Canon and Sony News for Jul 2020 (Page 2)

To qualify for CPS Silver, Gold, or Platinum membership (a very good program), the accumulated point value of the Canon gear in your kit must reach 10, 20, or 50 respectively. As of today, the following tables illustrate most of the point values available. Catching attention is that the R-series cameras and RF lenses appear to be worth fewer points than their DSLR counterparts.

The "Why?" question has been asked. Also, why is the RF 24-105mm F4-7.1 IS STM worth more points than the RF 24-105mm F4 L IS USM? I would not be surprised to see at least that anomally corrected. Oh wait, the 5D Mark II is worth more points than the 5D Mark III?

(thanks David)

It was like Christmas in July when the Canon EOS R5 and Canon EOS R6 arrived in the same box. While these two cameras (and most others) come preconfigured for immediate and easy use, serious photographers need to set the camera up for the way they work. Following are the 42 steps I took to make an out-of-the-box R5 and R6 ready for use.

1. Open the box, find the battery, place it in the charger, and plug it in.
2. While the battery is charging, unpack the other items you want from the box.
3. Not required, but consider downloading and installing the latest Canon imaging software to get support for the latest camera model(s). Canon Digital Photo Pro (DPP), EOS Utility, and Lens Registration Utility are the options I manually include in the install.
4. Attach the neck strap (if using).
5. Insert a memory card (we'll format the card in a later step), insert a charged battery, and power the camera on.
6. The date, time, and time zone setup screen will show at the first startup. Use the rear control dial and set button to update this information.
7. Set the camera's mode to Av, Tv, or M (some modes may provide only a subset of available menu options).
8. Scroll through all of the menu tabs to configure the camera as follows:
9. Shooting Menu, Tab 1: Image quality: Use the top control dial to set RAW to "RAW", and use the rear control dial to set JPEG to "-" (RAW image files provide the highest quality and are especially valuable for post-processing work)
10. Shooting Menu, Tab 3: White balance: AWB W (White) (I seldom use another white balance setting while shooting, though I often adjust white balance modestly during post-processing)
11. Shooting Menu, Tab 3: Picture Style: Neutral with Sharpness = 1 (Note: the low contrast "Neutral" picture style provides a histogram that best shows the available dynamic range. I usually change the Picture Style to "Standard" in DPP after capture.)
12. Shooting Menu, Tab 3: Lens Aberration Correction: All options "OFF" (I suggest that most photographers enable Chromatic Aberration correction)
13. Shooting Menu, Tab 4: High ISO speed NR: Off (or Low) (noise reduction is destructive to images details — I prefer to add noise reduction sparingly during post-processing)
14. Shooting Menu, Tab 6: Release shutter without card: OFF (only in a retail store would you want to press the shutter release without saving the image file)
15. Shooting Menu, Tab 7: Image review: Review duration: 4 sec. (the Viewfinder review option is disabled by default, speeding the shooting process)
16. Shooting Menu, Tab 7: Shooting info. disp.: Screen info. settings: Enable 1, 2, 3, and 4; edit screen 2 to show only: Basic shooting info and Electronic level; edit screen 3 to show only: Basic shooting info, Histogram, and Electronic level
17. Shooting Menu, Tab 7: Shooting info. disp.: VF info/toggle setting: Enable 1, 2, and 3 (default); edit screen 2 to show only: Electronic level; edit screen 3 to show only: Histogram and Electronic level
18. Shooting Menu, Tab 7: Shooting info. disp.: Grid display: 3x3 (sometimes the 3x3 grid is helpful for alignment checking while not complicating the view)
19. Shooting Menu, Tab 7: Shooting info. disp.: Histogram disp: RGB, Small (show the brightness levels of each channel separately and do not let the graph to take up much space in the display as it can affect the perceived composition)
20. Shooting Menu, Tab 8: Disp performance: * select Smooth if shooting fast action and battery life is not a concern. Select Power saving otherwise.
21. AF Menu, Tab 1: Subject to detect: Select People, Animals, or No priority as makes sense for your current shooting scenario
22. AF Menu, Tab 1: Touch & drag AF settings: Touch & drag AF: Enable (allows the thumb drag across the rear LCD to quickly move the AF point while looking through the electronic viewfinder)
23. AF Menu, Tab 4: Orientation linked AF point: Separate AF pts: Pt only (instructs the camera to individually save the selected AF points for vertical and horizontal orientation)
24. AF Menu, Tab 4: Limit AF methods: enable Face+Tracking, Spot AF, and Single Point
25. AF Menu, Tab 5: RF lens MF focus ring sensitivity: Linked to rotation degree
26. Playback Menu, Tab 4: Magnify (apx): 10x (allows one button press during playback to zoom deeply into the image)
27. Playback Menu, Tab 5: Playback information display: 1, 2, and 3 only; change view 2 histogram to RGB
28. Playback Menu, Tab 5: Highlight Alert: Enable (overexposed pixels will blink during image review)
29. Tools Menu, Tab 1: Format card (always format a memory card in-camera before using it — all data on the card will be lost)
30. Tools Menu, Tab 1: Auto Rotate: On computer (images are properly rotated when viewed on a computer, but are always oriented to fill the LCD when viewed on the camera)
31. Tools Menu, Tab 2: Beep: Disable (probably no one wants to hear your camera's beep)
32. Tools Menu, Tab 5: Custom shooting mode (C1, C2, C3): Auto update set: Enable (see Configuring Custom Shooting Modes)
33. Tools Menu, Tab 6: Copyright information: enter as desired
34. Custom Functions Menu, Tab 1: Bracketing auto cancel: OFF (I want to control when AEB (Auto Exposure Bracketing) is enabled and disabled)
35. Custom Functions Menu, Tab 1: Bracketing sequence: -0+ (if images are captured in brightness sequence, they are easier to work with during post-processing. Capturing the darkest image first means quickly getting the first frame)
36. Custom Functions Menu, Tab 3: Customize buttons: AF point button: Direct AF method selection; Set: Magnify; Multicontrollers: Direct AF point selection; Multi-function button: Dial function and press info to set details: turn off ISO (it is readily available on the dial), turn off white balance, turn off flash exposure compensation, enable exposure compensation, turn off AF method
37. Custom Functions Menu, Tab 3: Customize dials: Control ring: OFF (consider using this dial for a function logical for your needs)
38. Custom Functions Menu, Tab 4: Default erase option: [Erase] selected (less safe, but one less button press required to delete an image)
39. Custom Functions Menu, Tab 4: Retract lens on power off: OFF (prevents a carefully-selected focus distance from resetting when the camera auto powers off)
40. My Menu: Add My Menu 1; Register the following options: Expo.comp./AEB, IS (Image Stabilizer) mode, Expo. simulation, Subject to detect, Format card, Date/Time/Zone (great for monitoring the time); reorder menu items as desired
41. My Menu: Add My Menu 2; Register the following options: Anti-flicker shoot., Focus bracketing, Shutter mode, Disp. performance, Focus mode, Number of bracketed shots, reorder menu items as desired
42. With a lens mounted and a subject focused on, adjust the viewfinder diopter until the scene is sharp

I make additional menu and other setting changes based on current shooting scenarios, but this list covers my initial camera setup process.

To copy this configuration means you intend to shoot similar to how I shoot — including in RAW-only format. While my setup works great for me, your best use of this list may be for tweaking your own setup.

If you can't remember your menu setup parameters, keeping an up-to-date list such as this one is a great idea. Anytime your camera is reset-to-factory state for some reason, such as when being serviced, you will be ready to restore your setup quickly while ensuring that you do not miss an important setting. If you purchase another same or similar camera, you will be able to set it up quickly.

More Information

Canon EOS R5 | Canon EOS R6

 
Order the Canon EOS R5 from:

Body: B&H | Adorama | Amazon USA | WEX

w/ RF 24-105 L: B&H | Adorama | Amazon USA

Rent the Canon EOS R5 from Lensrentals.

 
Order the Canon EOS R6 from:

Body: B&H | Adorama | Amazon USA | WEX

w/ RF 24-105 STM: B&H | Adorama | Amazon USA | WEX

w/ RF 24-105 L: B&H | Adorama | Amazon USA

Rent the Canon EOS R6 from Lensrentals.

From Nikon USA:

EMBARK ON THE FULL-FRAME MIRRORLESS JOURNEY: NIKON UNVEILS THE Z 5, AN INNOVATIVE AND FEATURE-RICH MIRRORLESS FX-FORMAT CAMERA FOR EMERGING CREATORS

Nikon Expands the NIKKOR Z Lens Lineup with the Addition of the Extremely Compact and Versatile NIKKOR Z 24-50mm f/4-6.3 as well as the new Z TELECONVERTER TC-2.0X and TC-1.4X; Nikon Also Announces Free Webcam Utility

MELVILLE, NY –

Today, Nikon Inc. announced the Z 5, the new full-frame (FX-format) entry-point into its award-winning lineup of Z series mirrorless cameras. The Nikon Z 5 combines sophisticated features inherited from the Z 7 and Z 6 with the benefits of Nikon’s next generation Z mount at an unprecedented value. For those new to mirrorless or creators looking to push the limits of their craft with the power of full-frame, the compact Z 5 will exceed expectations. With an incredibly robust feature set, including in-camera vibration reduction (VR) image stabilization (IBIS) and the perfect balance of seamless automation and full manual control, creators can effortlessly share their artistic passions, travel adventures and so much more.

Nikon also unveiled the new NIKKOR Z 24-50mm f/4-6.3, the shortest, lightest and most affordable full-frame zoom lens in the NIKKOR Z lineup. Designed for on-the-go creators, the 24-50mm lens is the ideal companion for Z series users who want to capture it all – from vast landscapes and cityscapes, to street photography and striking portraits.

“The Nikon Z 5 offers the next generation of creators a gateway into the full-frame Z series lineup, opening the door to the limitless possibilities of mirrorless photo and video capture, while providing the means to share their creativity with others,” said Jay Vannatter, Executive Vice President, Nikon Inc. “With the addition of the NIKKOR Z 24-50mm f/4-6.3, Nikon is introducing the smallest full-frame NIKKOR Z lens to date, providing an extremely lightweight, versatile option to help users pursue all creative endeavors, regardless of which Z series camera they use.”

Nikon Z 5: The Full-Frame Journey Starts Here

As the new entry point to Nikon’s full-frame mirrorless lineup, the Nikon Z 5 offers a lot of power and capabilities at an attractive price, empowering the next generation to begin their journey with the confidence to learn and grow as creators.

Incredible Image Quality: Featuring a powerful FX-format 24.3-megapixel CMOS sensor, the Z 5 is the gateway to the benefits of full-frame, helping creators to capture intensely detailed images, ultra-shallow depth of field and clean low-light shots with unrivaled consistency. From portraits that flatter, nighttime landscapes that astound and street shots that impress, the gorgeous tones, faithful colors, minimal noise, and revered Nikon color science all play a part to help users capture images that are true to their vision.

High Speed Performance and Processing: Engineered with the EXPEED 6, Nikon’s fastest image processor to date, the Z 5 is a dependable, high-performance tool designed for content creation. EXPEED 6 allows for a boost in processing power and energy efficiency while rendering subtle textures and small details with amazing results.

Stellar Low-Light Performance: With an ISO range up to 51,200 (expandable to 102,400), the camera effectively reduces noise, maintaining both high sensitivity and resolution to excel in low-light situations, making it ideal for shooting everything from low-light events to an all-nighter under the Milky Way.

Capture with Speed: With shutter speeds up to 1/8000, the Z 5 can capture fast-moving subjects with clarity including fast-action sports and wildlife. This higher maximum shutter speed enables photographers to better tame even the brightest mid-day light to unleash the potential of fast-aperture NIKKOR glass. When the moment strikes, the camera can also capture full resolution bursts at 4.5 fps with full AF/AE.

Silent and Smooth: The combination of the camera’s silent photography mode and In-Body 5-Axis VR stabilization provides quiet, stable shooting to document sensitive moments without distractions.

Vast Lens Selection: Whether shooting glamorous portraits from a studio on the sidewalk, long-distance wildlife, epic wide landscapes in the field or street photography, the growing lineup of NIKKOR Z lenses provides Z 5 users the versatility to capture incredible shots with sharpness across the frame and superior light gathering in any situation. For even more flexibility, the vast array of traditional F-mount NIKKOR lenses can be used via the Mount Adapter FTZ to enhance images with a unique focal length or beautiful bokeh, while gaining the benefits of in-body stabilization.

Dual UHS-II SD Card Slots: Equipped with two UHS-II card slots for overflow, backup or separating RAW and JPEG photos, the Z 5 enables photographers to shoot with extreme confidence when using widely available consumer SD cards.

Simple Yet Sophisticated for Expanding Creativity

A great option for emerging creators getting started, the Nikon Z 5 is packed with powerful tools and user-friendly controls to help users explore and capture their artistry with ease.

Focus Anywhere: The Z 5 boasts 2731 on-sensor AF points, to quickly and accurately track subjects throughout the frame, while Eye-Detection AF capabilities help precisely capture the eyes of humans and animals. The wide array of AF points covers nearly the entire frame, and multiple AF modes allows the user to have pinpoint control or fully automatic assurance to easily lock onto a subject.

Easily Shift Gears: The Nikon Z 5 offers the ability to effortlessly switch between manual mode for the ultimate in control, as well as a large variety of automatic creative modes to help mirrorless users capture truly distinct images and video.

Creativity Built-in: Equipped with 20 Creative Picture Controls, and advanced features like Focus Shift Shooting and multiple exposure mode, users can compose unique images, produce extraordinary depth of field, or combine several shots and layer images on top of each other with the in-camera image overlay function.

Advanced Video Capture: The Z 5 makes it easy to document any creative vision in 4K UHD/30p2 or in 1080/60p (full-frame). When recording video, the PDAF system is rapid to react, allowing users to quickly lock critical focus on subjects, and is fully customizable to fit any production style. In-camera VR image stabilization and electronic VR reliably eliminate the shake when shooting video, plus users get the added benefit of focus peaking and the ability to capture stills while recording.

Flexible Recording Modes: In addition to the traditional interval timer and in-camera time-lapse modes, the Nikon Z 5 is equipped with a new Time-Lapse Movie mode that gives users the best of both worlds for more streamlined movie making – the ability to use images from interval timer mode and create a time-lapse in-camera.

Unique Lighting Options: For enhanced creative control, the camera features a hot shoe, and is fully compatible with the Nikon Speedlight wireless lighting system.

Get Connected: The Nikon SnapBridge3 app makes it easy to remotely control the Z 5 or seamlessly transfer and share content to a smartphone, tablet, Mac, or PC thanks to built-in Wi-Fi®4 and Bluetooth®5

Rugged Reliability and Engineered for Versatility

In addition to providing high-quality imaging capabilities, the Nikon Z 5 is compact and comfortable in-hand while promising the rugged reliability as well as innovative features and controls that Nikon is known for.

Legendary Nikon Build: Designed with a durable, weather-sealed exterior for worry-free use, the Z 5 employs the same magnesium alloy shell and robustness as the Z 6 and Z 7. Both the camera and NIKKOR Z 24-50mm f/4-6.3 lens are built with consideration for dust and drip resistance and are ready to tackle the next adventure.

Functional Operability: The camera sports a powerful, high-resolution 3.2-inch LCD monitor with the capabilities to tilt, touch, tap, swipe, and pinch for an intuitive and flexible user-experience. Meanwhile, the 3.6M-dot Quad-VGA EVF ensures users can see exposure, ISO, white balance and creative picture controls in real time, making the transition from optical viewfinders seamless for new mirrorless shooters.

Packed with Power: Powered by the new EN-EL15c battery, the Z 5 offers significant advancements in the number of shots per charge and is the first Nikon camera to enable constant power through the USB port, even with select portable USB power banks6. For added power and grip, the camera is also compatible with the MB-N10 hot-swappable battery pack.

Webcam Ready: When connected via the USB-C cord, the Z 5 can be used as a webcam, making the camera a great option for modern vloggers, influencers and gamers looking to improve their livestreaming capabilities.

NIKKOR Z 24-50mm f/4-6.3: Portable, Yet Powerful

The NIKKOR Z 24-50mm f/4-6.3 is the latest addition to the rapidly expanding lineup of NIKKOR Z lenses and is the smallest FX-format NIKKOR Z lens yet. Optically designed to take advantage of the advancements of the wide Z mount, this lens delivers sharpness across the entire frame and a versatile zoom range for everyday use. The 24-50mm is less than three inches long when retracted, making it the perfect lens for shooters seeking a versatile yet compact option for lightweight travel and street photography. When used together, the Z 5 and 24-50mm lens are the ideal discrete travel kit that can easily be packed and carried for all-day adventures. This compact NIKKOR Z lens is also an enticing option for Z 6 and Z 7 users who want a small all-around lens for portraits, landscapes, and street photography.

New Z Teleconverters Take NIKKOR Z Lenses to New Lengths

Designed for photographers and videographers who need more telephoto reach in their kit, the new Z TELECONVERTER TC-1.4X and Z TELECONVERTER TC-2.0X bring added versatility with 1.4x and 2.0x magnification to select NIKKOR Z lenses. These lightweight teleconverters are great tools for those photographing sports, wildlife and aviation, reducing the need to crop images and allowing for tighter compositions with maximum resolution.

The new TC-1.4X and TC-2.0X teleconverters maintain superior rendering performance and minimize various lens aberrations, while retaining focusing speed, VR functionality and minimum focusing distance. As an added benefit, the new teleconverters allow Nikon Z series cameras to retain functionality on all focus points up to f/11, making it easy to focus on and track subjects throughout the entire frame. Featuring the same robust construction as NIKKOR Z lenses, the teleconverters are designed with a fluorine coating on the front and rear elements to resist dirt and smudges, and offer a durable, weather-sealed body to protect against the elements.

When the teleconverters are used with the NIKKOR Z 70-200mm f/2.8 VR S (availability scheduled for late August), the focal length on the telephoto end is extended to 280mm (1.4x) or 400mm (2.0x) producing a significant expansion of this telephoto lens' shooting range. These new teleconverters will also be compatible with applicable interchangeable lenses for Nikon Z mount mirrorless cameras that Nikon will release in the future.

New Webcam Utility Software for Nikon Cameras

In August, Nikon will release a beta version of the Webcam Utility software for many Nikon DSLR and Z series mirrorless cameras, including the new Z 5. Initially available for Windows 10, the free software will allow compatible Nikon cameras to be used as webcams. When connected via USB, this free software will provide users with incredible sharpness, clarity and flattering depth of field for all of their livestreaming needs including teleconferencing and gaming.

For more information on how to use your Nikon camera as a webcam, please visit https://www.nikonusa.com/en/learn-and-explore/live-streaming-with-nikon-cameras.page

Pricing and Availability

The Nikon Z 5 will be available in August in several configurations, including body-only for a suggested retail price (SRP) of $1,399.95*, a one-lens kit with the new NIKKOR Z 24-50mm f/4-6.3 for an SRP of $1,699.95* and a one-lens kit with the NIKKOR Z 24-200mm f/4-6.3 VR lens for an SRP of $2,199.95* for those seeking extra reach when photographing wildlife or travel adventures. Also available in August, the NIKKOR Z 24-50mm f/4-6.3 lens can be purchased separately for an SRP of $399.95*. The new Z TELECONVERTER TC-1.4X and TC-2.0X will have an SRP of $549.95 and $599.95 respectively and will be available in late August.

 
Order the Nikon Z 5 and other new gear from B&H | Adorama | WEX

 
# # #

Specifications, equipment, and release dates are subject to change without any notice or obligation on the part of the manufacturer.

*SRP (Suggested Retail Price) listed only as a suggestion. Actual prices are set by dealers and are subject to change at any time.

With recording of still images using the FX-format image area and single-point AF. 231 focus points with movie recording.
When using this mode, the frame is cropped approx. x1.7.
Using the SnapBridge App System Requirements:
Android 5.0 or later or 6.0.1 or later
A device with Bluetooth 4.0 or later (i.e., a device that supports Bluetooth Smart Ready/Low Energy) is required.
The SnapBridge app is available for compatible iPhone®, iPad® and/or iPod touch®, and for smart devices running the AndroidTM operating system. The app can be downloaded free of charge from Apple’s App Store® and GooglePlayTM. SnapBridge can be used only with compatible cameras.
This camera’s built-in Wi-Fi® capability can only be used with a compatible iPhone®, iPad®, and/or iPod touch® or smart devices running on the Android™ operating system. The Nikon SnapBridge application must be installed on the device before it can be used with this camera.
The camera’s built-in Bluetooth® capability can only be used to connect the camera to a compatible smart device running the SnapBridge app, and to take advantage of SnapBridge features.
Anker PowerCore+ 26800 PD 45W is the recommended portable charger. Use a USB cable with two Type-C connectors supplied with the portable charger. For more information about the portable charger, please visit the manufacturer’s website: Anker.com/support

-Wi-Fi and the Wi-Fi logo are trademarks or registered trademarks of the Wi-Fi Alliance. N-Mark is a trademark or registered trademark of NFC Forum, Inc., in the United States and/or other countries.

-Bluetooth® word mark and logos are registered trademarks owned by Bluetooth SIG, Inc., and any use of such marks by Nikon Corporation and its Affiliates is under license.

-All trademarks and trade names are those of their respective owners

Thank you Canon USA — they are here!

A Canon EOS R5 and Canon EOS R6 arrived today (retail shipments are currently scheduled to begin July 30th and Sep 1st, respectively). My schedule for the week was just rearranged (in a good way).

Please feel free to ask questions — I can't promise to get to every one, but will attempt that.

It seemed appropriate to create this photo using the Canon EOS R and RF 70-200mm F2.8 L IS USM Lens combination.

Back to the future. I didn't see this one coming, though we talked about this lens design after the Canon RF 600mm F11 IS STM Lens and Canon RF 800mm F11 IS STM Lens announcement. From Kenko Tokina Co., Ltd.:

Kenko Tokina Co., Ltd. is pleased to announce the sales release of Tokina SZX SUPER TELE 400mm F8 Reflex MF lens.

Sales will commence on August 7, 2020.

Tokina SZX SUPER TELE 400mm F8 Reflex MF is a 400mm super tele lens that adopts catadioptric type optical design with a constant F8 aperture. The lens offers compact alternative to standard tele photo lenses as more and more photographers are looking for easy-to-carry gear. 400mm F8 Reflex MF is designed keeping in mind active travel photographers seeking for outdoor landscape, wild nature or birds by providing compact and lightweight lens to be rediscovered in the new era of also compact but high-tech mirrorless cameras.

Highlighted Features

• Extremely compact and lightweight super tele lens
• Macro shooting with 1:2.5 magnification
• Specific donut-shaped and super smooth bokeh
• Easy and precise focusing
• Super compression effect
• Versatile mount system for 5 camera mounts including 3 mirrorless mounts

Tokina SZX SUPER TELE 400mm F8 Reflex MF adopts 0.75mm pitch and 42mm thread mount standard, that allows this lens to be attached to any camera by using different mount adapters.

Tokina SZX SUPER TELE 400mm F8 Reflex MF can be required in Solo and Kit packages as below:

• Tokina SZX SUPER TELE 400mm F8 Reflex MF (w/o mount adapter included)
• Tokina SZX SUPER TELE 400mm F8 Reflex MF to fit Nikon F (with mount adapter included)
• Tokina SZX SUPER TELE 400mm F8 Reflex MF to fit Canon EF (with mount adapter included)
• Tokina SZX SUPER TELE 400mm F8 Reflex MF to fit Sony E (with mount adapter included)
• Tokina SZX SUPER TELE 400mm F8 Reflex MF to fit Fujifilm X (with mount adapter included)
• Tokina SZX SUPER TELE 400mm F8 Reflex MF to fit Micro 4/3 (with mount adapter included)

Mount adapters can be also purchased separately:

• Tokina Mount Adapter TA-011 for Nikon F
• Tokina Mount Adapter TA-012 for Canon EF
• Tokina Mount Adapter TA-013 for Sony E
• Tokina Mount Adapter TA-014 for Fujifilm X
• Tokina Mount Adapter TA-015 for Micro 4/3

B&H carries Tokina lenses.

Mark your calendar for 10:00 AM EDT on July 28, 2020 for the Sony Alpha a7S III announcement.

B&H has the Sony Alpha a7S III Mirrorless Digital Camera on their site.

For many, especially those already owning the impressive Canon EF 100-400mm f/4.5-5.6L IS II USM Lens, the narrow to-f/7.1 spec on the Canon RF 100-500mm F4.5-7.1 L IS USM Lens gave us pause. None of us was disappointed by the to-500mm part of the spec, but we wanted to know if the aperture opening size was being sacrificed at the 400mm aperture in order to keep this lens compact and light. Thanks to Drew MacCallum's (Canon USA) effort to answer this question for us, now we know.

What is the Canon RF 100-500mm F4.5-7.1 L IS USM Lens's maximum aperture opening at 400mm?

Answer 1: When the camera is set to 1/3-stop increments, the maximum 400mm aperture reported to the camera is rounded to f/6.3.

Answer 2: When the camera is set to 1/2-stop increments, the maximum 400mm aperture reported to the camera is rounded to f/5.6.

I know, you are now planning to change your R5 and R6 to use 1/2-stop increments. Don't bother as the difference is how the actual opening size is rounded (the true aperture is likely between these two numbers), likely holds for only a short range of focal lengths, and even if there was a 1/3-stop difference, the difference in noise made visible by an offsetting 1/3-stop ISO change will not matter to most.

The Canon RF 100-500mm F4.5-7.1 L IS USM Lens Review page is loaded with expectations. This lens should be awesome.

Order the Canon RF 100-500mm F4.5-7.1 L IS USM Lens at: B&H | Adorama | Amazon USA | WEX

Not all of us are surprised, but Canon Inc. has issued an orders exceeded expectations announcment, translated as follows:

Information about product supply status

We have received orders for the following products announced on July 9, 2020 that exceeded expectations, and it may take some time before the products are delivered.

Applicable products

• EOS R5
• EOS R6
• Battery grip BG-R10
• Wireless file transmitter WFT-R10B
• RF 1.4x Extender
• RF 2x Extender

We would like to thank you for all the orders we have received, and we apologize for any inconvenience caused to our customers waiting for the release. Thank you kindly look forward for your understanding.

 
If you were waiting for hands-on reviews before ordering your camera or lens, you might want to preorder now to hold your place in line.

From Canon:

Details Regarding Canon EOS R5/EOS R6 Overheating During Video Recording

The EOS R5, one of the latest additions to Canon’s full-frame mirrorless camera line, offers class-leading autofocus with high-resolution and high frame rate video recording options using the maximum width of the full-frame sensor at high bit rates. Inevitably, this combination of features has potential to generate some significant heat, which will limit recording time.

Canon has taken several steps to manage the potential for overheating, including:

• Magnesium alloy was used in the body to dissipate heat away from internal components
• An “overheat control” function to reduce heat generation when the camera is in standby

In regard to the installation of a fan: The decision not to install a fan within the body was made in order to maintain the EOS R5’s compact size, lightweight construction and weather resistance.

Before recording starts, the EOS R5 and EOS R6 display an estimate of the recordable time based on the current camera temperature and the set recording mode.

Canon has published and included below the approximate recording and estimated recovery times for 23°C / 73°F environments and ensure that the camera will warn users when it is getting too hot. Additionally, tips to reduce overheating as well as recovering time are listed below.

Timing:

How can you reduce heat buildup in the EOS R5?

• Set Overheat Control function to "ON" (default). When the overheat control function is enabled, the movie size and frame rate are automatically changed while the camera is in standby mode to suppress the rise of the internal temperature
• Between recordings, it is recommended to turn off the camera
• Position the camera out of direct sunlight
• Use an external fan to dissipate heat

How long will it take for the camera to recover?

Estimated camera recovery times are indicated below. The time until full record time is available will vary with ambient temperature, continued camera operation and the selected shooting resolution.

What about the EOS R6?

Like the EOS R5, the EOS R6 offers powerful movie recording and stills capabilities within a compact body design. At the highest frame rates and resolutions heat is inevitably generated. We believe the EOS R6 offers best in class performance, especially for enthusiast photographers and video content creators.

The EOS R6 can record up to the 29 minutes 59 second recording limit in the 5.1K oversampled 4K 60p mode at (23°C / 73°F) before encountering any heat related issues within the camera and up to 40 minutes of 4K at 30p.

Should I Get the Canon EOS R5, EOS R6, or EOS R? An Extensive Comparison The Canon EOS R, shown at the bottom-left in the lead image, came first. The R was Canon's first full-frame MILC (Mirrorless Interchangeable Lens Camera), and the start of the R-series. This model offered a relatively high resolution with a good feature set and solid performance at a reasonable price.

The Canon EOS RP, shown at the bottom-right, came next. A tiny model, the RP is positioned below the R and has a modestly lower resolution and noticeably lower price. The RP is an exceptional value.

This page exists because of the two models that came next, the Canon EOS R5 and Canon EOS R6, respectively shown at the top-left and top-right. These are both exceptionally-high-performing cameras positioned (and priced) above the EOS R.

Here are the differences between the Canon EOS R6, R5, and R.

Specifications	EOS R5	EOS R6	EOS R
Year Introduced	2020	2020	2018
Megapixels	45.0	20.1	30.4
Pixel Dimensions	8192 x 5464	5472 x 3648	6720 x 4480
Pixel Size	4.39µm	6.56µm	5.36µm
Diffraction-Limited Aperture	f/7.1	f/10.6	f/8.6
ISO Sensitivity	100-51200 to L:50, H1: 102400	100-102400 to L:50, H1: 204800	100-40000 to L:50, H1: 51200, H2: 102400
Image Processor	DIGIC X	DIGIC X	DIGIC 8
Dual Pixel RAW	Yes	No	Yes
Sensor Stabilization	5-Axis IBIS	5-Axis IBIS	No
Movies	8K RAW movie to 30 fps 4K movie at up to 120 fps 4K time-lapse mode Canon Log 1 / HDR PQ 10bit 4:2:2 internal recording All-I / IPB compression 10bit 4:2:2 uncompressed 4K 60p to external recorder	4K movie at up to 60 fps 4K time-lapse mode Full HD movies at 120 fps Canon Log 1 / HDR PQ 10bit 4:2:2 internal recording IPB compression	4K movie (cropped) at 25/24 fps Full HD movies at 60 fps HD at 120 fps Canon Log 1 10bit 4:2:2 uncompressed 4K to external recorder
Movie Modes	A+, P, Tv, Av, M, C1, C2, C3	A+, M	A+, P, Tv, Av, M, C1, C2, C3
AF Points	1,053 AF Areas covering approx. 100% of the frame 5,940 individually selectable AF points with 90% horizontal and 100% vertical coverage	1,053 AF Areas covering approx. 100% of the frame 6,072 individually selectable AF points with 90% horizontal and 100% vertical coverage	5,655 points with 88% horizontal and 100% vertical coverage
AF Working Range	EV -6 to 20	EV -6.5 to 20	EV -6 to 18
Subject Detection	Body, Face, Eye, Animal	Body, Face, Eye, Animal	Face, Eye
Focus Bracketing	Yes	Yes	No
EVF	0.5" (127mm) OLED color EVF, 5.76 Million dots	0.5" (127mm) OLED color EVF, 3.69 Million dots	0.5" (127mm) OLED color EVF, 3.69 Million dots
EVF FrameRate	120 fps	120 fps	60 fps
LCD Type	3.15" (8.01cm) Clear View LCD II, approx. 2.10 million dots	2.95" (7.50cm) Clear View LCD II, approx. 1.62 million dots	3.15" (8.01cm) Clear View LCD II, approx. 2.10 million dots
HEIF, HDR PQ	Yes	Yes	No
FPS	12 fps with Servo AF 20 fps with Electronic Shutter, and Servo AF	12 fps with Servo AF 20 fps with Electronic Shutter, and Servo AF	8 fps fixed AF 5 fps with Servo AF
Continuous Frames	350 JPEG, 180 RAW, or 260 CRAW	1,000+ JPEG, 240 RAW, or 1,000+ CRAW	100 JPEG, 47 RAW, 78 C-RAW
Shutter Lag	50ms		55ms
Card Slots	1x CFexpress 1x UHS-II SD	2x UHS-II SD	1x UHS-II SD
Control Dials	Main Dial Quick Control Dial 1 w/ Mode Button Quick Control Dial 2 AF Multi-controller (8-Way Joystick) Top panel display Front Function Button	Main Dial Quick Control Dial 1 w/ Mode Button Quick Control Dial 2 AF Multi-controller (8-Way Joystick) Front Function Button	Multi-function Bar Quick Control Dial Cross-Keys Top Panel Display
Dedicated Rate, Magnify, "Q" Buttons	Yes	Yes	No
Power Switch	Circular w/Lever	Circular w/Lever	Circular
Sound Memo	Yes	No	No
Wireless Features	5Ghz and 2.4Ghz Wi-Fi and Bluetooth Internal FTP optional Wireless transmitter WFT-R10	2.4Ghz Wi-Fi and Bluetooth Internal FTP	2.4Ghz Wi-Fi and Bluetooth FTP with WFT-E7 II Accessory
PC Terminal	Yes	No	via BG-E22
Computer Interface	USB 3.1 Gen 2	USB 3.1 Gen 2	USB 3.0
HDMI	HDMI micro Type D Simultaneous HDMI Out and Card Writing	HDMI micro Type D HDMI Out or Card Writing	HDMI mini Type C HDMI Out or Card Writing
Remote	N3 (Front)	E3 (Side)	E3 (Side)
Shutter Durability Rating	500,000	300,000	200,000
Supplied Battery	LP-E6NH	LP-E6NH	LP-E6N
Battery Life (CIPA)	LCD 490 shots EVF 320 shots	LCD 510 shots EVF 380 shots	370 shots
Grip Geometry	2.7" (68.5mm) Thick 2.7" (68.5mm) Thick at Bottom 1.55" (39.3mm) Finger Shelf	2.7" (68.5mm) Thick 2.7" (68.5mm) Thick at Bottom 1.65" (41.8mm) Finger Shelf	2.59" (65.7mm) Thick 2.54" (64.5mm) at Bottom 1.40" (35.5mm) Finger Shelf
Rattle	Noticeable when Powered Off	Noticeable when Powered Off	No
Dimensions Inches	5.45 x 3.84 x 3.46" (138 x 97.5 x 88.0mm)	5.45 x 3.84 x 3.48" (138 x 97.5 x 88.4mm)	5.35 x 3.87 x 3.32" (135.8 x 98.3 x 84.4mm)
CIPA Weight	26.0 oz (738g)	24.0 oz (680g)	23.3 oz (660g)
List Price	$3,899.00	$2,499.00	$1,799.00
Review	Canon EOS R5	Canon EOS R6	Canon EOS R
Purchase	BUY	BUY	BUY

Again, the original EOS R is a great value, offering good performance and relatively high resolution for a modest price. The 2-years-newer R5 and R6 are significantly more advanced cameras and considerably faster in a number of regards.

One clear differentiator between these cameras is the resolution they provide. It takes no more effort to press the shutter release on a 45 MP camera than it does on a 20 MP camera, and all things equal, the higher resolution image is more desirable. Use the additional resolution to output large, to downsample to even higher quality, or to crop with potentially high resolution remaining.

Not as apparent in the chart are that the R5 and R6 image sensors are significantly faster with less rolling shutter effect, and improved dynamic range (exposure latitude). Here are some dynamic range comparisons:

Canon EOS R5 vs. Canon EOS R
Canon EOS R5 vs. Canon EOS R6
Canon EOS R6 vs. Canon EOS R

The R6's larger pixel sites have a higher SNR (Signal to Noise Ratio), meaning less noise at the pixel level. However, for the comparison to be equal, the higher resolution images must be downsized to the R6 image's pixel dimensions, and with that action, oversampling advantages are realized. At equivalent final image sizes, the R5 and R6 noise levels are about the same.

The pixel-level noise performance is often reflected in the available ISO settings. The R6 has this advantage, and the R trails the R5. That said, you don't want to use any of these cameras (or those from any other manufacturer) at the highest ISO settings made available.

Another aspect that specs do not make clear is the relative sharpness of the images these cameras produce. The R produces softer images than many other Canon cameras when the images are processed using the same settings. Why? I've asked that question multiple times and have received no answers. However, that question has been resolved in the R5 and R6.

Here are some comparisons:

Canon EOS R5 vs. Canon EOS R
Canon EOS R5 vs. Canon EOS R6
Canon EOS R6 vs. Canon EOS R

The R images sharpen nicely with a higher sharpness setting ("2" looks nice). Are the R's RAW images de-tuned slightly, providing more latitude for the photographer to dial in the result they want? Does the R have a stronger low pass filter? Or, is there some other cause for the softer results?

The advantage of "DIGIC X" is not as easy to comprehend as, say, the number of megapixels on the imaging sensor, but this processor's extreme speed makes complex in-camera calculations possible, with improved AF performance and image quality being two advantages. The DIGIC X processor in the R5 and R6 is significantly more powerful than the DIGIC 8 processor in the R.

The R6 does not feature Canon Dual Pixel RAW capture where two signals are captured for each pixel. Portrait Relighting is featured on the R5.

The IBIS (In Body Image Stabilization) is a tremendous advantage held by the R5 and R6 models. These two cameras effectively upgrade all of the lenses in your kit, with better image quality being realized. IBIS is a huge advantage for video, decreasing the need for bulky and expensive gimbals in certain situations. With IBIS, the R5 and R6 have a noticeable rattle when powered off (don't worry about this).

The R5's 8K uncropped video capability (including RAW) is awesome, and the R6 enjoys a strong movie capability advantage over the R, including uncropped 4K vs. cropped 4K (1.75x). The R5 and R6 provide Dual Pixel CMOS AF II tracking with every resolution/framerate, but the R does not get AF tracking with high framerate (720p) capture. An R5 advantage is that it goes to 120 fps in 4K while the R6 has FHD 120 fps.

The R6 has only two movie modes, and the R5 has an improved movie setting menu option.

All three of these cameras can autofocus in crazy-low light levels, but the R6 has a slight advantage. The R5 and R6 have some advantage over the R when focusing in very bright light levels.

The EOS R's Dual Pixel CMOS AF system, including eye and face detection, performs excellently, but the R5 and R6's Dual Pixel CMOS II AF system takes subject detection and tracking capabilities to another level, including animal tracking. The R5 and R6 AF systems handle challenging circumstances amazingly well.

The R5 and R6 have a focus bracketing feature missing on the R (this feature first arrived on the RP).

The R5's considerably higher resolution EVF is a significant advantage, as is its higher resolution rear LCD. The R5 and R6 have a much faster refresh rate available, helping you follow a moving subject. Especially notable is that the R5 and R6 have less EVF blackout, dramatically helping you track a moving subject. The diopter dial has moved to the right side of the viewfinder on the R5 and R6 where it is easier to access. The R5 and R6 have a modified eyecup shape (all are non-removable).

Also aiding in capturing a perfect action shot is the R5 and R6's extremely fast frame rates, rates that leave the R far behind.

For some, having dual memory card slots is a big advantage for the R5 and R6 over the R. Differentiating between the R5 and R6 is that one of the R5's slots is the faster CFexpress format. For those not needing the speed of CFexpress, the R6's dual card slots sharing the same UHS-II SD format could be an advantage.

The additional controls and buttons, including a joystick replacing the R's Multi-Function Bar and ISO adjustment instantly available on the top quick control dial, along with the revised power switch design on the R5 and R6 make these cameras easier to use than the R. The EOS R and R5 have top LCDs while the R6 does not. The R5 and R6's top-right three buttons on the back have a horizontal layout to provide space for the larger dual memory card slot door — especially the AF-ON button is easier to reach in the updated layout. The R5 and R6 have an additional configurable button (depth of field preview by default) on the front. If you need the sound memo feature or a PC terminal, the R5 is your only choice.

The R5 has the most advanced built-in Wi-Fi and also has the most advanced wireless file transmitter available. The R6 has more advanced built-in Wi-Fi than the R, but it does not have a wireless file transmitter option.

The R5 and R6 have faster USB ports than the R, and the R5 and R6 have HDMI micro Type D ports vs. the R's HDMI mini Type C port. The R5 has an N3-type remote release port vs. E3 in the R6 and R. The R5 has a more durable shutter, rated at 500,000 actuations vs. 300,000 and 200,000.

While the R5 and R6 arrive with a higher capacity battery, that battery is compatible with the EOS R and its charger, meaning this difference is easy to equalize. That 14% higher capacity battery helps the battery life ratings with the R5 and R6 showing big improvements (when using the LCD). Remember that experienced battery life is often twice the rated value, and far higher when capturing high-speed bursts of images. These three cameras are essentially the same size and weight.

The EOS R5 and R6 have an enhanced grip geometry, featuring a larger shelf above the fingers and a thicker grip base, both making the newer models noticeably easier to hold onto.

For a significant percentage of photographers, the primary decision factor between these cameras will be the price. A safe recommendation is to buy the highest-priced model you can afford. The EOS R is a bargain. The EOS R6 is a considerably faster and better camera, and the EOS R5 is the flagship model, unsurpassed in the Canon lineup. If your funds can take you to this level, the R5 is the camera you want.

Simplifying the R5 vs. R6 comparison:

R6 Advantages Over the R5

• ISO 100-102400, Expandable to 204800 vs. ISO 100-51200, Expandable to 102400
• Greater AF Working Range — EV -6.5 to 20 vs. EV -6.0 to 20
• Slightly More Selectable AF Points — 6,072 vs. 5,940
• Lower Price

The R6 advantages list is a short one, and most advantages are very slight. However, the "Lower Price" bullet is a powerful one.

Did I miss any differences? Let me know! That the R5 has a "BE CAREFUL HOT" warning label inside the memory card door does not count. The R6 lock button being raised modestly might count a tiny amount.

Use the site's tools to create specific comparisons:

Specifications Comparisons

Canon EOS R5 Compared to the Canon EOS R6
Canon EOS R5 Compared to the Canon EOS R
Canon EOS R5 Compared to the Canon EOS 5Ds and 5Ds R
Canon EOS R5 Compared to the Canon EOS 5D Mark IV

Canon EOS R6 Compared to the Canon EOS R
Canon EOS R6 Compared to the Canon EOS-1D X Mark III

Not all differences show up in the specifications, but the visual comparison tool can fill in many of the missing differences:

Visual Comparisons

Canon EOS R5 Visual Comparison with the Canon EOS R6
Canon EOS R5 Visual Comparison with the Canon EOS R
Canon EOS R5 Visual Comparison with the Canon EOS 5Ds and 5Ds R
Canon EOS R5 Visual Comparison with the Canon EOS 5D Mark IV

Canon EOS R6 Visual Comparison with the Canon EOS R
Canon EOS R6 Visual Comparison with the Canon EOS-1D X Mark III

Review Pages

Note that the R5 and R6 review pages continue to be updated with additional information.

Canon EOS R5 | Canon EOS R6 | Canon EOS R

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Canon EOS R5 | Canon EOS R6 | Canon EOS R

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Get in line immediately — preorder now! You can easily cancel a preorder, but getting to the front of the line later is nearly impossible. Based on demand, the Canon EOS R5 could be difficult to get for a long time.

B&H has the new Canon gear available for preorder!

Adorama has the new Canon gear available for preorder!

 
• Canon EOS R5

Body: B&H | Adorama | Amazon USA | WEX

w/ RF 24-105 L: B&H | Adorama | Amazon USA

 
• Canon EOS R6

Body: B&H | Adorama | Amazon USA | WEX

w/ RF 24-105 STM: B&H | Adorama | Amazon USA | WEX

w/ RF 24-105 L: B&H | Adorama | Amazon USA

 
• Canon RF 100-500mm F4.5-7.1 L IS USM Lens

B&H | Adorama | Amazon USA | WEX

 
• Canon RF 85mm F2 Macro IS STM Lens

B&H | Adorama | Amazon USA | WEX

 
• Canon RF 600mm F11 IS STM Lens

B&H | Adorama | Amazon USA | WEX

 
• Canon RF 800mm F11 IS STM Lens

B&H | Adorama | Amazon USA | WEX

 
• Canon RF 1.4x Extender

B&H | Adorama | Amazon USA | WEX

 
• Canon RF 2x Extender

B&H | Adorama | Amazon USA | WEX

 
• Canon BG-R10 Battery Grip for R5 and R6

B&H | Adorama | Amazon USA | WEX

 
• Canon WFT-R10 Wireless File Transmitter for R5

B&H | Adorama | WEX

 
• Canon LP-EP6NH Lithium-Ion Battery

B&H | Adorama | WEX

 
• Canon imagePROGRAF PRO-300 Printer

B&H | Adorama | Amazon USA | WEX

While we anxiously await this camera to hit the streets, the Canon EOS R5 Review page is loaded with information.

Now we know — the details for the long awaited R5 are here, including the answer to the big question: what resolution will the R5's Canon CMOS imaging sensor have?

I expect the R5 to become my primary camera model.

Summary of Canon EOS R5 Features

• New 45 Megapixel Full-Frame Canon CMOS Imaging Sensor with High-Speed Read-Out; Incredible Image Quality and Dynamic Range Promised
• DIGIC X Image Processor
• Stills: ISO 100-51200, Expandable down to 50, up to 102400
• Movies: ISO 100-25600, Expandable to 51200
• Hi Speed Continuous Shooting at up to 12 fps with Mechanical Shutter and 20 fps with Electronic (Silent) Shutter
• Dual Pixel CMOS AF II with 1,053 AF Areas Covering Approx. 100% of the Frame, 5,940 Manually Selectable Covering Approx. 90% x 100% of the Frame (f/22 Capable)
• Subject Tracking People (Eye, Head, and Face) and Animals (Eye, Head, and Body for Cats, Dogs, and Birds) using Deep Learning Technology¹
• AF Working Range of EV -6.0 to 20
• 8K RAW, 8K DCI/UHD to 30 fps, 4K DCI/UHD to 120 fps, 10-bit 4:2:2 with Canon LOG or HDR PQ, Internal Recording in All Formats, with AF
• In-Body Image Stabilizer (IBIS) Provides up to 8-Stops of Shake Correction
• Dual Card Slots for CFexpress (Type B) and UHS-II SD Memory Cards
• Built-in 0.5" 5.76 Million Dots OLED Electronic Viewfinder with 120 fps Refresh Rate²
• 3" Vari-Angle LCD Touchscreen and Top LCD
• 2.4/5Ghz Built-in Wi-Fi, Bluetooth Technology
• 500,000 Actuation Shutter Durability Rating
• Enhanced Operating Controls
• Optional Canon BG-R10 Battery Grip, Canon WFT-R10A
• Impressive Durability
• RF Lens Mount, Compatible with EF/EF-S/TS-E/MP-E Lenses with Adapter

Get in front of the line: Order the Canon EOS R5 at B&H | Adorama | Amazon USA | WEX

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While we anxiously await arrival of this camera, the Canon EOS R6 Review page is loaded with information.

The 6-series has arrived in the R-series!

Summary of Canon EOS R6 Features

• New 20 Megapixel Full-Frame Canon CMOS Imaging Sensor
• DIGIC X Image Processor
• ISO 100-102400, Expandable to 204800
• Hi Speed Continuous Shooting at up to 12 fps with Mechanical Shutter and 20 fps with Electronic (Silent) Shutter
• Dual Pixel CMOS AF II with 1,053 AF Areas Covering Approx. 100% of the Frame, 6,072 Manually Selectable Covering Approx. 90% x 100% of the Frame (f/22 Capable)
• Subject Tracking People (Eye, Head, and Face) and Animals (Eye, Head, and Body for Cats, Dogs, and Birds) using Deep Learning Technology¹
• AF Working Range of EV -6.5 to 20
• 4K to 60 fps, 1080p up to 120 fps, 10-bit 4:2:2 with Canon LOG or HDR PQ, Internal Recording in All Formats, with AF
• In-Body Image Stabilizer Provides up to 8-Stops of Shake Correction
• Dual Card UHS-II SD Memory Card Slots
• Built-in 0.5" 3.69 Million Dots OLED Electronic Viewfinder with 120 fps Refresh Rate²
• 3" Vari-Angle LCD Touchscreen
• Built-in WiFi, Bluetooth Technology
• 300,000 Actuation Shutter Durability Rating
• Enhanced Operating Controls
• Optional Canon BG-R10 Battery Grip
• Impressive Durability
• RF Lens Mount, Compatible with EF/EF-S/TS-E/MP-E Lenses with Adapter

Get in front of the line: Order the Canon EOS R6 at B&H | Adorama | Amazon USA | WEX

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The Canon RF 100-500mm F4.5-7.1 L IS USM Lens Review page is filled with information about this exciting new lens.

The Canon EF 100-400mm f/4.5-5.6L IS II USM Lens is an excellent lens, one of my favorites. Expect the RF 100-500 to be even better.

Order the Canon RF 100-500mm F4.5-7.1 L IS USM Lens at B&H | Adorama | Amazon USA | WEX

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From Canon U.S.A.:

THE SECRET IS OUT: CANON OFFICIALLY ANNOUNCES THE CANON EOS R5 AND R6, THE COMPANY’S MOST ADVANCED FULL-FRAME MIRRORLESS CAMERAS EVER

The Company is Also Announcing Four RF Lenses, Two RF Lens Extenders, and a PRO Printer

MELVILLE, N.Y., July 9, 2020 – With anticipation at a fever pitch, Canon U.S.A. Inc., a leader in digital imaging solutions, is excited to introduce the company’s next generation of full-frame mirrorless cameras – the EOS R5 and EOS R6. These groundbreaking cameras are the result of many years of collecting and listening to feedback from Canon users and are sure to meet the needs and demands of a variety of creators. The EOS R5 is a camera designed for professional applications featuring a new 45-megapixel full-frame CMOS sensor and uncropped 8K video recording up to 29.97 fps. The EOS R6 is geared towards advanced amateurs featuring a 20.1-megapixel full-frame CMOS sensor and 4K video recording up to 59.94 fps. The addition of the EOS R5 and the EOS R6 cameras within the EOS R series lineup further solidifies Canon’s commitment to providing the equipment needed for users to bring their content to the next level.

Canon is also introducing four RF lenses and two RF lens extenders: The Canon RF100-500mm F4.5-7.1 L IS USM, Canon RF600mm F11 IS STM, Canon RF800mm F11 IS STM, and RF85mm F2 MACRO IS STM lenses. All four new lenses were designed to meet the ever-expanding demands of the skilled creatives who capture amazing imagery using EOS R series cameras, including the new EOS R5 and EOS R6. In addition to the lenses, there are two new RF lens extenders, a 1.4x and a 2x model, allowing for users to take their compatible RF lens focal lengths even farther, and a 13-inch professional printer, the imagePROGRAF PRO-300, to bring photos to life through the power of print.

“For all of the Canon research and development team members who worked tirelessly on the production of these new products, today marks the culmination of a long journey. For those people looking for the next great tools to work with to expand their creative possibilities, the door is now wide open,” said Tatsuro “Tony” Kano, Executive Vice President and General Manager of Canon U.S.A.’s Imaging Technologies & Communications Group. “The industry has asked for new products that can push their levels of creativity to new heights, and we are confident that the EOS R5 and EOS R6, alongside the new lenses, lens extenders, and the pro printer, will fulfill those needs and more.”

Canon EOS R5 and EOS R6

Both the EOS R5 and EOS R6 cameras have the ability to capture the action of a variety of fast-moving subjects with impressive accuracy and speed. When using the mechanical shutter, each can shoot up to 12 fps and up to 20 fps when using the completely silent shutter. Both cameras are the first to be outfitted with Canon’s advanced Dual Pixel CMOS AF II which utilizes up to approximately 100 percent coverage of the AF area and EOS iTR AF X incorporating AF tracking algorithms using deep learning technology and enhanced readout speed of the CMOS sensor and processing speed thanks to the DIGIC X image processor. The 1,053 automatically selected AF Zones are made even more potent by the ability to detect the human eye, face or head as well as the eye, face or body of animals such as dogs, cats and even birdsⁱ. Adding to the feature set is the 5-axis In-Body Image Stabilizer, having coordinated control with Optical Image Stabilizer in IS equipped RF lenses. This provides up to 8 stopsⁱⁱ of shake correction, a feature that many creators have long asked for from Canon. Both the EOS R5 and R6 cameras come with a new LP-E6NH battery with a higher capacity than the previous model.

As the new flagship model in the EOS R series lineup, the EOS R5 camera has features that pack a punch for a variety of users who create both still and video content. It has a powerful 45-megapixel full-frame CMOS sensor and is driven by the speedy DIGIC X image processor, giving wide dynamic range as well as boasting an ISO range of 100-51,200 that is expandable up to 102,400ⁱⁱⁱ. In a camera full of eye-popping features, one that really stands out is the ability to record uncropped 8K RAW internal video recording up to 29.97 fps and 8K internal video recording up to 29.97 fps in 4:2:2 10-bit Canon Log (H.265)/4:2:2 10-bit HDR PQ (H.265). The camera can also record 4K internal video recording up to 119.88 fps in 4:2:2 10-bit Canon Log (H.265)/4:2:2 10-bit HDR PQ (H.265). External recording in 4K is also available up to 59.94 fps. When in DCI modes, the 8K and 4K video recording is uncropped and Dual Pixel CMOS AF II is available in all 8K and 4K recording modes. Additional features of the EOS R5 camera include:

• Dual-card slots: 1x CFexpress^iv and 1x SD UHS-II^v
• Built-in 0.5-inch OLED EVF with approximately 5.76 million dots and a 119.88 fps refresh rate^vi
• 3.2-inch 2.1 million dots vari-angle LCD touch screen
• 5GHz/2.4GHz Built-in Wi-Fi®^vii and Bluetooth Technology^viii with the ability to utilize the image.canon application, as well as optional WFT-R10A wireless file transmitter with Ethernet support
• Enhanced operating controls such as rear-dial, multi-controller
• The ability to voice tag photos and videos
• Weather, drip and dust sealing on par with the EOS 5D series

The EOS R6 camera is well-equipped with a host of new features to push the limits of creativity for imaging enthusiasts. The combination of the EOS-1D X Mark III based 20.1-megapixel full-frame CMOS sensor and the DIGIC X image processor produces an ISO range of 100-102,400 and is expandable to 204,800. Internal video recording at 4K is capable up to 59.94 fps or 1080p up to 119.88 fps in 10 bit 4:2:2 Canon Log(H.265) or HDR PQ(H.265). The camera also features a built-in 0.5-inch OLED EVF with approximately 3.69 million dots and a 119.88 fps refresh rate^vi. Additional features of the EOS R6 camera include:

• Dual UHS-II SD card slots
• 3-inch 1.62 million dots vari-angle LCD touch screen
• 2.4GHz Built-in Wi-Fi®^vii and Bluetooth Technology^viii with the ability to utilize the image.canon application
• Enhanced operating controls such as rear-dial, multi-controller
• Weather, drip and dust sealing on par with the EOS 6D series

Battery Accessory

The optional BG-R10 battery grip accessory will be available for both the EOS R5 and EOS R6 full-frame mirrorless cameras. The BG-R10 accommodates up to two batteries and is compatible with the new LP-E6NH, LP-E6N and LP-E6 batteries. The convenient BG-R10 grip accessory can also improve handling for users while capturing portrait photography.

Canon RF100-500mm F4.5-7.1 L IS USM

The Canon RF100-500mm F4.5-7.1 L IS USM is a high-performance and versatile super-telephoto zoom lens that will find its way into the bags of many photographers. The compact and lightweight lens features optical image stabilization of up to five stops^* of shake correction with three different IS modes, including standard, panning and during exposure only. Two Nano USM motors are at the heart of this lens and provide users with high-speed, smooth and quiet auto focus with a minimum focusing distance of three feet. Additional features of the Canon RF100-500mm F4.5-7.1 L IS USM include:

• Rotation-Type zoom ring and torque adjustment allows for precision control and feel
• Customizable control ring that enables photographers to adjust exposure compensation, shutter speed, aperture or ISO
• 12-pin Communication System
• Canon L-Series grade dust and weather-resistant construction with a fluorine coating
• Lens hood with side window allows specialty filters to be adjusted even while Lens Hood is attached
• Compatible with the new 1.4x and 2x RF lens extenders (from 300 to 500mm focal length)

Canon RF600mm and 800mm F11 IS STM

The Canon RF600mm and RF800mm F11 IS STM lenses are the first fixed focal length super-telephoto RF lenses and are incredibly compact and lightweight. The portability of the new lenses is made even greater due to the ability for the lens barrel to retract and lock in place when the lenses are stowed away and not in use. Diffractive Optics technology helps to reduce the necessary number of lenses and greatly diminish the cost of the lenses, making them affordable for a broader group of photographers. Additional features of the Canon RF600mm and RF800mm F11 IS STM lenses include:

• Lightweight - the RF600mm weighs approximately 2.05lb and the RF800mm weighs approximately 2.78lb, respectively
• Compact size, RF600mm measures approximately 7.85inch and RF800mm with measures approximately 11.09inch when retracted, respectively
• Fixed f/11 aperture
• Optical image stabilization of five stops^* for the RF600mm and four stops^* for the RF800mm of Shake Correction
• Lead screw-type STM enables smooth auto focusing for still-image and video shooting
• Customizable control ring that allows photographers to adjust exposure compensation, shutter speed, aperture or ISO
• 12-pin Communication System
• Compatible with the new 1.4x and 2x RF lens extenders

Canon RF85mm F2 MACRO IS STM

The third RF85mm lens in the RF lineup, the Canon RF85mm F2 MACRO IS STM is compact and lightweight, featuring a bright f/2 aperture helping to capture images that have exceptional bokeh. The lens features a maximum magnification of 0.5x and a minimum focusing distance of 1.15 feet, providing users with macro-photography capability. Additional features of the Canon RF85mm F2 MACRO IS STM include:

• Optical Image Stabilization with up to five stops^v of Shake Correction
• Hybrid IS compensates for angular and shift camera shake during macro photography
• Control Ring for Direct Setting Changes
• 12-pin Communication System
• Nine blade Circular Aperture

RF Lens Extenders

Lens extenders have long been a practical and useful tool for a variety of photographers. That story continues with the introduction of the Extender RF 1.4x and Extender RF 2x. The new lens extenders inherit the same high image quality, precision AF and reliability, such as being drip and dustproof, of EF lens extenders. When used in combination with the newly-released compatible lenses, the capturing range can be dramatically increased, providing consumers with additional use cases for their existing RF lenses.

Canon imagePROGRAF PRO-300

Completing the lineup of professional printer options from 13 inches through 60 inches, Canon also unveiled today the new 13-inch Canon imagePROGRAF PRO-300 Inkjet Printer along with a new Premium Fine Art Rough paper. Providing an improved workflow and high-quality output within a smaller footprint compared to previous models, this new printer excels at professional printing performance. Combined with the new Premium Fine Art Rough paper that features a textured surface to express the depth of an image, the printer along with the paper and new EOS R5 or EOS R6 camera introduces a new powerhouse professional imaging trio that meets creators’ demands.

Pricing and Availability

The EOS R5 full-frame mirrorless camera is scheduled to be available at the end of July for an estimated retail price of $3899.00 for the body only and $4999.00 for the R5 and RF 24-105mm F4 L IS USM lens kit^**.

The EOS R6 full-frame mirrorless camera is scheduled to be available at the end of August for an estimated retail price of $2499.00 for the body only, $2.899.00 for the R6 and RF 24-105 F4-7.1 IS STM lens kit or $3,599.00 for the R6 and RF 24-105mm F4 L IS USM lens kit^**.

The BG-R10 battery grip accessory and WFT-R10A are both scheduled to be available at the end of July for an estimated retail price of $349.99 and $999.99^**, respectively.

The RF100-500mm F4.5-7.1 L IS USM lens is scheduled to be available in September 2020 for an estimated retail price of $2,699.00.

The RF600mm F11 IS STM and RF800mm F11 IS STM lenses are scheduled to be available at the end of July 2020 for an estimated retail price of $699.99 and $899.99, respectively.

The RF85mm F2 MACRO IS STM lens is scheduled to be available in October 2020 for an estimated retail price of $599.99 ^**.

The RF Extender 1.4x and 2x are scheduled to be available at the end of July for an estimated retail price of $499.99 and $599.99^** each.

The imagePROGRAF PRO-300 Printer will be available later in July for a suggested retail price of $899.99. Premium Fine Art Rough paper will also be available later in July for a suggested retail price of $44.99 for Letter size, $109.99 for 13” x 19” inches and $169.99, 17” x 22” inches^**.

** Specifications, availability and prices are subject to change without notice. Actual prices are set by individual dealers and may vary.

ⁱ Effectiveness varies depending on the subject. In some cases, dogs, cats or birds may not be detected, while some animals other than dogs, cats or birds may be detected
ⁱⁱ Based on CIPA (Camera & Imaging Products Association) standards. Combined with RF 24-105mm F4 L IS USM lens at a focal distance of 105mm. IS equipped RF lenses available prior to July 9th, 2020 will require a lens firmware update to utilize coordinated IS control. Please check the Canon website for the latest firmware updates.
ⁱⁱⁱ For still images
^iv Type B compatible
^v There is a disclaimer that goes with this claim: Some types of data cannot be saved on the SD memory card
^vi Display may be grainier
^vii Compatible with iOS® versions 9.3/10.3/11.2-11.4/12.4/13.2, Android™ smartphone and tablet versions 5.0/5.1/6.0/7.0/7.1/8.0/8.1/9.0/10. Data charges may apply with the download of the free Canon Camera Connect app. This app helps enable you to upload images to social media services. Please note that image files may contain personally identifiable information that may implicate privacy laws. Canon disclaims and has no responsibility for your use of such images. Canon does not obtain, collect or use such images or any information included in such images through this app
^viii Compatible with select smartphone and tablet devices (Android™ version 5.0 or later and the following iOS® devices: iPhone 4s or later, iPad 3rd gen. or later, iPod Touch 5th gen. or later) equipped with Bluetooth® Version 4.1 or later and the Camera Connect App Ver. 2.5.10. This application is not guaranteed to operate on all listed devices, even if minimum requirements are met
^* Based on CIPA (Camera & Imaging Products Association) standards

Orders

Order the above-announced Canon gear now:

B&H has the new Canon gear available for preorder!

Adorama has the new Canon gear available for preorder!

 
• Canon EOS R5

Body: B&H | Adorama | Amazon USA | WEX

w/ RF 24-105 L: B&H | Adorama | Amazon USA

 
• Canon EOS R6

Body: B&H | Adorama | Amazon USA | WEX

w/ RF 24-105 STM: B&H | Adorama | Amazon USA | WEX

w/ RF 24-105 L: B&H | Adorama | Amazon USA

 
• Canon RF 100-500mm F4.5-7.1 L IS USM Lens

B&H | Adorama | Amazon USA | WEX

 
• Canon RF 85mm F2 Macro IS STM Lens

B&H | Adorama | Amazon USA | WEX

 
• Canon RF 600mm F11 IS STM Lens

B&H | Adorama | Amazon USA | WEX

 
• Canon RF 800mm F11 IS STM Lens

B&H | Adorama | Amazon USA | WEX

 
• Canon RF 1.4x Extender

B&H | Adorama | Amazon USA | WEX

 
• Canon RF 2x Extender

B&H | Adorama | Amazon USA | WEX

 
• Canon BG-R10 Battery Grip for R5 and R6

B&H | Adorama | Amazon USA | WEX

 
• Canon WFT-R10 Wireless File Transmitter for R5

B&H | Adorama | WEX

 
• Canon LP-EP6NH Lithium-Ion Battery

B&H | Adorama | WEX

 
• Canon imagePROGRAF PRO-300 Printer

B&H | Adorama | Amazon USA | WEX