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 Thursday, May 21, 2015

 
From the Adobe Photoshop YouTube Channel:
 
Get a sneak peek of an early prototype of Adobe's mobile retouching from Bryan O'Neil Hughes.
 
Adobe's Creative Cloud Photography Plan (USD$9.99 per month) includes Lightroom CC across desktop, web and mobile, Photoshop CC and Photoshop Mix (for iPhone and iPad).
Category: Adobe News
Post Date: 5/21/2015 4:26:22 PM CT   Posted By: Sean
Nikon D750 DSLR Camera
With one of the most vague descriptions I have ever seen in a firmware update, Nikon has released firmware version 1.01 for the D750.
 
From Nikon:
 
Changes from “C” Version Firmware 1.01
 
  • Camera operation is now more reliable.
Download:
Nikon D750 Firmware v.1.01
 
B&H carries the Nikon D750 DSLR camera – now more reliable than ever. ;-)
Posted to: Nikon News
Post Date: 5/21/2015 2:02:40 PM CT   Posted By: Sean
Nikon D7200 DSLR Camera
eBay (via photovideo4less) has the Nikon D7200 DSLR Camera available for $899.00 with free shipping. Compare at $1,196.95.
 
Note: This is likely a grey market item and therefore inelegible for both Nikon USA warranty and service.
Posted to: Nikon News
Post Date: 5/21/2015 12:01:38 PM CT   Posted By: Sean
Canon 24-70mm L II Captures Reflections at Independence Pass, Colorado
A great way to make a good scene better is to add a reflection and water is perhaps the most common reflective surface used in landscape photography. At least relatively still water is needed if what is reflecting is to be recognizable and, when shooting in extremely windy locations (this one qualifies), small bodies of water tend to be most still.
 
Shaded water often provides a better reflective water surface than water under direct sunlight. At the top of Independence Pass, the setting sun shines horizontally across the landscape and casts a shadow evenly across this small alpine meadow pond. The dark water nicely reflects the great clouds overhead
 
This is a manual HDR processed image with a subtle increase in reflection brightness being the result.
 
A larger version of this image is available on Flickr, Google+, 500px and Facebook. Also, if reading from a news feed reader, click through to see the framed image.
Post Date: 5/21/2015 10:20:30 AM CT   Posted By: Bryan
Canon Professional Network Logo
From the Canon Professional Network:
“I didn’t know I needed it, until I saw the quality...”
 
Fashion photographer and Canon Explorer Quentin Caffier is on fashion photography’s fast track. One of Europe’s new breed of busy modern professionals, his recent shoot with a pre-production EOS 5DS has convinced him that – to stay ahead of the curve – he needs every one of those 50.6 Megapixels. CPN caught up with him recently to find out why...
 
“I am always looking for quality in my pictures,” he states. “But in my work I have to shoot fast. From my previous experience with high megapixel medium-format cameras, the bigger the megapixels meant the slower the camera. And for me, when I use a camera like that, the risk I face when working with models spinning around in dresses, for example, was always that I might lose the shot. That’s why I always preferred to use my EOS-1D X DSLR because I knew it would never let me down. Its reactions were always so much faster.”
 
But the advantage of speed always came at the expense of ultimate image quality. In Quentin’s business, detail is king and when the EOS 5DS arrived he was keener than most to see how it performed.
 
“I only had the opportunity to use it twice, because there was only one body to share amongst all the other Canon Explorers,” Quentin explains, “But it was enough. I shot JPEG because the RAW software was still being developed at the time, but I can tell you that I was impressed.”
See the entire article on the Canon Professional Network.
 
B&H has the Canon EOS 5Ds / 5Ds R available for preorder.
Post Date: 5/21/2015 10:54:58 AM CT   Posted By: Sean

 
From the Vincent Laforet Vimeo Channel:
 
Our flight over London, May 2015 took in some of the most iconic sites of the city. We were lucky to have great weather and visibility from 6000ft on this 2 hour flight over the city.
 
You can see more of Laforet's Air Series on laforetair.com.
Post Date: 5/21/2015 8:30:19 AM CT   Posted By: Sean
Canon EOS M3 Camera Body
For a limited time, DigitalRev has the Canon EOS M3 Body (white or black) available for $554.00.
 
Note: This isn't a huge discount over their normal price of $569.00. However, the fact that the EOS M3 was in stock and available from DigitalRev initially flew under my radar, so I thought it was worth a post. [Sean]
Posted to: Canon News
Post Date: 5/21/2015 8:11:18 AM CT   Posted By: Sean
Canon EF 50mm f/1.8 STM Lens
B&H has the Canon EF 50mm f/1.8 STM Lens in stock with free expedited shipping. While you're at it, you may want to pick up the lens hood too.
 
Product Highlights
 
  • EF Mount Lens/Full-Frame Format
  • Maximum Aperture: f/1.8
  • Optimized Lens Coatings
  • STM AF Motor Supports Movie Servo AF
  • Manual Focus Override
  • Metal Lens Mount
  • Rounded 7-Blade Diaphragm
  • Minimum Focus Distance: 14"
Posted to: Canon News
Post Date: 5/21/2015 7:42:34 AM CT   Posted By: Sean
ikan VH7i-E6 7
For a limited time, B&H has the ikan VH7i-E6 7" HDMI LCD Monitor with Canon LP-E6 Type Battery Plate available for $259.00 with free expedited shipping. Regularly $399.00.
 
Product Highlights
 
  • 1280 x 800 High Definition Screen
  • NTSC/PAL/SECAM Auto Detect
  • IPS Screen with 178° Viewing Angle
  • HDMI In/Out
  • 400 cd/m² Brightness/800:1 Contrast
  • DSLR Scaling / Peaking / False Color
  • Flexible Power Options
  • Accepts Canon LP-E6 Type Batteries
  • Includes Ball Mount & Sun Hood Clip
Canon EF 28-300mm f/3.5-5.6L IS USM
The Canon Store is having a Memorial Day Sale with discounts on select refurbished DSLR cameras, lenses and flashes.
 
In Stock Sale Items
 
Refurbished ItemOrig PriceSavingsSale Price
Canon EOS 5D Mark III Body2,239.2040.202,199.00
Canon EOS 6D Body1,359.2060.201,299.00
Canon EOS 70D + EF-S 18-135mm IS STM1,239.20339.21899.99
Canon EOS 70D + EF-S 18-55mm IS STM1,079.20279.21799.99
Canon EOS 7D Body959.36309.37649.99
Canon EOS Rebel T5i + EF-S 18-135 IS STM839.20259.21579.99
Canon EOS Rebel T5i + EF-S 18-55 IS STM679.99200.00479.99
Canon EOS Rebel SL1 + EF-S 18-55 IS STM599.99250.00349.99
Canon EOS Rebel T5i Body559.99110.00449.99
Canon EOS Rebel T3i + EF-S 18-55 IS479.99130.00349.99
Canon EOS Rebel SL1439.99140.00299.99
Canon EOS Rebel T5 + EF-S 18-55 IS II439.99140.00299.99
Canon EF 28-300mm f/3.5-5.6 L IS USM2,039.2080.001,959.20
Canon EF 70-200mm f/2.8 L USM1,159.2080.001,079.20
Canon EF 70-200mm f/4 L IS USM1,039.2080.00959.20
Canon EF 70-200mm f/4 L USM567.9948.00519.99
Canon EF 75-300mm f/4-5.6 III USM187.99108.0079.99
Canon EF 75-300mm f/4-5.6 III159.9990.0069.99
Canon EF 50mm f/1.8 II100.7920.8079.99
Canon EF 300mm f/4 L IS USM1,159.2080.001,079.20
Canon EF 400mm f/5.6 L USM1,071.2072.00999.20
Canon EF-S 18-200mm f/3.5-5.6 IS559.99210.00349.99
Canon EF-S 55-250mm f/4-5.6 IS II199.99100.0099.99
Canon Speedlite 430EX II239.9940.00199.99
Canon Speedlite 320EX199.9970.00129.99
 Wednesday, May 20, 2015
Canon EOS Rebel T5 with EF-S 18-55mm IS II Lens
eBay (via ElectronicsValley – 98.3% Positive feedback) has the Canon EOS Rebel T5 with EF-S 18-55mm IS II Lens (review) available for $309.00 with free shipping. Compare at $399.00 after $150.00 instant savings.
 
Note: This is likely a grey market item and therefore technically ineligible for a Canon USA warranty.
Posted to: Canon News
Post Date: 5/20/2015 3:53:05 PM CT   Posted By: Sean

 
Pizza Hut wants to warn the public about the dangers of using Selfie Sticks.
 
Keep in mind, Selphie Stick abuse is not limited to smartphone users. Even DLR users are at risk.
 
DSLR Selphie Stick

Setup: 5D Mark III + EF 17-40mm f/4L USM mounted on a Manfrotto 680B Compact Monopod with Desmond DMH-01 Tilt Head. Vignetting added in post.
Post Date: 5/20/2015 12:24:47 PM CT   Posted By: Sean
Sigma 150-600mm f/5-6.3 DG OS HSM Sports Lens
B&H has the Sigma 150-600mm f/5-6.3 DG OS HSM Sports Lens for Canon in stock with free expedited shipping.
Post Date: 5/20/2015 11:52:35 AM CT   Posted By: Sean
Kat and Laura Instrumental Duo
by Sean Setters
 
Kat is a musician and operates a music instruction business that is literally a stone's throw away from my mailbox. I often see her going in and out of her studio when walking to the nearby grocery store.
 
One day we struck up a conversation and, naturally, I mentioned that I was a photographer. With a look of surprise she said, "Really? What a coincidence! My music partner and I were just talking about doing some promotional shots for our business."
 
Kat would go on to explain that she had teamed up with Laura, a cello player, and they were doing side gigs playing wedding receptions and various events. They wanted a few images to promote their own music (single portraits) and to promote their instrumental duo.
 
When I asked what Kat what kind of look or feel she wanted for the images, she replied, "Something with nature."
 
I told her I'd come up with something.
 
One evening a few days later, I was visiting a friend when I noticed a home in his neighborhood that featured a beautifully landscaped yard. The yard had fantastic rock formations, a stream and several trees that all screamed "nature." Another benefit of the location was its proximity to the road and a small area off to the side for parking. In short, the location was close to town, easily accessible and could be framed in a way to make it look like we were out in the middle of nowhere. Perfect.
 
I immediately knocked on the home's front door with the intent of asking the homeowner if I could use his yard for a shoot (a bit bold, yes). The homeowner wasn't home. I took a few pictures of the yard using my cell phone to document the location with a mental note to return again to introduce myself to the home owner.
 
I returned the following day with a typed, signed letter introducing myself to leave for the home owner just in case he/she was once again not home. When I pulled up to the home, the homeowner – a very nice gentleman by the name of Danny – was blowing the leaves and grass off his driveway obviously having just finished mowing. He looked a bit standoffish as I approached, likely because I looked like a traveling salesman or an evangelist walking down the driveway.
 
The first words out of my mouth set him at ease. "Don't worry, I'm not selling anything. I simply have a favor to ask. My name is Sean and I'm a local photographer..."
 
I continued to explain about my clients, their desire for a natural setting, and how the images were intended to be used. I complimented his yard and landscaping several times in the conversation (sincere flattery) and noted that I thought it would be absolutely perfect for their needs. A little to my surprise, Danny didn't even hesitate. "Sure, come over anytime. It doesn't matter whether I'm here or not. No need to tell me you're coming. Just be careful around the rocks."
 
I love the South. :-)
 
I emailed Kat the location images I had snapped with my phone and she thought the scene looked great. With the "go-ahead," we scheduled the shoot.
 
On the day of the shoot I arrived a little early to set up the lighting gear. Using the Photographer's Ephemeris web app, I knew that the sun would be positioned behind the spot I wanted to use around 4pm. This would have been ideal. Unfortunately, Kat and Laura were only available in the morning, meaning I would have to fight the sun which was positioned in front of them.
 
I tackled the direct sunlight problem by shading the duo with two umbrellas camera left (boomed above). I originally intended on shooting my tripod-based images with the umbrellas in the scene and then shooting a reference image without the umbrellas so that I could remove the umbrellas from all of the images in post. When the cloud cover arrived later in the shoot, I simply removed the umbrellas. All the example shots in this post occurred after we removed the umbrellas from the scene.
 
Here's how I lit the scene:
 
  • White Lightning x1600, camera right, diffused by a 43" octabox
  • White Lightning x3200, camera left, diffused by an extreme silver parabolic umbrella (with diffusion cover in place)
  • Canon 580EX, camera left (behind subjects), 1/2 CTO gelled
You can see the setup below.
 
Kat and Laura Setup

 
For my camera and lens, I used a tripod mounted 5D Mark III and one of my favorite lenses, the EF 85mm f/1.2L II USM with a Singh-Ray Vari-N-Duo. The 85mm focal length was a good fit considering that I had to position the camera on the other side of a ditch between the subjects and myself. Being pretty far back from the scene, the 85mm focal length also allowed for a not-too-tight / more loosely framed composition which would give Kat and Laura more ways to crop the image for a wide range marketing materials (letter, postcard, brochure, web, etc). The variable ND filter (mounted via a step-up ring) allowed me to utilize the lens's wider apertures (f/1.8 in this case) while keeping the shutter speed at or below the flash sync speed for a more blurred background.
 
While the setup was a lot of work, the results proved worth the effort (I think). Here were some of the individual promotional images we shot.
 
Kat and Violin
Kat and her Violin

Laura and Cello 1
Laura and the Cello 1


Laura and Cello 2
Laura and Cello 2


Takeaways:
 
  1. Always be on the lookout for good locations. You never know when and where you'll run across something that's just perfect.
  2. Don't be afraid to ask permission to use a location. The worst they can say is "no."
  3. Arrive ahead of your clients if you anticipate needing a decent amount of setup time. Doing so will ensure your clients are ready to shoot fresh upon arrival.
  4. Frame loosely for promotional images that won't be used in a large format. Doing so gives your client much more flexibility to use the images on a wide range of materials with varying aspect ratios and typesetting needs.
In the end, the clients loved the images and even gave me a bonus on top of the agreed-upon fee. It proved to be a great session all-around.
 
You can find higher resolution images on my Flickr photostream:
 
Post Date: 5/20/2015 10:16:07 AM CT   Posted By: Sean
The 24-70 L II Visits the Last Dollar Ranch, Telluride
Colorado is known for its big ranches and a big ranch calls for a grand entrance. The Last Dollar Ranch on Last Dollar Road near Dallas Divide (and RT 62) has one of my favorite such entrances. The huge mountains behind large golden fields fronted by a rustic wooden fence and of course, a grand entrance create a simply beautiful scene.
 
To make the entrance appear grand in the image, I moved in close and used a wide angle focal length.
 
Just looking at this photo brings back memories of the large heard of elk in the distance and I can still hear the large bull bugling. That is the power of an image.
 
A larger version of this image is available on Flickr, Google+, 500px and Facebook. Also, if reading from a news feed reader, click through to see the framed image.
Post Date: 5/20/2015 9:14:32 AM CT   Posted By: Bryan
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