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 Saturday, August 31, 2019
The rear tires on a Formula DRIFT (Formula D) car do not last very long and when there are only a few fast-moving cars participating in the action, short photo opportunities followed by long breaks become the schedule. The safe method of photographing this and similar subjects is to use a fast shutter speed, freezing the action for a sharp image. However, frozen action does not (usually) ideally convey motorsports action. Thus, I opted for shutter speeds long enough to result in a low success rate.
 
While I promptly deleted a lot of my images, I only needed a few images from this event and I wanted them to have a very strong panning blur. That plan worked.
 
Using a circular polarizer filter often brings substantial improvements to photos taken mid-day and a Breakthrough X4 CPL was used for this capture. To get a longer shutter speed under bright sunlight without going to an extremely narrow aperture (diffraction being the issue), a 2-stop neutral density filter was stacked behind the CPL to block additional light. Because the gear being introduced and evaluated at this event was unknown prior to arrival, I chose to take a set of large-sized filters along with a stack of step-up filter adapter rings to provide versatility and one was used for this image.
 
This is Dustin Miles turning right to go left and leaving tire on the track. The Canon EOS 90D with its fast 10-fps continuous shooting rate is a great choice for capturing fast action.
 
A larger version of this image is available on Flickr.
Post Date: 8/31/2019 9:53:49 AM CT   Posted By: Bryan
 Friday, August 30, 2019
A Lamborghini Huracan AND a Kelly Moss Porsche 911 in the same garage? Those two cars are worth about as much as all of the camera lenses below the Conowingo Dam on a fall weekend. Yes, this is a dream garage and yes, there was drooling. With a 2.5-mile Michelin Raceway Road Atlanta just outside, my only question was "Where are the keys?!"
 
On this big day of test shooting, the Canon EOS 90D performed superbly, as its heritage leads us to expect. This is a superb general-purpose camera choice and while this particular scene did not challenge it, the subjects outside on the Michelin Raceway Road Atlanta track provided a greater challenge, one which the 90D also met.
 
A larger version of this image is available on Flickr.
 
Camera and Lens Settings
24mm  f/5.6  1/80s
ISO 800
6960 x 4640px
Post Date: 8/30/2019 12:24:50 PM CT   Posted By: Bryan
The background typically consumes a large portion of the image and what it looks like matters. When the background is a bright red Lamborghini Huracan, the background begins to vie with the subject for attention, at least for us car guys and gals.
 
In this scenario, I gave the M6 II's AF system full control, selecting servo AF mode with face and eye detection. With the camera very impressively handling the task of following the model's face and eyes, I could concentrate fully on composition and that was especially helpful when shooting in awkwardly low positions such as this one.
 
A larger version of this image is available on Flickr.
 
Camera and Lens Settings
24mm  f/4.0  1/125s
ISO 800
4539 x 6808px
Post Date: 8/30/2019 10:47:43 AM CT   Posted By: Bryan

 
From the Adorama YouTube Channel:
 
In this video Gavin will show how to combine low-cost LED bulbs and flash in a small home studio.
 
Normally when Gavin is shooting in his small home studio the lighting he uses is some kind of flash, it's really versatile and bright, but today he's actually going to do a shoot where he balance's flash and LED and combines different lighting types.
Post Date: 8/30/2019 6:15:00 AM CT   Posted By: Sean
 Thursday, August 29, 2019
From Rokinon
 
New AF 18mm F2.8 Full Frame Compact Lens for Sony E
 
Surprisingly Small but Super-Wide
 
(New York, New York) August 29, 2019 – ROKINON has announced its new AF 18mm F2.8 Full Frame Lens for Sony E mount that is optimized for portability, compactness, and ergonomic handling. It is ROKINON's fourth compact lens designed specially for Sony mirrorless cameras that is surprisingly capable for its size. At 5.12 oz in weight and 1.99" in length, it is the most compact, lightweight, and affordable super-wide angle full frame lens for Sony E mount.
 
The 18mm focal length provides a rectilinear 100.1° super wide angle view that is especially suitable for landscape, interior, architectural, and night sky applications. For Sony APS-C sensor cameras, the focal length is equivalent to 27mm with a 76.2° field of view.
 
Optically, the lens is made up of nine Ultra Multicoated elements in eight groups. Eight specialized lens elements (3 Aspherical, 2 High Refractive Index, and 3 Extra-low Dispersion elements) combine to minimize distortion and ensure high image sharpness, clarity, and contrast.
 
The internal focusing design of the ROKINON AF 18mm utilizes a STM (Stepless Motor) for quiet, smooth and precise autofocusing to 9.8". This also prevents both changes in length and front element rotation to enable easy use of 58mm polarizing and other filters that require precise positioning. This compact wide-angle optic is designed with a metal mount and glass strengthened composite material to reduce weight while increasing durability.
 
The ROKINON AF 18mm F2.8 Full Frame Compact Lens for Sony E is expected to be available in early October with a MSRP of $499.00. It will include a removable petal-shaped hood, lens caps, and a custom fitted case.
 
Order your Rokinon AF 18mm F2.8 Lens from B&H.
Category: Rokinon News
Post Date: 8/29/2019 11:19:28 AM CT   Posted By: Bryan
Information about the Canon EOS M6 Mark II Camera's 30 fps RAW burst feature was limited at the product launch, so I inquired of the man who seems to know everything about the Canon EOS system, Rudy Winston of Canon USA. Here is the very helpful information Rudy shared with me:
 
RAW burst is a separate line item in the camera’s shooting menu; it’s not one of the listed “Drive” speed choices. So it’s handled like a separate feature, and not just another FPS choice.
 
As the specs suggest, RAW burst fires at up to 30 fps, and will do so for up to 80 shots in a continuous burst, assuming a fast UHS-II compliant SD card is installed. I’ve tried it with UHS-I cards, and gotten around 50 or so images in a burst.
 
There’s a separate Menu choice for “Pre-shooting,” which by default is off. If user-enabled, it starts collecting image data **when the shutter button is pressed half-way down,** and then once it’s pressed FULLY to begin shooting, the last 0.5 seconds worth of images before the full press are recorded to the memory card as well. We’ve seen this before, in the video world, and the idea is if waiting for some split-second event to occur (for instance, a bird on a branch, waiting for it to take off in flight), you get the half-second before you actually reacted and fully pressed the shutter button down.
 
A few other points about RAW burst mode:

  • It always records lower-resolution, slightly cropped RAW images (approx. 18 million pixels, 5184 x 3456 resolution); about 75% x 75% (H x V) of the sensor’s full dimensions is used during RAW burst shooting. Obviously, with the electronic viewfinder or LCD monitor, the user always sees the actual recorded image area.
  • RAW burst is only possible in Creative Zone shooting modes (P, Tv, Av, Fv, or Manual)
  • Processing is 12-bit, vs. 14-bit processing for standard RAW images
  • Electronic shutter (only) is active during RAW burst shooting (the maximum drive speed with “mechanical” shutter is the camera’s normal 14 FPS high continuous setting)
  • Servo AF **is** possible during RAW burst shooting
  • RAW burst images are recorded in a “roll,” and play back in-camera slightly differently than a normal continuous sequence of files.
  • RAW images have a “.CSI” prefix when taken in RAW burst mode; a compatible version of Canon’s DPP software (or third-party RAW processing software) is required to view and process them.
  • The camera does NOT have to be pre-set to a continuous Drive setting, before activating RAW burst shooting in the Menu.
  • At least on my pre-production sample camera, if RAW burst is set on the Menu, and the camera is turned off (or the card is removed), the camera reverts to normal Drive operation, and RAW burst is disabled. I don’t know of a way to force it to stay active if the camera’s turned off, at least at this point.
  • Again, on my pre-production camera, it’s not possible to save RAW burst mode to one of the memorized, “Custom” shooting modes (C1 or C2)… if RAW burst is enabled, the Custom Shooting Modes within the Set-up Menu are grayed-out. They immediately are restored if RAW burst is disabled on the Menu.

The last two points MAY be a matter of it being pre-production… don’t have documentation from Japan to confirm or deny, but thought I’d mention it. At this stage of pre-production, I wouldn't’ be surprised if actual production cameras behave the same way as my sample camera.
 
Two of the keys that make RAW burst possible are the use of a DIGIC 8 processor, and most importantly, faster read-out speeds of the new 32.5 MP image sensor (while still allowing Dual Pixel CMOS AF to be carried out).
 
As a practical matter, at least judging from my pre-production sample camera, this feature is VERY sensitive to SD card write speed. A SanDisk UHS-I card, rated at 95 MB/sec, was not sufficient to record anything close to 80 straight images, and the little vertical buffer “scale” on the LCD monitor appeared almost immediately as shooting began. In other words, users should expect to use fast, UHS-II cards to really get the most out of this feature. Fortunately, unlike previous EOS M-series models, the M6 Mark II **is** compatible with UHS-II cards!
 
Thanks for sharing, Rudy!
 
Order the Canon EOS M6 Mark II at: B&H | Adorama | Amazon USA | WEX

Posted to: Canon News
Post Date: 8/29/2019 9:34:59 AM CT   Posted By: Bryan
 Wednesday, August 28, 2019
Canon's hot new gear is now available for preorder. Get in the front of the line!
 
Canon EOS 90D
 
B&H | Adorama | Amazon USA | WEX
 
Canon EOS M6 Mark II
 
B&H | Adorama | Amazon USA | WEX
 
Canon RF 15-35mm F2.8 L IS USM Lens
 
B&H | Adorama | Amazon USA | WEX
 
Canon RF 24-70mm F2.8 L IS USM Lens
 
B&H | Adorama | Amazon USA | WEX
 
As always, thank you for keeping this site going by starting your shopping using our links!
Posted to: Canon News
Category: Preorders
Post Date: 8/28/2019 12:05:00 AM CT   Posted By: Bryan
A recent Canon media event provided a significant amount of hands-on time with the new Canon EOS 90D and M6 Mark II. Both are excellent cameras and while I look forward to bringing these models into the studio for a more in-depth look, I have plenty of information to share with you now.
 
First, the review pages are a work-in-progress but already loaded with information:
 
Canon EOS 90D | Canon EOS M6 Mark II
 
From those pages, navigate to the specifications and product image pages for detailed comparisons. Note that the specifications are also a work-in-progress and the camera side images remain MIA.
Posted to: Canon News
Post Date: 8/28/2019 12:05:00 AM CT   Posted By: Bryan
From Canon USA:
 
TWO CAMERAS, TWO WAYS: CANON U.S.A. ANNOUNCES A PAIR OF HIGH-SPEED ADVANCED AMATEUR ILC CAMERAS, THE EOS 90D AND EOS M6 MARK II
 
Both Cameras Feature a 32.5 Megapixel APS-C CMOS Sensor, High-Speed Continuous Shooting, Dual Pixel CMOS AF and Uncropped 4K UHD Video Recording Capability
 
MELVILLE, N.Y., August 28, 2019 – It is often said that in life, having two options is generally considered a good thing. Today, Canon U.S.A., Inc., a leader in digital imaging solutions, introduced two advanced amateur ILC cameras, the EOS 90D and EOS M6 Mark II. These two models usher in the next generation of Canon APS-C sensor cameras and share many similar characteristics, while also being uniquely different at the same time. Both cameras are designed to fit the needs and preferences of a variety of photographers taking into account their skill level and subject matter.
 
“As camera technology continues to evolve, we find ourselves in a constant state of innovating and challenging the status quo to meet the various desires of our end-users,” said Kazuto Ogawa, president and chief operating officer, Canon U.S.A., Inc. “With the introduction of these cameras, Canon is reaffirming its continued commitment to a broad range of photographers by offering them the digital imaging tools required to meet their needs.”
 
The EOS 90D and EOS M6 Mark II include many core features that are identical and hold true to Canon’s imaging excellence. These features include:

  • 32.5 Megapixel CMOS(APS-C) Sensor
  • DIGIC 8 Image Processor
  • 4K UHD up 30p and 1080p FHD up 120p video recording with no crop
  • Dual Pixel CMOS AF in Live View with 5,481 manually selectable AF positions
  • Electronic shutter with a minimum of up to 1/16000th
  • Built-in Wi-Fi and Bluetooth Technology

The Performance DSLR Way: The EOS 90D
 
The EOS 90D DSLR camera is ideal for the advanced-amateur photographer who values the look-and-feel of the DSLR body and benefits such as an optical viewfinder, 3.0-inch vari-angle touch screen LCD, addition of the multi-controller and a shutter button feel of professional EOS cameras. Now capable of shooting up to 10 frames-per-second (fps), a drastic increase from the 7.0 fps with the EOS 80D, users can capture all of the action on the sidelines of a football game or wildlife while on safari. Assisting in a photographers’ ability to capture the action is the 45-point all-cross type AF system, 100 percent viewfinder coverage and now supports up to 27 points in f/8 metering. In addition, the new AE sensor boasts an impressive 220,000 pixels and utilizes EOS iTR AF (face priority) detection. Together, these two features allow for the detection and tracking of faces in various environments and shooting situations while using the viewfinder.
 
The Compact-and-Lightweight Way: The EOS M6 Mark II
 
Bringing the controls and functionality of a Canon EOS DSLR into a compact mirrorless camera, the EOS M6 Mark II is destined to wow advanced-amateur photographers. With its enhanced usability, the EOS M6 Mark II is capable of shooting up to 14fps with AF and AE tracking as well as capturing a remarkable 30fps when using RAW Burst Mode with pre-shooting capabilities. The camera also features touch-and-drag AF when using the optional EVF-DC2 electronic viewfinder. A popular and notable benefit of Canon mirrorless cameras allows photographers to select AF positions with the touch of a finger. The EOS M6 Mark II also includes Canon’s Dual Pixel AF with Eye AF Servo to help ensure images are in sharp focus and a 3.0-inch, touch-panel LCD screen with tilt-option to help ensure a user’s portrait or selfie game is and stays on point.
 
Pricing and Availability
 
The Canon EOS 90D is scheduled to be available mid-September 2019 for an estimated retail price of $1199.00 for body only, $1349.00 for EF-S 18-55mm f/3.5-5.6 IS STM kit and $1599.00 for EF-S 18-135mm f/3.5-5.6 IS USM kit*. The EOS M6 Mark II is scheduled to be available late September 2019 in both black and silver for an estimated retail price of $849.99 for body only, $1099.00 for EF-M 15-45mm f3.5-6.3 IS STM and EVF-DC2 kit and $1349.00 for EF-M 18-150mm f3.5-6.3 IS STM and EVF-DC2 kit*.

Posted to: Canon News
Post Date: 8/28/2019 12:00:00 AM CT   Posted By: Bryan
From Canon USA:
 
NEW CANON RF MOUNT LENSES BRING OPTICAL EXCELLENCE TO PRO AND ADVANCED AMATEUR PHOTOGRAPHERS
 
RF15-35mm F2.8 L IS USM and RF24-70mm F2.8 L IS USM Lenses Further Cement the Company’s Commitment to the EOS R Full-Frame Mirrorless Camera System
 
MELVILLE, N.Y., August 28, 2019 – The time has come and the wave of momentous advancements in the world of the EOS R full-frame mirrorless camera system continues as Canon U.S.A., Inc., a leader in digital imaging solutions, today announced the introduction of the RF15-35mm F2.8 L IS USM and RF24-70mm F2.8 L IS USM lenses. With their large, bright F2.8 aperture, a zoom range that covers a wide range of shooting scenes and image stabilization (IS), as well as Nano USM – these lenses are sure to become workhorse lenses for professional and advanced amateur photographers.
 
“As the emergence of mirrorless cameras continue accelerating the market and with Canon’s deeply rooted heritage in optics, we are excited to expand the lens offerings and acquiesce the needs of EOS R users,” said Kazuto Ogawa, president and chief operating officer, Canon U.S.A., Inc. “The technical improvements and features within these new RF lenses are needed to drive the market forward.”
 
RF15-35mm F2.8 L IS USM
 
As Canon’s first F2.8 wide zoom lens equipped with IS for full-frame with a CIPA standard of five stops, the RF15-35mm F2.8 L IS USM lens is furnished with edge-to-edge sharpness throughout the zoom range to capture clear images with high image clarity from the center of the image throughout the entire focal range. Speaking of focal range, the RF15-35mm is an ultra wide range that allows for broader photographic expression with more emphasis on perspective. Other components include:

  • High Image quality has been achieved due to the large diameter mount and shorter back focus of the EOS R system.
  • Total size of the lens is equivalent to the existing EF lens, but allows for IS, wider field of view and the control ring indicative of the RF lenses.
  • Drip and dust resistant and ideal for landscape, architecture, nature, sports and portrait photography needs.

RF24-70mm F2.8 L IS USM
 
Created for a wide range of shooting scenarios from street scene snapshots to movie shooting, the RF24-70mm F2.8 L IS USM lens remains portable while equipped with IS. Other components include:

  • Equivalent to the size of the EF counterpart but with Image Stabilization.
  • High speed and high precision Nano USM motor for accurate, silent focus operation for stills and moving shooting.
  • Takes moving shooting into account with focus breathing suppression during manual focus operation, sensitivity setting during MF operation, usage of the focus ring is adjustable and customization of the control ring to assign aperture, shutter speed, ISO speed and exposure compensation as desired.

Free Firmware Update
 
In addition, a new, free downloadable firmware update will be released in late September for the EOS R system. Those interested can download the update for their respective system via the EOS R and EOS RP support pages. The update will improve three main functions:

  • Eye detection AF
  • AF frame display delay
  • Subject identification

The firmware update aims to add detection of the subject’s eye when the subject is at a distance, improve overall AF frame tracking for moving subjects, as well as improve initial subject recognition and start tracking when subjects are at a distance.
 
Pricing and Availability
 
The Canon RF15-35mm F2.8 L IS USM and RF24-70mm F2.8 L IS USM lenses are both scheduled to be available in late September 2019 for an estimated retail price of $2,299.00* each. To complete the trinity of F2.8 lenses, the RF70-200mm F2.8 L IS USM lens is scheduled to be shipping within the second half of 2019 – stay tuned!

Posted to: Canon News
Post Date: 8/28/2019 12:00:00 AM CT   Posted By: Bryan
 Monday, August 26, 2019
If you are not familiar with B&H's Payboo card, take a few minutes and get acquainted. This card provides an immediate credit in the amount of your sales tax during checkout (here is our announcement post).
 
Most (all?) states that collect sales tax (most do) require you to pay the tax yourself (use tax) when the retailer does not collect sales tax and (most) businesses honor this requirement. Today, most retailers (including B&H) are required to collect the sales tax due. With Payboo, B&H collects the tax and then provides an immediate credit for the same amount as the tax.
 
It's a big deal.
 
I bought a lens a couple of days ago and saved $72 — I'm now getting a big discount on everything I buy from B&H.
 
What is the catch? Pay the bill in full before the due date to avoid the usual high credit card interest rate.
 
Click Here to Sign Up for the B&H Payboo Card
 
Don't forget that we need your support: make sure that all of your online shopping starts with a click on our retailer links!
Category: B&H News
Post Date: 8/26/2019 8:45:37 AM CT   Posted By: Bryan

 
From the Adorama YouTube Channel:
 
Mark Wallace explains his solutions for mounting lights, viewfinder, and microphones to his mirrorless camera. He also goes into detail on how you can customize your own rig so it's perfect just for you. Mark also explains how he uses the Tether Tools Case Relay Power System to make sure his camera, lights, and EVF never run out of power.
 
Gear Discussed
 
Post Date: 8/26/2019 6:19:54 AM CT   Posted By: Sean
Canon has released an interim financial report for the period of January 1, 2019 to June 30, 2019, which can be downloaded here. The reason why Canon has decided to release this interim report is detailed below:
We are pleased to provide this overview of the first half (from January 1, 2019 to June 30, 2019) of our 119th Business Term.
 
The world economy in the first half of this term saw a slowdown in growth as a whole due to a deceleration in European economy and the effect of the lingering U.S.-China trade friction.
 
Under such conditions, corporate demand for office multifunction devices and laser printers stagnated, while the markets for digital cameras and inkjet printers continued to shrink. As a result, both Office Business Unit and Imaging System Business Unit experienced a decrease in sales. Sales of the Medical System Business Unit, which delivered strong sales results for computed tomography (CT) systems and other products in the Americas, increased. On the other hand, sales of the Industry and Others Business Unit, which includes semiconductor lithography equipment, decreased as customers continued to adjust their capital investment.
 
As a result of the above, on a consolidated basis, net sales for the first half of this term decreased by 10.0% year on year, while net income attributable to Canon Inc. decreased by 51.2% year on year. For the interim dividend, we decided to pay 80.00 yen per share, which is the same amount as the interim dividend for the previous term, from the perspective of ensuring stable returns to shareholders.
 
Although the business environment surrounding the Canon Group remains fluid, we will endeavor to improve our business results by further improving the competitiveness of our products and services not only in existing businesses, but also in steadily growing new businesses.
 
We look forward to our shareholders’ continued support and encouragement.
Posted to: Canon News
Post Date: 8/26/2019 5:15:23 AM CT   Posted By: Sean
 Friday, August 23, 2019

 
In this video, photographer Karl Taylor enumerates the vital accessories he relies on every day for product photography.
 
Items Covered
 
Post Date: 8/23/2019 5:19:01 AM CT   Posted By: Sean
Canon has released a new firmware update for its EOS RP Mirrorless Camera with the following changes: (thanks Goran Škrlec)
 
Firmware Version 1.2.0 incorporates the following enhancement and fix:
 
  • Support for the RF24-240mm F4-6.3 IS USM lens has been added.
  • Corrects a phenomenon in which the top of some captured images may be dark during high-speed sync shooting with an external flash.
Download: Canon EOS RP Firmware v1.2.0
Posted to: Canon News
Post Date: 8/23/2019 4:55:01 AM CT   Posted By: Sean
 Thursday, August 22, 2019
A new Canon EOS R firmware – v.1.3.0 – which adds support for the RF24-240mm F4-6.3 IS USM lens, has been posted to Canon UK's website.
Posted to: Canon News
Post Date: 8/22/2019 6:06:25 AM CT   Posted By: Sean

 
Tamron has released a teaser campaign alerting consumers of its plan to release four new mirrorless lenses. Considering the optical performance of its latest lens releases, there's good reason for mirrorless shooters to get excited about these impending announcements.
Post Date: 8/22/2019 5:22:08 AM CT   Posted By: Sean
 Monday, August 19, 2019
Just posted: Tamron 35mm f/1.4 Di USD Lens Review.
 
I expect to see this lens ending up on many short lists.
 
The Tamron 35mm f/1.4 Di USD Lens is in stock at B&H | Adorama | Amazon USA | WEX
 
Rent the Tamron 35mm f/1.4 Di USD Lens from Lensrentals.
Post Date: 8/19/2019 7:53:49 AM CT   Posted By: Bryan
From Sigma:
 
The SIGMA Corporation is pleased to announce that SIGMA 60-600mm F4.5-6.3 DG OS HSM | Sports and SIGMA 70-200mm F2.8 DG OS HSM | Sports have won EISA Awards 2019-2020.
 
SIGMA 60-600mm F4.5-6.3 DG OS HSM | Sports
 
Name of Award: EISA TELEPHOTO ZOOM LENS 2019-2020
 
The SIGMA 60-600mm F4.5-6.3 DG OS HSM | Sports is a unique 10x zoom lens with a super-telephoto reach of up to 600mm. Its optical design delivers sharp images across the zoom range while ensuring maximum correction of chromatic aberration. It features an Intelligent OS system that delivers a reliable image stabilization effect of 4 stops, allowing sharp images to be obtained handheld. In addition, the Hyper Sonic Motor provides fast, accurate autofocus. The weather-resistant construction incorporates magnesium alloy, which ensures durability and enhances portability. Should you require even greater reach, the lens can be combined with one of SIGMA’s teleconverters.
 
SIGMA 70-200mm F2.8 DG OS HSM | Sports
 
Name of Award: EISA PROFESSIONAL TELEPHOTO ZOOM LENS 2019-2020
 
Part of SIGMA’s Sports line of telephoto lenses, the 70-200mm F2.8 DG OS HSM | Sports is the new flagship that meets the needs of professional photographers. The optical design provides excellent resolution from center to corners, while eliminating chromatic aberration. The large aperture ensures smooth bokeh – ideal for portrait photography. Dust- and splash-proof construction means you can use the lens in challenging conditions. SIGMA’s Hyper Sonic Motor makes autofocus fast and quiet, while the Intelligent OS system provides sharp images when using longer shutter speeds. As with all recent SIGMA lenses, many settings can be customized via the SIGMA USB DOCK.
 
B&H carries the SIGMA 60-600mm F4.5-6.3 DG OS HSM | Sports and SIGMA 70-200mm F2.8 DG OS HSM | Sports lenses, both of which currently feature enticing instant rebates.
Post Date: 8/19/2019 5:24:59 AM CT   Posted By: Sean
B&H has the Gitzo 3-Way Fluid Head available or preorder with free expedited shipping.
 
Product Highlights
 
  • Load Capacity: 28.6 lb
  • Height: 4.5"
  • Weight: 2.1 lb
  • Arca-Type Compatible
Also available for preorder - the Gitzo GT2542 Mountaineer Series 2 Carbon Fiber Tripod with GHF3W 3-Way Fluid Head Kit.
Category: Preorders
Post Date: 8/19/2019 5:04:58 AM CT   Posted By: Sean
 Friday, August 16, 2019
It was just another typical rainy weekday in Ricketts Glen State Park. It was the perfect time to take my favorite ultra-wide-angle zoom lens and landscape camera body, the Canon EF 16-35mm f/2.8L III USM Lens and Canon EOS 5Ds R, for a hike.
 
I am not aware of this cascade having a name, but I always find it photo-worthy. It is hard to go wrong with a series of lines leading into the bottom of the frame and the leading lines in the rock are the big draw to this location.
 
Camera height is something a photographer usually has some control over, at least within their physical reach ability or the height of their tripod if such is being used. When photographing flat water (pond, lake, ocean, slow-moving river, etc.), a higher camera position will often provide a higher percentage of the frame being filled with water than a lower camera position IF a similar overall scene framing is used. For example, photographing an ocean from a standing position with a level camera will result in far more water percentage in the frame than doing the same while lying down at the edge of the water due to the angle of view across a flat surface. Often, supporting that big IF requires that the camera angle be changed and camera angle also plays a role in determining how much of the frame is filled with water. A downward-tilted camera can include more water than a level camera.
 
The key is to find the right balance for the scene you are photographing and there may be multiple right answers. Work with a scene until you can find no more camera positions that work well. Then move on.
 
The small waterfalls seen here do not qualify as flat water, but there is still a lot of near-flat water in this scene. The right balance for this image was using an ultra-wide-angle focal length positioned with enough downward angle to show a significant amount of water and low enough to gain the right perspective to emphasize the foreground rock lines.
 
I don't always take the time to photograph this cascade, but especially with the wet rock bringing out strong color (saturation aided by a circular polarizer filter), I couldn't resist stopping on this day.
 
A larger version of this image is available on Flickr.
Post Date: 8/16/2019 9:02:19 AM CT   Posted By: Bryan
From X-Rite:
 
Grand Rapids, MI USA, August 15, 2019 – X-Rite Incorporated, global leader in color science and technology, is now shipping the new i1Photo Pro 3 Plus, a spectral color measurement solution specifically designed for professional photographers who print on challenging textured and glossy photo media looking for the most accurate color in their RGB print workflows. i1Photo Pro 3 Plus combines the new i1Pro 3 Plus spectrophotometer and i1Profiler software to deliver the ultimate professional level color management for displays, projectors, scanners RGB printers and cameras.
 
Current profiling solutions are limited in their ability to measure textured, rough, or uneven surfaces and cannot accommodate various material thicknesses. Many devices do not have the resolution required to ensure the highest color quality when printing detailed patterns, metallic effects, or photography images. This leads to costly color errors and re-work which impacts a photographer’s bottom line.
 
New in the i1Pro3 Plus spectrophotometer:
 
  • Larger 8mm aperture supports new materials and substrates used in digital printing.
  • Polarization Filter (measurement condition M3) that reduces specular highlights and shadows to provide “better blacks” and richer colors on rough surfaces and glossy medias, like canvas prints and fine art photo papers.
  • High Brightness Measurement up to 5K NITs for ultra-bright displays.
  • Simultaneously measure M0, M1 and M2 in a single pass to account for optical brighteners so photographers can quickly predict how colors printed on optically brightened substrates will look under different lighting conditions.
  • New LED illuminant that improves device reliability. The i1Pro3 Plus allows for four measurement conditions (ISO 13655 M0; M1: D50; M2: UV Excluded, M3Polarized).
  • Transmission scanning support for backlit materials.
  • Longer scanning ruler to support wider charts.
New X-Rite iO Table
 
In addition, X-Rite announces a new i1iO Automated Scanning Table that supports the i1Pro 3 Plus hardware. This hands-free test chart reader offers automated color profiling on a variety of substrates with reduced risk of color measurement errors. It is ideal for color perfectionists who want to speed up and automate the measurement process and eliminate manual strip reading. The new i1iO table can be used with a variety of materials including canvas, textiles, ceramics, corrugated, etc. and supports materials up to 33mm thick, with the optional z-axis spacer. It also supports transparencies and backlit materials.
 
Additional i1Pro 3 Plus Solutions:
 
In addition to i1Photo Pro 3 Plus, X-Rite is now shipping these new i1Pro 3 Plus solutions:
 
  • i1Basic Pro 3 Plus - includes monitor calibration and quality control for monitors and printers
  • i1Publish Pro 3 Plus - includes CMYK+ printer module and all features of i1Photo Pro 3 Plus
No other company brings the level of color science and commitment to color accuracy than X-Rite. The i1Photo Pro 3 Plus is just the latest in a series of unparalleled solutions developed by Color Perfectionists for Color Perfectionists who print.
 
B&H carries the X-Rite products.
Category: X-Rite News
Post Date: 8/16/2019 5:57:37 AM CT   Posted By: Sean
From Nikon:
 
From beach vacations and pool-side getaways, to hiking trips and camping expeditions, the family-friendly COOLPIX W150 was made to capture one-of-a-kind moments on every adventure
 
MELVILLE, NY – Today, Nikon Inc. announced the U.S. retail availability of the COOLPIX W150, the latest rugged yet family-friendly compact digital camera. Thanks to being both waterproof and shockproof, the COOLPIX W150 allows users to easily capture and share unforgettable moments on every adventure, vacation or get-together. The W150 boasts an extremely easy-to-use design, sharp image quality and variety of unique scene modes, making it a great travel camera for the whole family.
 
With a 13.2-megapixel image sensor, 3x optical zoom and full HD video recording, the COOLPIX W150 offers the flexibility to easily capture both stunning still images and Full HD videos, wherever life takes a person. Even those who have never used a camera will immediately be comfortable snapping shots due to the simple menu system, 2.7-inch 230-k dot LCD screen and Target Finding autofocus, which allows for easy detection and focus on the primary subject.
 
Built to capture memories, the COOLPIX W150 is waterproof up to 10m (33 feet), shockproof from 1.8m (6 feet) and freezeproof up to -10°C (14°F). Additionally, the COOLPIX W150 is equipped with a variety of scene modes and editing functions, allowing users to explore their creativity and create fantastic photos, even underwater. Users can also seamlessly upload to their phone wirelessly for sharing, all with the Nikon SnapBridge app.
 
Price and Availability
 
The COOLPIX W150 in white will be available in the U.S. in early September 2019 at a suggested retail price (SRP)* of $169.95.
 
B&H has the Nikon COOLPIX W150 available for preorder.
Post Date: 8/16/2019 5:45:11 AM CT   Posted By: Sean
From Tamron:
 
August 15, 2019, Saitama, Japan - Tamron Co., Ltd. (President & CEO: Shiro Ajisaka), a leading manufacturer of optics for diverse applications, announces the presentation by the European Imaging and Sound Association (EISA) of its EISA Awards to two Tamron lenses; 17-28mm F/2.8 Di III RXD (Model A046) for "EISA WIDE-ANGLE ZOOM LENS 2019-2020" and 35-150mm F/2.8-4 Di VC OSD (Model A043) for "EISA BEST BUY ZOOM LENS 2019-2020". Tamron has been honored with EISA Awards for 14th consecutive years and has been recognized with two awards each year for the past three years.
 
Excerpt from the Award Citation of the EISA Jury
 
EISA WIDE-ANGLE ZOOM LENS 2019-2020
17-28mm F/2.8 Di III RXD (Model A046)

 
The Tamron 17-28mm F/2.8 Di III RXD is an affordable large-aperture wide-angle zoom for Sony full-frame mirrorless cameras. Designed to complement the firm’s 28-75mm F/2.8 Di III RXD, it features a similarly compact, lightweight design and weather-resistant construction. It’s a really strong performer in terms of image quality: resolution and contrast are excellent for its class, while the optical system assures outstanding colour accuracy with minimal chromatic aberration. The lens employs a silent and fast stepping motor for autofocus, making it very suitable for both stills and video recording.
 
EISA BEST BUY ZOOM LENS 2019-2020
35-150mm F/2.8-4 Di VC OSD (Model A043)

 
The Tamron 35-150mm F2.8-4 Di VC OSD is a standard zoom lens for Canon and Nikon full-frame DSLRs. Its somewhat unusual zoom range, combined with a minimum focus distance of 45cm, makes it particularly well suited for portraits, ranging from environmental studies to close-ups. Thanks to its compact size and light weight it is also a perfect travel companion. It offers an unusually fast aperture for such a range, from f/2.8 at wide-angle through to f/4 at the telephoto end. The lens incorporates Tamron’s Dual Micro-Processing Unit system, which assures optimal autofocus performance and effective vibration compensation, allowing for sharp handheld shots.
 
B&H carries the Tamron 17-28mm F/2.8 Di III RXD and Tamron 35-150mm F2.8-4 Di VC OSD lenses.
Post Date: 8/16/2019 5:22:16 AM CT   Posted By: Sean
 Thursday, August 15, 2019
Image quality test results have been added to the Sony FE 600mm f/4 GM OSS Lens page.
 
Expensive? Absolutely.
 
Weight? Incredibly light for the focal length and aperture.
 
Image quality? You get what you pay for.
 
Sony FE 600mm f/4 GM OSS compared to Canon EF 600mm f/4L IS III Lens
 
Sony FE 600mm f/4 GM OSS compared to Canon EF 600mm f/4L IS II Lens
 
Sony FE 600mm f/4 GM OSS compared to Nikon 600mm f/4E AF-S FL ED VR Lens
 
Please share these results with your friends!
 
Act fast: I expected this lens to be very difficult to get for a long time, but Amazon USA has two in stock (Samy's Camera is reputable)! WEX also has this lens in stock.
 
The Sony FE 600mm f/4 GM OSS Lens is available for preorder at B&H | Adorama
 
Rent the Sony FE 600mm f/4 GM OSS Lens from Lensrentals.
Post Date: 8/15/2019 7:30:29 AM CT   Posted By: Bryan
From Think Tank Photo:
 
SANTA ROSA, CALIFORNIA – Easy to pack and even easier to access, the Urban Access Backpack from Think Tank Photo enables you to get to your gear quickly – whether on the run or in the studio. Access panels on both sides allow you to sling the backpack left or right to access your camera gear without taking off the backpack. The rear-panel provides complete access to your gear when working directly out of the bag, so you can see all your gear at one time.
 
Available in two sizes, the Urban Access 13 fits one ungripped DSLR or Mirrorless body with lens attached up to a 24–70mm f/2.8, 2–4 additional lenses including a 70–200mm f/2.8 detached, a 13” laptop, plus personal gear. The Urban Access 15 fits one ungripped DSLR or Mirrorless body with lens attached up to a 70–200mm f/2.8, 3–5 additional lenses, a strobe, a 15” laptop, plus personal gear.
 
A center tripod mounting system balances even large tripods securely while still allowing access to your gear. The plush harness is shaped for all day comfort and fit, and includes load lifters, a removable waist belt and sternum strap. The harness system also features a luggage handle pass-through for efficient travel. Plus, premium-quality materials coated in DWR, magnetic buckles and YKK RC Fuse zippers provide durability and ensure longevity. A seam-sealed rain cover is also included.
 
Inside, a unique divider system can be configured for access on either side based on the photographer’s preference. The back panel features an internal, dedicated laptop sleeve for ultimate security and protection. A top compartment and internal organizer pockets give you quick access to filters, batteries, memory cards, etc.
 
Collapsible water bottle pockets on both sides and tuck-away tripods straps make for a clean, streamlined look.
 
“The Urban Access Backpack delivers unprecedented gear access in a stylish, modern design,” said Doug Murdoch, Think Tank CEO and Lead Designer. “The combination of dual-side and back-panel access means that your gear is readily accessible when you see your shot.”
 
KEY FEATURES
 
  • Two quick side-access panels with full-access rear panel
  • Dedicated laptop pocket
  • Front tripod attachment secures a small or large tripod with deployable cup
  • Access a 70–200mm f/2.8 attached without taking off your bag (15 only)
  • Deep front pocket fits a light jacket
  • Robust shoulder harness with load-lifters help to adjust the weight of the pack
  • Removable sternum strap and waist belt
  • Luggage handle pass-through
  • Top compartment fits snacks and personal gear
  • Expandable water bottle pockets on both sides
  • Customizable divider system
  • Top compartment mesh pockets help keep small items organized
  • Internal organizer pockets give you quick access to filters, batteries, cards, etc.
  • Seam-sealed rain cover included
WHAT FITS
 
Urban Access 13 Backpack
 
  • Nikon D750 with 24–70mm f/2.8 attached, 70–200mm f/2.8, 16–35mm f/2.8, flash, and a 13” laptop
  • Canon 5D with 24–70mm f/2.8 attached, 70–200mm f/2.8, 14–24mm f/2.8, 105mm f/2.8 macro, and a 13” laptop
  • Sony a7rIII with 24–70mm f/2.8 attached, 70–200mm f/2.8, 16–35mm f/2.8, 13” laptop and 90mm f/2.8 macro
Urban Access 15 Backpack
 
  • Nikon D750 with 70–200mm f/2.8 attached, 24–70mm f/2.8, 14–24mm, f/2.8, 105mm f/2.8 macro, 35mm f/1.4, SB900 strobe, and a 15” laptop
  • Canon 5D with 70–200mm f/2.8 attached, 24–70mm f/2.8, 16–35mm f/2.8, 100mm f/2.8 macro, 1.4x teleconverter, 600EXIIRT strobe, and a 15” laptop
  • Sony a7rIII with 70–200mm f/2.8 attached, 24–70mm f/2.8, 16–35mm f/2.8, 90mm f/2.8 macro, HVL-F43M strobe and a 15” laptop
MATERIALS
 
Exterior:
 
  • Durable water-repellant (DWR) coating with polyurethane backed fabric for superior water-resistance
  • 500D 2-tone poly tech-weave • YKK RC fuse zippers
  • 420D high-density nylon
  • Nylon webbing
  • High-density nylon air-mesh • 3-ply bonded nylon thread
Interior:
 
  • Stiffened closed-cell foam dividers
  • Polyurethane backed liner and dividers
  • 210D nylon
  • Super-Grip velex
  • Hexa mesh
  • High-density nylon microfiber
  • 2x polyurethane coated nylon 190T seam-sealed rain cover
  • 3-ply bonded nylon thread
PRODUCT SPECIFICATIONS
 
Urban Access 13 Backpack
Interior Dimensions:
10.2” W x 13” H x 5.5” D (26 x 33 x 14 cm)
Exterior Dimensions:
12.2” W x 18.9” H x 9” D (31 x 48 x 23 cm)
Laptop Pocket:
9.2” W x 13” H x 0.8” D (23.5 x 33 x 2 cm)
 
Urban Access 15 Backpack Interior Dimensions:
11.4” W x 14.6” H x 5.5” D (29 x 37 x 14 cm)
Exterior Dimensions:
13.4” W x 20.4” H x 9” D (34 x 52 x 23 cm)
10” Tablet Pocket:
9.8” W x 14.1” H x 0.8” D (25 x 36 x 2 cm)
 
Think Tank Photo has the Urban Access Backpacks in stock and you'll get a free gift when you use our links for your purchase.
Post Date: 8/15/2019 5:55:00 AM CT   Posted By: Sean
Post Date: 8/15/2019 5:41:15 AM CT   Posted By: Sean
 Wednesday, August 14, 2019
Rarely does photographing wildlife subjects (and human ones also) at eye level not work well. Bull elk are very large animals, but when they bed down, a standing position may yield a downward camera angle. While I don't always mind a downward camera angle, it is frequently not my first choice. So, when they go down, consider taking the camera down with them. A lower position increases the likelihood of catchlights showing in the eyes.
 
It was raining lightly during much of the time I spent with this bull. There are a lot of benefits for photographing wildlife under cloudy skies, but such images typically have relatively low contrast and often respond nicely to a small contrast increase during post processing. A slight saturation increase is another adjustment that frequently helps images captured under heavy clouds.
 
There are now two openings remaining for the September elk in rut photo tour, one for each week. It's not too late for you to join a small group of passionate wildlife photographers pursuing these awesome animals and the beauty of RMNP. Photographers at all skill levels are invited to join!
 
"Bull Elk in Rut and Much More", Rocky Mountain National Park
 
  • 1 Opening: Sun, September 15 to Sat, September 21, 2019
  • 1 Opening: Sun, September 22 to Sat, September 28, 2019
  • Sign Up for September 2020
Contact me to sign up!
 
Photographers at all skill levels are also invited to join me for these tours:
 
Fall Landscape in Acadia National Park Instructional Photography Tour
 
Tue, Oct 15 through Sun, Oct 20, 2019
 
"Whitetail Buck in Rut and Much More", Shenandoah National Park
 
Sun, November 10 to Wed, November 13, 2019 and/or Wed, November 13 - Sat, November 16, 2019
 
Contact me to sign up!
 
A larger version of this image is available on Flickr.
Post Date: 8/14/2019 12:00:00 AM CT   Posted By: Bryan

 
From the B&H Photo Video YouTube Channel:
 
Jake challenges James O'Connor, freelance Director of Photography (DP), to light an interview scene in an office conference room using only a budget lighting setup. Can he do it? Watch to find out!
 
Gear Used
 
Post Date: 8/14/2019 5:46:34 AM CT   Posted By: Sean
From Adobe:
 
Improvements to Lightroom Classic & ACR
 
Updates are available today for Lightroom Classic and Adobe Camera Raw, our two desktop-centric photography applications. These updates focus on performance and improving your workflow.
 
GPU Accelerated Editing
 
Lightroom Classic and Camera Raw
 
Lightroom Classic and Camera Raw take advantage of the more powerful graphics cards (GPUs) while editing, providing a smoother and more responsive experience. GPU acceleration is more pronounced with larger resolution monitors (4k and above) as well as with more powerful GPUs.
 
PNG export support
 
Lightroom Classic and Camera Raw
 
The PNG file format is a popular uncompressed file format often used on the web. Lightroom and Camera Raw have supported importing and opening PNG-based files for some time, and now you can export your photos as PNGs.
 
Library Module Improvements
 
Lightroom Classic
 
As part of our on-going effort to improve speed and performance in Lightroom Classic, significant improvements were made to the Library module while browsing folders.
 
Color Labels for Collections
 
Lightroom Classic
 
Color labels have long been used in Lightroom Classic as a way to quickly visualize different groups of photos and recently we made it possible to add color labels to folders. In this update, we added the ability to also add color labels to Collections. Find what you’re looking for faster by adding color labels to collections, collection sets, and smart collections.
 
Batch Merge for HDR, Panoramas, and HDR Panoramas
 
Lightroom Classic
 
Batch processing is a great way to speed up your workflow by helping you gang up processor-intensive efforts and letting your computer do the heavy lifting without having to wait for each task to be done. The August release of Lightroom Classic makes it possible to batch process HDR and panorama merges. To batch merge, first make a stack of each HDR or pano that you want to merge (make sure that you’re selecting like stacks, all HDR or all pano merges, without mixing up the two types). Then, select each stack you want to merge and select the appropriate option from the Photo > Photo Merge menu.
 
New Features Throughout the Lightroom Ecosystem
 
The August releases for Lightroom, our cloud-centric photography ecosystem, include the ability to recover deleted photos, improvements to the in-app educational tools released in May, as well as improvements to search.
 
Recover Deleted Photos
 
Lightroom for Mac, Windows, iOS, Android, ChromeOS, and lightroom.adobe.com
 
Discover posts were introduced in the May 2019 release and allow you to see the edit process applied to a photo. Now you can turn those edits into a preset that you can apply to any of your photos. Tap to open a Discover post and then tap on the three-dot menu at the top-right and select Download as Preset. You’ll be able to find that new preset named after the Discover post within your preset library.
 
Improved Search Options
 
Lightroom for iOS, Android, and ChromeOS
 
Three new auto-complete search tools were added to Lightroom for iOS, Android, and ChromeOS (these tools were already available in Lightroom for Windows and Mac) making it easier than ever to find the exact photo you’re looking for. You can now search for photos shot with a specific focal length, for raw, HDR, or pano photo types, and for images that include a depth map. To use, start typing “focal length:”, “type:”, or “depth map:” and the search auto-complete will let you pick from the available options in your catalog.
 
Batch Metadata
 
Lightroom for Android and ChromeOS
 
In addition to being able to copy and paste edits to a series of photos, you can now select a range of photos and adjust the metadata of all of the selected photos. You can change the title, caption, copyright, star rating, and flag status for all selected photos at once. This functionality is being worked on for iOS and will be made available as soon as possible.
 
Adobe Camera Raw 11.4
 
The August 2019 release of Adobe Camera Raw (version 11.4) rolls out new features - enhanced GPU support to accelerate editing of images and edge-aware editing in 360-degree panoramas. This release also adds support for new cameras and lenses and fixes several issues.
 
Latest cameras added in August 2019
 
  • Canon PowerShot G5 X Mark II
  • Canon PowerShot G7 X Mark III
  • Hasselblad X1D II 50C
  • Leica V-LUX 5
  • Panasonic LUMIX DC-GX880
  • Sony A7R IV (ILCE-7RM4)*
  • Sony RX100 VII (DSC-RX100M7)*
*Denotes preliminary support
 
Latest lenses added in August 2019
 
ManufacturerLensLens mountMin ACR plug-in version requiredMin LR version requiredMin LR Classic version required
CanonCanon RF 24-240mm F4-6.3 IS USMCanon RF11.42.48.4
CanonCanon RF 28-70mm F2 L USMCanon RF11.42.48.4
CanonCanon RF 35mm F1.8 MACRO IS STMCanon RF11.42.48.4
CanonCanon RF 50mm F1.2 L USMCanon RF11.42.48.4
CanonCanon RF 85mm F1.2 L USMCanon RF11.42.48.4
NikonNikon NIKKOR 28mm f/2.8 AISNikon F11.42.48.4
SigmaSIGMA 35mm F1.2 DG DN A019Sony FE11.42.48.4
SigmaSIGMA 45mm F2.8 DG DN C019Sony FE11.42.48.4
SonySony FE 200-600mm F5.6-6.3 G OSSSony FE11.42.48.4
SonySony FE 200-600mm F5.6-6.3 G OSS + 1.4X TeleconverterSony FE11.42.48.4
SonySony FE 200-600mm F5.6-6.3 G OSS + 2X TeleconverterSony FE11.42.48.4
SonySony FE 600mm F4 GM OSSSony FE11.42.48.4
SonySony FE 600mm F4 GM OSS + 1.4X TeleconverterSony FE11.42.48.4
SonySony FE 600mm F4 GM OSS + 2X TeleconverterSony FE11.42.48.4
TamronTAMRON SP 35mm F1.4 Di USD F045Canon EF11.42.48.4
TamronTAMRON 35-150mm F2.8-4 Di VC OSD A043Canon EF11.42.48.4
TamronTAMRON SP 35mm F1.4 Di USD F045NNikon F11.42.48.4
TamronTAMRON 35-150mm F2.8-4 Di VC OSD A043NNikon F11.42.48.4
TokinaTokina FíRIN 100mm F2.8 FE AF MACROSony FE11.42.48.4
ZeissZeiss Otus 1.4/100 ZECanon EF11.42.48.4
ZeissZeiss Otus 1.4/100 ZF.2Nikon F11.42.48.4

B&H carries Adobe Photography Plan subscriptions.
Category: Adobe News
Post Date: 8/14/2019 5:10:47 AM CT   Posted By: Sean
 Tuesday, August 13, 2019
Image quality, vignetting, flare, and distortion test results have been added to the Tamron 17-35mm f/2.8-4 Di OSD Lens page.
 
The results look good, especially for the price of this lens. Here are some comparisons to get you started (use your visualization skills in the comparisons showing different resolution test cameras):
 
Compared to Canon EF 16-35mm f/4L IS Lens
 
Compared to Canon EF 16-35mm f/2.8L III Lens
 
Compared to Canon EF 17-40mm f/4L Lens
 
Compared to Nikon 16-35mm f/4G VR Lens
 
Compared to Sigma 17-35mm f/2.8-4 Lens
 
Compared to Sony FE 16-35mm f/2.8 GM Lens
 
Compared to Sony FE 16-35mm f/4 ZA OSS Lens
 
Compared to Tamron SP AF 17-35mm f/2.8-4 Di LD IF Lens
 
Compared to Tokina 16-28mm f/2.8 Lens
 
Compared to Tokina 17-35mm f/4 Lens
 
As hinted to, this is a very affordable lens. The Tamron 17-35mm f/2.8-4 Di OSD Lens is in stock at B&H | Adorama | Amazon USA | WEX
 
Rent the Tamron 17-35mm f/2.8-4 Di OSD Lens from Lensrentals.
 
Share these results with your friends!
Post Date: 8/13/2019 9:32:13 AM CT   Posted By: Bryan
B&H has the following available for preorder with free expedited shipping:
 
Z CAM E2-F6 Full-Frame 6K Cinema Camera
 
  • 6K @60fps & 4K @120fps max, 10-bit color
  • Full Frame CMOS sensor
  • 15 stops dynamic range
  • ZRAW supported
  • EF / PL lens mount
  • Gigabit Ethernet for data, control & live streaming
Z CAM E2-F8 Professional Full-Frame 8K Cinema Camera
 
  • 8K resolution
  • Full Frame CMOS sensor
  • Dual native ISO
  • ZRAW supported
  • EF / PL lens mount
  • Gigabit Ethernet for data, control & live streaming
Category: Preorders
Post Date: 8/13/2019 5:15:31 AM CT   Posted By: Sean
 Monday, August 12, 2019
Just posted: Tamron 35-150mm f/2.8-4 Di VC OSD Lens Review
 
Check out how this new lens featuring a unique focal length range performs! Share the review with your friends.
 
The Tamron 35-150mm f/2.8-4 Di VC OSD Lens is in stock at B&H | Adorama | Amazon USA | WEX
 
Rent the Tamron 35-150mm f/2.8-4 Di VC OSD Lens from Lensrentals.
Post Date: 8/12/2019 7:31:50 AM CT   Posted By: Bryan

 
From RODE:
 
Lavalier GO is a professional-grade wearable microphone designed for use in a wide range of applications. The 3.5mm TRS connector is designed to pair perfectly with the RØDE Wireless GO and most recording devices with a 3.5mm TRS microphone input.
 
Lavalier GO is designed to perform excellently in any broadcast application. Featuring a discreet 4.5mm omnidirectional microphone, it delivers crystal clear audio in all environments and is incredibly forgiving when it comes to placement on talent, allowing for greater flexibility in fast-paced situations.
 

A foam pop shield is supplied to minimise wind noise and vocal plosives (hard ‘b’, ‘t’ and ‘p’ sounds), as well as a durable mounting clip with in-built cable management for quick and easy rigging. It also features a hard-wearing Kevlar reinforced cable, designed to withstand the rigours of any shoot.
 
Key Features
 
  • Broadcast-grade lavalier microphone with 3.5mm TRS jack.
  • High-quality omnidirectional condenser capsule.
  • Durable, hard-wearing Kevlar reinforced cable.
  • Optimised for use with the RØDE Wireless GO.
  • Includes pop shield, mounting clip, and carry pouch.
B&H carries the Rode Lavalier GO Omnidirectional Lavalier Microphone and Rode Wireless GO Compact Wireless Microphone System.
Category: Rode News
Post Date: 8/12/2019 5:36:37 AM CT   Posted By: Sean

 
From the f64 YouTube Channel:
 
Have you ever returned from a shooting location to find you had what could have been a good composition if you would have moved about 4 feet to the left or right? I know I have. It has happened to me more than once. I have good news for you. Photoshop has this Content-Aware Fill tool that can work wonders on situations just like this! You may have already seen the content-aware fill tool and used it many times. The technology behind the tool is in many other assets within Photoshop like the Clone Stamp Tool, the Content-Aware Move Tool, and the Patch Tool (to name a few). While I am sure the technology is sophisticated, it is effortless to use.
 
In this example, I use Content-Aware Fill to patch an area of the composition that never existed. Yep, I moved the image to the right, and that empty white space was filled in with grass, clouds, and even a finished road path. But how? Photoshop’s Content-Aware Fill uses data from around the image to replace the white space. It is similar to the healing brush or even the dust removal tool in Lightroom. It assesses the environment it is replacing and looks for pixel data that is similar to it.
 
Sounds too good to be true, right? Well, it can be if you understand that you will also need a bit of help fixing the areas it replaces. In today’s tutorial, I will show you how I use this technique to fix poor compositions and show you how to use the Clone Stamp Tool to repair the wonky-bits.
 
B&H carries Adobe Photography Plan subscriptions.
Post Date: 8/12/2019 5:08:37 AM CT   Posted By: Sean
 Saturday, August 10, 2019
Looks like we are going to see a large number of firmware updates in the near future. From Canon USA:
 
Regarding the security advisory for Canon digital cameras related to PTP (Picture Transfer Protocol) communication functions and firmware update functions.
 
Thank you very much for using Canon products.
 
An international team of security researchers has drawn our attention to a vulnerability related to communications via the Picture Transfer Protocol (PTP), which is used by Canon digital cameras, as well as a vulnerability related to firmware updates. (CVE-ID:CVE-2019-5994, CVE-2019-5995, CVE-2019-5998, CVE-2019-5999, CVE-2019-6000, CVE-2019-6001)
 
Due to these vulnerabilities, the potential exists for third-party attack on the camera if the camera is connected to a PC or mobile device that has been hijacked through an unsecured network.
 
At this point, there have been no confirmed cases of these vulnerabilities being exploited to cause harm, but in order to ensure that our customers can use our products securely, we would like to inform you of the following workarounds for this issue.
 
  • Ensure the suitability of security-related settings of the devices connected to the camera, such as the PC, mobile device, and router being used.
  • Do not connect the camera to a PC or mobile device that is being used in an unsecure network, such as in a free Wi-Fi environment.
  • Do not connect the camera to a PC or mobile device that is potentially exposed to virus infections.
  • Disable the camera’s network functions when they are not being used.
  • Download the official firmware from Canon’s website when performing a camera firmware update.
Models Affected
 
These vulnerabilities affect the EOS-series digital SLR and mirrorless cameras PowerShot SX740 HS, PowerShot SX70 HS, PowerShot G5X Mark II.
 
Firmware Update
 
There is an increased use of PCs and mobile devices in an unsecure (free Wi-Fi) network environment where customers are not aware of the network security. As it has become prevalent to transfer images from a camera to a mobile device via Wi-Fi connection, we will implement firmware updates for the following models that are equipped with the Wi-Fi function.
 
ModelEstimated Firmware availability
EOS-1D X *1 *2Tbd
EOS-1D X Mark II *1 *2 Tbd
EOS-1D C *1 *2Tbd
EOS 5D Mark III *1Tbd
EOS 5D Mark IVTbd
EOS 5DS *1Tbd
EOS 5DS R *1 Tbd
EOS 6DTbd
EOS 6D Mark IITbd
EOS 7D Mark II *1Tbd
EOS 70DVersion 1.0.3 is available for download
EOS 80DTbd
EOS M10Tbd
EOS M100Tbd
EOS M3Tbd
EOS M5Tbd
EOS M50Tbd
EOS M6Tbd
EOS RTbd
EOS RPTbd
EOS Rebel SL2Tbd
EOS Rebel SL3Tbd
EOS Rebel T6Tbd
EOS Rebel T6iTbd
EOS Rebel T6sTbd
EOS Rebel T7Tbd
EOS Rebel T7ITbd
PowerShot G5X Mark IITbd
PowerShot SX70 HSTbd
PowerShot SX740 HSTbd

 
*1 These models require a WiFi adapter or a Wireless File Transmitter to support WiFi connectivity.
 
*2 Ethernet connections can also permit these vulnerabilities.
 
Firmware update information will be provided for each product.
 
Support
 
If you have not already done so, please register your Canon Product. By registering, we will be able to notify you via email about future announcements.
 
This information is for residents of the United States and its five territories only. If you do not reside in the USA or its five territories, please contact the
 
Canon Customer Support Center in your region.
 
Thank you,
Customer Support Operations
Canon U.S.A., Inc.
 
Contact Information for Inquiries
Canon Customer Support Center
Phone: 1-800-OK-CANON 1-800-652-2666
TDD: 1-855-270-3277
Email: carecenter@cits.canon.com
For additional support options: www.usa.canon.com/support
 
Thanks for bringing this to our attention, Scott!
 Friday, August 9, 2019
Image quality, vignetting, flare, and distortion test results have been added to the Tamron SP 35mm f/1.4 Di USD Lens page.
 
I think you will be impressed, especially for the price. Here are some comparisons.
 
Use your discernment when viewing comparisons captured with different resolution cameras.
 
Tamron 35mm f/1.4 Di USD compared to Sigma 35mm f/1.4 DG HSM Art Lens
 
Tamron 35mm f/1.4 Di USD compared to Canon EF 35mm f/1.4L II USM Lens
 
Tamron 35mm f/1.4 Di USD compared to Nikon 35mm f/1.4G AF-S Nikkor Lens
 
Tamron 35mm f/1.4 Di USD compared to Rokinon (Samyang) 35mm f/1.4 US UMC Lens
 
Tamron 35mm f/1.4 Di USD compared to Tamron 35mm f/1.8 Di VC USD Lens
 
 
The Tamron 35mm f/1.4 Di USD Lens is in stock at B&H | Adorama | Amazon USA | WEX
 
Rent the Tamron 35mm f/1.4 Di USD Lens from Lensrentals.
Post Date: 8/9/2019 7:40:54 AM CT   Posted By: Bryan

 
From the Phlearn YouTube Channel:
 
Today we're joined by Aaron's mom as he teaches her how to edit childhood photos in Photoshop! Learn how to make some quick and easy photo fixes like cropping, removing distractions, removing red eye, and recreating film noise. You'll also learn a little bit about Aaron and his family along the way!
 
B&H carries Adobe Photography Plan subscriptions.
Post Date: 8/9/2019 5:49:00 AM CT   Posted By: Sean

 
From the B&H YouTube Channel:
 
Are you just getting started in the world of audio recording? Today we're going to help you translate some of the words and phrases you may come across when recording and editing. AB takes you through some of the most common lingo and gives you some tips for getting started in audio recording and editing. Are there other words or phrases you've come across that you need help with? Let us know in the comments.
Post Date: 8/9/2019 5:31:49 AM CT   Posted By: Sean
 Thursday, August 8, 2019

 
In this video, photographer Daniel Norton demonstrates how to use a ring light as a fill light for portraits. We covered the same concept a few years ago in this article.
 
B&H carries ring lights and ring light adapters.
Post Date: 8/8/2019 5:39:51 AM CT   Posted By: Sean
 Wednesday, August 7, 2019
From Tamron:
 
Notice about Canon EOS R and EOS RP compatibility
 
Dear users and potential purchasers of Tamron interchangeable lenses.
 
Thank you for using Tamron products and for your continuous support.
 
We would like to announce that we have clarified compatibility of following Tamron Di & Di II lenses on Canon EOS R and EOS RP with Canon "Mount Adapter EF-EOS R".
 
Planned to be released (F/W release dates will be announced once they are decided.)
 
  • SP 15-30mm F/2.8 Di VC USD (Model A012) for Canon (*)
  • SP 70-200mm F/2.8 Di VC USD (Model A009) for Canon (*)
  • SP 70-300mm F/4-5.6 Di VC USD (Model A005) for Canon (*)
  • SP 70-300mm F/4-5.6 Di VC USD (Model A030) for Canon (*)
  • SP 90mm F/2.8 Di VC USD MACRO (Model F004) for Canon (*)
Compatible as they are
 
  • SP 24-70mm F/2.8 Di VC USD (Model A007) for Canon (*)
F/W readily available (Updating to the latest version confirms compatibilty.)
 
  • 10-24mm F/3.5-4.5 Di II VC HLD (Model B023) for Canon
  • SP 15-30mm F/2.8 Di VC USD G2 (Model A041) for Canon
  • 17-35mm F/2.8-4 Di OSD (Model A037) for Canon
  • 18-400mm F/3.5-6.3 Di II VC HLD (Model B028) for Canon
  • SP 24-70mm F/2.8 Di VC USD G2 (Model A032) for Canon
  • SP 35mm F/1.8 Di VC USD (Model F012) for Canon
  • SP 45mm F/1.8 Di VC USD (Model F013) for Canon
  • SP 70-200mm F/2.8 Di VC USD G2 (Model A025) for Canon
  • 70-210mm F/4 Di VC USD (Model A034) for Canon
  • SP 85mm F/1.8 Di VC USD (Model F016) for Canon
  • SP 90mm F/2.8 Di MACRO 1:1 VC USD (Model F017) for Canon
  • 100-400mm F/4.5-6.3 Di VC USD (Model A035) for Canon
  • SP 150-600mm F/5-6.3 Di VC USD G2 (Model A022) for Canon
  • SP 150-600mm F/5-6.3 Di VC USD (Model A011) for Canon(*)
Operational only in MF (No plan for new F/W.)
 
  • SP AF 28-75mm F/2.8 XR DiLD Aspherical [IF] MACRO(Model A09) for Canon(*)
(*) Not supported in TAP-in Console.
 
Note:
 
  1. All Canon-mount models released after in May, 2019 are compatible with EOS R and EOS RP.
  2. F/W updates can be performed using Tamrons TAP-in Console (sold seperately) or by visiting your local Tamron Service Center.


Notice about Nikon Z6 and Z7 compatibility
 
Dear users and potential purchasers of Tamron interchangeable lenses.
 
Thank you for using Tamron products and for your continuous support.
 
We would like to announce that we have clarified compatibility of following Tamron Di & Di II lenses on Nikon Z6 & Z7 with "Nikon mount adapter FTZ".
 
New F/W update coming soon
 
To be released on 7 August, 2019 (Click here for the updating process.)
 
  • SP 35mm F/1.8 Di VC USD (Model F012) for Nikon
Planned to release in September, 2019 (Exact date will be announced once they are decided.)
 
  • 70-210mm F/4 Di VC USD (Model A034) for Nikon
  • SP 85mm F/1.8 Di VC USD (Model F016) for Nikon
  • 100-400mm F/4.5-6.3 Di VC USD (Model A035) for Nikon
Planned to be released (Release dates will be announced once they are decided.)
 
  • 10-24mm F/3.5-4.5 Di II VC HLD (Model B023) for Nikon
  • SP 15-30mm F/2.8 Di VC USD (Model A012) for Nikon (*)
  • SP 45mm F/1.8 Di VC USD (Model F013) for Nikon
  • SP 70-300mm F/4-5.6 Di VC USD (Model A030) for Nikon (*)
  • SP 90mm F/2.8 Di MACRO 1:1 VC USD (Model F017) for Nikon
  • SP 150-600mm F/5-6.3 Di VC USD (Model A011) for Nikon (*)
F/W readily available (Updating to the latest version confirms compatibilty.)
 
  • SP 15-30mm F/2.8 Di VC USD G2 (Model A041) for Nikon
  • 17-35mm F/2.8-4 Di OSD (Model A037) for Nikon
  • 18-400mm F/3.5-6.3 Di II VC HLD (Model B028) for Nikon
  • SP 24-70mm F/2.8 Di VC USD G2 (Model A032) for Nikon
  • SP 70-200mm F/2.8 Di VC USD G2 (Model A025) for Nikon
  • SP 150-600mm F/5-6.3 Di VC USD G2 (Model A022) for Nikon
Operational only in MF (No plan for new F/W.)
 
  • SP AF 28-75mm F/2.8 XR Di LD Aspherical [IF] MACRO (Model A09) for Nikon (*)
  • SP 24-70mm F/2.8 Di VC USD (Model A007) for Nikon (*)
  • SP 70-200mm F/2.8 Di VC USD (Model A009) for Nikon (*)
  • SP AF 90mm F/2.8 Di MACRO 1:1 (Model 272E) for Nikon (*)
(*) Not supported in TAP-in Console.
 
Note:
 
  1. All Nikon-mount models released after in May, 2019 are compatible with Nikon Z6 and Z7.
  2. F/W updates can be performed using Tamrons TAP-in Console (sold seperately) or by visiting your local Tamron Service Center.
Category: Tamron News
Post Date: 8/7/2019 6:04:00 AM CT   Posted By: Sean

 
In this video, the film crew at B&H gives us a quick overview - including the ineresting origins - of film set lingo.
Post Date: 8/7/2019 5:53:48 AM CT   Posted By: Sean
 Monday, August 5, 2019
Canon has released EOS 80D Firmware Update v1.0.3.
 
Firmware Version 1.0.3 incorporates the following improvement and fix:
 
  • Corrects a PTP communications vulnerability.
  • Corrects a vulnerability related to firmware update.
Posted to: Canon News
Post Date: 8/5/2019 8:34:39 PM CT   Posted By: Bryan

 
From the Phlearn YouTube Channel:
 
Today we show you how to quickly outline any text in Photoshop! Learn how to use the Type Tool and Layer Styles to create your own custom graphics and advertisements.
 
B&H carries Adobe Photography Plan subscriptions.
Post Date: 8/5/2019 6:08:40 AM CT   Posted By: Sean
 Friday, August 2, 2019

 
TTL (Through-the-Lens) makes shooting a breeze. Point the camera at your subject, set the exposure values in-camera and the amount of light hitting your subject is dynamically determined by a pre-flash emitted by your TTL-enabled light before each shot. Unfortunately, using TTL has notable drawbacks, as illustrated in the video above.
 
When shooting in a studio or under very controlled conditions, using manual flash settings will ensure consistent exposures throughout the session. Alternately, when shooting under circumstances with quickly changing ambient light and/or subject-to-flash distances, the benefits of TTL will be very much appreciated. [Sean]
 
Gear Used in the Video
 
Post Date: 8/2/2019 6:27:53 AM CT   Posted By: Sean
 Thursday, August 1, 2019
My favorite camera mode is manual mode. But, when lighting conditions are changing rapidly, it is often helpful to get the camera involved in the decision-making process via auto exposure. When using auto exposure, most often I'm still using manual mode, but with auto ISO being selected.
 
In auto exposure modes, the camera must be able to guess the proper exposure, or close enough that the result can be adjusted to perfection during post-processing without detriment to image quality (increased noise for example). When photographing deer, a subject rather neutral in relative brightness, in their natural environment, the camera often gets the auto exposure right. Wildlife photography is usually very challenging, involving unpredictable action and fast camera work, and having the camera take care of the exposure can make the difference between getting a great shot and getting nothing. With the exposure being determined by the camera, I can focus on getting the shot.
 
When the camera can guess the exposure with good accuracy and auto ISO in manual mode is being used, the shutter speed alone can be rapidly changed as needed to produce a sharp image. For example, if an animal that has been in fast motion (requiring a fast shutter speed) pauses and stares at something while motionless, a quick roll of the top dial can increase the exposure times to allow lower ISO settings be taken advantage of.
 
One thing I need to focus on is not getting too close to my wildlife subjects. While getting close enough to wildlife is a common challenge, being over-successful, getting too close, can sometimes be an issue. Wildlife subjects often need some space around them in the frame, some breathing room. Getting closer means a stronger background blur, but in this case, it meant not enough breathing room around the mule deer buck. Fortunately, Photoshop helped me increase the canvas size, adding some background to the perimeter of this image.
 
Another teaching point illustrated here is the catchlight in the buck's eye. In practically all images containing an eye, catchlights will add positively to the result, giving sparkle and life to the subject. Catchlights can be created with flash lighting, but when photographing wildlife, the sun, or at least the bright sky, is my favorite catchlight source as it usually provides the most natural appearance.
 
For catchlights to happen, something bright, often the sun/sky, must be able to reflect in the subject's eye. Think about the animal's rounded eye reflecting such and the camera angle needed for that to happen. The subject's head position can make a difference with a raised head increasing the chances for catchlight reflections. Your position can also make a difference. The lower your position relative to the subject, the more likely you are to get catchlights reflecting the light source. When the sun is the catchlight source, the lower the sun, the better the odds are that it will reflect in the eyes. The more exposed the sky is, the better the likelihood of a reflection.
 
In this example, I had a catchlight. However, with just a slight amount of the sky reflecting in the top of the deer's eye, it was a weak one. Using an exposure adjustment layer in Photoshop, I added a mask that was entirely black (not affecting the image) except for the little catchlight and then slid the exposure adjustment slider slightly to the right to increase the brightness, affecting only the catchlight. This tiny adjustment made a noticeable difference in the final result.
 
I'm always looking for an entertaining or at least unusual behavior to capture in wildlife images. This buck's large rack added points to the entertainment factor, but its behavior was rather boring — it was mostly feeding. While smelling the small plant is not dramatic behavior, it does speak to this animal's keen sense of smell and its ability to communicate in this way. The huge rock behind the buck provided an out-of-the-norm background for the image and the position of the antlers allowed all of the points to be seen. Thus, this image was my pick from this session.
 
A reminder: there is only one opening remaining for the September elk in rut photo tour in Rocky Mountain National Park. While elk are our primary subject, we'll be opportunistic, taking advantage of other wildlife that avails itself as illustrated here.
 
Consider joining a small group of passionate wildlife photographers pursuing these awesome animals. Photographers of all skill levels are invited to join!
 
"Bull Elk in Rut and Much More", Rocky Mountain National Park
 
  • 1 Opening: Sun, September 15 to Sat, September 21, 2019
  • Filled/Wait List: Sun, September 22 to Sat, September 28, 2019
  • Sign Up for September 2020
Contact me to sign up!
 
A larger version of this image is available on Flickr.
Post Date: 8/1/2019 7:00:00 AM CT   Posted By: Bryan

 
From the Tamron YouTube channel:
 
Tamron is a global manufacturer of optical equipment that offers premium-quality products, Interchangeable lenses for 35mm / Digital SLR camera, Interchangeable lenses for Non-Reflex type camera, Surveillance camera lenses, FA and Machine vision lenses, Camcorder lenses, and Drone lenses and others for many different industries.
 
B&H carries Tamron lenses.
Post Date: 8/1/2019 6:01:15 AM CT   Posted By: Sean
 Wednesday, July 31, 2019
Image quality, vignetting, flare, and distortion test results along with specs and measurements have been added to the Tamron 35-150mm f/2.8-4 Di VC OSD Lens page.
 
Create comparisons – share with your friends.
 
The Tamron 35-150mm f/2.8-4 Di VC OSD Lens is in stock at B&H | Adorama | Amazon USA | WEX
 
Rent the Tamron 35-150mm f/2.8-4 Di VC OSD Lens from Lensrentals.
Post Date: 7/31/2019 7:36:19 AM CT   Posted By: Bryan
From Nikon:
 
Nikon Z 7/Z 6 Firmware v.2.01
 
Changes from “C” Firmware Version 2.00 to 2.01:
 
Fixed the following issues:
 
  • If the camera detected faces during still photography or movie recording at the settings listed below, it would in very rare instances begin to respond more slowly, display an error, or stop responding altogether.
    • Stills - Auto-area AF selected for AF-area mode in the PHOTO SHOOTING MENU
    • Stills - Face and eye detection on or Face detection on selected for Custom Setting a4 (Auto-area AF face/eye detection) in the CUSTOM SETTING MENU
    • Movie - Auto-area AF selected for AF-area mode in the MOVIE SHOOTING MENU
    • Movie - Face and eye detection on or Face detection on selected for Custom Setting a4 (Auto-area AF face/eye detection) in the CUSTOM SETTING MENU
  • In very rare instances, the bottoms of pictures taken with all the following settings in effect would not appear as expected:
    • Mode dial rotated to AUTO, P, or A
    • An NEF (RAW) option selected for Image quality in the PHOTO SHOOTING MENU
    • 14-bit selected for NEF (RAW) recording > NEF (RAW) bit depth in the PHOTO SHOOTING MENU
    • Auto selected for Custom Setting d5 (Shutter type) in the CUSTOM SETTING MENU
    • Continuous H (extended) release mode selected with the release mode/self-timer button
Download: Nikon Z 7 Firmware v.2.01 | Nikon Z 6 Firmware v.2.01
 
B&H carries the Nikon Z 7 and Z 6.
Post Date: 7/31/2019 5:24:58 AM CT   Posted By: Sean
 Tuesday, July 30, 2019
If you photograph outdoors, now is the time to start thinking about fall photography opportunities and there are few better places to be in the fall than Acadia National Park. Consider joining a small group of enthusiastic photographers in this bucket-list-grade location from Tue, Oct 15 through Sun, Oct 20, 2019. Sign up now – only two spots remain open.
 
Hare are the details: Fall Landscape in Acadia National Park Instructional Photography Tour
 
Contact me now to sign up!
Post Date: 7/30/2019 7:53:54 AM CT   Posted By: Bryan
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