Nikon News (Page 15)
From Sony Electronics
Sony Electronics Releases 300mm F2.8 G Master OSS; the World’s Lightesti Large-Aperture Telephoto Prime Lens
Capture dynamic moments such as sports scenes with high agility and supreme image quality
SAN DIEGO - November 7, 2023 – Sony Electronics is pleased to announce the release of the world’s lightesti 300mm telephoto prime lens G Master™ (SEL300F28GM), a full-frame a™ (Alpha™) E-mount lens with a maximum aperture of F2.8.
The anticipated FE 300mm F2.8 G Master OSS lens has the high depiction performance and high-speed, high-precision AF (autofocus) which are the hallmark of G Master. The lightweight design of approximately 1470gii (excluding tripod mount) and excellent weight balance allow the user to capture sharp, dynamic and decisive moments such as those of fast-moving sports or agile animals with handheld shooting. Paired with the Alpha 9 III full-frame camera that also launched today, high-speed continuous shooting with AF/AE tracking up to 120 frames per second is possibleiii. Even subjects with complex and diversified movements can be tracked with high precision. It is an ideal match for lightweight camera bodies by reducing the load on the user, minimizing fatigue during long handheld shooting sessions. It is also compatible with an optional teleconverter, allowing the user to shoot in the telephoto range of up to 600mm (equivalent to 900mm when using with an APS-C camera)iv.
“Ever since our announcement of the development of this lens in January of this year, we have received an overwhelming number of positive reactions from photographers around the world who are looking forward to its release,” said Yang Cheng, Vice President, Imaging Solutions, Sony Electronics. “By adding this 300mm lens to the already available E-mount 400mm and 600mm super-telephoto prime lensesv ,it supports a wide range of needs and shooting environments for professional and advanced amateur photographers.”
Main Features of the FE 300mm F2.8 G Master OSS
G Master Telephoto Lens that Captures Decisive Moments with High Resolution and Beautiful Bokeh
Incorporating Sony's cutting-edge technology, the G Master's high-resolution performance and beautiful bokeh makes the subject stand out clearly and capture decisive moments such as sports, news reports, events, and wildlife photography. An innovative optical design that includes three Super ED (Extra-low Dispersion) glass elements and one ED glass element, effectively placed to suppress chromatic aberration and achieve high resolution and contrast across the entire frame. Outstanding resolution and contrast are maintained right out to the image edges, which also allows for more flexible cropping and editing.
The gorgeous, creamy bokeh is a hallmark of the G Master design and ideally complements the lens’s 300 mm focal length and F2.8 maximum aperture, allowing the use of narrow depth of field to make subjects stand out from the background. Each lens is individually calibrated during manufacture to optimize bokeh quality and has an 11-blade circular aperture mechanism that contributes to smooth rounded bokeh.
High-Performance AF that Captures Dynamic Moments and High-Speed Continuous Shooting with AE/AF Tracking up to 120 Frames per Secondiii
The combination of two latest XD (extreme dynamic) Linear Motors and control algorithms provide high-speed, high-precision, and low-vibration AF performance. When combined with the newly announced Alpha 9 III full-frame camera, high-speed continuous shooting with AF/AE tracking of up to 120 frames per second is possible. This allows dynamic subjects to be captured without missing a moment’s opportunity, even when shooting scenes in which the subject moves quickly, such as sports or animals, or scenes in which the subject moves erratically, such as at competitive events. The high AF performance is demonstrated even when the separately sold teleconverteriii is attached.
Exceptional Mobility and Comfortable Operability that Support Professionals in the Field
Extensive weight reduction measures make FE 300mm F2.8 GM OSS the lightest in its classi, at approximately 1470g (excluding tripod mount) and has been designed with consideration to weight balance. The internal lens barrel uses durable magnesium alloy to achieve both high robustness and light weight. The weight is not concentrated at the front of the lens barrel, making it highly stable and allows for agile and accurate panning while shooting. In addition, MODE3vi, which provides enhanced viewfinder stability and optimizes the image stabilization algorithm, allows you to accurately capture dynamic scenes.
When used with the Alpha 9 III, the user can assign “preset focus” to the function ring that allows for an instant recall of focus to any pre-determined positionvii. Furthermore, the lens features comfortable operability that supports professional shooting, including focus hold buttons placed in four locations that can be assigned to the favorite functions from the camera body making it ideal for any professional.
The FE 300mm F2.8 G Master OSS has a dust and moisture resistant designviii along with fluorine coating to help prevent dirt and fingerprints to keep up with the needs of professional photographers.
Pricing and Availability
The FE 300mm F2.8 G Master OSS lens will be available for pre-order starting November 8, 2023 at a variety of Sony's authorized dealers with shipping starting in February 2024, for a suggested retail price of $5999.99 USD and $8199.99 CAN.
Orders
Support this site by ordering the Sony FE 300mm F2.8 GM OSS Lens (or anything else) from B&H | Adorama | WEX | Camera Canada
Rent the Sony FE 300mm F2.8 GM OSS Lens from Lensrentals.
Here is the full Sony Alpha 9 III announcement (skip the first 30 minutes).
Notes
i As of the November 2023 product announcement. Sony survey of interchangeable 300mm F2.8 lenses for full-frame digital cameras.
ii 1470 grams is approximately 51.85 ounces
iii Sony test conditions. Maximum continuous frame rate may be lower in some shooting conditions. Continuous shooting speed may vary depending on the lens used in AF-C focus modes. Visit Sony’s support web page for lens compatibility information.
iv 1.4x SEL14TC and 2x SEL20TC
v Focal length 400mm "FE 400mm F4 GM OSS" / Focal length 600mm "FE 600mm F4 GM OSS"
vi MODE 3 is supported by the latest body software version. Refer to the appropriate support web pages for information on body compatibility.
vii The functions assigned to the function ring vary depending on the camera you are using. Please refer to your camera's help guide for details.
viii Not guaranteed to be 100% dust and moisture proof.
A great subject in great light aligned with a great background and captured by a high-performing camera and lens combination is a sure recipe for an image I like. In this case, and often the case, the hard work was getting to the right location at the right time. The photo was easy to capture.
As I said in the last Dall Sheep Ram photo I shared, the Canon EOS R5 and RF 100-500mm F4.5-7.1 L IS USM Lens were the first choice for this adventure. The R5 was selected for its high resolution, AF performance, and ease of use, and the RF 100-500 was selected for the optimal focal length range, including 100mm for environmental portraits and 500mm for tighter framing or distant subjects, and outstanding sharpness over the range, backed up by a high-performing image stabilization system. The relatively compact size of this combination proved ideal for the climb.
My go-to wildlife camera settings were in place for this image. The eye must be sharp, and the subject (and I) were moving, so servo (continuous) AF with eye detection was selected. The aperture was set to the widest available at all focal lengths (initially f/4.5 at 100mm), and the shutter speed was frequently and rapidly adjusted to the comfortably lowest needed (or lower after initial safety/insurance shots were captured). Auto ISO ensured that the exposure instantly changed for the shutter speed selected (and light changes), with exposure compensation applied as needed.
While the ram was moving, it wasn't moving fast. Thus, I opted for the 1st-curtain electronic shutter to retain the full 14-bit image quality with still fast "H" continuous shooting mode providing good viewfinder coverage (low blackout).
A larger version of this image is available here.
ISO 160
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The Canon RF 24-105mm F2.8 L IS USM Z Lens page is loaded with expectations and information, including size and MTF chart comparisons.
Ditto for the Canon RF 200-800mm F6.3-9 IS USM Lens page.
Full expectations will be added to the Canon RF-S 10-18mm F4.5-6.3 IS STM Lens page in the next day or so, but product images, MTF comparisons, and specifications are currently available.
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This lens announcement from Canon features a huge range of focal lengths and coverage for a wide range of skill levels and pursuits. Here is the latest news from Canon USA:
CANON INTRODUCES THREE NEW LENSES, ENHANCING STILL PHOTOGRAPHY AND VIDEO PRODUCTION FOR ANY SKILL LEVEL
MELVILLE, NY, November 2, 2023 – Photographers aiming to get a powerful, ultra-wide angle shot, or looking for a superb zoom range, can improve their images with three new lenses announced today by Canon U.S.A., Inc., a leader in digital imaging solutions. The RF-S10-18mm F4.5-6.3 IS STM, the RF24-105mm F2.8 L IS USM Z, and the RF200-800mm F6.3-9 IS USM lenses can benefit a wide range of users — from beginners all the way to working professionals.
The RF-S10-18mm F4.5-6.3 IS STM lens offers users of APS-C sensor size EOS R-series cameras an ultra wide-angle zoom, helping create strong still images and video. It is an ideal lens for vloggers, travelers, and general shooters. Beginners in video and still photography can make good use of this lens, as well as the more advanced pros. Key features include:
- 10–18mm ultra-wide zoom (equivalent to 16-29mm on full-frame camera).
- Image Stabilization, for even greater hand-held sharpness and video steadiness.
- Compact and lightweight design, making it an excellent choice for travel.
- A new optical design, optimized for RF lens mount and APS-C sensor size.
- An affordable price tag for those just stepping into ultra-wide video and still imaging.
Still and video professionals who want a single lens that can handle most tasks with low-light capabilities will find what they’re looking for with the RF24-105mm F2.8 L IS USM Z. This is the world’s first 24-105mm focal length lens combined with consistent f/2.8 maximum aperture1, offering true portrait-length telephoto coverage resulting in sharp images. High-end photographers, photojournalists, and video content creators can utilize this lens’ other features that include:
- Constant overall length when zooming.
- Manual aperture ring for video use.
- Optimized optics for high-level video.
- Image stabilization.
A new Power Zoom Adapter will also be available for the RF24-105mm F2.8 L IS USM Z lens, an optional accessory for super-smooth zooming during video operation. This detachable device allows for more natural movement when zooming in and out, and easier control for solo camera operators. A standard version of the Power Zoom Adapter will be available, as well as a 20-pin port version to support zoom and focus demands. The firmware updates that will be available in early December for the EOS C70 and EOS R5 C cameras will add support for the RF24-105mm F2.8 L IS USM Z lens.
Last, but not least — nature, wildlife, and outdoor sports shooters will find the RF200-800mm F6.3-9 IS USM super telephoto zoom lens a great tool to take crystal-clear images of action at a distance. This lens is lightweight and easy to hold in your hand, allowing most users to carry it to help capture a range of subjects, whether it’s a still image of a landscape, or video of a moving target. Unique features of the RF200-800mm F6.3-9 IS USM lens also include:
- Up to 800mm focal length.
- Up to 5.5 stops image stabilization.
- Compatible with optional Canon RF 1.4x and 2x tele extenders.
- Weather-resistant design.
- Rotating tripod mount.
Price & Availability
The new RF-S10-18mm F4.5-6.3 IS STM, the RF24-105mm F2.8 L IS USM Z, and the RF200-800mm F6.3-9 IS USM lenses are expected to be available in December for estimated retail prices of $329.99, $2,999.00, and $1,899.00, respectively2. The two versions of the Power Zoom Adapter for the RF24-105mm F2.8 L IS USM Z will be available Spring 2024 for an estimated retail price of $999.99, and $1,299.002 for the version with the 20-pin port.
Orders
Support this site by ordering the Canon RF-S 10-18mm F4.5-6.3 IS STM Lens (or anything else) from B&H | Adorama | Canon USA | WEX | Camera Canada
Order the Canon RF 24-105mm F2.8 L IS USM Z Lens from B&H | Adorama | Canon USA | WEX | Camera Canada
Order the Canon RF 200-800mm F6.3-9 IS USM Lens from B&H | Adorama | Canon USA | WEX | Camera Canada
Order the Canon PZ-E2 Power Zoom Adapter from B&H | Adorama
Rent the Canon RF-S 10-18mm F4.5-6.3 IS STM Lens, Canon RF 24-105mm F2.8 L IS USM Z Lens, and Canon RF 200-800mm F6.3-9 IS USM Lens from Lensrentals.
Learn More
Canon RF-S 10-18mm F4.5-6.3 IS STM Lens
Canon RF 24-105mm F2.8 L IS USM Z Lens
Canon RF 200-800mm F6.3-9 IS USM Lens
1 As an AF interchangeable lens for full-frame sensor mirrorless cameras that have already been released as of November 1, 2023. (Based on Canon’s internal survey).
2 Specifications, availability and prices are subject to change without notice. Actual prices are set by individual dealers and may vary.
Image quality test results, along with specs and measurements, are now available on the Tamron 17-50mm F/4 Di III VXD Lens page.
Note that at 24mm the review lens is slightly sharper on the left side than the right side, the side shown in the tool.
Support this site by ordering the Tamron 17-50mm F/4 Di III VXD Lens (or anything else) from B&H | Amazon (all available countries) | Adorama | Camera Canada | WEX
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Is the Really Right Stuff MC-LS Universal L-Plate the last L-plate you will buy? Find out in the just-posted review.
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The new Really Right Stuff MC-LS Universal L-Plate is in stock at B&H.
Sigma Corporation shared more information about the coming soon 70-200mm F2.8 DG DN OS Sports Lens.
Apple just announced next-gen MacBook Pros and iMacs with M3-Series Chips.
Learn more and preorder at B&H
Image quality test results, along with specs and measurements, are now available on the Tamron 70-180mm F2.8 Di III VC VXD G2 Lens page.
You are going to like these results.
Compared to the G1 lens (visualize the slight camera resolution difference)
Compared to the Sony FE 70-200mm F2.8 GM OSS II Lens
Support this site by ordering the Tamron 70-180mm F2.8 Di III VC VXD G2 Lens (or anything else) from B&H | Amazon (all available countries) | Adorama | WEX | Camera Canada
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Sigma has released a firmware update for the Sigma 18-50mm F2.8 DC DN Contemporary Lens.
This firmware update incorporates the following fixes and enhancements:
- Improved operational stability
Get the Sigma 18-50mm F2.8 DC DN Contemporary Lens from B&H.
Just posted:
Sony Alpha 7C R Review
Sony Alpha 7C II Review
Support this site by ordering the Sony Alpha 7C R from B&H | Adorama | Amazon (all available countries) | WEX | Camera Canada
Order the Sony Alpha 7C II from B&H | Adorama | Amazon (all available countries) | WEX | Camera Canada
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"Capture One Pro (16.3) is a feature release containing new features and functionality, UX and performance improvements, along with multiple bug fixes and additional camera & lens support."
New features and functionality
- AI Masking
- ReTether
- Snap-to-eye in Focus Tool
- Capture One Live: Share multiple collections (Sessions only)
- Capture One Live: In-app comments
- Publish to Glass (Mac)
User experience and performance improvements
- Improved browse, zoom, and pan performance
- Improved Previews
- Smoother brushing (Mac)
- More reset options (including Speed Edit)
- New shortcuts
- Duplicate Layer
- Brush-erase toggle
- Luma Range dialog behavior change (Windows)
- Capture One Live: System notifications (Mac)
- Feedback notifications
- My Capture One panel
Get the full details of this update in the release notes.
Get Capture One at B&H.
+Released+with+New+Features+and+Functionality "Share on Pinterest!"){kind=small}
Do you have go-to locations to use when you must bring home high-quality images?
Three new cameras (Sony Alpha 7C R, Alpha 7C II, and Alpha 6700), two new lenses (Sony FE 16-35mm F2.8 GM II Lens and Sigma 10-18mm F2.8 DC DN Contemporary Lens), and some new accessories needed a workout. When many good images are needed, that go-to location is called upon, and it the success rate at Ricketts Glen State Park in the fall is high.
The optimal (cloudy) weather forecast selected the day choice, and the above gear (plus some additional gear and food) went into a MindShift Gear BackLight 26L for a big day in the field.
I have many favorite photo locations in this park and often revisit them as it seems new angles that create different, often better, results can often be found. In this case, Triangle Falls was the revisited subject, and I wanted a slightly lower-angle image than the last one from here.
As I said when posting that image, sometimes the picture does not tell the full story. While this image appears to be a simple capture, you don't see that the rock I'm standing on is slippery and the RRS TVC-24L Mk2 Tripod is in the fast-flowing water. Learned was that the tripod flowing downstream during exposures creates interesting motion blurs.
Fast-flowing water meeting a stationary object causes splashing, and in addition to forcing recomposition, the fast-flowing water also splashed onto the camera and lens from the tripod legs positioned forward of the camera. The mentioned lower angle perspective positioned the lens close to the water, and the splashing water was hitting the circular polarizer filter (responsible for this image's deep saturated colors). Thus, wiping the filter with a microfiber cloth between every shot was part of the process, with hope that the next exposure would finish before the water drops reappeared or the tripod washed downstream again. The cameras' weather sealing was appreciated in this scenario.
Fortunately, patience and repetition prevailed, and there were sufficient good images to select from.
The a7C R and FE 16-35mm F2.8 GM II got the call for this image. This full-featured compact camera delivers incredibly detailed images, and this lens has the optical quality to support that extreme resolution. This combination is an outstanding choice for landscape and travel photography.
ISO 100
9504 x 6336px
Just posted: Sony E PZ 16-50mm F3.5-5.6 OSS Lens Review.
This lens is tiny, ultra-light, and affordable (especially in used condition).
Support this site by ordering the Sony E PZ 16-50mm F3.5-5.6 OSS Lens (or anything else) from B&H | Adorama | Amazon (all available countries) | WEX | Camera Canada | KEH | MPB
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Just posted: Sigma 10-18mm F2.8 DC DN Contemporary Lens Review.
Again, this is going to be a popular lens.
Sharing this review supports the site.
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Two weeks of guiding elk photography in Rocky Mountain National Park resulted in a rather overwhelming number of images. Selecting the keepers is a huge project, and deciding which image to share first was daunting. It seems that everyone loves breath shots, so I'll start with that option.
This bull walked in so close to us that it didn't fit in the 600mm frame when its head was turned. While I liked the tight image that crops the back of the antlers, I knew that having the entire elk and its breath in the frame might be an option I later wanted.
To avail that option, additional images containing the cropped content on the left and right were captured immediately after the primary image, and the three images were manually stitched in Photoshop as a panorama.
This image utilized a camera position near the ground, just high enough to create a blur that transitions into the animal's legs, and elk legs are one of my favorite leading line sources, especially when they are equally spaced apart. The relatively close proximity of the elk combined with the distant background creates a strong background blur that makes this bull stand out.
Getting obvious breath in an image requires cold temperatures and a supporting background. While I could see the breath in many other images by the changes apparent when browsing one after the other, light-colored and detailed backgrounds often hide the breath in single images. A dark background and backlighting create an ideal scenario for making the breath element obvious.
A larger version of this image is available here.
ISO 5000
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Just posted: Sony FE 16-35mm F2.8 GM II Lens Review
This is a great little lens.
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From Sigma Corporation:
Development announcement of SIGMA 70-200mm F2.8 DG DN OS|Sports
The SIGMA Corporation is pleased to announce the development of the SIGMA 70-200mm F2.8 DG DN OS | Sports.
The SIGMA 70-200mm F2.8 DG DN OS | Sports is a large-aperture zoom lens for full-frame mirrorless cameras. In addition to the expressive imaging capabilities owing to the latest optical design, the lens offers a high level of performance and features that meet the expectations of professionals in both still and video, including high-speed autofocus with HLA (High-response Linear Actuator), optical stabilizer with the latest algorithm "OS2", and the superior weather resistance of SIGMA’s Sports line.
Combined with the SIGMA 14-24mm F2.8 DG DN | Art and the SIGMA 24-70mm F2.8 DG DN | Art, SIGMA's three zoom lenses for full-frame mirrorless cameras with a bright F2.8 constant aperture cover a wide range of focal lengths.
Launch: December, 2023
Available mounts: L-Mount, Sony E-mount
*The appearance and specifications of the product are subject to change.
* This product is developed, manufactured and sold based on the specifications of E-mount which was disclosed by Sony Corporation under the license agreement with Sony Corporation.
* L-Mount is a registered trademark of Leica Camera AG
Image quality, vignetting, flare, and distortion test results, along with specs, measurements, and standard product images, are now available on the Sigma 10-18mm F2.8 DC DN Contemporary Lens page.
This is going to be a popular lens.
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Support this site by ordering the Sigma 10-18mm F2.8 DC DN Contemporary Lens (or anything else) from B&H | Adorama
From Sigma Corporation of America:
SIGMA Announces 10-18mm F2.8 DC DN | Contemporary, the World's Smallest and Lightest F2.8 Zoom Lens for APS-C Mirrorless Cameras
Ronkonkoma, NY – October 5, 2023 – SIGMA Corporation of America, the US subsidiary of SIGMA Corporation (CEO: Kazuto Yamaki. Headquarters: Asao-ku, Kawasaki-shi, Kanagawa, Japan) is pleased to announce the SIGMA 10-18mm F2.8 DC DN | Contemporary lens. This is the first SIGMA lens being announced and released concurrently for the L-Mount, Sony E-mount and Fujifilm X Mount. The lens will be available through authorized retail partners on October 26, 2023 for $599.
This is the world's smallest and lightest F2.8 zoom lens designed for APS-C format mirrorless systems at just 2.8 x 2.4 inches (72.2 x 62mm) and 9.2 ounces (260g)*. The lens covers a 15-27mm (35mm equivalent) focal range, with a fast F2.8 constant aperture. Paired with the 18-50mm F2.8 DC DN | Contemporary, this duo of lenses covers a 15-75mm (35mm equivalent) range with the same bright F2.8 maximum aperture at a combined weight of under 19.5 ounces (550g).
* As an AF F2.8 zoom lens for mirrorless cameras with an APS-C sensor. As of October 2023 by SIGMA. Figures are for L-Mount. Additional specifications included in the full press release below.
The SIGMA 10-18mm F2.8 DC DN | Contemporary uses an aspherical concave lens with a large polarization ratio and high refractive index in the first group, reducing the number of elements in the first group and shortening the overall length. Additionally, a new push-on petal type hood has been developed. Thanks to the new structure with a spring and lever, which is not utilized by any other manufacturer, the hood has been made both thinner and smaller, which also contributes to the overall compactness of the lens.
The optical design of the lens delivers a short 4.6 inch (11.6cm) minimum focusing distance and a maximum magnification ratio of 1:4 at the wide end, allowing for close-up photography with pleasing background separation. The optical design also minimizes focus breathing, and the stepping motor delivers swift, quiet autofocus during both still and video use.
Thanks to its high optical quality and compact size, the SIGMA 10-18mm F2.8 DC DN | Contemporary lens is an excellent choice for travelers, adventure photographers, vloggers, content creators, and family photographers who want great image quality when paired with today's leading lightweight crop-sensor cameras on the three supported mirrorless platforms.
#SIGMA #SIGMA1018mmContemporary #SIGMAContemporary #SIGMAContemporaryZoom
C | Contemporary
SIGMA 10-18mm F2.8 DC DN
Small lens, big personality
- Large-aperture, ultra-wide-angle zoom with expressive imaging capabilities
- Extremely compact and lightweight
- Ideal for landscapes, travel, video and online content creation
Available: October 26th, 2023
Supplied accessories: Push-on petal type hood LH706-02, FRONT CAP LCF-67mm ?, REAR CAP LCR II
Available mount: L-Mount, Sony E-mount, FUJIFILM X Mount
* The appearance and specifications of the product are subject to change.
* This product is developed, manufactured and sold based on the specifications of E-mount which was disclosed by Sony Corporation under the license agreement with Sony Corporation.
* L-Mount is a registered trademark of Leica Camera AG
#SIGMA #SIGMA1018mmContemporary #SIGMAContemporary #SIGMAContemporaryZoom #SIGMADCDN
Create expressive images on the go with the world's smallest and lightest ultra-wide-angle zoom lens for APS-C cameras*
The SIGMA 10-18mm F2.8 DC DN | Contemporary is the world's smallest and lightest ultra-wide- angle zoom lens for APS-C cameras*, covering an effective focal range of 15-27mm (35mm equivalent). With ultra-sharp optics, a bright F2.8 aperture and a newly developed push-on petal type lens hood, photographers can create expressive images anytime, anywhere. The lens features a unique aspherical element that reduces the overall size of the lens and enhances image quality.
An 11.6cm (1:4) minimum focusing distance to produce unique compositions, with expansive backgrounds and pleasing bokeh. With a weight of only 260g*, a fast AF stepping motor and minimal focus breathing, the lens can be easily mounted onto a motorized gimbal to create impressive video content for social media use and professional projects. The lens is available for L-Mount, Sony E-Mount and FUJIFILM X Mount systems.
* As an AF F2.8 zoom lens for mirrorless cameras with an APS-C sensor. As of October, 2023 by SIGMA.
* L-Mount Specification.
[Key features]
1. Large-aperture, ultra-wide-angle zoom with expressive imaging capabilities
By utilizing unique optics which have been designed to correct lens aberrations, the SIGMA 10-18mm F2.8 DC DN | Contemporary produces images that are sharp across the entire image.
Aspherical lens, special low-dispersion glass
The use of an aspherical lens with large eccentricity and refractive index as the first lens element has enabled a lens construction with a reduced number of elements. Used in conjunction with multiple aspherical lenses and special low-dispersion glass, the lens can produce high resolution images whilst remaining compact and lightweight.
Minimum focusing distance 11.6cm, maximum magnification ratio 1:4
Create expressive close-up images using the 11.6cm minimum focusing distance when shooting at 10mm. With a magnification ratio of 1:4, the lens captures unique portraits, still life and more.
2. Extremely compact and lightweight
The SIGMA 10-18mm F2.8 DC DN | Contemporary is the world's smallest and lightest ultra-wide angle zoom lens for APS-C cameras*, with a length of 62.0mm, a maximum diameter of 72.2mm, and a weight of 260g*. The lens can be carried around with ease or attached to an APS-C mirrorless camera and a gimbal to create an ultra-portable video setup.
* As an AF F2.8 zoom lens for mirrorless cameras with an APS-C sensor. As of October, 2023 by SIGMA.
* The values are for L-mount.
Newly developed push-on petal type hood
A newly developed push-on petal type hood is included with the lens. Unlike the conventional bayonet type lens hoods that attach with a rotating movement, this push-on type lens hood is attached onto the lens using a spring and lever system. The implementation of this new design reduces the size and thickness of the hood so that it matches the compact size of the lens.
Compact, lightweight, high-performance F2.8 constant aperture zoom lens series
When combined with the SIGMA 18-50mm F2.8 DC DN | Contemporary, a total, unbroken focal range of 15-75mm (35mm equivalent) with a constant F2.8 aperture can be covered. The combined weight of both lenses is only 550g.
* The values are for L-mount.
Fast-growing lineup of lenses for APS-C mirrorless cameras
In addition to the SIGMA 18-50mm F2.8 DC DN | Contemporary, the lineup of lenses for APS-C mirrorless cameras includes 16mm, 23mm, 30mm, and 56mm prime lenses, all with F1.4 brightness. This flexible lens selection can be used for a wide variety of photographic applications.
*Lineup is as of October 2023.
Mount with dust and splash resistant structure
The lens mount incorporates rubber sealing to protect it from dust and water drops.
3. Ideal for landscapes, travel, video and online content creation
With ultra-wide focal length, portable body and razor-sharp optics, the SIGMA 10-18mm F2.8 DC DN | Contemporary is the perfect portable option for landscape, travel, interior and street photography. It also boasts impressive video capability owing to its bright F2.8 aperture, which makes it well-suited to shooting in low-light environments and creating a shallow depth-of-field. The ultra-wide angle-of-view is ideal for hand-held vlogging that requires the capture of both the subject and the environment.
Designed to minimize focus breathing
The lens has been designed to suppress focus breathing. The change in angle-of-view due to focus shift is minimized, creating a natural-looking focus shift when recording video.
Supports various camera functions
The lens is compatible with the electronic image stabilization function, aberration correction function, DMF, and AF+MF in camera bodies from various manufacturers. The advantage using this ultra-wide-angle lens is that it provides a generous angle-of-view even when the electronic image stabilization function crops the image.
* Function available on supported cameras only. Available corrections or auto correction functionality may vary depending on the camera model.
Stepping Motor
A fast and quiet stepping motor is used to deliver precise AF when shooting stills and video. It is fully compatible with in-camera AF tracking modes.
[Additional features]
- Lens construction: 13 elements in 10 groups (3 FLD, 1 SLD, and 4 aspherical elements)
- Inner focus system
- Compatible with high-speed autofocus
- Stepping motor
- Compatible with Lens Aberration Correction
*Function available on supported cameras only. Available corrections or auto correction functionality may vary depending on the camera model.
*On cameras where lens aberration correction is controlled with ‘ON’ or ‘OFF’ in the camera menu, please set all aberration correction functions to ‘ON'(AUTO). - Support DMF and AF+MF
- Compatible with AF assist (Sony E-mount only)
- Super Multi-Layer Coating
- Support for switching between linear and non-linear focus ring settings on L-Mount bodies
* Function available on supported cameras only. - Mount with dust and splash resistant structure
- Push-on petal type hood LH706-02
- Compatible with SIGMA USB DOCK UD-11 (sold separately / for L-Mount only)
- Designed to minimize flare and ghosting
- Every single lens undergoes SIGMA’s proprietary MTF measuring system
- 7-blade rounded diaphragm
- High-precision, durable brass bayonet mount
- Mount Conversion Service available
- "Made in Aizu, Japan" craftsmanship
To learn more about SIGMA’s craftsmanship, please visit SIGMA website at: https://www.sigma-global.com/en/about/craftsmanship/
[Key specifications] The figures below are for L-Mount.
Lens construction: 13 elements in 10 groups (3 FLD, 1 SLD, and 4 aspherical elements)
Angle of view: 109.7°-76.5° (APS-C)|Number of diaphragm blades: 7 (rounded diaphragm)
Minimum aperture: F22|Minimum focusing distance: 11.6 (W) -19.1 (T) cm / 4.6 (W) -7.6 (T) in. | Maximum magnification ratio: 1:4 (W) - 1:6.9 (T)|Filter size: f67mm
Dimensions (Maximum Diameter x Length): f72.2mm × 62.0mm / f2.8in. × 2.4in.
Weight: 260g / 9.2oz.
[Barcode]
L-Mount: 0085126 207694 Sony E-mount: 0085126 207656 FUJIFILM X Mount 0085126 207755
[Accessories: Supplied] Name of product / barcode
Lens Hood LH706-02: 0085126 941093
FRONT CAP LCF-67mm: 0085126 929473
REAR CAP LCR: L-Mount 0085126 937256
Sony E-mount 0085126 929879
FUJIFILM X Mount 0085126 939861
[Accessories: Optional] Name of product / barcode
SIGMA USB DOCK UD-11 for L-Mount: 0085126 878696
SIGMA WR CERAMIC PROTECTOR 67mm: 0085126 931803
SIGMA WR PROTECTOR 67mm: 0085126 930943
SIGMA PROTECTOR 67mm: 0085126 931070
SIGMA WR UV FILTER 67mm: 0085126 930684
SIGMA WR CIRCULAR PL FILTER 67mm: 0085126 930813
Orders
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