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 Wednesday, January 3, 2018

 
From the tutvid YouTube Channel:
 
EASY & ADVANCED WAYS TO GET AMAZING COLOR IN PHOTOSHOP! | Use LAB color, Curves, targeted adjustments, and more for amazing vibrant color that will knock your socks off!
 
B&H carries Adobe Photography Plan subscriptions.
Post Date: 1/3/2018 5:45:12 AM CT   Posted By: Sean
 Tuesday, January 2, 2018
by Sean Setters
 
As I mentioned a couple of weeks ago, I spent some time this past Christmas in New Orleans. Fortunately for me, Audubon Park was located within walking distance of where we were staying. I spent several hours throughout the week photographing birds that could nearly always be found in and around Bird Island (Ochsner Island) in the park's lagoon. Because people are constantly walking around the lagoon or playing golf at a course that borders it, the ducks and other waterfowl/wading birds that inhabit the area have become very comfortable to having people nearby, a learned behavior that benefits just about anyone with a camera in-hand.
 
For the shot above, I used a Canon EOS 7D Mark II and the EF-S 55-250mm f/4-5.6 IS STM Lens. The shot settings used were 250mm, f/5.6, 1/500 sec, ISO 640, and the image was slightly cropped in post processing.
 
I often take the 7D Mark II with me when I travel because it's much easier to cover a wide range of focal lengths in a significantly smaller kit compared to covering the same focal lengths in a full-frame compatible kit. And while a 250mm won't likely be adequate for bird photography under many circumstances, it worked great for a close-up on this occasion because of my ability to get close to the bird without spooking it.
 
In this case, an overcast sky provided a couple of key benefits that allowed this image to work. For one, the soft light reduced contrast allowing me to capture details in both the highlight and shadow areas of the frame. And second, the glare of the overcast sky in the water behind the duck enabled great separation (producing a high key style) that made shape of the subject really stand out in the frame.
Post Date: 1/2/2018 2:58:27 AM CT   Posted By: Sean
B&H has several of the new iMac Pros in stock with free expedited shipping.
Post Date: 1/2/2018 12:10:55 PM CT   Posted By: Sean
Just posted: Sony a7R III Review.
 
Check out Sony's latest full frame powerhouse camera!
 
The Sony a7R III is in stock at B&H | Amazon | Adorama | WEX (awaiting stock).
Posted to: Sony News
Post Date: 1/2/2018 8:42:21 AM CT   Posted By: Bryan
 Monday, January 1, 2018
B&H has the Canon WFT-E8A Wireless File Transmitter in stock with free expedited shipping.
 
The Canon WFT-E8A has been listed as backordered at most retailers for quite some time. If you've been wanting to pick one up, here's your chance.
 
Product HIghlights
 
  • For the EOS-1D X Mark II & C300 Mark II
  • Ultra-Fast Image Transfer Speed
  • Supports Wireless LAN 802.11a/b/g/n/ac
  • Remote Shooting via Canon Connect App
  • Dust and Water Resistant
  • Wireless Time Syncing
Posted to: Canon News
Post Date: 1/1/2018 9:35:36 PM CT   Posted By: Sean
 Sunday, December 31, 2017
This mother bear and her cubs (there were four of them) came to the edge of the woods and then this pose happened. The cub sitting at the feet of an upright, alert momma black bear, Pennsylvania's apex predator, with her claws ready, seems to be about as safe as it can possibly be.
 
This was another case where a zoom lens saved the day. Had I been set up for the normal bear-on-all-fours position (I was) with a prime lens, I would likely have struggled to keep the bear in the frame when she stretched out vertically.
 
I wish you a "safe" and joy-filled New Year!
 
A larger version of this image is available on Flickr.
 
Camera and Lens Settings
270mm  f/4.0  1/320s
ISO 800
3840 x 5760px
Post Date: 12/31/2017 7:00:00 AM CT   Posted By: Bryan
 Friday, December 29, 2017
In a two-part article posted by Canon Asia, the developers behind the Canon EF 85mm f/1.4L IS USM Lens (review) share their motivation behind producing the lens and discuss some of the challenges associated with creating an 85mm f/1.4 prime with image stabilization. (thanks Jerry)
 
B&H carries the Canon EF 85mm f/1.4L IS USM Lens.

 
From the Adobe Photoshop Lightroom YouTube Channel:
 
Lightroom tips and tricks in 60 seconds or less from longtime Lightroom team member Benjamin Warde.
 
B&H carries Adobe Photography Plan subscriptions.
Post Date: 12/29/2017 8:28:10 AM CT   Posted By: Sean

 
Watch as photographer Andrew Eccles shoots a promo for the Broadway adaptation of FROZEN for Vanity Fair in Arapaho National Forest, Colorado.
Post Date: 12/29/2017 7:00:34 AM CT   Posted By: Sean
 Thursday, December 28, 2017
My site-related work consumes most of my time and I gave up trying to process all of my images long ago. After looking at all images and selecting down to my favorites, I just save all of the remaining RAW files and focus on processing my favorites and those that have other immediate value.
 
Recently, I carved out time to go through my youngest daughter's fall soccer pictures. I had decided to share one with you and had the selection narrowed down to 3 images (out of thousands).
 
Of the three images, two happened to be adjacent in a burst and one had an extra element of interest, a large bumble bee flying into the scene. Usually, I remove inadvertent insects from my sports photos. But, as I was editing the next image in that sequence, I noticed Mikayla's left cheek appeared differently colored/shaded and ... then I noticed the bee flying backward just below her ear. The bee had flown into her cheek, leaving an indentation and then bounced off. The 1D X II's fast frame rate caught that and I was amused.
 
What Happened to the Bee
 
Here are some of the qualities I like about this image:
 
Both the ball and the player's eyes are in the frame and the eyes are in sharp focus. That the entire player's body is within the frame is also often-desired. With the original image framed somewhat loosely, cropping allowed optimal composition.
 
Desirable is that the player's body position is open toward the camera and all limbs are visible (an arm or portion thereof did not go missing behind the body for example). All limbs stretched out indicates fast action – as do both feet off of the ground. If the athlete has long hair, the position of that hair can add to an image.
 
A positive is that the background is both strongly-blurred and very colorful. What is in the background can often be determined by your position on the sideline. While there are a lot of bad backgrounds at sporting events, the team's bench will often provide some color for you. Also, your height above the field makes a difference with the background pushing farther away when a low position is used (and the athlete appears large). The strong blur seen here is courtesy of the Canon EOS-1D X Mark II and Canon EF 600mm f/4L IS II USM Lens combination.
 
For a sporting event, the lighting seen here is excellent. The photographer cannot choose game time and mid-afternoon, with a high-in-the-sky sun, can have terrible lighting. If the sun is bright, there will be hard shadows in the frame and especially under a clear sky, heat waves can spell disaster for image sharpness. If the sky is cloudy or the sun has set, dark conditions require a high ISO setting which means lots of noise. On this afternoon, the conditions were perfect. There were just enough clouds to diffuse the light, but not enough to require a high ISO setting. The non-directional lighting meant that I could set up optimally for both the background and for the expected direction of the game play.
 
With this share, I wrap up my fall 2017 soccer season. And, Mikayla is safe from the bees for a few months.
 
A larger version of this image is available on Flickr.
Post Date: 12/28/2017 7:30:00 AM CT   Posted By: Bryan
 Wednesday, December 27, 2017

 
From the B&H YouTube Channel:
 
James Schmelzer take you step by step through the theory and techniques behind great studio lighting.
 
Watch as James explains the build up from one light and reflector to a multiple light set up explaining the 7 different lighting patterns and what type of face they're best used for. This class will start as basic lighting and move on to advanced lighting techniques using the latest in LED technology.
Post Date: 12/27/2017 11:15:51 AM CT   Posted By: Sean
With the Canon EOS 5D Mark IV having been on the market for more than a year now, it's unsurprising that Canon Japan has now officially listed the venerable EOS 5D Mark III as discontinued.
 
The EOS 5D Mark III was the follow-up to the ground-breaking 5D Mark II. Released in 2012, the 5D III included the video features that made the 5D II so popular but added a 61 point autofocus system (very similar to the one found in the EOS-1D X) along with an upgraded metering sensor, a wider ISO range, dual memory card slots and 100% viewfinder coverage (just to name a few improvements).
 
B&H has its remaining Canon EOS 5D Mark III inventory nicely reduced. If you've been considering the upgrade to a full frame camera but your budget doesn't stretch to the 5D Mark IV, the 5D Mark III is still worthy of consideration.
 
For what it's worth, the Canon EOS SL1 / 100D was also discontinued.
 
Relevant Links
 
Posted to: Canon News
Post Date: 12/27/2017 10:35:16 AM CT   Posted By: Sean
Canon has submitted several patent applications lately pertaining to DSLR and mirrorless cameras, as uncovered by CanonNews. Here's a quick sampling below:
 
17-35 4.0-5.6 IS (Patent #2017-161568)
The zoom lens includes, successively arranged from an object side to an image side, a first lens group having a negative refractive power and a rear group having at least one lens group and having a positive refractive power as a whole. The first lens group is composed of an 11th lens element having a negative refractive power, a 12th lens element having a negative refractive power, and a 13th lens element having a positive refractive power. A focal length fw of the whole system at a wide angle end, a back focus skw at the wide angle end, and a focal length of the 12th lens element are each appropriately set.
Anti-reflection lens coating (Patent #2017-167271)
A manufacturing method for an optical member includes: a step of applying dispersion liquid containing particles and dispersant on a base material; a step of, after applying the dispersion liquid, applying a solution containing a binder forming component and causing the solution to enter the space between the particles included in the dispersion liquid applied previously, so as to form a single layer having the binder filling the space between the particles; and a step of drying the layer to form an anti-reflection film. The solution contains a silane alkoxy condensate with an average particle diameter of 8 nm or more and 60 nm or less. The solution contains 70 mass% or more of a solvent whose water solubility is 10 wt% or less.
Improved dual ramp ADC sensor design (Patent #2017-175565)
The present invention relates to a solid-state imaging apparatus comprising: a pixel part; a signal generating part for generating a first ramp signal of which the signal value is changed by a first amount of change per unit time and a second ramp signal of which the signal value is changed by a second amount of charge greater than the first amount of change; and a conversion part which uses the ramp signal from the signal generation part to perform analog/digital conversion on a signal from the pixel part. The signal generation part includes a capacitor part, a current supply part and a charge emission part. The current supply part is connected to the capacitor part and charge is accumulated in the capacitor part, thereby generating the first ramp signal and the second ramp signal. The capacitor part and the charge emission part are connected, thereby emitting the charge accumulated in the capacitor part to the charge emission part. A resistance value of an electrical path between the capacitor part and the charge emission part in generating the second ramp signal is smaller in relative to that in generating the first ramp signal.
Improved heat sinks for mirrorless cameras (Patent #2017-169176)
An imaging apparatus comprises: an imaging element; an element substrate on which the imaging element is mounted on a subject side becoming a front side and an electronic component is mounted on a back side; an element holder positioned and fixed to the imaging element; a base member to which the element holder is fixed by a spring member; and heat radiation members and which have heat absorption parts and, are brought into contact with at least a back of the element substrate and fixed to the base member by the spring member with the element holder. The heat absorption parts and are arranged so that they do not protrude to the back side in an optical axis direction from the electronic component.
Hybrid SLR pellicle mirror (Patent #2017-161671)
An imaging device includes: a semi-transmissive mirror that can turn between a first position where subject light is separated to an image pick-up element and a finder and a second position retreating from an imaging optical axis; a light block member that is present at a position not blocking the semi-transmissive mirror when the semi-transmissive mirror (13) is present at the first position, and is configured so as to block the semi-transmissive mirror from an imaging optical axis side when the semi-transmissive mirror is present at the second position; and eyepiece detection means that detects whether a photographer looks into an eyepiece part of the finder. When it is detected by the eyepiece detection means that the photographer does not look into the eyepiece part, the imaging device is configured to move the semi-transmissive mirror and the light block member to the second position.
To read more about these patent applications and view the relevant illustrations, click on this link and enter the patent number (without the "#" sign) in the "Publication of patent application" field.
Posted to: Canon News
Post Date: 12/27/2017 7:49:11 AM CT   Posted By: Sean
 Tuesday, December 26, 2017
From Tamron USA:
 
December 26, 2017, Commack, New York – Tamron USA announced the development of a new VIP Club for registered owners of multiple Tamron lenses. To be launched in 2018, the VIP Club will include select users who have registered their Tamron lenses through the company's online warranty registration system since May 2011 through January 15, 2018 (certain exclusions apply, see website for rules and details). There are three VIP Club levels: Silver for those having registered four purchased lenses; Gold for those having registered five purchased lenses; and Platinum for those having registered six or more purchased lenses. Club membership will be evaluated each year to include new members who qualify and to increase the level of existing members if applicable. The VIP Club will be in effect February 15, 2018 and 2018 members will be notified by email. Complete rules and details of the program are available at www.tamron-usa.com/vipclub.
 
2018 Silver Level Benefits (Four Registered Lenses)
 
Tamron owners who have purchased and registered four lenses during the time-frame of May 2011 and January 15, 2018 are eligible for these 2018 membership perks: Welcome gift; $50 bonus rebate each year of Silver status towards any Tamron lens; 50% off one Tamron event ticket each year of Silver status; 10% discount on non-warranty repairs; invitation to participate in the Tamron VIP Member contest; and three issues of the new Tamron magazine mailed to the member's home.
 
2018 Gold Level Benefits (Five Registered Lenses)
 
Tamron owners who have purchased and registered five lenses during the time-frame are eligible for these 2018 membership perks: Welcome gift; T-shirt; $75 bonus rebate each year of Gold status towards any Tamron lens; 50% off two Tamron event tickets each year of Gold status; free pass to one event per year of Gold status; 15% discount on non-warranty repairs; invitation to participate in Tamron's VIP Member contest; and three issues of the new Tamron magazine mailed to the member's home.
 
2018 Platinum Level Benefits (Six or More Registered Lenses)
 
Tamron owners who have purchased and registered six or more lenses during the time-frame are eligible for these 2018 membership perks: Welcome gift; T-shirt; Tamron apparel; $100 bonus rebate each year of Platinum status towards any Tamron lens; 50% off three Tamron event tickets each year of Platinum status; two free passes to any Tamron event per year if available (excludes Summit); 20% discount on non-warranty repairs; lifetime limited warranty on any new Tamron lens purchased and registered within two years of Club induction at Platinum level; free shipping on any lens sent in for repair; exclusive Tamron Photo Tips Hotline; free 2-week lens loaners, if available; invitation to a 4-day workshop (The Workshop Summit, details below) if qualified; invitation to participate in the Tamron VIP Member contest; invitation for chance to be profiled on the Tamron website; and three issues of the new Tamron magazine mailed to the member's home.
 
The Workshop Summit
 
Members of the Tamron VIP Club Platinum level whose latest lens purchase and lens registration was within the past two years as of January 15, 2018, will be invited to a 4-day/3-night Workshop Summit scheduled for Fall 2018. The Workshop Summit is limited to 25 participants, first-come/first-serve. Invitations will be sent to qualifying Platinum Level members in Spring 2018 by priority mail. The Workshop Summit includes three nights hotel, meals, transportation to/from hotel/airport in destination city, workshop transportation, workshop and loaner lenses. Airfare, home airport transportation, and other incidentals are not included. The Workshop Summit will be offered each year, and Platinum level members may participate in one Workshop Summit during the life of the program.
 
Tamron VIP Program Rules and Details
 
Complete rules and details are at www.tamron-usa.com/vipclub.
 
Registering Tamron Lenses
 
Tamron lens owners are encouraged to register their new purchase at www.tamron-usa.com (click link to go to registration page). Registration is quick and easy and owners enjoy these benefits: Instant serial number verification to ensure that a Tamron USA imported lens with 6-Year Limited USA Warranty and eligible for any qualifying rebate has been purchased; access to product information in the event of loss or theft; custom support if service is ever required; priority contact in the rare event we discover an issue with the registered product; and if subscribe is selected, invitations to local workshops, seminars and sales events, subscription to the Tamron e-newsletter and exclusive promotional offers. And now, registration has the benefit of becoming a Tamron VIP Club Member when membership level requirements are met.
 
B&H carries Tamron lenses.
Category: Tamron News
Post Date: 12/26/2017 4:19:45 PM CT   Posted By: Sean
by Sean Setters
 
By now you've likely heard the same advice many times – "Shoot in RAW format, not JPEG." And the reason you hear that advice so often is because it is vital for obtaining the highest quality from your captured images. But it is important to keep in mind, JPEGs are limited to 8-bits, meaning that a lot of information originally recorded by the sensor is discarded to allow for a minimal file size. Shooting in RAW allows you retain all of the information that was captured at the time the image was taken.
 

But setting your camera to record in RAW format is only the first step. In order to achieve the highest image quality in your final image, you need to maintain a 16-bit workflow through your entire image editing process, especially if you use multiple image editing programs in your workflow. Even if your intended output is a JPEG (8-bit), you'll get a better image quality by maintaining a 16-bit workflow until the very end.
 
Here are some things to look for to ensure you maintain a 16-bit workflow when importing and exporting images, assuming you are starting with a RAW file.
 
Canon's Digital Photo Professional:
 
If importing a RAW file into Digital Photo Professional (v.3 or v.4), then you're working with all the information your file has to offer from the get-go. If you'd like to export your files for use in other editing programs, choose "TIFF 16bit (*.TIF)" as your export file type. Note: If you use the "Transfer to Photoshop" option in DPP, it will export a 16-bit version of the file.
 
Canon Digital Photo Professional 16 bit TIFF

Adobe Photoshop CC
 
When you open a RAW file in Photoshop, it will initially open in Adobe Camera RAW before being imported with the chosen settings. The important thing to look for here is the text displayed beneath your photo which displays the color space, bit depth, resolution and ppi settings for your imported RAW photo.
 
Adobe Camera RAW 16bit Settings

If ACR says "8 bit" below your image, click on the text and choose "16 Bits/Channel" in the drop-down menu beside "Depth" in the window that follows.
 
For saving files in Photoshop for use in other image editors, be sure to use the TIFF file format (the TIFF option is not available in the "Save for Web" dialogue) to preserve the highest quality image moving forward. If saving for posterity, saving as a PSD is recommended to preserve your adjustment layers and masks.
 
Adobe Lightroom CC Classic
 
Lightroom CC Classic imports RAW & TIFF files at their maximum bit rate, but you'll need to choose one of the non-JPEG file formats for export (TIFF, PSD, DNG or Original) to maintain a 16-bit workflow. Note that "Original" and "PSD" will only be optimal export formats if you plan on further processing the file in Photoshop.
 
Lightroom CC Classic Export 16bit TIFF

Lightroom CC Classic Export 16bit PSD

If saving as a DNG, there are no other options necessary to adjust for maintaining the highest image quality.
 
Capture One
 
Capture One imports files at their native bit depth, so there's nothing to specify when opening RAW files. While exporting your TIFF file, you may need to select "16 bit" via the drop-down menu in the Export Recipe Format.
 
Capture One Express Sony 16bit

Affinity Photo
 
Like Capture One, Affinity Photo will open compatible RAW files at their full bit depth. However, you'll need to specify a 16-bit file type while exporting images. The two most common options that support 16bit are TIFF and Photoshop PSD.
 
Affinity Export 16bit TIFF

Affinity Export 16bit PSD

Luminar 2018 and Aurora HDR 2018
 
Both Luminar 2018 and Aurora HDR 2018 open compatible 14/16-bit files (including .RAW and .TIFF) at their native bit depths, and recent releases of the software titles now allow for exporting 16-bit TIFF files, with the export dialogues being the same for both.
 
Luminar 2018 TIFF 16 bit Depth

Summary
 
As previously noted, shooting in RAW is absolutely necessary for obtaining the highest image quality. However, especially if multiple programs are being used in your post processing workflow, saving/exporting 16-bit files will ensure that your images retain high image quality all the way through publication.
Post Date: 12/26/2017 12:41:20 PM CT   Posted By: Sean
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