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 Thursday, September 1, 2016
From Canon USA:
 
Ideal for Major 4K Cinema, Television, and On-Demand Streaming Productions
 
MELVILLE, N.Y., September 1, 2016 – Canon U.S.A., Inc., a leader in digital imaging solutions, announced today the next step in the evolution of the Cinema EOS family of professional cinematography products with the new EOS C700, EOS C700 PL and EOS C700 GS PL cinema cameras.
 
Featuring a completely new, customizable, modular design, the EOS C700 meets the demands of today’s productions – from feature films to documentaries to episodic dramas. The EOS C700 and EOS C700 PL cameras feature a Super 35mm 4.5K sensor with wide dynamic range, and can be ideal for productions requiring 4K UHD TV or 4K DCI cinema deliverables. The EOS C700 GS PL features a Super 35mm 4K sensor with a global shutter to enable the distortion-free capture of subjects moving at high speeds. In addition to supporting the earlier XF-AVC recording format, the cameras also support Apple ProRes.
 
Recognizing that customers today demand flexibility and the ability to respond to the changing needs of productions, the EOS C700 allows users to convert between EF mount and PL mounts, and between a standard CMOS image sensor and a global shutter CMOS image sensor at Canon service facilities. The EF lens mount provides compatibility with Canon’s diverse lineup of over 70 interchangeable EF lenses as well as enabling use of Canon’s Dual Pixel CMOS AF technology. While the EOS C700 PL and EOS C700 GS PL allow use of industry-standard PL lenses and compatibility with Cooke /i metadata communication technology.
 
For those wanting to shoot and deliver High Dynamic Range (HDR) content, the EOS C700 and EOS C700 PL are ideal – providing 15 stops of latitude, Canon’s proprietary Log Gammas (Canon Log3, Canon Log2 and Canon Log) and renowned color science. Additionally, these cameras seamlessly integrate with Canon’s professional 4K displays (DP-V2420, DP-V2410 or DP-V1770) for on-set color management and review that conforms to SMPTE ST 2084 standards of HDR display.
 
To complement these powerful new acquisition tools, Canon has turned to its trusted partner Codex to provide a fully-integrated (no cables) recording and workflow option. The combination of the EOS C700 camera with the optional Codex CDX-36150 recorder allows for high-speed 4.5K RAW recording at up to 100FPS, 4K RAW at up to 120FPS, 4K ProRes at up to 60FPS, 2K ProRes at up to 240FPS and XF-AVC at up to 60FPS.
 
Canon’s new EOS C700, EOS C700 PL and EOS C700 GS PL are the first Cinema EOS cameras to support anamorphic shooting by utilizing a “de-squeeze” function for monitoring, making possible the creation of images with the 2.39:1 aspect ratio typical of cinema productions. Furthermore, enabling Full HD high-frame-rate recording at a maximum of 240 fps (crop), the camera enables smooth playback, even when slowed down, for great emotional visual expression.
 
Along with the announcement of these cameras, Canon is also introducing optional accessories OLED 1920x1080 Electronic View Finder EVF-V70, Remote Operation Unit OU-700, Shoulder Support Unit SU-15, Shoulder Style Grip Unit SG-1 and B4 mount adapters MO-4E/MO-4P.
 
The EOS C700 and EOS C700 PL are currently expected to go on sale in December 2016, while the EOS C700 GS PL is currently expected to go on sale in January 2017. The EOS C700 and EOS C700 PL will have a list of $35,000.00 each and the EOS C700 GS PL will have a list price of $38,000.00
 
Check out this article on the CDLC to find out more on the C700.
 
B&H has the Canon EOS C700 Cinema Camera available for preorder.
Posted to: Canon News
Post Date: 9/1/2016 5:57:05 AM CT   Posted By: Sean
From Tamron:
 
New generation "G2" lens boasts faster AF speed and enhanced VC
 
SP 150-600mm Di VC USD G2 (Model A022)
 
September 1, 2016, Commack, New York - Tamron, a leading manufacturer of optics for diverse applications, announces the launch of the SP 150-600mm F/5-6.3 Di VC USD G2 (Model A022). This second generation "G2" lens builds upon the success of the SP 150-600mm F/5-6.3 Di VC USD (Model A011), which launched in December 2013 and continues to successfully meet photographers' needs in the ultra-telephoto category. The new G2 version was developed to provide superior optical performance with today's high resolution DSLRs and to add improvements to several features including speed and accuracy of AF and VC (Vibration Compensation). Also, several new features have been added: FLEX ZOOM LOCK mechanism, Fluorine Coating and optional teleconverters. The new lens delivers outstanding performance and a luxurious, upscale appearance, including a metal lens barrel.
 
Delivery of the new lens in Canon and Nikon mounts will start on September 23 in the Japanese market and soon thereafter in the U.S. market (Sony A-mount to be delivered at a later date) at a price of $1,399.00.
 
PRODUCT HIGHLIGHTS
 
Optical design refreshed to achieve even higher performance
Three LD (Low Dispersion) lens elements completely eliminate axial and transverse chromatic aberrations. The design also features an upgraded optical construction (21 elements in 13 groups) and leverages improvements in manufacturing technology. As a result, the lens delivers high resolution, improved sharpness and overall better performance.
 
Tamron's sophisticated eBAND Coating for eliminating ghosting and flare
eBAND (Extended Bandwidth & Angular-Dependency) Coating is a nano-structured layer deployed on the lens element surface. In addition to regular anti-reflection coatings, eBAND Coating offers higher light transmission and significant improvement in anti-reflection characteristics, especially against angulated incident rays. Combined with BBAR (Broad-Band Anti-Reflection) coatings, flare and ghosting are reduced to imperceptible levels.
 
MOD reduced to provide optimum tele-macro photography
Tamron's advanced manufacturing technology has made it possible to reduce the MOD (Minimum Object Distance) to 86.6 in (2.2m), compared to 106.3 in (2.7m) for Model A011, and has allowed for the wonders of tele-macro photography with its 1:3.9 Maximum Magnification Ratio.
 
AF speed is faster and much more responsive with moving subjects
The Model A022 is equipped with a USD (Ultrasonic Silent Drive) ring-type motor that delivers excellent responsiveness and control. AF speed is significantly improved from the current model, and it enables accurate high-speed focus even when capturing moving subjects. When shooting with AF, the Full-time Manual Focus override allows you to instantly make fine-focusing adjustments manually, without having to switch between modes.
 
VC performance is now 4.5 stops and offers 3 modes optimized for different situations
The VC (Vibration Compensation) effectiveness is equivalent to 4.5 stops, based on image stabilization performance levels established by CIPA (Camera & Imaging Products Association) when using VC MODE 3. Model A022 now has three types of VC modes, and it is possible to choose the optimum VC mode according to the situation for taking a photograph, such as when panning.
 
  • VC MODE 1 is the standard mode that strikes a great balance between the stability of the viewfinder image and the stabilization effects.
  • VC MODE 2 is exclusively used for panning.
  • VC MODE 3 prioritizes the stabilization of the captured images and forgoes the stabilization of the viewfinder image.
A new VC Mode can be programmed with the optional TAMRON TAP-in Console. You can overwrite VC Mode 1 with a new VC Mode that allows stabilization to be engaged constantly for videography purposes. In this mode, the LCD screen is used.
 
New FLEX ZOOM LOCK mechanism enables locking of the zoom ring at any position
The FLEX ZOOM LOCK mechanism quickly locks or unlocks the zoom at any position simply by sliding the zoom ring. Photographers can shoot from any angle without the zoom extending unintentionally. Additionally, the lens features the conventional Zoom Lock switch to prevent unwanted barrel extension during transportation.
 
Fluorine Coating and Moisture-Resistant Construction for a more user-friendly lens
The front surface of the lens element is coated with a protective fluorine compound that is water- and oil-repellent. The lens surface is easier to wipe clean and is less vulnerable to the damaging effects of dirt, dust, moisture and fingerprints. For greater protection when shooting outdoors, leak-proof seals throughout the lens barrel help protect your equipment.
 
Electromagnetic diaphragm system now used for Nikon-mount lenses
An electromagnetic diaphragm system, which has been a standard feature for Canon-mount lenses, is now employed in Nikon-mount lenses. More precise diaphragm and aperture control is possible because the diaphragm blades are driven and controlled by a motor through electronic pulse signals.
 
Lightweight and easy-to-hold tripod mount is compatible with an Arca-Swiss style quick release plate
A new textured grip and Arca-Swiss style tripod interface enhances both speed and utility. And because the tripod mount is made of lightweight magnesium, it is much easier to carry.
 
Compatible with TAMRON TAP-in ConsoleTM, an optional accessory product
The optional TAP-in Console provides a USB connection to your personal computer, enabling you to easily update your lens's firmware as well as customize features including fine adjustments to the AF and VC.
 
Teleconverters exclusively for the Tamron lens now developed
Two exclusive teleconverters, which perfectly match the optics of the new SP 150-600mm G2 (Model A022), offer 1.4x and 2x magnification, and provide a maximum zoom range up to 1200mm. These new teleconverters extend focal length of the master lens, making it possible to take pictures in farther ultra-telephoto ranges.
 
Based on the rigorous quality standards worthy of the SP series, this new lens is manufactured with thorough attention to details
For the SP series products in particular, Tamron has established rigorous design and quality standards. These standards apply to the optical design, mechanical design and the cosmetic appearance, as well as to such wide-ranging areas as the product's robustness and improvements in various individual functions. Tamron thoroughly reviews of all of the design and manufacturing processes in order to offer products to customers with ever-higher precision and quality levels.
 
For the SP 150-600mm G2 (Model A022), the optical design was refreshed, mechanical parts were improved and a new exterior design was adopted. To maximize the optical performance intrinsic to this product, Tamron improved the accuracy of component parts and increased the precision of the overall zooming mechanism.
 
Design Concept
The new design adopted for the four SP series lenses already on the market is essentially the fusion of engineering and style, the pursuit of functional beauty and craftsmanship achieved by giving meticulous attention to minute details. Using metal as the exterior material creates a high-grade design based on the concept that emphasizes "Human Touch" characteristics, and significantly improves user-friendliness. The SP models feature a novel design for the switches, easy-to-read characters, an enlarged window over the distance scale and the adoption of organic forms easy for the photographer's fingers to hold onto.
 
This design philosophy-the pursuit of functional beauty with a "Human Touch"-is applied even to the most minute details of the new SP 150-600mm G2 (Model A022) ultra-telephoto zoom. By using metal for the exterior material and adding new functions such as the FLEX ZOOM LOCK mechanism, the Model A022 achieves a size and weight that makes comfortable handheld shooting possible, with a slim and stylish appearance design to top it all off.
 
Preorders:
 
Posted to: Canon News,
Post Date: 9/1/2016 5:33:18 AM CT   Posted By: Sean
 Wednesday, August 31, 2016
From Canon:
 
TOKYO, August 31, 2016—Canon Inc. today announced that it has developed a new CMOS sensor equipped with a global shutter function that, because it exposes all of the sensor's pixels at the same time, enables the capture of distortion-free images even when shooting fast-moving objects. Employing a new signal-readout drive system and new pixel structure that significantly expands the full well capacity and reduces noise, the sensor contributes to high-image-quality video capture by making possible the realization of a wide dynamic range.
 
Distortion-free image capture when shooting fast-moving objects
Standard CMOS sensors make use of the rolling shutter method, which sequentially exposes the pixels one row at a time. Because rolling shutters can create slight discrepancies in signal-readout timing depending on the location of the pixel, images of fast-moving objects may appear distorted and flash photography may result in the occurrence of the flash band phenomenon, in which the upper and lower portions of images display different levels of brightness. Because Canon's newly developed CMOS sensor employs a global shutter, when shooting such fast-moving objects as a rotating propeller or a speeding train, subjects are able to retain their proper form to create distortion-free images. Enabling the confirmation of object shapes with a high degree of accuracy, the sensor offers potential benefits in industrial applications, including as a sensor for use in inspection cameras.
 
Wide dynamic range realized through new proprietary drive method and pixel structure
When the newly developed CMOS sensor converts light into electrical signals and stores the signal charge in memory, the new drive system achieves a significant expansion in full well capacity. Also, because it employs a structure that efficiently captures light and each pixel incorporates an optimized internal configuration, the sensor makes possible increased sensitivity with reduced noise. The expanded full well capacity, realized through the sensor’s new drive system, and substantial reduction in noise, enabled by the new pixel structure, combine to deliver a wide dynamic range, facilitating the capture of high-image-quality, high-definition footage even when shooting scenes containing large variances in brightness.
 
Canon will explore various industrial and measurement applications for the newly developed CMOS sensor and consider deploying it in the field of video production for cinema production applications, TV dramas, commercials and more.
Posted to: Canon News
Post Date: 8/31/2016 9:50:59 AM CT   Posted By: Sean
Image quality results from the Canon EOS 5Ds R and Canon EOS 7D Mark II have been added to the Canon EF 75-300mm f/4-5.6 III Lens page.
 
This lens lives at the bottom of Canon's telephoto zoom lens lineup. It is available in refurbished condition for less than the cost of a good filter. But, it was next in line to go in front of the highest resolution DSLR available. Check out how it fared.
 
B&H has the Canon EF 75-300mm f/4-5.6 III Lens in stock. This lens is also available in a USM version. Why does the USM version cost $10 less?
Posted to: Canon News
Post Date: 8/31/2016 9:40:51 AM CT   Posted By: Bryan
The weather on much of this day in Banff National Park ranged from poor to terrible (including wind and strong thunderstorms). I knew that, if the rain at least mostly stopped, this was the perfect time to visit Johnston Canyon. The ground would be wet and colors would appear very saturated with a circular polarizer filter cutting reflections. The lighting would be void of hard shadows and ... would (somewhat) reach into this cave.
 
Johnston Canyon is typically packed during the short summer tourist season, but a late-in-the-day arrival timed just after a heavy thunderstorm (waited in the SUV for it to pass) meant that the trail was nearly void of people. Also, few people venture down the steep, slippery (at least when wet) slope to this cave and very unique land formation at the bottom of the canyon. A downside of the late day start meant that I had to run most of the trail, stopping only long enough to grab the occasional photo.
 
My initial plan (if I could find the cave in the first place) was to include the top of the interesting chunk of land in the frame, but that view included a bit of sky in the background. I went ahead and captured that set of images, but was undecided about the extreme difference in brightness the sky created. To eliminate the sky from the frame, I moved back/up into the large but shallow cave until the top of the cave blocked the sky.
 
As I find so often to be the case, the Canon EOS 5Ds R and the Canon EF 16-35mm f/4L IS USM Lens were the perfect combination for this landscape situation.
 
A larger version of this image is available on SmugMug, Flickr, Google+, Facebook, 500px and Instagram. If reading from a news feed reader, click through to see the framed image.
Posted to: Canon News,
Post Date: 8/31/2016 9:12:14 AM CT   Posted By: Bryan
From Nikon:
 
Nikon D500 Firmware v.1.10
 
Changes from “C” Firmware Version 1.02 to 1.10:
 
  • Added support for the iOS version of SnapBridge.
  • Changed some help text.
  • Fixed the following issues:
    • Images would not display correctly if playback zoom was used during image review.
    • The focus point display would not light if the shutter-release button was pressed halfway after the standby timer had expired.
    • The camera would stop responding if a command dial was used in the CUSTOM SETTING MENU > f Controls > f1 Custom control assignment > Movie record button + menu.
    • If an option other than Off was selected for Active D-Lighting in the PHOTO SHOOTING MENU, pictures taken with an optional flash unit in auto aperture (AA), non-TTL auto (A), or distance-priority manual (GN) flash mode would be underexposed.
Download Nikon D500 Firmware v.1.10
 


Nikon D3400 Firmware v.1.10
 
Changes from “C” Firmware Version 1.00 to 1.10:
 
  • Added support for the iOS version of SnapBridge.
Download: Nikon D3400 Firmware v.1.10
 
B&H carries the Nikon D500 and has the D3400 DSLR available for preorder.
Posted to: Nikon News
Post Date: 8/31/2016 5:22:22 AM CT   Posted By: Sean
 Tuesday, August 30, 2016
Want a blast from the past? The Boston Public Library has uploaded thousands of old photos and postcards to its Flickr photostream with albums featuring:
 
  • Accidents: Aviation
  • Accidents: Miscellaneous
  • Accidents: Train & Trolley
  • Aerial Photographs
  • Animals: Farm & Domestic
  • Aviation: Charles Lindbergh
  • Alabama Postcards
  • Alaska Postcards
  • Arizona Postcards
  • Arkansas Postcards
Those are just some of the interesting albums I found before getting to the albums starting with "b." Have fun killing an afternoon perusing the seemingly endless supply of interesting images.
Posted to: Canon News,
Post Date: 8/30/2016 10:25:35 AM CT   Posted By: Sean
From Sigma:
 
Thank you for purchasing and using our products.
 
We would like to inform you of the lens firmware updates which incorporate a new algorithm to improve AF performance even further. Although we announced on April 14th, 2016 that release of the firmware updates is planned around June to August, the development has been delayed and the actual release will start from October onward.
 
For customers waiting for the availability of the lens firmware updates, we apologize for the inconvenience. We appreciate your understanding and will continue the development with our utmost efforts.
 
Release of the firmware updates will be announced as they become available.
 
Products that we are developing its firmware
 
LensMount
SIGMA 24-105mm F4 DG OS HSM | Art Sigma / Canon
SIGMA 120-300mm F2.8 DG OS HSM | Sports Sigma / Canon
SIGMA 150-600mm F5-6.3 DG OS HSM | Sports Sigma / Canon
SIGMA 150-600mm F5-6.3 DG OS HSM | Contemporary Sigma / Canon
SIGMA 17-70mm F2.8-4 DC MACRO OS HSM | Contemporary Sigma / Canon
SIGMA 18-200mm F3.5-6.3 DC MACRO OS HSM | Contemporary Sigma / Canon
SIGMA 18-300mm F3.5-6.3 DC MACRO OS HSM | Contemporary Sigma / Canon

B&H carries Sigma lenses.
Posted to: Canon News
Category: Sigma News
Post Date: 8/30/2016 9:29:02 AM CT   Posted By: Sean
The Canon EF 16-35mm f/2.8L III USM Lens and Canon EF 24-105mm f/4L IS II USM Lens pages have been updated. Updates include MTF chart comparisons (very interesting) and side-by-side new vs. old lens product images.
 
Important: Using this site's links to place your preorders provides the support we need to keep this site maintained. Thanks for that!
Posted to: Canon News
Post Date: 8/30/2016 8:56:12 AM CT   Posted By: Bryan
My pre-trip research placed Peyto Lake, along the Icefields Parkway in Banff National Park, high on my to-photograph list. With a strong glacial flour flow in the summer, this lake takes on an amazing turquoise color, with Caldron Peak and Mt Patterson providing exclamation marks behind it.
 
To get the high sun position required to light up the lake color, a late morning or early afternoon-timed shoot was determined to be best. Of course, summer is the peak tourist season for this location and tourists come here in droves (and buses) ... and this time of day seems to be best for many non-photographers as well.
 
Combine this common timing with a relatively small viewing area at Bow Summit and, even though a hike is required, the place was packed. Upon working my way to the front corner of the platform, I took some photos but soon determined that somewhere below deck would work better. Even down there was challenging with people sometimes walking up and sitting right in front of the camera. Patience paid off when a thunderstorm rolled in and created some great drama in the sky and contrast on the lake. No, even the approaching thunderstorm did not chase the crowds away, but patience and my position worked out for the capture of an image that I was happy with. Then, I ran back to the safety of the SUV.
 
The Canon EOS 5Ds R and the Canon EF 16-35mm f/4L IS USM Lens were the perfect combination for this location. The Gitzo GT1542T Traveler 6x Carbon Fiber Tripod (now GT1545T) and Acratech GP-s Ball Head were my choice for their light weight, small size and rigid support. As usual for middle-of-the-day landscape photography, I was using a circular polarizer filter for this capture.
 
A larger version of this image is available on Flickr, SmugMug, Google+, Facebook, 500px and Instagram. If reading from a news feed reader, click through to see the framed image.
Posted to: Canon News,
Post Date: 8/30/2016 8:22:27 AM CT   Posted By: Bryan

 
From the Joe McNally YouTube Channel:
 
Big Lights, Big City! A behind-the-scenes video (shot with Nikon’s D5) about creating a photo portfolio for a beautiful young dancer who just arrived in NYC. Follow Joe as he uses two new additions in Nikon’s line up, the D500 camera and the SB-5000 Speedlight, as he photographs this dynamic subject around town, in the studio and on stage.
 
B&H carries the following gear used for the video:
 
Posted to: Nikon News
Post Date: 8/30/2016 5:44:55 AM CT   Posted By: Sean
 Monday, August 29, 2016
From Canon USA:
 
Canon Professional Services (CPS) Supports Professional Photographers Urgently in Need of Replacement Equipment
 
MELVILLE, N.Y., August 29, 2016 – Canon U.S.A., Inc., a leader in digital imaging solutions, announced today that from August 6 to August 20, nearly 70 percent of professional photographers on assignment in Brazil were Canon shooters. In addition, Canon brought a team of more than 70 highly trained technicians and support staff to Brazil this month to help maximize the uptime and performance of its professional broadcast and EOS imaging equipment users. Canon HDTV field lenses were ready on the evening of August 5 bringing viewers worldwide approximately 80 percent and nationwide 100 percent of the images they saw on TV.
 
"It is humbling to know that such a large number of the world's most talented sports photographers relied on Canon equipment to capture this historic sporting event. Their iconic images from so many different events have been and will be seen by millions of people around the world for years to come. To support the needs of our customers and help them accomplish their goals, Canon Professional Services is always set up and ready at major sporting events throughout the year to assist by providing comprehensive equipment maintenance and repairs, extensive equipment loans and expert technical support," said Yuichi Ishizuka, president and COO, Canon U.S.A., Inc.
 
During the events, a photographer that had equipment stolen was quickly assisted by CPS staff so he could get back on assignment. According to Brett Costello, News Corp. Australia photographer, "The CPS team in Brazil was amazing. I was very upset at having my gear stolen on August 4 at a café and thought my ability to cover the coming events were over. When I told the Canon staff there what had happened to me, they didn't hesitate in helping with the loan gear I required. Thanks to Canon I put the event behind me and was able to complete my assignments."
 
The CPS team also:
 
  • Averaged a 12 hour turnaround time for products needing repair
  • Loaned 8,163 products with the EOS-1D X Mark II DSLR camera and EF 200-400MM F/4L IS USM Extender 1.4X being the most requested product loans
  • Had in stock 950 cameras and 1,500 lenses
  • Communicated with photographers in 12 languages
Canon Professional Services proudly attends to photographers at major sporting, auto racing, Hollywood, and political events throughout each year.
 
For more information about CPS: http://www.cps.usa.canon.com/
 
B&H carries the Canon EOS-1D X Mark II.
Posted to: Canon News
Category: Canon USA News
Post Date: 8/29/2016 9:49:46 AM CT   Posted By: Sean
With the arrival of the Canon EOS 5D Mark IV, many questions are being raised. Recently, we answered the Should I get the Canon EOS 5D Mark IV or the 5D III? question. Here, we're going to compare the 5D Mark III's successor to the ultra-high resolution 5Ds and 5Ds R models in attempt to answer the "Should I get the Canon EOS 5D Mark IV or the 5Ds/5Ds R? question.
 
It seems logical to start such a comparison by showing a chart of the specification differences. For the purposes of this post, we'll lumping the 5Ds and 5Ds R models together as they are identical except for the low-pass cancellation feature found in the "R" model.
 
5D Mark IV5Ds/5Ds R
Resolution30.4M50.6M
DLAf/8.6f/6.7
Image ProcessorDIGIC 6+ plus iTR/AF processorDual DIGIC 6
Continuous Shooting / Buffer7 fps / 21 RAW5 fps / 14 RAW
AF Working RangeEV -3 - 18EV -2 - 18
AF points @ f/8615
Metering RangeEV 0 - 20EV 1 - 20
Sensor AFDual Pixel CMOS AFContrast AF
ISO SensitivityAuto 100-32000 (L:50, H1: 51200, H2: 102400)Auto 100-6400 (L: 50, H1: 12800)
LCDTouch panel 3.2-inch (3:2) / 1,620K dots3.2-inch (3:2) / 1,040K dots
Video Recording4K (17:9) 4096 x 2160 (29.97, 25, 24, 23.98 fps) Motion JPEG
Full HD (16:9) 1920 x 1080 (59.94, 50, 29.97, 25, 23.98 fps) intra or inter frame
Full HD (16:9) 1920 x 1080 HDR ( 29.97, 25 fps) inter frame
Full HD (16:9) 1920 x 1080 (29.97, 25) lite inter frame
HD (16:9) 1280 x 720 (119.9, 100 fps) intra frame
FHD (16:9) 1920 x 1080 (29.97, 25, 23.976 fps) intra or inter frame
HD (16:9) 1280 x 720 (59.94, 50 fps) intra or inter frame
SD (4:3) 640 x 480 (59.94, 50 fps) inter frame
Wi-Fi / NFC / GPSBuilt-inGPS / Wi-Fi via accessories
Battery LifeApprox. 900Approx. 700
Weight28.2 oz (800g)32.8 oz (930g)

Here is the full EOS 5D Mark IV vs. 5Ds specifications comparison.
 
Obvious from the table above is that the EOS 5Ds/5Ds R has one notable advantage over the EOS 5D Mark IV – resolution. The 5Ds R model, specifically, also has a slight sharpness advantage on the 5D IV as the latter features a traditional low-pass filter without the R's cancellation feature. Here is a resolution test chart comparison between the 5D IV and the 5Ds R.
 
Just as I noted in the 5D IV vs. 5D III post, if you're interested in creating 4K content, or otherwise need the benefits of Canon's Dual Pixel CMOS AF, the choice is clear – get the Canon EOS 5D Mark IV.
 
If you're a landscape, wildlife or studio photographer who requires the ultimate in resolution for making big prints, the 5Ds/5Ds R models offer 40% more resolution compared to the 5D IV. Aside from big prints, the additional pixels allow for more leeway in cropping while maintaining still-manageable resolutions. To put that into point perspective, the 5Ds/5Ds R's 1.6x crop feature (simulating the field of view realized by using an APS-C sensor camera) results in a 19.6 megapixel image. This difference is noticeable. To obtain the same APS-C field of view with a 5D IV base image, the end result would be 11.7 megapixels.
 
Does that make the EOS 5Ds/5Ds R a better camera for those interested in wildlife? Maybe, but not necessarily. There are a lot of factors that go into creating a compelling wildlife image. The ability to crop an image heavily is just one of them.
 
Other factors like burst speed, buffer depth, high ISO noise results and AF capability/performance also play significant roles. That the 5D IV allows for two additional frames-per-second in burst shooting may not seem like much, but it can definitely help. The greater buffer capacity is always welcome. As hinted to by the increased standard max ISO setting (to 32000), the 5D IV performs better in the noise department than its predecessor, the 5D Mark III, and the 5D IV also performs better than the 5Ds at the pixel level in this regard.
 
Downsize the 5Ds image to 5D IV dimensions and the comparison becomes considerably closer. The 5D IV is still the better performer, but the equivalent comparison shows this attribute being less of a decision factor. The 5Ds/5Ds R's standard max ISO tops out at 6400.
 
The 5D IV also features a vertically expanded AF point spread to its benefit. This is a feature that wildlife (and many other) photographers will appreciate. If a subject is moving, AI servo is needed and if AI servo is in use, a focus point must be held on the subject (usually their closest eye). Having a larger AF point spread sometimes permits better subject framing in these situations (I provided an elk photo example in the 5D IV review).
 
So, which body is best for you? If you want the most versatile, general purpose DSLR, the 5D Mark IV's feature set will likely make it the best overall choice. At their introduction, the ultra-high resolution 5Ds and 5Ds R were marketed more as specialty cameras rather than a camera for everyman. And their place in Canon's camera lineup hasn't changed; the only difference is that the everyman camera has a "IV" in its name and packs a great new feature set to go with it.
 
Get your Canon 5D Mark IV and/or EOS 5Ds/5Ds R at B&H.
Posted to: Canon News
Post Date: 8/29/2016 9:08:51 AM CT   Posted By: Bryan
Accodring to c|net, Adobe is planning to add Dual Pixel RAW support in Photoshop CC and Lightroom CC.
 
While no time table was specified, it's promising news for those who don't want to be limited to using Canon's Digital Photo Professional for taking advantage of the new feature.
 
Read the entire article on c|net.
 
B&H has the 5D Mark IV available for preorder and carries Adobe Photography Plan subscriptions.
Posted to: Canon News
Category: Adobe News
Post Date: 8/29/2016 9:06:51 AM CT   Posted By: Sean
The Canon Professional Network** has published an article featuring fashion and beauty photographer John Swannell. It it, Swannell recounts a story of a bag he purchased from a thrift store for a couple of pounds.
We pause to reflect on Helmut Newton, an abrasive character to many, but to Swannell a bit of a diamond in the rough. “I once spent four days with Helmut on a shoot in the south of France and he took a shine to my camera bag.”
 
“I’d found the bag in a charity shop in London for a couple of quid and really loved it because it had lots of pockets. But Helmut wanted it and wouldn’t take no for an answer. He kept on offering me money for it during the shoot and went up to $500 and still I wouldn’t sell it to him.”
 
Swannell laughs at the recollection: “This made him really grumpy with me and on the last day, as we were walking across the tarmac to board the aircraft, he turned round to me and said ‘there must be something of mine you want, I have to have that bag!’ so I replied ‘OK, sign me a print from the cover of your book White Women’ and you can have it. He said ‘you must be mad, that’s about $3000!’
 
“He was so mean, was Newton, and wouldn’t have it. But I held my ground and said that was the price of the bag. And then suddenly, in front of everybody, he took my bag off me and tipped all my stuff onto the tarmac, and marched off with it. I turned to his wife Alice [Springs] and said ‘you are my witness!’ And a few days later, a signed print arrived. Ten years later I sold that print for £32,000. So that old bag wasn’t a bad investment...”
From Canon Professional Network.
 
** Because the gallery showcase images featured in this article contain nudity, we have chosen not to link directly to the article.
Posted to: Canon News,
Post Date: 8/29/2016 8:51:52 AM CT   Posted By: Sean
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