"Sometimes building for the future means we need to make hard choices and today I am also announcing that we are discontinuing Photoshop Touch. For those of you who have been using Photoshop Touch, thank you and please continue creating amazing work with it; while it will no longer be available in stores as of May 28th and we won’t ship further updates, it will remain completely functional on your devices for the foreseeable future. For further information on how this change could impact your workflow, please visit here.For what it's worth, I have Photoshop Touch on my Samsung Galaxy S3 and I've only used it a handful of times. While decently capable as an editing app, it wasn't quite as intuitive as I thought it should be.
Photoshop Touch was available across platforms and so I’d like to leave all of you on Android with some good news – we’re actively developing new mobile applications for Android and will share those with you very soon."
“I didn’t know I needed it, until I saw the quality...”See the entire article on the Canon Professional Network.
Fashion photographer and Canon Explorer Quentin Caffier is on fashion photography’s fast track. One of Europe’s new breed of busy modern professionals, his recent shoot with a pre-production EOS 5DS has convinced him that – to stay ahead of the curve – he needs every one of those 50.6 Megapixels. CPN caught up with him recently to find out why...
“I am always looking for quality in my pictures,” he states. “But in my work I have to shoot fast. From my previous experience with high megapixel medium-format cameras, the bigger the megapixels meant the slower the camera. And for me, when I use a camera like that, the risk I face when working with models spinning around in dresses, for example, was always that I might lose the shot. That’s why I always preferred to use my EOS-1D X DSLR because I knew it would never let me down. Its reactions were always so much faster.”
But the advantage of speed always came at the expense of ultimate image quality. In Quentin’s business, detail is king and when the EOS 5DS arrived he was keener than most to see how it performed.
“I only had the opportunity to use it twice, because there was only one body to share amongst all the other Canon Explorers,” Quentin explains, “But it was enough. I shot JPEG because the RAW software was still being developed at the time, but I can tell you that I was impressed.”
|Refurbished Item||Orig Price||Savings||Sale Price|
|Canon EOS 5D Mark III Body||40.20||2,199.00|
|Canon EOS 6D Body||60.20||1,299.00|
|Canon EOS 70D + EF-S 18-135mm IS STM||339.21||899.99|
|Canon EOS 70D + EF-S 18-55mm IS STM||279.21||799.99|
|Canon EOS 7D Body||309.37||649.99|
|Canon EOS Rebel T5i + EF-S 18-135 IS STM||259.21||579.99|
|Canon EOS Rebel T5i + EF-S 18-55 IS STM||200.00||479.99|
|Canon EOS Rebel SL1 + EF-S 18-55 IS STM||250.00||349.99|
|Canon EOS Rebel T5i Body||110.00||449.99|
|Canon EOS Rebel T3i + EF-S 18-55 IS||130.00||349.99|
|Canon EOS Rebel SL1||140.00||299.99|
|Canon EOS Rebel T5 + EF-S 18-55 IS II||140.00||299.99|
|Canon EF 28-300mm f/3.5-5.6 L IS USM||80.00||1,959.20|
|Canon EF 70-200mm f/2.8 L USM||80.00||1,079.20|
|Canon EF 70-200mm f/4 L IS USM||80.00||959.20|
|Canon EF 70-200mm f/4 L USM||48.00||519.99|
|Canon EF 75-300mm f/4-5.6 III USM||108.00||79.99|
|Canon EF 75-300mm f/4-5.6 III||90.00||69.99|
|Canon EF 50mm f/1.8 II||20.80||79.99|
|Canon EF 300mm f/4 L IS USM||80.00||1,079.20|
|Canon EF 400mm f/5.6 L USM||72.00||999.20|
|Canon EF-S 18-200mm f/3.5-5.6 IS||210.00||349.99|
|Canon EF-S 55-250mm f/4-5.6 IS II||100.00||99.99|
|Canon Speedlite 430EX II||40.00||199.99|
|Canon Speedlite 320EX||70.00||129.99|
Deals & Shopping News
Photography Deals (No Deals)
Canon Deals Nikon Deals Sigma Deals Tamron Deals Tokina Deals Adobe Deals Memory Card Deals In Stock Notices
Canon Preorders Nikon Preorders
Canon Refurbished Nikon Refurbished
Canon Rebates Nikon Rebates
Tamron Rebates Sigma Rebates