Nikon News (Page 23)
Subjects that move are prime candidates for the use of servo AF, continuous focusing vs. the focus distance locked for one shot. Using servo AF requires a focus point or area continuously positioned on the desired point of focus.
Aside from vehicles, moving subjects usually have eyes, and usually that means the focus point or area must be on the subject's eye, with the subject looking into the frame. Maintaining the focus point or area over the eye of a moving subject while maintaining the ideal composition is often a huge challenge, especially for wildlife photography. An animal turning its head the other direction historically required a significant amount of joystick pressing when using a camera with an adequate number of AF points to competently accomplish the goal, and by the time the focus point was in position at the other side of the frame, the animal would turn its head in the other direction (one of Bryan's Laws of Photography). Add thick gloves, and this challenge increases significantly.
In addition to the joystick, the R3 has a pair of Smart Controllers for positioning the AF point or area. The AF-ON buttons have been enlarged, and a touchpad is built into them. Simply slide a thumb across the button to rapidly position the AF point or area.
With a conventional joystick and AF-ON button design, two thumbs are required to make focus point or area position adjustments while pressing an AF-ON button. In servo mode, the R3's Smart Controllers are functional while the AF-ON button is pressed, and this feature works even with thick gloves on.
In addition to having the ability to focus nearly anywhere in the composition, the latest mirrorless cameras have the ability to identify and track a subject, and more specifically, subject eye detection and tracking have been game-changing. When the eye is identified, the camera tenaciously tracks the eye throughout the entire frame, freeing the photographer to concentrate on composition and image capture timing. Thick gloves are not an issue.
The Canon EOS R3 adds vehicle subjects to its detection capabilities, filling in much of the remaining active subject identification needs.
Additionally, the R3 has body detection that takes over when the eye disappears. That feature was at times a hinderance with the whitetail buck as I wanted a looking away deer's antlers or head to be in focus vs. the deer's backside. However, the body is sometimes the next-best focus option, such as when an ice skaters spins.
The R3 brings us a very intriguing new method of AF point positioning. What if you could simply look at the subject you wanted to focus on? The R3's Eye Control AF allows the photographer to position the AF point or area at the speed of look. Look at the subject and the AF point is there, with no buttons to press or slide across.
Eye Control AF requires calibration for each user, and the calibrated performance can be individually different. Calibration is fast and easy. Select a menu option, and follow the prompts in the viewfinder that guide the eye to look at a dot in the center of a small circle sequentially positioned in the center and 4 sides of the viewfinder, with the M-Fn button press recording the look for each.
Canon recommends using the calibration process numerous times, including in different lighting and multiple camera orientations, to refine the data the camera has available. The lens in not involved in this process as the Infrared LEDs in the EVF (notice the enlarged viewfinder size surrounding the viewing area) track the eye position without eyeglasses, and a second set of infrared LEDs track eye position with eyeglasses. Separate calibration profiles are accepted, and useful for with and without eyeglasses and contact lenses and for multiple camera users. Profile data can be saved to a memory card for use on other R3 bodies.
Once calibrated, a small target consisting of two concentric circles (by default, configurable) moves around the viewfinder with your gaze. Look at the subject, and that is where the camera will position the indicator, and that is where the camera will focus or initiate subject tracking.
While the Eye Control graphic is needed, it is obvious and a bit annoying to always have over what you are directly looking at. This graphic, in addition to the focus area and subject tracking indicators, starts to create a busy viewfinder.
Using Eye Control involves a short learning curve as focus should be initiated before or after looking around the frame to study the composition.
My first experience with Eye Control was not stellar. After creating many refinements, I found the R3's calibration inaccurate for my eyes. Most of the time, the indicator did not position directly on the subject I was looking at. The experience was disheartening, but Canon shared that this feature would not work optimally for everyone.
On a whim, I deleted the calibration data and started over. The new calibration, even with only a few refinements delivered significantly improved accuracy.
Packing up the R3 along with many lenses in the review queue, I headed to Shenandoah National Park for five days of wildlife (and some landscape) photography. More specifically, the whitetail buck in rut were the primary targeted subject.
This shoot started with the R3 set to servo AF, animal eye detection selected, subject tracking on, and Eye Control AF enabled (by default, pressing the Set button quickly enables or disables this feature). Accurate focusing on the deer meant looking at the deer's eye and half-press the shutter release to initiate focusing. The R3 usually detected the eye and immediately locked tracking on it, tracking it throughout the frame while providing visual feedback in the viewfinder. While Eye Control AF is not always perfect, I was still using this strategy when I packed the camera for the trip home. The R3's AF performance with Eye Control outperformed any focus method I've used prior.
If Eye Control is found not performing well, immediately creating a calibration refinement can improve accuracy. Not too long into the shoot, I realized that the vertical calibration refinement was not yet created. In seconds, calibration refinement was created, and I was back in the game vertically.
When photographing with large telephoto lenses in strong winds, up to 40 MPH / 64 KPH on this trip, keeping even a motionless subject in the frame can be challenging, and keeping a manually selected focus point on the subject's eye becomes extremely challenging. With the R3, I could simply look at the deer's eye, half-press the shutter release, and then concentrate on fully pressing the shutter release when the framing looked right. This strategy works just as well with heavy gloves on (temperatures were as low as the mid-20s / -3 C).
AS mentioned, the R3's subject detection recognizes bodies, and it recognized deer bodies quite well. However, when the buck were facing away (I sometimes like images of animals facing away, looking into their environments), the head or antlers needed to be in focus vs. the closest body area. With the R3, simply looking at the antlers while initiating subject tracking worked very well.
The 10pt whitetail buck shared in this post came in fast and close, offering only seconds to grab the shot. A glance at the eye followed immediately by pressing the shutter release down made the quick capture easy.
Want an R3? Use one of the links on the site (supports us) to order it. As I write this, prepare to wait in line. This outstanding camera will be difficult to find in stock for a long time.
A larger version of this image is available on Flickr.
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Image quality, vignetting, flare, and distortion test results along with specs, and measurements are now available on the Sigma 65mm F2 DG DN Contemporary Lens page.
I think that you will like the image quality results. Create some comparisons.
The Sigma 65mm F2 DG DN Contemporary Lens is in stock at B&H | Adorama | Amazon USA | WEX
Rent the Sigma 65mm F2 DG DN Contemporary Lens from Lensrentals.
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From Vitec Imaging Solutions:
Vitec has agreed to acquire Savage Universal, a global market leader in backgrounds for the growing professional studio photographic market
Vitec Imaging Solutions, a Division of The Vitec Group plc (“Vitec”), the international provider of premium branded hardware products and software solutions to the growing content creation market, is pleased to announce that on 16th November 2021 it agreed to acquire Savage Universal Corp and its affiliates, with the deal expected to close by the end of November 2021.
Savage is a global market leader in backgrounds for the professional studio photographic market, based in Phoenix, US. Trusted by creative professionals since 1937, Savage manufactures an extensive range of high quality, specialist, seamless paper backgrounds, or backdrops, ensuring the essential flat, crease-free background surface.
Backgrounds are the largest consumable products in the commercial photography market. An essential tool in every professional studio, they’re quick and easy to set up, and enable photographers to dramatically reduce post-production time, by achieving the desired look directly from camera. For more than 80 years, Savage has led this category offering an extensive range which covers all possible applications and colours.
In the post-pandemic digital era, professional studio photography has dramatically expanded, led by the growth of e-commerce sales; 90% of online buyers report that image quality is the most important factor in the decision-making process.
Savage directly serves this fast-growing market segment, as well as fulfilling the demand from vloggers and influencers for easy-to-set-up backgrounds for their TikTok or YouTube videos.
Marco Pezzana, Divisional CEO of Vitec Imaging Solutions commented: “Savage backgrounds complement Vitec’s existing portfolio of accessories for professional image creators. This acquisition brings together the world’s leading supports and imaging accessories provider with the world’s leading backgrounds manufacturer, serving professional photographers, creators and vloggers with the best in class studio equipment.”
Hayward Richard Pressman, Chairman of the Board of Savage Universal Corp commented: “We have had a long and successful relationship with Vitec and know them very well. They share our business values and, as we have, always made the customer the focus of their business. The Savage tradition of offering innovative and quality accessory products supplied promptly and complete will continue. Our Company recently celebrated its 84th year in business. I must express my gratitude to all who have taken this journey with us and thank you for being our partner and bringing us to this point.”
A snapshot of The Vitec Group plc
Vitec is a leading global provider of premium branded hardware products and software solutions to the growing content creation market. Vitec's customers include broadcasters, film studios, production and rental companies, photographers, independent content creators, gamers and enterprises. Our product portfolio includes camera supports, video transmission systems and monitors, live streaming solutions, smartphone accessories, robotic camera systems, prompters, LED lighting, mobile power, bags and motion control, audio capture and noise reduction equipment. We employ around 1,800 people across the world in 11 different countries and are organised in three Divisions: Imaging Solutions, Production Solutions and Creative Solutions. The Vitec Group plc is listed on the London Stock Exchange.
More information can be found at: www.vitecgroup.com
Vitec Imaging Solutions
Vitec Imaging Solutions is a division of the Vitec Group, an international group principally serving customers in the broadcast and photographic markets. Vitec Imaging Solutions designs, manufactures and distributes premium branded photographic and video equipment such as tripods, bags, filters and lights for professional and hobbyist photographers, and content creators. The portfolio includes nine premium brands - Manfrotto, Gitzo, JOBY, Colorama, Savage, Avenger, Lowepro, Syrp and Rycote - that positions Vitec Imaging Solutions as the leading global provider of accessories within the fast-growing imaging market. Thanks to Vitec Imaging Distribution, all the products are directly distributed in 11 markets across the world and in many others thanks to a qualified network of retail partners.
Savage Universal
From its beginning in 1937 as a manufacturer of quality board and paper products, Savage has provided photographers the essential elements for success. Family-run from the start, Savage has a commitment to quality and innovation that defined the company in the beginning and continues to define it today. Products such as photographic backgrounds continue to be a key focus of Savage’s manufacturing efforts, but there’s much more to the Savage story. The company continues to develop innovative products, especially in the digital arena, to meet the needs of today’s more diverse photography community – professionals and semi-professionals alike. All paper is FSC (Forest Stewardship Council) certified and 100% recyclable and Savage’s main paper mill supplier is net zero on electricity, having its own hydroelectric dam which covers all of its electricity requirements. In 2019, Savage acquired Superior Specialties Inc., which continues to trade under the name of Superior Paper Specialties, LLC.
More information can be found at: www.savageuniversal.com and www.superspec.com
Image quality, vignetting, flare, and distortion test results along with specs, and measurements are now available on the Sigma 45mm F2.8 DG DN Contemporary Lens page.
Create some comparisons.
The Sigma 45mm F2.8 DG DN Contemporary Lens is in stock at B&H | Adorama | Amazon USA | WEX
Rent the Sigma 45mm F2.8 DG DN Contemporary Lens from Lensrentals.
Please share!
Image quality, vignetting, flare, and distortion test results along with specs, and measurements are now available on the Sigma 24mm F2 DG DN Contemporary Lens page.
Aside from the distortion, the image quality results appear stellar. Make some comparisons.
Compared to the Sigma 24mm f/3.5 DG DN Contemporary Lens
Compared to the Sigma 35mm f/2 DG DN Contemporary Lens
Compared to the Sony FE 20mm F1.8 G Lens
Compared to the Sony FE 28mm F2 Lens
The Sigma 24mm F2 DG DN Contemporary Lens is in stock at B&H | Adorama | Amazon USA | WEX
Rent the Sigma 24mm F2 DG DN Contemporary Lens from Lensrentals.
Please share!
The weather forecast indicated partly cloudy skies at sunset and a clear sky afterward, with low wind speed throughout the duration. That is a perfect recipe for an evening of landscape and nightscape photography over a mountain lake, and our workshop group headed to one of my favorite Rocky Mountain National Park locations. The plan was to photograph the sunset reflecting in the water and then the milky way doing the same after dark.
Which lenses to take? The best nightscape lenses are usually outstanding landscape lenses, and the Sony FE 20mm f/1.8 G Lens is an excellent choice for night sky photography. It made the small set in the pack this evening.
Post processing of this image involved a manual HDR process.
A larger version of this image is available on Flickr.
ISO 100
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It's all about the scents. He's not physically stuck, but the desire to leave his scent was holding him against the tree.
Rocky Mountain National Park has areas of straight-trunked pines that call me to photograph them. Add an animal, and I'm all in for that image.
The lines in nature running in primarily horizontal and vertical directions result in a uniqueness to this image. Of course, it is hard to make a bad image when a 6x6 bull elk is in the frame.
In this case, the focal length range provided by the Canon RF 100-500mm F4.5-7.1 L IS USM Lens permitted getting the ideal subject framing while moving in front of obstructions — other pine tree trunks. A high percentage of my favorite images are currently being captured with this lens.
A larger version of this image is available on Flickr.
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"Better Sensor, Dual-Camera System, Omnidirectional Obstacle Sensing, Smarter Flight Modes, and Longer Flight Times Make DJI Mavic 3 Drone the Ultimate Tool for Capturing the World from Above"
Get more DJI Mavic 3 information at B&H and Adorama.
From Nikon:
THE NIKON Z 9: UNSTOPPABLE PERFORMANCE, REVOLUTIONARY INNOVATION
Nikon’s First Mirrorless Flagship Defies Conventional, Debuts with a Series of Industry-Firsts for Still & Video Creators
MELVILLE, NY – Today, Nikon announced the Z 9, the most advanced Z series mirrorless camera to date. Powered by a completely new, Nikon-developed 45.7 megapixel stacked CMOS sensor and next generation EXPEED 7 image processing engine, the full-frame Z 9 renders ultra-high resolution images and offers unparalleled AF performance using a revolutionary new scene detection system built on deep learning technology. Additionally, the camera is capable of sustained fast continuous shooting bursts, in-camera 8K video recordings for extended periods, truly blackout-free Real-Live visibility in the viewfinder and a sensor scan rate so fast that it completely eliminates the need for a traditional mechanical shutter.
“The Z 9 is the complete package, offering an unprecedented balance of speed, resolution, reliability and performance that will exceed expectations for any type of shoot, including fast action sports, commercial fashion, low light, landscapes and more,” said Jay Vannatter, Executive Vice President, Nikon Inc. “The Z 9 looks to the future, with innovations and features that give all types of imaging professionals and content creators the advantage when it matters most and the confidence to create in nearly any conditions.”
A New Kind of Pro Mirrorless
At the core of the Z 9 is the Nikon-developed 45.7MP BSI stacked CMOS sensor, coupled with the new EXPEED 7, Nikon’s most powerful engine yet, which is approximately 10x faster than the Z 7II. This combination brings significant increases in AF speed, burst rate, buffer capacity, video resolution and so much more. The Z 9 is the camera that can be trusted on the sidelines, in the field or in the studio, with the high-speed capture capability needed for the fastest action and the immense resolution to reveal the most subtle details.
- With the world’s fastest1 image scan rate, the Z 9 achieves the world's smallest2 rolling shutter distortion, equaling that of a mechanical shutter. This means actions like a fast-moving golf swing that would typically distort the club can be captured confidently with the electronic shutter, even at 1/32,000 second. It also allows users to shoot massive quantities of silent frames without worrying about shutter wear or breakdown.
- The Z 9 achieves fast and accurate AF calculations at up to 120 cycles per second, even between frames during continuous shooting.
- Beyond the benefits of high-speed performance, the high resolution 45.7-megapixel sensor delivers immense resolution with exquisite colors, broad dynamic range and stellar low light performance, with a native ISO Range from 64-25,600 (Expandable from 32 to 102,400 ISO).
Rely on the Fastest, Most Intelligent AF System Yet
The Z 9 features Nikon’s fastest, most sophisticated and reliable AF tracking performance ever, utilizing a new Subject Detection algorithm developed with deep learning technology, as well as 3D-tracking.
- The camera’s Subject Detection capability detects the world’s largest range1 of nine subject types including humans, pets, birds, airplanes, trains, cars, motorbikes and bicycles. When in Auto-Area AF, any of these subjects will automatically be detected and focused on, without the need to change settings.
- With Eye-Detection AF, the camera can detect and focus on a subject’s eye more effectively than ever, even when eyes are smaller or further away. Additionally, a custom function will now also let users change the color of the focus point to green to confirm focus.
- The highly praised 3D-tracking mode from Nikon DSLRs debuts for the first time in a mirrorless camera. It is now coupled with subject detection to track fast and erratically moving subjects such as a racing car that approaches close and then moves away quickly, or a swiftly moving athlete.
- The Z 9 also brings more flexibility by offering three Dynamic-area AF modes with a new range of focus-area sizes (S/M/L) for capturing a wider variety of moving subjects throughout the frame.
- The AF system is faster than ever, taking advantage of the Z mount’s high-speed communication capabilities with frame-by-frame sharing of distance information.
Unstoppable Performance and Speed
This is the fastest, most powerful Nikon flagship ever. Users can capture amazing images at unbelievably fast burst speeds, all with full AF/AE performance. Whether shooting full-resolution fashion or delivering a sports sequence when a split-second matters, the Z 9 is the versatile solution.
- For the ultimate combination of speed and intense image quality, photographers can shoot 20-fps RAW images with an unprecedented 1000+ image buffer.3
- When a balance of quality and burst rate is needed, never miss a vital moment with 30 fps full resolution JPEG capture.
- For extreme speed, High Speed Frame Capture+4 enables up to 120 fps with full AF/AE at a very manageable file size of 11 megapixels, freezing a moment that cannot even be seen with the naked eye (higher resolution than 4K video).
- Truly blackout-free shooting is possible thanks to Dual-Stream technology which simultaneously feeds information to the Real-Live viewfinder/LCD and memory card, resulting in reliable confirmation of a subject's movement without skipping or repeating frames in the viewfinder5.
- The Z 9 introduces High Efficiency RAW, which retains the same level of high image quality as the conventional uncompressed RAW in an approximately 1/3 smaller6 file size, making RAW files easier to handle than ever.
- Speeds of up to 1/32,000 are possible with the electronic shutter, expanding the opportunities to use fast lenses, letting photographers shoot wide open in brighter light, even at f/0.95.
Nikon’s Most Capable 8K UHD Video Camera
The Z 9 offers an extensive suite of advanced video features to elevate any kind of production. Combined with the astonishing resolving power of NIKKOR Z S-Line lenses, video is rendered with absolute clarity and sharpness from edge to edge.
- Supports a variety of frame rates and resolutions, including in-camera recording at 8K UHD 24p/30p and 4K UHD 24p/30p/60p/120p (FX-format).
- The world’s longest record time 7 at 8K UHD 30p for more than 2 hours consecutively (up to approximately 125 minutes)8.
- For more latitude when color grading in post, tone mode profile options are available in-camera, including 10-bit N-Log and HLG (Hybrid Log-Gamma9), as well as the Flat color profile.
- Supports multiple codecs including H.265 (HEVC), ProRes 422 HQ10, H.264/MPEG-4 AVC for a variety of production workflows.
- Users can create 33MP/8MP frame grabs in camera from 8K /4K videos.
- Full-size HDMI connection, with output latency significantly reduced.
- High-resolution 24-bit linear PCM audio allows for cleaner sound quality with greater range.
- A free firmware upgrade in 2022 will enable internal 8K 60p capture in the new 12-bit N-RAW high efficiency video format, 12-bit ProRes RAW and other pro level video features.
Built for the Toughest Assignments
The rugged body of the Z 9 is optimized for a professional workflow, thoughtfully engineered for a superb balance of reliability and usability. The body features an integrated vertical grip and controls, while the durable magnesium alloy chassis has drip and dust-resistance equivalent to the D6, yet is 20% smaller than its DSLR counterpart.
- The new four-axis 3.2” touchscreen LCD frees the monitor to tilt both horizontally and vertically for shooting at any angle in any orientation. The interface will also adjust automatically to the appropriate orientation while shooting stills.
- For better visibility through the viewfinder in bright sunlight, the Z 9 is equipped with the world’s brightest Quad-VGA panel adjustable to 3000cd/m2 (nits)1, revealing the most subtle details in the shadows.
- Vibration Reduction image stabilization has been enhanced with new Synchro VR to achieve up to 6 stops of compensation with compatible lenses. 11
- For powerful dust prevention, the Z 9 includes the world’s first1 dual coating on the optical filter with an electro-conductive coating and fluorine coating to repel dust in front of the sensor, in addition to a sensor shield that protects the sensor when changing lenses.
- VR safety lock protects the sensor from the risk of damage caused by unintentional movement when the camera’s power is off while in a bag or during bumpy off-road travel.
- For work in low light, the new “starlight” mode enhances the camera’s ability to focus down to a faint -8.5 EV, while illuminated buttons help astrophotographers and event or concert photographers change settings in the dark.
- Adjustable shutter release volume, which can be totally silent in sensitive situations or serve as an audible cue for a subject.
- New network options are organized under a new menu tab for fast access and include; in-camera Bluetooth and WiFi (2.4/5Ghz), 1000BASE-T wired LAN connection, direct transfer to FTP without the need for a wireless accessory, multiple camera sync and built-in GNSS GPS for precise location data.
New Nikon Software The Ecosystem for the Nikon Z series continues to expand. Nikon has also released two new software solutions for professional image capture and workflow.
NX Mobile Air NX Mobile Air is a smart device app for managing and transferring images when working in the field. The new app will be compatible with many of the most current Nikon cameras, and will allow users to have a wired connection to their phone or device from the camera for fast wireless image transfer to an FTP server over a 5G cellular signal. Additionally, the app will support the transmission of IPTC, voice memos and more. The app will be available either as a free version or as a subscription for $5/month with enhanced capabilities. For additional details and device compatibility please visit https://www.nikonusa.com/en/Nikon-Products/Imaging-Software/nx-mobileair.page.
NX Tether Nikon NX Tether is free software to enable tethering of Nikon cameras to instantly display captured content on a computer monitor. This software is an easy way for commercial, food or studio photographers to visualize their output for client review in real time. The software will work via USB or wirelessly, and will collaborate seamlessly with the current suite of Nikon software including NX Studio. For more information, please visit https://www.nikonusa.com/en/Nikon-Products/Imaging-Software/nx-tether.page.
Pricing and Availability
The new Nikon Z 9 full-frame mirrorless camera will be available within this year (US) for a suggested retail price (SRP) of $5499.95*. For more information about the latest Nikon products, including the new Z 9, NIKKOR Z lenses and the entire collection of Nikon Z series cameras, please visit nikonusa.com.
Orders
Order the Nikon Z 9 from B&H and Adorama.
# # #
The appearance of the product may differ from the photo shown above.
Specifications, equipment, and release dates are subject to change without any notice or obligation on the part of the manufacturer.
1 . Among mirrorless cameras available as of October 28, 2021, based on Nikon research.
2. Among mirrorless cameras incorporating an image sensor of 30 megapixels or larger, available as of October 28, 2021, based on Nikon research.
3. In high efficiency RAW . When using NIKKOR Z 50mm f/1.8 S lens and ProGrade Digital Cobalt 1700R 325GB memory card; in [RAW + JPEG] or [JPEG + JPEG] recording, duration for continuous shooting is approx. 3 seconds; future firmware update within this year will further enhance this function. With AF/AE tracking. JPEG normal image quality only. The number of frames that can be shot is less than that of high-speed continuous shooting. Use of a recommended card is advised. With C30 setting, approx. 45-megapixel images can be shot at 30 fps.
4. With AF/AE tracking. JPEG normal image quality only. The number of frames that can be shot is lower than that of high-speed continuous shooting. Use of a recommended card is advised. With C30 setting, approx. 45-megapixel images can be shot at 30 fps
5. Smoothness of the viewfinder image will differ depending on settings such as shutter speed, etc.
6. In High Efficiency RAW?, the file size is approx. 1/2 of the conventional uncompressed RAW.
7. At a temperature of 23°C/73.4°F. With an EN-EL18d Rechargeable Li-ion Battery in use. When video shoot is started after powering on. CFexpress Type B cards with fast writing speed are recommended for video recording.
8. Among interchangeable lens digital cameras adopting a full-frame image sensor, available as of October 28, 2021, based on Nikon research.
9. Available only when [H.265 10-bit (MOV)] is selected for [Video file type].
10. Compatible with up to 4K/60p, except for Full HD/24p, 25p and 30p.
11. Synchro VR compatible lenses (As of Oct 28th include -NIKKOR Z 70-200mm f/2.8 VR S (firmware update required), -NIKKOR Z MC 105mm f/2.8 VR S, NIKKOR Z 100-400mm f/4.5-5.6 VR S
*SRP (Suggested Retail Price) listed only as a suggestion. Actual prices are set by dealers and are subject to change at any time.
Today, Instagram enabled a new feature. No longer is emulating a phone (via F12 in Chrome) necessary to post images and short (under 1 minute) videos from a desktop browser. Look for the new "+" button at the top of the page to get started.
While there, don't forget to follow me.
From Sigma:
Firmware update for the SIGMA MOUNT CONVERTER MC-11 EF-E
Thank you for purchasing and using our products.
We would like to announce that a new firmware update is now available for the SIGMA MOUNT CONVERTER MC-11 EF-E.
[Applicable product]
·SIGMA MOUNT CONVERTER MC-11 EF-E
[Benefits of the update]
·It makes the converter compatible with the SIGMA 17-70mm F2.8-4 DC MACRO OS HSM | Contemporary in Canon EF mount, that has the latest firmware Ver2.03.
[How to update]
Connect the SIGMA MOUNT CONVERTER MC-11 to a computer with the included USB cable, then open SIGMA Optimization Pro*. If the SIGMA MOUNT CONVERTER MC-11 firmware isn’t the latest version, the following message will appear: ‘The latest SIGMA MOUNT CONVERTER MC-11 firmware is available’. Click ‘Yes’ to update.
*Before attaching the updated SIGMA MOUNT CONVERTER MC-11 to the camera body, please remove the battery pack from the camera then reinsert.
* Before updating MC-11 firmware, please ensure you update SIGMA Optimization Pro to the latest version.
[SIGMA Optimization Pro Download page]
https://www.sigma-global.com/en/software/sigma-optimization-pro/
Get the Sigma Mount Converter MC-11 EF-E at B&H where it is currently on sale for $50.00 off.
Read the Capture One 21 (14.4.1) release notes for more information.
In addition to bug fixes, notably included in the update is support for the following:
- Canon RF 24-70mm F2.8L IS USM
- Sigma 35mm F1.4 DG DN | A
- Sigma 35mm F2 DG DN | C
- Sigma 24-70mm F2.8 DG DN | A
- Sony ZV-E10
Get Capture One at B&H (Download, Mac/Windows).
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Just posted: Pelican 1637 Air Wheeled Hard Case Review.
Most photographers will find the Pelican 1637 Air Wheeled Hard Case the ultimate choice for checking cameras, lenses, and accessories for flying and for transporting such gear via other methods.
If you want the padded divider version of this case, order it immediately from B&H as it is OOS everywhere else I checked.
The Pelican 1637 Air Wheeled Hard Case is in stock at B&H | Adorama | Amazon USA
Please share!
Apple has announced the 14 and 16" MacBook Pro with M1 PRO and M1 MAX Silicon.
Also announced and available for preorder are the Apple AirPods with Charging Case (3rd Generation)
Learn more at B&H Explora.
From Skylum:
Luminar Neo — innovatively solving problems for the modern creative
Skylum solves major workflow challenges with cutting-edge AI tools that free up time for creativity
NEW YORK, NY - October 18, 2021 — Professionals or hobbyists, visual storytellers are often challenged by boring routine tasks and the complexity of sharing their final results online. In the fast-moving era of social media and mobile photography, routine editing and multi-step sharing can hinder the goal of any artist: creating work that fulfills their creative vision.
Today, Skylum reveals more details about Luminar Neo, a creative image editor which ships this winter. Featuring a full suite of tools for visual storytellers, Luminar Neo solves common problems and allows artists to focus on being creative.
New tools solve common frustrations
The Luminar family is well known for providing AI-guided tools that give artists powerful ways to explore their creative muse. But no image is perfect right out of the camera. Many of the existing tools like AccentAI solve common capture problems with exposure and color balance. SkinAI removes blemishes from portraits while Portrait Background RemovalAI allows artists to completely isolate their subjects from the background and make them pop.
Still, right out of the camera, many images are plagued with visual distractions, some in the scene captured and others from within the camera itself. Luminar Neo introduces new tools which leverage AI to deal with these distractions easily.
Dust RemovalAI — When capturing images in the field, artifacts can be introduced from dust on the surface of a lens or dust that finds its way onto the sensor during a lens change. After using AI to automatically detect these artifacts, Dust RemovalAI removes them to provide a spotless result. Now, artists can easily fix ruined photos, clean distracting spots in images, and save their beautiful memories.
Line RemovalAI — Used separately or as part of SkyAI, this new tool automatically removes unwanted power lines and phone lines from the sky in landscape photos. Whether editing photos of weddings, landscapes, or popular sightseeing spots, automatically getting rid of unwanted lines allows artists to focus on making powerful images, not cleaning up distractions.
Overlays leverage the power AI-enabled compositing
Skylum has already revealed RelightAI and Portrait Background RemovalAI, two tools that use Layers and the new MaskAI feature to help artists move beyond photo editing and explore compositing as a tool for creative expression. Overlays, graphic and photographic elements with a transparency channel, are yet another way for artists to break out of the photographic box.
To light the creative fire, Luminar Neo includes a rich library of free overlay content. Our community of artists and ambassadors regularly add new overlay content to the Luminar Marketplace, which is directly accessible from within Luminar Neo. Finally, using MaskAI, creators can create and save custom overlays to be used across their body of work.
Luminar Share
After editing comes another important yet sometimes tedious step in the artist’s workflow: exporting images from desktop to mobile in order to share them. Today, the sharing process is complicated and requires third-party services. Syncing to cloud drives is helpful, but what is really needed is a round-trip experience that fully integrates mobile devices with desktop editing. Luminar Share does exactly that. With Luminar Share, we aim to completely remove exporting complications and give artists the possibility to share their work in one click directly from the desktop.
A native mobile app, Luminar Share connects the photo library on Android and iOS mobile devices directly to Luminar Neo. Using a QR code pairing tool similar to those found in WhatsApp, Signal, and other synced messaging services, Luminar Share creates a secure link between a mobile photo library and Luminar Neo. Advantages include:
- A completely secure and private connection
- Automatic, round-trip synchronization of photos and edits
- Direct sharing from Luminar Neo to social networks (e.g. Instagram)
- No additional cost for cloud storage
Skylum is looking forward to growing and developing in the mobile field, and Luminar Share is the first big step towards that goal. From photographers sharing their work to influencers sharing a new look or a new adventure, visual storytellers of every stripe will find Luminar Share to be a great resource. At launch, it will be available for Android and iOS mobile devices.
Availability
Luminar Neo ships this winter with Luminar Share, Dust RemovalAI, Line RemovalAI, and other exciting tools. Early-bird pricing for the Luminar Neo application and plugin is available here and includes a 30-day money-back guarantee from the time of shipping.
Orders
Don't forget to use our coupon code THEDIGITALPICTURE to (usually) get a $10.00 discount.
For artists making a new purchase:
$76 for 1-seat license for Luminar Neo
$87 for 2-seats license for Luminar Neo
$105 for 1-seat license for Luminar Neo+Luminar AI
$126 for 2-seats license for Luminar Neo+Luminar AI
For artists who own Luminar or Aurora:
$54 for 1-seat license for Luminar Neo
$69 for 2-seats license for Luminar Neo
$83 for 1-seat license for Luminar Neo+Luminar AI
$108 for 2-seats license for Luminar Neo+Luminar AI
Hatcher Pass is always beautiful, but a recent snow leaving the mountains capped in white made this pass especially picturesque.
The distant mountains with craggy peaks were beautiful, and I was searching for some foreground to go with that background. At the same time, I was searching for Pikas. Pikas live in rock piles, and rock piles make great foreground subjects, so the location had the potential for a win-win combination.
While a couple of pikas were heard (they sound like a squeak toy), the rocks proved best as a foreground on this afternoon.
The 28mm focal length was selected to keep the distant mountains relatively large in the frame. While mountains surrounded this location, the mountain peaks with the most character were what I wanted to emphasize (along with the cloud formation over them). The width provided by a 15mm angle of view (that lens was in the MindShift Gear BackLight 18L) would have been filled with mountains, but the 28mm choice on the already-mounted Canon RF 24-70mm F2.8 L IS USM Lens de-emphasized the already-large rock in front of me and added emphasis on the craggy mountain peak. At the same time, 28mm was not too long of a focal length to achieve sharp focus through the entire image at f/11, an aperture not greatly affected by the softening effects of diffraction.
I recently returned from an intense three weeks in Alaska and Colorado, working in the field with some great gear. As always, the trip was extremely valuable educationally, and the stack of images to be sorted through is a bit overwhelming. This picture was among the low-hanging fruit.
A larger version of this image is available on Flickr.
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From Sigma:
10/19 21:00 JST | Online New Products Presentation “SIGMA STAGE ONLINE”
Information
Thank you for purchasing and using our products.
We are pleased to announce the holding of an online event “SIGMA STAGE ONLINE”, which is a presentation of new products. It will be held on Tuesday, October 19th, 2021, from JST 21:00 / CET 13:00 / EDT 08:00.
Date:
Tuesday, October 19th, 2021 JST 21:00 / CET 13:00 / EDT 08:00 (about 30 minutes)
Watch the announcement here!
Check out the new JOBY Podzilla Tabletop Tripods at B&H.
From Lowepro:
LOWEPRO’S PHOTOSPORT PRO PROVIDES SUSTAINABLY-MADE GEAR CARRYING SOLUTIONS FOR MULTI-DAY JOURNEYS
Lowepro completes their innovative Photosport III Series with the Addition of the PhotoSport PRO
- PhotoSport PRO line tops off the third-generation PhotoSport collection designed for adventure photographers who embark on multi-day photographic journeys
- 85% of all fabrics are recycled*, lightweight and water-resistant with included All Weather AW Cover™ to protect gear from the elements.
- Integrated GearUp™ camera insert and accessory strap system bring flexible protection for multiple carrying configurations with an optional Runabout pack for explorations from the basecamp.
- ActivLift™ system on the back panel provides a comfortable fit and weight distribution for optimal outdoor comfort.
Cassola, October 2021 - Lowepro, a company with a 50-year legacy of creating protective gear-carrying solutions for adventure photographers, content creators, explorers and travellers continues the enduring PhotoSport III Series with the addition of the PhotoSport PRO, a range of multi-day hike backpacks designed to give the utmost protection, comfort, and modularity for the most challenging photographic journeys. The PhotoSport PRO comes in 2 sizes along with modular accessories designed to efficiently carry the necessities of a multi-day photographic expedition. The PhotoSport PRO line advances the Lowepro green line label that features sustainable products with a loading bar indicator of recycled fabrics level measured by surface area.
The PhotoSport PRO line consist of backpacks that carry an expansive array of both camera gear and hiking essentials to cover hiking and shooting for several days. The PhotoSport PRO backpacks come with a durable all-weather design that features the characteristic PhotoSport V-shaped exterior front panel. Built for the most extreme outdoor photography adventures, the PhotoSport PRO backpacks offer the carrying capacity needed for multiple days of hiking and backcountry travel without compromising on comfort and modularity while keeping their photography gear safe and secure.
This professional backpack line is offered in 2 sizes: 55 and 70 liters, both made to carry a full frame mirrorless or DSLR camera with a vertical grip and attached 70-200mm f/2.8 lens, with room for 2 additional lenses or a portable camera drone and accessories. Both bags are made to carry hiking and camping essentials such as a sleeping bag, a tent, meal camp, jacket, and trekking poles enough for the needs of a multiple day journey. Each variant is available with a choice of two sizes of shoulder straps. S-M straps are designed to fit smaller torsos better. The straps have slightly more curve and a shorter length. M-L straps are designed to fit larger torsos better. The straps are longer and less curved. Foam is strategically perforated for flexibility where you need it and more padding where it helps most.
Each backpack comes with a modular GearUp PRO XL, accessible from both a front and a back access door, and serves as a removable camera compartment as well as provides added protection from impact and moisture.
An outdoor photographer requires carrying solutions that adapt to what the situation calls for. As the PhotoSport PRO backpacks allow the photographer to bring anything and everything needed for the journey, they also offer an adaptive carrying solution. Not all the equipment has to be carried throughout the adventure. Once at basecamp, the GearUp Pro XL can be removed from the entire backpack to be brought for when the photography happens.
The backpack comes with an array of straps that allows added modularity in carrying the GearUp Pro individually, or to make additional attachments. The GearUp Pro XL can also be purchased individually, along with the GearUp Pro L variant which is only sold separately. The 18L Runabout daypack to be sold separately as well, is a portable backpack which is folded to a minimal size and expanded to carry the entire camera compartment as a stand-alone camera bag while all other equipment are left at basecamp.
The PhotoSport PRO backpacks are equipped with a fully adjustable ActivLift™ system that offers outstanding weight distribution and breathability that assures optimal comfort even with the heaviest loads in the longest of journeys. With its adjustable torso length, shoulder pad angle, chest straps, and waist straps, the backpack ensures comfortable fit for outdoor photographers and hikers of any body type.
Anyone who loves the outdoors surely has a lot of concern for the environment. That is why the PhotoSport PRO backpacks join Lowepro’s green line label in which all gear carrying solutions are made from recycled fabrics. Each variant comes with a loading bar indicator that contains information about the percentage of recycled fabrics in the product. The PhotoSport PRO backpacks consist of 85% (BP 55L) and 86% (BP70L) recycled* fabric while the GearUP PRO XL and L consist of 50% and 47% respectively. The Runabout daypack is made up of 84% recycled fabric as well. As the brand continues to grow supporting photographers and travelers through any photographic endeavor, Lowepro carries its community of photographers towards a direction committed to preserving and protecting the environment on which we set foot on each journey that begins with a packed bag.
The PhotoSport PRO collection will be available worldwide by October 2021.
| SKU | Product Description | Gear Fit | Size | Weight | Price |
| LP37341-PWW | PhotoSport PRO 55L AW III (S-M) | Pro DSLR or Pro Mirrorless body with 70-200mm f/2.8 lens attached + 1-2 extra lenses | 41x 36 x 70 cm 16,1 x 14,2 x 27,6 cm | 3 kg 6,64 lb | $469.99 |
| LP37342-PWW | PhotoSport PRO 55L AW III (M-L) | Pro DSLR or Pro Mirrorless body with 70-200mm f/2.8 lens attached + 1-2 extra lenses | 41x 36 x 70 cm 16,1 x 14,2 x 27,6 cm | 3 kg 6,64 lb | $469.99 |
| LP37436-PWW | PhotoSport PRO 70L AW III (S-M) | Pro DSLR or Pro Mirrorless body with 70-200mm f/2.8 lens attached + 1-2 extra lenses | 41x 36 x 80 cm 16,1 x 14,2 x 31,5 cm | 3,2 kg 6,95 lb | $499.99 |
| LP37437-PWW | PhotoSport PRO 70L AW III (M-L) | Pro DSLR or Pro Mirrorless body with 70-200mm f/2.8 lens attached + 1-2 extra lenses | 41x 36 x 80 cm 16,1 x 14,2 x 31,5 cm | 3,2 kg 6,95 lb | $499.99 |
| LP37441-PWW | GearUp PRO camera box L II | Pro DSLR or Pro Mirrorless body with 70-200mm f/2.8 lens attached | 31,5 x 16,5 x 16,0 cm 12,4 x 6,5 x 6,3 cm | 0,3 kg 0,61 lb | $44.99 |
| LP37442-PWW | GearUp PRO camera box XL II | Pro DSLR or Pro Mirrorless body with 70-200mm f/2.8 lens attached + 1-2 extra lenses | 31,5 x 16,5 x 16,0 cm 12,4 x 6,5 x 6,3 cm | 0,4 kg 0,93 lb | $59.99 |
| LP37443-PWW | RunAbout BP 18L | &nbs; | 25X 17 X 50 cm 9,8 x 6,7 x 19,7 cm | 0,4 kg 0,85 lb | $79.99 |
*Measured as recycled yarn content by surface area as percent of total fabric surface area.
Some materials are 100% recycled. The specific xx% percentage of each item accounts for all the fabric panels.
Orders
Order Lowepro PhotoSport PRO products from B&H.
From Manfrotto:
Introducing Manfrotto Move Ecosystem: Create at the speed of inspiration
- A game-changing modular Ecosystem of interconnectable parts and products created to offer maximum versatility on productions while slashing down on set up times.
- Empowered by Manfrotto’s innovative Move Quick Release System which enables instant switching between setups while maintaining unwavering stability. Featuring the latest addition of dedicated products like Gimbal 300XM, Gim-Pod, and 496 Ball Head which make Move Ecosystem the go-to solution for CSC users.
- Designed for today’s hybrid CSC photo and video shooters who are looking for maximum integration from their equipment and lightning quick transferability when switching between their photo and video heads, sliders, tripods, and gimbals.
Cassola, Italy, October 2021
Manfrotto, the worldwide leader in photography and videography supports, has unveiled the first products from an all-new modular line that comprises their forward thinking Move Ecosystem. Developed to harness the concepts of speed of use and versatility, these dedicated Move Ecosystem products are designed for today's modern creatives who shot both video and photo and want the ability to transition frequently between their varying supports with no lag. Move signals the birth of a faster and more versatile future for the workflow of photo and video professionals everywhere who will finally be able to move limitlessly at the speed of their inspiration.
The Move Ecosystem is designed around the new Quick Release System, a lightweight base and plate system which when attached to users various supports offers increased speed of transfer between them without having to stop to screw and unscrew parts. It all happens in one click that immediately actions professional stability no matter the direction in which the equipment is inserted, though an additional twist lock is provided to ease heavy users minds. And while speed is certainly a profound benefit of the Quick Release System, due to its universal 3/8” connection standard, the system is capable of connecting varying support types to each other revealing enhanced functionality from users existing systems. For example, Manfrotto tripods can be coupled with sliders and different heads on top, while Manfrotto’s Gimboom can be paired with the new Modular Gimbal 300XM in order to have a 2 meters long stabilized support with remote control capabilities that can be fully operated by a single user.
This is possible due to the 300XM Gimbal’s detachable modular construction including its stabilizing head and electronic controls which when separated can still communicate via bluetooth connection. The gimbal head can also be adapted onto a completely separate support such as a tripod or slider, for example, and be used a remotely operated shooting station. With its limitless modular application this market leading handheld Gimbal is guaranteed to redefine the standards of professional gimbal support for CSC users.
And while Move’s innovative adaptability is set to make huge improvements to the speed and versatility of production, Manfrotto’s approach to modularity isn’t just looking to what’s new. With a brand-new set of attachable twin legs Gimboom has also been revamped to introduce the two-in-one solution Gim-Pod, which equally performs as a professional grade boom as well as a tripod. Paired with Manfrotto’s newly announced and upcoming Q6 Ball Head featuring a sliding Arca-Swiss compatible top-locking mechanism and 3 bubble levels this configuration offers infinite applications for creators, from a lightweight kit.
The Move Ecosystem is much more than a collective of innovative solutions, it is a shift in paradigm. By harnessing the power of modularity Manfrotto has created a new age of interconnecting supports and parts that will allow professionals to not only move at an unprecedented speed but also allow users to customize their gear to meet their individual project needs. Welcome to the age of Move.
Orders
Order Manfrotto Move products from B&H.
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