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 Tuesday, October 25, 2016

In this short video, Canon highlights their trademark red line (though I like the phrase "red ring" better) as an indicator of image quality and professional reliability. Want to know more? See the Canon L Story on Canon Japan's website.
B&H carries Canon L-series lenses.
Posted to: Canon News
Post Date: 10/25/2016 8:34:21 AM CT   Posted By: Sean
From Canon:
TOKYO, October 25, 2016—Canon’s initiatives to tackle climate change have been recognized by the international non-profit organization CDP, based in the United Kingdom, earning the Company its first inclusion on the Climate A List.
Since 2003, the CDP has evaluated major companies worldwide on their efforts to tackle climate change. The evaluations are based on information disclosed in response to questions sent to the companies regarding business risks and opportunities associated with greenhouse gas emissions and climate change. In 2016, approximately 6,000 businesses were assessed, of which 500 were Japanese. The evaluation ranks companies on a scale from A to F, with A being the highest, and Canon was declared one of the 193 companies in the world to make the A List.
Under its Action for Green environmental vision, introduced in 2008, Canon set a goal of annually reducing lifecycle CO2 emissions for each product by 3%, and is proactively making efforts through such initiatives as energy-saving activities at manufacturing bases, a modal shift in distribution, reduced energy consumption during product use, product remanufacturing, reusing parts and recycling consumable goods. As a result, in 2015, lifecycle CO2 emissions per product were approximately 30% of those in 2008—successfully achieving an average reduction of approximately 5% a year.
Canon’s Action for Green environmental vision aims to realize a society that promotes both enriched lifestyles and the global environment through technological innovation and improved management efficiency. Throughout the entire product lifecycle—Produce, Use, Recycle—Canon continues to expand activities with its customers and business partners to reduce environmental burden in pursuit of this environmental vision.
Posted to: Canon News
Post Date: 10/25/2016 8:06:35 AM CT   Posted By: Sean
by Sean Setters
Let's have some fun this morning with a little guessing game. I photographed the item seen above yesterday in the studio. Here's what I want to know:
  • What is the device and what is the device's purpose?
  • How was the item lit?
  • What post-processing technique was used to create the final look of the image?
For those that frequent the site regularly, the first two answers may be relatively easy to guess. The third [rather vague] question may not be.
Provide your guesses in the comments. I'll post the answers at noon today.

Update: The Reveal
Flash Grid Macro Setup

As many of you guessed, the item pictured was indeed a Speedlite flash grid. It was lit using a single, radio triggered Canon 580EX modified with a blue gel. The light was positioned below the grid, but I had to create some distance between the light and the grid so that there would be even illumination across the grid's surface (that's where the glasses come in). I also used a 1-stop ND gel beneath the blue gel to knock down the flash's power even more.
You'll likely also notice the device attached ot the camera. That's my DIY battery operated Wi-Fi tethering solution. With it, I was able to use the DSLR Controller app to capture incrementally focused images used for focus stacking. In all, I combined 65 incrementally focused images in Helicon Focus to achieve the full depth of field I was looking for.
Gear Used
EXIF for images: f/32, 1/160 sec. ISO 100
I sharpened the image and brightened the upper half in Photoshop CC.
Posted to: Canon News,
Post Date: 10/25/2016 6:19:24 AM CT   Posted By: Sean
Sweden's highest court has ruled that unmanned aerial vehicles (UAVs) with onboard cameras are illegal for use in the country's public spaces unless a permit is obtained. In the same ruling, the Supreme Administrative Court found that video recording devices placed in windshields or on bicycles were permissible because the cameras could be controlled locally rather than remotely.
With the US Federal Aviation Administration [generally] loosening restrictions on drone use, it will be interesting to see if Sweden's ruling will be enough to sway other governments to protect personal privacy over personal liberty.
B&H carries UAVs.
Posted to: Canon News,
Post Date: 10/25/2016 6:08:21 AM CT   Posted By: Sean
 Monday, October 24, 2016
From the Canon Digital Learning Center:
When’s the best time for photography? When others are sleeping.
Yes, yes, that extra two hours or so in the morning may be tempting. But don’t fall victim to the siren song of sleep – this really is the best time of the day to photograph.
Read the entire article on the Canon Digital Learning Center.
Posted to: Canon News
Post Date: 10/24/2016 5:34:12 AM CT   Posted By: Sean
 Sunday, October 23, 2016
My day trip to Ricketts Glen was carefully planned. A pair of calls to the park office gave me redundant information. Both individuals indicated that the leaves in the falls ravines were going to be peak and one said that the water flow was good (that was necessary for waterfalls of course). This information aligned perfectly with the weather forecast calling for very light wind (enabling flora to remain still for long exposures), heavy cloud cover (keeps lighting low and free of harsh shadows) and light rain likely throughout the day (keeps the crowds at home, out of the frame and provides saturated colors).
After driving 1.5 hours in the fog, I arrived to find ... no wind. The leaves were indeed peak, but they were peak at the top of the mountain – not down in the deep falls ravines. The fog cleared to a mostly sunny sky and my opinion of a good water flow differs greatly from the person I talked to.
Fortunately, there are always great photo opportunities in this park. And, after photographing in the early morning shade for over an hour, the clouds eventually came and were present for a number of hours, creating good light.
Especially high up in the falls trails, there were some good leaves, but ... many of them were on the ground. However, the ground can be a great place to photograph leaves, especially when they are wet from a stream they have fallen into or nearby. During the fall, especially late in the local fall foliage season, look for colorful leaves on the ground that can be worked into an image.
Don't forget to use a circular polarizer filter to reduce glare and increase saturation of these leaves. The Canon EF 16-35mm f/2.8L III USM Lens was the only lens I used this day. I didn't need a focal length that it didn't contain and the image quality coming from this lens is very impressive.
Fall, my favorite photography season, has just arrived in the northern hemisphere. Just as photographers consider the bookmarks of daylight to be the golden hours, I have a set of golden weeks of the year, bookmarking the leaf season. The beautiful bright light green new foliage (and abundant water flow) of late spring marks one of them. The other is marked by the changing leaf color of late summer/early fall and this one is easily my favorite.
Read our Fall Photography Tips for ideas and inspiration, select a great location, pack some great gear and go capture some portfolio-grade imagery! Whether that foliage is the primary subject or a backdrop to another subject, we are in the golden weeks.
A larger version of this image is available on SmugMug, Flickr, Google+, Facebook and 500px. If reading from a news feed reader, click through to see the framed image. If you find these tips useful, please share them in your circle of friends!
Posted to: Canon News,
Post Date: 10/23/2016 8:00:00 AM CT   Posted By: Bryan
 Saturday, October 22, 2016
There are few landscape photography locations more popular than Oxbow Bend, near Moran in Grand Teton National Park. This location is especially favored during the week or two in late summer when the aspen trees take on their brilliant fall colors. However, on a calm morning with interesting clouds in the sky, those colors are just icing on the cake.
When the wind dies down, most often early and late in the day, the Oxbow Bend area of the Snake River becomes glassy and only the jumping fish and feeding ducks remain to mar the mirror-like surface of the water. The highlight of this location is Mount Moran along with the other nearby mountain peaks and a telephoto lens best emphasizes distant mountains. I took a few telephoto pics here, but ... I couldn't resist framing the scene wider, including the reflections of the photogenic clouds present on this great morning.
I always say that a great landscape scene can be made greater by reflecting it and I think this theory holds true at Oxbow Bend. Within this theory, vertically centering the top edge of a large reflecting surface (such as a body of water) usually works very well.
Even though there are many dozens of photographers targeting Oxbow Bend at sunrise, there is plenty of room for everyone to find a good shooting location. Schedule your presence here for mid-late September (this image was captured on the 19th) if you want the yellow aspens in your frame.
I'll likely feel compelled to share a few more images captured at this location on this morning.
A larger version of this image is available on SmugMug, Flickr, Google+, Facebook and 500px. If reading from a news feed reader, click through to see the framed image.
Posted to: Canon News,
Post Date: 10/22/2016 9:10:00 AM CT   Posted By: Bryan
 Friday, October 21, 2016

From the Jimmy McIntyre YouTube Channel:
You can download my free sharpening action here.
The buttons you see down the left hand side are quick buttons so I can use Photoshop on my Surface Pro without a keyboard.
Download Raya Pro here.
Download the Free Easy Panel here.
Posted to: Canon News,
Post Date: 10/21/2016 1:33:09 PM CT   Posted By: Sean
From LensRentals:
by Roger Cicala
I tend to not get overly excited about new releases. The last few years have seen a lot of incremental upgrades that rarely blow me away. Usually, I end up thinking the new version of whatever is better than the last version. Not “rush out to the store and buy it” better, but “consider upgrading if you use it a lot” better.
Canon, though, (and Sigma) have hit some real home runs with optics lately, so I was a bit excited when Canon decided to upgrade one of their weaker lenses, the 16-35mm f/2.8, to a Mark III version. And if you don’t want to read the article I’ll summarize: rush out to the store and buy it.
You can read the entire article on the LensRentals Blog. For a more thorough look at the Canon EF 16-35mm f/2.8L III USM, check out this handy resource.
B&H has the Canon EF 16-35mm f/2.8L III USM in stock. If you simply want to rent the lens for an upcoming trip, LensRentals has you covered.
Posted to: Canon News,
Post Date: 10/21/2016 11:48:53 AM CT   Posted By: Sean
From Nikon:
Use the KeyMission 360/170 Utility to copy to your computer, view, and edit beautiful spherical 360° panoramas and 170° wide-angle shots taken with Nikon’s KeyMission cameras. You can choose the angle when viewing spherical 360° content shot with the KeyMission 360 and export the footage to create new movies, export cropped images, add simple effects and background tracks, and create movies for upload to YouTube. You can also change settings for cameras connected via USB.
Download: Nikon KeyMission 360/170 Utility
B&H has the Nikon KeyMission Action Cameras availble for preorder.
Posted to: Nikon News
Post Date: 10/21/2016 6:53:51 AM CT   Posted By: Sean

In yet another ambitious project, photographer Benjamin Von Wong and his team trek miles through a wasteland to find active lava surface flows for his shaman shoot bringing awareness to climate change.
Posted to: Canon News,
Post Date: 10/21/2016 5:40:12 AM CT   Posted By: Sean
 Thursday, October 20, 2016
Just posted: Canon EF 16-35mm f/2.8L III USM Lens Review
It's a keeper.
B&H has the new Canon EF 16-35mm f/2.8L III USM Lens in stock.
This lens is also in stock at:
Adorama | Amazon | Beach Camera | | Canon Store | eBay | WEX Photographic
Posted to: Canon News
Post Date: 10/20/2016 9:40:27 AM CT   Posted By: Bryan
From Sigma:
Cine High Speed Zoom 18-35mm T2 and 50-100mm T2 lenses begin shipping on December 9 for a retail price of $3999.00 USD
New York, NY – October 20, 2016 – Sigma Corporation of America, a leading DSLR lens, camera, flash and accessory manufacturer, announced today that the Cine High Speed Zoom 18-35mm T2 and 50-100mm T2 lenses will begin shipping on December 9, 2016 for a retail price of $3999.00 USD. Born from the new Sigma Cine family of products, the High Speed Zoom lenses leverage the outstanding optical design of the company’s world-renowned Global Vision still photography lenses. Combined with the 100% new mechanical lens body design, the Cine lenses meet needs of advanced 6k and 8k cinema production with the core optical quality DNA that has defined the Sigma benchmark of imaging excellence.
See the Sigma Cine Family of Products at PDN/PPE 2016 Expo
Demonstrated for the first time to the public in the United States, attendees to the 2016 PDN PhotoPlus International Conference + Expo (PPE), held at the Javits Convention Center in New York City from October 20-22, 2016, can see first-hand the new Sigma Cine family of lenses:
Cine High Speed Zoom Line - 18-35mm T2 and 50-100mm T2
The high speed zoom line, which is compatible with the Super35 image size standard, offers the constant aperture of T2 throughout the zoom range with superior optical performance that is capable of high-resolution 6K-8K shooting. Delivering the highest image quality in its class, the High Speed Zoom is ergonomically compact and designed for E, EF and PL camera system mounts.
Cine FF Zoom Line - 24-35mm T2.2 FF
Compatible with a full-frame image sensor, the FF Zoom’s outstanding optical performance also supports 6K-8K shooting. Because so few lenses cater to the requirements of the latest digital cinema cameras’ image sensors, this line provides a rare option for cinematographers. The FF Zoom is designed for E and EF camera system mounts.
Cine FF High Speed Prime Line - 20mm T1.5 FF, 24mm T1.5 FF, 35mm T1.5 FF, 50mm T1.5 FF and 85mm T1.5 FF
The Cine High Speed Prime lineup features lenses ranging from 20mm to 85mm, with all five touting an aperture of T1.5. Highly compact and compatible with full-frame sensors, these lenses offer superior resolution. They bring a consistent level of light to the production, offering greater consistency to any film’s color, contrast and overall look before it enters post-production. The FF High Speed Prime line is designed for E, EF and PL camera system mounts.
Posted to: Canon News,
Category: Sigma News
Post Date: 10/20/2016 8:57:52 AM CT   Posted By: Sean

In this video, filmmaker Tom Antos demonstrates how to repair a damaged 1/4"-20 (tripod) thread.
Product Used
Posted to: Canon News,
Post Date: 10/20/2016 7:46:15 AM CT   Posted By: Sean
 Wednesday, October 19, 2016
From Canon USA:
MELVILLE, N.Y., October 19, 2016 – Canon U.S.A., Inc., a leader in digital imaging, is proud to announce the addition of two new photographers to its renowned Explorers of Light program, Stephanie Sinclair and Jeremy Cowart. These new members add to the already impressive ranks of Canon’s program, expanding to align with a wide range of talented professionals that impact imaging culture and influence the way their audiences see the world. These new Explorers of Light will be on hand at the Canon Booth (#121) at PhotoPlus Expo 2016, October 20-22 at the Jacob Javits Convention Center in New York City. For a full schedule of events in the Canon booth, please visit
Stephanie Sinclair is a New York-based photojournalist who has gained international acclaim for her attention to human rights issues. Through her photography and her Too Young to Wed foundation, she has shone a spotlight on issues such as child marriage, female circumcision, war and polygamy. “Throughout my career, I’ve used the power of images to tell stories that weren’t being told,” Sinclair remarked. “I’m honored to join Canon’s Explorers of Light program and eager to get more involved in speaking to the next generation of photographers to teach them how to do the same.” Jeremy Cowart is an accomplished portrait photographer who has captured iconic images of some of the world’s biggest celebrities. In addition, his humanitarian work has taken him to places such as Rwanda and Haiti where he has created photo essays that helped tell the stories of those whose lives had been ravaged by war and tragedy. “I’ve always been passionate about teaching, because it is my belief that art can change the world,” said Cowart. “I’m so proud to join the Explorers of Light program and be part of such an amazing team of professional photographers who share my enthusiasm for spreading the joy of imagery.” “For over 20 years, the Explorers of Light program has enabled Canon to align with amazing professional photographers that use the power of the image to educate and inspire, and Jeremy Cowart and Stephanie Sinclair will help us to do both in new and impactful ways,” said Yuichi Ishizuka, president and COO, Canon U.S.A., Inc.
Since the creation of the program in 1995, Canon’s Explorers of Light have been leaders in their respective fields, garnering awards and accolades for their work. These individuals work with Canon extensively as representatives, ambassadors, educators, and role models for aspiring creative artists. They participate in workshops, seminars, gallery showings and personal appearances throughout the United States.
Posted to: Canon News
Category: Canon USA News
Post Date: 10/19/2016 8:51:23 AM CT   Posted By: Sean
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