Sony News (Page 23)
The foreground lighting in this Badlands National Park Milky Way image is courtesy of a pair of Simorr Vibe P96L RGB Video LED Lights on Manfrotto Befree Advanced Travel Tripods.
Even at their lowest intensity settings (1%), half the light face required gaffer tape to bring the overall light balance down to Milky Way levels.
Post-processing of this image primarily involved peripheral shading correction and increasing the contrast of the foreground and background independently.
A larger version of this image is available here.
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The key to photographing at Zabriskie Point in Death Valley National Park is knowing when and where to point the camera. Fortunately, there are so many good options that it is easy to get some of them right.
The simplistic and distinct erosion features seen in this image held my attention long enough to create a selection problem. Today, it was time to pick one and move on. Well, that is at least until I decide it is time to pick another one.
This scene is looking into the rising sun, with reflected light creating a warm color temperature.
While a telephoto lens may not be an obvious first-choice landscape lens, the long focal lengths often provide easy compositions even in locations with limited beauty. The Canon RF 70-200mm F2.8 L IS USM Lens is an outstanding choice for this purpose (and Zabriskie has unlimited beauty).
A larger version of this image is available here.
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It is my favorite time of the year — Fall. The landscape is taking on spectacular colors, and I feel the need to make the colors last by photographing them.
However, I frequently encounter beautiful trees in full fall color with uninspiring surroundings. The challenge is to capture the beauty without including unsupporting subjects, especially power lines, in the composition.
As the relevant example for this image, our local high school grounds have a border of large maple trees that get extraordinary color each fall. While the school property and nearby neighborhood are nice, the buildings, streets, wires, etc., are not what I'm looking for in a nature picture.
In this case, the simplest tactic is often to get out the telephoto lens and isolate a portion of the tree.
The timing of this year's peak fall leaf color coincided with the Tamron 50-400mm f/4.5-6.3 Di III VC VXD Lens review. This lens has the perfect range for isolating leaves (and the excellent image quality necessary to make the shoot worthwhile).
A large tree can offer many compositions, but after moving around to figure them out, I typically come back to a small number of favorites. To find these, try zooming out to the widest focal length and then zooming in as the composition is adjusted until nothing extraneous is in the frame, and the remaining limb lines and leaf clumps are balanced. Lock the tripod head, take that shot (perhaps several if the leaves are moving in the wind), create some variations, and then zoom in further to get a different look. Then, start over, perhaps after moving to a different position.
This maple tree's foliage was not solid, meaning some background showed through. The best options were to fill the foreground tree's holes with sky or, as shown here, with a background tree across the street. Note that the horizon and other orientation-identifying subjects are not discernable in this image. In this case, it is OK to tilt the camera slightly to adjust for the available details (I keep telling myself that).
This image was captured just before the sun set. The bright red leaf color lit by warm light made the red channel the one to watch for exposure. A Breakthrough Photography circular polarizer filter reduced the reflections on the leaves, further saturating the primarily red colors.
A larger version of this image is available here.
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This handsome bull elk is watching his herd of cows from the forest's edge on a rainy afternoon in Rocky Mountain National Park.
Does rain keep you from your pursuit? While heavy rain hinders visibility, light rain is often not a problem. Wet foliage appears saturated, and the rain clouds create even (though dim) lighting. That combination, along with the raindrops, adds diversity to the portfolio.
Put a LensCoat rain cover on the camera and rain gear on yourself, and go out shooting.
Images captured on cloudy days or in the shade often benefit from warming the color balance — add red and subtract blue. A slight increase in vibrance brings out the colors.
A larger version of this image is available here.
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Just posted: Canon RF 1200mm F8 L IS USM Lens Review page.
Fun, but expensive, lens.
Please share!
Order the Canon RF 1200mm F8 L IS USM Lens from B&H | Adorama | Canon USA | WEX
Rent the Canon RF 1200mm F8 L IS USM Lens from Lensrentals.
From Sony Electronics Inc.:
Sony Electronics Expands Vlogging Line-Up with New ZV-1F Camera
A perfect first compact camera with a fast wide-angle lens and many of the advanced camera technology known to Sony’s ZV cameras
SAN DIEGO, CA – October 13, 2022 – Today Sony Electronics Inc. announced the newest addition to its popular ZV lineup – the ZV-1F compact vlog camera. The ZV-1F is designed for content creators stepping up to a compact camera that packs advanced video and still capabilities with easy-to-use features, advanced connectivity, and a focus on sustainability.
“We’re thrilled to add the new ZV-1F to our very popular ZV camera lineup,” said Yang Cheng, Vice President, Imaging Solutions, Sony Electronics Inc. “With the rise of vertical video and new platforms that make it easier than ever to become a content creator, the ZV-1F is an all-in-one camera solution that delivers superior quality with easy-to-use features and wireless sharing. This is the perfect solution for content creators looking to improve their video quality.”
High-Quality Stills, Video, and Audio
The ZV-1F was designed for vloggers and content creators to capture high-quality content in a compact form factor. These features and technologies include:
- Ultra-wide 20mm1 F2.0 prime lens, perfect for selfie-style recording
- Background bokeh in both stills and video to make the subject easily stand out
- Compact and lightweight, weighing approximately 8.1 ounces2 (229 grams)
- Face Priority AE (auto exposure) that automatically adjusts the brightness based on the subject’s face, even in situations with large changes in lighting.
- High precision focusing and Eye AF (autofocus) for humans and animals3, with touchscreen operation
- Directional 3-Capsule Mic and wind screen provide clear voice recording and reduced background noise in windy or loud conditions
- Steady and smooth footage with Active Mode4 image stabilization
- S&Q mode5 to shoot in both slow motion at 5x slower speed6 and quick motion at 60x faster7 hyperlapse speed
Designed for Easy Content Creation
The ZV-1F was developed for content creators of all levels, including those who may be stepping up to a compact camera for the first time. The camera is designed with a handful of features for easy content creation and streamlined editing, including:
- Vari-Angle LCD touch screen to easily change features and settings, including zoom8
- Background Defocus Function to quickly blur the background, even while recording video
- Product Showcase Setting to automatically and seamlessly shift focus between a face and products
- Self-timer9 for both stills and video
- Recording lamp and red frame on the screen to indicate when recording has started and stopped
- Ten preset Creative Look options to automatically add a specific look
- ‘Soft Skin Effect’ feature to add skin smoothing options as desired
- Compatible with the GP-VPT2BT10 Shooting Grip/tripod with Wireless Bluetooth™ control
- Accessory shoe11 to easily attach an external microphone
- Remote camera control capabilities and simple file transfer for ? sharing to popular social media platforms with Sony’s new Imaging Edge Mobile Plus™12 smartphone application
- Shot Mark13 to efficiently reference key clips or cut out and transfer specific 15, 30, or 60 second14 marked clips to their smartphone and post directly to social without editing.
- High-quality live-streaming device or web camera, with appropriate video streaming, conference application or similar software, when connected to a computer or smartphone via USB15
Supporting a Sustainable Future
The ZV-1F was designed with features and technology for sustainable future in mind. Recycled materials16 including SORPLASTM are used in both the camera body and bundled accessories like the newly-developed wind screen17 that have been adapted to maintain performance. Plant-based non-woven fabrics are used for product bags to reduce disposable plastic packaging.
Pricing and Availability
The new ZV-1F will be available in late October for approximately $500 USD and $650 CAD. It will be sold at a variety of Sony's authorized dealers throughout North America.
Orders
Order the Sony ZV-1F Vlogging Camera from B&H.
Notes:
1 35mm format equivalent
2 Not including battery and memory card
3 Still images only. Does not work with all types of animal
4 Slight image crop in Active Mode. Active Mode is not available when recording frame rate is 120 (100) p for normal movies and frame rate is 120 (100) fps for S&Q.
5 The recording format in S&Q mode is XAVC S HD. Sound recording is not possible. A Class 10 or higher SDHC/SDXC card is required. UHS speed class 3 or higher is required for 100 Mbps recording.
6 S&Q mode recording at 120 fps (frame rate) 24p (recording frame rate).
7 S&Q mode recording at 1 fps (frame rate) 60p (recording frame rate).
8 Users can select from zooms of 1.0/1.5/2.0/4.0x to quickly change the angle of view. In FHD, zooms of 1.5x and 2.0x use Clear Image Zoom and 4.0x uses digital zoom; in 4K, 1.5x ? uses Clear Image Zoom and 2.0x and 4.0x use digital zoom.
9 Not available when shooting movie in still image mode by pressing MOVIE button.
10 Sold separately
11 Since this model’s accessory shoe does not have electronic contacts, it does not support operation of an external flash, audio input, etc
12 Please use Imaging Edge Mobile Plus Ver. 1.0 or later. The Imaging Edge Mobile Plus app can be downloaded at Google Play and the App Store. Network services, content, and operating system and software subject to terms and conditions and may be changed, interrupted or discontinued at any time and may require fees, registration and credit card information.
13 Two types of shot marks: Shot Mark1 and Shot Mark2
14 Depending on where the shot mark is added, the length of the cut-out video may be shorter than the set length.
15 When streaming via USB, the resolution is 1280 x 720 and the frame rate is 30 fps. To use this function, the OS on the PC or smartphone side must support UVC/UAC. When connecting to a mobile device equipped with a USB Type-C(R) port, please use a commercially available USB cable or terminal conversion adapter.
16 Recycled materials may not be available, depending on the time of production.
17 The wind screen fibres are made exclusively from recycled polyester. Recycled polyester may not be available, depending on the time of production
This is a case of the big being ideal for the small, the big Canon RF 1200mm F8 L IS USM Lens was perfect for capturing a small eastern chipmunk.
After we placed many large rocks around the house, the local chipmunk population grew significantly. These cute little animals are frequently scurrying around, and they often sit on the rocks to watch for danger and whatever else chipmunks find interesting.
The chipmunk was doing exactly what I wanted it to do. Having finished its constant chirping (what alerted me to the photo op), it was sitting on a rock in the morning sunlight doing nothing.
It gave me time to grab the RF 1200mm already mounted on an EOS R5 and a Wimberley WH-200-S Sidemount Head on a ProMediaGear TR424L Carbon Fiber Tripod and head into the front yard.
The super long focal length meant I could move into tight framing distance without spooking the chipmunk, and the still chipmunk permitted many test images (438 to be exact) from the lens.
Upon getting a solid number of images at one position, I'd move slightly to align a different background. Eventually, a rose bush added some color to the background (the 1200mm angle of view doesn't require a large background).
A sudden itch apparently prompted a quick scratching session, and that was the end of the shoot. The chipmunk left to find more breakfast.
Long shutter speeds with image stabilization were being tested when the scratching happened, meaning there was no time to change the shutter speed. However, the motion blur created a fun variation of the otherwise still-posed chipmunk.
Captured on Sabrent. Are you familiar with this company? They recently introduced CFexpress Type B and SDXC memory cards and readers. I've been working Sabrent's cards and readers into the workflow with no issues, and the low prices are especially attractive. Find these cards and readers at B&H.
A larger version of this image is available here.
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From Sony Electronics Inc.:
Sony Announces New Updates to Camera Remote SDK, adding enhanced functionality for Inspection and Drone applications
SAN DIEGO, CA – October 12, 2022 – Sony Electronics Inc. today launched an updated version (version 1.06) of its Camera Remote Software Development Kit (SDK), adding compatibility with Cinema Line Cameras, the FX6, FX3, and FX30 and key functionality to support third parties in the development of bespoke applications utilizing the industry-leading performance of Sony cameras1.
Version 1.06 of the Camera Remote SDK, which is available to download for free starting today, offers new features that are particularly important in the areas of inspection, and multi-camera production.
A newly added Drone GPS sync with location information transfer function enables linking GPS information to still images in real-time with high precision. This is done by sending “ImageID”2 from SDK.
New operational menu settings, including the Reset / Save Settings, provides smooth and efficient workflows, especially when multiple takes are needed in a row.
The new compatibility with FX6 offers basic control3 supported by Content Mobile Browser and allows for up to five units4 to be controlled in parallel.
“We are fully committed to enhancing the SDK experience and maintaining an open policy for partners to find new and different ways to benefit from our industry-leading camera technologies,” said Yang Cheng, Vice President, Imaging Solutions, Sony Electronics Inc. “We’ve been thrilled with all the innovation we’ve seen to date from developers and are excited to continue to build this strong momentum.” ? ?
The Camera Remote SDK can be used to control several cameras in the Sony camera range including newly added Cinema Line cameras, with the full list of compatible cameras available here.
About Camera Remote SDK
Camera Remote SDK allows users to control Sony’s cameras remotely from a computer, this includes changing the camera settings, to remote shutter release and live view monitoring. With this SDK, software developers can design bespoke applications tailored to business requirements, integrating Sony’s professional equipment for size-critical drone and speed camera systems, as well as other medical, education, government, and e-commerce functions.
Further details can be found at: https://pro.sony/ue_US/camera-remote-sdk.
Notes:
1 All apps require network services, content, and operating system and software subject to terms and conditions and may be changed, interrupted or discontinued at any time and may require fees, registration and credit card information.
2 Arbitrary IDs can be given to captured images, and by recording the combination of GPS location information and IDs at the time of shooting, it is possible to associate captured images with GPS location information after shooting.
3 REC START/STOP, Iris, Shutter, Gain, ND, Zoom, Focus, and so on. Please read API reference for detail.
4 Sony tested connection up to 5 units. Based on Sony tests. The maximum number of units is different depending on the device or system.
Also, the press release from Sony Corporation:
Sony Announces free download of new updates to Camera Remote SDK
The new features will enhance functionality for Inspection and Drone applications and is available to download free from today
LONDON UK, 12th October 2022 – Today, Sony launched an updated version of its Camera Remote Software Development kit (SDK), adding compatibility with Cinema Line Cameras, the FX6, FX3, and FX30 and key functionality to support third parties in the development of bespoke applications utilising the industry-leading performance of Sony cameras.
Version 1.06 of the Camera Remote SDK, which is available to download for free from today, offers new features that are particularly important in the areas of inspection, drones and content creation.
A newly added ‘Drone GPS sync’ (Location Information Transfer) function enables to link GPS information to still images in real-time with high precision by sending “ImageID[iii]” from SDK.
New operational menu settings, including Reset / Save Settings, allow users to experience a smooth and efficient workflow.
The new compatibility with FX6 offers control functionality through Content Mobile Browser and allows for up to 5 unitsii to be controlled in parallel. With an expanded ISO range of up to 409600 and a 35mm full-frame sensor, the FX6 offers the ability to capture content in extremely low-light conditions.
Yasuo Baba, Director, Digital Imaging, Sony Europe BV said:
“Uptake of the Sony Camera Remote SDK increases every quarter and the breadth of companies with whom we are having conversations to utilise it, is both fascinating and professionally satisfying. We are seeing end use applications that are truly benefiting from the industry leading quality of Sony cameras and the enhanced video functionality of Version 1.06 means that we can continue this momentum. We are fully committed to enhancing the SDK experience and working with both existing and new partners to deliver true market innovation.”
Sony is a market leader in mirrorless full-frame (35mm) cameras, with the company’s cameras renowned for their speed, image quality, resolution compactness and wide lens line-up.
The Camera Remote SDK can be used to control several cameras in the Sony camera range including newly added Cinema Line cameras, with the full list of compatible cameras available here.
These cameras all benefit from Sony’s renowned Exmor R™ and Exmor RS™ CMOS image sensors, which give resolutions from 12 to 61 MP; as well as Sony’s BIONZTM image processing engines; and can be used with over 70 E-mount lenses.
About Camera Remote SDK
Camera Remote SDK allows users to control Sony’s cameras remotely from a computer, from changing the camera settings, to remote shutter release and live view monitoring. With this SDK, software developers can design bespoke applications tailored to business requirements, integrating Sony’s professional equipment for size-critical drone and speed camera systems as well as other medical, education, government, and e-commerce functions.
Further details can be found at: www.sony.eu/businesssolutions.
Trademarks and registered trademarks are the property of their respective owners.
[i] REC START/STOP, Iris, Shutter, Gain, ND, Zoom, Focus, and so on. Please read API reference for detail.
[ii] Sony tested connection up to 5 units. Based on Sony tests. The maximum number of units is different depending on the device or system.
[iii] Arbitrary IDs can be given to captured images, and by recording the combination of GPS location information and IDs at the time of shooting, it is possible to associate captured images with GPS location information after shooting.
Do you leave room for words?
Leaving room for words is a great excuse to pull out when focal length limited, so be sure to keep that answer ready for when the situation dictates. However, many uses for photos, especially paid uses, involve adding words.
If the subject fills the frame, overlaid words can appear awkward, with subject lines and details competing with the message. Leaving space, especially strongly blurred space, permits aesthetic message presentation.
I create invitation cards for an annual sportsman's banquet. While wildlife portrait images are plentiful in my collection, message-ready images are less so, and I've been working on changing that balance.
For this bighorn ram image, a relatively long subject distance, very distant background, long focal length, wide aperture, and low shooting position combine to provide adequate smoothly blurred space for inclusion of a message.
It is usually easier to be farther away from an animal but don't let the distance lower the quality bar. Many of the same factors important to close portraits still apply. Look for good light and body position — and spectacularly large horns are advantageous.
We encountered this big boy in Badlands National Park. Observation showed that he was eating the yellow flowers. Moving into position for the next flower patch made preparation easy.
Heatwave distortion is frequently encountered when shooting at long subject distances in direct sunlight. The solution here was to shoot many images at a fast frame rate. Periodically, a photo with a sharp sheep head was captured.
A larger version of this image is available here.
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I did not set out to photograph coyotes this evening, but Rocky Mountain National Park sometimes produces the unexpected.
While waiting for a herd of elk to do something interesting, movement in the tall grass caught my eye. It didn't take long to determine that a coyote was on the hunt. However, it was mostly obscured by the grass. Autofocusing on the coyote was impossible, and focusing on the grass at precisely the same distance was nearly as challenging.
Then, the coyote made a pounce to catch a rodent. On heightened alert, I readied to hit the shutter release on the next leap. This process was mostly waiting with little shooting, but it only takes one successful sequence to get the desired image.
As the coyote cleared the grass, a Sony Alpha 1 shutter release press instantly locked the FE 600mm F4 GM OSS Lens's focus and tracked through the leap.
Yes, this leap also resulted in dinner for the coyote. Of course, that dinner was mostly hidden by the grass.
A larger version of this image is available here.
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I just returned from over two weeks of chasing the elk rut (and landscapes and nightscapes), including nearly two weeks of leading small photography groups in Rocky Mountain National Park.
With the incredible performance of the cameras now available, selecting a small number of images to share is daunting, to say the least. The image shared here was low-hanging fruit. Why do I like it?
The subject is a good starting point. Elk make great photo subjects, and this bull is an especially great specimen, having a big body and a large set of antlers, with all points visible. Also, all four legs are partially visible (no overlap).
Bugling is one of the primary elk rut activities, and this bull, angled slightly toward the camera, has his nose up and curled back. The high head position better facilitates a catchlight.
The cloudy sky provided even lighting void of harsh shadows.
The 600mm f/4 compression and shallow depth of field combined with a low shooting position render the foreground and background strongly blurred, making the subject stand out. At the same time, the juxtaposition of the blurred items is complementary to the bull.
While working on a monopod is significantly more demanding than working on a tripod, the monopod permits fast position adjustment that makes captures such as this one possible.
When photographing wildlife in dim light levels, it is advantageous to use a relatively slow shutter speed to enable optimally bright images with a lower ISO setting for less noise. However, motion-blurred subjects are not usually acceptable.
Elk seldom move fast when bugling, and the bugle usually lasts long enough for a quick adjustment before shooting. However, once the bugle is completed, the bull may suddenly chase after another animal. This fast action requires a significantly faster shutter speed.
I use manual exposure mode with the ISO set to Auto to enable quick shutter speed adjustment. A quick roll of the top dial takes the camera from still motion to fast action shutter speeds in a fraction of a second, with the ISO automatically adjusting as needed.
To accommodate auto exposures being affected by bright grass or a dark forest (both seen in this image), I adjust exposure compensation. That adjustment is simply the turn of a dial on the Sony Alpha 1.
A larger version of this image is available here.
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From Western Digital
Western Digital Turbocharges Versatility with New SanDisk Professional PRO-G40 SSD
San Jose, Calif. - October 05, 2022
Western Digital Corp. (NASDAQ: WDC) today announced it has expanded its SanDisk® Professional line of premium storage solutions with the new PRO-G40™ SSD that supports dual-mode compatibility with both Thunderbolt™ 3 and USB 3.2 Gen 2 interfaces. Inspired by the way people create and share data today, this new drive is the company’s most rugged offering to date with a high-level IP68 rating, allowing professionals to immerse themselves in the action wherever their work or vision takes them.
“The nature of my work is unpredictable and as a result I must be incredibly flexible and versatile. I share the same expectations for every piece of equipment that I use from capture to archive which is why the SanDisk Professional PRO-G40 drive will immediately be a crucial part of my workflow,” said Andy Handcock, action, portrait and reportage photographer, and PRO-TEAM ambassador. “I need storage solutions that are lightweight, compact, rugged, and insanely fast. This checks all the boxes for me. The PRO-G40 SSD can easily withstand the rigors of travel and location work while doing so with a minimal footprint. Thanks to SanDisk Professional products like these, workflow is one less thing I need to stress about which frees me to focus more on the creative. That is paramount.”
Whether for a business professional or creative pro, the PRO-G40 SSD is a simple, flexible solution that offers great efficiency to get the job done. Professionals who are ingesting, editing, rendering, and transferring large amounts of mission-critical content need portable storage that is powerful enough to eliminate unnecessary downtime, and durable enough to handle heavy usage. The versatility of both Thunderbolt 3 and USB 3.2 Gen 2 interface compatibility when collaborating eliminates the need to have two different drives, one for each interface. The PRO-G40 SSD offers extreme speed and durability for real-time editing 4K/8K straight off the drive, smooth AR/VR rendering, or transferring daily workloads in quickly.
“The new PRO-G40 SSD eliminates the problem we have all experienced before: grabbing the wrong USB-C™ cable or computer for our Thunderbolt 3 or USB devices,” said Hector Sandoval, vice president of product marketing, pricing and programs at Western Digital. “By supporting both interfaces and including a cable that does as well, this drive enables creatives to efficiently collaborate across devices without having to worry about carrying the right gear nor diminishing sustained performance as they continue producing impactful content that powers our world.”
Key Features
- Dual-mode compatibility with both Thunderbolt 3 (40Gbps) and USB 3.2 Gen 2 (10Gbps) hosts through a single port makes collaboration across devices easier for maximized efficiency.
- The new offering boasts super-fast speeds up to 2700MB/s** read and 1900MB/s** write with a Thunderbolt 3 (40Gbps) interface. Move 50GB in 30 seconds or less and power through even the most demanding workloads. The cool aluminum core pulls heat away from the internal drive to help maintain super-fast transfer speeds over time.
- The PRO-G40 SSD has a pro-grade enclosure that is ready for any adventure and delivers a premium strength you can feel. Its ultra-rugged design with IP68 dust/water resistance, up to 4000-pound crush resistance, and up to 3-meter drop resistance*** help withstand the elements in just about every location for ultra-durability.
Availability
The PRO-G40 SSD is available now for MSRP $299.99 (1TB*) and $449.99 (2TB*) in the United States with a five-year limited warranty.
Orders
Order the SanDisk Professional PRO-G40 SSD from B&H.
* 1TB = 1 trillion bytes. Actual user capacity may be less depending on operating environment.
** 1 MB/s = 1 million bytes per second. Based on internal testing; performance may vary depending upon host device, usage conditions, drive capacity, and other factors.
*** On a carpeted concrete floor.
From Benro:
Introducing Polaris
The world’s first electric tripod head with camera interface controller, remote DSLR preview & configuration through WiFi/cellular.
Remote Shooting - From Anywhere, Easily Capture the Best Moments, Smooth & Precise
As the world’s first electric tripod head with camera interface controller, Polaris enables remote precision - whether you’re adjusting the composition of a photo - or programming the geared head and camera to capture a series of photographs to create a high resolution motion timelapse. The head also supports WiFi or Cellular connection - you can preview, review, and download files quickly and from anywhere.
The intuitive app based pre-programming and electromotion system allows you to customize your own shooting schedule or routine. Simply frame the shot by adjusting your pitch and pan angles - then check and input your parameters like ISO, apeture, shutter and more.
After that - let Polaris take care of your pro-level shooting without the need to even snap the shutter. Moreover, Polaris is so smart that it analyzes your shots and automatically dials in exposure values and sharpens details in your creations, saves you from the time consuming hassle of image retouching like focus stacking and time-lapse, etc.
More than just a remote head, Polaris contains high-precision brushless motors that allow you to have control over micro adjustments to framing both vertically and horizontally.
Even a novice can tune in the perfect composition by adjusting the head through the app or manually using the physical knobs. Make the fine details in your photos even finer and capture enrapturing videos without missing a degree of what you were trying to capture.
Also, the built in GPS & compass can easily determine celestial paths and adjust the camera angles for you to capture your perfect starry sky shot or hone in on a breathtaking timelapse of a stunning landscape during sunrise or sunset.
Remote-Shooting-From-Anywhere, Strong, From Inside Out
Engineered to withstand the harsh elements outdoor shooting presents, Polaris is made with aluminum alloy that endures severe working environments. Having a bad weather day? With an IPX6 waterproof level, Polaris resists water and dust even when it comes as a splash, light rain, or a heavy storm - your inspiration is no longer limited. Polaris’s weather resistance makes every event you want to capture possible.
Moreover, driven by a high-efficiency power supply system with low consumption, Polaris ensures you an outdoor shooting experience that is both concise and reliable; The unique power-saving design further prolongs Polaris’s battery life for ultra-long outdoor shooting.
Polaris not only allows you to adjust the composition of a photo, but it enables users to program the intelligent head to capture a series of photographs, easily track and take long exposures of stars, or create high resolution motion timelapses. Polaris also offers a wireless connection so you can do all of the above remotely as well as preview, review, and download files via a dedicated app from nearly anywhere.
The Astro version is capable of all intelligent modes, and the Timelapse version is capable of all modes apart from star tracking. An Astro module add-on is also available separately if wish to upgrade your Timelapse version to be Astro capable.
Suport this site buy ordering the Benro Polaris Smart Tripod Head from B&H.
Image quality test results are now available on the Tamron 50-400mm f/4.5-6.3 Di III VC VXD Lens page.
I like what I see except the wide open 400mm results are a bit soft (f/8 produces better sharpness).
Create a few comparisons.
Support this site by ordering the Tamron 50-400mm f/4.5-6.3 Di III VC VXD Lens from B&H | Adorama | Amazon USA | WEX
Please share!
From Tamron:
Launch Announcement
TAMRON Announces Category-Disrupting, Fast-Aperture Standard Zoom 20-40mm F/2.8 Di III VXD (Model A062)
New lens is smallest and lightest in its class* and opens new video opportunities
September 28, 2022, Commack, NY - Tamron announces the launch of the 20-40mm F/2.8 Di III VXD (Model A062), a fast-aperture standard zoom lens for Sony E-mount full-frame mirrorless cameras. The lens will be on sale October 27, 2022, at $699. However, due to the current global health crisis, the release date or product supply schedule could change.
The 20-40mm F2.8, TAMRON's latest innovation, is an unparalleled new fast-aperture standard zoom lens that can be easily carried around for everyday shooting for both still images and video. Designed for Sony E-mount full-frame mirrorless cameras, the lens was created in aggressive pursuit of portability that is ideal for everyday use. Starting from 20mm at the ultra wide-angle end and covering up to 40mm in the standard focal range, it is the smallest and lightest in its class1. The 20-40mm F2.8 delivers beautiful images across the entire zoom range and is great for still photography and for creating vlogs and other video content. The lens incorporates TAMRON’s VXD (Voice-coil eXtreme-torque Drive), an AF drive system using the linear motor focus mechanism. The VXD boasts superior quietness and agile performance and achieves high-speed and high-precision autofocus. With an MOD (Minimum Object Distance) of just 6.7” and maximum magnification ratio 1:3.8 at the wide end, the lens provides exceptional close-range shooting capability, offering the added feature of wide macro photography.
Product Highlights
1. Fast F2.8 aperture, compact size and exceptionally versatile 20-40mm zoom range
The 20-40mm F2.8 is TAMRON's innovative creation of a new standard zoom lens, born from the unbridled desire to produce a compact size that can be carried around easily. It delivers a fast F2.8 aperture across the entire zoom range from 20mm to 40mm and achieves a class-leading compact and lightweight design at just 3.4” and 12.9 oz. At the longest zoom end, the lens offers a standard focal range of 40mm, handy for everyday shooting of snaps, portraits, and food photos. Meanwhile at the wide end, the ultra-wide 20mm focal length lets users enjoy a broad range of photography including stunning and powerful natural landscapes that make use of the unique ultra wide-angle perspective, something that cannot be expressed as readily with a fast-aperture standard zoom lens that starts at 24mm.
2. Fabulous family videos, vlogs, and other online content
The compact and lightweight 20-40mm F2.8 offers excellent handling that is well balanced even when accessories like camera grips or gimbal stabilizers are attached. With this single lens, you won't miss a shot, from street videography to vast landscapes during travel and selfies that include wide backgrounds.
3. High image quality in a compact, lightweight body
4. TAMRON’s VXD linear motor for high-level AF speed and precision
5. Wide macro shooting: 6.7” MOD and maximum magnification ratio of 1:3.8 at the wide end
6. Rapid zooming (Zoom ring rotation arc is just 65°)
7. TAMRON Lens UtilityTM software for Focus Ring Function Setting and firmware updates
8. New design with improved texture and scratch resistance
9. Ø67mm filter size, same as most other TAMRON lenses for mirrorless cameras
10. User-friendly features (Moisture-Resistant Construction and Fluorine Coating)
11. Compatible with many camera-specific features and functions, including Fast Hybrid AF and Eye AF
Orders
Get the Tamron 20-40mm F/2.8 Di III VXD Lens at B&H.
* Specifications, appearance, functionality, etc., are subject to change without prior notice.
From Sony Electronics:
Sony Electronics Expands Cinema Line with New 4K Super 35 Camera for Future Filmmakers
LOS ANGELES, CA – September 28, 2022 – Sony Electronics Inc. is pleased to announce the newest addition to the brand's prestigious Cinema Line – the FX30 (model ILME-FX30). The new FX30 is a 4K Super 35 compact cinema camera that offers many professional features of the Cinema Line, such as Dual Base ISO, Log shooting modes, and user-imported LUTs (Look Up Tables) at a price point that appeals to many aspiring filmmakers.
In addition to introducing the new FX30, Sony announced two new CFexpress Type A Memory Cards – CEA-G320T and CEA-G640T. Both are large capacity cards that support high-speed performance with a maximum writing speed.
"The new FX30 is a great fit for a wide range of filmmakers," said Yang Cheng, Vice President, Imaging Solutions, Sony Electronics Inc. "As part of our Cinema Line, it is an attractive addition for seamless integration into large productions. Additionally, by incorporating many professional features found in our flagship cinema cameras, it is a perfect camera for up-and-coming filmmakers that are working with tight budgets."
Creating a Cinematic Look
The FX30 offers next-generation filmmakers cinematic expression with the latest imaging systems. It features a new back-illuminated 20.1 megapixels APS-C Exmor R™ CMOS sensor (Super 35 format) with a dual base ISO (800/2500) to deliver high sensitivity, low noise, and 14+1 stops of latitude.
The FX30 supports a variety of video recording codecs. It can shoot in high frame rates, including 4K at 120fps and full HD at 240fps2. The FX30 also features the ability to shoot 4K Super 35 (16:9) by oversampling from 6K at up to 60fps. Both 16:9 recording modes can shoot at 10-bit 4:2:2 while the HDMI Type-A port outputs 4K, 16-bit RAW3 for an external recorder4.
Like the rest of the Cinema Line, the FX30 features Log shooting modes by enabling Cine El, Cine El Quick, and Flexible ISO modes for recording with the S-Log3 gamma curve, which allows more flexibility when color grading. All three modes allow video shooting while monitoring with an appropriate LUT to preview the final image. In addition, the FX30 includes a selection of built-in cinematic looks, such as Sony's S-Cinetone™, and can shoot single stills. The camera offers advanced image processing capabilities with the BIONZ XR processing engine for natural gradations and realistic color reproduction.
Designed to Support Creators' Needs
The FX30 features Sony’s fast and reliable still and video autofocus, with settings including:
- Real-time Eye AF (human, animal or bird5)
- Real-time Tracking
- Detailed AF settings
- AF Assist6
Creatives also have more control when using the Focus Map7, which makes it easy to visualize depth of field, and Breathing Compensation8 to offer a stable angle of view when focusing. The camera includes effective stabilization for run and gun shoots using Active Mode9 thanks to the optical in-body 5-axis image stabilization. The FX30 also includes time code sync10.
The FX30 incorporates other features that retain the spirit of the Cinema Line, including:
- New customizable list-style main menu screen for quick access to frequently used items
- New standby movie screen that provides an unobstructed view of the subject
- Buttons and dials dedicated to movie shooting
The FX30 also includes added functionality to assist with the creative workflow, such as post-production editing using embedded LUT, and EI metadata11. ? This metadata is available using the latest version of Sony’s Catalyst Prepare12 or Catalyst Browse applications. A new "Catalyst Prepare Plugin" for Adobe Premiere Pro was released in August.
Easy Operation and a Compact Form Factor
Compact and lightweight, the FX30 has a flat-top design with threaded accessory attachment points, making it easy to use for shooting handheld, capturing low-angle shots, mounting on a gimbal, or adding accessories. The FX30 also features an XLR handle unit13, which can be used to capture low-angle shots and also allows filmmakers to capture crystal clear audio through various audio inputs, including two XLR audio inputs and a 3.5 mm stereo mini jack for 4-channel recording. External microphones can be connected directly to the camera via the Multi Interface Shoe or microphone jack. The FX30 also features an internal stereo microphone for audio recording.
The FX30 are equipped with two memory card slots that are compatible with both CFexpress Type A cards and SDXC/SDHC cards, bringing wide range of shooting experiences to filmmakers. The FX30 is also compatible with the newly announced large capacity CFexpress Type A memory cards.14
The FX30 pairs advanced performance with outstanding reliability. It features an innovative heat dissipation structure for uninterrupted 4K/60p recording, reliable power for extended recording, and a durable magnesium alloy chassis. A comprehensive selection of E-mount lenses, high-performance microphones, and other essential components offers extraordinarily flexible systems for a broad range of creative needs.
Sony Future Filmmaker Awards
The new FX30 is an ideal choice for filmmakers actively working on or considering entering the Sony Future Filmmaker Awards, a major new annual awards program for short films. Sponsored by Sony and free to enter, the Awards set out to elevate original voices from around the globe with a fresh perspective on storytelling. For more information, please visit: www.sonyfuturefilmmakerawards.com. ?
?Pricing and Availability
The FX30 enables ultimate creative freedom and comes with an option to purchase with or without the XLR handle15.
The new FX30 (supplied with the XLR handle) will be available in late October for approximately $2,200USD and $2,900 CAD. It will be sold at a variety of Sony's authorized dealers throughout North America.
The new FX30B, (supplied without the XLR handle) will also be available in late October for approximately $1,800 USD and $2,400 CAD. It will be sold at a variety of Sony's authorized dealers throughout North America.
Orders
The FX30 will also be compatible with the new version of Camera Remote SDK (Version 1.06), a development kit for software that enables remote operation and configuration changes.
CFexpress Type A Memory Cards: CEA-G320T and CEA-G640T
The compact and high-performance CFexpress Type A memory card CEA-G320T will be available in October for approximately $650 USD and $850 CAD (CEA-G320T),while the CFexpress Type A memory card CEA-G640T16 will be available in December for approximately $1,250 USD and $1,630 CAD. In addition to the existing 80GB and 160GB cards, large capacity 320GB and 640GB cards will be added to the series.17
These large capacity cards support high-speed performance with a maximum writing speed of up to 700MB/s and Video Performance Guarantee "VPG400", which offers sustained writing speeds of up to 400MB/s, and enables 4K 120p high bit rate video shooting.
The new large capacity cards have achieved TOUGH specification, which means they have been certified to be waterproof, dustproof, and robust enough to support stable long-term shooting in various environments. 18
Orders
Order the Sony CFexpress A cards from B&H.
Notes:
1 S-Log3 movies, Sony tests.
2 With approx. 38 % image crop. Post-production editing or S&Q mode recording required. In case of S&Q mode, data must be recorded to a CFexpress Type A memory card when the frame rate is 120 (100 in PAL) fps or higher.
3 With a choice of 59.94p / 50p / 29.97p / 25p / 23.98p frame rates and color spaces
4 Supported devices are as follows: as of September 2022, ATOMOS NINJA V and NINJA V+ HDR monitor-recorder support planned. ? For further details, please contact ATOMOS.
5 Accurate focus may not be achieved with certain subjects in certain situations.
6 Not available when using the SELP1650, SEL18200LE or A-mount lenses.
7 The Focus Map function cannot be used in the following conditions: When shooting stills, when the Focus Magnifier function is in use, when using digital zoom, during USB streaming, when no lens is mounted, when an A-mount lens is mounted, or when using the SEL16F28. For other lenses, please use the latest lens software.
8 Angle of view and image quality may change slightly when this feature is turned on. Breathing Compensation is not available for unsupported lenses, 120p (100p) movie recording, S&Q recording at 120p (100p), or stills. The compatibility of lenses is limited. Please see Sony support page for lens compatibility. https://www.sony.net/dics/breathing/
9 Slight image crop in Active Mode. "Standard" setting is recommended for focal lengths of 200 mm or longer. Active Mode is not available when recording at frame rates of 120 (100) fps or higher, including S&Q.
10 VMC-BNCM1 is required for time code synchronization. VMC-BNCM1 requires the following annotations. The availability of the VMC-BNCM1 (product number: A-5051-506-A) may vary depending on the country or region. Refer to the following support site for inventory confirmation and purchase. https://www.sony.net/SonyInfo/Support/
11 This metadata includes Embedded LUT, Image stabilization, Breathing Compensation, Camera rotation and Movie mark
12 Software download page URL: https://www.sony.net/disoft/
13 FX30B ? does not include the XLR-H1 handle unit. The XLR-H1 handle unit will also be available as a stand-alone item, which will be available in early 2023.
14 The newly announced CEA-G320T and CEA-G640 CFexpress Type A memory cards.
15 FX30B comes without the XLR handle while the FX30 model which comes with the XLR handle
16 To use CEA-G640T memory card with the following cameras, the camera software version must be as listed below. Alpha 1 (Ver.1.31 or later), Alpha 7S III (Ver.2.11 or later), and FX3 (Ver.2.00 or later).
17 1 GB = one billion bytes. A portion of this card capacity is used for system files and may vary.
18 Actual performance may vary. Based on environmental conditions and usage. Sony does not guarantee damage to recorded data or card based on every situation or condition.
"This update was originally released and then suspended on August 24, 2022, because some products could not operate properly after the update to Ver.1.10. However, the update has resumed with countermeasures, and we are happy to bring all of its added functionality to the Alpha 7 IV."
Note: "This update is executed via SD card/CFExpress card, and users will need to ensure the Alpha 7 IV is running or updated to Ver.1.05 first, before updating to v1.1. Instructions can be found in the links in the release."
Here is the original press release from Sony:
New Alpha 7 IV Firmware Update Enables Lossless RAW File Options and Improved Accuracy and Operability
SAN DIEGO, CA – August 23, 2022 – Sony Electronics Inc. today announced the v1.1 firmware update for the Alpha 7 IV full-frame mirrorless interchangeable lens camera, adding Lossless Compressed RAW in three sizes for still images, shutter speed and ISO setting retention, touch shutter function, improved Eye AF (autofocus) accuracy and more. ? ?
The update adds Lossless Compressed RAW files in S, M and L (small, medium or large) file sizes – a highly requested feature. Selecting L size preserves the same image quality as an uncompressed RAW format while significantly reducing the file size. The M and S sizes record fewer pixels than the L size, providing even smaller RAW file sizes.
Alpha 7 IV v1.1 allows photographers to retain shutter speed and ISO settings for flash photography. This newest update also offers a Touch Shutter Function and improves the accuracy of the Eye AF feature.
Other updates in the Alpha 7 IV v1.1 include:
- The ability to record the camera's serial number in the metadata of video files
- Improved operability of Wi-Fi connections
- A one-minute setting added to Power Save by Monitor menu
- The ability to brighten the viewfinder display according to the ambient brightness
- Improved operational stability of the camera
Availability
Alpha 7IV v1.1 is available now and can be downloaded HERE.
Download instructions can be found HERE.
More Information
Order the Sony Alpha 7 IV at B&H | Adorama | Amazon | WEX.
Rent the Sony Alpha 7 IV from Lensrentals.
From Topaz Labs:
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"Capture One 22 (15.4.0) is a service pack containing several bug fixes, along with additional lens support."
Get the full details of this update in the release notes.
Order Capture One Pro at B&H.
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Learn more about the GoPro HERO11 Action Camera at B&H.
Learn more about the DJI Osmo Action 3 at B&H.
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