Shooting abandoned places can lead to surprising results. You'd never guess David's shot 'The Mothership' is actually Linnahall: a former concert hall in Tallinn, Estonia. Check out what he has to say about it and take a closer look at the shot here http://bit.ly/1LFfGB9
From the photographer, David de Rueda:
"Linnahall is a former concert hall in Tallinn, Estonia. With a two minute exposure, I could reveal the architecture of the place, which otherwise sat in darkness. The central framing gives the photograph its power, drawing the eye right to the centre. To me, it almost looks like a spaceship."
How to claim Once you have purchased your new Nikon product/s, you will need to follow the simple claim process below. To enable us to complete your claim, we will need to see supporting documentation. This can be in the form of a hard copy or a digital copy with an online claim.
Please follow the steps below to make a claim.
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Find your Nikon Europe Service Warranty document for all products. This will either have already filled in Nikon UK Ltd or Nikon Europe BV (Please see image below).
Fill in your name and address details on the Nikon Europe Service Warranty document for all products (if applicable).
Make a photocopy or a digital copy of the Warranty documents for all products claimed for, and retain the originals for your records. This could be in the form of a scan or photograph.
Please make a digital copy or a photocopy of your receipt/invoice ensuring that the date of purchase is clearly visible. This could be in the form of a scan or photograph. These documents will need to be uploaded during the claim process or sent via post. NB: Original receipts/invoices should not be sent in with your application as Nikon will not return the original documentation.
Complete the online claim form by clicking on the "Claim Now" button or by following other cues to claim throughout the site.
Once completed either upload your digital copies of your invoice and warranty documents, or print the copy of the confirmation and send with the documents above to Nikon Battery Grip Promotion 2015, PO Box 246, Alton, GU34 9BL. If you require a hard copy of the claim form please ring +44 (0)1420 525 506.
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Canon officially began celebrating the EOS 5D's 10th anniversary earlier this year and now they've published an introspective video narrated by members of their camera design team.
The EOS 5D launched in 2005 and was immediately successful because, up until then, full-frame sensors were limited to elite, expensive pro-grade bodies (Canon 1-series). With each successive iteration, Canon has introduced key advancements that kept the camera line relevant for its target markets (high resolution, video recording, advanced AF, etc).
It's interesting to look back and see how the 5D line has grown and matured into what it is today. The original 5D was a relatively stripped down camera with a full-frame sensor, somewhat akin to an EOS 6D today – capable of producing great images, but without many of the features that pros require.
Today, the 5D series sits squarely between the market it used to serve and the highest end, 1-series market (both in price and features) with a notable exception – resolution – where the 5D bests its top-tier big brother. With each feature-packed iteration the 5D has appealed to an even broader market; I think that's a big reason why the cameras have been so popular over the past decade. I think it'll be interesting to see where the lineup goes from here. [Sean]
Obvious is that the Canon EOS 5Ds is a much higher resolution camera than the Canon EOS 5D Mark III. Because the 5Ds has more pixels in the same amount of sensor space as the 5D III, camera and subject motion causes subject details to cross over pixels at a faster rate, potentially resulting in blur and a loss of pixel-level sharpness. Because of this, you may find that a faster minimum shutter speed is necessary for handholding this camera (and that image stabilization becomes more important). Similarly, fast-moving subjects may require faster shutter speeds to avoid pixel-level motion blur.
This is the 5Ds change with the biggest learning curve. But, get the shutter speed wrong and you may have a fallback option available.
The momma black bear showed up and I sprung into action. With the Canon EF 100-400mm L IS II Lens mounted to the 5Ds (the "R" in this case), I quickly estimated the manual exposure needed. Black bears rendered large in the frame tend to be overexposed in auto exposure modes and I was able to dial in the right manual exposure setting just as fast as determining any exposure compensation needed. I made one quick ISO setting change after seeing the first image on the histogram and began rapidly capturing frames.
Unfortunately, most of my shots from this 2 minute session were throwaways, primarily due to the bear's constant fast movement creating poor head positions. Some of the better-composed images were not as sharp as desired due to motion blur.
Hindsight is usually clear and I know that I should have opted for a higher ISO setting and shorter shutter speed, but I was hoping that the bear would pause occassionally, affording me the opportunity for sharp images at 1/320. When modestly blurred images happen, the fall-back option available is to reduce the final image dimensions until it is the desired sharpness. Reducing the final image dimensions to those of the 5D III (or similar) will give you the about same sharpness results as if the image had been captured on that lower resolution camera.
Here is the full resolution crop example showing what I was not satisfied with:
Take this image down to 5D III pixel dimensions and ... I have an image I can be happy with:
In the case of my bear photo, 5D III dimensions result in an acceptably sharp image (the DOF is centered closer to the eyes, leaving the teeth slightly out of focus). While I would rather have the full 50.6 megapixel image be sharp, having this image sharp at 22 megapixels does not leave me with big regrets.
I know, the bear is not looking at me. I always recommend taking a tastier (and slower) friend along when photographing bears. The bear was looking at her. I'm kidding of course. :)
Multi-use, outdoor-inspired and discreet design fits camera and personal gear offers 40% of interior space for camera gear and 60% of interior space for personal items
Customizable and removable camera insert provides padded camera protection and versatile divider system that adjusts to fit a DSLR or CSC kit and includes a storm-flap closure and grab handles; remove insert to convert the shoulder bag into a fully functional day bag
Flexible camera box may be positioned at front, middle or back of bag allowing you to distribute and carry weight just where you want it
Multiple storage options provide plentiful space for all types of day gear - interior fits lunch, light jacket, 10" tablet with its protective case, sunglasses etc.; roomy exterior pocket; 2 exterior zippered pockets and 1 interior mesh zippered pocket for smartphone
Lightweight, weather-resistant fabrics offer a comfortable, all-day carrying solution that provides protection from light moisture, dust and sand
Roomy exterior water bottle pocket provides a convenient spot to keep hydration at hand
Adjustable, wide-webbing shoulder strap with cam lock buckle offers a comfortable way to wear bag over shoulder or across body, high or low
While testing Canon's cheapest lens on their highest resolution camera may seem to be a pairing of opposites, there is a point to be made here. The 50 STM is not a great performer at f/1.8, showing a "dreamy" look to be kind. If we review a comparison between the 5Ds R and 1Ds III with the 50 STM at its f/1.8 aperture, we see that the 5Ds R can extract more resolution from even a poor performing lens. Look at the white being more clearly delineated between the black lines in the top crop to most easily see this.
As same as the Live View mode of Canon “EOS 8000D (Rebel T6s / 760D)” and “EOS Kiss X8i (Rebel T6i / 750D)”, we have found that similar update is required for our lenses to make them compatible with the Live View mode of “EOS 5Ds” and “EOS 5Ds R” cameras.
Please note that those products shipped after May 11th in 2015 or updated the firmware for Canon “EOS 8000D (Rebel T6s / 760D)” and “EOS Kiss X8i (Rebel T6i / 750D)” cameras are already compatible with the “EOS 5Ds” and “EOS 5Ds R” cameras, too.
In case your lens belongs to the lens group listed below, please contact your nearest authorized SIGMA subsidiary or distributor to update the firmware free of charge.
Phenomena It does not display images on the rear LCD monitor when Live View Mode button on the camera body is pressed.
Products and Serial Numbers to be updated The new firmware will ensure the lens is compatible with the Live View mode of EOS 5Ds and EOS 5Ds R cameras.
17-50mm F2.8 EX DC OS HSM
No. 12651501 or later
18-250mm F3.5-6.3 DC MACRO OS HSM
No. 13044001 or later
APO 70-200mm F2.8 EX DG OS HSM
No. 12713001 or later
APO 50-500mm F4.5-6.3 DG OS HSM
No. 12902001 or later
120-300mm F2.8 DG OS HSM | Sports
No. 50064494~ 50347793
APO 150-500mm F5-6.3 DG OS HSM
No. 12669751 or later
17-70mm F2.8-4 DC MACRO OS HSM
No. 12665001 or later
18-200mm F3.5-6.3 II DC OS HSM
No. 12851001 or later
18-250mm F3.5-6.3 DC OS HSM
No. 12656101 or later
APO 50-150mmF2.8 EX DC OS HSM
No. 12839001 or later
APO 120-300mm F2.8 EX DG OS HSM
No. 12676440 or later
APO 120-400mm F4.5-5.6 DG OS HSM
No. 12971601 or later
* For lenses that have been repaired in the past, they may require the firmware update even when the serial number is not listed above. If the mentioned camera does not display images on the rear LCD monitor when Live View Mode button on the camera body is pressed, it is necessary to update the firmware. * Our DC lenses are developed for the camera bodies with APS-C image sensor, and it is not designed for the cameras with full-size and 1.3x sensors. * There is no need to update the firmware of those products shipped after May 11th in 2015 or already updated for Canon “EOS 8000D (Rebel T6s / 760D)” and “EOS Kiss X8i (Rebel T6i / 750D)”cameras.
For those who own the SIGMA USB DOCK, it will be possible to update the firmware of 120-300mm F2.8 DG OS HSM | Sports through SIGMA Optimization Pro.
* If you use the SIGMA USB DOCK with 120-300mm F2.8 DG OS HSM | Sports, even when the lens does not require the update, its firmware will be updated to the new version. * For those who use APO TELE CONVERTER 1.4x EX DG or APO TELE CONVERTER 2x EX DG with the 120-300mm F2.8 DG OS HSM | Sports, please contact your nearest authorized subsidiary / distributor of SIGMA for further support.
How to identify updated products Products that we will be shipping from now on already have the updated firmware. This can be recognized by the white sticker on lower left side of the gift box as shown below.
For further information, please contact your nearest authorized subsidiary / distributor of SIGMA.