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 Thursday, June 15, 2023

I know, my daughter graduated from college a couple of years ago, but my image processing backlog is ... eh, maybe I'll share that number later. It's high. Anyway, I want to talk about portraits today, so I selected this graduation portrait to final process and share.

When capturing a portrait image, the goal is usually to emphasize the subject. Competing for that attention is everything else in the frame. While those additional elements are often not removable, they can be blurred to reduce the sharp lines of contrast that catch and pull the viewer's eye.

An outstanding way to accomplish the blurred background goal is to use an ultra-wide aperture, creating a shallow depth of field that leaves the background strongly out of focus.

Sometimes, a sense of place is desired for the portrait. The 50mm angle of view is wide enough to incorporate those identifying elements without magnifying them into obscurity.

The Canon RF 50mm F1.2 L USM Lens or Sony's alternative, the FE 50mm F1.2 GM Lens, is a superb choice for this goal.

Here, the subject's head is aligned between the two buildings to further reduce background distractions.

Also check out The Graduation Exit and Athletic Graduation Portrait After Sunset images.

A larger version of this image is available here.

Camera and Lens Settings
50mm  f/1.2  1/1000s
ISO 100
8192 x 5464px
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Post Date: 6/15/2023 12:24:16 PM ET   Posted By: Bryan
 Wednesday, June 14, 2023

Let's talk about getting the right shutter speed for airshow photography. This discussion is largely seeking or avoiding motion blur.

Seeking opposites for the same event may seem strange, but moving parts on an airborne aircraft should be blurred to illustrate movement, to avoid the parked-in-the-sky-appearance. Primarily, helicopter and airplane rotor and propeller blades appear best when blurred, while non-moving parts look best sharp.

Blur is created when subject details move across pixels on the imaging sensor during the exposure. The movement can be from the subject, the camera, or both, and the movement relationship between the two is what determines the amount of blur.

Higher-density imaging sensors essentially magnify blur, but the final output size equalizes this difference.

Motion rendered large in the frame, close or magnified with a longer focal length, will be stronger than that of the same motion rendered small in the frame. So, subject distance and focal length play into the decision.

When there are multiple movements in the frame, blur differences occur. Turning the zoom ring affects change in all directions, and focal length zooming during the exposure can create a blur that panning cannot mitigate.

With so many factors coming into play, and with those factors changing constantly, airshow shutter speed rules are imperfect. Still, especially for those not regularly photographing airshows (or not having the ability or interest to change shutter speeds constantly during a pass), rules are helpful.

Let's start with capturing the motion blur. Try starting with 1/400 or 1/500 second exposures to blur airplane and helicopter props and rotors. While this speed is a good starting point for motion blur, unfortunately, it is not easy to keep fast aircraft sharp at these exposure durations, and you can expect a high blurry aircraft ratio in the results.

Jets do not show moving parts on the exterior, and they typically move faster. Thus, there is no need to blur any portion of the subject (though a blurred ground background may be desired), and fast shutter speeds are the best choice to stop the motion. Figure 1/1600 or faster.

When jets are flying in multiple directions, as illustrated in this image, the speed and direction of all aircraft in relation to the camera's panning direction must be accounted for, and stopping all the action requires a faster shutter speed than when panning with a single jet or with a formation of jets flying in the same direction. Freezing both planes in the Blue Angels and Thunderbirds opposing pass routines requires an extremely fast shutter speed, considerably faster than the 1/2500 exposure used for this image.

Obtaining fast shutter speeds means higher ISO settings for adequately bright results. As mentioned in the last Blue Angels image I shared, aircraft are not super detailed and the sky lacks detail. This means that noise reduction can be applied without much loss of detail, smoothing the high ISO noise.

Use the rules for insurance level settings and check the results between passes. If you are getting consistently sharp prop aircraft at 1/400, try longer exposures for greater blur (and perhaps pan-blur the ground-based background when such avails itself). If all your jets are sharp at 1/1600, consider trying a longer exposure.

While I'm talking about airshow photography here, the concepts are transferable to other photographic pursuits.

A larger version of this image is available here.

Camera and Lens Settings
500mm  f/7.1  1/2500s
ISO 640
3799 x 5331px
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Post Date: 6/14/2023 10:52:30 AM ET   Posted By: Bryan
 Monday, June 12, 2023

Check out Lowepro's latest backpacks and camera box at B&H.

The larger backpacks provide plenty of open space and feature bring-your-own padded storage. I've been using this style of pack with increasing frequency, including with Lowepro Photo Active TLZ AW Top-Loader Camera Bags.

I often carry an extremely lightweight collapsible backpack similar to the RunAbout when traveling. It makes a good emergency pack, including when forced to gate check a larger pack, and it is great when only the basics are needed (such as a lunch).

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Posted to: Canon News, Nikon News, Sony News   Category: Lowepro News
Post Date: 6/12/2023 10:08:23 AM ET   Posted By: Bryan
 Saturday, June 10, 2023

On a trip targeting the Bisti / De-Na-Zin Wilderness Area in New Mexico, I ended up in Bears Ears National Monument, Utah — twice.

Why? Two reasons.

First, 3 days of sand and dust storms (even stones were in the air) provided an unfavorable New Mexico greeting. Second, Bears Ears National Monument has some great photo subjects.

I told you that before. This image is of Falling Rood Ruin Cliff Dwelling in Cedar Mesa, and this image capture shares the same circumstances and concepts as House on Fire.

Late in the morning, the sun reaches the warm-toned rock below this ancient Puebloan granary, creating a warm-toned light that reflects up into the massive rock overhang.

The name suggests the unique feature of this subject — the chunks of roof that appear to have fallen. While walking under this overhang, one can't help but wonder when the next chunk of roof will let go.

This image was processed using the cloudy white balance setting, cooler than the shade option technically right for the scenario (6500k vs. 7500k), with a bit of vibrance (+30) to bring out the richness in the colors.

While the Sony FE 24-70mm F2.8 GM II Lens was in the BackLight 26L, a cliff immediately behind this tripod position ensured there was no backing up. The Sony FE 12-24mm F2.8 GM Lens covered all the angles I needed at this location. This corner-to-corner sharp image is a single shot.

The 12mm angle of view captures a vast portion of the scene, including the lines in the rock under the structure.

A larger version of this image is available here.

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Post Date: 6/10/2023 7:30:00 AM ET   Posted By: Bryan
 Friday, June 9, 2023

At the beginning of each year, I browse the US Air Force Thunderbirds and US Navy Blue Angels airshow schedules, adding the most-local events to my calendar. More often than not, the timing and distance prevent my attendance. Those two factors aligned optimally this year, and I was privileged to photograph the recent Pocono Raceway Airshow.

The same awesome factors of the auto racing typically featured at this venue, including speed and precision, align nicely with those of the airshow events, and the Blue Angels performing on this day never disappoint. Though lacking a runway, Pocono Raceway's massive grandstand, combined with clear air space and the sun positioned behind the show, is an ideal setup.

What is the best airshow lens? I opted for the Canon RF 100-500mm F4.5-7.1 L IS USM Lens for this event.

I also had a Canon RF 600mm F4 L IS USM Lens with me for the single jet performances. This lens provided more reach, and the f/4 aperture enabled lower ISO settings.

The size and weight of the 600 made handheld tracking of the fast planes challenging and tiring. Thus, the RF 100-500 got primary use.

While the 100-500 required a higher ISO setting with the f/7.1 aperture in use, the bright day kept the f/7.1 ISO settings reasonable. In addition, planes are not super detailed (and the sky lacks detail), allowing noise reduction to be applied without much loss of detail.

With the light levels staying rather consistent this afternoon, a fully manual exposure was selected. The exposure consistency of images captured on each pass (or many passes) made mass brightness adjustments, if needed, easy.

While there were many times when 500mm was not long enough in front of a full-frame Canon EOS R5, there were times when the formation was too close for even 100mm, as illustrated here (well, 118mm to be specific).

Camera and Lens Settings
118mm  f/7.1  1/2000s
ISO 640
6554 x 4371px
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Post Date: 6/9/2023 9:04:48 AM ET   Posted By: Bryan
 Thursday, June 8, 2023

Just posted: Sigma 14mm F1.4 DG DN Art Lens Review.

Designed for astrophotography.

Support this site by ordering the Sigma 14mm F1.4 DG DN Art Lens from B&H | Adorama

Please share!

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Post Date: 6/8/2023 12:34:43 PM ET   Posted By: Bryan

The Sigma 14mm F1.4 DG DN Art Lens is available for order at B&H.

More information is available here: Sigma 14mm F1.4 DG DN Art Lens

From Sigma Corporation of America:

SIGMA Announces 14mm F1.4 DG DN | Art – the World’s First 14mm F1.4 Lens – Designed Especially for Astrophotography

Ronkonkoma, NY – June 8, 2023 – SIGMA Corporation of America, the US subsidiary of SIGMA Corporation (CEO: Kazuto Yamaki. Headquarters: Asao-ku, Kawasaki-shi, Kanagawa, Japan) is pleased to announce the SIGMA 14mm F1.4 DG DN | Art lens. This is the world's widest F1.4 single focal length lens*, born from our engineers' passion for capturing the widest, brightest, highest-resolution, and most captivating starry sky images possible.

Designed specifically for astrophotography, the 14mm F1.4 DG DN | Art lens is a full-frame, ultra wide-angle prime designed exclusively for mirrorless camera systems, and is available in Sony E-mount and Leica L-Mount.

This lens offers a full set of features designed for astrophotography including a removable tripod socket, MFL switch (Manual Focus Lock function), lens heater retainer, rear filter holder, and a specially-designed front cap including a NEW locking mechanism and NEW filter storage slots. All this, plus thorough aberration correction make this possibly the best lens ever made for astrophotography. Its ultra-wide 14mm angle of view that captures wide starry skies and bright F1.4 aperture that minimizes exposure time are ideal specifications for astrophotography. Incredibly sharp from corner to corner with splash and dust-resistant construction, this lens retains the same high performance and quality standards found within the SIGMA F1.4 Art lens lineup.

The astrophotography-focused feature set and total optical performance make this an excellent lens for high-end architecture, real estate, and landscape photography as well.

The lens will retail for $1,599 through authorized US retailers and will be available in late June 2023.

* Excluding fisheye lenses, as interchangeable lenses for mirrorless cameras and SLR cameras (as of June, 2023 by SIGMA)


Exclusively designed for full-frame mirrorless cameras

A | Art SIGMA 14mm F1.4 DG DN

New vision. Expanding possibilities.

  • Ultra wide-angle 14mm with a maximum aperture of F1.4 and outstanding optical performance
  • Abundant functions and accessories to support starscape photography
  • Signature Art line features and high build quality


Available mounts: L-Mount, Sony E-mount

* The appearance and specifications of the product are subject to change.

* This product is developed, manufactured and sold based on the specifications of E-mount which was disclosed by Sony Corporation under the license agreement with Sony Corporation.

* L-Mount is a registered trademark of Leica Camera AG.

The world's first and only* lens that combines an ultra-wide angle of 14mm with a maximum aperture of F1.4.

All for the best starscape photography.

The stars in the sky are a source of inspiration for viewers. On the other hand, the starry sky is a very demanding subject for a wide-angle lens, with its numerous tiny point light sources spread over the entire image. The 14mm F1.4 DG DN | Art is the world's widest F1.4 single focal length lens*, born from our engineers' passion for capturing the widest, brightest, highest-resolution, and most captivating starry sky possible. Thanks to SIGMA's latest technology, the lens combines an ultra-wide angle of 14mm with a maximum aperture of F1.4. In addition, SIGMA's lens technology has achieved high optical performance with thorough correction of sagittal coma flare, specialized functions to support starry landscape photography, and high-speed AF with the HLA (High-response Linear Actuator) linear motor.

The Milky Way stretching across the night sky, twinkling stars emerging over ridgelines ? the 14mm F1.4 DG DN | Art can make this a reality as an image that surpasses the actual photographic experience. Its proven ability in shooting starscapes will provide new possibilities for visual expression and enjoyment in all scenes, including daytime landscapes, architecture, and indoor photography in dark and confined spaces.

* Excluding fisheye lenses, as interchangeable lenses for mirrorless cameras and SLR cameras (as of June, 2023 by SIGMA).

[ Key Features ]

1. Ultra wide-angle 14mm with a maximum aperture of F1.4 and outstanding optical performance

This world-first performance was achieved by applying the best of SIGMA's optical technologies, from the design to the lens manufacturing process. 19 elements in 15 groups, including 1 SLD glass element, 3 FLD glass elements, and 4 aspherical lens elements, make up a luxurious lens configuration. This allows for advanced aberration correction and a high degree of precision in the lens construction. This allows both advanced aberration correction and F1.4 brightness. In particular, sagittal coma flare, which distorts the shape of stars, has been carefully corrected, and even at the widest aperture, the lens delivers high image reproducibility right to the periphery of the image. Ghosting and flare are also thoroughly addressed through both optical design and coatings. This allows for clear, crisp shooting of starry sky and night scenes. Optimized for starscapes, which require extremely high performance, this lens delivers images that exceed expectations in any scene, including landscapes, architecture snapshots, portraits, and indoor photography.

2. Abundant functions and accessories to support starscape photography

The 14mm F1.4 DG DN | Art is equipped with a wealth of features to support starscape photography. This fully backs up the fun of starscape photography.

  • Tripod Socket
    Includes a detachable tripod mount compatible with Arca-Swiss type. The 14mm F1.4 DG DN | Art can be mounted on a tripod in a more stable condition, as it is heavier on the front side. The shape is designed to prevent interference even when using the lens heater.
  • MFL (Manual Focus Lock) Switch
    A switch to lock the manual focus at a desired position. Prevents focus shift caused by unintentional operation of the focus ring. This is useful for long time exposure photography, etc., where the focus is fixed.
  • Lens Heater Retainer
    Steps around the front and lens heater retainers prevent the lens heater* from protruding into the front of the lens and causing vignetting on the periphery of the screen.
    * A belt-shaped heater that is wrapped around the lens to prevent condensation from forming inside the lens when the temperature drops.
  • Rear Filter Holder
    A rear filter holder is provided as standard equipment at the lens mount for attaching a sheet-type rear filter. A lock mechanism is also provided to prevent the filter from falling out.
  • Special front cap with locking mechanism and filter slots
    Includes a cover-type front cap with locking mechanism. It also has a newly developed filter slot that can hold two rear filters depending on the application. The cap is specially designed for the 14mm F1.4 DG DN | Art to protect the sheet filters from scratches and dirt while ensuring that they are not mistakenly taken out or forgotten.

3. Signature Art line features and high build quality

In addition to functions specifically designed for shooting starscapes, the lens is equipped with various functions to assist in shooting, including an AFL button to which any function can be assigned and an aperture ring. The body is dust and splash resistant, and the frontmost surface of the lens is coated with a water- and stain-repellent coating, so you can shoot outdoors in harsh environments with peace of mind. The HLA (High-response Linear Actuator) enables high-speed, quiet, and highly accurate autofocusing.

In order to maintain performance while supporting a lens with a large aperture, the lens has a robust internal structure and uses lightweight materials such as polycarbonate TSC (Thermally Stable Composite), which has a thermal shrinkage rate equivalent to that of aluminum, and magnesium in appropriate locations to reduce weight while ensuring robustness. The lens body is built with the high build quality of the Art line specifications, allowing the user to fully enjoy the unique performance of the lens in any environment, including shooting starscapes.

[ Additional Features ]

  • Lens construction: 19 elements in 15 groups (3 FLD,1 SLD, and 4 aspherical elements)
  • Inner focus system
  • Compatible with high-speed autofocus
  • HLA (High-response Linear Actuator)
  • Compatible with Lens Aberration Correction
    • Function available on supported cameras only. Available corrections and auto correction functionality may vary depending on the camera model.
    • On cameras where lens aberration correction is controlled with 'ON' or 'OFF' in the camera menu, please set all aberration correction functions to 'ON' (AUTO).
  • Supports DMF and AF+MF
  • Compatible with AF assist (Sony E-mount only)
  • Super Multi-Layer Coating
  • Water and Oil Repellent Coating (front element)
  • Aperture ring
  • Aperture ring click switch
  • Aperture ring lock switch
  • AFL button
  • MFL switch
  • Rear Filter Holder (compatible with GUIDE PLATE GP-11)
  • Lens Heater Retainer
  • Focus Mode Switch
  • Support for switching between linear and non-linear focus ring settings (for L-Mount only)
  • Dust and Splash Resistant Structure
  • Tripod Socket TS-141 supplied
  • Special front cap with locking mechanism and filter slot: Cover Lens Lap LC1014-01 (NEW)
  • Compatible with SIGMA USB DOCK UD-11 (sold separately / for L-Mount only)
  • Designed to minimize flare and ghosting
  • Every single lens undergoes SIGMA's proprietary MTF measuring system
  • 11-blade rounded diaphragm
  • High-precision, durable brass bayonet mount
  • "Made in Japan" craftsmanship

[ Key Specifications ]

The figures below are for the L-Mount version:

Lens Construction: 19 elements in 15 groups (3 FLD, 1 SLD, 4 aspherical) Angle of view: 114.2° Number of diaphragm blades: 11 (rounded diaphragm) Minimum aperture: F16 Minimum focusing distance: 30cm / 11.9 in. Maximum magnification ratio: 1:11.9 Filter size: Rear filter only Dimensions (Max. Diam. x Length): 101.4 x 149.9mm / 4.0 x 5.9 in. Weight: 1170g / 41.3 oz.

[ Accessories: Supplied ]

COVER LENS CAP LC1014-01: 0085126 940980 REAR CAP LCR II (L-Mount): 0085126 937256 REAR CAP LCR II (Sony E-mount): 0085126 929879 TRIPOD SOCKET TS-141: 0085126 940997 PROTECTIVE COVER PT-41: 0085126 941000

[ Accessories: Optional ]

SIGMA USB DOCK UD-11 for L-Mount: 0085126 878696

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Posted to: Canon News, Nikon News, Sony News   Category: Sigma News
Post Date: 6/8/2023 8:26:54 AM ET   Posted By: Bryan
 Tuesday, June 6, 2023
 Friday, June 2, 2023

Bighorn sheep are common in Badlands National Park, but I don't see rams this big so frequently.

The key to capturing this image was observing that the ram was eating the yellow flowers. While eating, the ram's head was primarily down, not my favorite position. Positioning to capture the ram leaving one harvested patch on its way to another yielded a selection of head-up poses.

Getting the 600mm and f/4 combination down low on the flat grasslands creates a strongly blurred background.

Heatwave distortion was a problem during this capture, but shooting many images at a fast frame rate provided an adequate number of sharp results.

A larger version of this image is available here.

Camera and Lens Settings
600mm  f/4.0  1/1000s
ISO 640
7901 x 5270px
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Post Date: 6/2/2023 9:41:54 AM ET   Posted By: Bryan
 Thursday, June 1, 2023

From Sony Corporation of America:

Sony Electronics Announces New High-Performance M Series CFexpress Type A Memory Cards CEA-M1920T and CEA-M960T

Compact, high-performance, high-capacity and toughness CFexpress Type A memory cards take the compact dimensions and advanced features of Sony's Alpha Series to the next level

SAN DIEGO, June 1, 2023 /PRNewswire/ -- Today, Sony announced two new CEA-M Series CFexpress Type A memory cards, CEA-M1920T and CEA-M960T, that conform to the CFexpress 2.0 and VPG200 and offer high 1920 GB and 960 GB capacities. In addition to a VPG200 rating that guarantees fast and stable video recording without dropped frames, they are resistant to bending and drop impact and feature a dust and moisture sealing that ensures maximum reliability in any environment. These compact, high-performance memory cards are ideal for professional users who need high capacities and stress-free, reliable operation.

Sony Electronics Announces New High-Performance M Series CFexpress Type A Memory Cards CEA-M1920T and CEA-M960T

CEA-M1920T and CEA-M960T reliably shoot longeri on location and have some of the highest available capacities in CFexpress Type A memory cards that comply to VPG standard anywhere in the worldii, so running out of media space is not a concern. The memory cards provide plenty of capacity for extended recording video or when shooting stillsiii. For video shooters, the VPG200 Video Performance Guarantee rating enables stable recording at 200 MB/s with no dropped frames for an extended period, even when recording XAVC S-I 4K footage and high bitrates.

Despite their large capacities, these CFexpress Type A memory cards are very compact, about half the size of Type B cards, and even shorter and narrower than SD cards. An original alloy with superior heat transmission characteristics is used to conduct heat out of the cards and maintain optimum performance. This results in long-term stability and reliable operation when internally recording the large volume of data required for 4K 120p video. What's more, the CEA-M1920T and CEA-M960T offer the same outstanding toughness of dust and moisture resistance, plus resistance to water, bending and drop impact as Sony's acclaimed CEA-G series CFexpress Type A memory cards, so important data is protected.

Sony's free desktop applications support protecting important data in the CFexpress Type A cards: Media Scan Utility diagnoses the state of the flash memory in memory cards, and Memory Card File Rescue recover accidentally deleted image data on memory cardsiv v. RAW images and 4K movie data are supported.

The new CEA-M1920T and CEA-M960T will be available in June 2023 at a variety of Sony's authorized dealers, for an estimated retail price of $1400 USD and $760 USD, respectively.


Support this site by ordering your Sony CFexpress Type A TOUGH Memory Card at B&H

i Depends on shooting settings

ii As of 1st June, 2023 product announcement.

iii The number of RAW still images recordable during high-speed bursts is lower, and buffer clearing times are longer than Sony's CFexpress Type A CEA-G series memory cards. Details at

iv Separately sold MRW-G2 card reader is required for CFexpress Type A card diagnosis (diagnosis is not possible with readers from other manufacturers or a direct camera connection).

v File Rescue downloadable software available at official website. Does not support data recovery for Content Protected and Game Data files. Not all data may be recoverable.

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Posted to: Sony News   Category: Sony Announcements
Post Date: 6/1/2023 12:53:55 PM ET   Posted By: Bryan
 Wednesday, May 31, 2023

From Atomos:

Atomos Supports ProRes RAW Plug-ins

Taking ProRes RAW to the next level

Melbourne, Australia – 23rd May 2023 – Atomos announces immediate support for Apple ProRes RAW plug-ins, an innovation that lets camera manufacturers provide their own ProRes RAW processing pipeline to take advantage of the unique properties of their cameras, sensors, lenses, and more.

ProRes RAW is widely regarded as the universal RAW video format. With the introduction of plug-ins, now every camera maker can provide their own unique processing, in a completely confidential way, by writing a single ProRes RAW plug-in that brings out the best quality and unique looks created by their own cameras. ProRes RAW becomes, in effect, the conduit for their custom processing, carrying the unique characteristics of any camera, sensor, processing, and lens combination into post-production. ProRes RAW plug-ins will be supported in Final Cut Pro as well as many third-party applications that have licensed the ProRes RAW SDK, such as nonlinear editors (NLEs) and color correction applications.

The process is very straightforward: simply install the camera vendor’s ProRes RAW plug-in and Final Cut Pro will automatically show all the new enhanced features of the supported camera. Using a ProRes RAW plug-in enables camera-specific adjustments such as custom white balancing, noise reduction, demosaicing, lens distortion correction, and more. Canon is the first camera maker to deliver a ProRes RAW Plug-in, with the EOS R5, R5 C and R6 Mark II cameras outputting RAW to an Atomos monitor-recorder. Atomos has already enabled full ProRes RAW plug-in support for these cameras in the current release firmware for Ninja V, Ninja V+, and Shogun Connect. Atomos supports over 50 camera models recording ProRes RAW from the camera’s RAW output over SDI or HDMI, so is uniquely placed to record this new enhanced metadata standard.

“This new feature for the ProRes RAW ecosystem is absolutely going to change the way people think about recording ProRes RAW,” said Trevor Elbourne, Atomos CEO. “For the first time the filmmaker literally gets the best of all worlds: shoot in ProRes RAW with the option to immediately apply camera-specific processing, use standard processing, or customise individual parameters to their own taste. You have to ask yourself: why wouldn’t you shoot in ProRes RAW?”.

“We are very proud to be working alongside Apple and Canon to bring this ProRes RAW innovation to market,” Elbourne added. “We were first to market with an 8K ProRes RAW compatible mirrorless camera - the Canon EOS R5 - and now we are making another huge advancement with the ProRes RAW format.” The ProRes RAW plug-in model has been designed to work not only with macOS but also with Windows and Linux.

Get your Atomos gear at B&H.

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Posted to: Canon News, Nikon News, Sony News   Category: Atomos News
Post Date: 5/31/2023 12:24:17 PM ET   Posted By: Bryan
 Thursday, May 25, 2023

From Sigma:

Firmware update for SIGMA 150-600mm F5-6.3 DG DN OS | Sports

Thank you for purchasing and using our products. We would like to announce that a firmware update for the 150-600mm F5-6.3 DG DN OS | Sports is now available.

[Applicable product]

SIGMA 150-600mm F5-6.3 DG DN OS | Sports for L-Mount

[Benefit of the update]


The newly developed “OS2” image stabilization algorithm has been updated to improve the image stabilization effect from approximately 4 stops to approximately 6.5 stops at the wide end and 5.5 stops at the telephoto end.

Supports Leica Extender L 1.4x by Leica Camera AG

[How to update]

For those who update the firmware in-camera

Refer to the following page for firmware updates.

For those who own the SIGMA USB DOCK UD-11

Connect the lens to a computer via the SIGMA USB DOCK UD-11 (sold separately), then open SIGMA Optimization Pro. If the lens firmware isn’t the latest version, the following message will appear: ‘The latest lens firmware is available’. Click ‘Yes’ to update.


Before updating lens firmware using the SIGMA USB DOCK UD-11, please ensure you update SIGMA Optimization Pro to the latest version.

Do not remove the lens or press the detachment button while updating firmware.

[SIGMA Optimization Pro download page]

[Applicable product]

·SIGMA 150-600mm F5-6.3 DG DN OS | Sports for Sony E-mount

[Benefit of the update]


The newly developed “OS2” image stabilization algorithm has been updated to improve the image stabilization effect from approximately 4 stops to approximately 6.5 stops at the wide end and 5.5 stops at the telephoto end.

Improved tracking performance when the camera’s focus mode is set to AF-C.

[How to update]

Please select the applicable product from the following page, go to the download page, click “Sony E-mount(applicable Serial No.)” and follow the update procedure.

*After the update is complete, be sure to remove the battery pack from the camera and reinsert it.

For further information, please contact your nearest authorized SIGMA subsidiary / distributor.

We appreciate your continued support for our company and products.

Learn more: Sigma 150-600mm f/5-6.3 DG DN OS Sports Lens Review

Get the Sigma 150-600mm f/5-6.3 DG DN OS Sports Lens at B&H.

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Posted to: Sony News   Category: Sigma Firmware Updates
Post Date: 5/25/2023 9:07:08 AM ET   Posted By: Bryan
 Tuesday, May 23, 2023

From Sony Electronics:

Sony Electronics Announces Newest Ultra Wide-Angle Zoom Vlogging Camera, the ZV-1 II

The Integrated Lens and Compact Camera in the Vlog Camera ZV-Series Opens the Door for a Wider Audience of Content Creators

SAN DIEGO, May 23, 2023 /PRNewswire/ -- Sony Electronics launches the all-new second generation camera to the ZV-1 in the vlog camera ZV series, the ZV-1 II, which includes highly requested and popular market-leading features. With a wider-angle lens than ZV-1, the ZV-1 II helps vloggers make more engaging storytelling with attractive photogenic image quality.

With the 1.0-type Exmor RS™ image sensor (approximately 20.1 effective megapixels), BIONZ X™ image processing engine, and newly developed ZEISS® Vario-Sonnar T* 18-50 mm F1.8-4i lens, the ZV-1 II allows for creators of many skill levels to enjoy sophisticated capabilities. From the 18-50mmii wide angle lens which can frame everything from group selfies to narrow interiors or dynamic recordings of everyday scenes to the Multiple Face Recognitioniii, which recognizes multiple faces and automatically adjusts to keeps all faces sharp and clear when taking selfie shots that include two or three people, the ZV-1 II is the advanced vlogging camera packed into a travel-size.

"The ZV-1 II is an exciting chapter for content creators and will be the go-to camera for many, including vloggers, social media influencers and short form video creators. With the newest vlog camera in the ZV series, we have taken requests from various users and included features that matter most to vloggers," says Yang Cheng, Vice President, Imaging Solutions, Sony Electronics Inc. "We are striving to take feedback from our community to continue to expand and elevate our ZV series and the ZV-1 II does just that."

Comprehensive Features for Vloggers & Video Content Creators

The ZV-1 II has a number of new and popular features that will empower creators to capture better content.

  • Ultra-wide angle and Zoom - 18mmii wide angle of view makes it easy to capture attractive photogenic image with the entire scene – especially when shooting selfies at arm's length. The 18-50mm optical zoom and the Clear Image Zoom smoothly enlarges images while minimizing loss of image quality to create variety in videos by changing the angle of view.
  • 1.0 type sensor with Bokeh Switch which gives beautiful bokeh by defocusing the background with a single touch.
  • Intelligent 3-capsule microphone - In Auto mode, the camera recognizes human faces or objects and automaticallyiv switches the direction of the built-in microphone ([Front] or [All Directions]). In Manual mode, you can select [Front] for selfies, [Rear] when shooting with narration or [All Directions]. The supplied windscreen ensures a clear recording of the speaker when outdoors. Easy to use cableless attachment to Multi Interface Shoev and a 3.5 mm microphone jack makes it easy to connect external microphones.
  • Cinematic Vlog Setting function responds to the demands to easily capture videos with a filmic look. It enables impressive imagery at a touch. Simply tap the on-screen function icon and the camera will automatically set a CinemaScope size (2.35:1) vi and a frame rate of 24 fpsvii --the same as for a cinema movie. Then finish off the work with the on-screen buttons to select from five LOOKs and four MOODs
  • Creative Look which supports 10 preset looksviii to suit your creative preferences and pro-level imaging features.
  • Face Priority AE and Soft Skin Effect automatically and immediately detects faces and adjusts the exposure to optimize facial brightness, no matter the lighting. Soft skin effect smooths skin and facial features when filming.
  • Fast Hybrid AF System - Even in high-definition 4K where precise focusing is required, the camera will keep the images sharp with the same Fast Hybrid AF system seen in a series cameras. The camera is equipped with AF Transition Speed to select the focusing speed during video recording, and AF Subject Shift Sensitivity to control whether the camera shifts focus from one subject to another. In addition, the Real-time Eye AF can accurately keep focus on human or animals for both stills and movies.
  • Product Showcase Setting - which delivers convenient shooting of product review videos with smooth focus transitions from your face to the item you are highlighting.
  • S&Q shoot modevix which allows a selection up to 5x slow or up to 60x quick motion to add impact to everyday scenes. The combination of shooting and recording frame rates can now be set on a single screen.
  • ISO sensitivity spanning from 125 to 12800 - allows the camera to record sharp images with less noise, even in low lighting.
  • Active Mode electronic image stabilization - content can be captured while walking or in motion and is especially useful for handheld shootingx. Useful for handheld Movie and Slow & Quick motion shooting.
  • Built-in ND filter – to reduce exposure by three stops and allow for beautiful background bokeh even in the brightest situation.

Compact and Lightweight for Easy Portability, Operability, Connectivity

The ZV-1 II is perfect for on-the-go; its compact and lightweight design can be easily carried in a pocket or small bag, even with its optical wide zoom lens. The ZV-1 II supports different filming styles with the vari-angle screen suitable for selfies, easy to hold body grip (or with an optional GP-VPT2BT grip), user-friendly key and control layoutxi and the recording indicator on the front face of the body. The monitor display has been redesigned with a bold, clearly visible red frame that makes it obvious when recording is in progress. Power charge easily via a USB Type-C® connector.

Creators can connect and share content easily with Sony's Creators' Cloud platform and easy smartphone connection. The Creators' App can be used to control the ZV-1 II from a smartphone, monitor camera battery and media status, edit date and camera names, and easily transfer stills and videos shot, even in the background. The Creators' Appxii also provides a convenient way to update camera software.

For easy high-quality live streaming, simply connect the ZV-1 II to a PC or smartphone xiii with a commercially available USB cable (not included) to use it as a webcam. Make your video more attractive in online meetings and live streaming by using Creative Look to improve the skin's appearance and adjust the hue. Faces will appear clearer and brighter (Face Priority AE) and the eyes will be kept in focus (Real-time Eye AF).

Sustainable and Accessible Design

In addition to Sony's commitment to a sustainable future with global initiatives like Road to Zero and the 2030 renewable energy goal, the ZV-1 II has been specifically developed with sustainability in mind. Recycled materials, including SORPLAS™xiv, are used for the camera body, reducing environmental impact without sacrificing functionality. Sony's unique recycled paper "Original Blended Material", which does not use plastic and is easy to recycle, is used for individual packaging. Using materials such as bamboo, sugar cane fiber, and recycled paper collected from the market, it is both environmentally friendly and high quality.

The ZV-1 II includes accessibility features that facilitate operation in several ways, including screen reader functionality for people with low vision or with visual impairments. Accessibility features allow anyone to enjoy shooting and playback. When the screen reader functionxv is activated, text on the menu screens is read aloud. The screen reader function can be activated by turning the [Screen Reader] function in the [Setup] tab ON. Screen reader volume can be adjusted via the [Sound Options] settings. In addition to the above, the ZV-1 II includes several functions that assist in achieving pinpoint focus on a variety of subjects. Additionally, the Real-time Eye AF can automatically recognize and focus on [Human] or [Animal], or the Real-time Tracking function. Focus Magnification, and Peaking functions make it easier to focus manually, and features like Touch Focus, Touch Tracking, and Touch Shutter let the user focus, track, and shoot simply by touching the subject on the monitor screen. ZV-1 II accessibility features (items listed in the specifications): Screen Reader, Touch AE, Focus Magnifier, Peaking Display, Real-time Eye AF, Real-time Tracking, Touch Focus, Touch Tracking, Touch Shutter, Vari-angle LCD screen and Custom function.

Pricing and Availability

The new ZV-1 II will be available in June 2023 at a variety of Sony's authorized dealers, for an estimated retail price of $900 USD and $1,200 CAN.


Order the Sony ZV-1 II Vlogging Camera at B&H or Adorama.


i 35mm format equivalent. 9 elements in 9 groups, including 5 aspherical and 1 AA (because the advance aspherical element is one of the 5 aspherical lenses) lens elements. 7-bladede circular aperture. T* Coating to suppress ghost and flaring.
ii 35mm format equivalent.
iii Compatible with video modes/S&Q mode only. Wide side. iAUTO mode selected. Does not work when the Bokeh switch is ON or when subject recognition is OFF.
iv Direction may be fixed depending on the shooting settings.
v Not compatible with digital audio interface.
vi The black bands at the image top and bottom are recorded as part of the image. The image (excluding the bars) is in CinemaScope aspect ratio, but the recorded image is 16:9.
vii Recording frame rates are indicated as the closest integer values. The actual corresponding frame rates are as follows: 24p: 23.98 fps, 30p: 29.97 fps, 60p: 59.94 fps, and 120p: 119.88 fps.
viii Creative Look presets: ST, PT, NT, VV, VV2, FL, IN, SH, BW, SE and Advanced settings (Saturation cannot be adjusted when BW or SE is selected): Contrast, highlights, shadows, fade, saturation, sharpness and clarity.
vix S&Q mode records in XAVC S HD format. Audio cannot be recorded. A Class 10 or higher SDHC/SDXC memory card is required. Recording at 100 Mbps requires a UHS-I (U3) SDHC/SDXC memory card.
x The angle of view is slightly narrower in Active Mode. Active Mode is set to be off when the recording frame rate is 120 p or when the "Slow & Quick Motion Frame Rate" is 120 fps.
xi Keys and controls on the ZV-1 II are optimally arranged for greater usability, including REC button and Still/Movie/S&Q button.
xii Check regional availability of services and applications via the URL below: Creators' App: , Creators' Cloud: Download app at Google Play and the App Store. Network services, content, and operating system and software subject to terms and conditions and may be changed, interrupted or discontinued at any time and may require fees, registration and credit card information.
xiii Streaming via USB gives 1280×720 resolution and 30 fps frame rate. To use this function, the PC's or smartphone's OS must support UVC/UAC. Be sure to use the OS's latest version. When connecting to a mobile device equipped with a USB Type-C® port, use a commercially available USB cable or terminal conversion adapter.
xiv SORPLAS™ may not be used for the parts used depending on the production period.
xv Availability varies depending on region and language.

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Post Date: 5/23/2023 10:57:31 AM ET   Posted By: Bryan
 Monday, May 22, 2023

King of Wings is a crazy hoodoo rock formation west of Nageezi, New Mexico, near the Bisti Badlands, De-Na-Zin Wilderness, Valley of Dreams, and Ah-Shi-Sle-Pah Wilderness areas. Photographing this unique feature rose to the top of the to-do list, and the planning started.

The first King of Wings photography challenge occurs during online research. "King of Wings" search results are primarily related to a chicken part covered in BBQ sauce. Adding location-related keywords easily resolved that problem, and considerably more challenging obstacles remained. Getting there was one of them.

The King of Wings trailhead (a generous term) is another long-drive-from-everywhere New Mexico location. The last roads (about 17 miles of them) are rutted, and the final drive is a rough two-track. This long slab of rock hanging about 10' (3m) beyond the pillar holding it is another GPS-guided two-mile hike across a non-descript trailless desert.

For energy conservation reasons, I opted to take one camera and one lens. My choice? The Canon EOS R5 and the RF 15-35mm F2.8 L IS USM Lens.

Based on scouting, this lens's focal length range had the optimal angles of view. This lens delivers superb optical quality, and the R5 is my go-to camera for nearly everything.

King of Wings is unique enough to be photogenic at any time of the day, but the timing goal for this shoot was such that the setting sun would cast a warm light tone practically upward as it set.

With only a few minutes of the ideal light color, it was imperative that clouds not be present. However, clouds in the background would be welcomed. The weather forecast indicating a clearing sky at sunset seemed optimal, and it was go time.

The long hike back to the SUV in the dark and subsequent drive to the airport were better with the knowledge that another goal shot was on the memory card.

A larger version of this image is available here.

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Post Date: 5/22/2023 11:10:16 AM ET   Posted By: Bryan
 Tuesday, May 16, 2023

Photographing Alien Throne in the Valley of Dreams, near Bisti Badlands, De-Na-Zin Wilderness Area and Ah-Shi-Sle-Pah Wilderness Area was on my to-do list, and obviously, I made that trip happen.

You've heard it said that a photo should tell a story. I agree that telling a story is a good aspect of a photo, but storytelling is not always important, and oftentimes, the capture of an image creates a story. This image falls into that latter category.

Some images are complicated to capture, some images are complicated to edit, and some images are both. Again, this one landed solidly in the latter category.

Even beyond any travel required to get to New Mexico, getting to Valley of Dreams requires a long drive (for everyone) that ends on high-clearance two-track "roads" (and a popular mapping app does not currently provide the correct directions). Once driving capabilities are exhausted, the hike to Alien Throne is nearly two miles with, at least for the newcomers, GPS guidance over the trailless desert.

The Valley of Dreams is a dark sky location, optimal for photographing the Milky Way. Add darkness to the hike, and even most Valley of Dreams-experienced hikers need constant GPS navigation assistance as your vehicle becomes a needle in a haystack on the return hike.

Choosing to photograph the Milky Way in April means a middle-of-the-night shooting time (with, likely, no other photographers competing for your location). After photographing a sunrise, napping, scouting, and photographing sunset at Alien Throne, and resting back in the SUV for a couple of hours, we started the second hike to Alien Throne in the darkness at 1:00 AM.

Once in position, establishing the composition was the first goal, and darkness greatly increases this challenge. I brought low-level lighting for this scene, but we opted to go with natural lighting due to the myriad of hard shadows present here.

With the composition established, the Milky Way became the focus. The lens was manually focused on the stars, and the mental note for a quick return to optimal infinity focus was that this setting was immediately after the camera's distance meter changed from a number to the ∞ symbol.

I was uncertain where the Milky Way would be compositionally ideal as it rotated through the image, and there were clouds that could shut down visibility later. Thus, images were continuously captured until the Milky Way was clearly rotated beyond the optimal position.

Next, without moving the camera, the foreground was focused on. The 24mm focal length at f/1.4 does not provide adequate depth of field for this entire scene, making focus bracketing important for that goal.

The ground subjects would not be obscured by clouds, and they were not moving in relation to the camera. Thus, they could be photographed at leisure, and longer exposures created a brighter image without concern for star trails. For this image's foreground, three 30-second images were captured at three focus distances, with the duplicate images enabling some of the noise to be averaged out.

After the blending, the three foreground images were focus-stacked into a single image. Focus stacking is easy in Photoshop (& Lightroom). Open as layers in Photoshop, select all layers, select Edit > Auto-Align Layers [select Auto], choose Edit > Auto-Blend Layers [select Stack Images]. Then, the Milky Way sky image was focus-stacked into the final image.

Further processing primarily consisted of adding contrast, cooling the color tone, and darkening the foreground significantly.

It was after 4:00 AM when we packed up to start the GPS-guided route back to the car, and the sun was up by the time we arrived at the hotel. Hotel breakfast was the end of the story behind this image.

Was the reward worth the effort? Definitely. With photography, it usually is.

A larger version of this image is available here.

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Post Date: 5/16/2023 7:30:00 AM ET   Posted By: Bryan
 Sunday, May 14, 2023

The Cracked Eggs (or Alien Egg Hatchery) rock formations about 2 miles into Bisti Badlands, De-Na-Zin Wilderness Area are an intriguing subject.

This scene called for the classic use of a wide-angle focal length. Move in close to render the foremost egg large while keeping nearly the entire hatchery and a significant amount of interesting background in the frame. This lens can go significantly wider, but 22mm seemed the right choice for the background details inclusion.

Selecting the camera height is typically a necessary consideration for landscape photography. In this case, a high position provided separation of the foreground cracked egg and the one behind it. This position also showed the number of cracked eggs vs. having foreground eggs obscuring them.

Scouting showed that this scene would look great at sunset, and that timing was the photographic plan implemented. As is often the case, the light was best immediately before the scene went into shadows, the optimal (warmest) light only lasted for a few minutes, and the images shot before the best light are seldom seen by anyone else.

Immediately before the eggs went into shadows, I flipped the camera to vertical orientation (Cracked Eggs at Sunset) (an L-bracket makes this change fast and holds the same alignment) to capture a variation. When the eggs went into shadows (Cracked Eggs in Sunset Shade, they were evenly illuminated, and the glowing canyon walls in the background remained attractive.

Larger versions of these images are available here.

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Post Date: 5/14/2023 8:00:00 AM ET   Posted By: Bryan
 Thursday, May 11, 2023

From Sony Electronics:

Sony Electronics Launches New Xperia® 1 V Smartphone

A newly developed image sensor and Alpha™ series technology enables you to create impressive portraits with accurate color, day and night.

SAN DIEGO, CA – May 10, 2023 – Sony Electronics Inc. introduces the Xperia 1 V, its’ first flagship smartphone equipped with a newly developed stacked CMOS image sensor with 2-layer Transistor Pixel. The Xperia 1 V is packed with Sony’s cutting-edge technology, meeting the high-level needs of creators, while at the same time, supporting future creators who want to shoot or deliver their content with pride.

“We continue to prioritize the needs of our customers and the new Xperia 1 V allows for the next level of content creation, viewing experience, gaming performance, battery life and audio capabilities,” says Yang Cheng, Vice President, Imaging Solutions, Sony Electronics Inc. “The opportunities and needs for smartphones are increasing and with the Xperia 1 V the possibilities for both photo and video creation is truly endless.”

Elevating Content Capture

The Xperia 1 V is raising the bar with its’ newly developed image sensor which depicts rich colors and textures of people, landscapes, and scenes in even dark locations. Due to the combination of the low-light performance, which is approximately double compared to the previous modelii and the high-speed multi frame overlay procession technology of the Xperia 1 V, it is possible to shoot a noise resistant photo with a wider dynamic range that is equivalent to a full-frame camera. The 24mm lens on the back of the Xperia 1 V equipped with a 2-layer Transistor Pixel stacked CMOS image sensor “Exmor T for mobile” which is about 1.7 times larger than the Xperia 1 IV’s image sensor. In addition, the 85-125mm (F2.3-F2.8) optical zoom lens enables bright portraits with little distortion.

S-Cinetone, designed for cinematographersiii, has been adjusted and installed for mobile. Since the texture of the human skin can be beautifully expressed when shooting, it is possible to record as an impressive cinematic image as it is, without color grading. In addition, the new sensor has approximately three times of saturation signal levelii compared to the conventional sensor, and unique image quality processing suppresses noise that tends to occur in dark scenes, resulting in beautiful images with soft colors.

The Xperia 1 V has a multitude of functions including color presets such as Creative Look, also found in Alpha series cameras, and high-performance real time AF (auto focus). Various color settings are preset, such as colorful flowers and clear blue sky, or creating a soft, transparent finish. Xperia’s high-performance Real-time Eye AFiv and Real-time trackingiv allows shooting with the focus on the eyes of a person or a specified subject. With AI depth that analyzes distance information, even distant subjects can be clearly focused. Additionally, high-speed continuous shooting of up to 30 frames per second with AF/AEv tracking is newly available, so no moment will be missed.

Improved Vlog Experience

Xperia 1 V fits all creators’ needs with the Product Showcase Setting, which is a popular function in Sony’s VLOGCAM series and shifts the focus on the camera to the product, instead of reviewer’s face, when shooting. Additionally, a new voice priority mic is placed near the rear camera. Even when in a busy outdoor location, the creator’s voice is clearly recorded, so it makes an easy transition from shooting to distributing the video. When doing a YouTube™ live stream via the video recording function “Videography Pro”, chats from viewers can be viewed in the comment section simultaneously, allowing for immediate interactionvi with viewers in real time. The user interface also supports vertical shooting, so you can shoot content in any orientation, either vertically or horizontallyvii.

Immersive Experience

Packed into the newest compact smartphone is a 6.5-inch 4K OLED display with a refresh rate of 120Hzviii and less blur. The powerful and low-noise speaker amplifier improves the spread and depth of the sound, and the extension of the low and high frequencies, creating a more dynamic and clear sound. Xperia 1 V offers an authentic viewing experience of movies and music without a need for an additional speaker. On the backside, it has a functional tactile design that uses a uniquely developed texture glass. Combined with the fine slits on the side, it provides a stable grip and prevents from slipping when you hold the smartphone during shooting or viewing.

Best in Class Gaming Performance

The game assist function "Game Enhancer" provides visual and auditory support for game players. In addition to simply playing, players can also livestream their playing scene on YouTube. Qualcomm's Snapdragon® 8 Gen2 Mobile Platform and Elite Gamingx optimizes the experience of shooting, viewing and playing games with superior level.

Long Lasting Battery Power and Powerful CPU

Despite using a 4K display, approximately 20 hoursx of continuous video playback is available with a powerful 5,000mAh battery. It supports wireless charging, 30 minutes quick charge up to 50%xi, and furthermore, Xperia’s unique charging optimization technology supports users with a battery that maintains 80% or more of its maximum capacityxii even after 3 years. By improving power consumption and heat dissipation, Xperia 1 V achieves both high performance and durability, and allows for shooting for a longer time while suppressing heat generation. Equipped with the Snapdragon® 8 Gen2 Mobile Platform, the power efficiency of the CPU has been improved by approximately 40%xiii compared to the previous model. The power consumption during camera operation has been improved by approximately 20%, and the volume of the heat diffusion sheet has been increased by approximately 60% for the heat dissipation performance of the main unit. ?

Accessibility & Sustainability

With continued efforts to provide more accessibility, Xperia 1 V includes a function in the Photo Pro feature that uses sounds to inform users of the horizontal and vertical measurement of the screen.

The Sony Group has set an environmental plan "Road to Zero" aiming for zero environmental load by 2050. In order to achieve this, we are taking action while setting medium-term environmental targets in stages. As part of these mid-term environmental goals, we aim to completely eliminate plastic packaging materials for newly designed small products by 2025. Xperia 1 V ‘s plastic-free packagexiv is comprised of Sony’s unique Original Blended Material, which is made from bamboo, sugar cane fibers, and recycled paper collected from the market. We are also working to reduce the amount of virgin plastic used inside the main unit. Some elements, both internal and external, of the main unit use SORPLAS™, a flame-retardant recycled plastic developed by Sony that uses up to 99% recycled materials. For more details, please visit:

Style Cover with Stand for Xperia 1 V(XQZ-CBDQ

The Xperia 1 V exclusive cover has a grip on the bottom of the main unit to enhance the shooting experience. In addition to the conventional horizontal stand, it supports vertical stand, making it easy to use not only for watching videos but also for live distribution and video chat. The back of the cover incorporates the textured design applied to the back of the "Xperia 1 V" body, so that the original design of the device is not compromised even when the cover is attached. Two colorsxv are available to match the body (black and khaki green).

Pricing and Availability

The Xperia 1 V will be available for pre-order on May 11, 2023 for approximately $1399.99 USD with first customer deliveries July 28, 2023. It will be sold unlocked in black at a variety of Sony’s authorized dealers throughout the United States. A khaki green color variation will be available exclusively at

For a limited time, customers who pre-order the Xperia 1 V starting May 11, 2023, will be eligible to receive Sony’s latest LinkBuds Truly Wireless Earbuds (WFL900/H) with purchase (a $179.99 USD value).xvi


Sony Xperia 1 V Smartphone at B&H


i In terms of noise resistance performance and dynamic range for still images in lighting environments of LV2 or less. Comparison with a digital camera equipped with our full-frame sensor.

ii Compared to "Xperia 1 IV"’s image sensor installed in the 24mm lens.

iii Such as the professional handheld camcorder "FX9" and the videographers’ attracted model "Alpha" series.

iv Some performance restrictions may apply.

v Auto Focus / Auto Exposure.

vi Please use this app in compliance with YouTube's terms of service and live streaming requirements.

Vii "Videography Pro" and "Photography Pro" support "Product Review Shooting" and vertical interface.

viii Display refresh rate may vary according to settings, contents, and applications used.

ix Qualcomm and Snapdragon are trademarks of Qualcomm Incorporated, registered in the United States and other countries, used with permission.

X Conditions under: video file resolution 720p, 4K upscaling activated, content is saving to the main unit, sound output via Bluetooth, LTE or Wi-Fi connection, and with automatic screen brightness adjustment off. Actual video playback time depends on many other factors such as network connection, settings, video file format, screen brightness and battery status.

xi We recommend using genuine chargers and cables as XQZ-UC1 (charge and cable bundle). Availability may vary.

xii Simulated result by Sony Corporation, based on actual usage profile using the same type of battery and USB charging. Actual performance varies based on settings, environmental conditions, storage, and usage. Batteries are consumable products, and their capacity degrades over time as they age. Sony does not guarantee the life span of the battery.

xiii Comparison with Xperia 1 IV, when using Photography Pro/Videography Pro.

xiv Packaging refers to the individual product box, as well as components such as in-box trays, spacers, wraps and sleeves. Excludes materials used in coatings and adhesives.

xv Colors and availability will differ depending on the region.

xvi Offer valid on purchases starting on May 11, 2023 for U.S. residents 18+ with purchase of a new Xperia 1 V smartphone from a participating Sony authorized retailer. Offer not combinable with other offers and not redeemable for cash. Specifications, availability, prices, and terms of offer are subject to cancellation or change without notice.

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Post Date: 5/11/2023 11:02:11 AM ET   Posted By: Bryan
 Wednesday, May 10, 2023

Sony Alpha 1 firmware update version 1.32 is available for download.

Firmware Version 1.32 incorporates the following fixes and enhancements:

  1. Fixes an issue where the camera may not start when the Mode dial is set to Movie and the NTSC/PAL selector is set to PAL
  2. Improves the operational stability of the camera

Get the Sony Alpha 1 at B&H.

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Posted to: Sony News   Category: Sony Firmware Updates
Post Date: 5/10/2023 8:38:03 AM ET   Posted By: Bryan
 Tuesday, May 9, 2023

Just posted: Sony FE 50mm F1.4 GM Lens Review.

Is this your next lens?

Please share!

Support this site by ordering the Sony FE 50mm F1.4 GM Lens from B&H | Amazon (your country) | WEX

Rent the Sony FE 50mm F1.4 GM Lens from Lensrentals.

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Posted to: Sony News   Category: Camera Gear Review News
Post Date: 5/9/2023 9:19:20 AM ET   Posted By: Bryan
 Friday, May 5, 2023

The pink Huguenot Church is one of my favorite subjects in Charleston, SC, and this entrance is especially eye-catching.

From a distance, the depth of this doorway is deemphasized, but moving in close with an ultra-wide-angle lens reveals that attribute. This lens's angle of view also permits a foreground fence to be omitted while keeping most of the doorway in the frame.

The RF 16 was not my first choice for street photography while walking around Charleston with the Canon EOS R8 this afternoon. However, this little lens was easy to take along for just-in-case needs, and it proved worth having along.

The Canon RF 16mm F2.8 STM Lens provides outstanding utility (and fun) for its size, weight, and especially, price. As I share this sample image, the RF 16 in refurbished condition is on sale for only $179.00.

A larger version of this image is available here.

Camera and Lens Settings
16mm  f/4.5  1/160s
ISO 100
4000 x 6000px
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Post Date: 5/5/2023 11:52:06 AM ET   Posted By: Bryan
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