There more to an overhead portrait then simply looking down on your model, there's the background, lighting and styling to consider.
In this video photographer Gavin Hoey takes the overhead portrait idea on location and uses an area of green grass as his background.
He also shows how working in the right kind of light can make a big difference and then adds some flash and props to create the final shot.
After the shoot Gavin takes you through his editing steps to create a photo which has a warm, faded summer fashion look.
Nikon has released its financial results for Q1 2019 for the fiscal year ending March 31, 2019. The operating profit in their Imaging division has grown from Q1 last year and Nikon attributes that growth to the following:
While the DSLR market shrinks significantly due to expansion of ML cameras, the D850 is still highly evaluated even after a year from its launch: exceeding the sales forecast in all regions and the product mix has been improved.
Decrease in expenses such as marketing purposes, and defer of advertisement expense, resulting in increase of operating profit.
Interestingly enough, while Nikon forecasts an 11.3% reduction in Imaging Products revenue for the fiscal year, it's projecting an increase in operating profit of ¥2.8 billion yen (approx. $25 million USD) year-over-year.
When we were little, every summer my Dad would take my sister and I backpacking. He carried all the gear, while we were left to carry the most important things: our stuffed animals and water bottles. One year, driving back at night after a long day of backpacking on our way out of the mountains in the Eastern Sierra, California, my Dad pulled over to watch a meteor shower. We laid on the ground looking up at the sparkling night sky. There were so many meteors, one after another. I was in awe and amazed. When we saw a shooting star, my dad would say, “Make a wish.” I was so happy that night because I got to make dozens of wishes!
A tool to inspire. A tool to be bold. A tool to build memories.
Portland, OR (August 7th) - Lensbaby—makers of award-winning creative effects lenses, optics and accessories—announces the launch of their most playful and accessible lens yet, the Sol 45.
“Sol 45 opens up a new creative experience for those who want to dip their toes in the Lensbaby pool,” said Craig Strong Lensbaby Co-Founder and CCO. “Sol inspires visual artists to find new and fun ways to see their world by creating unique images in camera - no filters needed.” The Sol 45 responds to those curious and insightful individuals who desire intention, imagination, and passion within each experience they live. This fixed aperture lens features an ease-of-use that injects the classic Lensbaby energy into images while creating a fun photography experience that benefits from the creation of unique photos that are representative of the users’ passions. Users simply identify a subject in frame, bend the lens toward it, rotate the focus ring to bring subject into focus and shoot, ultimately creating a tack-sharp circular area of focus surrounded by bold blur and smooth bokeh. In addition, users can bring the lens’s bokeh blades - situated on hinged arms hiding at the edge of the lens - into the lens’s field of view. These bokeh blades add subtle lines of texture in-camera to the bokeh, creating stylized texture effects that many photographers only experience post-edit.
Since 2004, Lensbaby has challenged photographers to make their creative process one that distinctly captures the voice they find behind the camera. Today, the Sol 45 opens this door to all creatives, regardless of skill level. Enthusiast DSLR and mirrorless camera shooters, especially those who are newer to Lensbaby, now have the opportunity to experiment with the brand’s iconic look for an affordable price of $199.95.
The Sol 45 is made specifically for DSLR and mirrorless cameras, and is compatible with Canon EF, Nikon F, Sony A, Pentax K, Sony E, and Fuji X. The lens will also be available in a 22mm version specifically for Micro 4/3rd shooters. The Micro 4/3rd community is a passionate group who has embraced Lensbaby for years, all while longing for lenses tailored specifically for them. The Sol 22 was developed in a 22mm focal length (44mm equivalent) to serve these photographers.
The Sol 45 will be available for purchase at select Lensbaby-authorized retailers for $199.95 on August 7th, 2018, and the Sol 22 will be available for purchase in September.
August 6, 2018, Commack, New York – Tamron announces the launch of a new ultra-wide-angle zoom lens, the 17-35mm F/2.8-4 Di OSD (Model A037), for 35mm full-frame DSLR cameras. The vision behind the Model A037 is that of an ultra-wide-angle zoom lens that has a separate concept from SP 15-30mm F/2.8 Di VC USD (Model A012), with superb image quality and easy portability. At just 3.5 in in length and 16.2 oz. in weight, it is the smallest and lightest in its class. The focal length ranges from an ultra-wide 17mm that is suitable for professional landscape photography to a standard 35mm perfect for snapshot photography. As for F-stops, the wide-angle end is a large aperture F/2.8, and at the telephoto end is a fast F/4. The Moisture-Resistant Construction and Fluorine Coating help to enhance the user's photographic experience. For those looking to try out an ultra-wide-angle zoom lens for the first time, as well as having a lens that is easily portable, the A037 is the definitive choice. The lens will be available in Nikon mount on September 4, 2018 at suggested retail price of $599. The launch of the Canon mount model will be announced at a later date.
High-performance imaging for shooting vast landscapes in sharp detail The optical construction (15 elements in 10 groups) uses four LD (Low Dispersion) lens elementsto minimize axial chromatic aberrations that can occur with ultra-wide-angle zoom lenses. With two properly positioned GM (Glass Molded Aspherical) lenses, distortion and other aberration can be satisfactorily corrected as well. Being the smallest and lightest in its class and dedicated to high quality imaging, the engineers have paid particular attention to size. The lens has also been carefully designed to allow peripheral point image reproducibility and thereby facilitate a high degree of sharpness and contrast. The Minimum Object Distance (MOD) for the entire zoom range is a short 11 in., so background blurring is still possible when opening the aperture and approaching the subject close-up with this ultra-wide-angle zoom.
Advanced coating technology along with proprietary ghosting analysis simulation technology enabled the high level of backlighting control Resistance to backlighting is extremely important for wide-angle lenses as they are often subjected to strong light sources. The Model A037 has a high level optical construction that repeatedly employs comprehensive ghosting analysis simulation. The BBAR (Broad-Band Anti-Reflection) Coating is highly effective in reducing reflection, allowing ghosting and flare throughout the entire zoom range to be controlled.
OSD (Optimized Silent Drive) enables both excellent AF speed and drive noise reduction The AF drive system employs an OSD (Optimized Silent Drive) to ensure quiet operation. Through the innovative optimization of the system that includes AF system speed reduction gear, Tamron could greatly reduce the drive noise in comparison to conventional AF types with built-in DC motors. AF performance and speed have also been vastly improved. Thus, even if silence is required, AF can be employed without having to worry at all about noise creation. The Model A037 can provide superlative AF precision for exact focus even when shooting moving objects, as well as outstanding trackability.
Circular aperture to produce a smooth-edged bokeh A 7-blade diaphragm is configured to retain a smooth, circular-shaped aperture opening even when stopped down by two stops from the wide-open aperture. This produces a smooth-edged bokeh in background light spots and avoids rugged aperture geometry.
Moisture-Resistant Construction Seals are located at the lens mount area and other critical locations to prevent infiltration of moisture and/or rain drops to provide Moisture-Resistant Construction. This feature affords an additional layer of protection when shooting outdoors under adverse weather conditions.
Fluorine Coating The surface of the front element is coated with a protective fluorine compound that has excellent water- and oil-repellant qualities. The front surface is easier to wipe clean and is less vulnerable to the damaging effects of dirt, dust, moisture or oily fingerprints, allowing for much easier maintenance. The coating also provides an enhanced level of durability, and will sustain its effectiveness for years.
Compatible with TAMRON TAP-in ConsoleTM, an optional accessory The new A037 is compatible with the optional TAMRON TAP-in Console, an optional accessory product that provides a USB connection to a personal computer, enabling users to easily update a lens's firmware as well as customize features including fine adjustments to the AF.
In this video, Profoto brand ambassador Jared Platt breaks down the lighting in several of his images and explains the motivation behind the chosen light setup and how the result enhances the story behind the images.
Making color management simple with an easy-to-follow guide that starts with the basics
Zurich, Switzerland, 1st August 2018 - Datacolor, a global leader in color management solutions, has today launched an extensive color management eBook for photographers and videographers. ‘Spyder5 eBook: Color management can be easy’ is a six-chapter guide providing practical advice to help any photographer or videographer understand color management, from the basics to the advanced. Chapters will be published in three-week intervals and sent to readers once they have registered online. Those who download the eBook will also receive 20% off the Spyder5Pro and Spyder5Elite. The first chapter is now available for download from the Datacolor website here.
"We repeatedly found that even after more than 20 years of digital photography, color management is regarded as a difficult and complex topic and is therefore often neglected. Users often have difficulties with achieving accurate color reproduction and maintaining the brightness of their images in photo books or prints," says Stefan Zrenner, Global Director of Sales and Marketing Consumer Products at Datacolor. "With our free eBook, we want to make our color management know-how accessible to everyone and show that this topic is not complicated at all."
The eBook explores the basics of color management, calibrated photography, and the steps needed to reproduce accurate colors on the monitor, when printing at home and through print service providers.
What to expect from ‘Spyder5 eBook
Chapter One – Understanding Digital Color
The first chapter will walk you through which color measuring instruments you need for color management, and why you should work with RAW data.
Chapter Two – Taking Calibrated Photos
Chapter Two is a guide to the first step in the color workflow – camera calibration. The chapter focuses on the tools available for calibration, obtaining evenly-balanced contrast with the SpyderCUBE, achieving color balance with the SpyderCHECKR, and razor-sharp autofocus using SpyderLENSCAL.
Chapter Three – Monitor Calibration
Discover how to initially calibrate your monitor and find out what a colorimeter can do for you during this process. Chapter three will also teach you how to control ambient light and demonstrate the options a soft proofing tool can offer.
Chapter Four – Fine-adjusting Monitors
Chapter Four delves deeper into monitor calibration, with a focus on making extended calibration settings, and an explanation of what an advanced analysis entails. Learn how to calibrate two monitors, and find out what different elements you need to pay attention to when calibrating a complete studio and a projector.
Chapter Five – Printer Profiling for Accurate Prints
The penultimate chapter teaches you all you need to know about printer profiles, and explains how to check if your printer and printer driver are working properly. Find out what you need to be aware of when working with a Spectrocolorimeter and discover Datacolor’s measuring technology.
Chapter Six – Monitor Proofing and Media
The final chapter deals with your questions on the final stage of your workflow – exploring how to proof your images on your monitor, and what to consider when printing your photos by yourself, on paper, canvas, and foil. The chapter will also tell you all you need to know about monitor proofing during photo printing from a service provider.
Each chapter also contains a detailed glossary of color management terms. The first chapter of the eBook is now available for download from the Datacolor website here.
The My Nikon LIfe YouTube Channel has released a teaser video which boldly proclaims "Gateway to a New Dimension" and shows the new mirrorless mount. Below is a screenshot if you'd like to save yourself 30 seconds.
I thoroughly enjoy lightning photography, but until recently, I had never seriously attempted to capture lightning during the day.
Soon after receiving the MIOPS Camera Trigger, I tested the device during a daytime thunderstorm to see how well it worked.
Site visitors interested in lightning photography are often curious if a triggering device will work in the daytime, and my test revealed that the MIOPS Camera Trigger worked perfectly under even relatively bright conditions.
The same cannot be said about other lightning triggers I've tried.
Even with a good camera trigger, lightning photography during the daytime presents a problem.
How do you balance the exposure so that the lightning bolt is visible in the bright sky while keeping the foreground details from being silhouetted?
The best answer I've come up with – a graduated ND filter and a covered shooting location.
The image above of the Savannah River was taken just before 7:00pm (an hour and 23 minutes before sunset).
While it wasn't as bright at 7:00pm as it would be with midday sun, relatively few opportunities for lightning will be photographed in conditions that bright.
The storm clouds that bring lightning typically block out the sun or at least darken the sky in the area being photographed to some degree.
However, the darkening rarely lowers the sky's exposure to that of the ground beneath it.
That's where the graduated ND filter comes in.
For this shot, I mounted my 5D Mark III, EF 24-105mm f/4L IS USM, MIOPS Camera Trigger on my tripod which was set up under the Savannah Belles Ferry Waving Girl Landing, adjacent the Marriott Hotel along the Savannah River.
To the end of the lens, I attached a 100mm filter holder containing a Cokin NUANCES Z-Pro Soft-Edge 2-stop Grad ND.
By positioning the filter in the holder so that it primarily covered the sky, I was able to better balance out the exposure between the ground/river elements and the sky.
Remember when I mentioned that a covered shooting location was an important part of this technique?
While a lens hood will often prevent rain from accumulating on your front lens element or protective filter, the use of a 100mm filter holder and filters precludes the use of a lens hood.
With a much larger surface area to gather water droplets and ultimately impacting image quality, a location that protects the entire camera rig from rain is ideal.
Of course, if photographing a storm from a vantage point where it isn't raining, no covered location is necessary.
Unfortunately, storms tend to move and photographing lightning is very much a waiting game.
If it isn't raining in your location, the same may not be true 10 minutes later.
And while I'm on the subject of rain, here's some advice: invest in some type of waterproof camera backpack for transporting your gear to and from your shooting location.
I recently picked up a used Lowepro DryZone 100 – predecessor to the now available Lowepro Dryzone 200 – and it's been perfect for these types of outings.
The DZ100 and DZ200 are completely watertight, have plenty of room and are comfortable to wear for moderate distances even with a tripod strapped to the back (although the waist strap sits high on my 6'2" / 1.88m frame).
If you're serious about photographing in extreme conditions, pick up a Lowepro DryZone 200 or similar bag.
Figuring out your desired exposure level for daytime lightning photography is easier than for nighttime lightning photography.
At night, a lightning bolt becomes the primary light source for the sky – where it bounces off of nearby clouds – and, if not illuminated by artificial light, the ground.
It usually takes a few test shots and a little bit of luck to determine the optimal exposure settings for a given nighttime storm.
You can typically vary the shutter speed until the ground is sufficiently bright enough at your chosen aperture and ISO, but that aperture and ISO are keys to determining the brightness level of the sky that results from a lightning strike.
That said, if your shutter speed is too long, you may record multiple lightning strikes within the same image which will cause a substantially over exposed sky.
In other words, sufficient skill and a little bit of luck are important in getting properly exposed nighttime lightning shots.
On the contrary, lightning doesn't typically impact the brightness level of the surrounding sky to a consequential degree during the daytime, generally speaking, unless there is a significantly thick blanket of dark clouds overhead.
Therefore, you can set usually set your exposure to slightly underexpose the sky and your lightning will simply pop out against the underexposed background, such as in the example above.
The ease of setting an exposure really paid off in this case.
The lightning bolt I captured is the only lightning that occurred within my camera's field of view while I was photographing on this particular evening.
In post processing, I darkened the sky a bit further by reducing the luminosity of the blue channel and increased the image's overall contrast and saturation.
The following day I photographed from the same location around 3:30pm and while I didn't catch any lightning, the retreating storm provided an inspiring view.
As you can see, one benefit of attempting to photograph lightning during the day is that, even if you are unsuccessful, the clouds may reward your effort. I used the Cokin NUANCES Z-Pro Soft-Edge 2-stop Grad ND for this image as well.
If you don't have a graduated ND filter in your kit, you can combine multiple exposures to arrive at a similar result (under-expose the sky in the lightning shot and combine that with a brighter ground exposure).
However, any elements that move during the exposure that reside within the field between those two images (the part that simulates the graduated part of the ND filter) will have to be dealt with on an individual basis with specific masking.
I've worked with exposure blending quite a bit over the last few years, and while some extreme exposure latitude situations can certainly benefit from the technique, I've really been enjoying the use of graduated NDs lately. I suppose I'd rather spend more time in the field setting up the camera to capture the image I want (or very close to it) as opposed to spending more time in front of my computer attempting to create a similar image.
Anhui China, Aug 1, 2018 – Venus Optics, the camera lenses manufacturer who had previously launched a number of unique Laowa camera lenses, are proud to announce the Laowa 24mm f/14 2x Macro Probe Lens, a unique & revolutionary macro tool.
Laowa 24mm f/14 2x Macro Probe is the world’s first consumer-grade probe lens that was developed to provide photographers and videographers with a new perspective and remove their shooting barriers while using conventional macro lenses.
Below are the key features of this lens.
The new Laowa 24mm Probe lens can create a Bug-Eye perspective that cannot be done by conventional macro lens.
Not only can it focus really close (2cm @ 2:1) and show a great amount of detail and texture, but also achieve a compelling wide angle 'Bug Eye' view (84.1°).
More background details can then be included into the shots to create a very informative and stunning macro bug-eye perspective.
For telephoto macro lenses, the subject will fill most of the frame and appear isolated from the surrounding environment instead.
2:1 Magnification to Infinity Focus
The new Laowa Probe covers a focusing range from 2:1 macro magnification to Infinity Focus.
Photographers can take advantage of the 2:1 maximum magnification to shoot really small bugs/objects and reveal details that cannot be seen by naked eye.
The wide focusing range (from Macro to infinity) is also particularly useful for videography as both finer details and environmental background can be captured in one shot.
The wide angle design also means much more depth of field at close distance (compared to the telephoto macro lens) so that more background details will now be visible.
Being able to focus so close but still having a deep depth of field is a BIG advantage for both studio and wildlife shooting.
The less blurry background allows the habitat of the subject to be visible in your photo.
Waterproof front lens barrel
The front barrel of the lens is waterproof and it can be used to shoot in any environment.
This makes shooting in liquid no longer a limitation.
The waterproof design also implies that shooting in super dusty environment or with fine powders are not going to be a problem.
40cm long & Tubular Lens Barrel
Thanks to the 40cm (15.7") long barrel, photographers can focus really close to the subject but still keep themselves and cameras distance away.
This unlocks the possibility of shooting in areas which were not accessible in the past. E.g. Shooting a frog hiding in the bushes using our Probe lens, compared to getting a telephoto macro lens super close to avoid leaves blocking your subject.
The long lens barrel also allows photographers to keep a safe distance away when shooting lethal animals.
The big camera body and lens will no longer 'alert' the subject too.
Tiny 2cm lens tip
The tiny 0.2cm-in-diameter lens tip unlocks the possibility to get very low to the ground level to capture a 'delicious' perspective and maximize the visual impact.
The viewers will be like walking on your shooting subject (e.g. Pizza) now.
Moreover, you can insert the lens into tiny caves, bottle or burrows to shoot.
The smaller lens tip also enables proper lighting hitting onto the subject whereas typical macro lenses with larger lens barrels will block most of the light.
LED Ring Light at the tip
A LED ring light (powered through the micro-USB slot on the barrel) is mounted at the tip of the lens to provide additional lighting for focus assistance and video shooting.
Full frame coverage
The Laowa 24mm f/14 Probe can cover both the standard 35mm full frame and Super35 image sensor.
The new Laowa weighs only 1.04 pounds (474 grams) and it’s super light and easy to carry.
The lens has one of the most complicated optics design and houses with 27 elements in 19 groups to deliver the exceptional image quality. Canon EF, Nikon F and Sony FE mounts are currently available for standard version. A cine version with click-less aperture and focus gears in Arri PL mount is also available to order.
The lens is expected to retail at USD 1,499/pc (ex-VAT).
It is currently available to preorder via Kickstarter at a discounted price.
The earliest expected delivery date is September.
The lens will also be available via authorized resellers from October onwards.
You can find more information on the lens via Kickstarter.
Combined company will drive premium camera bag innovation
Santa Rosa, CA – Think Tank Photo Inc. (“Think Tank”) and MindShift Gear LLC (“MindShift”), innovators in premium camera bag design, today announced the merger of the two companies, creating an integrated product suite for professional and advanced photographers.
The merger is effective today, and the companies have immediately combined their business operations.
The combined company will be privately held and operate under the Think Tank brand.
MindShift will continue as a distinct product line for outdoor photography bags and accessories.
Doug Murdoch, Think Tank's founder, president, and lead designer, will continue as Chairman of the Board and president of the combined company.
Corporate headquarters will remain in Santa Rosa, CA.
“We celebrate a milestone today as we formally join two of the top brands in camera bags and photo accessories, Think Tank and MindShift,” said Doug Murdoch.
“Combined under the Think Tank umbrella, and with MindShift's powerful position in the outdoor photography market, we will draw on our decades of experience to push the boundaries of carrying solutions and enhance our reputation as The Choice of Working Professionals.”
Over the past 15 years, Think Tank and MindShift have delivered some of the most innovative and successful carrying solutions addressing the needs of professional and serious photographers and videographers.
These solutions cover the full spectrum of a photographer’s needs including genre-specific features, transportation needs and rapid access to camera gear – enabling them to “Be ready before the moment.”
Murdoch continued, “Both Think Tank and MindShift are growth companies focused on chasing an enormous opportunity ahead of them.
By combining operations for both companies, we can streamline access to our complete product line, making it easier for our international distributors and retail partners to do business with us.”
Combined, Think Tank and MindShift products can be efficiently distributed throughout the world and in hundreds of retailers in the United States.
Use our links at Think Tank Photo and you'll get a free gift and free ground shipping with your purchase ($50.00 minimum purchase required).
Normally, panoramas are pretty straight-forward. But if you're also blending multiple exposures, things seem a little more complicated. But Lightroom offers a simple solution to do both with a set of RAW images, learn how in this tutorial.
Summertime is a great season to create beautiful outdoor portraits. With warm weather and abundant sunshine, summer can be one of the best times of year to photograph portraits on-location. These tips will help you capture a season of stunning portrait images.
Pictured above is my wife, Alexis, and as you can probably tell – in mid-September, assuming no unforeseen calamity arises – our life is going to change in a very dramatic way.
We're expecting a girl.
Our preparations for the new arrival have been going on for months.
A crib has replaced the bed in the second bedroom, new curtains adorn the windows and a matching rug ties it all together.
And all those things would all look great if it weren't for the tons of boxes filling the room containing car seats, tiny clothes, baby wipes, diapers, a diaper bag and all the other things seemingly necessary for a child to survive infancy.
Of course, we're very fortunate to be experiencing a clutter problem. Those boxes will help us through the challenging months ahead.
Even before my wife and I were actually expecting a child, we had started preparing in our own ways. For Alexis, that meant hand knitting baby accessories that would someday keep miniature hands and feet warm.
Those handmade accessories came in handy for notifying close friends and family of the expected arrival.
As for me, I started preparing by purchasing used baby photography props from local photographers and stacking them in a pile in the corner of my studio.
But that pile of baskets, ribbons, fuzzy blankets and knitted hats got me thinking – the images that I will look back on most fondly, the images that will be most dear to me, I haven't even taken yet.
Bryan's been hammering this point home in many of his portrait lens reviews and in the captions of many of the pictures that he posts to the site;
the most important pictures you will ever take will be of the ones you love.
Birthday parties, sporting events, vacations, family get-togethers, graduations, and many more events are all great reasons to have a camera and an appropriate lens readily available.
Increasing height, missing teeth and hairdos that will be well out of style in the next decade should all be documented formally on a monthly basis.
It's at this point in my life that I'm most happy to have a pretty well fleshed-out photography kit.
I know that it's going to be well used over the next few years, and I look forward to looking back at the images created and wondering, "Where did the time go?"
In today's episode of Ask Aputure, production sound mixer Andrew Jones walks us through four tips for getting better audio in your interviews. Use these sound hacks in your next documentary, corporate interview, or PSA to make your audio sound clearer and more crisp. These sound mixing techniques will help you take your filmmaking to the next level!
Did you ever see a whitetail buck wrap a pine branch around its face?
The rut brings out the best in unusual whitetail activity.
This buck is creating (or freshening) a scrape used for communication purposes at this time of the year and the location selected for a scrape typically has a scent branch just above it.
In Watkins Glen State Park, visitors are (mostly) confined to the trail which primarily consist of rock, rock steps and rock walls.
I usually prefer to keep the hand of man out of my landscape photos, but that is not so easy to do at this location.
That the man-made features are so interesting is part of the attraction of this park and that made it easier for me to get out of my box.
While trying to figure out what to do with this scene, I used one of my frequent wide angle tips and that was to get in close to something interesting in the foreground.
I didn't have to get too creative with that advice here because the only foreground I could get close to and still see the waterfall (Pluto Falls) was ... the wall.
Fortunately, that worked out OK.
I especially like how the man-made lines in the stone stairs and wall interact with the natural lines in the rock.
The vertical lines of the water and gorge cutting through the rock intersect those horizontal lines and draw the viewer's eye into the frame.
Photography is all about light, but understanding how to approach lighting for portraits can be intimidating. While there is a lot to learn, these lighting concepts are very easy to grasp once you start putting them into practice. The aim of this article is help you choose where you want to get started with natural light portraits.
How to be a wedding photographer is one thing, but how to attract high end, luxury weddings is another.
There’s a reason top brides and grooms choose certain wedding vendors and it’s really no secret!
Watch this video to find out how to get high end wedding clients in your door and especially how to keep them happy (and sending all of their friends too)!
This image of Alfred Hitchcock taken in 1973 was a turning point in his Albert Watson’s career. In fact, Albert believes “It is the most important shot I ever did because it was a confidence builder.” Read the story here.
MELVILLE, NY – Nikon Inc. is pleased to announce the development of a next-generation full-frame (Nikon FX-format) mirrorless camera and NIKKOR lenses featuring a new mount.
The new mirrorless camera and NIKKOR lenses that are in development will enable a new dimension in optical performance with the adoption of a new mount.
The system is the result of Nikon’s unsurpassed optical and manufacturing capabilities gained through more than a century of imaging expertise.
Proven reliability and trusted performance are core traits of Nikon Digital-SLRs, and decades of feedback from professional creators around the world has further contributed to the development of this system.
Through the development of this new mirrorless camera, Nikon reaffirms our commitment to providing photographers with the ability to capture images that are richer and more vivid than ever before.
Additionally, an F-Mount adapter is being developed that will enable the use of a wide variety of F-Mount NIKKOR lenses with the new camera.
Nikon will continue to lead imaging innovation with the launch of the new mirrorless camera and the continued development of Nikon Digital-SLR cameras as well as the impressive NIKKOR lens lineup.
Soon, Nikon users will have two industry-leading camera systems to choose from, giving consumers the choice to enjoy the unique values that each system offers.
Manfrotto unveils the new Noreg Bags Collection, a totally brand new stylish and functional carrying solution, designed for traveling photographers who use premium mirrorless cameras and enjoy drone photography.
Noreg Camera Backpack-30
Noreg Camera Messenger-30
In addition, Manfrotto releases two new models of its Manhattan Bags Collection, designed for today’s busy city dwellers and commuters with a passion for street photography, for completing its compelling offer of lifestyle photographic bags.
Calling all travelers!
The Noreg Collection is designed for people who combine a special passion for photography with the love for travel.
Cool colors and design, combined with minimalist shapes and premium textures around a core feature that references the essence of Scandinavian design: modularity.
3-in-1 modular bags with two detachable components that can be used separately: a shoulder bag and a laptop sleeve.
Designed for passionate travel photographers who want to escape the ordinary.
Highly distinguished new personal style through the camouflage texture and the cross-positioned straps.
Manfrotto Manhattan carrying solutions are versatile city bags designed to be highly functional.
Manfrotto Manhattan bags transform from photography to media carrier, comfortably holding all the equipment you need around the city.
Watching a lunar eclipse is an incredible experience and photographing it is even more exciting. Capturing the moon as it transitions into a beautiful and colorful moon is thrilling. When I was photographing a lunar eclipse, I watched the full moon as it slowly darkened, turning a stunning deep orange color. The eerie experience moved me as I observed it transition from a bright full moon into a full lunar eclipse. I will share with you information on lunar eclipses and what I learned while photographing them.
Want to see a silhouette of what's to come for Nikon? Look no further than the video above, posted by Nikon Europe yesterday. While the video is quite short (only 1:28 min long), you can skip to the 1:05 mark to see the really intriguing part of the video.
A full-frame mirrorless camera? A medium format mirrorless camera? What do you think?
Sometimes you get lucky with the light on a location portrait shoot and it's perfect for the look you're after. But as photographer Gavin Hoey sees it, if you're adding light to your scene you need make sure what you add looks better then what was already there.
In this video Gavin goes on location to shoot a vintage portrait in a field of long grass. After assessing the quality of the ambient light he uses off camera flash to make the recorded light a lot more dramatic.
The special edition Traveler a Tripod and the brand new L-Bracket a
Upper Saddle River, NJ – July 16, 2018 – In the wake of the collaboration between Vitec Group and Sony, Gitzo presents two best in class products developed specifically for Sony a7 and a9 cameras: the Traveler a tripod and L-Bracket a, addressing professional photographers and premium camera users.
Both new products feature a tailored design to perfectly fit Sony a7 and a9 camera models, helping to increase grip and stability for precise framing and extraordinary composition.
With a dedicated Sony a plate, the Traveler a brings Gitzo’s premium travel tripod to demanding photographers using Sony a cameras.
The new black and silver finishing and new design match the modern aesthetic of Sony a cameras.
The Traveler a is a compact, lightweight travel tripod in Gitzo’s distinctive high-quality design and materials.
It weighs 3.15lbs/1.43kg, extends to 64.96in/165cm high and safely holds up to 22lbs/10kg of gear.
The 180° leg-folding system, pioneered by Gitzo, allow the Traveler a’s legs to reverse-fold around its center column and head, folding down to 16.93in/43cm.
The legs are made of Carbon eXact tubing for superior strength and stiffness in a slimmer size and feature the Traveler G-lock, a travel-size version of Gitzo’s G-lock, designed to ensure security and reduce size and weight.
The specially designed compact rubber feet ensure perfect stability.
The Traveler a features Gitzo’s most compact professional carbon fiber tripod head.
This perfectly balanced, versatile head is engineered to provide the ultimate smoothness and precision of movement and secure locking with independent pan/tilt lock.
The special edition Traveler a tripod features an ergonomic strap made of genuine Italian leather crafted to resemble carbon fiber.
Gitzo also introduces a pioneering L-bracket developed to enable effortless orientation of the a7R III & a9 from Sony.
At 2.7oz/77g, Gitzo’s L-Bracket a is the lightest of its kind on the market.
It is made of a single solid aluminum piece, machined to become one with the most high-level professional mirrorless cameras on the market.
The unique design offers four main attachment points for the camera strap connection, ensuring a secure coupling.
The L-bracket a's upper side is designed to provide full and easy access to camera cabling, either for video shooting or indoor tethering.
It also features dedicated housing for its hex key accessories.
The Gitzo L-Bracket a makes switching from landscape to portrait orientation extremely easy, keeping the camera perfectly balanced.
The Gitzo Traveler a is $999.99 and will be available at authorized Gitzo dealers the week of July 16, 2018 while the Gitzo L-Bracket a is $199.99 and available now at authorized Gitzo dealers.
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We would like to announce that a firmware update for the SIGMA MOUNT CONVERTER MC-11 EF-E is now available.
This firmware update makes the SIGMA MOUNT CONVERTER MC-11 EF-E compatible with the latest firmware of existing SIGMA interchangeable lenses.
For customers who own the SIGMA MOUNT CONVERTER MC-11 EF-E, please update the firmware via SIGMA Optimization Pro? by connecting it to a computer using the supplied USB Cable.
Before updating the MC-11 firmware, please ensure SIGMA Optimization Pro has been updated to ver. 1.4.1 or later for Windows, and ver. 1.4.0 or later for Macintosh from the following download page.
SIGMA MOUNT CONVERTER MC-11 EF-E
Benefits of the Update
It has become compatible with the following SIGMA interchangeable lenses for Canon that have the latest firmware Ver.2.00*.
It has become compatible with the SIGMA 14-24mm F2.8 DG HSM | Art for Canon with firmware Ver.1.01.
It has become compatible with the SIGMA 100-400mm F5-6.3 DG OS HSM | Contemporary for Canon with firmware Ver.2.02.
Now Featuring Up to 6-Core Processors and 32GB of Memory, True Tone Display and the Apple T2 Chip
Cupertino, California — Apple today updated MacBook Pro with faster performance and new pro features, making it the most advanced Mac notebook ever.
The new MacBook Pro models with Touch Bar feature 8th-generation Intel Core processors, with 6-core on the 15-inch model for up to 70 percent faster performance and quad-core on the 13-inch model for up to two times faster performance — ideal for manipulating large data sets, performing complex simulations, creating multi-track audio projects or doing advanced image processing or film editing.
Already the most popular notebook for developers around the world, the new MacBook Pro can compile code faster and run multiple virtual machines and test environments easier than before.
Additional updates include support for up to 32GB of memory, a True Tone display and an improved third-generation keyboard for quieter typing.
And with its powerful Radeon Pro graphics, large Force Touch trackpad, revolutionary Touch Bar and Touch ID, dynamic stereo speakers, quiet Apple-designed cooling system and Thunderbolt 3 for data transfer, charging and connecting up to two 5K displays or four external GPUs, it’s the ultimate pro notebook.
“The latest generation MacBook Pro is the fastest and most powerful notebook we’ve ever made,” said Philip Schiller, Apple’s senior vice president of Worldwide Marketing.
“Now with 8th-generation 6-core processors, up to 32GB of system memory, up to 4TB of super fast SSD storage, new True Tone technology in its Retina display and Touch Bar, the Apple T2 chip for enhanced security and a third-generation quieter keyboard packed into its thin and light aluminum design with all-day battery life, it’s the best notebook for pro users.”
Faster, More Powerful Pro Notebook Computing
The new MacBook Pro is now faster and more powerful, with 8th-generation 6-core Intel Core processors on the 15-inch MacBook Pro for up to 70 percent faster performance and 8th-generation quad-core Intel Core processors on the 13-inch model for performance that’s up to twice as fast.1 With the option to add up to 32GB of memory on the 15-inch MacBook Pro, users can run more apps simultaneously or load larger files into memory.
And with up to a 2TB SSD on the 13-inch model and up to a 4TB SSD on the 15-inch, MacBook Pro gives customers the flexibility to work with large asset libraries and projects wherever they go.
Retina Display with True Tone Delivers Ultimate Viewing Experience
With 500 nits of brightness and support for the P3 wide color gamut, the Retina display on MacBook Pro is the best Mac notebook display ever.
Now with True Tone technology, the display and Touch Bar deliver a more natural viewing experience for design and editing workflows, as well as everyday tasks like browsing the web and writing email.
Apple T2 Chip Delivers Enhanced Security and “Hey Siri” on Mac
Also new to MacBook Pro is the Apple T2 chip, first introduced in iMac Pro.
With the Apple T2 chip, MacBook Pro now delivers enhanced system security with support for secure boot and on-the-fly encrypted storage, and also brings “Hey Siri” to the Mac for the first time.
15-Inch MacBook Pro Highlights
6-core Intel Core i7 and Core i9 processors up to 2.9 GHz with Turbo Boost up to 4.8 GHz
Up to 32GB of DDR4 memory
Powerful Radeon Pro discrete graphics with 4GB of video memory in every configuration
Up to 4TB of SSD storage2
True Tone display technology
Apple T2 Chip
Touch Bar and Touch ID
13-Inch MacBook Pro Highlights
Quad-core Intel Core i5 and i7 processors up to 2.7 GHz with Turbo Boost up to 4.5 GHz and double the eDRAM
Intel Iris Plus integrated graphics 655 with 128MB of eDRAM
Up to 2TB of SSD storage2
True Tone display technology
Apple T2 Chip
Touch Bar and Touch ID
New Leather Sleeves for MacBook Pro
First introduced with MacBook, Apple leather sleeves are now available for the 13-inch and 15-inch MacBook Pro in Saddle Brown, Midnight Blue and, for the first time, Black.
Designed with high-quality leather and a soft microfiber lining for extra protection, the sleeves are a perfect complement to MacBook Pro for users on the go.
macOS Mojave Coming This Fall
This fall, MacBook Pro can be updated with macOS Mojave, the latest version of the world’s most advanced desktop operating system, with new features inspired by pros but designed for everyone.
In macOS Mojave, a new Dark Mode transforms the desktop with a dramatic new look that puts the focus on user content.
The new Stacks feature organizes messy desktops by automatically stacking files into neat groups.
Familiar iOS apps, including News, Stocks, Voice Memos and Home, are now available on the Mac for the first time.
FaceTime now adds support for group calling, and the Mac App Store gets a full redesign featuring rich editorial content and the addition of apps from top developers, including Microsoft and Adobe.
Pricing and Availability
Starting at $1,799 and $2,399 respectively, the updated 13-inch MacBook Pro models with Touch Bar and 15-inch MacBook Pro models with Touch Bar are available today through select Apple retail stores and Apple Authorized Resellers later this week.
The 1.3.0 update includes numerous features enhancements and bug fixes for the Windows and Mac versions.
Mac New & Improved Features:
IMPROVED Raw Develop. The Raw Develop filter has improved handling of the Lens and Transform effects. Effects are not shown on the left side (Before) when using the Compare option. The effects are also not blended with original when using the Filters Amount slider.
IMPROVED Sharpening. The Sharpening filter is more responsive and accurate. As you adjust the controls all changes are visible in high resolution with real-time feedback.
IMPROVED Batch Processing. You can now export to several file formats including new options for PDF and JPEG-2000.
IMPROVED LUT Mapping. You can now easily scroll through your LUTs in the LUT Mapping filter. Just hover your mouse over a LUT and it updates in real-time.
IMPROVED Language Support. Luminar offers eight Improved localizations: Chinese, Chinese Simplified, French, German, Japanese, Portuguese, Portuguese (Brazil), and Spanish.
IMPROVED Image History. It is now possible to use the “Save History” option when saving a file with the “Windows Compatible” option. Additionally, White Balance presets are now displayed in an image’s history with the preset name when using the RAW Develop and Develop filters.
NEW Plugin Support. The following third-party plugins can now be used via the Plugins menu: Imagenomic Noiseware 5, Imagenomic Portraiture 3, Imagenomic Realgrain 2, and DxO FilmPack 5.
IMPROVED Filter Controls. To save you time, all filter checkboxes can be enabled or disabled by clicking on the control name or the checkbox. Additionally, be sure to try scrubbable number sliders. Just mouse over the value for a filter and then click and drag left or right to move the slider.
IMPROVED JPEG Controls. Take precise control over JPEG and JPEG-2000 compression. You can see a numeric value for the Quality slider. You can also click on the number and enter a precise value.
Windows New & Improved Features:
NEW Faster opening of RAW-files. You can now open raw files much faster thanks to improvements in our RAW engine.
NEW White Balance Tool. A new White Balance functionality and eyedropper tool have been added to the Raw Develop, Develop, and Color Temperature filters.
NEW Image History. It is now possible to use the “Save History” option when saving a file. Additionally, White Balance presets are now displayed in an image’s history with the preset name when using the RAW Develop, Develop and Color Temperature filters.
NEW Layer Renaming. For all new layers, you add to a document (except for the original image) you can choose to assign a custom name. Just double-click on a layer’s name to edit it. This is a great way to organize adjustment and image overlay layers in your project.
IMPROVED Filter Performance. You can now add or subtract filters more quickly to an image.
IMPROVED Blending Modes. When you choose a blending mode for an Adjustment or Image Layer, the experience is even easier. Just hover your mouse over a blending mode and it updates in real-time. This is an easy way to simply mouse-over the list to find the perfect blending mode.
IMPROVED LUT Mapping. You can now easily scroll through your LUTs in the LUT Mapping filter.
IMPROVED Language Support. Luminar offers seven improved localizations: Chinese, Chinese Simplified, French, German, Japanese, Portuguese (Brazil), and Spanish.
NEW Canvas Color. You can now set the Canvas background color to White. Choose View > Background > White to set the working Canvas to White or choose from other shades of gray or black.
IMPROVED Sharpening. The Sharpening filter is more responsive and accurate. As you adjust the controls all changes are visible in high resolution with real-time feedback.
NEW DNG Camera Profiles (DCP). Are you looking for truly professional control over your raw files? Then give DNG Camera Profiles a try. Luminar recognizes the industry standard DCP files that you may already have on your computer (or have bought from third parties).
IMPROVED Batch Processing. Windows users gain the useful Batch Processing improvements. These include the ability to “Replace or Skip Files” when saving the file with the same name when Batch Processing. Additional options include the ability to create JPEG and TIFF files as well as improved reliability when renaming and numbering files on export.
Note: Use coupon code THEDIGITALPICTURE to save $10.00 on your Skylum Luminar purchase.
Our eyes are typically drawn to the areas of an image containing the strongest contrast.
The head and antlers of a whitetail buck are typically this animal's most interesting features and placing those against a nearly blown-out sky utilizes the contrast principle, making them especially eye-catching.
Being in the right place at the right time is always a key for wildlife photography, but in this situation, a key to getting the desired framing was to adjust the camera height.
Lowering the camera position until the foreground grasses were just below the buck's head and neck provided an angle that positioned the buck's head against the sky and void of distracting lines intersecting the animal.
A lower camera position also makes it easier to get the catchlight sparkle in the eyes.
Working from a monopod makes that elevation adjustment able to happen very fast.
The strong background blur created by the 600mm f/4 lens of course further emphasizes this subject.
The blur this lens creates is addicting.
Nikon to Award $25,000 to Support Talented Photojournalists, from Around the World, Working on Documentary Photography Projects
MELVILLE, NY – Nikon Inc. is pleased to announce the five recipients of the 2018 Women Photograph + Nikon Grant.
The Grant, a continuation of Nikon’s ongoing support for the next generation of visual storytellers, is a collaboration with Women Photograph to help elevate the voices of female and non-binary photojournalists.
“As a brand, Nikon is committed to empowering photographers to tell impactful stories through compelling photography and videos,” said Lisa Baxt, Associate General Manager, Communications, Nikon Inc.
“Each of these five talented individuals have a powerful visual voice, and we are proud to lend our support and help them continue to share their stories with the world.”
Nikon Inc. partnered with Women Photograph to identify five emerging and accomplished female and non-binary photographers and award each with a $5,000 USD grant to support their documentary projects and elevate their voices within the photojournalism community.
The five recipients are:
Anna Boyiazis (USA), an American documentary photographer, focusing on issues including human rights, public health, and women’s rights
Jess Dugan (USA), an American documentary photographer who focuses on social issues surrounding identity, gender, sexuality, and community, showcasing the LGBTQ community
Ana Maria Arevalo Gosen (Venezuela), a documentary photographer with an education in political sciences, documenting the economic hardships that have plagued her home country
Etinosa Yvonne Osayimwen (Nigeria), a self-taught photojournalist, using the power of photography to tell stories and amplify the voices of less privileged individuals in Nigeria
Tasneen Alsultan (Saudi Arabia), a freelance investigative writer and photographer working in the Middle East focusing on human rights and social issues specific to gender in the Arab Gulf region
“We received more than a thousand proposals for the Women Photograph + Nikon Grants from photojournalists around the world,” said Daniella Zalcman, founder and director of Women Photograph. “We are excited to see Nikon promoting our mission to diversify the photography industry and amplify the voices of women and non-binary storytellers from all corners of the globe.”
With its Impressive NIKKOR 24-3000mm Equivalent Optical Zoom Lens and Advanced Shooting Controls, the New COOLPIX P1000 Brings Creative Possibilities Closer Than Ever
July 10, 2018 – MELVILLE, NY – Today, Nikon Inc. announced the COOLPIX P1000, the new undisputed powerhouse of superzooms.
With an incredible 125X optical zoom (24-3000mm equivalent) powered by high performance NIKKOR optics; the P1000 is the ideal companion camera for birding, sports, wildlife and celestial-photographers seeking superior performance from extreme distances.
Beyond its incredible zoom range, the versatile 16-megapixel COOLPIX P1000 captures 4K UHD video and offers a myriad of manual controls, as well as user-friendly functions including built-in Wi-Fi1 and Bluetooth2 connectivity, letting photographers of all levels explore and share their creativity.
“The COOLPIX P1000 is the first of its kind for a compact digital camera,” said Jay Vannatter, Executive Vice President, Nikon Inc.
“It raises the bar for superzoom cameras and is a testament to our commitment to delivering innovative tools that offer creative freedom to capture and allow users to share their unique visions of the world.”
Powerful Optics go the Distance
The COOLPIX P1000 incorporates state-of-the-art NIKKOR technology, designed with ED and Super ED lens elements, boasts the world’s most powerful3 125X optical zoom lens (24-3000mm f/2.8-8) and 250X Dynamic Fine Zoom4, equivalent to a staggering 6000mm from macro to extreme distances.
This powerful zoom range gives the P1000 the versatility to chronicle an adventure filled vacation, capture a favorite ballplayer from the top tier of a stadium or fill the frame with celestial objects like the moon, that normally only a telescope could reach.
To handle such extreme distances, the camera is equipped with the latest Nikon EXPEED image processing system and Dual Detect Optical VR technology for 5-stops5 of camera shake compensation that help capture sharp images and reduce blur.
Featuring a 16-megapixel back-side illuminated (BSI) CMOS sensor and expanded ISO range up to 6400, the P1000 affords users the versatility to capture superior image quality even under challenging lighting conditions.
The COOLPIX P1000 also boasts a variety of high-speed features including a quick start-up and fast Autofocus (AF) system, making it an ideal choice for capturing action from the sidelines of your kid’s soccer game or from an adventure-packed safari.
Additionally, whether capturing a ballplayer sliding into home plate or photographing a bird in flight from afar, users will feel confident finding, tracking and capturing these far-away subjects using the camera’s snap-back zoom feature which temporarily expands the field of view for super-telephoto shots.
Versatility Ignites Creativity
The COOLPIX P1000 makes it easier than ever for photographers to express their personal creativity.
Through its host of manual functions and RAW (NRW) image output, the P1000 is great for advanced users seeking precise control from point of capture to post-production.
The COOLPIX P1000 offers an innovative control layout complete with a function button, command dial and mode dial to bring frequently used functions to a photographer’s fingertips.
Additionally, the camera includes a focus mode selector that can be used to change the focus mode and a control ring that allows for the adjustment of settings such as the white balance and manual focus.
Photographers will find the camera’s built-in 2.3-million dot OLED electronic viewfinder (EVF) helpful when composing their shot, while the Vari-Angle 3.2-inch 921K-dot TFT LCD display is ideal for capturing challenging angles like framing a performer on a concert stage.
The COOLPIX P1000 offers numerous picture controls, creative modes and filter effects to help photographers bring their creative vision to life.
Whether capturing the night sky or a bird perched on a tree branch, users can take advantage of the camera’s designated scene modes, such as Moon Mode and Bird Watching Mode, to automatically adjust settings to deliver brilliant results in a variety of environments.
While amazing for extreme zoom, the COOLPIX P1000 also supports versatile shooting scenarios like capturing macro images from as close as 1 cm away.
Beyond mastering still photography from both near and far, the P1000 is also capable of incredible 4K UHD video with stereo audio recording and time-lapse effects to further expand artistic expression.
Lastly, with built-in Wi-Fi and Bluetooth connectivity, images will transfer automatically to a photographer’s compatible mobile device so family and friends can view stunning vacation moments or epic shots of the night sky in real time.
New Accessory: Bluetooth Connected Remote
The new COOLPIX P1000 is equipped with an accessory terminal and an accessory shoe that supports a wide variety of compatible devices, including external Nikon Speedlights.
To bring more capabilities and creative control to photographers, Nikon also announced the new ML-L7 Bluetooth connected remote as another optional accessory available for the COOLPIX P1000.
The ML-L7 Bluetooth connected remote control expands the shooting possibilities of the P1000 by enabling users to trigger various camera functions, including video start and smooth zoom control, remotely.
Price and Availability
The COOLPIX P1000 will have a suggested retail price (SRP) of $999.95 and will be available in September 2018.
The new ML-L7 Bluetooth connected remote control will also be available in September 2018 for a SRP of $49.95.
When you hear the phrase "105mm f/1.4 lens," what kinds of image characteristics or shooting circumstances immediately come to mind?
For me, it's a wonderful subject/background separation via soft, creamy bokeh and a compression that helps create a pleasing head shot.
It's low light shooting, where the wide f/1.4 aperture allows for capturing imagery in situations where an f/2.8 just won't do.
But in its latest promo video, Sigma decided not to feature any of the traits that make its 105mm Art lens so desirable.
Instead, they had photographer Sascha Hüttenhain shoot full-bodied images dancers, in his studio, in front of a white backdrop.
This has got to be one of the worst marketing videos I've ever seen. It doesn't highlight the product's strengths, at least through its concept or imagery.
While the narrorator indeed mentions that the lens is "...ideally suited for low-light situations, or to seperating subject and background," the video doesn't highlight either of these uses.
First of all, the entire shoot takes place in a studio that's lit with high-power strobes and/or fresnel lights.
If you're in a studio using strobes, guess what? You don't need an f/1.4 aperture.
And second, the blank white background used makes it impossible to discern any subject-to-background separation created by the lens.
But even if the background wasn't blank, the loosely framed full body portraits wouldn't really show off the lens' background separation capabilities unless the background was miles away.
Throughout the video, there's only one image out of five (found at the 1:40 mark) that even hints at the lens' wide aperture results.
In otherwords, the photographer could have used any lens featuring a 105mm focal length for the featured shoot.
Do you already own a 70-200mm telephoto zoom? How about a 24-105mm general purpose zoom? Good! You already have what you need for shooting dancers in a studio using a blank white wall.
Sigma, if you're going to make me want this lens, you're going to have to showcase what makes the lens special.
Show me what the results look like at f/1.4 where you're blurring a not-so-photogenic background into oblivion.
Show me how I can capture a dancing couple in very low light with string lights draped in the background.
But please, Sigma, don't show me an official marketing video that makes the unique features of your product seem completely irrelevant.
If you have more imagination than Sigma and know how to make the 105mm f/1.4 DG HSM Art lens shine, you can preorder the lens at the following retailers: B&H | Adorama | Amazon | Wex Photo Video