"This year marks the 10th anniversary of the EOS 5D DSLR series cameras and to celebrate the occasion, we've rounded up some helpful tips, tricks and tutorials related to this impressive series that can help you take your imagemaking skills to the next level"
MELVILLE, N.Y., May 27, 2015 - Canon U.S.A., Inc., a leader in digital imaging solutions, along with Ron Howard (two-time Academy Award Winner) and Josh Hutcherson (star of "The Hunger Games" franchise), have announced the names of 15 finalists in the Project Imagination: The Trailer contest. The contest, which drew a flood of submissions, encouraged people of all skill levels to turn their photos and video footage into movie trailers with titles, Hollywood style voice-overs and epic soundtracks.
The public is now able to vote through June 10 on the 15 finalists at imagination.usa.canon.com and then Ron Howard and Josh Hutcherson will select one winning trailer based on its overall impression, inspiration and imagination. The film is set to go into production this summer and will be written and directed by Kat Candler ("Hellion").
"As a veteran filmmaker, I appreciate the value of edge-of-your seat creativity in filmmaking, and that's what Project Imagination: The Trailer is all about," said Howard. "Josh and Kat are the perfect complements to what's sure to be an exhilarating exploration into the inspirational value of trailers."
"What's most exciting about this process is that I don't know what to expect," said Hutcherson.
"We were thrilled by the number of truly creative trailers that were submitted," said Yuichi Ishizuka, president and COO, Canon U.S.A., Inc. "And, we know that Ron, Josh and Kat will honor the power of everyday moments to inspire something really fascinating."
The 15 chosen finalists are:
JR Poli of North Lauderdale, Fla., with "Everything is Mean"
Anna Fuller of Louisville, Ky., with "A Reader and a Writer"
Jan Garcia of Union City, Calif., with "The Life and Times"
Ben Alagna of Los Angeles, Calif., with "Siren"
Ryan McDowell of Campbell, Calif., with "Borderless"
Mina Park of Los Angeles, Calif., with "Calling Card"
Rachel Bingham of Sandy, Utah, with "Ninja School"
Zack Murray of Odessa, Fla., with "Spin"
Jonathan Spencer of Charleston, Mass., with "The 18-Hour Proposal"
Matt Sconce of Oakhurst, Calif., with "The Hunt"
Ryan Lawson of Chicago, Ill., with "Bubbles"
Giordan Moore of Springfield, Mass., with "The Clumsy Shoveler"
Marc Geiger of Lancaster, Calif., with "Stuck"
Mark Mukherjee of Tampa, Fla., with "Tainted Water"
Nic Thorson of Sherman Oaks, Calif., with "Project Six"
For the third iteration of Project Imagination, Francesca Silvestri and Kevin Chinoy of Freestyle Picture Company are once again producing the film, this time with Josh Hutcherson.
As Part of Nikon’s “I AM Generation Image” Campaign, Nikon Will Offer Free Newlywed Portraits Outside of the NYC Marriage Bureau Captured by Nikon Ambassador Joe McNally
MELVILLE, NY – On June 4 and June 5, Nikon will bring the Nikon Wedding Truck Studio to New York City Hall (Office of the City Clerk), offering couples getting married the timeless keepsake of amazing images to help commemorate the start of the next chapter in their story together. Nikon is working with famous photographer and Nikon Ambassador Joe McNally to convert a truck into a fully functional photo studio, where couples getting married at the Office of the City Clerk that week are invited to get a professional portrait session at no cost.
“One of the most memorable and marvelous experiences l have had was capturing the wedding of my friends getting married at City Hall. People of all types were there to announce and share with the world that this was their beloved,” said McNally “Working with Nikon to bring this pop-up studio to life gives us a chance to celebrate this real emotion and provide couples with a stunning set of wedding photos to help remember their special day.”
The Nikon Wedding Truck Studio is part of Nikon’s “I AM Generation Image” Campaign, which inspires people to make their stories stand out through incredible imagery. Nikon will provide participating couples with high-quality portraits to keep and share with friends and family to remember their wedding day. McNally will be shooting with the Nikon D750 DSLR camera, NIKKOR lenses and Nikon Speedlights, giving couples the highest quality images as wedding-day keepsakes.
“A wedding is a joyous occasion and deserves to be documented, so that our children and grandchildren can experience the happiness and true emotions of a couple’s special day. High-quality images help to re-tell the story of that day to later generations, as if they were actually there,” said Lisa Baxt, Associate General Manager of Communications, Nikon Inc. “With the help of amazing images captured by Joe McNally, these newlyweds will receive beautiful images that will stand the test of time.”
The event will take place on June 4 and June 5 outside of the Office of the City Clerk, near 141 Worth Street in New York City. The portrait sessions will be free of charge, provided on a first come-first serve basis. Couples will leave with their images so that they can be shared with their loved ones.
Participating couples must have a valid New York State marriage certificate validating that they were married at City Hall during the week of June 1 to June 5 2015.
Highlights Include New EOS C300 Mark II Digital Cinema Camera, XC10 4K Camcorder, and DP-V2410 4K Reference Monitor
MELVILLE, N.Y, MAY 27, 2015 - Canon U.S.A., Inc., a leader in digital imaging solutions, will showcase its latest 4K digital cinema products for professionals in the motion picture, television production, and video content creation industries in Booth #12 at Cine Gear Expo Los Angeles 2015 from Friday, June 5 through Saturday, June 6.
In the Paramount Theatre during the Expo will be three Canon-hosted educational panel discussions, featuring industry professionals discussing their craft, and how Canon products have helped power their work. The panel discussion schedule is as follows:
Friday, June 5, 5:30 - 6:30 pm - Amazon Studios' Transparent: Capturing Intimate Scenes in 4K with the EOS C500 Camera featuring Jim Frohna (DP), Corinne Bogdanowicz (Colorist), and Zoe Van Brunt (2nd AC).
Saturday June 6, 12:45 - 1:45 pm - A First Look at the EOS C300 Mark II Camera with Gale Tattersall featuring Gale Tattersall (DP), Tony Gutierrez (1st AC) and Ari Robbins (Steadicam Operator).
Saturday June 6, 4:30 - 5:30 pm - Documentary Panel Discussion featuring Jenna Rosher (DP, "An Open Secret", "Janis: Little Girl Blue"), Svetlana Cvetko (DP, "Brand: A Second Coming", "Inequality for All") and Jerry Henry (DP, "City of Gold").
New My Passport Drives Now Feature Up to 3 TB Capacity, Easier Backup Software and Personalization Options
IRVINE, Calif. – May 27, 2015 – WD, a Western Digital (NASDAQ:WDC) company, and world leader in storage solutions, today introduced the new, redesigned My Passport Ultra portable hard drives and My Passport for Mac drives. With the My Passport line now in its 7th generation, the My Passport Ultra and My Passport for Mac portable hard drives are now available in capacities up to 3 TB1 and in four stylish colors2 - Classic Black, Brilliant White, Wild Berry and Noble Blue. WD is also introducing a new optional accessory – WD Grip Pack – a soft band, available in a variety of colors, which encircles the drive, offering consumers an easy way to personalize their My Passport drives.
“With more photos being taken than ever before, it’s critical to have a high capacity, reliable external storage solution that you can carry everywhere,” said Tony Tate, general manager and vice president of Content Storage Solutions at WD. “The latest generation My Passport drives deliver an easier automatic back-up experience, hardware-based encryption for security and higher capacities than ever before. Consumers can keep all their content in their pockets, while expressing their personal styles with the colors and WD Grip Pack.”
My Passport Ultra portable drives come in 3 TB, 2 TB, 1 TB and 500 GB capacities and feature 256-bit AES hardware encryption3 – delivering a high level of security with no impact to write-speed or CPU activity. If your My Passport Ultra falls into the wrong hands, the 256-bit AES hardware encryption protects users’ files, folders, photos, videos and music with a password known only to them. USB 3.0 compatibility provides fast data transfer rates of up to 5 gigabits per second, while being backwardly compatible with USB 2.0. My Passport for Mac portable drives are available in capacities of 3 TB, 2 TB, 1 TB and also feature 256-bit AES hardware encryption with USB 3.0 connectivity.
Sold separately, the WD Grip Pack accessory for My Passport Ultra is available in five colors (smoke, slate, grape, sky and fuchsia) and, when wrapped around one of the four colors of My Passport Ultra drives, enables consumers to create a total of twenty possible color combinations. The WD Grip Pack comes with a color-matched 18-inch flat USB 3.0 cable, creating a stylish complete solution.
My Passport Ultra’s built-in WD Backup software is a simple-to-use application with focus on reducing frustration when setting up a backup plan to preserve data. Since 31% of devices have had malware at some point, having your data safely backed up onto a secondary device like a My Passport drive is critical to preserving precious data.
Pricing and Availability
My Passport Ultra and My Passport for Mac portable drives are available today at select retailers, including Amazon (My Passport Ultra) and distributors. My Passport Ultra and My Passport for Mac have a Manufacturer’s Suggest Retail Price (MSRP) ranging from $79.99 up to $199.99 depending on capacity (3 TB capacity available next month). Both the My Passport Ultra and My Passport for Mac will offer a 3-year limited warranty. Terms and conditions of WD’s limited warranty may be found at support.wdc.com/warranty. WD Grip Pack accessories will be available in June and will have an MSRP of $12.99.
Sports lens is significantly more-ruggedly constructed
Sports lens is significantly heavier – including the hood, measured in-use weights are 6.96 lbs (3.16kg) compared to 4.49 lbs (2.04kg)
Sports lens is moderately larger in both length and diameter (especially with the hoods in place) and the zoom extension is a bit longer
Contemporary lens has a 1/3 stop wider aperture over a small subset of the focal length range
Contemporary lens has a larger zoom ring with no contour in diameter mid-ring
Sports lens has a more-serious manual focus ring that is significantly larger with much more grip surface
Contemporary lens utilizes smaller (but still large) 95mm filters vs. 105mm
Contemporary zoom ring rotates 146° vs. the Sport's 126°
Sports lens has very rigid aluminum hood with rubberized end and thumbscrew lockdown vs. bayonet mount lightweight plastic hood
Both lenses feature a rubberized push/pull zoom grip surface, but the Sports has a ridge for a more-sure pull-back grip
Sports model has a smoother and stronger non-removable tripod mount ring and foot with a better-positioned lock knob, click detents at 90°, a much larger (and removable) foot with 3 threaded inserts (vs. 1) and dual neck strap attachment points
Contemporary model has a removable tripod mount ring with a rubber-like replacement ring
Sports model has a classier look
Contemporary lens has a lower profile switch bank
Based on side-by-side testing at multiple times, my perception is that the Contemporary focuses slightly faster, but the Sports has been more consistently accurate at the wide end
Sports lens has integrated shoulder strap on the back of its case while Contemporary lens has removable neck strap that attaches to opposite sides of its case
Sports lens has dust & splash proof "construction" while the Contemporary has a dust & splash proof "mount"
Sports lens has two FLD (“F” Low Dispersion with performance similar to flourite) and three SLD (Special Low Dispersion) glass elements vs. one FLD and three SLD glass elements
Sports lens has 24 elements in 16 groups while the Contemporary has 20 in 14
Sports lens gets water & oil repellent coating on both front & rear elements while the Contemporary gets this coating on the rear element only
PPA’s See The Difference Campaign Educates Consumers on the Value of Hiring a Professional Photographer
Atlanta, Ga. – May 26, 2015 – Photographers looking for a new way to help their clients See The Difference between professionals and amateurs need look no further than Professional Photographers of America (PPA).
Consumers may not have all the necessary information to understand the difference between a professional and an amateur photographer. PPA’s See The Difference campaign shows consumers “the difference” when evaluating photographers. PPA photographers can also download free videos, logos, customizable brochures, and other educational materials to share with their clients.
PPA has rolled out six new videos to help photographers educate their clients and prospects. Whether a photographer specializes in wedding, high school senior or family photography, these new videos will help consumers see the value in hiring a professional.
#PhotoFail Wedding Video – Brides-to-be read true horror stories and talk about why it’s so important to use professional photographers to capture once-in-a-lifetime moments.
Moments You Can’t Get Back Video – Real moms share heart-wrenching stories about their families and discuss how professional photographers helped them preserve family memories.
Customer Service and Support Facility Recognized for Environmental Stewardship by the U.S. Green Building Council
MELVILLE, N.Y., May 27, 2015 - Canon U.S.A., Inc., a leader in digital imaging solutions, today announced that the Canon Experience Center, located in Costa Mesa, California, has been awarded LEED Gold certification, a recognition by the U.S. Green Building Council for the design, construction, operations and maintenance of high-performance green buildings. Officially opened in November 2014, this Center offers award-winning service and support to customers, clients and partners - ranging from repair operations, on-site educational programs and a nearly 5,000 square-foot state-of-the-art showroom that displays products ranging from the PowerShot family to the Cinema EOS lineup to large format imagePROGRAF printers. The 38,000 square-foot facility was renovated with environmentally conscious elements aimed to help secure the certification.
"The Canon Experience Center is yet another example showcasing Canon U.S.A.'s ongoing commitment to sustainable and responsible buildings and operations," said Rick Fedrizzi, CEO and founding chair, U.S. Green Building Council. "By designing and constructing the building to LEED Gold, Canon continues to build on its legacy of looking to the future. Its investment in sustainable building today will pay dividends to all of us for years to come."
Established by the U.S. Green Building Council, LEED, or Leadership in Energy & Environmental Design, is a green building rating system that recognizes buildings, homes and neighborhoods that are designed, constructed, operated and maintained to be environmentally responsible and resource efficient. The level of LEED certification earned is determined by the number of credits achieved in key areas within each of the LEED credit categories, including sustainable sites, water efficiency, energy and atmosphere, materials and resources, indoor environmental quality, and innovation and design process.
The Canon Experience Center features several environmentally conscious elements that help meet LEED requirements, including:
More than 95 percent of the existing building was utilized to extend the life cycle of the standing building stock, conserve resources, reduce construction waste and reduce environmental impact during renovation.
More than 75 percent of all construction waste was diverted from landfills through waste sorting and recycling.
The use of native vegetation for landscaping helped reduce reliance on irrigation systems and reduced outdoor potable water consumption by over 50 percent.
The use of efficient, low-flow plumbing fixtures throughout the space helped obtain a 40 percent indoor potable water savings.
The facility uses 38 percent less energy than conventional buildings through the use of efficient lighting fixtures, motion sensors and an efficient HVAC system.
"Canon is committed to helping to build a more sustainable environment for generations to come," said Yuichi Ishizuka, president and COO, Canon U.S.A., Inc. "We are proud to be recognized for our sustainable efforts and conduct operations with our customers in a facility that demonstrates this commitment."
The Canon Experience Center joins two of Canon's other properties that have earned LEED ratings. Canon Americas Headquarters, located in Melville, New York is the largest commercial property on Long Island to achieve LEED Gold certification, and Canon's distribution center in Norcross, Georgia was awarded LEED v4 certification in the "Building Design and Construction - Warehouses and Distribution Centers" category - the first warehouse to receive this version of LEED.
BCCI Construction spearheaded the renovation construction of the Canon Experience Center; Ware Malcomb was responsible for the architecture and interior design. For additional information about the facility and its offerings, visit usa.canon.com/cec.
LONDON, 27 May 2015 – Canon, a leader in imaging solutions, is sponsoring the ‘Hack the Visual’ 48-hour hackathon event, to engage with talent in London’s Tech City and support the creation of new digital imaging ideas and applications to enrich people’s lives.
The event, organised by Imaging Mind – 26 to 28 June at IDEALondon – aims to bring together over 100 participants and challenge them to uncover the hidden possibilities of imaging and technology and bring new perspectives on visual culture.
“Digital technology has transformed visual culture over the past couple of decades. With almost one trillion images forecast to be taken this year alone, we believe the way people will live with photos will be profoundly different in the future. We see a huge opportunity to innovate in this field by embracing today’s creative technologists,” says Alberto Spinelli, Director of Digital Services at Canon Europe.
“Last month we acquired London based start-up Lifecake, accelerating the development of our digital consumer services proposition. The Hack the Visual event will help us to build relationships with more talent in this space that we can potentially help nurture and grow and pave the way to broadening our digital ecosystem,” Spinelli continued.
“Anyone with a passion for visuals, regardless of whether that stems from a technology or an art perspective, is welcome. The best ideas are generated when teams come from a diverse mix of backgrounds and experience. We want people to embrace the true spirit of a hackathon, to share, collaborate, have fun and really run wild with their ideas." commented Floris van Eck, CEO, Imaging Mind.
Canon will provide prizes at the event and will continue to look for opportunities to collaborate and further explore the winning concepts with the finalists.
Details on the Hack the Visual event and how to register as a participant in the competition can be found at www.hackthevisual.com
Lindsay Adler demonstrates how to create a classic hollywood glamour, film noir portrait by using off-camera flash and Rogue 3-in1 Flash Grids. Flash photography lighting video tutorial, techniques and tips.
Canon Asia has posted a two-part developer's interview with the team that designed the EOS 5Ds / 5Ds R cameras. There is a lot of technical information in the articles, but I'm finding the material to be quite fascinating so far (I'm about midway through them right now). [Sean]
I live in a fenced-in property which is situated squarely in the middle of a medium-sized town. I have often used the fence that borders my driveway as a background for various portraits. It's clean, simple, and works well especially when it falls just out of focus.
As the winter months transition into spring, however, sections of the fence would become covered in vines. In previous years, I did everything I could to avoid using those sections of fence for my portraits. I considered them a hindrance for tarnishing my clean-looking background during the warm and inviting seasons perfect for portraiture.
But as I walked to my mailbox last week, it finally hit me. "Why don't I use the vines for a tightly framed portrait? Hmm..."
I must have past that particular section of the fence 500 times over the past three years, but it never occurred to me to actually feature the vines in a portrait. A few days later Amanda and I decided to give it a go.
I set up a tripod mounted 7D Mark II with my favorite portrait lens, the EF 85mm f/1.2L II USM. So why would I use the 7D Mark II in place of my primary body, the 5D Mark III? For this particular portrait, there was little appreciable difference between the two bodies. I didn't need the full-frame performance gains at high ISOs (I shot this using ISO 100) and I didn't need the shallow DOF advantage either as I would be using a relatively narrow aperture (f/7.1) to keep the details of the background recognizable.
Considering the f/7.1 aperture, you might wonder why I chose the EF 85mm f/1.2L II. As I said, it's my favorite portrait lens. The fixed 85mm focal length is a flattering focal length for portraits and the lens is especially sharp when stopped down (although, depending on the subject, extreme sharpness may not necessarily be a beneficial quality when it comes to portrait lenses).
For the main light I used a monolight diffused by a Mola Demi beauty dish fitted with a HoneyGrids Universal Grid. The background light was provided by a Canon 580EX Speedlite flash fitted with an Opteka OSG18 1/8-Inch Universal Honeycomb Grid. Using the grid on the main light and positioning it so that it pointed downward limited the amount of light that spilled on the background allowing me to easily control the luminosity of the background with the Speedlite. The grid on the Speedlite kept its light from striking the subject and concentrated its output in a more focused area on the background.
This is what the setup and fence looked like:
I believe similar results could have been achieved with lower cost lights and modifiers (a speedlight with a gridded softbox, possibly?).
When post-processing the final image, I actually reduced the luminosity of the background preferring the leaves to be a little darker than what I captured in-camera. I also used a selective color mask to make the shadows appear cooler/more bluish in tone. I was going for a Renaissance painting look for the portrait, and the edits helped push the image in that direction (in my opinion).
The takeaway from this shoot is aptly summed up by the title. With spring in full swing, beautiful backgrounds are popping up everywhere. Take a minute to scan your surroundings – even in your own yard – to see if there's something you've been overlooking just like me. :-)