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 Monday, October 16, 2023

Just posted: Sigma 10-18mm F2.8 DC DN Contemporary Lens Review.

Again, this is going to be a popular lens.

Sharing this review supports the site.

Also support this site by ordering the Sigma 10-18mm F2.8 DC DN Contemporary Lens (or anything else) from B&H | Adorama | Amazon (all available countries) | Camera Canada | WEX

Rent the Sigma 10-18mm F2.8 DC DN Contemporary Lens from Lensrentals.

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Posted to: Canon News, Sony News   Category: Camera Gear Review News
Post Date: 10/16/2023 8:54:59 AM ET   Posted By: Bryan
 Sunday, October 15, 2023

Two weeks of guiding elk photography in Rocky Mountain National Park resulted in a rather overwhelming number of images. Selecting the keepers is a huge project, and deciding which image to share first was daunting. It seems that everyone loves breath shots, so I'll start with that option.

This bull walked in so close to us that it didn't fit in the 600mm frame when its head was turned. While I liked the tight image that crops the back of the antlers, I knew that having the entire elk and its breath in the frame might be an option I later wanted.

To avail that option, additional images containing the cropped content on the left and right were captured immediately after the primary image, and the three images were manually stitched in Photoshop as a panorama.

This image utilized a camera position near the ground, just high enough to create a blur that transitions into the animal's legs, and elk legs are one of my favorite leading line sources, especially when they are equally spaced apart. The relatively close proximity of the elk combined with the distant background creates a strong background blur that makes this bull stand out.

Getting obvious breath in an image requires cold temperatures and a supporting background. While I could see the breath in many other images by the changes apparent when browsing one after the other, light-colored and detailed backgrounds often hide the breath in single images. A dark background and backlighting create an ideal scenario for making the breath element obvious.


A larger version of this image is available here.

 
Camera and Lens Settings
600mm  f/4.0  1/400s
ISO 5000
7967 x 8843px
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Posted to: Canon News, Sony News   Category: Photo Tips and Stories
Post Date: 10/15/2023 8:00:00 AM ET   Posted By: Bryan
 Monday, October 9, 2023

Just posted: Sony FE 16-35mm F2.8 GM II Lens Review

This is a great little lens.

I need you to share this review!

Support this site by ordering the Sony FE 16-35mm F2.8 GM II Lens (or anything else) from B&H | Adorama | Amazon (all available countries) | WEX | Camera Canada

Rent the Sony FE 16-35mm F2.8 GM II Lens from Lensrentals.

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Posted to: Canon News, Sony News   Category: Camera Gear Review News
Post Date: 10/9/2023 12:19:15 PM ET   Posted By: Bryan
 Thursday, October 5, 2023

From Sigma Corporation:

Development announcement of SIGMA 70-200mm F2.8 DG DN OS|Sports

The SIGMA Corporation is pleased to announce the development of the SIGMA 70-200mm F2.8 DG DN OS | Sports.

The SIGMA 70-200mm F2.8 DG DN OS | Sports is a large-aperture zoom lens for full-frame mirrorless cameras. In addition to the expressive imaging capabilities owing to the latest optical design, the lens offers a high level of performance and features that meet the expectations of professionals in both still and video, including high-speed autofocus with HLA (High-response Linear Actuator), optical stabilizer with the latest algorithm "OS2", and the superior weather resistance of SIGMA’s Sports line.

Combined with the SIGMA 14-24mm F2.8 DG DN | Art and the SIGMA 24-70mm F2.8 DG DN | Art, SIGMA's three zoom lenses for full-frame mirrorless cameras with a bright F2.8 constant aperture cover a wide range of focal lengths.

Launch: December, 2023

Available mounts: L-Mount, Sony E-mount

*The appearance and specifications of the product are subject to change.

* This product is developed, manufactured and sold based on the specifications of E-mount which was disclosed by Sony Corporation under the license agreement with Sony Corporation.

* L-Mount is a registered trademark of Leica Camera AG

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Posted to: Canon News, Sony News   Category: Sigma News
Post Date: 10/5/2023 4:13:27 AM ET   Posted By: Bryan

Image quality, vignetting, flare, and distortion test results, along with specs, measurements, and standard product images, are now available on the Sigma 10-18mm F2.8 DC DN Contemporary Lens page.

This is going to be a popular lens.

Please share!

Support this site by ordering the Sigma 10-18mm F2.8 DC DN Contemporary Lens (or anything else) from B&H | Adorama

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Posted to: Canon News, Sony News   Category: Camera Gear Review News
Post Date: 10/5/2023 4:00:00 AM ET   Posted By: Bryan

From Sigma Corporation of America:

SIGMA Announces 10-18mm F2.8 DC DN | Contemporary, the World's Smallest and Lightest F2.8 Zoom Lens for APS-C Mirrorless Cameras

Ronkonkoma, NY – October 5, 2023 – SIGMA Corporation of America, the US subsidiary of SIGMA Corporation (CEO: Kazuto Yamaki. Headquarters: Asao-ku, Kawasaki-shi, Kanagawa, Japan) is pleased to announce the SIGMA 10-18mm F2.8 DC DN | Contemporary lens. This is the first SIGMA lens being announced and released concurrently for the L-Mount, Sony E-mount and Fujifilm X Mount. The lens will be available through authorized retail partners on October 26, 2023 for $599.

This is the world's smallest and lightest F2.8 zoom lens designed for APS-C format mirrorless systems at just 2.8 x 2.4 inches (72.2 x 62mm) and 9.2 ounces (260g)*. The lens covers a 15-27mm (35mm equivalent) focal range, with a fast F2.8 constant aperture. Paired with the 18-50mm F2.8 DC DN | Contemporary, this duo of lenses covers a 15-75mm (35mm equivalent) range with the same bright F2.8 maximum aperture at a combined weight of under 19.5 ounces (550g).

* As an AF F2.8 zoom lens for mirrorless cameras with an APS-C sensor. As of October 2023 by SIGMA. Figures are for L-Mount. Additional specifications included in the full press release below.

The SIGMA 10-18mm F2.8 DC DN | Contemporary uses an aspherical concave lens with a large polarization ratio and high refractive index in the first group, reducing the number of elements in the first group and shortening the overall length. Additionally, a new push-on petal type hood has been developed. Thanks to the new structure with a spring and lever, which is not utilized by any other manufacturer, the hood has been made both thinner and smaller, which also contributes to the overall compactness of the lens.

The optical design of the lens delivers a short 4.6 inch (11.6cm) minimum focusing distance and a maximum magnification ratio of 1:4 at the wide end, allowing for close-up photography with pleasing background separation. The optical design also minimizes focus breathing, and the stepping motor delivers swift, quiet autofocus during both still and video use.

Thanks to its high optical quality and compact size, the SIGMA 10-18mm F2.8 DC DN | Contemporary lens is an excellent choice for travelers, adventure photographers, vloggers, content creators, and family photographers who want great image quality when paired with today's leading lightweight crop-sensor cameras on the three supported mirrorless platforms.

#SIGMA #SIGMA1018mmContemporary #SIGMAContemporary #SIGMAContemporaryZoom

C | Contemporary
SIGMA 10-18mm F2.8 DC DN

Small lens, big personality

  1. Large-aperture, ultra-wide-angle zoom with expressive imaging capabilities
  2. Extremely compact and lightweight
  3. Ideal for landscapes, travel, video and online content creation

Available: October 26th, 2023
Supplied accessories: Push-on petal type hood LH706-02, FRONT CAP LCF-67mm ?, REAR CAP LCR II
Available mount: L-Mount, Sony E-mount, FUJIFILM X Mount

* The appearance and specifications of the product are subject to change.

* This product is developed, manufactured and sold based on the specifications of E-mount which was disclosed by Sony Corporation under the license agreement with Sony Corporation.

* L-Mount is a registered trademark of Leica Camera AG

#SIGMA #SIGMA1018mmContemporary #SIGMAContemporary #SIGMAContemporaryZoom #SIGMADCDN

Create expressive images on the go with the world's smallest and lightest ultra-wide-angle zoom lens for APS-C cameras*

The SIGMA 10-18mm F2.8 DC DN | Contemporary is the world's smallest and lightest ultra-wide- angle zoom lens for APS-C cameras*, covering an effective focal range of 15-27mm (35mm equivalent). With ultra-sharp optics, a bright F2.8 aperture and a newly developed push-on petal type lens hood, photographers can create expressive images anytime, anywhere. The lens features a unique aspherical element that reduces the overall size of the lens and enhances image quality.

An 11.6cm (1:4) minimum focusing distance to produce unique compositions, with expansive backgrounds and pleasing bokeh. With a weight of only 260g*, a fast AF stepping motor and minimal focus breathing, the lens can be easily mounted onto a motorized gimbal to create impressive video content for social media use and professional projects. The lens is available for L-Mount, Sony E-Mount and FUJIFILM X Mount systems.

* As an AF F2.8 zoom lens for mirrorless cameras with an APS-C sensor. As of October, 2023 by SIGMA.

* L-Mount Specification.

[Key features]

1. Large-aperture, ultra-wide-angle zoom with expressive imaging capabilities

By utilizing unique optics which have been designed to correct lens aberrations, the SIGMA 10-18mm F2.8 DC DN | Contemporary produces images that are sharp across the entire image.

Aspherical lens, special low-dispersion glass

The use of an aspherical lens with large eccentricity and refractive index as the first lens element has enabled a lens construction with a reduced number of elements. Used in conjunction with multiple aspherical lenses and special low-dispersion glass, the lens can produce high resolution images whilst remaining compact and lightweight.

Minimum focusing distance 11.6cm, maximum magnification ratio 1:4

Create expressive close-up images using the 11.6cm minimum focusing distance when shooting at 10mm. With a magnification ratio of 1:4, the lens captures unique portraits, still life and more.

2. Extremely compact and lightweight

The SIGMA 10-18mm F2.8 DC DN | Contemporary is the world's smallest and lightest ultra-wide angle zoom lens for APS-C cameras*, with a length of 62.0mm, a maximum diameter of 72.2mm, and a weight of 260g*. The lens can be carried around with ease or attached to an APS-C mirrorless camera and a gimbal to create an ultra-portable video setup.

* As an AF F2.8 zoom lens for mirrorless cameras with an APS-C sensor. As of October, 2023 by SIGMA.

* The values are for L-mount.

Newly developed push-on petal type hood

A newly developed push-on petal type hood is included with the lens. Unlike the conventional bayonet type lens hoods that attach with a rotating movement, this push-on type lens hood is attached onto the lens using a spring and lever system. The implementation of this new design reduces the size and thickness of the hood so that it matches the compact size of the lens.

Compact, lightweight, high-performance F2.8 constant aperture zoom lens series

When combined with the SIGMA 18-50mm F2.8 DC DN | Contemporary, a total, unbroken focal range of 15-75mm (35mm equivalent) with a constant F2.8 aperture can be covered. The combined weight of both lenses is only 550g.

* The values are for L-mount.

Fast-growing lineup of lenses for APS-C mirrorless cameras

In addition to the SIGMA 18-50mm F2.8 DC DN | Contemporary, the lineup of lenses for APS-C mirrorless cameras includes 16mm, 23mm, 30mm, and 56mm prime lenses, all with F1.4 brightness. This flexible lens selection can be used for a wide variety of photographic applications.

*Lineup is as of October 2023.

Mount with dust and splash resistant structure

The lens mount incorporates rubber sealing to protect it from dust and water drops.

3. Ideal for landscapes, travel, video and online content creation

With ultra-wide focal length, portable body and razor-sharp optics, the SIGMA 10-18mm F2.8 DC DN | Contemporary is the perfect portable option for landscape, travel, interior and street photography. It also boasts impressive video capability owing to its bright F2.8 aperture, which makes it well-suited to shooting in low-light environments and creating a shallow depth-of-field. The ultra-wide angle-of-view is ideal for hand-held vlogging that requires the capture of both the subject and the environment.

Designed to minimize focus breathing

The lens has been designed to suppress focus breathing. The change in angle-of-view due to focus shift is minimized, creating a natural-looking focus shift when recording video.

Supports various camera functions

The lens is compatible with the electronic image stabilization function, aberration correction function, DMF, and AF+MF in camera bodies from various manufacturers. The advantage using this ultra-wide-angle lens is that it provides a generous angle-of-view even when the electronic image stabilization function crops the image.

* Function available on supported cameras only. Available corrections or auto correction functionality may vary depending on the camera model.

Stepping Motor

A fast and quiet stepping motor is used to deliver precise AF when shooting stills and video. It is fully compatible with in-camera AF tracking modes.

[Additional features]

  • Lens construction: 13 elements in 10 groups (3 FLD, 1 SLD, and 4 aspherical elements)
  • Inner focus system
  • Compatible with high-speed autofocus
  • Stepping motor
  • Compatible with Lens Aberration Correction
    *Function available on supported cameras only. Available corrections or auto correction functionality may vary depending on the camera model.
    *On cameras where lens aberration correction is controlled with ‘ON’ or ‘OFF’ in the camera menu, please set all aberration correction functions to ‘ON'(AUTO).
  • Support DMF and AF+MF
  • Compatible with AF assist (Sony E-mount only)
  • Super Multi-Layer Coating
  • Support for switching between linear and non-linear focus ring settings on L-Mount bodies
    * Function available on supported cameras only.
  • Mount with dust and splash resistant structure
  • Push-on petal type hood LH706-02
  • Compatible with SIGMA USB DOCK UD-11 (sold separately / for L-Mount only)
  • Designed to minimize flare and ghosting
  • Every single lens undergoes SIGMA’s proprietary MTF measuring system
  • 7-blade rounded diaphragm
  • High-precision, durable brass bayonet mount
  • Mount Conversion Service available
  • "Made in Aizu, Japan" craftsmanship

To learn more about SIGMA’s craftsmanship, please visit SIGMA website at: https://www.sigma-global.com/en/about/craftsmanship/

[Key specifications] The figures below are for L-Mount.

Lens construction: 13 elements in 10 groups (3 FLD, 1 SLD, and 4 aspherical elements)

Angle of view: 109.7°-76.5° (APS-C)|Number of diaphragm blades: 7 (rounded diaphragm)

Minimum aperture: F22|Minimum focusing distance: 11.6 (W) -19.1 (T) cm / 4.6 (W) -7.6 (T) in. | Maximum magnification ratio: 1:4 (W) - 1:6.9 (T)|Filter size: f67mm

Dimensions (Maximum Diameter x Length): f72.2mm × 62.0mm / f2.8in. × 2.4in.

Weight: 260g / 9.2oz.

[Barcode]

L-Mount: 0085126 207694 Sony E-mount: 0085126 207656 FUJIFILM X Mount 0085126 207755

[Accessories: Supplied] Name of product / barcode

Lens Hood LH706-02: 0085126 941093
FRONT CAP LCF-67mm: 0085126 929473
REAR CAP LCR: L-Mount 0085126 937256
Sony E-mount 0085126 929879
FUJIFILM X Mount 0085126 939861

[Accessories: Optional] Name of product / barcode

SIGMA USB DOCK UD-11 for L-Mount: 0085126 878696
SIGMA WR CERAMIC PROTECTOR 67mm: 0085126 931803
SIGMA WR PROTECTOR 67mm: 0085126 930943
SIGMA PROTECTOR 67mm: 0085126 931070
SIGMA WR UV FILTER 67mm: 0085126 930684
SIGMA WR CIRCULAR PL FILTER 67mm: 0085126 930813

Orders

Support this site by ordering the Sigma 10-18mm F2.8 DC DN Contemporary Lens (or anything else) from B&H | Adorama

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Posted to: Canon News, Sony News   Category: Sigma News
Post Date: 10/5/2023 4:00:00 AM ET   Posted By: Bryan
 Tuesday, October 3, 2023

Image quality, vignetting, and distortion test results, along with specs and standard product images, are now available on the Sony FE 16-35mm F2.8 GM II Lens page.

The Sony FE 16-35mm F2.8 GM II Lens is shown between the Sony FE 16-35mm F2.8 GM Lens in this post's image, showing the II's nicely reduced size.

Let's look at some image quality comparisons:

Compared to the Sony FE 16-35mm F2.8 GM Lens

Compared to the Sony FE 12-24mm F2.8 GM Lens

Compared to the Tamron 17-28mm f/2.8 Di III RXD Lens

Compared to the Sigma 16-28mm F2.8 DG DN Contemporary Lens

Compared to the Sigma 14-24mm f/2.8 DG DN Art Lens

Compared to the Canon RF 15-35mm F2.8 L IS USM Lens

Please share!

Support this site by ordering the Sony FE 16-35mm F2.8 GM II Lens (or anything else) from B&H | Adorama | Amazon (all available countries) | WEX | Camera Canada

Rent the Sony FE 16-35mm F2.8 GM II Lens from Lensrentals.

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Posted to: Canon News, Sony News   Category: Camera Gear Review News
Post Date: 10/3/2023 8:00:00 AM ET   Posted By: Bryan
 Thursday, September 14, 2023

From Rode:

MacOS Sonoma and How It Impacts RØDE Products

Released 14 Sep 2023

Apple recently announced its latest major MacOS update, Sonoma. This is currently in beta and will most likely be rolled out in mid-late 2023.

A limitation has been identified in Intel-based Mac devices running Sonoma that affects compatibility with some MFi-certified USB audio devices (note: this does not includes M1 and M2 Macs).

MFi stands for “Made for iOS" and is a certification that denotes that an accessory has been approved by Apple to be used with its products. Many RØDE products are MFi-certified and will be affected by this limitation (along with audio devices from a wide range of other manufacturers). This causes compatibility issues and will likely mean you cannot use your RØDE product with your device that is running MacOS Sonoma.

This includes the following RØDE products:

AI-Micro
NT-USB+
PodMic USB
VideoMic GO II
VideoMic NTG
Wireless GO II
Wireless ME
Wireless PRO
RØDECaster Pro II (note: this affects USB 2 only)
RØDECaster Duo (note: this affects USB 2 only)

This limitation has been present in all beta versions of MacOS Sonoma, including the current “release candidate” version, and is likely going to be present in the public release.

RØDE has escalated this issue to Apple and we are waiting for further information on when it will be addressed. Until then, we recommend you do not update to MacOS Sonoma if you wish to continue using your RØDE product.

If you have any questions, contact our friendly customer service team at info@rode.com and we will be happy to help.

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Posted to: Canon News, Sony News   Category: Rode News
Post Date: 9/14/2023 9:46:05 AM ET   Posted By: Bryan

From Tamron Americas:

TAMRON announces 2nd-generation 70-180mm F2.8 zoom with Vibration Compensation and TAMRON Lens Utility™ compatibility

Class-leading compact and lightweight1 telephoto zoom for Sony E-mount full-frame mirrorless

September 13, 2023, Commack, NY – Tamron announces the launch of the 70-180mm F/2.8 Di III VC VXD G2 (Model A065), a fast-aperture telephoto zoom lens for Sony E-mount full-frame mirrorless cameras on October 12, 2023, at $1299 USD / $1699 CAD.

The 70-180mm F2.8 G2 marks the further evolution of the 1st-generation model that earned high acclaim in the marketplace and incorporates several enhancements. Leading the list of improvements of the new G2 lens is the incorporation of TAMRON’s proprietary VC (Vibration Compensation) mechanism. The lens maintains the maneuverability of class-leading compact size and weight1 while enabling shooting with greater stability.

The optical design has been revamped from the 1st-generation 70-180mm F2.8 and achieves uncompromising high image quality across the entire zoom range. TAMRON also shortened the MOD (Minimum Object Distance) at the wide end to 0.3m (11.8in) compared to the 1st-generation 0.85m (33.5in), enabling users to enjoy unique photographic expressions distinctive to the lens. Additionally, the new 70-180mm F2.8 G2 zoom features TAMRON’s renowned VXD (Voice-coil eXtreme-torque Drive) linear motor focus mechanism enabling high-speed, high-precision auto-focusing that performs well whether shooting stills or video. The new 70-180mm F2.8 G2 zoom also supports the dedicated TAMRON Lens Utility™ and TAMRON Lens Utility Mobile™ apps that were developed in-house by TAMRON. The software can be used to customize functions based on various shooting styles for still photography and video. The new lens design improves operability and provides scratch resistance. This single lens combines profound maneuverability and practicality that is worthy of the 2nd-generation G2 badge and will deliver shooting experiences that make a fast-aperture telephoto zoom lens even more enjoyable.

1 Among full-frame compatible fast-aperture F2.8 telephoto zoom lenses equipped with Vibration Compensation (As of August 2023: TAMRON)

Product features:

1. Even with VC image stabilization, the lens is just 156.5mm (6.2in) long and weighs only 855g (30.2oz)

As with the 1st-generation, the new 70-180mm F2.8 G2 embodies the aggressive pursuit of compact size and reduced weight. TAMRON achieved a class-leading compact size and lightweight design while still providing a constant F2.8 aperture, 180mm telephoto reach and VC. The filter size is f67mm, maximum diameter is f83mm and the length at the 70mm focal length is 156.5mm (6.2in). The total weight is just 855g (30.2oz). The new 70-180mm F2.8 G2 zoom offers outstanding maneuverability and is well-balanced on a camera body. Add it all together and you have a zoom lens that puts the enjoyment of handheld fast-aperture telephoto zoom shooting within easy reach.

2. Revamped optical design delivers truly superb performance at all focal lengths

The optical construction of the new 70-180mm F2.8 G2 zoom comprises 20 elements in 15 groups. The design has been completely reworked and features a generous and effective arrangement of special lens elements, including one XLD (eXtra Low Dispersion), one hybrid aspherical lens element, three LD (Low Dispersion) and two GM (Glass Molded aspherical) lens elements. These combine to efficiently control chromatic aberration and other artifacts and deliver high resolution without compromise throughout the entire zoom range. BBAR-G2 (Broad-Band Anti-Reflection Generation 2) Coating is used to suppress ghosting and flare, ensuring that fine subject detail is captured even in backlit situations, and delivering stunning clarity and contrast. Another feature everyone enjoys is the beautiful, soft bokeh that only the fast F2.8 aperture can provide.

3. VXD provides high-speed and high-precision AF with vastly improved subject tracking

The new 70-180mm F2.8 G2 zoom is equipped with a VXD linear motor focus mechanism that was first used in the 1st-generation model. Tracking performance when following moving subjects such as sports action and vehicles has received a further boost while maintaining TAMRON’s highest-ever level of high-speed, high-precision autofocus. The enhanced performance ensures users won’t miss decisive moments whether shooting stills or video. The linear motor also suppresses vibrations and noise during AF more effectively than conventional drive systems, making it ideal for shooting both still photos and video in environments that demand quietness.

4. Equipped with TAMRON’s proprietary VC mechanism

The new 70-180mm F2.8 G2 zoom is equipped with TAMRON’s proprietary VC mechanism. VC effectively suppresses camera shake that tends to occur when shooting at the telephoto end, when panning to capture moving objects, or during close-focusing, thereby enabling stable handheld shooting. It also suppresses camera shake that often occurs when shooting handheld under low-light conditions such as dimly lit interiors and night landscapes, vastly expanding the freedom of shooting without a tripod. Moreover, at focal lengths up to 100mm, artificial intelligence (AI) technology provides vibration compensation with videography in mind.

5. Close MOD of 0.3m (11.8in) at 70mm and 0.85m (33.5in) at 180mm

By optimizing the optical design, TAMRON has reduced the MOD from the 0.85m (33.5in) in the 1st-generation, to 0.3m (11.8in) in the new model. Users can now get a step closer to subjects and make the most of shooting with beautifully soft bokeh effects. In addition, with an outstanding maximum magnification ratio of 1:2.6, users can enjoy distinctive and powerful composition unique to the lens.

6. Proprietary software tool TAMRON Lens Utility for lens function customization

7. Additional features for greater convenience

8. User-friendly features (Moisture-Resistant Construction and Fluorine Coating)

9. Compatible with many camera-specific features and functions, including Fast Hybrid AF and Eye AF

10. 67mm filter size, same as most other TAMRON lenses for mirrorless cameras

Orders

Support this site by ordering the Tamron 70-180mm F2.8 Di III VC VXD G2 Lens from B&H.

* Length is the distance from the front end of the lens to the lens mount face.

** The circular diaphragm stays almost perfectly circular up to two stops down from maximum aperture.

Specifications, appearance, functionality, etc. are subject to change without prior notice.

This product is developed, manufactured, and sold based on the specifications of E-mount which was disclosed by Sony Corporation under the license agreement with Sony Corporation.

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Posted to: Canon News, Sony News   Category: Tamron News
Post Date: 9/14/2023 9:08:30 AM ET   Posted By: Bryan
 Tuesday, September 12, 2023

Sony released the Sony 1920GB and 960GB CFexpress Type B TOUGH Memory Cards today. Order them at B&H.

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Posted to: Canon News, Sony News   Category: Sony Announcements
Post Date: 9/12/2023 1:18:10 PM ET   Posted By: Bryan

The minimum goal was seemingly simple. Capture one great (to my eyes) photo of a dall sheep ram in Alaska, and I allocated eight days to accomplish that goal.

Dall sheep are usually found high in mountains, where accessibility becomes a challenge. This challenge was furthered by the weather, and primarily rain and snow prevented climbing into sheep altitudes for five of those eight days.

Fortunately, the success enjoyed on those three good days ranged from good on the first ascent to outstanding on the last. Ironically, weather, snow specifically, was part of the reason for the incredible photo opportunities on that last ascent. In this case, a snowstorm creates a clean background, while brighter clouds behind the camera created a strong, yet soft, light.

This huge dall sheep ram surveyed its environment as it walked over the alpine ridge, with continuous shooting providing a full range of head positions, including this direct glance.

The Canon EOS R5 and RF 100-500mm F4.5-7.1 L IS USM Lens got the call for this outing. The R5 was chosen for its high resolution, AF performance, and ease of use, and the RF 100-500 was selected for the optimal focal length range, including 100mm for environmental portraits and 500mm for tighter framing or distant subjects, and outstanding sharpness over the range, backed up by an optimal image stabilization system. The relatively compact size of this combination proved ideal for the climb.

I expected the sheep eyes on white hair to be an easy eye detection target for the R5, but the camera sometimes preferred the round black nostrils over the eyes when the sheep was facing the camera. Still, the eyes are sharp in an extremely high percentage of the sheep images, impressive performance.


A larger version of this image is available here.

 
Camera and Lens Settings
0mm  f/  s
ISO
5464 x 8192px
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Posted to: Canon News, Sony News   Category: Photo Tips and Stories
Post Date: 9/12/2023 12:19:51 PM ET   Posted By: Bryan
 Wednesday, September 6, 2023

Learn more about the just-released Lowepro Pro Trekker BP AW II 43L Gray Backpack at B&H.

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Posted to: Canon News, Sony News   Category: Lowepro News
Post Date: 9/6/2023 7:22:33 PM ET   Posted By: Bryan
 Tuesday, September 5, 2023

From ProGrade Digital:

PROGRADE DIGITAL ANNOUNCES 3rd GENERATION CFEXPRESS 4.0 TYPE B 1.3TB MEMORY CARD

The CFexpress 4.0 1.3TB Cobalt Memory Card Provides the Optimal Capacity for RAW Cinema Level Video Shooting Applications with New Higher Performance Read/Write Speed Capability

San Jose, CA September 5, 2023, 8:00 am ET — ProGrade Digital, Inc., founded with a mission to provide the highest quality professional grade digital memory cards and workflow solutions, announces the 3rd generation of its CFexpress™ Type B Cobalt-class memory card in a new 1.3TB capacity. This new generation features the same industry-leading quality of ProGrade current 2nd generation 325GB and 650GB capacity cards, but now leverages PCIe Gen 4 interconnect with NVMe 1.4c host controller interface. ProGrade Digital’s 3rd generation CFexpress Cobalt cards are fully compliant with the just released CFexpress 4.0 specification, and provide read speeds of up to 3,400MB/s, burst write speeds of up to 3,000MB/s, and sustained write speeds of up to 2,800MB/s – ideally suited for the highest-resolution cinema grade video capture applications. As in past Cobalt-class memory card generations, the highest endurance and reliability memory technology is utilized – ensuring years of trouble-free, high performance capture.

“The introduction of our 3rd generation CFexpress Cobalt card at the 1.3TB capacity point provides the extra space and unparalleled performance needed for the very highest resolution video capture needs,” said Wes Brewer, Founder and CEO of ProGrade Digital. “Our inclusion of PCIe Gen 4 controller technology, coupled with upcoming USB 4.0 high-speed readers will allow offloading speeds 3x greater than previously possible, providing a dramatic reduction in workflow processing time.”

ProGrade Digital CFexpress Type B 1.3TB Cobalt Memory Card:

  • Maximum read speed up to 3,400MB/s
  • Burst write speed up to 3,000MB/s
  • Minimum sustained write speed up to 2,800MB/s
  • CFexpress 4.0
  • Capacity: 1.3TB
  • MSRP: $1,459.99

CFexpress Type B 1.3TB Cobalt Delivers:

  • Fully compliant with CompactFlash™ Association 4.0 specification and backward compatible with 2.0 specification
  • NVMe host interface with PCIe Gen4 X2 interconnect
  • Low standby power through NVMe PS0 – PS4 support enabling extended battery life
  • Metal enclosure for improved durability and heat dissipation Thermal throttling protects the card from overheating
  • Laser etched unique serial numbering for the tracking of key components and manufacturing data for the highest quality control
  • Temperature ranges: operating 14°F to 158°F/ -10°C to 70°C; storage -4°F to 185°F/ -20°C to 85°C
  • Packaging: Biodegradable fiber tray
  • Refresh Pro ready*
  • SLC (Single Level Cell) memory technology for the highest endurance and reliability
  • RED V-Raptor and Komodo X approved
  • X-ray proof and shock-proof
  • 3-year warranty

Orders

Order the ProGrade Digital 1.3TB Cobalt CFexpress 4.0 Memory Card and Card Reader at B&H.

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Posted to: Canon News, Sony News   Category: ProGrade Digital News
Post Date: 9/5/2023 10:20:42 AM ET   Posted By: Bryan

From ProGrade Digital:

PROGRADE DIGITAL™ ANNOUNCES USB 4.0 CFEXPRESS™ TYPE B SINGLE-SLOT READER

Data Transfer Rate Capability of up to 40Gbps Allows Users of CFexpress Type B Devices to Triple Their Current Workflow Performance

San Jose, CA September 5, 2023, 8:00 ET —ProGrade Digital™, founded with a mission to provide the highest quality professional grade digital memory cards and workflow solutions, announces its new PG05.6 card reader, a single-slot reader designed specifically for the latest CFexpress 4.0 (PCIe Gen 4) Type B memory cards. The PG05.6 reader is based on the latest USB 4.0 technology which is designed to achieve speeds of up to 40Gbits/sec. When used in conjunction with the latest CFexpress 4.0 (PCIe Gen 4) memory cards, benchmark tests highlight a tripling of data transfer speed from card to host. The PG05.6 is also equipped with ProGrade’s patented magnetic base and an adhesive metal plate that allows users to mount the reader to any work surface, such as the back of a laptop. The new reader is also supplied with a certified USB 4.0 cable – assuring the maximum performance possible.

“Our new PG05.6 reader provides a tremendous leap forward in workflow performance by allowing content offload speeds to be reduced by 67% when compared to the performance of USB 3.2, Gen 2 technology of our current product line-up”, said Wes Brewer, CEO and Founder of ProGrade Digital. “Along with faster speeds comes the need to provide extra cooling capability for reader and card – something we’ve spent more than a year perfecting in the new design.”

ProGrade Digital USB 4.0 CFexpress Type B Single-Slot Card Reader Key Features:

  • Single-slot memory card reader for CFexpress 4.0 Type B cards
  • Backward compatible with CFexpress 2.0 Type B cards
  • Transfer rates of up to 40Gbps (5GBytes/sec)
  • USB 4.0 interface
  • Patented magnetic base and included adhesive metal plate
  • Heat sink for extra cooling capability
  • Refresh Pro™ enabled*
  • USB 4.0 certified cable included
  • MSRP $99.99

Like all ProGrade readers, each PG05.6 reader contains a unique serial number to ensure best in-class after sales support and tight quality control of the components used inside. Using this serial number, a customer can register their product at http://progradedigital.com/register to receive product updates. The new reader is also shaded a dark grey with blue accents on the rear connector to clearly differentiate it from the prior generation of USB 3.2-based readers.

Orders

Order the ProGrade Digital 1.3TB Cobalt CFexpress 4.0 Memory Card and ProGrade Digital USB 4.0 CFexpress TYPE B Reader at B&H.

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Posted to: Canon News, Sony News   Category: ProGrade Digital News
Post Date: 9/5/2023 10:19:58 AM ET   Posted By: Bryan
 Sunday, August 27, 2023

Cliff swallows flying around their community nesting sites appear to be in chaotic synchronization. While birds are flying everywhere, each seems to accomplish its task, arriving at and leaving their mud nests.

Today's question answered is, do cliff swallows ever collide? Until now, I would have answered "No." However, I was wrong, and this image makes the question rhetorical.

Photographing the cliff swallow chaos in Badlands National Park was a huge challenge, and the keeper rate was low. Aligning the lens into the area where hundreds of birds were approaching and hitting the shutter release as soon as one entered the frame was the technique deployed for this capture. The Canon EOS R5's impressive subject detection and tracking capabilities were relied on for focusing.

Capturing a pair of cliff swallows large in the frame during a mid-air collision with a supporting juxtaposition of blurred birds was a gift.


A larger version of this image is available here.

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Posted to: Canon News, Sony News   Category: Photo Tips and Stories
Post Date: 8/27/2023 8:00:00 AM ET   Posted By: Bryan
 Wednesday, August 23, 2023

The 35-150mm f/2-2.8 Di III VXD is the next Tamron lens to hit the streets in the Nikon Z mount. Preorder this lens at B&H or Adorama.

Learn more: Tamron 35-150mm f/2-2.8 Di III VXD Lens Review

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Posted to: Canon News, Sony News   Category: Tamron News
Post Date: 8/23/2023 11:41:26 PM ET   Posted By: Bryan
 Sunday, August 20, 2023

It was adventure day. Some new gear was in house, two of the girls were home and anxious to go somewhere, and a plan was quickly formulated.

Gear prep included mounting a Sony FE 16-35mm F2.8 GM Lens to the Sony Alpha 6700 and the Sony FE 70-200mm F4 Macro G OSS II Lens to a Sony Alpha 1. For fast access, both kits were put into Lowepro Photo Active TLZ AW Top-Loader Camera Bags, the 45 and 50 respectively. A CPL filter for each lens was stowed in the case's front pocket.

We picked up sandwiches and drove close to 2 hours to the boulder field at Hickory Run State Park. After hiking out onto the rocks beyond the other visitors, the a6700 was pulled out for the requisite rock and cloud photos. That's when I discovered that the Sony FE 24-70mm F2.8 GM II Lens was mounted instead of the 16-35. The lenses are similar in appearance, and both were on my desk for evaluating the a6700.

While the FE 24-70 II is an outstanding lens, the angle of view was not as wide as I wanted for an APS-C camera body at this location. Still, the 24-70mm APS-C angle of view range worked fine for the primary need, field use with the a6700.

Our next location involved a close to 2-mile hike to a river gorge vista. Again the 16-35 would have been ideal, but good use for the 24-70mm range was availed. When photographing a still subject while focal length limited on the wide end, a panorama technique is a great option, and I made that happen.

As we explored the relatively small rock outcropping, my middle daughter shouted "Copperhead!", referring to one of the three venomous snakes found in Pennsylvania. All of us watched parts of the snake move through the mountain laurel and rocks that prevented a view clear enough for a photo.

Soon, the snake went under a rock, and we went back out onto the rocks. A few minutes later, the same daughter and I simultaneously spotted a timber rattlesnake hiding in the shade of rock layers included in the landscape pictures already captured. The dark-phased snake was highly camouflaged by the shadow it was in. Within seconds, we had the rest of the area scanned, with the realization that we were hanging out with 8 copperheads and two timber rattlers, one of which was quite large.

With a heightened sense of awareness, we began observing this location's newly availed photo subjects. While the 70-200 still in the car would have been the ideal lens, it didn't make this hike's light packing list. However, the inadvertently included 24-70 got the job done much better than the 16-35 would have.

Snakes under light-colored rocks on a sunny day create a dynamic range challenge. To overcome that obstacle, a well-positioned daughter created shade.

Numerous compositions were captured, but none of them show the awkwardness of photographing these snakes in rock cracks. To get low enough to see the snake and get the desired eye-level view, the back of my hand was on the rock, supporting (and protecting) the camera along with some upper body weight. While the a6700's LCD rotates, the angle reflected the sun, making the display unusable, and looking through the viewfinder at this height added to the challenge. Scars heal, but memories aided by digital images last a lifetime.

The elevation angle was easy to discern, but the side-to-side position decision was not as easy. In this example, the shallow f/2.8 plane of sharp focus was aligned to include the visible eyes of both snakes.

To those who fear snakes and are feeling creeped out by this image, understand that we were not in danger. While they are venomous, copperheads and timber rattlesnakes are generally docile if not attacked. Fleeing is their first choice vs. biting, and these snakes didn't care that we were there.

We said goodbye to the vipers and moved on to the next stop on the adventure.

Processing this image involved a minor complication. Despite the daughter shade, the snakes under the rock were darker than the rock above and in front of it. A manually processed single-image HDR strategy evened the lighting.


A larger version of this image is available here.

 
Camera and Lens Settings
52mm  f/2.8  1/40s
ISO 100
6192 x 4128px
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Posted to: Canon News, Sony News   Category: Photo Tips and Stories
Post Date: 8/20/2023 7:30:00 AM ET   Posted By: Bryan
 Tuesday, August 15, 2023
 Monday, August 14, 2023

Atomos Announces New Ninja Series

The industry-leading ProRes monitor-recorder just goes from strength to strength

Melbourne, Australia – 14th August 2023 – Atomos has announced the latest generation of its hugely successful Ninja line of camera-mounted monitor-recorders: Ninja and Ninja Ultra.

The original Ninja rocked the world when it was introduced in 2010, combining an HD disk recorder with a touchscreen monitor you could hold in your hand. It captured pristine, uncompressed video direct from the first generation of DSLRs straight onto a removable SSD.

The latest Ninja base model handles video sources up to nine times that resolution, has a 5-inch HDR screen, records ProRes RAW, and connects to almost every camera in the world. Little wonder “Atomos” is now in the vocabulary of almost every filmmaker.

A key component of both new Ninja models is the completely overhauled operating system, AtomOS 11. Cleaner, fresher and faster, thanks to hardware performance optimized for AtomOS 11, it delivers a host of new features too, including EL Zone exposure referenced colorized image, ARRI False Color, and new scheduled playback & recording tools.

Both models sport a distinctive ‘camo’ color polycarbonate body and now include more codecs as standard: 6K ProRes RAW, ProRes, DNxHD as well as H.265, which was previously available as a paid option.

While the Ninja is targeted primarily at owners of DSLR and mirrorless cameras, Ninja Ultra is built to get the most out of camera to cloud technology and leans into cinematic workflows with Atomos Connect. It can record full-quality files to ProRes RAW up to 4K 60p while at the same time recording HD 60p to H.265, and supports automatic matching filenames, timecode and record from ARRI, Canon and RED cameras. More cameras will be supported very soon.

Ninja Ultra’s new 4K camera to cloud mode lets you record and upload much higher quality bitrate H.265 video with higher framerates. H.265 files are half the size of H.264 media. They’re small enough for camera to cloud workflows but more than good enough for immediate use on social media, sports reporting or news gathering.

Adding an Atomos Connect expansion module to either a Ninja or a Ninja Ultra enables Atomos RemoteView - a brand new technology that lets you share live views from your Atomos screen with other Atomos monitors, as well as with iPads, Macs and Apple TVs wirelessly. You can monitor what’s happening on-set and look through any connected camera taking the shot, from anywhere in the world. RemoteView is a total game-changer for remote production, offering many new features never seen before.

For Ninja Ultra only, the Atomos Connect module provides a lower latency, higher throughput and more stable connection with Wi-Fi 6E. Once again, Atomos is leading the way by incorporating this cutting-edge Wi-Fi standard into its cloud-enabled products.

Both Ninjas are backwards-compatible with their predecessors, Ninja V and Ninja V+, so all Atomos and third-party accessories can be used with the new products.

“While we continue to innovate, we continue to listen to our customers too,” said Trevor Elbourne, CEO of Atomos. “Ninja remains the go-to ProRes monitor-recorder for individual content creators and freelancers, but with even more functionality. If cloud connectivity is not your priority right now, that’s no problem at all - you can just add that option further down the road as your business dictates.”

“Ninja Ultra, on the other hand, has been tuned for cinematic workflows as well as the cloud, although we strongly recommend that it’s paired with the Atomos Connect module to maximize its potential for studios and broadcast facilities. The addition of dual recording in 4Kp60 ProRes RAW and H.265 has been the most requested feature since we introduced cloud-enabled products last year.”

Both Ninja and Ninja Ultra will be shipping from early September 2023, priced at $599/€599 and $799/€799 respectively, excluding local sales taxes. You can see them both at IBC, Amsterdam on the Atomos booth (11.D25).

Orders

Learn more about the new Atomos Ninja and Ninja Ultra 5" On-Camera Monitors at B&H.

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Posted to: Canon News, Sony News   Category: Atomos News
Post Date: 8/14/2023 10:23:57 AM ET   Posted By: Bryan
 Sunday, August 13, 2023

To an observer unfamiliar with elk behavior, this bull's antler flossing may not make sense. However, it is all about the scents.

Pine trees smell great to me, and apparently, this elk would agree. Or, at least pine trees are a good place to get and leave scents.


A larger version of this image is available here.

 
Camera and Lens Settings
600mm  f/4.0  1/2500s
ISO 2000
8192 x 5572px
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Posted to: Canon News, Sony News   Category: Photo Tips and Stories
Post Date: 8/13/2023 8:05:00 AM ET   Posted By: Bryan
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