We have some very big news to share with you, our valued customers. Promark International, Inc., a leader in photographic tools, has added Photoflex to their growing family of brands. Together, Promark and Photoflex will focus on delivering high quality, industry-defining lighting solutions for photographers of all skill levels.
Here at Photoflex headquarters, business will go on as usual. Photoflex will continue to develop photographic lighting tools and work hard to meet a wider set of customer needs with the support of Promark International.
We look forward to growing the Photoflex brand and continuing the momentum we have gained over the last 30 years in the industry. Thank you for your continued support.
Note: This is likely a grey market item and therefore technically ineligible for a Canon USA warranty. Also keep in mind that there may be risks associated with eBay purchases as auction retailers may not be as easy to deal with (compared to Authorized Retailers) if there is an issue with your order.
For another, I can't understand why Canon would include the EF 50mm f/1.8 II (and to a lesser degree, the EF 50mm f/1.4 USM) in the recommended lenses list. I personally would not consider their wide-open image quality to be optimal for such a demanding sensor. [Sean]
In this episode of B&H Wedding Tips, professional NYC Wedding Photographer Ryan Brenizer shares his post production workflow from start to finish. Ryan walks us through his best practices including his post wedding media management, Lightroom tips, and tricks to sharing your work with your clients.
While the Canon EOS 5Ds Review (coming soon) will feature a complete review of the 5Ds cameras (including the R functionally), the Canon EOS 5Ds R Review takes a closer look at the differences between these two cameras.
Posting the 5Ds R differences review before the full 5Ds review may seem backwards, but ... we know most of what these cameras are about already. They are based on the 5D Mark III (including the AF system) with a new sensor and some new features. The resolution, noise and sounds are now known and available on the site. With these results all being excellent, for many (including me), the decision remaining to be made was between the 5Ds and the 5Ds R.
The 5Ds R review focuses on those differences and especially on moiré and the commonness of its occurance. I'll reveal my personal choice at the end.
Zacuto announces the customizable Gratical X micro-OLED EVF! The Gratical X is perfect for the shooter who wants only a few key features.
Users start with the bright and brilliant Gratical electronic viewfinder and then customize to fit their individual needs. The Gratical X will start at an attractive price point of $1650. Upon activation, the unit will have HDMI and SDI inputs, display adjustments, color bars, blue gun.
Additional software features like pixel to pixel zoom, peaking, false color, LUTs, zebras, frame store, HDMI and SDI outputs and many more can be purchased a la carte. Zacuto will also offer feature bundles with built in savings.
One of the biggest differences between the 50mm f/1.8 II and the 50mm f/1.8 STM lenses, as their names imply, is the AF system implementation and the audibility differences of these systems is especially notable. The 50mm f/1.8 STM's focusing sound is greatly improved/reduced over the 50mm f/1.8 II presence-announcing buzz.
While much can be discerned from this post's image (the STM lens AF sound is depicted on the left), the difference that really matters will best be determined by your ears (turn up your speaker volume):
The perfect lens AF sound would of course be a flat line, but ... AF moves parts and moving parts tend to make at least some noise. In this case, the STM is audible and audible enough for on-camera mics to pick up. The sounds in this example are from an identical near full extents change in both directions at full speed. As with some other STM lenses, a slow change in focus distance (such as when recording video) results in a noticeably quieter sound.
Last month, real estate photographer Scott Hargis showed us what kind of gear he takes with him on every shoot. In this video, Scott gives us a behind-the-scenes look at putting that gear to use while photographing a home interior.