Canon News (Page 3) RSS Feed for Canon News Report News & Deals  ►

 Tuesday, August 23, 2016
Held biennially, Photokina is the world's largest photography and imaging trade show and the 2016 show is scheduled for Sep 20-25 at the Cologne International Expocentre in Cologne, Germany. Canon, Nikon and other manufacturers usually have some great new gear introductions coinciding with the Photokina show and we expect this year to be no different. We will be bringing you details of this year's new gear as soon as we are able/permitted to.
 
Important note: between a lull in new Canon gear introductions, a very large investment in a rewrite of the site's comparison tools (hopefully much faster versions of the tools are coming soon) and normal summertime slowness (due to vacations, etc.) on top of the already high costs of maintaining a content site, we need your support this year more than ever.
 
Please remember to use the links on this site to make all possible purchases (even diapers at Amazon) and especially for preorders of the new gear. It costs you no extra, you get any free goodies/incentives the manufacturers and/or retailers happen to be offering at the time and we receive the support necessary to keep this site going for you. Your support is greatly appreciated!
 
B&H Photo | Adorama | Amazon | eBay
 
Posted to: Canon News,
Post Date: 8/23/2016 8:28:42 AM CT   Posted By: Bryan
eBay (via Deals-All-Year – 99.9% Positive feedback) has the Canon EOS 80D DSLR Camera (review) available for $952.99 with free shipping. Compare at $1,199.00.
 
Note: This is likely a grey market item and therefore technically ineligible for a Canon USA warranty.
Posted to: Canon News
Post Date: 8/23/2016 8:01:28 AM CT   Posted By: Sean
Earlier this year I posted a walkthrough for an eye image I took using the Roundflash Ringflash adapter. While I liked the image, I thought a different lighting setup might work better to highlight the details of the eye (especially the iris). Over the past week I've been trying a few lighting setups and ultimately came to the conclusion that a simple, single light setup provided the best results.
 
Gear Used
 
EXIF: f/10, 1/160 sec, ISO 400
 
Thought Process and Execution
 
The biggest problem with the ring light, straight-on lighting approach was that the finer details in the iris became muted due to reflected light. This time around I decided to try a [near] profile view with the main light located slightly behind the subject.
 
The light source – a Canon 580EX in a 24" collapsible soft box – required precise positioning in order to create a column of light on the iris. The light was placed so that the subject's nose blocked light on the far side of the eye while the natural curvature of the subject's face (and eye) caused most of the left side of the image to be shadowed. I decided to use a white foam core reflector to open up the shadows on the left side just a bit. Note that the reflector is positioned far enough left so as not to create a second catchlight in the eye.
 
And while on the subject of catchlights, I chose a square soft box so that the catchlight would vaguely mimic an open window. The soft box's distance from the subject determined the size of the catchlight in the eye while also dictating soft the shadows were. If I had positioned the soft box further away, the catchlight would have been smaller and the shadows would have appeared less graduated. However, doing so would have required raising the ISO to compensate for the increased distance between the light source and the subject as I was already using full power with the soft box positioned relatively close (about 18") to the subject.
 
Using a tripod, I set the camera at the proper height to allow the subject to stand comfortably while capturing the image. At 1.0x magnification, very slight changes in distance to the subject can have a dramatic effect on focus. Even standing comfortably, the subject would sway a bit (almost imperceptibly unless looking through the viewfinder). This meant that I had to pay attention to the rhythm of the subject's movements in order to time the capture for optimal focus. If I were to shoot this again, I would have the subject sit in an arm chair with their head propped up on a fist to reduce involuntary movement.
 
When photographing an eye, it's also important to pay attention to the ambient light. If the ambient light is dim, the pupil will enlarge and the colorful iris will be reduced. A bright room will help showcase the iris in all its glory.
 
In post-processing, I increased clarity to help bring out details in the iris, increased the saturation a little and made relatively minor adjustments to brightness/contrast. The image shown was cropped moderately (from 5760 x 3840 to 4848 x 3232 pixels).
 
Click on the image atop this post for a higher resolution sample.
Posted to: Canon News,
Post Date: 8/23/2016 7:44:40 AM CT   Posted By: Sean
B&H has the Tascam DR-100mkIII Linear PCM Recorder in stock with free shipping.
 
Product Highlights
 
  • On-Board A/B Stereo Microphone
  • Records up to 24-Bit/192 kHz
  • Records to SDXC Cards up to 128GB
  • 2 x XLR/TRS Combo Inputs
  • Backlit LCD Display
  • Clock Accuracy up to 1ppm
  • AKM AK4558 ADC with 109 dB S/N Ratio
  • Uses Rechargeable Li-Ion & AA Batteries
Note: You may also want to take a look at the Mark II version of this audio recorder which is currently discounted.
Posted to: Canon News,
Post Date: 8/23/2016 6:14:02 AM CT   Posted By: Sean
B&H has the Induro BHM1 Ball Head available for $89.95 with free expedited shipping. Regularly $175.00.
 
Product Highlights
 
  • Load Capacity: 44.1 lb
  • Arca-Type Compatible
  • QR Plate Included
  • Bubble Level
Posted to: Canon News,
Post Date: 8/23/2016 5:46:25 AM CT   Posted By: Sean
Hot Deal: For a limited time, use promo code CCPHOTOPLAN at B&H to get a 12-month subscription to the Adobe Creative Cloud Photography Plan for $89.99. Regularly $119.95.
 
Product Highlights
 
  • Subscription to Photoshop CC and Lightroom CC
  • Tools to Organize, Edit, Enhance & Share
  • Constant and Automatic Feature Updates
  • Up-to-Date Camera Support
  • Extensive Library of How-To Videos
  • Cloud-Based Storage for Multiple Devices
  • Sync to Photoshop Mix & Lightroom Mobile
  • For Mac and Windows Operating Systems
Posted to: Canon News,
Post Date: 8/23/2016 5:41:46 AM CT   Posted By: Sean
From LensRentals:
 
Let us help you capture your time off with a new piece of gear! Get $25 off any rental of $150 or more by placing your order to arrive between now and September 2nd! Just use code LABORDAY25 at checkout.
 
*Order must have arrival date between 8/23/16-9/02/16. Must use code LABORDAY25.
 
To support this site, navigate to the appropriate product review and click the Rent button.
Posted to: Canon News,
Post Date: 8/23/2016 5:35:04 AM CT   Posted By: Sean
 Monday, August 22, 2016
Getting both of these lenses is of course ideal (and very highly recommended), but what if your budget allows for only one? Which one should you get? On the surface, the Canon EF 70-200mm f/2.8L IS II USM Lens and the Canon EF 100-400mm f/4.5-5.6L IS II USM Lens are quite different in their specs, but with the addition of the Canon EF 2x III Extender creating a 140-400mm f/5.6 IS lens from the 70-200 whenever desired, these two options quickly become rather close in primary specs.
 
In making this decision, the first question to ask is: "How important is a wide aperture to you?" If you are shooting action in low light, especially indoors, the f/2.8 aperture is going to be very important. If you need the maximum background blur in the 70-200mm focal length range, the f/2.8 lens is the better choice. If you simply need the 70-100mm focal length range, the 70-200 is the right choice as the 100-400 can't do that.
 
While the focal length range should play strongly into the decision making process, the 2x extender evens out the playing field between these two lenses. One of the first concerns I have when adding an extender is the impact to image sharpness.
 
Overall, these lenses are both so sharp that image sharpness is not a significant differentiator over the native focal length range overlap. The 70-200 of course needs help from an extender to cover the 200-400mm comparable range. Adding a 1.4x extender to a great zoom lens will cause relatively minor impact to image sharpness, but a 2x extender generally produces a noticeable contrast and resolution impact and that is the case here. The 70-200 performs quite well with the 2x, but the difference in across-the-frame sharpness is noticeable with the 100-400 showing a moderately strong advantage in the 400mm comparison. AF performance/speed also takes a bit of a hit with this extender in place.
 
These two lenses are quite similar in size, weight and price ... until the 2x extender is added to the equation. The 2x adds 2" (50mm) to the length, 12 oz (340g) to the weight and roughly 20% to the cost.
 
Thus, if the longer focal lengths are going to see significant use, the 100-400 L II has the overall advantage including smaller size, lighter weight, lower price, better AF performance and better image quality. Applications I commonly use the 100-400 L II for include wildlife, landscapes and big-field daytime outdoor sports photography.
 
When the wider aperture is needed and/or the 70-200mm focal length range is preferred, the 70-200mm f/2.8L IS II is my preference. This lens is an excellent choice for portraits, indoor events (including weddings), indoor sports, and many more similar uses. When longer-than-200mm focal lengths are needed only infrequently, adding the 2x to the 70-200mm lens can get the job done.
 
Again, the ideal Canon kit will have both of these lenses in it, but for those that must choose between the two, there is usually a best choice.
 
B&H has the 70-200mm f/2.8L IS II Lens ($100.00 instant rebate), 100-400mm f/4.5-5.6L IS II Lens ($200.00 instant rebate) and 2x III Extender in stock (with 4% rewards).
eBay (via Deals-All-Year – 99.9% Positive feedback) has the Canon EOS-1D X Mark II DSLR available for $5,499.99 with free shipping. Compare at $5,999.00.
 
Note: This is likely a grey market item and therefore technically ineligible for a Canon USA warranty. This auction does not include the 64GB CFast memory card and reader found in the currently available Premium Kit.
Posted to: Canon News
Post Date: 8/22/2016 9:08:30 AM CT   Posted By: Sean
From Datacolor:
 
Lawrenceville, NJ – August 16, 2016 – Datacolor, a global leader in color management solutions, today announced the release of Spyder5CAPTURE PRO, the next generation of its popular color calibration solutions for photographers, designers and imaging professionals. Spyder5CAPTURE PRO features all the essential products needed to manage color from image capture to post production, including SpyderLENSCAL, SpyderCHECKR, SpyderCUBE, and Spyder5ELITE.
 
  • SpyderLENSCAL allows users to calibrate camera and lens combinations, resulting in accurate auto-focus.
  • SpyderCHECKR and SpyderCUBE provide the user with reference tools to allow control of contrast, white balance and color when editing images.
  • Spyder5ELITE calibrates displays to an industry standard, ensuring that on-screen colors of images are accurate and match photo prints every time.
“We know how important color accuracy is for photographers, but we also know it can be time-consuming.” said Heath Barber, Imaging Market Manager, Datacolor. “Spyder5CAPTURE PRO reduces editing time by providing users with a fast and seamless workflow from capture to post-production by combining our leading color management tools in one convenient and cost-effective package.”
 
The new Spyder5CAPTURE PRO offers a bundled product savings of over 30 percent. For a limited time, Datacolor and participating photography resellers are offering Spyder5CAPTURE PRO at an introductory price of $269.99 if purchased by 9/30/2016. After 9/30/2016, Spyder5CAPTURE PRO will retail for $369.99.
 
B&H carries Datacolor Spyder5CAPTURE PRO.
Posted to: Canon News,
Category: Datacolor News
Post Date: 8/22/2016 5:25:06 AM CT   Posted By: Sean
Limited Time Deal: B&H has the Corel VideoStudio Pro Ultimate X8 available for $24.95 with free shipping. Regularly $99.95.
 
Product Highlights
 
  • 10 NewBlue and ProDAD Effects Plugins
  • Supports UHD 4K in XAVC S Codec
  • Balance Background and Foreground Audio
  • Built-In Screen Capture Tool
  • Includes Royalty Free Soundtracks
  • Media Management Library
  • Storyboard / Timeline Editing Modes
  • FastFlick 3-Step Easy Editing
  • Supports GPU Acceleration
  • Works with Windows XP and Later
Posted to: Canon News,
Post Date: 8/22/2016 5:13:46 AM CT   Posted By: Sean
 Friday, August 19, 2016
Adorama has the Pelican 1610 Watertight Hard Case with Dividers & Wheels available for $199.95 with free shipping. Regularly $249.95.
 
Product Highlights
 
  • Watertight, crushproof, and dust proof
  • Floats in salt water with 200 lbs (90.7 kg) load
  • Easy open Double Throw latches
  • Open cell core with solid wall design - strong, light weight
  • O-ring seal
  • Automatic Pressure Equalization Valve
  • Fold down handles
  • Stainless steel hardware and padlock protectors
  • This version includes Padded Divider Set
  • Personalized nameplate service available
  • Unconditional Lifetime Guarantee of Excellence
  • Retractable extension handle
  • Strong polyurethane wheels with stainless steel bearings
Posted to: Canon News,
Post Date: 8/19/2016 2:50:12 PM CT   Posted By: Sean
One relatively common question we get is, "Should I get the Canon EF 100mm f/2.8L Macro IS USM or EF 100mm f/2.8 Macro USM lens? Is the 100L worth the extra cost?" And those are certainly good questions. Of course there are comparable third party options to consider, but for the purposes of this post we'll be looking at the two 100mm Canon models typically considered.
 
Both lenses feature the same focal length, the same maximum aperture, offer 1:1 macro focusing capability and feature very similar image quality. While the 100L barely edges out the non-L in sharpness at wider apertures and the non-L is better with flare, I wouldn't consider image quality to be a differentiating factor between the two lenses. However, there are a couple of key differences between the lenses that aid in differentiation.
 
Probably the biggest advantage of the EF 100mm f/2.8L Macro IS USM is its Hybrid Image Stabilization. Hybrid IS corrects for both angular and shift movements and allows for roughly 2-stops of correction at 1:1 focusing distances and up to 4-stops of correction at longer focusing distances. If you plan on using your macro lens handheld in the field, the L-series lens – with its HIS, great build quality and weather sealing – will be your best choice. The value of image stabilization for handheld macros cannot be understated; it's hugely beneficial. And considering that the 100L is only about 50% more than its non-L counterpart (in the US, without rebates), many photographers will find the pro-grade lens's benefits worth the investment. Being one of Canon's least expensive L-series lenses means that this lens is often a photographer's first introduction into Canon's premium lens lineup.
 
For those who prefer using a tripod when photographing macro subjects, and who do not need weather-sealing, the EF 100mm f/2.8 Macro USM provides L-series image quality at a more wallet-friendly price. I [Sean] personally opted for purchasing the EF 100mm f/2.8 Macro USM for my own personal use and I have rarely regretted it. However, I rarely shoot macros handheld. Instead, I typically prefer to capture macros under very controlled circumstances employing a solid support system [tripod] and strobes (whether indoors or outdoors). Under those studio or studio-like conditions, the benefits of the 100L are mitigated if not entirely moot.
 
In summary, if you plan on shooting macros handheld and/or need weather sealing, get the EF 100mm f/2.8L Macro IS USM. Otherwise, save some money and enjoy similar IQ with the EF 100mm f/2.8 Macro USM.
 
B&H carries the Canon EF 100mm f/2.8L Macro IS USM and EF 100mm f/2.8 Macro USM lenses.
Posted to: Canon News
Post Date: 8/19/2016 8:28:39 AM CT   Posted By: Sean

 
From the B&H YouTube Channel:
 
Speedliting expert Syl Arena was one of the first photographers to test the new Canon 430EX III-RT and he came away impressed. In his presentation, Syl shares his insights and tips about the Canon 430EX III-RT and how he creates amazing shots with Canon Speedlites.
 
Note: The video above is the event's highlight reel. You can find the full video here.
 
Want more info? Check out Bryan's full review of the Canon Speedlite 430EX III-RT.
 
B&H carries the Canon Speedlite 430EX III-RT.
Posted to: Canon News,
Post Date: 8/19/2016 8:07:39 AM CT   Posted By: Sean
Posted to: Canon News
Post Date: 8/19/2016 8:02:04 AM CT   Posted By: Bryan
    1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | 25 |    
Canon News, Nikon News Archives
2016   Jan   Feb   Mar   Apr   May   Jun   Jul   Aug
2015   Jan   Feb   Mar   Apr   May   Jun   Jul   Aug   Sep   Oct   Nov   Dec
2014   Jan   Feb   Mar   Apr   May   Jun   Jul   Aug   Sep   Oct   Nov   Dec
2013   Jan   Feb   Mar   Apr   May   Jun   Jul   Aug   Sep   Oct   Nov   Dec
2012   Jan   Feb   Mar   Apr   May   Jun   Jul   Aug   Sep   Oct   Nov   Dec
2011   Jan   Feb   Mar   Apr   May   Jun   Jul   Aug   Sep   Oct   Nov   Dec
2010   Jan   Feb   Mar   Apr   May   Jun   Jul   Aug   Sep   Oct   Nov   Dec
2009   Jan   Feb   Mar   Apr   May   Jun   Jul   Aug   Sep   Oct   Nov   Dec
2008   Jan   Feb   Mar   Apr   May   Jun   Jul   Aug   Sep   Oct   Nov   Dec
2007   Jan   Feb   Mar   Apr   May   Jun   Jul   Aug   Sep   Oct   Nov   Dec
2006   Jan   Feb   Mar   Apr   May   Jun   Jul   Aug   Sep   Oct   Nov   Dec
2005   Jan   Feb   Mar   Apr   May   Jun   Jul   Aug   Sep   Oct   Nov   Dec
Feedback
Help  |  © 2003-2016 The Digital Picture, LLC  |  Bryan CarnathanPowered By Christ!