Sony News (Page 9)

On March 13-14, 2025, a total lunar eclipse will dazzle North and South America, and much of the rest of the world will enjoy a similar show on Sep 7–8, 2025.

Here is what you need to know.

How to Photograph a Total Lunar Eclipse

From ProGrade Digital:

PROGRADE DIGITAL™ ANNOUNCES PG20 PRO THUNDERBOLT™ 4 HUB

Customize and Organize Your Workflow Without Compromising Performance

San Jose, CA January 7, 2025, 8:00 am PT — ProGrade Digital™, founded with a mission to provide the highest quality professional grade digital memory cards, workflow solutions, and solid-state drives announces its new PG20 Pro Thunderbolt 4 Hub. The PG20 Pro Hub is based on the latest Thunderbolt 4 technology which is designed to achieve 40Gbits/sec transfer speeds. It is equipped with one Thunderbolt 4/USB 4.0 85W charging upstream port, three Thunderbolt 4/USB 4.0 15W downstream ports, and a USB 3.2 Gen 2 Type-A port, enabling users to have additional ports available for use. Its unique design offers a magnetic top base, specifically engineered for attaching up to two ProGrade Digital readers which can be connected using the 6” custom-designed, high-performing short cables (sold separately). The PG20 Pro Hub is also equipped with a patented magnetic base and comes with an adhesive metal plate that allows users to mount the hub to any work surface. The PG20 Pro Hub is also supplied with a high-quality certified Thunderbolt 4 cable – assuring the maximum performance possible. The hub can also be combined with the PG10.5, Pro Mini SSD that also mounts seamlessly to the top of the hub. The PG30, Ultra-Portable SSD can utilize the Front Type-A port or the back Type-C port for quick file transfer. The PG10.5 and the PG30 will be shipping in Q1. The PG20 Hub is shipping now.

“We are extremely excited to be announcing our entry into the complementary category of Thunderbolt hubs to our line of professional workflow solutions”, said Wes Brewer, Founder and CEO of ProGrade Digital Inc. “While the marketplace of Thunderbolt 4 based hubs is fairly crowded, we have spent the time to think about how professionals work with our card readers and what they need to maintain a clean workspace in designing our new PG20 Pro Hub. Utilizing our patented magnetic base, we have enabled the customization of how professionals can mix and match their card readers while also enabling a very clean workspace. With the three downstream Thunderbolt 4/USB 4.0 ports, the hub can support two of our USB readers while still having one port available for attaching other peripherals like our PG10 Professional SSD.”

ProGrade Digital PG20 Pro Thunderbolt 4 Hub Features:

• One Thunderbolt 4/USB 4.0 85W charging upstream port
• Three Thunderbolt 4 USB 4.0 15W downstream ports (40Gb/s)
• One USB 3.2 Gen 2 Type-A port (10Gb/s)
• Magnetic top-base customized to attach up to two ProGrade Digital readers
• Thunderbolt 4 certified high-speed cable included
• Supports up to an 8K display at 60Hz
• Compatible with Windows 11+ and MacOS 11+
• Kensington Standard and Nano security slots
• External power source included
• MSRP $169.99

Like all ProGrade products, each hub contains a unique serial number to ensure best-in-class after-sales support and tight quality control of the components used inside. Using this serial number, a customer can register their product at http://progradedigital.com/register

Get your ProGrade Digital gear at B&H.

Just posted: Sony FE 28-70mm F2 GM Lens Review.

This lens is an especially great choice for portrait, wedding, and low-light event photographers.

Please share!

Support this site by ordering the Sony FE 28-70mm F2 GM Lens (or anything else) from B&H | Sony | Adorama | Amazon (all available countries) | WEX | Camera Canada

Rent the Sony FE 28-70mm F2 GM Lens from Lensrentals.

Just posted: Canon RF 24mm F1.4 L VCM Lens Review.

The Canon RF 24mm F1.4 L VCM Lens is a fantastic choice for those looking for a standout landscape, architecture, and low-light event lens.

Remember that we are in a solar maximum? This lens is Canon's best ever for Northern Lights (and Milky Way) night sky photography. Buy this lens today and start watching the aurora forecast.

Please share!

Support this site by ordering the Canon RF 24mm F1.4 L VCM Lens from B&H | Adorama | Canon USA | Amazon (all available countries) | WEX | Camera Canada

Rent the Canon RF 24mm F1.4 L VCM Lens from Lensrentals.

Just posted: Canon RF 50mm F1.4 L VCM Lens Review.

This lens is a great addition to Canon's lineup.

Support this site by ordering the Canon RF 50mm F1.4 L VCM Lens (or anything else) from B&H | Adorama | Canon USA | Amazon (all available countries) | WEX | Camera Canada

Rent the Canon RF 50mm F1.4 L VCM Lens from Lensrentals.

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From Sigma Global:

To our valued SIGMA 24-70mm F2.8 DG DN II | Art customers

We sincerely appreciate your continued support.

We have confirmed that some SIGMA 24-70mm F2.8 DG DN II | Art lens when focusing on the wide end, may not be able to focus to infinity or may experience reduced focusing accuracy.

We would like to inform you that we will begin providing re-adjustment of the focus position free of charge starting today.

Please note that this phenomenon will not occur with SIGMA 24-70mm F2.8 DG DN II | Art lenses with serial numbers other than those applicable.

We deeply apologize for the inconvenience caused to our customers and all concerned parties.

We kindly ask for your continued support of our company and products in the future.

[Affected Products]

Please enter the serial number of your SIGMA 24-70mm F2.8 DG DN II | Art lens on this page to determine whether your product is affected by the issue. This phenomenon does not occur to lenses with other serial numbers that are not applicable.

[Confirmed Issue]

Regardless of the focus mode, when shooting at the wide end, the lens may not be able to focus to infinity or the focus may be soft.

[Treatment on this issue]

Customers whose SIGMA 24-70mm F2.8 DG DN II | Art has been confirmed to be affected are requested to contact their local authorized SIGMA Service Station at https://www.sigma-global.com/en/corporate/world-network/.

For further information, please contact your nearest authorized SIGMA subsidiary / distributor. https://www.sigma-global.com/en/corporate/world-network/

Learn more about this lens: Sigma 24-70mm F2.8 DG DN II Art Lens.

Image quality test results are now available on the Sony FE 28-70mm F2 GM Lens page.

Another useful, high-performing lens to include in the kit.

Compared to the Sony FE 24-70mm F2.8 GM II Lens

Compared to the Sony FE 35mm F1.4 GM Lens

Compared to the Sony FE 50mm F1.4 GM Lens

Compared to the Sigma 28-45mm F1.8 DG DN Art Lens

Please share!

Support this site by ordering the Sony FE 28-70mm F2 GM Lens (or anything else) from B&H | Sony | Adorama | Amazon (all available countries) | WEX | Camera Canada

Rent the Sony FE 28-70mm F2 GM Lens from Lensrentals.

A worthy a1 II comparison is against the Sony Alpha 9 III. I'll let you figure out which camera is which in the comparison image.

Check out the a1 II vs. a9 III specification comparison and the visual comparison of these cameras. What are the differences between the Sony Alpha 1 II and the s9 III? Here are the a1 II advantages over the a9 III:

• 50.1 MP vs. 24.6
• 1/32,000 second continuous shooting shutter speed vs. 1/16,000
• ISO 100–32000 vs. 250–25600, expandable to ISO 50 to ISO 102400 vs. 125–51200
• Improved IBIS — 8.5 stops vs. 8.0 (center)
• Slightly greater dynamic range

Here are the a9 III advantages over the a1 II:

• Global shutter, with no rolling shutter or banding in stills or movies, vs. 3.8 ms (still fast)
• 1/80000 second shutter speed vs. 1/32000
• 120 fps continuous shooting vs. 30 fps, Continuous Shooting Speed Boost feature
• Flash sync to 1/80000 vs. 1/400
• AF working range of EV -5 – 20 vs. EV -4 – 20
• Exposure metering range of EV -5 – 17 vs. EV -3 – 20
• Slightly less expensive

Most photographers will find the a1 II the best option, but the a9 III is the better choice for a niche market, primarily those who value extreme speed over resolution.

Learn more: Sony Alpha 1 II

Support this site by ordering the Sony Alpha 1 II (or anything else) from B&H | Sony | Adorama | WEX | Camera Canada

Venus Optics just introduced a pair of interesting and useful lenses. See the new Laowa 55mm & 100mm Tilt-shift 1x Macro Lenses, available in RF, FE, Z, and L mounts, at B&H.

Photographers contemplating this question will find the Canon EOS R5 Mark II's price especially attractive. The difference is enough to fund a pro-grade lens.

Check out the a1 II vs. R5 II specification comparison and the visual comparison of these cameras. What are the differences between the Sony Alpha 1 II and the R5 Mark II? Here are the a1 II advantages:

• 50 megapixels vs. 45 megapixels (50 is my favorite, but 45 is close)
• 3.8 ms imaging sensor readout speed vs. 6.3 (faster readout reduces electronic shutter issues)
• 0.64" (16mm) 9.44 million dot 0.90x EVF vs. 0.50" (12.7mm) 5.76 million dot 0.76x
• 240 fps EVF vs. 120
• 4-axis articulated LCD
• Up to 1 second Pre-Capture vs. 0.5 seconds
• +/- 5 stops exposure compensation vs. 3
• Pixel Shift Multi Shooting (provides dramatically higher resolution after post-processing, but everything in the frame must be still)
• 1/400 max flash sync vs. 1/250
• Movie Auto Framing feature
• Ethernet port vs. available with accessory grip
• 420 shots CIPA viewfinder battery life vs. 340
• Slightly smaller

Here are the R5 II advantages:

• Dramatically lower price
• 30 fps with lossless RAW vs. lossy
• Eye Control AF
• AF to EV -7.5 to 21 vs. -4 to 20 (ratings at f/1.2 vs. f/2, but still an advantage)
• 5,850 manually-selectable AF points vs. 759
• 8K 60p 12-bit internal RAW vs. 8K 30p 10-bit
• 6 GHz WiFi vs. 5
• Has a top LCD
• 630 shots CIPA LCD battery life vs. 520
• Cooling fan grip available
• Slightly lighter

The Sony camera has dual CFexpress Type A and SD combo slots, while the Canon camera has dedicated CFexpress Type B and SD slots.

Comparing across brands is significantly challenged by the differing interface and ergonomics. These cameras are quite different in those regards, and advantages will often be determined by personal preference. Notably, I find the Canon grip more comfortable when using mid- and large-sized lenses.

Learn more: Sony Alpha 1 II

Support this site by ordering the Sony Alpha 1 II (or anything else) from B&H | Sony | Adorama | WEX | Camera Canada

The Alpha 1 II is, without a doubt, the best for most uses Sony camera, and lower price is practically the only reason to choose otherwise. Before the II, the a1 version I was my ultimate choice, and leads to the question I'm asking. Should I get the Sony a1 II or keep the Sony a1?

Check out the a1 II vs. a1 specification comparison and the visual comparison of these cameras. What are the differences between the Sony Alpha 1 II and the Alpha 1?

Let's get the short list out of the way first. I already gave you the answer, but I'll put a bullet beside it. Here are the Sony a1 advantages over the a1 II:

• Lower price

When the a1 II was announced, the a1 was immediately discounted by $1,000.00. That discount is not a factor for those considering an upgrade, except that the lower new camera cost may put downward pressure on the used camera sale price, directly impacting the upgrade cost. The items on the next list must be worth the additional expense for the II purchase to be logical.

Here are the a1 II's advantages:

• 0.03 to 1 second Pre-Capture of up to one second and Continuous Shooting Speed Boost
• 8.5-stop IBIS vs. 5.5
• Improved grip ergonomics
• New C5 button
• 4-axis articulated LCD
• 3.2" LCD with 2.1 million dots vs. 1.44 million dots
• AF-dedicated AI processor
• Insect, vehicle (planes, trains, and automobiles), and Auto subject detection modes
• Improved eye detection for animals and humans (by 30%) and birds (50% improvement).
• Upgraded human pose estimation
• XS and XL Spot AF area options
• 30 ms electronic Shutter lag vs. 42
• Video improvements, including AF performance, auto framing, movie self-timer, breathing compensation, import and embed of up to 16 custom LUTs
• 2.5Gbps Ethernet vs. 1Gbps, and Wake on LAN vs. no
• Stacked exposure mode dial
• FDA-EP21 enhanced eyecup additionally included

Serious photographers chasing wildlife and other action subjects will find the first bullet worth the upgrade cost. Pre-Capture is game-changing.

Other individual improvements, such as AF and IBIS performance, will also be worth the upgrade cost to many photographers, and the cumulative enhancements show the II to be a solid upgrade.

Still, the price difference is a factor, and the a1 is still the outstanding performer it always was.

Those of us considering the a1 to a1 II upgrade must consider that the value of our current cameras will continue to decline, and a fresh camera with a full warranty has value.

Learn more: Sony Alpha 1 II

Support this site by ordering the Sony Alpha 1 II (or anything else) from B&H | Sony | Adorama | WEX | Camera Canada

Just posted: Canon EOS R5 Mark II.

As with the R1 review, most of the R5 II content has been in place for weeks, but with over 20,000 images captured with this camera, I'll call the review done.

This is my favorite camera.

Support this site by ordering the Canon EOS R5 Mark II from B&H | Adorama | Canon USA | Amazon (all available countries) | WEX | Camera Canada

Rent the Canon EOS R5 Mark II from Lensrentals.

Image quality test results from the Canon EOS R7 are now available for Tamron 11-20mm F/2.8 Di III-A RXD Lens.

This is a great ultra-wide zoom lens option for APS-C, now including the RF mount options.

Please share.

The Tamron 11-20mm F/2.8 Di III-A RXD Lens can now be ordered in RF mount (search for the RF version) from B&H | Adorama | Amazon (all available countries) | WEX | Camera Canada

Rent the Tamron 11-20mm F/2.8 Di III-A RXD Lens from Lensrentals.

The Tamron 11-20mm F/2.8 Di III-A RXD Lens (review) can now be ordered in RF mount (search for the RF version) from B&H | Adorama | Amazon (all available countries) | WEX | Camera Canada

From Tamron Americas:

TAMRON Announces the Launch of Its First CANON RF mount Lens

The compact, lightweight, fast-aperture F2.8 ultra wide-angle zoom

Commack, NY, November 26, 2024 – Tamron announces the launch of TAMRON’s first CANON RF mount lens, 11-20mm F/2.8 Di III-A RXD (Model B060), an ultra wide-angle zoom lens for APS-C mirrorless cameras at $659 USD / $899 CAD on December 12, 2024.

The 11-20mm F2.8 is a fast-aperture zoom lens covering a focal length range from ultra wide-angle 11mm to 20mm , with a maximum aperture of F2.8 across its full range of focal lengths. With a surprisingly compact and lightweight design for a fast ultra wide-angle zoom lens, the lens feels well balanced when attached to a compact APS-C mirrorless camera body, making it ideal for daily use.

Despite its small, lightweight design, the lens delivers high-level imaging power with its uncompromising optical design. Wide macro shooting is possible at 11mm with an MOD (Minimum Object Distance) of 0.15m (5.9in) and maximum magnification ratio of 1:4, and its stunning close-range shooting performance enables creative use of perspective at the wide end.

The lens also incorporates an AF drive system with an RXD (Rapid-eXtra-silent stepping Drive) stepping motor unit that is remarkably quiet. The lens accurately captures not only still images but also video. It is highly practical, with Moisture-Resistant Construction, Fluorine Coating, and other features designed for outdoor shooting, letting users easily enjoy the high image quality of this ultra wide-angle fast -aperture F2.8 lens under a range of conditions.

PRODUCT HIGHLIGHTS

1. Fast-aperture ultra wide-angle zoom lens

The 11-20mm F2.8 (full-frame equivalent of 17.6-32mm) allows for the capture of landscapes and architecture with the dynamic perspective unique to ultra wide-angle lenses. It is also well-suited for indoor group portraits and real estate photography by leveraging its wide-angle focal lengths. At the telephoto end, it supports everyday snapshots with its natural field of view close to one’s view, all while delivering soft and beautiful bokeh with its F2.8 aperture.

2. Compact and lightweight

Designed with APS-C mirrorless cameras in mind, the 11-20mm F2.8 provides a compact and lightweight form, measuring just 3.3” (84.2mm) in length and weighing 12 oz. (340g), allowing you to shoot without worrying about weight. When used with a compatible APS-C mirrorless camera body, you’ll enjoy handheld shooting of still images and find it comfortable to shoot video even when using a compact tripod or gimbal.

3. AF/MF Switch and TAMRON Lens Utility Compatibility

The CANON RF mount includes an AF/MF switch. Additionally, the lens features a Connector Port for users to easily update the lens to the latest firmware via TAMRON Lens Utility™ software.

4. Outstanding optical performance

The optical construction uses 12 elements in 10 groups including two GM (Glass Molded Aspherical) lens elements to maintain high resolution across the entire image area. It also incorporates one XLD (eXtra Low Dispersion) and two LD (Low Dispersion) lens elements to effectively suppress aberrations, ensuring clear image quality. Additionally, the BBAR-G2 (Broad-Band Anti-Reflection Generation 2) Coating minimizes ghosting and flare, faithfully rendering details even in backlit conditions.

5. MOD of 5.9” (0.15m) and maximum magnification ratio of 1:4

With an MOD of 5.9” (0.15m) at 11mm and a maximum magnification ratio of 1:4, the 11-20mm F2.8 surpasses traditional ultra wide-angle zoom lenses in its close-up capabilities. This allows for wide-angle macro photography and creative shallow depth of field effects, enhancing subject prominence against blurred backgrounds.

6. High performance autofocus system for both still and video use

Equipped with TAMRON’s proprietary RXD motor unit, the autofocus system delivers high-speed and high-precision focusing. It accurately captures moving subjects and is suitable for both still photography and video. Its quiet RXD stepping motor is ideal for capturing moments where noise may be a concern, or silence is required.

7. High convenience and protective features

• 67mm filter size, same as most other TAMRON lenses for mirrorless cameras
• Enhanced overall lens design for user-friendly operation
• Moisture-Resistant Construction
• Fluorine Coating

SPECIFICATIONS

Model: B060 Focal Length: 11-20mm (17.6-32mm full-frame equivalent field-of-view) Maximum Aperture: F2.8 Angle of View (diagonal): 101° 44’-68° 7’ (for APS-C mirrorless format) Optical Construction: 12 elements in 10 groups Minimum Object Distance: 5.9” / 0.15m / 5.9 (WIDE), 9.4” / 0.24m (TELE) Maximum Magnification Ratio: 1:4 (WIDE) / 1.76 (TELE) Filter Size: Ø67mm Maximum Diameter: Ø73mm Length*: 3.3” (84.2mm) Weight: 12 oz. (340g) Aperture Blades**: 7 (circular diaphragm) Minimum Aperture: F16 Standard Accessories: Flower-shaped hood, Front and Rear caps Mount***: Canon RF mount

* Length is the distance from the front end of the lens to the lens mount face.

** The circular diaphragm stays almost perfectly circular up to two stops down from maximum aperture.

Specifications, appearance, functionality, etc. are subject to change without prior notice.

*** The lens for Sony E-mount previously launched on June 24, 2021; the lens for FUJIFILM X mount previously launched on May 30, 2023.

This product is developed, manufactured, and sold under license from Canon Inc.

Full review: Tamron 11-20mm F/2.8 Di III-A RXD Lens

From Tamron Americas:

Tamron Lens Firmware Update Enhances AF Performance During Zooming and Supports Continuous Shooting with Sony a9 III

For 70-180mm F/2.8 Di III VC VXD G2 (Model A065)

Commack, NY, November 25, 2024 – TAMRON announces a new firmware update scheduled for release on November 25, 2024, at 11PM ET for the TAMRON 70-180mm F/2.8 Di III VC VXD G2 (Model A065) for Sony E-mount.

With this new firmware update, AF performance during zooming is improved when shooting videos and still images in AF-C mode. Additionally, with the Sony a9 III, when the focus mode is set to AF-S, DMF, or MF, the lens will support continuous shooting at up to approximately 120 frames per second.

Users can update to the latest firmware by visiting the TAMRON Lens Utility Download Page on TAMRON’s global website.

Full review: Tamron 70-180mm F2.8 Di III VC VXD G2 Lens.

Support this site by ordering the Sony FE 28-70mm F2 GM Lens at B&H | Sony | Adorama | WEX | Camera Canada

From Sony Electronics:

Sony Electronics Announces Its First Constant F2 Aperture Zoom Lens: The Full-Frame 28-70mm F2 G Master™

The Unique Combination of a Versatile Focal Range, Large F2 Aperture, and Compact Form Factor

SAN DIEGO, Nov. 19, 2024 - Sony Electronics Inc. introduces the 28-70mm F2 G Master, the first¹ Sony zoom lens with a constant F2 aperture and 77th lens in the Sony E-Mount lineup. This full-frame lens offers a versatile focal range from 28mm to 70mm while delivering prime-like² bokeh with its constant F2 aperture. Despite its wide aperture and zoom range, the 28-70mm F2 G Master remains compact, lightweight, and well-balanced, making it ideal for both photography and video applications. This combination of zoom range, large aperture, and compact design makes this an innovative and versatile lens for portrait, sports, wedding, event, and video professionals.

“Our goal with the 28-70mm F2 G Master was to create a high-performing zoom lens that could be a strong single lens alternative to multiple primes,” said Yang Cheng, Vice President of Imaging Solutions, Sony Electronics Inc. “We prioritized a lightweight design during the engineering process as we knew that was a critical factor for real-life, practical use. And in a manner that only Sony can do, we were able to deliver a small, standard F2 zoom lens that does not sacrifice image quality. We’re proud to add this to our G Master series and believe it is one of the most innovative lenses ever offered to professionals.”

Sharp Imagery and Beautiful Bokeh

The 28-70mm F2 G Master produces extremely sharp corner-to-corner results throughout the entire zoom range, even while shooting wide open at F2. The high-resolution output is made possible by the three XA (extreme aspherical) elements and three aspherical elements built within the lens that minimize aberrations. The lens also features a floating focusing system that helps maintain internal stability. This focusing mechanism enables an impressive minimum focusing distance of up to 14.8 inches (0.38m) throughout the entire zoom range.

Staying true to the G Master lens lineage, the lens’ aperture up to F2 produces extraordinary bokeh, ideal for creating images that showcase a shallow depth of field. The 28-70mm F2 amplifies the G Master bokeh standards through a newly designed 11-blade circular aperture unit. Chromatic aberrations, which cause color fringing within photos, are effectively minimized with three Super ED (extra-low dispersion) elements and one ED element built within the lens. Additionally, Sony’s Nano AR Coating II reduces flare and internal reflections, ensuring clear images, even when strong light sources are present in the frame.

Compact, Lightweight Design Without Compromising Quality

The 28-70mm F2 G Master is one of the most advanced mirrorless camera lenses manufactured with a total 20 different lens elements arranged within 14 internal groups. Despite the advanced optical design, the lens remains compact at 3.6 x 5.5 inches (92.9 x 139.8mm) and lightweight at approximately 32.3 ounces (918g). The combination of imaging performance and a compact form factor offers an innovative solution that meets the demands of industry professionals.

Precise Autofocus Tracking with Instant Response

Reliable and responsive autofocus is delivered through the lens’ four XD (extreme dynamic) linear motors powered by advanced control algorithms. This smooth performance system provides accurate and quick focus tracking, often essential in many professional use cases like weddings and sports. This lens is fully compatible with Sony’s Alpha 9 III‘s high-speed continuous shooting capabilities of up to 120 frames per second³ with AF/AE (autofocus/autoexposure) tracking, even while zooming.

Designed for High-Performance Video Shooting

Along with its F2 aperture, the zoom range of the 28-70mm G Master provides a versatile video option that can cover standard field-of-view shots and tighter compositions up to 70mm. This lens minimizes focus breathing through its build and compatibility with the Breathing Compensation feature on various Alpha bodies⁴. Its high autofocus performance ensures reliable focus even when recording in high frame rates up to 4K 120p / FHD 240p⁵. Additionally, the XD linear motors and newly developed aperture unit operates silently, preventing any lens noise from being captured during filming.

The lens is ideal for gimbal use with a minimal zoom extension of approximately .68 inches. The compact form factor and short external zoom helps maintain gimbal balance, even at varying focal lengths.

Operability and Reliability for Versatile Control

Key control features include Linear Response MF for intuitive manual focusing, adjustable zoom ring torque, and an aperture ring with a click ON/OFF switch. The lens also offers two customizable focus hold buttons, an iris lock switch, and an AF/MF switch. The 28-70mm F2 G Master has an 86mm filter diameter and a convenient window on the lens hood for variable filter adjustments.

For durability, all buttons and switches are sealed with silicone gaskets, and critical areas are designed to resist dust and moisture⁶. This ensures reliability, even while using in challenging outdoor environments. Additionally, a fluorine coating on the front element repels contaminants for easy cleaning.

Pricing and Availability

The 28-70mm F2 G Master will be available in December 2024 for approximately $2,899.99 USD and $3,999.99 CAD. It will be sold at a variety of Sony's authorized dealers throughout North America.

¹ As of the November 2024 announcement, Sony survey

² Sony survey

³ Sony test conditions. Maximum continuous shooting speed may be lower in some conditions. Continuous shooting speed may vary depending on the lens used in the AF-C focus mode. Refer to Sony’s lens compatibility support page for details.

⁴ Angle of view and image quality may change slightly when this function is [ON]. Effective compensation may not be achieved in all situations. See camera compatibility info at: https://www.sony.net/dics/breathing/

⁵ Depending on the camera and settings used.

⁶ Not guaranteed to be 100% dust and moisture proof