Canon Announcements (Page 5)

Check out the new Canon EOS Webcam Accessories Starter Kit available for order at B&H.

Kits are available for the Canon EOS RP, Rebel T3, Rebel T5, Rebel T6, Rebel T7, M50, M50 Mark II & M200 Digital Cameras. Included in the kits:

• Canon AC-E6N AC Adapter
• Canon DC Coupler DR-E18
• Canon IFC-100U Interface Cable (39.4")

"Turn your EOS RP Mirrorless Digital Camera into a high-performance webcam and enhance the quality of your content with the EOS Webcam Accessories Starter Kit from Canon. Simply download the freely available EOS Webcam Utility software, connect the camera to a compatible laptop or desktop computer with the provided IFC-100U Interface Cable, power it with the included AC-E6N AC Adapter and the supplied DR-E18 DC Coupler using a standard home outlet, and you'll be on your way to longer continuous shooting and outstanding clarity. Whether you're working, teaching, livestreaming, or just reaching out to friends and family, your audience will be able to clearly see you. This kit gives you everything you need in one convenient package, and lets you put yourself out there with the quality and ease you desire."

From Canon U.S.A: Canon U.S.A. Launches a Line of 4K UHD PTZ Cameras Ready For Integration Into a Variety of Environments

The Company Also Introduced the RC-IP100 Remote Camera Controller That Allows for the Control of Multiple Canon PTZ Cameras at Once

MELVILLE, NY, March 17, 2021– Designed for use in a wide-range of applications in broadcast, education, house of worship, sports, and corporate environments, Canon U.S.A., Inc., a leader in digital imaging solutions, is excited to introduce the company’s first line of 4K UHD PTZ cameras – the CR-N500 and CR-N300 for indoor live-streaming and the outdoor CR-X500.

This new line of cameras capitalizes on Canon’s digital imaging and operational expertise from both professional camcorders and network cameras. This enables the cameras to not only deliver brilliant 4K imagery thanks to Canon’s CMOS sensors, DIGIC DV 6 Image Processor, and optical zoom lenses, but also smooth pan, tilt and zoom functionality that allows for on-air camera movement. The new indoor PTZ cameras support various video interfaces, including HDMI, IP, and 3G-SDI, and are also compatible with popular live production protocols like NDI|HX®, RTMP and more. The new outdoor PTZ camera supports 12G-SDI, and includes a durable, IP55 rated weather-resistant housing. In addition to the cameras, Canon has also introduced a new remote camera controller, the RC-IP100, which supports IP and serial connections and can operate camera functions such as pan, tilt, zoom, focus, and iris.

“In 2020, Canon introduced the System Integrator Program with the goal of developing strategic relationships with integrators, providing the organizations world-class support and cutting-edge digital imaging equipment,” said Tatsuro “Tony” Kano, executive vice president and general manager of Canon U.S.A.’s Imaging Technologies & Communications Group. “These new PTZ cameras and remote camera controller were designed with the system integrator market squarely in mind. We are eager to see how these cameras are incorporated into the creative solutions that they develop for end users.”

The Vivid CR-N500 4K UHD PTZ Camera

When combined, the 1.0-inch CMOS sensor, 3.2µm pixel pitch, and DIGIC DV 6 image processor featured in the CR-N500 4K UHD PTZ camera provide users with the capability to capture images with high sensitivity, low noise, and a minimum subject illumination of approximately 1.5 lux1.

Utilizing a 15x optical zoom 4K UHD lens, users will also experience cinematic images with shallow depth-of-field and beautifully blurred backgrounds with brilliant image quality. The 15x optical zoom covers a 35mm equivalent focal range of 25.5-382.5mm, and the camera is capable of a variable pan and tilt speed from 0.1° - 100° per second to support smooth on-air movement or fast preset transitions. An independent, built-in three-density ND filter and nine-bladed iris create natural bokeh effects, with diffused, diffracted light. The CR-N500 features Dual Pixel CMOS AF with dual pixel focus guide, as well as face detection and tracking. The CR-N500 also supports Canon Log 3 for color grading and wide dynamic range gamma of 800%, along with image quality mode and adjustment functions to enhance an operator’s image customization capabilities from capture to post-production.

The Versatile CR-N300 4K UHD PTZ Camera

The CR-N300 4K UHD PTZ camera uses a 1/2.3-inch CMOS sensor, DIGIC DV 6 image processor, and a 20x optical zoom lens with a 35mm equivalent focal range of 29.3-601mm. The camera features Canon’s Hybrid AF system that combines high-precision contrast AF and high-speed phase-difference AF, allowing operators to gain focus and lock-in subjects even in dim or dark situations. The variable pan speed of the camera clocks in at 0.2° - 300° per second and the variable tilt speed is 0.2° - 170° per second. The CR-N300 can also be used as a webcam via a USB connection.

The CR-N300 is equipped with four unique scene modes: portrait, sports, low-light, and spotlight, which allows users to select the mode most suitable for the desired subject.

• Portrait Mode achieves sharp focus while blurring the background.
• Sports Mode enhances the ability to capture moving objects.
• Low-Light Mode brightens images when in dim or dark shooting situations.
• Spotlight Mode allows users to capture beautiful images in brightly lit situations.
• The CR-N300 and the CR-N500 both offer peace of mind, being backed by Canon’s 3-year limited warranty. (See website for more information)

The All-Weather CR-X500 4K UHD PTZ Camera

The Canon CR-X500 4K UHD PTZ is rated IP55 for water and dust resistance, and is designed for outdoor uses including sports, news/weather coverage, and television production. The camera features a 1.0-inch CMOS sensor that captures 4K UHD images in 60p/4:2:2/10-bit. The sensor’s 3.2µm pixel pitch combined with dual DIGIC DV 6 image processors produces improved signal-to-noise ratio from previous HD models and a minimum subject illuminance of 3 lux. The camera features a 15x 4K UHD lens with an optical 35mm equivalent zoom range of 25.5-382mm. When the camera is in FHD mode, operators can use the camera’s 4K multi-pixel sensors for up to a 30x advanced zoom. Dual Pixel CMOS AF, Canon’s renowned and popular autofocus system, allows for superb tracking performance and successfully captures 4K scenes where outstanding accuracy is required. Image Stabilization mode helps to reduce camera shake and produces stable and clear images even in windy conditions, and a built-in wiper helps to clear away rain from the camera. The camera also supports Canon Log 3 for color grading and a wide dynamic range gamma of 800%, as well as image quality mode and adjustment functions to enhance an operator’s image customization capabilities.

Features of the Canon RC-IP100 Camera Remote Controller

The Canon RC-IP100 camera remote controller supports IP and serial connections and is compatible with all three of the new PTZ cameras, allowing operators to control multiple cameras simultaneously. By virtue of the control and seesaw zoom levers and 7-inch touch panel, users can control each camera’s functions such as pan, tilt, zoom, focus, and iris. When connected via IP, it is possible to control up to 99 CR-N500/CR-N300 cameras, and when connected via serial, an outdoor CR-X500 can be controlled, allowing for a total of 100 cameras.

Included with the Indoor PTZ Cameras is the Remote Camera Control Application software which allows PC users to register up to 20 cameras, viewing up to nine different cameras live at once. Full camera control, including setting trace functions and presets, is easily accessible with the click of a mouse.

Along with the new PTZ cameras and controller, Canon is also introducing a newly-developed XC Protocol2 that offers control and communication with select Canon video production devices for high quality video streaming over IP. Later this year, Canon will look to release new firmware to introduce the new XC protocol to select Cinema EOS System cameras.

Availability

The Canon CR-N500, CR-N300, CR-X500 4K UHD PTZ cameras and RC-IP100 camera remote controller are scheduled to be available in the Summer of 2021*.

# # #

†Based on weekly patent counts issued by United States Patent and Trademark Office

®NDI is a trademark or registered trademark of NewTek, Inc. in the United States and other countries

* Specifications and availability are subject to change without notice

1 3840 × 2160: Approx. 1.5 lux (shutter speed 1/30 sec., frame rate 29.97P, gain 33.0 dB)

1920 ×1080: Approx. 3 lux (shutter speed 1/60 sec., frame rate 59.94P, gain 33.0 dB)

2 CR-X500 is not supported

Orders

Order your Canon 4K UHD PTZ Camera at B&H

From Canon U.S.A.:

Need a Digital Photo Assistant? Canon U.S.A. has you Covered with the Company’s First-Ever Photo Culling App

Canon Also Publicly Debuts “PHIL,” the Company’s Computer-Vision Artificial Intelligence Engine

MELVILLE, NY, February 11, 2021– According to a recent report from Keypoint Intelligence, 1.4 trillion photos were taken worldwide in 2020 and 7.4 trillion images were stored¹. With these staggering numbers, it could be overwhelming for the average consumer to decide what photos are best to keep and store. Delivering expert photo advice in the form of an app, Canon U.S.A., Inc., a leader in digital imaging solutions, today announces its Photo Culling app. Compatible with iOS devices², this brand-new app helps determine a user’s best photos based on scores against four models: sharpness, noise, emotions and closed eyes, using Canon’s Computer Vision Artificial Intelligence Engine known as “PHIL” (abbreviated for Photography Intelligence Learning)³. Additionally, the app will suggest deleting duplicative photos, making it easy for the consumer to free up space on their smartphone.

"In today's ever-changing and overwhelming world, where thousands of photos are captured and stored in a person’s smartphone, consumers need an expert, reliable and intuitive photo tool to help them decide the best photos based on years of trusted knowledge and technology,” said Tatsuro "Tony" Kano, executive vice president and general manager of the Imaging Technologies & Communications Group of Canon U.S.A., Inc. “Canon U.S.A.’s new Photo Culling App is the answer and we are proud to see how the company’s Computer Vision technology within this app can assist consumers with finding and keeping their best photos of their fondest moments."

The Photo Culling app features two culling options:

Whole Culling: Determines the best photos based on the absolute best scores against the four models: sharpness, noise, emotions and closed eyes. If the score is over the threshold the user sets, the photo is considered to be the best. The remaining images would be suggested as deletions.

Similar Culling: Determines the best photos based on score comparison among a similar group of photos. The highest-scoring photos within the group are considered the best photos. A second photo may also be selected as the second-best photo within the group. The remaining images would be suggested as deletions. The app is also able to find similar photos and group them together. For example, If a user selects 10 photos of a dog and 10 photos of a sunset, it will break the photos into two groups and find the best photo of each; one of the dog and one of the sunset.

In addition to its culling options, the Photo Culling app also features:

Photo Counts and Storage: Shows the number of photos a user has as well as the amount of phone storage on the Home Screen.

Event Album: Categorizing and placing photos in albums on the Home Screen. These are dynamic albums based on events/date throughout the year and the app will pull events that have a large number of photos and suggest the user review these photos to delete and save space.

Features in the Setting Screens: Displaying the number of photos deleted, the current subscription plan (see details below), option for notifications, parameter setting for each score against sharpness, noise, emotion and closed eyes. Users also can adjust these settings, such as changing how much of an impact noise has on a photo versus closed eyes⁴.

Dark and Light Mode Settings Screen Option: Displays screens either as a dark or light mode option

Price & Availability*

Available for download via the App Store, the Photo Culling app will be available under two subscription options: $2.99 per month or $14.99 for the year, each with a three-day trial⁵. For more information, please visit, usa.canon.com/photo-culling-app.

# # #

† Based on weekly patent counts issued by United States Patent and Trademark Office.

* Availability and specifications are subject to change without notice.

¹ Data Source: Keypoint Intelligence / InfoTrends Worldwide Consumer Photos Captured and Stored

² The Photo Culling app is compatible with iOS® running version 14. There are currently no device restrictions for iOS. This app helps you to sort, organize and delete your images. Please note that image files may contain personally identifiable information that may implicate privacy laws. Canon disclaims and has no responsibility for your use of such images. Canon does not obtain, collect or use such images or any information included in such images through this app.

³ PHIL is a trademark of Canon U.S.A., Inc. in the United States and may also be a trademark in other countries.

⁴ For best results, disable cloud storage photos from your Settings. If iCloud is enabled, please make sure “Download & Keep Originals” is selected and "Optimize iPhone Storage" is not.

⁵ Download of the app is free (data charges may apply), but full use of the app requires a subscription. A free version of the app is provided with limited functionality and features. There is also a paid subscription version of the app with full functionality and features available to you starting with a three (3) day free trial. The subscription version of the app is available through a monthly or yearly, nonrefundable, auto renewing payment through your applicable app store. After your three (3) day free trial, your access will be automatically rolled over into your chosen auto-renewable subscription unless you cancel upon 24 hours’ notice from the end of the trial period by following the App Store cancellation procedures.

I did not see a press release for this new transmitter, but here is more information from Canon USA:

The Speedlite Transmitter ST-E3-RT (Ver.2) provides some much anticipated upgrades from professionals to make it an even more appealing resource for flash photography when used with the Speedlite EL-1. This updated version allows for wireless rear curtain synchronization to capture ambient light trails and convey a sense of speed for moving subjects. The expansive minimum output range (down to 1/8192 power) gives you increased opportunity for creativity over the flash output from brig... read more

Updated to include Wireless Rear Curtain Synchronization, A Minimum Output Range of 1/8192, and FE Memory.

When used in combination with the Speedlite EL-1, the Speedlite Transmitter ST-E3-RT (Ver.2) provides additional benefits* of wireless rear curtain synchronization so the flash fires as the shutter closes to capture beautiful light trails to signify movement of the subject, minimum flash power as low as 1/8192 for even more opportunity to work in low available light, and FE memory so you can store an E-TTL flash exposure and continue to use that same exposure when subjects and scenes remain unchanged.

• Manual flash power below 1/128th not possible with 600EX-RT series, and 430EX-RT used as receiver units.
• 2nd curtain sync can be used with Speedlite EL-1, 600EX-RT series and 430EX-RT receiver units, but with EOS R5, R6, or EOS-1D X Mark III cameras only.

Up to 5 groups, or 15 Individual Flashes can be Controlled via 1 Transmitter

The Speedlite Transmitter ST-E3-RT (Ver.2) facilitates radio controlled, two-way wireless transmission up to 98.4 feet, for a reliable and robust connection among sender and receiver units. Communicating on 2.4 GHz frequencies, the ST-E3-RT (Ver.2) does not have the same directional limitations of traditional wireless optical transmitters. Where other wireless signals can be interrupted by physical obstacles, radio controlled systems excel. Fifteen transmission channels are available, selectable manually or automatically (for optimum radio transmission, depending on environment), and radio transmission IDs can be set to prevent interference from other photographers on the same channel. With the extended, more reliable range afforded by radio transmission, ambitious photography is made easier.

Supports E-TTL II Flash, Manual Flash, Stroboscopic and Auto External Flash Metering

With the Speedlite Transmitter ST-E3-RT (Ver.2), up to fifteen Canon RT-compatible Speedlites in five groups can be controlled from the camera, via a single transmitter. Each group can be set to a different flash mode, enabling multiple configurations for creative photography. For example, with the ST-E3-RT (Ver.2) some flashes can be directed to operate according to the camera’s E-TTL flash reading, others can be set manually; groups can be set to overexposure or underexpose, and much, much more. With up to fifteen flashes under the control of one transmitter, wirelessly, complex lighting setups normally reserved for the studio are a breeze.

Dot Matrix LCD Panel Displays all Pertinent Information Simultaneously and Backlit Control Panel means Easy Operation

The Speedlite Transmitter ST-E3-RT (Ver.2) features a dot matrix LCD panel (172 x 104 dots). This LCD displays Flash status, flash settings and wireless configuration for any combination of Speedlite EL-1, 600EX-RT series, and 430EX-RT, used off-camera as Receiver units. With the transmitter’s LCD screen combined with backlit operation buttons and even an internal sound emitter, the ST-E3-RT (Ver.2) is as easy to operate in the dark as in daylight.

8 Types of Custom Functions, 3 Types of Personal Functions

To accommodate the demands of a number of different shooting situations, the Speedlite Transmitter ST-E3-RT (Ver.2) can be configured with eight different Custom Functions and any of three Personal Functions. Custom Functions include: auto power off, modeling flash controls, sound, illumination and more. Personal Functions include display contrast and LCD panel illumination color for both sender and receiver flashes.

High-Performance Hot Shoe Contacts for Reliable Information Transmission and Operation

The Speedlite Transmitter ST-E3-RT (Ver.2) is built to the standards one would expect from professional Canon camera systems. The hot shoe contact ensures reliable communication between camera and transmitter. Dust and water resistance is excellent as well: all moving parts and areas surrounding the transmitter’s display and buttons are sealed for uninterrupted performance in harsh conditions. A dust and water resistant design for the mounting foot creates a dust and water resistant seal between camera and flash. Compact and lightweight, the ST-E3-RT (Ver.2) is approx. 2.7 (W) x 2.4 (H) x 3.0 (D) in.

DISCLAIMERS

* When used with the Speedlite EL-1 in combination with an EOS R5, EOS R6, EOS-1D X Mark III or EOS M50 Mark II camera. Some features will work with older Speedlite models such as 600EX II-RT, 600EX-RT and 430EX III-RT, and previous EOS cameras, but not all. As of February 3, 2021.

Preorder the Canon Speedlite Transmitter ST-E3-RT (Ver. 2) from B&H.

From B&H:

Canon ST-E3-RT V2 Overview

Building on the design and popularity of its predecessor, the second version of the Canon Speedlite Transmitter ST-E3-RT can help you take full advantage of all the features on flashes such as the Speedlite EL-1, 600EX-RT, and 430EX III-RT.

Version two of the ST-E3-RT makes complex lighting setups simple by facilitating radio-controlled, two-way wireless transmission at distances up to 98.4' among up to five groups or 15 individual Speedlites. Updates include Wireless Rear Curtain Synchronization for the look of motion in your subjects and a remarkable minimum power range of 1/81922 for very low light shooting. Another outstanding feature is FE Memory that allows you to lock-in an E-TTL flash exposure level, even in complex multi-flash setups, and subsequently continue to use it for the same scene or subject. Yet another upgrade is eight types of custom functions and three types of personal functions. Compact design with highly reliable construction combined with a clearly laid-out information panel and buttons with back lighting make this an indispensable tool for advanced professional flash photography.

Benefits

• Updated to include Wireless Rear Curtain Synchronization, a minimum output range of 1/8192, and FE Memory
• Up to five groups or 15 individual flashes can be controlled via one transmitter
• Supports E-TTL II Flash, Manual Flash, Stroboscopic and Auto External Flash Metering
• Dot Matrix LCD Panel displays all pertinent information simultaneously and backlit control panel means easy operation
• Eight types of custom functions, three types of personal functions
• High-performance hot shoe contacts for reliable information transmission and operation

Preorder the Canon Speedlite Transmitter ST-E3-RT (Ver. 2) from B&H.

Translated from Canon Japan:

Notice of postponement of release of "RF 70-200mm F4 L IS USM"

Publication date: December 17, 2020

Regarding the "RF70-200mm F4 L IS USM" announced on November 4, 2020 and scheduled to be released in late December, due to production reasons, we cannot prepare a sufficient supply amount for the release. Therefore, we have decided to postpone the release in early March 2021.

We would like to inform you and deeply apologize.

Scheduled release date

(Before change) Scheduled to be released in late December 2020
(After change) Scheduled to be released in early March 2021

We apologize for the inconvenience caused to the customers who are waiting for us, but we will do our utmost to launch it, and we appreciate your continued patronage.

From Canon USA:

To Our Valued RAISE Members,

Thank you for being a member of RAISE, our online photo community platform for photographers.

The purpose of this email is to inform you that the RAISE Photo Community Platform (“RAISE”) will be shut down on Wednesday, December 30, 2020, 11:59AM PST. Canon will continue to assess the needs of the photography community and seek ways to provide industry-leading education and inspiration in the future.

It is important to note that after Wednesday, December 30, 2020, 11:59AM PST, you will no longer be able to access your RAISE account at https://raise.usa.canon.com/ and any images you uploaded onto RAISE will no longer be available. We encourage you to download your images that are currently on RAISE before that date.

For those photographers with Image Connect accounts, Canon is planning to re-launch Image Connect in 2021, and Canon will migrate your Image Connect account to the new Image Connect platform located at https://imageconnect.usa.canon.com/. Therefore, if you have an Image Connect account, please do not delete your RAISE account before the shutdown date.

We hope you have enjoyed the RAISE experience and we look forward to engaging with you more in the future. For any questions, please visit here.

Sincerely,

Team Canon

From Canon USA:

Canon Announces the macOS Full Production Version of EOS Webcam Utility Software

With over 1 million downloads across the globe with 300,000 of them in the United States alone, the next chapter in the EOS Webcam Utility software story has been written. Continuing to fulfill the very apparent need of our customers, Canon U.S.A., Inc., a leader in digital imaging solutions, today announced the full production version 1.0 of the EOS Webcam Utility Software for macOS as well as version 1.1 for Windows. Now officially out of beta, macOS users, as well as Windows users, have access to the software, which converts compatible Canon EOS Interchangeable Lens (ILC) and PowerShot cameras into high-quality webcams for video conferencing and streaming.

Rooted with ease and convenience at its core, the EOS Webcam Utility software is a direct result of the market shift that Canon identified; and, adhering to the needs of our customer base, Canon designed a software that produces high-quality video streaming. Now compatible with 43 Canon EOS ILC and PowerShot cameras, including the new EOS M50 Mark II, the complete list of compatible Canon cameras includes:

Another common conversation theme within the beta software forums was compatibility with third-party applications. As of announcement day, the new production version of the software has been tested* with various video conferencing applications as well as streaming applications** including:

Moreover, customers have desired to record a high-quality video file onto the memory card in their camera while video conferencing or streaming, and we listened. This can now be achieved*** by simply pressing the record button on the camera and not through the software.

Without customers sharing their points of view, experiences and preferences via the EOS Webcam Utility software user forums, the software would not have reached this level of success. Moving forward, Canon will continue to lean on customers, listen to the market and create innovative solutions that fulfill customer’s needs – while continuing to offer high quality, digital imaging equipment and solutions.

To download the full production version of the EOS Webcam Utility software version 1.0 for macOS and version 1.1 for Windows and learn how to use it, visit https://www.usa.canon.com/support/eoswebcamutility.

The new software will be available worldwide and available for download directly from the Canon website in each region.

If you’d like to ask questions or provide feedback pertaining to the production version of EOS Webcam Utility software for macOS, please visit our newly created forum https://Canon.us/forum-eoswebcamutility.

*Tested to confirm the EOS Webcam Utility is selectable as a video source and the video feed is displayed properly with macOS 10.15(Catalina), 10.14(Mojave), and 10.13 (High Sierra). The macOS version may affect the usability of the application(s). For more detail, please visit our https://www.usa.canon.com/support/eoswebcamutility

**Subscription to a third party service required. Subject to third party service provider’s terms and conditions.

***Restrictions may apply depending on camera specifications, such as maximum video recording time

Neither Canon Inc. nor Canon U.S.A., Inc. represents or warrants any third-party product or feature referenced hereunder. All referenced product names and marks are trademarks of their owners and are hereby acknowledged.

Somewhat off-topic, but interesting nonetheless — from Canon USA:

NEW INDUSTRIAL MACHINE VISION CAMERAS FROM CANON UTILIZE NEXT-GEN 19 MICRON SENSOR TECHNOLOGY FOR COLOR LOW-LIGHT IMAGE CAPTURE

Industrial and Modular Camera Design Offers Choice of Lens Mounts and Video Output

MELVILLE N.Y., November 4, 2020 — Canon U.S.A., Inc., a leader in digital imaging solutions, today introduced the Company’s next generation of multi-purpose cameras, the ML-100, and the ML-105 , which deliver amazingly high sensitivity to capture Full HD Color video with a minimum subject illumination of less than 0.0005 lux (at maximum 75 dB gain setting, equivalent to an ISO sensitivity of over 4,500,000). With the ability to capture color low-light images, these multi-purpose cameras can be utilized in industrial system design, where seeing color images is critical during day and night.

Canon’s new series of multi-purpose industrial machine vision cameras employ a next-generation 19um, 35mm full-frame CMOS sensor. The modular design of the cameras allows implementation and integration into industrial machine vision environments.

The ML series is available in two models with two different lens mounts and two video output configurations to choose from, for a total of four camera options. The ML-100 camera features a CoaXpress terminal, which allows for the transmission of video, camera-control data and power on a single coaxial cable, ideal for use in industrial systems. The CoaXpress terminal produces 12-bit RAW data output at up to 73 fps and allows for more flexibility during processing. The ML-100 features approximately 2.74 million pixels of maximum video output and supports Region of Interest, which can improve frame rate output up to 164 fps at 720p resolution. The ML-105 camera features a 3G/HD-SDI video terminal and can be suited for standard video environments where Canon image processing, including YCC 4:2:2 10-bit output, is required. The ML-105 features the Canon DIGIC DV4 Image Processor, capable of delivering Full HD resolution at 60fps. Both cameras can be ordered with either an EF or M58 mount for total system design flexibility.

The EF mount gives customers the ability to choose from Canon’s still and cinema lens lineup, while the M58 offers lens customization and design choice to the user.

The M58 mount version of the Canon ML-100 multi-purpose camera is scheduled to be available at the end of December 2020. The other three models are scheduled to be available in April 2021

Two more highly attractive RF lenses and a significantly upgraded printer from Canon:

CANON ADDS TWO RF LENSES AND PIXMA PRO PRINTER IDEAL FOR THE ENTHUSIAST PHOTOGRAPHER

MELVILLE, N.Y., November 3, 2020 – Canon U.S.A. Inc., a leader in digital imaging solutions, is excited to introduce the compact and lightweight RF70-200mm F4 L IS USM and the RF50mm F1.8 STM, two completely re-designed RF mount lenses with bloodlines to immensely popular EF models that feature new lens formulas and enhanced elements. Canon is also introducing the PIXMA PRO-200 printer, which is ideal for photography students and graphic designers.

“As Canon began to further build out the company’s RF lens portfolio, the goal in mind was to create advanced lenses, for a variety of experience levels, that also featured a sense of familiarity for longtime Canon users,” said Tatsuro “Tony” Kano, executive vice president and general manager of Canon U.S.A.’s Imaging Technologies & Communications Group. “Canon prides itself on being able to uniquely offer both input and output solutions to our customers. We are equally excited to see the images captured with the new lenses, and the prints that are to be created with the new PIXMA PRO-200 printer.”

Canon RF70-200mm F4 L IS USM Lens

The Canon RF70-200mm F4 L IS USM lens is ideal for photography enthusiasts ranging from advanced amateur to professional skill levels. The compact and lightweight nature of the lens makes it Canon’s shortest and lightest 70-200mm F4 zoom lens to date. This RF lens is approximately 32 percent shorter and 11 percent lighter than its EF counterpart with a large portion of the lens element arrangement closer to the camera body. This arrangement is designed to provide photographers with a more balanced feel and experience even at the zoom range’s telephoto end. Additionally, the shorter and lighter design allows the lens to more easily be stowed away in a camera bag when not in use.

The RF70-200mm F4 L IS USM features two independent Nano USM motors, providing an even greater level of high-speed autofocus for still image shooting as well as quiet and smooth autofocus for video shooting. The lens also incorporates a floating focus control that drives the two lens groups individually while using the two aforementioned Nano USM motors. The floating focus lens element shortens the focusing distance and helps reduce breathing, providing users with fast, consistent and reliable performance.

Additional Features of The Canon RF70-200mm F4 L IS USM Lens Include:

• 16 lens elements in 11 groups, including four UD lenses, that help to reduce chromatic aberration
• Optical Image Stabilizer with up to 5 Stopsⁱ of shake correction
• Up to 7.5 stopsⁱⁱ of shake correction with coordinated control of Optical Image Stabilizer and In-Body Image Stabilizer
• Three stabilizer modes
• Customizable control ring that allows photographers to adjust exposure compensation, shutter speed, aperture, or ISO
• 12-pin communication system
• L-Series dust and weather-resistant build with a fluorine coating
• Minimum focusing distance of 1.97 feet and a maximum magnification of 0.28x
• Air Sphere Coating (ASC) that helps minimize lens flare and ghosting

Canon RF50mm F1.8 STM Lens

Creatives love using a 50mm lens because that focal length is similar to the natural viewpoint of the human field of vision. This perspective allows for the lens to be used in a wide variety of shooting situations, including portraits, landscapes and food photography. What’s more, Canon 50mm f/1.8 lenses have long been a popular tool for both photographers and creators due to their budget-friendly price point, extremely compact and lightweight form factor, and versatility.

The tradition continues with the RF50mm F1.8 STM that, in many ways, is improved over its EF counterpart. The first visually noticeable improvement is the customizable control ring that has become synonymous with RF lenses. The control ring allows photographers to adjust exposure compensation, shutter speed, aperture, or ISO and with a flip of the side switch can adjust focus. The inclusion of a PMo aspherical lens helps to reduce chromatic aberration and provides high-image quality even at the periphery of the image. Additionally, the combination of the lens shape and Super Spectra Coating (SSC) helps to minimize ghosting and flaring.

Additional Features of The Canon RF50mm F1.8 STM Lens Include:

• Six lens elements in five groups
• 12-pin communication system
• Minimum focusing distance of 0.98ft and a maximum magnification of 0.25x
• Up to 7 stopsⁱⁱⁱ of Shake Correction with EOS R Series cameras with In-Body Image Stabilizer

Canon PIXMA PRO-200 Printer

Continuing a long history of high-quality input to output digital imaging equipment, the PIXMA PRO-200 printer is 15% smaller than its predecessor, the PIXMA PRO-100. With the ability to print up to 13 inches x 19 inches and featuring improved ChromaLife 100+ dye-based ink, the latest PRO printer helps to create prints that are more representative of the original digital file. A helpful tool of the trade for photographers who print work for themselves and graphic artists or photography students working on their portfolios from their homes, the PIXMA PRO-200 printer also features:

• A new 3-inch LCD screen to help users set up the printer, connect to WiFi, monitor ink and paper levels for an improved user experience
• New Skew Correction feature, which automatically corrects shifts the paper may encounter during printing
• Professional print and layout software, which can work as a stand-alone program, or integrated into Adobe® Lightroom® or Photoshop® as a plugin to work within a photographer’s workflow, to help take the guesswork out of making great prints
• Vast media support to print on a variety of surfaces such as Canon Photo Paper Pro Luster and Premium Fine Art Rough, as well as the ability to print longer panoramic images in comparison to previous models

Pricing and Availability

The Canon RF70-200mm F4 L IS USM, and RF50mm F1.8 STM lenses are scheduled to be available in early and mid-December 2020 for a suggested retail price of $1,599.00 and $199.99, respectively*.

The PIXMA PRO-200 printer is scheduled to be available later in November for a suggested retail price of $599.99*.

Orders

Order the Canon RF 70-200mm F4 L IS USM Lens from B&H | Adorama | Amazon | WEX

Order the Canon RF 50mm F1.8 STM Lens from B&H | Adorama | Amazon | WEX

Order the Canon PIXMA PRO-200 Printer from B&H | Adorama | Amazon | WEX

# # #

* Specifications, availability and prices are subject to change without notice. Actual prices are set by individual dealers and may vary.

ⁱ Based on CIPA (Camera & Imaging Products Association) standards. Testing performed at a focal length of 200mm using the EOS R camera.
ⁱⁱ Based on CIPA (Camera & Imaging Products Association) standards. Testing performed at a focal length of 200mm using the EOS R5 camera.
ⁱⁱⁱ Based on CIPA (Camera & Imaging Products Association) standards. Testing performed at a focal length of 50mm using the EOS R5 camera.

Update: Canon USA has published a press release that does not require translation:

Canon U.S.A. Announces Three New Industrial Imaging Sensors

MELVILLE, NY, October 19, 2020 – As imaging sensors continue to be an essential component of industrial processes, Canon U.S.A., Inc., a leader in digital imaging solutions, is excited to announce three new CMOS (complementary metal-oxide semiconductors) sensors: the ultra-high-resolution LI8020 series, the ultra-high sensitivity LI3030 series, and the LI7050SAC. These sensors help expand the company’s lineup of industrial vision products while offering integrators and end-users additional capabilities when developing solutions for various applications.

LI8020SAC/LI8020SAM

The LI8020SAC (color)/LI8020SAM (monochrome) ultra-high resolution CMOS sensor features a pixel pitch of 1.5 µm (micrometer) and a resolution of approximately 250 million pixels, which provides detailed images in a wide range of applications and situations. The sensor will help meet the needs of manufacturers to inspect flat panel displays, which frequently exhibit 4K and sometimes even 8K content. The sensor can also be a tool for video production, digital archiving, wide-area monitoring, and the medical industry by providing ultra-high resolution and ultra-high-speed signal readouts. Due to the ultra-high pixel count of the sensor, images can be captured that maintain incredible image quality, even if an area of the moving or still image has been cropped and enlarged using an electronic zoom.

The new sensor can capture video at an ultra-high-resolution that is approximately 125 times higher than Full HD (1920 × 1080 pixels) and about 30 times higher than 4K (3840 × 2160 pixels). Still images can be captured at a speed of approximately five frames per second even when reading all the pixels. A fast signal readout of 1.25 billion pixels per second helps to avoid the potential of any signal delay or deviation. The rapid signal readout is achieved by advancing circuit miniaturization and signal processing technology. When the Read Return on Investment (Region of Interest) feature is utilized, the frame rate of the sensor can be increased by selecting an area and reducing the amount of information to be read. If a user doesn’t need the input of every pixel, the ROI readout function allows you to read every pixel at five fps, 8K at 24 fps, 4K at 30 fps, and Full HD at 60 fps. The sensor also features a "thinning-out read function" that enables high-speed readout by reducing the number of vertical pixels to be read out of the full shooting area, allowing selection of an output data format that suits users’ needs.

LI3030SAI/LI3030SAM

The LI3030SAI (RGB-IR)/LI3030SAM (monochrome) sensor is a 35mm full-size ultra-high sensitivity CMOS sensor with a large pixel size of 19 µm that allows for image capturing in low-light environments where it can difficult for the naked eye to identify the subject. The sensor can read 2160 × 1280 pixels, which is wider than Full HD (1920 × 1080 pixels), enabling it to be a suitable solution for astronomical observation applications and the monitoring and industrial applications that require high-resolution images with a specific aspect ratio.

Compared to similar Canon models, the sensitivity of the LI3030SAI and LI3030SAM sensor is approximately 2.3 and 3 times higher in the near-infrared range, respectively. The sensitivity capabilities of the LI3030SAI allow users to see the pupil of a human-eye through sunglasses. The LI3030SAM sensitivity capabilities enable users to capture monochrome moving images and can reduce the appearance of dust, enhancing astronomical observation. By assigning one pixel of the color filter as a pixel for the near-infrared region, it is possible to simultaneously acquire color and near-infrared motion images with a single sensor even under low-light conditions. In addition, since the differences in the reflectance and absorbance of light in the near-infrared region can be detected from weak signals and the state of the inside of a substance can be observed, the sensor can be used in a wide range of industrial and medical fields. Use-case examples include long-distance monitoring at night, observation of crop growth in a wide area, inspection of foreign matter contamination in food factories, and visualization of biological tissues.

LI7050SAC

The LI7050SAC is a high resolution CMOS sensor that is ideal for security camera use because of its high sensitivity and price point. Featuring a pixel pitch of 4.1 µm and a resolution of approximately 2.12 million pixels, the sensor provides a High Dynamic Range (HDR) of equivalent to up to 20 stops with frame rates of 30fps and 60fps. What’s more, the sensor features a 54,000 green sensitivity level and can read 1936 × 1096 pixels, which is slightly higher than HD resolution.

For more information on Canon sensors including how to talk to a sales representative, please visit canon-cmos-sensors.com.

 
Original post:

From Canon Japan via Google Translate:

Released "LI8020SAC / LI8020SAM", an ultra-high resolution CMOS sensor with approximately 250 million pixels

October 19, 2020

Canon Inc.
Canon Marketing Japan Inc.

As a new product of APS-H size (about 29.4 x 18.9 mm) CMOS sensor, Canon will release "LI8020SAC (color) / LI8020SAM (monochrome)" capable of imaging about 250 million pixels (19,568 x 12,588 pixels) in 2020. It will be released in late October of the year.

LI8020SAC / LI8020SAM

Main features

The new product is an ultra-high resolution CMOS sensor with approximately 250 million pixels, which enables you to capture detailed information in an image while shooting a wide range. In addition, by setting the pitch of one pixel to 1.5 µm (micrometer), we have achieved approximately 250 million pixels in APS-H size, making it possible to use it for various purposes. It can be used for various purposes such as FPD (flat panel display) inspection, which has become higher definition due to the development of 4K / 8K video technology, industrial inspection, video production, digital archive, wide area surveillance, microscope, etc. Meet the needs of users.

Get detailed information even in a wide range of shooting with ultra-high resolution of about 250 million pixels

The new product is capable of imaging at ultra-high resolution of about 250 million pixels, which is about 125 times that of full HD (1,920 x 1,080 pixels) and about 30 times that of 4K (3,840 x 2,160 pixels), and can be taken in any shooting range. Sufficient resolution can be obtained by trimming the area and enlarging it with an electronic zoom.

Achieves ultra-high-speed signal reading of approximately 1.25 billion pixels / second

With CMOS sensors, the amount of signal increases as the number of pixels increases, causing signal delays and slight timing deviations. The new product has an ultra-multi-pixel structure of approximately 250 million pixels, but by refining the circuit and advancing signal processing technology, it has achieved an ultra-high-speed signal readout of approximately 1.25 billion pixels per second. This enables ultra-high resolution imaging at a speed of approximately 5 frames / sec even when all pixels are read out.

Supports data output according to user needs with "ROI read function" etc.

The new product is equipped with a "ROI (Region of Interest) read function" that selectively reads only an arbitrary area. If you want to read only a specific area at high speed, you can use the "ROI read function" at 24 fps for 8K (7,680 x 4,320 pixels), 30 fps for 4K (3,840 x 2,160), and 60 fps for full HD (1,920 x 1,080). Video recording is possible. It also has a "thinning out reading function * " that thins out the entire image area in the vertical direction to read out, so you can select the data output method that suits your needs.

* 4 patterns of thinning are possible. 1/3 is about 15fps, 1/5 is about 25fps, 1/7 is about 35fps, and 1/9 is about 45fps.

CMOS sensor market trends

Digital technologies such as image processing are also undergoing rapid evolution as high-definition technology is advancing for FPD inspection equipment. High resolution is also required for CMOS sensors, which are the eyes of inspection equipment, and manufacturing sites are demanding inspection equipment equipped with ultra-high resolution sensors. In addition, ultra-high resolution sensors are expected to be used in applications such as wide area monitoring. (Research by Canon)

From Canon:

IMPROVED EYE AUTOFOCUS PAIRED WITH NEW VIDEO AND STREAMING FUNCTIONS MAKE THE NEW CANON EOS M50 MARK II CAMERA A STRONG IMAGING TOOL FOR CONTENT CREATORS AND IMAGING STORYTELLERS

MELVILLE, N.Y., October 14, 2020 –– Canon U.S.A., Inc., a leader in digital imaging solutions, today announced the EOS M50 Mark II Interchangeable Lens Camera, the successor to the #1 selling mirrorless camera in the U.S. market – the EOS M50*. An all-in-one product for content creators with improved video features and autofocus capabilities, the EOS M50 Mark II is the latest, high-quality digital imaging camera in the notable EOS lineup.

“Our customer base includes future content creators and imaging storytellers; it’s in our best interest to continuously provide high-quality products that are easy to use in the creative world of photography and video content creation, as well as streaming,” said Tatsuro “Tony” Kano, executive vice president and general manager of the Canon U.S.A., Inc. Imaging Technologies & Communications Group. “The EOS M50 Mark II continues to pave the way for photography and video enthusiasts to experience a lightweight interchangeable lens camera with many similar features as our full-frame professional mirrorless cameras.”

For the family who strives for high-quality output when capturing their precious moments or for the budding social media creator, the added and improved capabilities of the EOS M50 Mark II camera make the upgrade to an ILC extremely appealing. The new features include:

• Improved autofocus including eye autofocus for stills and video
• Vertical video shooting support
• Vari-angle touchscreen LCD with newly added tap video record button and movie self-timer for better vlogging experience
• High quality webcam capability, when used with compatible services, with the free EOS Webcam Utility software or Clean HDMI output
• Wireless YouTube Live streaming capability**
• The ability to tap the screen to auto focus on your subject while looking through the EVF, helping to control who the main focus of the image is

The EOS M50 Mark II camera is inclusive of many of the beloved features of its predecessor. Overall, the EOS M50 Mark II is a well-balanced package deal for those interested in both still photography and videography – including those with sparks of social media content creation, thanks to the 4K UHD 24p. Providing a 24.1MP APS-C CMOS sensor, DIGIC 8 image processor and built in Wi-Fi® and Bluetooth® technology, as well as access to image.canon cloud service for better workflow, the EOS M50 Mark II camera remains compact and a lightweight addition to your carry bag.

Pricing and Availability

The Canon EOS M50 Mark II camera is scheduled to be available in Late November 2020 at an estimated retail price of $599.99^ – body only, $699.99^ for the camera body plus EF-M 15-45mm lens kit and $929.99^ for the camera body plus EF-M 15-45mm and EF-M55-200mm double zoom lens kit.

Orders

B&H | Adorama

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* Source: The NPD Group, Inc. U.S. Retail Tracking Service, Mirrorless Detachable Lens Cameras, Based on camera family unit sales, Jan. 2020 - Aug. 2020 combined.

** The live streaming service available with this product is for live streaming on YouTube only. To use live streaming, you need to have an active YouTube account and an image.canon account. Please be aware that YouTube may change, stop, or terminate its services, including live streaming, at any time without notice. In accordance with YouTube’s "Restrictions on live streaming" users must have a minimum of 1,000 channel subscribers in order to live stream from a mobile device (including camera products with live streaming capability). For up-to-date information from YouTube on restrictions, please visit https://support.google.com/youtube/answer/2853834?hl=en. Canon makes no representations or warranties with respect to any third party product or service, including live streaming.

^ Availability and specifications are subject to change without notice.

From Canon:

PHOTOGRAPHERS: EXPAND YOUR CREATIVITY AND VERSATILITY TO ANOTHER DIMENSION WITH NEW SPEEDLITE EL-1

MELVILLE, N.Y., October 14, 2020 –– As a photographer, the equipment you invest in needs to measure up to the standards you set forth as a creator. In the true spirit of exemplary creativity, Canon U.S.A., Inc., a leader in digital imaging solutions, today announced the Speedlite EL-1. This new generation professional speedlight provides higher performance and reliability unlike ever before, in comparison to previous models, with a new rechargeable Li-ion battery and newly designed user-friendly interface.

“As an extended form of expression, we understand that integrating a flash into your photography is an art form, and having the right equipment to meet your artistic demands is imperative to client service,” said Tatsuro “Tony” Kano, executive vice president and general manager of the Canon U.S.A., Inc. Imaging Technologies & Communications Group. “We’re excited to bring the Speedlite EL-1 into our product catalog which continues to offer photographers, who are experts in their field, the right high-quality professional imaging tools of the trade.”

The Canon Speedlite EL-1 works seamlessly with EOS cameras and is ideal for any photographer who works in portrait, still-life, wedding or in-studio photography. It’s also a resourceful tool for those photographers who work for news agencies, red carpet events or entertainment reporters. Its durability and reliability are at the core of the newest features, which include:

• A powerful rechargeable Li-ion Battery Pack providing high speed recycle and increase in number of flashes while utilizing the Canon LC-E6 battery charger
• An increased continuous firing number of approximately 170 thanks to a new active cooling system
• Wireless second-curtain sync
• New joystick, FE one-touch memory, LED modeling lamp and user interface display design
• A high-durability Xenon glass flash tube to provide higher accuracy and durability of the flash head

Additionally, the Speedlite EL-1 provides an expanded power range for versatility of exposure with “micro flash” minimum flash output as low as 1/8192 power, a zoom flash head that covers a wide focal length range of 24-200mm, bounce angle expanded to 120° and the same level of weather-sealing comparable with the EOS-1D camera series. Also included are two color filters and a bounce adapter for additional lighting control making the EL-1 a strong addition to the evolving catalog of Canon Speedlite flashes.

Pricing and Availability

The Canon Speedlite EL-1 is scheduled to be available for in-store purchase in February 2021 at an estimated retail price of $1,099.00*.

###

* Availability, pricing and specifications are subject to change without notice.

Orders

B&H | Adorama

From Canon:

CANON DEBUTS THE COMPANY’S FIRST-EVER, COMPACT TELEPHOTO MONOCULAR, THE POWERSHOT ZOOM

MELVILLE, N.Y., October 14, 2020 –– Hiking, birdwatching and nature gazing, consumers are embracing the beauty of the outdoors this season and beyond. With this in mind, it is important to have a convenient and intuitive imaging tool to explore the world. Developed to showcase an impressive telephoto reach in a user friendly, compact design, Canon U.S.A., Inc., a leader in digital imaging solutions, today launches the PowerShot ZOOM, the company’s first telephoto monocular.

The lightweight telephoto monocular sports 100mm, 400mm and 800mm telephoto viewing capability¹ with a one-touch switch, and is equipped with impressive instant zoom capability to help users view distant subjects. Additionally, the monocular can capture images and videos to a micro SD card, and by pairing it with a compatible smart device² and the Canon Camera Connect app³, these files can easily be downloaded. This pairing feature transforms the PowerShot ZOOM monocular into a friendly companion to compatible smartphones for viewing and capturing super-telephoto scenes.

"In today’s ever-changing world, consumers are looking for intuitive and portable imaging tools to view telephoto scenes up close and with ease,” said Tatsuro “Tony” Kano, executive vice president and general manager of the Imaging Technologies & Communications Group of Canon U.S.A., Inc. “Built for those users who enjoy outdoor activities, the PowerShot ZOOM monocular delivers a small, compact viewer with a long focal length. We are eager to see how consumers use this tool and the convenience it will add to their daily lives."

In addition to its zoom capability, compact size and ability to pair with compatible smartphones, the PowerShot ZOOM telephoto monocular also features:

• Auto focus when viewing through the electronic viewfinder (EVF) and recording images and video with face tracking
• Optical Image Stabilization for shake correction
• 0.39 inches, 2.36 million dots EVF
• 12-megapixel still-image capture
• Full HD video capture up to 30p (29.97)
• Wi-Fi®, Bluetooth® connection with the Canon Camera Connect app and use of compatible mobile devices²
• Live view and download of photos and videos with the use of the Canon Camera Connect app³
• USB C terminal for charging and supplying power
• Micro SD memory card slot

Price & Availability

Available in white, the Canon PowerShot ZOOM compact telephoto monocular is scheduled to be available in late November 2020 for an estimated retail price of $299.99*. For more information, please visit usa.canon.com.

Orders

B&H | Adorama

###

*Availability and specifications are subject to change without notice.

¹ 35mm film equivalent focal length. Both 100mm and 400mm uses optical lens and 800mm uses 2x digital zoom.

² Compatible with iOS® versions 12.4/13.7, Android™ smartphone and tablet versions 6.0/7.0/7.1/8.0/8.1/9.0/10. Data charges may apply with the download of the free Canon Camera Connect app.

³ This app helps enable you to upload images to social media services. Please note that image files may contain personally identifiable information that may implicate privacy laws. Canon disclaims and has no responsibility for your use of such images. Canon does not obtain, collect or use such images or any information included in such images through this app. Compatible with select smartphone and tablet devices (Android™ version 5.0 or later and the following iOS® devices: iPhone 4s or later, iPad 3rd gen. or later, iPod Touch 5th gen.or later) equipped with Bluetooth® version 4.1 or later and the Camera Connect App Ver. 2.7.10. This application is not guaranteed to operate on all listed devices, even if minimum requirements are met.

From Canon USA:

Five New Photographers Added to Famed Canon Explorers of Light Program

MELVILLE, NY, October 1, 2020 – Canon U.S.A., Inc., a leader in digital imaging solutions, today announced the addition of five photographers to its famed Explorers of Light (EOL) program. Lara Jade, Lynsey Weatherspoon, Kahran & Regis Bethencourt (CreativeSoul), and Atiba Jefferson will join 33 other photographers in the program. Each photographer brings their own refreshing blend of art and creativity by capturing life and culture from perspectives that are uniquely their own.

For more than 25 years, members of Canon’s EOL program have shared their knowledge and vision with the photographic community and consumers alike. Whether it is photojournalism, fashion, outdoor and nature, sports, or portraiture, their collective visions have given us unique perspectives of the world and helped hone the skills of professional photographers and enthusiasts through a series of educational initiatives within the program. As photography has evolved over time, so too has Canon’s EOL program, embracing new talent with new perspectives while honoring the masters before them with the exclusive title of Canon Legend.

“We are pleased and proud to welcome these talented photographers to Canon’s iconic Explorers of Light program,” said Tatsuro "Tony" Kano, executive vice president and general manager of the Canon U.S.A., Inc., Imaging Technologies & Communications Group. “The Canon EOL program is a platform for some of the most successful and influential photographers to showcase their vision, knowledge, and know-how through a variety of educational initiatives. As new generations of creatives use photography to explore new perspectives on the world, Canon will continue to provide the support needed to tell their stories.”

Lara Jade: Fashion / Beauty

• About Lara: Lara Jade is a British born fashion photographer and educator based in NYC. She started her career as a self-portrait photographer and eventually found her feet in the fashion and beauty world. She is inspired by feminine strength, unique beauty, and timeless style.
• Notable clients include Vogue Japan, Harper’s Bazaar UK, Bobbi Brown, and Monique Lhuillier.
• What’s in Her Bag?: EOS 5DS, EOS 5D Mark IV, RF 50mm f/1.2, RF 24-70mm f/2.8, EF 85mm f/1.2, EF 50mm f/1.2, EF 24-70mm f/2.8L II, EF 100mm f/2.8L Macro, Canon Mount Adapter EF-EOS R
• Thoughts on Photography: “Fashion photography isn’t just about selling a product—it’s much more than that. You strive to capture iconic imagery and be a convincing storyteller no matter the project. There are so many elements that have to be right to create a successful and memorable fashion image!”

Lynsey Weatherspoon: Portrait, Editorial

• About Lynsey: Lynsey Weatherspoon is a portrait and editorial photographer based in both Atlanta, GA and Birmingham, AL. Her work has appeared in The New York Times, USA Today, NPR, Wall Street Journal, Washington Post, TIME, ESPN and ESPN-owned The Undefeated. The fingerprint of heritage can be found on assignments and personal projects featuring Black Lives Matter, Gullah Geechee culture, unsung players in the Negro Baseball League, and the last of dying breed – a shoe cobbler. Her work has been exhibited at The African American Museum in Philadelphia and Photoville NYC. She is an awardee of The Lit List, 2018. Her affiliations include Diversify Photo, Authority Collective, and Women Photograph.
• What’s in Her Bag? EOS 5D Mark IV, EOS 5D Mark III, C100 Mark II, EF 24-70mm f/2.8 II, EF70-200mm f/2.8 II, EF 50mm f/1.4, EF 40mm f/2.8, EF 100mm f/2.8, Speedlite 600EX-RT flash
• Thoughts on Photography: “As a photographer and artist, my priority is to archive the moment when someone realized that they were making a difference through their life’s journey and telling their story. Images can be described in such a way that it affects the hearts of those who see them. In that instance, the purpose of being a photographer comes full circle.”

Kahran / Regis Bethencourt (CreativeSoul): Cultural Storytellers

• About CollectiveSoul: World-renowned child photographers, Regis and Kahran Bethencourt are a husband and wife duo and the imaginative forces behind Atlanta, GA-based CreativeSoul Photography. The pair gained global recognition with their AfroArt series. The collection, which showcases the beauty and versatility of afro hair, was conceived as a way to empower kids of color around the world. The couple recently authored the coffee table book, “Glory” which brings to life past, present, and future visions of black culture. With more than eleven years of working with hundreds of children, families, and brands, they specialize in child and lifestyle photography while incorporating authentic visual storytelling.
• What’s in their Bag?: Canon EOS R5, EF 24-70 mm f/2.8L II, 85mm f/1.8
• Thoughts on Photography: “As artists, we are constantly responding to the world around us. We don't want to just question traditional standards of beauty - we want to shatter them.”

Atiba Jefferson: Sports, Culture, and Portraits

• About Atiba: Atiba Jefferson is an American photographer. Born in Colorado Springs he grew up skateboarding there then move to California in 1995, and now is living and working in Los Angeles, CA. Although perhaps best known for his 25 years of skateboarding photography, over the years he has worked for all the major skateboard publications and now works at Thrasher Magazine. Atiba has a deep history in basketball as well, being a staff photographer for the LA Lakers during the Shaq and Kobe years and shooting more SLAM magazine covers than any other photographer. Other subjects include music and life in general. Atiba has also photographed for commercial clients such as Supreme, adidas, Nike, Converse, Reebok, ESPN, Gatorade, Mountain Dew, Oakley, Panasonic, Pepsi, Canon, and Netflix.
• What’s in His Bag?: EOS R5, EOS R6, G5X Mark II, R 50mm f/1.2, R 24-70mm f/2.8, EF 70-200mm f/2.8, EF 8-15mm Fisheye f/4, R/EF lens adaptor, Speedlite 600 EX
• Thoughts on Photography: “What I love the most about photography is the moment in time you capture that will never happen again. It’s magic. I also believe you are only as good as your subject so I’m so honored when people allow me to take their photograph. I see pictures everywhere I look. Photography is in my blood, which means I haven’t really worked a single day in 25 years.”

For additional information and samples of work, please visit: https://www.usa.canon.com/internet/portal/us/home/explore/explorers-of-light

Note the versatility-increasing EF-to-RF adapter announced for this camera.

From Canon:

Ready For Action: The Canon EOS C70 4K Digital Cinema Camera Packs Cinema EOS Imaging Features Into Still Camera Ergonomics

The First Cinema EOS Camera with an RF Mount, this New Compact and Lightweight Model Features a Super 35mm Dual Gain Output (DGO) Sensor, DIGIC DV7 Image Processor, and 16+ Stops of Total Dynamic Range

MELVILLE, NY, September 24, 2020 – Canon U.S.A., Inc., a leader in digital imaging solutions, is excited to announce the company's first-ever RF mount Cinema EOS camera, the EOS C70 4K Digital Cinema Camera. When the Canon RF mount was first introduced, imaging professionals began to dream about the possibilities that this revolutionary mount system might provide them. One request that Canon consistently heard was to put an RF mount on a Cinema EOS camera so that future lens performance could capitalize on the short flange depth. Just two short years later, those wishes have come true with the new C70 camera.

The unique design of the EOS C70 camera puts a significant emphasis on operational convenience for the end-user. The small form-factor, weighing only 2.6lbs., allows the camera to be easily handheld and dramatically enhances a videographer's mobility, providing a seamless bridge between the EOS and Cinema EOS families for cinematic applications. Cleverly designed, the camera features a slim, motorized ND filter unit – having a mere 6mm depth – that is built into the short flange back of the RF mount. The motorized 10-stop ND filter provides users with the flexibility to control exposure while keeping the desired depth-of-field and capturing images that feature the desired level of bokeh. Thirteen customizable buttons allow users to select from more than 80 functions to be assigned based on individual preferences.

"The Canon EOS C70 camera is truly a special tool that will undoubtedly satisfy and delight a variety of users on the search for a high-powered piece of video equipment," said Tatsuro "Tony" Kano, Executive Vice President and General Manager of Canon U.S.A.'s Imaging Technologies & Communications Group. "In today's fast-moving, ever-changing world of filmmaking and content creation, versatility is key, and the EOS C70 will provide a familiar form and feature set to our entire spectrum of imaging customers. We are eager to see how creatives use this tool and the projects that come from it."

The camera features Canon's innovative and next-generation Super 35mm DGO Sensor that further extends the high dynamic range and lowers noise levels by reading out each photodiode with two different gains. One gain prioritizes saturation – protecting detail in highlight areas – while the other suppresses noise in the shadows. The result is an image with up to 16-plus stops of total dynamic range, clean, rich shadows, and vibrant highlights in up to 4K/ 60p or 2K/120p in Super16mm Crop mode. The EOS C70 camera also features Canon's recently developed DIGIC DV7 image processor that collects the extensive information captured from the DGO sensor and processes it into exceptional HDR imagery while offering choices between Canon Log 2 and 3, in addition to PQ and HLG gamma functionality. The C70 camera can also record 4K DCI or UHD up to 120fps and 2K DCI or HD up to 180 fps – with an important flexibility in the choice of codecs.

The camera supports XF-AVC format (in variable bit-rate) – both Intra and Long GOP with MXF file format. The intra-frame format compresses the data after analyzing each frame separately, while Long GOP format compresses data at a higher rate, creating an even smaller file size. A secondary choice is Long GOP 10-bit 4:2:2/4:2:0 MP4/HEVC (a next-generation HDR video recording compression standard) with an MP4 file format – a first in the Cinema EOS line.

The camera's independent air intake system is separated from the electrical systems to protect the sensor from water, sand, and dust. In addition, the camera also features two air outlet vents that allow uninterrupted recording for extended periods of time.

Additional features of the Canon EOS C70 4K Digital Cinema Camera include:

• New Direct Touch Menu System
• Coordinated Electronic Image Stabilization
• Two built-in Mini XLR inputs
• Time-code input/output terminal
• Custom picture processing via import of 3D LUTs and recording to Look Files
• Dual-SD card slots
• Built-in stereo mic
• Support for optional Canon RC-V100 remote control

Canon Mount Adapter EF-EOS R 0.71x

The Canon Mount Adapter EF-EOS R 0.71x is a new optical adapter that allows users to tap into Canon's extensive collection of superb full-frame EF lenses when operating the EOS C70 camera. The adapter implements two critically important functions – preserving the similar FF wide angle image onto the 4K Super 35mm image sensor while simultaneously elevating the lens camera sensitivity by one stop. The mount adapter preserves full electronic communication between the lens and camera, enabling optical lens corrections and transfer of lens metadata between the EOS C70 camera and select Canon EF lenses*.

Price & Availability

The Canon EOS C70 4K Digital Cinema Camera is scheduled to be available in November 2020 for an estimated retail price of $5499.00. The Canon Mount Adapter EF-EOS R 0.71x is scheduled to be available in December 2020 for an estimated retail price of $599.99**.

Preorders

Preorder the Canon EOS C70 from B&H (Explora) | Adorama

Preorder the Canon Mount Adapter EF-EOS R 0.71x from B&H | Adorama

# # #

† Based on weekly patent counts issued by United States Patent and Trademark Office.

*Compatible EF lenses are EF16-35mm F2.8L III USM, EF24-70mm F2.8L II USM and EF24-105mm F4L IS II USM. As of September 24, 2020. Firmware update provided free of charge, compatibility will be added for additional EF lenses in the future. Even if you do not update the firmware, you can use the EF lens, but it is recommended to use the firmware update in order to effectively use the function linked with the camera.

** Specifications, availability and prices are subject to change without notice. Actual prices are set by individual dealers and may vary.

From Canon USA:

Check out the newest updates on the official release version of our EOS Webcam Utility software — making online connections with a Canon camera even better!

• Compatible with even more livestreaming apps
• Now available on over 40 Canon cameras
• Record internally on your camera while you stream

Learn More!

From the didn't see that one coming department, Canon Australia shares:

Canon Australia closes online Canon Store to support local retail partners

1st September 2020

To our valued Canon consumers,

This notice is to inform you that Canon Australia will be ceasing the operation of its direct to consumer marketplace - Canon Store - for the foreseeable future, effective from 30 September 2020.

The Canon Store was launched in 2011 as an ecommerce platform designed to expand online shopping options for local consumers. Fast forward to 2020, the unprecedented challenges currently facing the Australian market has seen Canon Australia re-examine the best way to help consumers access our products, services and support. As a result, we are proudly streamlining our efforts in supporting local retailers to drive competition in the local market and bring you the best value product offers, promotions, services and experiences possible.

Key dates to note:

• Last orders: The Canon Store will stop taking product orders on 30 September 2020.
• Gift cards and vouchers: Active Canon Store gift cards and vouchers can be applied to purchases and used in conjunction with eligible offers on the Canon Store until 30 September 2020. Please contact Canon Australia via store@canon.com.au to discuss how you can redeem any non-expired gift cards or vouchers beyond this date.
• Promotional codes: Canon Store promotional code and discount offers are valid until 30 September 2020. Please contact Canon Australia via store@canon.com.au if you have questions about a current promo-code that may be affected. Canon Store codes will not be transferable to other retailers or offers.
• Products on backorder: Canon Store will no longer accept payment for products on backorder and will no longer add consumers to waitlists for out of stock product. Product purchases on backorder will continue to be filled for stock scheduled to arrive before 30 September 2020. Canon will directly contact consumers with orders scheduled to arrive after this date to arrange a refund or support via a local retailer.

Purchases made on the Canon Store prior to 30 September 2020 will still receive free shipping and will be covered by the Canon 14 Day Peace of Mind return policy. Canon Australia’s unique 5-year local warranty for Mirrorless, DSLR, Digital Video Camera & Lens products is unaffected by the Canon Store closure and will continue to be supported for purchases made at authorised Canon sellers.

If you have any questions, please contact us via store@canon.com.au. Or visit our Frequently Asked Questions page here.

Moving forward, Canon will continue to work with local retailers to bring hands-on product experiences and promotions to consumers. To stay up to date with the latest product offers, experiences and news, we encourage you to follow Canon Australia on Facebook, Instagram, and YouTube.

We'd like to take this opportunity to thank you for your support over the years. We look forward to bringing you the best of our innovative products, services and imaging solutions in new ways and trust that you will benefit from our strengthened arrangement with local retailers.

Canon Australia

Not all of us are surprised, but Canon Inc. has issued an orders exceeded expectations announcment, translated as follows:

Information about product supply status

We have received orders for the following products announced on July 9, 2020 that exceeded expectations, and it may take some time before the products are delivered.

Applicable products

• EOS R5
• EOS R6
• Battery grip BG-R10
• Wireless file transmitter WFT-R10B
• RF 1.4x Extender
• RF 2x Extender

We would like to thank you for all the orders we have received, and we apologize for any inconvenience caused to our customers waiting for the release. Thank you kindly look forward for your understanding.

 
If you were waiting for hands-on reviews before ordering your camera or lens, you might want to preorder now to hold your place in line.

From Canon:

Details Regarding Canon EOS R5/EOS R6 Overheating During Video Recording

The EOS R5, one of the latest additions to Canon’s full-frame mirrorless camera line, offers class-leading autofocus with high-resolution and high frame rate video recording options using the maximum width of the full-frame sensor at high bit rates. Inevitably, this combination of features has potential to generate some significant heat, which will limit recording time.

Canon has taken several steps to manage the potential for overheating, including:

• Magnesium alloy was used in the body to dissipate heat away from internal components
• An “overheat control” function to reduce heat generation when the camera is in standby

In regard to the installation of a fan: The decision not to install a fan within the body was made in order to maintain the EOS R5’s compact size, lightweight construction and weather resistance.

Before recording starts, the EOS R5 and EOS R6 display an estimate of the recordable time based on the current camera temperature and the set recording mode.

Canon has published and included below the approximate recording and estimated recovery times for 23°C / 73°F environments and ensure that the camera will warn users when it is getting too hot. Additionally, tips to reduce overheating as well as recovering time are listed below.

Timing:

How can you reduce heat buildup in the EOS R5?

• Set Overheat Control function to "ON" (default). When the overheat control function is enabled, the movie size and frame rate are automatically changed while the camera is in standby mode to suppress the rise of the internal temperature
• Between recordings, it is recommended to turn off the camera
• Position the camera out of direct sunlight
• Use an external fan to dissipate heat

How long will it take for the camera to recover?

Estimated camera recovery times are indicated below. The time until full record time is available will vary with ambient temperature, continued camera operation and the selected shooting resolution.

What about the EOS R6?

Like the EOS R5, the EOS R6 offers powerful movie recording and stills capabilities within a compact body design. At the highest frame rates and resolutions heat is inevitably generated. We believe the EOS R6 offers best in class performance, especially for enthusiast photographers and video content creators.

The EOS R6 can record up to the 29 minutes 59 second recording limit in the 5.1K oversampled 4K 60p mode at (23°C / 73°F) before encountering any heat related issues within the camera and up to 40 minutes of 4K at 30p.