrast, highlights, shadows, fade, saturation, sharpness and clarity.
vix S&Q mode records in XAVC S HD format. Audio cannot be recorded. A Class 10 or higher SDHC/SDXC memory card is required. Recording at 100 Mbps requires a UHS-I (U3) SDHC/SDXC memory card.
x The angle of view is slightly narrower in Active Mode. Active Mode is set to be off when the recording frame rate is 120 p or when the "Slow & Quick Motion Frame Rate" is 120 fps.
xi Keys and controls on the ZV-1 II are optimally arranged for greater usability, including REC button and Still/Movie/S&Q button.
xii Check regional availability of services and applications via the URL below: Creators' App: https://www.sony.net/cca , Creators' Cloud: https://www.sony.net/cc/ Download app at Google Play and the App Store. Network services, content, and operating system and software subject to terms and conditions and may be changed, interrupted or discontinued at any time and may require fees, registration and credit card information.
xiii Streaming via USB gives 1280×720 resolution and 30 fps frame rate. To use this function, the PC's or smartphone's OS must support UVC/UAC. Be sure to use the OS's latest version. When connecting to a mobile device equipped with a USB Type-C® port, use a commercially available USB cable or terminal conversion adapter.
xiv SORPLAS™ may not be used for the parts used depending on the production period.
xv Availability varies depending on region and language.
King of Wings is a crazy hoodoo rock formation west of Nageezi, New Mexico, near the Bisti Badlands, De-Na-Zin Wilderness, Valley of Dreams, and Ah-Shi-Sle-Pah Wilderness areas. Photographing this unique feature rose to the top of the to-do list, and the planning started.
The first King of Wings photography challenge occurs during online research. "King of Wings" search results are primarily related to a chicken part covered in BBQ sauce. Adding location-related keywords easily resolved that problem, and considerably more challenging obstacles remained. Getting there was one of them.
The King of Wings trailhead (a generous term) is another long-drive-from-everywhere New Mexico location. The last roads (about 17 miles of them) are rutted, and the final drive is a rough two-track. This long slab of rock hanging about 10' (3m) beyond the pillar holding it is another GPS-guided two-mile hike across a non-descript trailless desert.
For energy conservation reasons, I opted to take one camera and one lens. My choice? The Canon EOS R5 and the RF 15-35mm F2.8 L IS USM Lens.
Based on scouting, this lens's focal length range had the optimal angles of view. This lens delivers superb optical quality, and the R5 is my go-to camera for nearly everything.
King of Wings is unique enough to be photogenic at any time of the day, but the timing goal for this shoot was such that the setting sun would cast a warm light tone practically upward as it set.
With only a few minutes of the ideal light color, it was imperative that clouds not be present. However, clouds in the background would be welcomed. The weather forecast indicating a clearing sky at sunset seemed optimal, and it was go time.
The long hike back to the SUV in the dark and subsequent drive to the airport were better with the knowledge that another goal shot was on the memory card.
A larger version of this image is available here.
ISO 100
8192 x 5464px
Photographing Alien Throne in the Valley of Dreams, near Bisti Badlands, De-Na-Zin Wilderness Area and Ah-Shi-Sle-Pah Wilderness Area was on my to-do list, and obviously, I made that trip happen.
You've heard it said that a photo should tell a story. I agree that telling a story is a good aspect of a photo, but storytelling is not always important, and oftentimes, the capture of an image creates a story. This image falls into that latter category.
Some images are complicated to capture, some images are complicated to edit, and some images are both. Again, this one landed solidly in the latter category.
Even beyond any travel required to get to New Mexico, getting to Valley of Dreams requires a long drive (for everyone) that ends on high-clearance two-track "roads" (and a popular mapping app does not currently provide the correct directions). Once driving capabilities are exhausted, the hike to Alien Throne is nearly two miles with, at least for the newcomers, GPS guidance over the trailless desert.
The Valley of Dreams is a dark sky location, optimal for photographing the Milky Way. Add darkness to the hike, and even most Valley of Dreams-experienced hikers need constant GPS navigation assistance as your vehicle becomes a needle in a haystack on the return hike.
Choosing to photograph the Milky Way in April means a middle-of-the-night shooting time (with, likely, no other photographers competing for your location). After photographing a sunrise, napping, scouting, and photographing sunset at Alien Throne, and resting back in the SUV for a couple of hours, we started the second hike to Alien Throne in the darkness at 1:00 AM.
Once in position, establishing the composition was the first goal, and darkness greatly increases this challenge. I brought low-level lighting for this scene, but we opted to go with natural lighting due to the myriad of hard shadows present here.
With the composition established, the Milky Way became the focus. The lens was manually focused on the stars, and the mental note for a quick return to optimal infinity focus was that this setting was immediately after the camera's distance meter changed from a number to the ∞ symbol.
I was uncertain where the Milky Way would be compositionally ideal as it rotated through the image, and there were clouds that could shut down visibility later. Thus, images were continuously captured until the Milky Way was clearly rotated beyond the optimal position.
Next, without moving the camera, the foreground was focused on. The 24mm focal length at f/1.4 does not provide adequate depth of field for this entire scene, making focus bracketing important for that goal.
The ground subjects would not be obscured by clouds, and they were not moving in relation to the camera. Thus, they could be photographed at leisure, and longer exposures created a brighter image without concern for star trails. For this image's foreground, three 30-second images were captured at three focus distances, with the duplicate images enabling some of the noise to be averaged out.
After the blending, the three foreground images were focus-stacked into a single image. Focus stacking is easy in Photoshop (& Lightroom). Open as layers in Photoshop, select all layers, select Edit > Auto-Align Layers [select Auto], choose Edit > Auto-Blend Layers [select Stack Images]. Then, the Milky Way sky image was focus-stacked into the final image.
Further processing primarily consisted of adding contrast, cooling the color tone, and darkening the foreground significantly.
It was after 4:00 AM when we packed up to start the GPS-guided route back to the car, and the sun was up by the time we arrived at the hotel. Hotel breakfast was the end of the story behind this image.
Was the reward worth the effort? Definitely. With photography, it usually is.
A larger version of this image is available here.
ISO 8000
8626 x 5748px
The Cracked Eggs (or Alien Egg Hatchery) rock formations about 2 miles into Bisti Badlands, De-Na-Zin Wilderness Area are an intriguing subject.
This scene called for the classic use of a wide-angle focal length. Move in close to render the foremost egg large while keeping nearly the entire hatchery and a significant amount of interesting background in the frame. This lens can go significantly wider, but 22mm seemed the right choice for the background details inclusion.
Selecting the camera height is typically a necessary consideration for landscape photography. In this case, a high position provided separation of the foreground cracked egg and the one behind it. This position also showed the number of cracked eggs vs. having foreground eggs obscuring them.
Scouting showed that this scene would look great at sunset, and that timing was the photographic plan implemented. As is often the case, the light was best immediately before the scene went into shadows, the optimal (warmest) light only lasted for a few minutes, and the images shot before the best light are seldom seen by anyone else.
Immediately before the eggs went into shadows, I flipped the camera to vertical orientation (Cracked Eggs at Sunset) (an L-bracket makes this change fast and holds the same alignment) to capture a variation. When the eggs went into shadows (Cracked Eggs in Sunset Shade, they were evenly illuminated, and the glowing canyon walls in the background remained attractive.
Larger versions of these images are available here.
ISO 100
8192 x 5560px
From Sony Electronics:
Sony Electronics Launches New Xperia® 1 V Smartphone
A newly developed image sensor and Alpha™ series technology enables you to create impressive portraits with accurate color, day and night.
SAN DIEGO, CA – May 10, 2023 – Sony Electronics Inc. introduces the Xperia 1 V, its’ first flagship smartphone equipped with a newly developed stacked CMOS image sensor with 2-layer Transistor Pixel. The Xperia 1 V is packed with Sony’s cutting-edge technology, meeting the high-level needs of creators, while at the same time, supporting future creators who want to shoot or deliver their content with pride.
“We continue to prioritize the needs of our customers and the new Xperia 1 V allows for the next level of content creation, viewing experience, gaming performance, battery life and audio capabilities,” says Yang Cheng, Vice President, Imaging Solutions, Sony Electronics Inc. “The opportunities and needs for smartphones are increasing and with the Xperia 1 V the possibilities for both photo and video creation is truly endless.”
Elevating Content Capture
The Xperia 1 V is raising the bar with its’ newly developed image sensor which depicts rich colors and textures of people, landscapes, and scenes in even dark locations. Due to the combination of the low-light performance, which is approximately double compared to the previous modelii and the high-speed multi frame overlay procession technology of the Xperia 1 V, it is possible to shoot a noise resistant photo with a wider dynamic range that is equivalent to a full-frame camera. The 24mm lens on the back of the Xperia 1 V equipped with a 2-layer Transistor Pixel stacked CMOS image sensor “Exmor T for mobile” which is about 1.7 times larger than the Xperia 1 IV’s image sensor. In addition, the 85-125mm (F2.3-F2.8) optical zoom lens enables bright portraits with little distortion.
S-Cinetone, designed for cinematographersiii, has been adjusted and installed for mobile. Since the texture of the human skin can be beautifully expressed when shooting, it is possible to record as an impressive cinematic image as it is, without color grading. In addition, the new sensor has approximately three times of saturation signal levelii compared to the conventional sensor, and unique image quality processing suppresses noise that tends to occur in dark scenes, resulting in beautiful images with soft colors.
The Xperia 1 V has a multitude of functions including color presets such as Creative Look, also found in Alpha series cameras, and high-performance real time AF (auto focus). Various color settings are preset, such as colorful flowers and clear blue sky, or creating a soft, transparent finish. Xperia’s high-performance Real-time Eye AFiv and Real-time trackingiv allows shooting with the focus on the eyes of a person or a specified subject. With AI depth that analyzes distance information, even distant subjects can be clearly focused. Additionally, high-speed continuous shooting of up to 30 frames per second with AF/AEv tracking is newly available, so no moment will be missed.
Improved Vlog Experience
Xperia 1 V fits all creators’ needs with the Product Showcase Setting, which is a popular function in Sony’s VLOGCAM series and shifts the focus on the camera to the product, instead of reviewer’s face, when shooting. Additionally, a new voice priority mic is placed near the rear camera. Even when in a busy outdoor location, the creator’s voice is clearly recorded, so it makes an easy transition from shooting to distributing the video. When doing a YouTube™ live stream via the video recording function “Videography Pro”, chats from viewers can be viewed in the comment section simultaneously, allowing for immediate interactionvi with viewers in real time. The user interface also supports vertical shooting, so you can shoot content in any orientation, either vertically or horizontallyvii.
Immersive Experience
Packed into the newest compact smartphone is a 6.5-inch 4K OLED display with a refresh rate of 120Hzviii and less blur. The powerful and low-noise speaker amplifier improves the spread and depth of the sound, and the extension of the low and high frequencies, creating a more dynamic and clear sound. Xperia 1 V offers an authentic viewing experience of movies and music without a need for an additional speaker. On the backside, it has a functional tactile design that uses a uniquely developed texture glass. Combined with the fine slits on the side, it provides a stable grip and prevents from slipping when you hold the smartphone during shooting or viewing.
Best in Class Gaming Performance
The game assist function "Game Enhancer" provides visual and auditory support for game players. In addition to simply playing, players can also livestream their playing scene on YouTube. Qualcomm's Snapdragon® 8 Gen2 Mobile Platform and Elite Gamingx optimizes the experience of shooting, viewing and playing games with superior level.
Long Lasting Battery Power and Powerful CPU
Despite using a 4K display, approximately 20 hoursx of continuous video playback is available with a powerful 5,000mAh battery. It supports wireless charging, 30 minutes quick charge up to 50%xi, and furthermore, Xperia’s unique charging optimization technology supports users with a battery that maintains 80% or more of its maximum capacityxii even after 3 years. By improving power consumption and heat dissipation, Xperia 1 V achieves both high performance and durability, and allows for shooting for a longer time while suppressing heat generation. Equipped with the Snapdragon® 8 Gen2 Mobile Platform, the power efficiency of the CPU has been improved by approximately 40%xiii compared to the previous model. The power consumption during camera operation has been improved by approximately 20%, and the volume of the heat diffusion sheet has been increased by approximately 60% for the heat dissipation performance of the main unit. ?
Accessibility & Sustainability
With continued efforts to provide more accessibility, Xperia 1 V includes a function in the Photo Pro feature that uses sounds to inform users of the horizontal and vertical measurement of the screen.
The Sony Group has set an environmental plan "Road to Zero" aiming for zero environmental load by 2050. In order to achieve this, we are taking action while setting medium-term environmental targets in stages. As part of these mid-term environmental goals, we aim to completely eliminate plastic packaging materials for newly designed small products by 2025. Xperia 1 V ‘s plastic-free packagexiv is comprised of Sony’s unique Original Blended Material, which is made from bamboo, sugar cane fibers, and recycled paper collected from the market. We are also working to reduce the amount of virgin plastic used inside the main unit. Some elements, both internal and external, of the main unit use SORPLAS™, a flame-retardant recycled plastic developed by Sony that uses up to 99% recycled materials. For more details, please visit: www.sony.net/xperia-eco
Style Cover with Stand for Xperia 1 V(XQZ-CBDQ
The Xperia 1 V exclusive cover has a grip on the bottom of the main unit to enhance the shooting experience. In addition to the conventional horizontal stand, it supports vertical stand, making it easy to use not only for watching videos but also for live distribution and video chat. The back of the cover incorporates the textured design applied to the back of the "Xperia 1 V" body, so that the original design of the device is not compromised even when the cover is attached. Two colorsxv are available to match the body (black and khaki green).
Pricing and Availability
The Xperia 1 V will be available for pre-order on May 11, 2023 for approximately $1399.99 USD with first customer deliveries July 28, 2023. It will be sold unlocked in black at a variety of Sony’s authorized dealers throughout the United States. A khaki green color variation will be available exclusively at www.electronics.sony.com.
For a limited time, customers who pre-order the Xperia 1 V starting May 11, 2023, will be eligible to receive Sony’s latest LinkBuds Truly Wireless Earbuds (WFL900/H) with purchase (a $179.99 USD value).xvi
Orders
Sony Xperia 1 V Smartphone at B&H
?Notes:
i In terms of noise resistance performance and dynamic range for still images in lighting environments of LV2 or less. Comparison with a digital camera equipped with our full-frame sensor.
ii Compared to "Xperia 1 IV"’s image sensor installed in the 24mm lens.
iii Such as the professional handheld camcorder "FX9" and the videographers’ attracted model "Alpha" series.
iv Some performance restrictions may apply.
v Auto Focus / Auto Exposure.
vi Please use this app in compliance with YouTube's terms of service and live streaming requirements.
Vii "Videography Pro" and "Photography Pro" support "Product Review Shooting" and vertical interface.
viii Display refresh rate may vary according to settings, contents, and applications used.
ix Qualcomm and Snapdragon are trademarks of Qualcomm Incorporated, registered in the United States and other countries, used with permission.
X Conditions under: video file resolution 720p, 4K upscaling activated, content is saving to the main unit, sound output via Bluetooth, LTE or Wi-Fi connection, and with automatic screen brightness adjustment off. Actual video playback time depends on many other factors such as network connection, settings, video file format, screen brightness and battery status.
xi We recommend using genuine chargers and cables as XQZ-UC1 (charge and cable bundle). Availability may vary.
xii Simulated result by Sony Corporation, based on actual usage profile using the same type of battery and USB charging. Actual performance varies based on settings, environmental conditions, storage, and usage. Batteries are consumable products, and their capacity degrades over time as they age. Sony does not guarantee the life span of the battery.
xiii Comparison with Xperia 1 IV, when using Photography Pro/Videography Pro.
xiv Packaging refers to the individual product box, as well as components such as in-box trays, spacers, wraps and sleeves. Excludes materials used in coatings and adhesives.
xv Colors and availability will differ depending on the region.
xvi Offer valid on purchases starting on May 11, 2023 for U.S. residents 18+ with purchase of a new Xperia 1 V smartphone from a participating Sony authorized retailer. Offer not combinable with other offers and not redeemable for cash. Specifications, availability, prices, and terms of offer are subject to cancellation or change without notice.
Sony Alpha 1 firmware update version 1.32 is available for download.
Firmware Version 1.32 incorporates the following fixes and enhancements:
- Fixes an issue where the camera may not start when the Mode dial is set to Movie and the NTSC/PAL selector is set to PAL
- Improves the operational stability of the camera
Get the Sony Alpha 1 at B&H.
Just posted: Sony FE 50mm F1.4 GM Lens Review.
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The pink Huguenot Church is one of my favorite subjects in Charleston, SC, and this entrance is especially eye-catching.
From a distance, the depth of this doorway is deemphasized, but moving in close with an ultra-wide-angle lens reveals that attribute. This lens's angle of view also permits a foreground fence to be omitted while keeping most of the doorway in the frame.
The RF 16 was not my first choice for street photography while walking around Charleston with the Canon EOS R8 this afternoon. However, this little lens was easy to take along for just-in-case needs, and it proved worth having along.
The Canon RF 16mm F2.8 STM Lens provides outstanding utility (and fun) for its size, weight, and especially, price. As I share this sample image, the RF 16 in refurbished condition is on sale for only $179.00.
A larger version of this image is available here.
ISO 100
4000 x 6000px
Be the first to check out when B&H opens tonight at 9:15 PM ET:
Headlining the Canon RF lens inventory is a like new RF 135mm F1.8 Lens ("Like new with open box and full manufacturer's warranty or 1-year B&H warranty"). This lens will sell immediately. RF 15-35mm, RF 24-70mm, RF 16mm, RF 35mm F1.8, RF 85mm F2, and RF 100mm macro lenses also just arrived.
A used EOS R6 is available in the Canon EOS mirrorless camera inventory.
A couple of used a1 and a7C cameras and an a7S III are available in the Sony Alpha camera inventory.
An open box FE 200-600mm and used FE 100-400mm, 14mm F1.8, 24mm F1.4, 50mm f1.2, 135mm F1.8 were just added to the Sony FE lens inventory.
A 10-rated used Really Right Stuff TVC-24L Versa Series 2 Mk2 Carbon Fiber Tripod (Long) (currently my favorite tripod) is available in the Really Right Stuff inventory. An Ascend-14 Compact Travel Carbon Fiber Tripod is also available.
Sony's FY 2022 financial results are available on the Investor Relations page.
Presentation (track ET&S for the Entertainment, Technology & Services Segment (cameras), I&SS for the Imaging and Sensing Solutions segment)
Speech Transcript
Financial Statements
Supplementary Information
Webcast
This report shows the Entertainment, Technology & Services and Imaging and Sensing Solutions divisions looking strong.
On a trip targeting the Bisti / De-Na-Zin Wilderness Area in New Mexico, I ended up in Bears Ears National Monument, Utah.
Why? Two reasons.
First, 3 days of sand and dust storms (even stones were in the air) provided an unfavorable New Mexico greeting. Second, Bears Ears National Monument has some great photo subjects.
This image is of House on Fire in Mule Canyon, Cedar Mesa. Late in the morning, the sun reaches the red rock below this ancient Puebloan granary, creating a warm-toned light that reflects up into the massive rock overhang. That warm light color combines with lines in the rock to create the look of a raging fire over the ancient building.
Photographers chose a wide range of editing choices for this subject, some including red color tone emphasis and wild saturation. The chosen concept is typically to make the flames appear intense, and personal preference or audience preference rules (unless processing for a client).
I opted to process this image using the cloudy white balance setting, cooler than the shade option technically right for the scenario (6500k vs. 7500k), with a bit of vibrance (+30) to bring out the richness in the colors.
House on Fire affords a wide variety of compositions. To fully cover the focal length range potentially desired, I carried two awesome zoom lenses, the Sony FE 12-24mm F2.8 GM Lens and the Sony FE 24-70mm F2.8 GM II Lens.
Primarily, the 12-24mm lens met the needs, delivering this corner-to-corner sharp image in a single shot.
A larger version of this image is available here.
ISO 100
8640 x 5760px
Image quality test results are now available on the Sony FE 50mm F1.4 GM Lens page.
This is an impressive-performing lens.
There is no shortage of comparable lenses. I'll get you started:
Compared to the Sigma 50mm F1.4 DG DN Art Lens
Compared to the Sony FE 50mm F1.2 GM Lens
Compared to the Sony FE 50mm F1.4 ZA Lens
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Support this site by ordering the Sony FE 50mm F1.4 GM Lens from B&H | Amazon (your country) | WEX
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Learn about the new MindShift Gear Firstlight 35L+ and 46L Camera Backpack at Think Tank Photo.
Don't forget that you'll get a free gift and free shipping when using this site's links for your purchase ($50.00 minimum purchase required).
The FirstLight 35L+ and 46L+ are also available to order at B&H.
A Sigma 150-600mm f/5-6.3 DG DN OS Sports Lens firmware update is coming soon.
This firmware update will incorporate the following fixes and enhancements:
- By updating the image stabilization algorithm to the newly developed OS2, the image stabilization performance will be improved from approximately 4 stops to approximately 6.5 stops at the wide end and 5.5 stops at the telephoto end. (Based on CIPA standard, measured with a 35mm full-frame camera at focal lengths of 150mm and 600mm)
- In addition, for Sony E-mount lenses, the AF-C tracking performance has been improved.
Get the Sigma 150-600mm f/5-6.3 DG DN OS Sports Lens at B&H.
Just posted: Sigma 23mm F1.4 DC DN Contemporary Lens Review.
Check out how the first 23mm lens reviewed on this site performs. Hint: it's good.
Please share!
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Rent the Sigma 23mm F1.4 DC DN Contemporary Lens from Lensrentals.
Just posted: Sigma 50mm F2 DG DN Contemporary Lens Review
This is another great little Sigma I Series lens. I hope to add a selection of sample images to this review soon.
Support this site by ordering the Sigma 50mm F2 DG DN Contemporary Lens from B&H | WEX
Rent the Sigma 50mm F2 DG DN Contemporary Lens from Lensrentals.
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