Canon, Nikon and Sony News for Jan 2019 (Page 6) Report News & Deals  ►

 Monday, January 7, 2019
From Laowa:
 
Featuring a 113° field of view, close-to-zero distortion & affordable pricing, Laowa 9mm f/2.8 DL Zero-D is a dream lens for DJI Inspire 2 pilots.
 
Anhui China, 3 Jan 2019 – Venus Optics, the camera lenses manufacturer who had previously launched a number of unique Laowa camera lenses, is proud to introduce the widest lens currently available for the DJI X7 cameras on Inspire 2 drones, Laowa 9mm f/2.8 Zero-D DL.
 
The new DL mount has the same specifications and optical performance as the existing Fuji X, Sony E and Canon EF-M mounts launched in 2018. All of them feature an ultra-wide 113° angle, cover Super35-sized sensor and have a close-to-zero distortion. The Laowa 9mm is significantly wider than the currently widest DL lens (i.e. 80°) in the market, allowing aerial cinematographers to capture more in limited distances. The ultra-fast f/2.8 lens also provide more flexibility to do night time aerial videography.
 
The lens is carefully designed to reduce the optical distortion to a close-to-zero level. It allows straight lines to be perfectly retained and saves videographers tremendous time in post-processing. Venus Optics is reputable in producing distortion-free lenses for multiple systems including the widest f/2 lens for full frame E-mount cameras (i.e. Laowa 15mm f/2 FE Zero-D).
 
The size and weight of the lens have also been compressed to the minimal in its class. It weighs only 210g (0.46 lbs) and 60mm (2.36 in) long. This compact and lightweight lens comprises of 15 elements in 10 groups with 2 pcs of aspherical elements and 3 pcs of Extralow dispersion elements. This optical design successfully minimizes the distortion and chromatic aberrations to its lowest but at the same time, delivers a superb optical performance. A 49mm filter thread is also included for cinematographers to use with ND filters.
 
Specifications
 
Focal Length9mm
Max. Aperturef/2.8
Angle of View113°
Format CompatibilitySuper35
Lens Structure15 elements in 10 groups
Aperture Blades7
Filter Thread49mm
Dimensions60 x 53mm
Weight210g
MountsDJI DL

Pricing & Availability
 
The retail selling price of the Laowa 9mm f/2.8 Zero-D DL mount in US is USD $499.00 (ex- VAT). Pricing may vary in different countries.
 
The lens is now available to order from Venus Optics authorized resellers and is available to ship immediately.
 
B&H carries Venus Optics Laowa 9mm f/2.8 Zero-D Lenses (DL mount will likely be available soon).
Category: Laowa News
Post Date: 1/7/2019 6:19:56 AM CT   Posted By: Sean
 Sunday, January 6, 2019
I love Pronghorn most because of their colors. But, they have many other great qualities. The dark, semi-heart shaped horns are one and that mohawk hair style is great.
 
A larger version of this image is available on Flickr.
 
Camera and Lens Settings
600mm  f/4.0  1/2000s
ISO 2000
3948 x 2632px
Post Date: 1/6/2019 7:00:00 AM CT   Posted By: Bryan
 Saturday, January 5, 2019
From ProGrade Digital:
 
Get Simultaneous Transfer of Files from Cards in Both Slots at Speeds of to 10Gb/s (1.25GB/s)
 
SAN JOSE, Calif., January 04, 2019 — ProGrade Digital, founded with a mission to provide the highest quality professional grade digital memory cards and workflow solutions, introduces and announces immediate availability of its newest product, the SD Dual-Slot USB 3.1, Gen. 2 Card Reader, $79.99 USD. As with all other ProGrade Digital USB 3.1, Gen. 2 workflow readers, files on each card transfer simultaneously at speeds of up to 10Gb/s (1.25GB/s).
 
“Many of today’s professional cameras have two SD slots, so it is only natural that ProGrade Digital’s newest USB 3.1, Gen. 2 workflow reader be a dual-slot for SD cards,” said Wes Brewer, founder and CEO of ProGrade Digital. “Based on the successes of earlier workflow readers, we know that our patent-pending magnetic base, compact rugged design and inclusion of two USB cables (Types A to C and C to C) really resonates with both professionals and prosumers. The dual-slot reader for SD cards provides just one more choice for our customers.”
 
The Prograde Digital USB 3.1, Gen. 2 Dual-Slot SD Card Reader is available on Amazon.
Post Date: 1/5/2019 9:18:16 AM CT   Posted By: Sean
When going afield, I often have some image goals in mind. Being opportunistic, taking advantage of every opportunity afforded, is always the primary plan with wildlife photography, but looking for opportunities to capture the goal shots is also part of the plan.
 
When viewed straight on from the front, most animals appear symmetrical and that is a look that can often work well in an image. One of my goal shots for this trip was a head-on image of a bugling bull elk (cow elk do not bugle) with its head and antlers characteristically laid back. Put that elk in a meadow with a strongly blurred background and I'd be even happier.
 
This shot nailed the head position I was looking for and most of the other aspects were in line with the goal. The elk's body position is nearly ideal, but the bull seemed to have its neck shifted slightly, breaking perfect alignment. Few sets of antlers are perfectly symmetrical and this set has some side-to-side variation.
 
I'll be attempting to one-up this image in the fall.
 
Coming with me?
 
A larger version of this image is available on Flickr.
Post Date: 1/5/2019 7:30:00 AM CT   Posted By: Bryan
 Friday, January 4, 2019
B&H has the Canon RF 28-70mm f/2L USM Lens (review) in stock with free expedited shipping.
 
Product Highlights
 
  • RF-Mount Lens/Full-Frame Format
  • Aperture Range: f/2 to f/22
  • Ultra-Low Dispersion Elements
  • Ring-Type Ultrasonic Motor AF System
  • Customizable Control Ring
  • Rounded 9-Blade Diaphragm
Posted to: Canon News
Post Date: 1/4/2019 12:47:36 PM CT   Posted By: Sean
The holidays are behind us and now it is time to put some to-be-anticipated events on the calendar. Consider this a personal invitation to join me for one or all of the following instructional photo tours!
 
Shenandoah National Park
 
"Whitetail Fawns and Much More", Shenandoah National Park
 
Sun, June 9 to Wed, June 12, 2019 and/or Wed, June 12 - Sat, June 15, 2019
 

 
Rocky Mountain National Park
 
"Bull Elk in Rut and Much More", Rocky Mountain National Park
 
Sun, September 22 to Sat, September 28, 2019
 

 
Shenandoah National Park
 
"Whitetail Buck in Rut and Much More", Shenandoah National Park
 
Sun, November 10 to Wed, November 13, 2019 and/or Wed, November 13 - Sat, November 16, 2019
 
I'll likely announce more 2019 destinations, so stay tuned. Feel free to contact me with your destination request.
Post Date: 1/4/2019 8:29:03 AM CT   Posted By: Bryan
These days, digital cameras support various types of memory cards such as CompactFlash, CFAST, XQD, Sony MemoryStick and – the focus of today's article – the ultra-popular Secure Digital (SD/SDHC/SDXC).
 
If you have ever been shopping for SD memory cards, you likely noticed a lot of different numbers of symbols on the cards' labels. Although seemingly cryptic, those numbers and symbols reveal important information about a card's performance, and whether or not that memory card is right for your intended use. So let's take a closer look at a typical SD card's label to see what information is available.
 
Secure Digital Memory Card Label (SanDisk)

Format
 
In 1999, SanDisk, Panasonic and Toshiba jointly introduced the Secure Digital memory card format (later referred to as Secure Digital Standard Capacity, or SDSC) in an attempt to improve upon the existing MultiMediaCard (MMC). The following year, those same companies formed the SD Card Association to develop SD standards and promote the new memory card format. In 2006, the SD Card Association outlined the SDHC (Secure Digital High Capacity) format in the second version of its SD specifications with support for memory cards up to 32 GB and speeds up to 25 MB/s. Later, the development of Ultra High Speed bus systems would increase the speeds available for SDHC memory cards. Three years later, the SDXC (Secure Digital eXtended Capacity) format was introduced supporting capacities of 2 TB and speeds of 104 MB/s with the addition of the UHS-I (Ultra High Speed) bus standard. When UHS-II was introduced in 2011, speeds up to 312 MB/s became possible. In 2018, The SD Card Association developed the SDUC (Secure Digital Ultra Capacity) format with support for 128 TB and speeds up to 985 MB/s.
 
Card TypeSupported
Capacity
Supported
Bus Speed
File System
SDSCup to 2 GB12.5 MB/sFAT12/FAT16
SDHCup to 32 GB25 MB/sFAT32
SDXCup to 2 TB312 MB/sexFAT
SDUCup to 128 TB985 MB/sexFAT

Max Read Speed
 
The max read speed indicates how fast the data from the memory card can be read under ideal circumstances. On some cards, an x-rating value is displayed. The x-rating is based on the original data transfer speed of CD-ROMs (150 KB/s). Because there may be a significant discrepancy between read speeds and write speeds, max read speeds (and x-ratings) are not truly indicative of the kind of performance you can expect from a memory card when used in your camera (where write speeds are significantly more important). Note that some manufacturers list separate max Read/Write data specs to clarify their card's performance, and the SD Association's introduction of Speed Classes (and Video Speed Classes) also help to clarify SD memory cards' performance (more on that later).
 
x Speed RatingApprox. Max
Read Speed
300x45 MB/s
400x60 MB/s
633x95 MB/s
1000x150 MB/s
2000x300 MB/s

UHS Class Speed
 
UHS-I and UHS-II cards (more on these later) may list a UHS class rating to designate the minimum write performance for the card, with U1 indicating 10 MB/s and U3 indicating 30 MB/s or more.
 
Capacity
 
Listed big and bold, and probably what most consumers pay the most attention to, is the memory card's capacity. Of course, a larger capacity means more images/videos can be saved before running out of room.
 
Video Speed Class
 
In order to cater to the needs of videographers, the SD Association created a Video Class Speed to designate the minimum sequential writing speed of the card. The number following the "V" indicates the minimum number of MB/s the card is capable of sequentially writing. In the example above, the card is minimally capable of writing 30 MBs of data to the card every second.
 
Bus Interface
 
An SD memory card's UHS (Ultra High Speed) rating indicates the maximum amount of data that can physically move into and out of the card. Along with the SDXC standard released in the SD Association's v.3.01 specification standards (2009), the UHS-I standard was also introduced. UHS-II and UHS-III soon followed allowing for even greater bus speeds, but these technologies required a second row of pins to be added to memory cards. The latest UHS bus iteration is dubbed "UHS Express" and has a theoretical limit of 985 MB/s.
 
Bus InterfaceBus Speed
UHS-I12.5 MB/s (SDR12)
25 MB/s (SDR25)
50 MB/s (SDR50, DDR50)
104 MB/s (SDR104)
UHS-II156 MB/s (FD156)
312 MB/s (HD312)
UHS-III312 MB/s (FD312)
624 MB/s (FD624)
UHS-Express985 MB/s (FD985)

Speed Class
 
Speed Classes 2, 4 and 6 support write speeds to a fragmented card of 2, 4 and 6 MB/s respectively. Class 10 cards, on the other hand, support a minimum of 10 MB/s sequential writing to a non fragmented card in addition to utilizing a high speed bus mode. As you can see, there's a lot of room for a Class 10 memory card to exceed the minimum spec, which is probably why the other class ratings (such as UHS/Video) were implemented.
 
Speed ClassMin. Seq.
Write Speed
Suggested Use
Class 22 MB/sSD Video
Class 44 MB/sup to 1080p/30p
Class 66 MB/sup to 1080p/30p
Class 10, U1/V1010 MB/sup to 1080p/120p
Class 10, U3/V3030 MB/sup to 4K/120p
Class 10, U3/V6060 MB/sup to 8K/120p
Class 10, U3/V9090 MB/sup to 8K/120p

Which memory card should I get for my camera?
 
In short, the memory card that has a sufficient capacity, the performance necessary to meet your most data-hungry needs and falls within your budget range. Keep in mind that SD memory cards are backward compatible; even if a memory card maxes out the capabilities of your camera to record data to it, you may find the extra performance useful when a) transferring images or video to other devices via a card reader or b) when your next camera offers features such as higher resolution images and/or video.
 
Secure Digital Memory Card Suggested RetailersB&H | Adorama
Post Date: 1/4/2019 8:28:57 AM CT   Posted By: Sean
B&H is set to host the second annual Depth of Field – Professional Portrait, Wedding and Event Photography Conference next month on February 5-6, 2019.
 
From B&H:
 
B&H Photo Video Pro-Audio is proud to present the second annual Depth of Field conference. Over the course of two days, photographers looking to elevate their craft will experience the hottest gear, hands on demonstrations, interactive experiences, portfolio reviews, inspirational and motivational speakers and more!
 
RSVP now to guarantee your free ticket and be updated with the event’s agenda, a complete list of speakers and details about special events at Depth of Field.
 
What to Expect
 
Inspirational lectures from iconic photographers and industry leaders; fully equipped studios and models with which to build your promotional body of work; one-on-one portfolio reviews; advanced lighting and workflow demonstrations… plus the Depth of Field Challenge!
 
Keynote Speaker, Albert Watson
 
As one of the world’s most successful and prolific photographers since 1970, Albert Watson has created some of the most iconic images ever seen in art, fashion and commercial photography. From portraits of Alfred Hitchcock and Steve Jobs and beauty shots of Kate Moss to Las Vegas landscapes and still-life photographs of King Tutankhamen artifacts, Watson’s diversity and body of work are unparalleled. His striking photographs and stunning hand-made prints are featured in galleries and museums around the globe.
 
Regiser for the Event
Category: B&H News
Post Date: 1/4/2019 6:09:01 AM CT   Posted By: Sean
 Thursday, January 3, 2019
LensRentals has posted a teardown of the Sony FE 400mm f/2.8 GM OSS Lens.
 
From the LensRentals Blog:
So what did we learn today? Really, not a lot. The Sony 400mm f/2.8 G is exactly what we expected; a very solidly built lens that is everything construction-wise you would hope for in a big beast of a super telephoto that costs $12,000. It has excellent weather sealing, heavy-duty engineering between the barrel segments, a very solid chassis, and components that all appear up to the task.
Sony FE 400mm f/2.8 GM OSS Retailers - B&H | Adorama
Post Date: 1/3/2019 12:48:11 PM CT   Posted By: Sean
Just posted: Robus RC-5570 Vantage Carbon Fiber Tripod Review.
 
This is an impressive tripod with an equally impressively low price.
 
The Robus RC-5570 Vantage Carbon Fiber Tripod is in stock at B&H.
Post Date: 1/3/2019 7:42:08 AM CT   Posted By: Bryan
From Irix:
 
We would like to announce and confirm that there are no issues with Irix lenses, as regards their general operation for the Canon EF mount in their current line-up when used on the Canon EOS R camera, and as released by the Canon Corporation via their Canon EOS R Adapter (Canon EF to Canon EOS R mount).
 
Thanks to this, it is possible to control the aperture from the camera, information about the distance transmitted to which the lens is focused, and to save full information about the exposure parameters in the EXIF format.
 
Compatible Irix lenses:
 
  • Irix 11mm f/4
  • Irix 15mm f/2.4
  • Irix 150mm f/2.8 1:1 Macro
B&H carries IRIX lenses.
Category: IRIX News
Post Date: 1/3/2019 6:29:39 AM CT   Posted By: Sean

 
From the Daniel Norton Photographer YouTube Channel:
 
In this video I put to the test my statement that if you only have one light, an Octagon softbox is the best and most versatile modifier for portraits.
 
Gear Used
 
Profoto B1X - B&H | Adorama | Amazon
Profoto Air Remote - B&H | Adorama | Amazon
Profoto 3’ RFI Octa - B&H | Adorama | Amazon
Profoto RFI Speedring for Profoto - B&H | Adorama | Amazon
Post Date: 1/3/2019 5:16:06 AM CT   Posted By: Sean
 Wednesday, January 2, 2019
Just posted: Canon RF 28-70mm F2 L USM Lens Review.
 
Having the RF 28-70mm F2 L mounted is like having a kit full of prime lenses mounted at the same time.
 
Get in line now – the first delivery of these lenses didn't fill the initial demand. The Canon RF 28-70mm F2 L USM Lens is available for preorder at B&H (expected in stock on 1/7) | Amazon | Adorama | WEX.
 
Rent the Canon RF 28-70mm F2 L USM Lens from Lensrentals.
Post Date: 1/2/2019 8:05:46 AM CT   Posted By: Bryan
 Tuesday, January 1, 2019
One of my primary goals is to help you get great images and I'd love for you to join me for 3 or 6 days of wildlife and outdoor photography in this great location. I have made space in the schedule and have the necessary Shenandoah National Park permit in hand.
 
When and Where: Sun, June 9 to Wed, June 12, 2019 and/or Wed, June 12 - Sat, June 15, 2019 in Shenandoah National Park
 
This trip is offered in a choice of 3 or 6 days (other options will be considered). The plan is to meet at the lodge on Sunday and/or Wed mid-day and we will wrap up after a morning shoot on the last day.
 
Who
 
Hopefully you, along with 3 (at most) others. While large groups are far more profitable from a business perspective, photographing wildlife in the field is challenging in large groups and keeping the group small means better opportunities and more personal attention.
 
Cost
 
The cost for this IPT is $995 per 3 days with a 50% deposit locking in your spot (balance is due 90 days prior to the IPT). Email me at Bryan@Carnathan.com to sign up or ask questions!
 
Whitetail Deer Fawns in Big Meadows, Shenandoah National Park
 
What are We Photographing?
 
Our primary photo subject will be wildlife. Wildlife, by definition, is "wild" and that means it is unpredictable and there can be no guarantees. That said, Shenandoah National Park is one of the best locations in the world to photograph whitetail deer and whitetail fawns are one of the cutest creatures on the face of this planet (it seems that everyone loves pictures of them). The timing for this trip is such that most of the fawns will be recently-born and the foliage for the always-important image backgrounds, which are also excellent here, should include beautiful bright green colors. Even with the high whitetail density found in SNP, fawns remain quite challenging to photograph, but the rewards are worth the effort.
 
Deer are not the only wildlife subject found here and, especially at this time of the year, there is high likelihood that black bears will avail themselves as subjects along with a variety of birds and other smaller mammals. We will be opportunistic and take advantage of any subjects that we encounter – and those moments are part of the excitement. In addition to the immersive wildlife photography experience, there will certainly be opportunity for some landscape photography. My time in the field is limited and I need to have a high probability of good opportunities when I make such time investment. SNP rarely lets me down in that regard. Basically, we will work hard to capture some great images, attempting to build out your portfolio and light up your social feeds as well as working on improving your photography skills. And, we'll have fun along the way.
 
A Sense of Urgency for this Trip
 
CWD (Chronic Wasting Disease) has been detected within 11 miles of SNP (according to the SNP wildlife biologist I talked to in Mar 2018). This awful disease is always fatal to deer and when it reaches within 5 miles of the park, implementation of an already-established plan will significantly reduce the deer population here. That means this awesome experience is at high risk and that is one of the reasons I make this location a priority.
 
Shenandoah National Park Black Bear
 
Tour/Workshop/Adventure/Expedition
 
While the implied definitions of these terms vary, I see "workshops" typically laid out with a planned schedule and "tours" typically designed to put you in front of subjects at the right time. I'm calling this trip a "tour" because the primary goal is for you to get great images and we will be opportunistic in that regard, making a firm schedule difficult to implement. That said, we will spend a lot of time together and I will teach (including as we are actively photographing), answer questions (please bring many), critique images, assist in editing, etc. throughout our time together. Thus, the educational element will also be a primary part of our time together – an "Instructional Photo Tour".
 
In the field, we will photograph side-by-side. You taking great images home will be a primary goal, but you capturing those images yourself is important and I can best describe what you should do if I am doing it myself at the same time. This also provides the participant opportunity to watch how it is done. Your constant feedback and questions during the IPT are important and will enable me to provide you with the best experience possible.
 
An "expedition" is another type of immersive photography experience and this event involves multiple daily mini-expeditions. Certain is that we will have an adventure.
 
Physical Requirements
 
This will be a moderately strenuous trip, with much of the strain dependent on the size and weight of the gear you are carrying. There will likely be some easy wildlife photography opportunities encountered, but we will be carrying our gear through the woods, tall grass and light brush over hilly terrain, often attempting to keep ahead of moving wildlife. Thus, one needs to be in reasonable physical condition.
 
What is Included
 
Transportation during the experience along with everything described in the Tour/Workshop/Adventure/Expedition section above is included. By not including the items listed below in the fee, individuals are able choose their level of spending.
 
What is Not Included
 
Transportation to/from Big Meadows Lodge including the required National Park entrance fee. I am happy to provide free transportation to and/or from the park if you are directly on my route from the north – primarily RT 81
 
Lodging. We will be staying at the Big Meadows Lodge. I usually get a very basic lodge room, but other options are available, ranging from camping to cabins. I am happy to connect you with other participants if a shared room are desired.
 
Food. Because of the remoteness of this location, our food will primarily consist of what is offered at the Wayside Diner or the park lodge along with any food brought along into the park or purchased at the camp store. Because it gets light very early at this time of the year (getting enough sleep will be one of our challenges), we will begin photographing before services are open. I usually pack breakfast to eat in my room prior to the morning shoots. I take a cooler with jugs of ice and ice is available at the lodge (you need bag/bucket to transport it from the ice machine). Typically, we will eat second breakfast/early lunch (or perhaps both) at the Wayside Diner (usually open 8-8 at this time of the year) or optionally the lodge and we will likely eat at the lodge for early or late dinner (it closes at 9:00). I suggest packing granola bars and/or bringing other snacks along while photographing (especially in case we find an amazing subject that we don't want to leave). Plan to have water or other drink available to take with you.
 
Schedule
 
At this time of the year, the days are long and the nights are correspondingly short. Our best opportunities will be found early and late in the day and we will target these times. Fatigue can dampen mental and physical sharpness, so we will usually return to our rooms mid-day for some downtime and a nap. We will go back out mid-late afternoon and stay out until the light level drops too low for good images. These plans are all very flexible and we can target any specific interests the group has.
 
Cancellation Policy
 
Travel insurance is strongly recommended. If a cancellation notice is received between 90 and 179 days before the workshop start date, a 50% refund of any payments made will be provided. If a cancellation notice is provided within less than 90 days of the workshop, no refund of payments made will be provided ... regardless of the cancellation notice received date, any workshop openings that are re-filled will be refunded payment in full minus a $195 administrative fee.
 
Let's Do This! Sign Up Now!
 
Email me at Bryan@Carnathan.com to sign up or ask questions!
 
Camera Gear Needed
 
Aside from a great attitude and a strong interest in photographing wildlife, you are going to need some gear and mid-upper-grade gear should be considered for good results from this event.
 
For fawns, a camera with a reasonably fast frame rate (fawns are almost constantly moving) and high-performing AF system is preferred, though not required. This generally means a DSLR camera or a late-model MILC (Mirrorless Interchangeable Lens Camera) should be in your bag.
 
A telephoto lens or lenses will be needed with a full-frame equivalent of at least 400mm (250mm on an APS-C) suggested and having longer focal lengths available is preferred. Wildlife activity is greatest early and late, so wide apertures are often an advantage and the wide aperture's ability to blur the background can be useful. Any telephoto lens can work, but there may be times when an f/4 or wider aperture is preferred. This is a great event to break out your big lenses for and it is also a great time to try a new one, perhaps via renting.
 
Ideal is a camera such as the Canon EOS-1D X Mark II with a Canon EF 200-400mm f/4L IS USM Lens (with built-in 1.4x extender) or Canon EF 600mm f/4L IS III USM Lens. The Canon EF 100-400mm f/4.5-5.6L IS II USM Lens is usually in my primary wildlife kit. I'll bring a variety of other lenses and accessories including a Black Rapid shoulder strap to carry the big lenses with.
 
I primarily use a monopod while photographing wildlife in this location. It is not as stable as a tripod and requires more effort to use, but it is much faster to set up and adjust. While neither are mandatory, one or both is preferred. I always take both to this location.
 
We can potentially make use of a full range of landscape photography gear, including ultra-wide to wide angle lenses and circular polarizer and ND filters.
 
It is highly recommended to bring a laptop, enabling review of your images during our time together. Bring an external hard drive for an additional level of backup. Bring adequate memory card capacity, enough batteries to last at least a day with enough chargers to restore that capability overnight.
 
Consider what failure of any piece of gear means for your experience. Consider bringing a backup for items identified as critical.
 
As always, feel free to ask us for gear advice.
 
Weather / Clothing
 
The weather in early June is typically very nice in Shenandoah National Park. However, the mountain can create its own weather and that can be at least somewhat unpredictable. Rain gear may be very appreciated at times, including rain covers for camera gear while in the field.
 
Plan for walking in light brush (including mild briars) and woods. The wildlife we are pursuing is acclimated to humans and does not seem to care what we are wearing (though you might get their attention if you look like a black bear, a primary deer predator). Camo clothing is not necessary, but it is a good option. I wear mostly camo and part of the reason is to be less obvious to other park visitors.
 
Insects can be annoying here and ticks are reportedly present (I have yet to find one on me at this location). Permethrin and other insect repellent may be appreciated and I also wear a ball cap to help keep gnats out of my eyes (and avoid sunburn). Especially mid-day, shorts may prove the most comfortable option at times.
 
Sign Up or Ask Questions!
 
Contact me at Bryan@Carnathan.com.
 
Whitetail Fawns – Cutest Animals on the Face of This Planet?
Consider this a personal invitation to join me in Rocky Mountain National Park in late September! RMNP is an incredible location (any park with "mountain" in its name has to be great) and the elk rut there is simply awesome, combining for a bucket list wildlife and outdoor photography experience. This trip is timed for the peak of the elk rut combined with what can be the peak of fall aspen color.
 
I have rented an ideally-located (quick access to the hot spots) home for us to stay in. Each participant will have a private room and the home will make a great base for our adventure as well as a great location to gather in for image review. Yes, we'll eat at Smokin Dave's BBQ (maybe more than once). Yes, we'll spend time along Trail Ridge Road (the highest paved road in North America).
 
Plan on hanging out with a small group that shares your passion for photography in a spectacularly scenic location.
 
When and Where
 
1 Opening: Sun, September 15 to Sat, September 21, 2019
 
Filled: Sun, September 22 to Sat, September 28, 2019
 
Wait List for 2020
 
We will be based in Estes Park, CO, just outside of Rocky Mountain National Park.
 
This trip is initially offered for 6 full days (other options will be considered – be sure to let me know of your preferred alternative). The plan is to meet in Estes Park on Sunday and we will wrap up after a morning shoot on the last day.
 
Who
 
Hopefully you, along with 3 other participants. Large groups are far more profitable from a business perspective, but seriously photographing wildlife in the field is very challenging in large groups. Keeping the group small means better opportunities and more personal attention. It also means that we can travel together throughout the park in a single SUV.
 
Cost
 
The cost for this 6-day IPT is $2990 including lodging (an approximately $1,000 value) with a 50% deposit locking in your spot (balance is due 90 days prior to the IPT). Email me at Bryan@Carnathan.com to sign up or ask questions!
 
Beautiful Bull Elk, Rocky Mountain National Park
 
What are We Photographing?
 
Our primary photo subject will be wildlife. Wildlife, by definition, is "wild" and that means it is unpredictable and there can be no guarantees. That said, Rocky Mountain National Park is a very reliable location to photograph rocky mountain elk and the bulls should be vying for herds of cows. In addition, the environment/scenery available for backgrounds here is excellent.
 
In addition to elk, we will likely see mule deer and other animals. We will be opportunistic and take advantage of any interesting subjects that we encounter – and discovering those moments are part of the excitement. In addition to the immersive wildlife photography experience, there will certainly be opportunity for some landscape photography. The views from the alpine tundra and Trail Ridge Road are awesome. Alluvial Fan Falls is conveniently located and other subjects abound.
 
Bull Elk and Rocky Mountains
 
Tour/Workshop/Adventure/Expedition
 
While the implied definitions of these terms vary, I see "workshops" typically laid out with a planned schedule and "tours" typically designed to put you in front of subjects at the right time. I'm calling this trip a "tour" because the primary goal is for you to get great images and we will be opportunistic in that regard, making a firm schedule difficult to implement. That said, we will spend a lot of time together and I will teach (including as we are actively photographing), answer questions (please bring many), critique images, assist in editing, etc. throughout our time together. Thus, the educational element will also be a primary part of our time together – an "Instructional Photo Tour".
 
In the field, we will photograph side-by-side. You taking great images home will be a primary goal, but you capturing those images yourself is important and I can best describe what you should do if I am doing it myself at the same time. This also provides the participant opportunity to watch how it is done. Your constant feedback and questions during the IPT are important and will enable me to provide you with the best experience possible.
 
An "expedition" is another type of immersive photography experience and this event involves multiple daily mini-expeditions. Certain is that we will have an adventure.
 
Physical Requirements
 
This will be a modestly strenuous trip, with much of the strain dependent on the size and weight of the gear you are carrying. There will likely be some easy wildlife photography opportunities encountered (possibly in our back yard), but we will be carrying our gear through the woods and tall grass over hilly terrain at times, often attempting to keep ahead of moving wildlife. Some trail hiking is planned. Thus, one needs to be in reasonable physical condition.
 
What is Included
 
As mentioned, I have a house rented for this tour and lodging is included. This home has 5 bedrooms along with 3 or 4 bathroooms. Transportation during the experience along with everything described in the Tour/Workshop/Adventure/Expedition section above is included. By not including the items listed below in the fee, individuals are able choose their level of spending.
 
What is Not Included
 
Transportation to/from the house and the required National Park entrance fee. Denver International Airport is convenient and often an inexpensive destination from an airfare perspective. I'm happy to attempt connection with other participants for sharing a ride to/from the airport.
 
Food. For expediency, breakfast will be on your own at the house. Typically, we will come back to the house after the morning shoot and will stop for lunch before heading out. We may pick up food to go for the evening, but will be flexible. The house is close to a small grocery store, a deli and a couple of small restaurants. Nearby Estes Park has many food options, but we will mostly avoid the heavy traffic in town there unless there is group consensus to visit a destination there.
 
Schedule
 
Our best opportunities will be found early and late in the day and we will target these times. The plans are all very flexible and we can target any specific interests the group has.
 
Bull Elk in Rut, Rocky Mountain National Park
 
Cancellation Policy
 
Travel insurance is strongly recommended. If a cancellation notice is received between 90 and 179 days before the workshop start date, a 50% refund of any payments made will be provided. If a cancellation notice is provided within less than 90 days of the workshop, no refund of payments made will be provided unless ... regardless of the cancellation notice received date, any workshop openings that are re-filled will be refunded payment in full minus a $195 administrative fee.
 
Let's Do This! Sign Up Now!
 
Email me at Bryan@Carnathan.com to sign up or ask questions!
 
Camera Gear Needed
 
Aside from a great attitude and a strong interest in learning wildlife photography, you are going to need some gear and while most cameras with a telephoto lens will work, mid-upper-grade gear should be considered for best results from this event.
 
There will be times when a fast frame rate is beneficial, but rut posturing is often done at slower speeds and I usually opt for higher resolution cameras that typically do not have the fastest-available frame rates. A DSLR camera or a late-model MILC (Mirrorless Interchangeable Lens Camera) should be in your bag.
 
A telephoto lens or lenses will be needed with a full-frame equivalent of at least 400mm (250mm on an APS-C) suggested and having longer focal lengths available will be appreciated at times (full frame 600mm equivalent is ideal). Wildlife activity is greatest early and late, so wide apertures are often an advantage and the wide aperture's ability to blur the background can be useful. Any telephoto lens can work, but there may be times when an f/4 or wider aperture is preferred. This is a great event to break out your big lenses for and it is also a great time to try a new one, perhaps via renting.
 
My current plan is to take a pair of high resolution cameras such as the Canon EOS 5Ds R along with a 600mm lens such as the Canon EF 600mm f/4L IS III USM Lens (along with a Black Rapid shoulder strap to carry it with) and a telephoto zoom lens such as the Canon EF 100-400mm f/4.5-5.6L IS II USM Lens for my primary wildlife kit. In this location, I sometimes carry the second camera and smaller telephoto lens in a Lowepro Toploader Case.
 
I primarily use a monopod while photographing wildlife in this location. It is not as stable as a tripod and requires more effort to use, but it is much faster to set up and adjust. While neither are mandatory, one or both is preferred and I always take both.
 
We will likely make use of a full range of landscape photography gear, including ultra-wide to wide angle lenses along with circular polarizer and neutral density filters. I'll bring a variety of other lenses and accessories.
 
Bring adequate memory card capacity, enough batteries to last at least a day and enough chargers to restore that capability overnight. Bringing a laptop is highly recommended, enabling review of your images throughout the time we have together. Bring an external hard drive for an additional level of backup. Bring a flashlight.
 
Consider what failure of any piece of gear means for your experience and consider bringing a backup for items identified as critical.
 
As always, feel free to ask us for gear advice.
 
Frosty Bull Elk, Rocky Mountain National Park
 
Weather / Clothing
 
The weather in RMNP in late September is typically very nice, though cool and sometimes even cold (mostly mornings and late evenings). Especially at higher altitudes in the park, snow can even come into play. Dressing in layers is the best plan. Rain protection may be very appreciated at times, including rain covers for camera gear while in the field.
 
Plan for walking in woods and tall meadow grass (that can be wet at times). The wildlife we are pursuing is acclimated to humans and does not seem to care what we are wearing. Camo clothing is not necessary, but it is an option.
 
Altitude
 
The altitude at Estes Park is 7,500' and Trail Ridge Road reaches altitudes over 12,000'. If you've never experienced altitude sickness, I assure you that it is not fun. For those of us traveling from low altitudes, staying overnight, at least in Denver, the day before significant activity is a good idea.
 
I am authorized by the National Park Service, U.S. Department of the Interior, to conduct services in Rocky Mountain National Park.
 
Sign Up or Ask Questions!
 
Contact me at Bryan@Carnathan.com.
 
Bugling Elk in the Frost, Rocky Mountain National Park
<< Next Month        1 | 2 | 3 | 4 | 5 | 6 | 7 |        Prev Month >>
Canon News, Nikon News Archives
2019   Jan   Feb   Mar   Apr
2018   Jan   Feb   Mar   Apr   May   Jun   Jul   Aug   Sep   Oct   Nov   Dec
2017   Jan   Feb   Mar   Apr   May   Jun   Jul   Aug   Sep   Oct   Nov   Dec
2016   Jan   Feb   Mar   Apr   May   Jun   Jul   Aug   Sep   Oct   Nov   Dec
2015   Jan   Feb   Mar   Apr   May   Jun   Jul   Aug   Sep   Oct   Nov   Dec
2014   Jan   Feb   Mar   Apr   May   Jun   Jul   Aug   Sep   Oct   Nov   Dec
2013   Jan   Feb   Mar   Apr   May   Jun   Jul   Aug   Sep   Oct   Nov   Dec
2012   Jan   Feb   Mar   Apr   May   Jun   Jul   Aug   Sep   Oct   Nov   Dec
2011   Jan   Feb   Mar   Apr   May   Jun   Jul   Aug   Sep   Oct   Nov   Dec
2010   Jan   Feb   Mar   Apr   May   Jun   Jul   Aug   Sep   Oct   Nov   Dec
2009   Jan   Feb   Mar   Apr   May   Jun   Jul   Aug   Sep   Oct   Nov   Dec
2008   Jan   Feb   Mar   Apr   May   Jun   Jul   Aug   Sep   Oct   Nov   Dec
2007   Jan   Feb   Mar   Apr   May   Jun   Jul   Aug   Sep   Oct   Nov   Dec
2006   Jan   Feb   Mar   Apr   May   Jun   Jul   Aug   Sep   Oct   Nov   Dec
2005   Jan   Feb   Mar   Apr   May   Jun   Jul   Aug   Sep   Oct   Nov   Dec
Help  |  © 2019 The Digital Picture, LLC  |  Bryan CarnathanPowered By Christ!