Camera Gear Review News (Page 3) RSS Feed for Camera Gear Review News

 Tuesday, April 30, 2019
Tilt-shift lenses from Canon, Nikon and Rokinon (Samyang) are now included in the site's Camera Lens MTF Measurements Comparison Tool.
 
The image shared on this post should get your attention!
Post Date: 4/30/2019 9:15:37 AM CT   Posted By: Bryan
 Friday, April 26, 2019
 Thursday, April 25, 2019
Image quality test results have been added to the Tamron 15-30mm f/2.8 Di VC USD G2 Lens page.
 
Here is the Tamron 15-30mm f/2.8 VC G2 vs. G1 Lens image quality comparison. Obviously, the camera resolution is quite different in these results, but if you visualize the chart details in the G1 results being enlarged to the G2's detail size, you will likely determine that these two lenses perform very similarly. That they perform similarly is not a surprise.
 
Here are some more comparisons for your entertainment:
 
Tamron 15-30mm f/2.8 VC G2 vs. Canon EF 16-35mm f/2.8L III Lens
Tamron 15-30mm f/2.8 VC G2 vs. Sigma 14-24mm f/2.8 DG HSM Art Lens
Tamron 15-30mm f/2.8 VC G2 vs. Sony FE 16-35mm f/2.8 GM Lens
Tamron 15-30mm f/2.8 VC G2 vs. Tokina 16-28mm f/2.8 AT-X Pro FX Lens (different resolution)
 
The Tamron 15-30mm f/2.8 Di VC USD G2 Lens is in stock at B&H | Adorama | Amazon US | WEX
 
Rent the Tamron 15-30mm f/2.8 Di VC USD G2 Lens from Lensrentals.
Post Date: 4/25/2019 9:33:50 AM CT   Posted By: Bryan
 Monday, April 22, 2019
Just posted: Tamron 28-75mm f/2.8 Di III RXD Lens (for Sony) Review.
 
There is a reason (or many of them) why this is the best-selling lens at B&H right now.
 
The Tamron 28-75mm f/2.8 Di III RXD Lens is expected in stock soon at B&H | Adorama | Amazon US | WEX
 
Rent the Tamron 28-75mm f/2.8 Di III RXD Lens from Lensrentals.
Posted to: Sony News
Post Date: 4/22/2019 8:14:55 AM CT   Posted By: Bryan
 Tuesday, April 16, 2019
The Nikon Prime Lenses have been added to the site's Camera Lens MTF Measurements Comparison Tool.
 
Once again, I'll share my favorite Nikon lens chart in this post.
 
Go determine which Nikon lens produced your favorite MTF results. Then begin comparing against the other brands.
Posted to: Nikon News
Post Date: 4/16/2019 9:30:54 AM CT   Posted By: Bryan
 Friday, April 12, 2019
The Canon EOS Rebel SL3 utilizes the same small LP-E17 Battery Pack found in the Rebel T7i, the Rebel SL2, and many other recent EOS camera models. Having the same battery shared among many cameras is convenient and efficient in many regards, including from manufacturing and inventory perspectives. That multiple cameras can potentially share the same charger and supply of backup batteries is great and especially helpful when traveling.
 
Small batteries typically produce small shot ratings and I thought I misheard what Canon USA's Drew McCallum said during a phone call prior to the SL3's announcement. A CIPA 1,630 shot battery life rating (at 73°F/23°C, AE 100% — no flash) from the tiny Canon Battery Pack LP-E17? That is a HUGE increase from the already very reasonable 840 shot rating of the SL2. When the official specifications document arrived with Drew's number confirmed, my skepticism turned to enthusiasm. Most could shoot for days or even weeks on a single battery charge and that is super-convenient.
 
So, my question was then: "How is the Canon EOS Rebel SL3 getting so many shots from the little LP-E17 Battery Pack?" Whenever I have a Canon camera-related question, Canon USA's Rudy Winston can be counted on for an accurate answer.
 
First, Rudy assured me that no changes have been made to the LP-E17 battery pack, ending any speculation in that regard.
 
My own first guess at this answer was that the DIGIC 8 processor could be credited for the significant performance improvement. Rudy's response in this regard was that "While the new DIGIC 8 processor most assuredly adds some features and performance, the engineers did not list improved battery life as a benefit of the latest Canon processor." "Obviously, there were some efficiencies achieved in this updated [camera] model, but our engineers haven't shed light on which ones are responsible for its very good battery performance."
 
Thus, the full secret formula has not been disclosed and though we may never know the complete set of reasons why the performance is so great, we can still enjoy the great performance.
Posted to: Canon News
Post Date: 4/12/2019 8:53:00 AM CT   Posted By: Bryan
 Thursday, April 11, 2019
The Sony Prime Lenses have been added to the site's Camera Lens MTF Measurements Comparison Tool.
 
Once again, I'll share my favorite chart in this post and will this time add a comparison in the above link. The Sony FE 135mm f/1.8 GM Lens is razor sharp.
 
Did I pick the best? Go determine out which Sony lens produced your favorite MTF results.
 
Note that the Zeiss Loxia and Batis prime lens results are coming soon and many additional Lensrentals-sourced test results are promised.
Post Date: 4/11/2019 10:10:24 AM CT   Posted By: Bryan
 Wednesday, April 10, 2019
The Canon EOS Rebel SL3 page contains a significant amount of information about this soon-arriving little camera. Check it out!
 
What are the differences between the Canon EOS SL3 and SL2?
 
Here is the full Canon EOS Rebel SL3 vs. SL2 Comparison.
 
And, here are the primary differences.
 
  • 4K video (1.6x crop), 4k movie frame grab, 4k time-lapse capture
  • Increased battery life – approx. 1070 vs. 650 (at 23°C, AE 50%, FE 50%)
  • New .CR3 RAW file format providing improvements including a 40% smaller file size in the new C-RAW (Compressed RAW) format
  • Increased RAW buffer capacity to 10 vs. 6 and to 37 with C-RAW format
  • DIGIC 8 vs. 7
  • Has Smooth Skin mode vs. Panning mode
  • Improved ALO (Auto Lighting Optimizer), retaining gradations in highlights and shadows
  • Guided User Interface and Creative Assist modes available
  • Easier Wi-Fi setup including a new purple menu tab and editable pre-assigned names
  • No dedicated DOF preview button, flash release button changed to a small flange on flash

Note that the camera body and with-lens kit already have a $50 and $100 instant rebate respectively available.
 
The Canon EOS Rebel SL3 is available for preorder at B&H | Amazon | Adorama | WEX

Posted to: Canon News
Post Date: 4/10/2019 12:05:00 AM CT   Posted By: Bryan
 Tuesday, April 9, 2019
Image quality, vignetting, flare, and distortion test results along with specs and measurements have been added to the Nikon Z 50mm f/1.8 S Lens page.
 
This is a good lens.
 
The Nikon Z 50mm f/1.8 S Lens is in stock at B&H | Amazon | Adorama | WEX
 
Rent the Nikon Z 50mm f/1.8 S Lens from Lensrentals.
Posted to: Nikon News
Post Date: 4/9/2019 8:25:15 AM CT   Posted By: Bryan
 Monday, April 8, 2019
Just Posted: PolarPro Peter McKinnon Edition Variable ND Filter Review.
 
Definitely check out these just-announced, high-grade and highly-useful filters.
 
The PolarPro Variable ND Filter will be in stock soon at Amazon.
Post Date: 4/8/2019 10:03:33 AM CT   Posted By: Bryan
 Friday, April 5, 2019
The Sigma Art Prime Lenses have been added to the site's Camera Lens MTF Measurements Comparison Tool.
 
I'll share my favorite chart in this post. The Sigma 40mm f/1.4 DG HSM Art Lens results will get most of us drooling.
 
Feel free to share which Art lens produced your favorite MTF results.
Post Date: 4/5/2019 8:28:17 AM CT   Posted By: Bryan
 Thursday, April 4, 2019
Image quality test results from a second lens copy have been added to the Canon RF 24-105mm F4 L IS USM Lens Review.
 
The Canon RF 24-105mm F4 L IS USM Lens is in stock at B&H | Amazon | Adorama | WEX
 
Rent the Canon RF 24-105mm F4 L IS USM Lens from Lensrentals.
 
Save $480.00: B&H has a 9+-rated used Canon EOS R Mirrorless Digital Camera with 24-105mm Lens in stock.
Posted to: Canon News
Post Date: 4/4/2019 8:14:08 AM CT   Posted By: Bryan
 Tuesday, April 2, 2019
Roger Cicala over at Lensrentals has spent years perfecting his lens MTF testing procedures and has begun sharing the results of his work with us. The-Digital-Picture.com's Camera Lens MTF Measurements Comparison Tool has been refreshed with the latest results, currently including Canon and Zeiss prime lenses with many more results coming soon.
 
Note that only wide-open aperture results will be shared. Zoom lenses will have results for multiple focal lengths.
 
Please share!
Post Date: 4/2/2019 8:02:36 AM CT   Posted By: Bryan
 Monday, April 1, 2019
Image quality test results from the Canon EOS R have been added to the Canon EF 24-70mm f/2.8L II USM Lens Review.
 
As I said before, there were some comparisons that I wanted to see and with an EOS R now in the kit, it is time to make some of them happen. With the EOS R test chart results from another of my favorite lenses, the EF 24-70 f/2.8L II, now loaded on the site, here is the next one:
 
Canon EF 24-70mm f/2.8L II USM Lens compared to Canon RF 28-70mm F2 L USM Lens.
 
I think you'll be impressed with the RF lens' wide open performance in this comparison.
 
The 28-70mm f/2 RF lens mounted to an EOS R was my primary combination for photographing a large-arena concert on Saturday night (with media access). The large size and relatively heavy weight of the lens were not issues for the 5-hour event, especially with a BlackRapid Sport Breathe Camera Strap taking the weight during breaks. Having the f/2 aperture available in a solid focal length range made a huge difference in capturing fast-moving performers in low light. And, the image quality of the results is excellent.
 
I should also mention that I love the EOS R's Touch & Drag AF feature. I find it much faster than using a joystick and going back and forth between the R and my secondary camera made this difference especially obvious.
 
The Canon EF 24-70mm f/2.8L II USM Lens is in stock at B&H | Amazon | Adorama | WEX
Rent the Canon EF 24-70mm f/2.8L II USM Lens from Lensrentals.
 
The Canon RF 28-70mm F2 L USM Lens is in stock at B&H | Amazon | Adorama | WEX
Rent the Canon RF 28-70mm F2 L USM Lens from Lensrentals.
Posted to: Canon News
Post Date: 4/1/2019 8:00:00 AM CT   Posted By: Bryan
 Sunday, March 31, 2019
Image quality test results from the Canon EOS R have been added to the Canon EF 24-105mm f/4L IS II USM Lens Review.
 
There were some comparisons that I wanted to see and with an EOS R now in the kit, it is time to make some of them happen. With the EOS R test chart results from one of my favorite lenses, the EF 24-105 f/4L IS II, now loaded on the site, here is the first one:
 
Canon EF 24-105mm f/4L IS II USM Lens compared to Canon RF 24-105mm F4 L IS USM Lens.
 
You'll likely have an opinion by 105mm f/4. Don't forget to share with friends.
 
The Canon EF 24-105mm f/4L IS II USM Lens is in stock at B&H | Amazon | Adorama | WEX
Rent the Canon EF 24-105mm f/4L IS II USM Lens from Lensrentals.
 
The Canon RF 24-105mm F4 L IS USM Lens is in stock at B&H | Amazon | Adorama | WEX
Rent the Canon RF 24-105mm F4 L IS USM Lens from Lensrentals.
Posted to: Canon News
Post Date: 3/31/2019 7:30:00 AM CT   Posted By: Bryan
 Tuesday, March 26, 2019
Just posted: Canon EF-M 32mm f/1.4 STM Lens Review.
 
This is a remarkable little lens.
 
The Canon EF-M 32mm f/1.4 STM Lens is in stock at B&H | Amazon | Adorama | WEX
 
Rent the Canon EF-M 32mm f/1.4 STM Lens from Lensrentals.
 
As I mentioned in the review, this lens is worth getting an EOS M-series camera just to mount it on. Act fast to get a great deal on one of these cameras during the Canon USA Store Friends and Family Sale!
Posted to: Canon News
Post Date: 3/26/2019 7:40:00 AM CT   Posted By: Bryan
 Thursday, March 21, 2019
 Tuesday, March 19, 2019
Image quality test results have been added to the Tamron 28-75mm f/2.8 Di III RXD Lens page.
 
What is the current best-selling lens at B&H? This one. This comparison will begin to explain why:
 
Tamron 28-75mm f/2.8 Di III RXD Lens compared to Sony FE 24-70mm f/2.8 GM Lens
 
Build your own comparisons. As always, share this with your friends!
 
The Tamron 28-75mm f/2.8 Di III RXD Lens is in stock at Amazon and available for order at B&H, Adorama and WEX.
 
Rent the Tamron 28-75mm f/2.8 Di III RXD Lens from Lensrentals.
Posted to: Sony News
Post Date: 3/19/2019 10:05:33 AM CT   Posted By: Bryan
 Monday, March 18, 2019
 Thursday, March 14, 2019
Image quality test results from the Canon EOS 5Ds R have been added to the Zeiss 85mm f/1.4 Otus Lens Review.
 
As with the 55mm Otus, this is the lens upon which the others are compared. We've updated our test results to the highest resolution camera available, making comparisons with other 5Ds R-tested lenses easier.
 
I'll get your comparisons started:
 
Zeiss 85mm f/1.4 Otus compared to Canon EF 85mm f/1.4L IS Lens
Zeiss 85mm f/1.4 Otus compared to Sigma 85mm f/1.4 Art Lens
Zeiss 85mm f/1.4 Otus compared to Sony FE 85mm f/1.4 GM Lens
Zeiss 85mm f/1.4 Otus compared to Tamron 85mm f/1.8 VC Lens
Zeiss 85mm f/1.4 Otus compared to Zeiss Milvus 85mm f/1.4 Lens
 
Save nearly $900 on this lens – buy it used with a variety of options available at B&H and at Adorama.
 
The Zeiss 85mm f/1.4 Otus Lens is in stock at B&H | Amazon | Adorama | WEX
 
Rent the Zeiss 85mm f/1.4 Otus Lens from Lensrentals.
Post Date: 3/14/2019 6:30:00 AM CT   Posted By: Bryan
 Wednesday, March 13, 2019
There is plenty of excitement for the new Canon EF 600mm f/4L IS III USM Lens, but ... where is it? The press release stated that it was "... scheduled to begin shipping in December 2018 ..." That date is long past, but this lens remains unavailable.
 
As questions in this regard continued to roll in, it was not hard to understand that I was not the only one wondering what was going on. My first research contact was with a technical rep at Canon USA who assured me that the lens was indeed actively shipping. That a friend received theirs confirms this. Canon USA did indicate that the initial quantities were limited and, based on the number of 600 IIIs shipped to date by a large retailer, I would add "very" to the front of "limited".
 
Those of us who have been around the camera and lens industry remember when one had to preorder newly-released camera gear immediately after the announcement to get the item anytime soon after it hit the streets. Some were ordering the gear immediately and selling it on eBay for a sometimes-significant markup until the demand resolved. Initial supply has been meeting initial demand far more frequently in recent years but obviously the 600 III is taking us back in time.
 
One more data point is that Lensrentals has the Canon EF 600mm f/4L IS III USM Lens available for rental on 3/21.
 
While this information may not be terribly enlightening, Canon USA (unsurprisingly) recommends placing your preorder now to get in line and your lens will indeed arrive as the preorder queues are resolved. If you want this amazing lens <subliminal message> you do </subliminal message>, that advice is indeed logical.
 
The Canon EF 600mm f/4L IS III USM Lens is available for preorder at B&H ("Coming Soon") | Amazon ("Currently unavailable") | Adorama ("On Backorder")
Posted to: Canon News
Post Date: 3/13/2019 9:38:23 AM CT   Posted By: Bryan
Image quality test results from the Canon EOS 5Ds R have been added to the Zeiss 55mm f/1.4 Otus Lens Review.
 
This is the lens upon which the others are compared. We've updated our image quality test results for this lens to the highest resolution camera available, making comparisons with other 5Ds R-tested lenses easier.
 
Zeiss 55mm f/1.4 Otus compared to Canon RF 50mm f/1.2L Lens (different res cameras)
Zeiss 55mm f/1.4 Otus compared to Sigma 40mm f/1.4 Art Lens
Zeiss 55mm f/1.4 Otus compared to Sigma 50mm f/1.4 Art Lens
Zeiss 55mm f/1.4 Otus compared to Tamron 45mm f/1.8 VC Lens
Zeiss 55mm f/1.4 Otus compared to Zeiss Milvus 50mm f/1.4 Lens
 
The Zeiss 55mm f/1.4 Otus Lens is in stock at B&H | Amazon | Adorama | WEX
 
Save over $1,000 on this lens – buy it in E+ used condition at Adorama (Canon mount). B&H also has this lens available in their Used Department (Nikon mount).
 
Rent the Zeiss 55mm f/1.4 Otus Lens from Lensrentals.
Post Date: 3/13/2019 8:42:14 AM CT   Posted By: Bryan
 Monday, March 11, 2019
In addition to the Image quality test results, vignetting, flare, and distortion test results along with specs, measurements, and standard product images have been added to the Sigma 28mm f/1.4 DG HSM Art Lens page.
 
The Sigma 28mm f/1.4 DG HSM Art Lens is in stock at B&H | Amazon | Adorama | WEX
 
Rent the Sigma 28mm f/1.4 DG HSM Art Lens from Lensrentals.
Post Date: 3/11/2019 6:48:00 AM CT   Posted By: Bryan
 Saturday, March 9, 2019
Resolution test results from the Canon EF 200mm f/2L IS USM Lens have been added to the Canon EOS RP Review.
 
Here is the Canon EOS RP vs. EOS 6D Mark II comparison.
 
Here is the Canon EOS RP vs. EOS R comparison.
 
This camera is a bargain. Find it in stock at B&H | Amazon | Adorama | WEX
 
Rent the Canon EOS RP from Lensrentals.
Posted to: Canon News
Post Date: 3/9/2019 7:00:00 AM CT   Posted By: Bryan
 Thursday, March 7, 2019
In addition to the Image quality test results, vignetting, flare, and distortion test results along with specs, measurements, and standard product images have been added to the Sigma 40mm f/1.4 DG HSM Art Lens page.
 
Still, this is a very impressive-performing lens.
 
The Sigma 40mm f/1.4 DG HSM Art Lens is in stock at B&H | Amazon | Adorama | WEX
 
Rent the Sigma 40mm f/1.4 DG HSM Art Lens from Lensrentals.
Post Date: 3/7/2019 7:00:00 AM CT   Posted By: Bryan
 Wednesday, March 6, 2019
Image quality, vignetting, flare, and distortion test results along with specs, measurements, and standard product images have been added to the Canon EF-M 32mm f/1.4 STM Lens page.
 
As we continue to maintain the site's sharpening standard for Canon images, one needs to keep the differences in the results of this setting between cameras in perspective. Here is a Canon EF-M vs. EF 200mm f/2L lens comparison with the L at f/4, an extremely sharp lens and aperture combination. The little 32 is a remarkably sharp lens.
 
The price is quite attractive. The Canon EF-M 32mm f/1.4 STM Lens is in stock at B&H | Amazon | Adorama | WEX
 
Get a refurbished Canon EOS M5 (or M6) to go behind it for only $448.99.
 
Rent the Canon EF-M 32mm f/1.4 STM Lens from Lensrentals.
Posted to: Canon News
Post Date: 3/6/2019 8:15:11 AM CT   Posted By: Bryan
 Tuesday, March 5, 2019
 Monday, March 4, 2019
The Christmas cactus that spends most of the year looking rather mundane, essentially green foliage in a pot, finally opened a single bloom. These blooms last only a couple of days, they are irresistibly-beautiful, and I decided that testing the Canon EOS RP's focus stacking feature was a good excuse to photograph this one.
 
The details of this image, including 100% crops, are now included on the Canon Focus Bracketing page.
 
Basically, the RP and DPP make creating a high-quality focus stacked image really simple.
 
Camera and Lens Settings
100mm  f/11.0  0.5s
ISO 100
6240 x 4160px
Posted to: Canon News
Post Date: 3/4/2019 8:20:00 AM CT   Posted By: Bryan
 Thursday, February 28, 2019
 Tuesday, February 26, 2019
Long ago, it seemed worthwhile to include camera model product image comparisons in the camera reviews. Eventually, we had enough to-scale camera images available to put together a trio of comparison pages showing front, back, and side views. Today, the available images were overwhelming the simple tools and the next iteration of the comparisons is now live, condensed into a single tool: Camera Images Comparisons Tool. The tool is not perfect (some views are missing images that were not made available to us), but especially with the new "overlay" feature, I think you will find it very useful.
 
Check it out now: Camera Images Comparisons Tool
Post Date: 2/26/2019 7:00:00 AM CT   Posted By: Bryan
 Monday, February 25, 2019
 Friday, February 22, 2019
 Thursday, February 21, 2019
Upon being handed a Canon EOS RP to evaluate, I immediately set up the camera for use. Following are the 42 steps I took to make an out-of-the-box EOS RP ready for use.
 
  1. Open the box, find the battery, place it in the charger and plug it in.
  2. While the battery is charging, unpack the other items you want from the box.
  3. Download and install the Canon Solution Disk software on your computer, gaining support for the latest camera(s). Canon Digital Photo Pro (DPP) and EOS Utility are the options I manually include in the install.
  4. Attach the neck strap.
  5. Insert the battery (after charging completes) and power the camera on.
  6. The date, time and timezone setup screen will show at the first startup. Use the rear cross keys and set button to update this information.
  7. Insert a memory card (don't forget to format the card via the tools menu option before taking pictures).
  8. Set the camera's mode to Av, Tv or M (some modes provide only a small subset of available menu options).
  9. Scroll through all of the menu tabs to configure the camera as follows:
  10. Shooting Menu, Tab 1: Image quality: Use top dial to set RAW to "RAW" and Cross Keys to set JPEG to "-" (RAW image files provide the highest quality and are especially valuable for post processing work)
  11. Shooting Menu, Tab 1: Image review: 4 sec. (or sometimes off to increase shooting speed in the field)
  12. Shooting Menu, Tab 1: Release shutter without card: Disable (only in a retail store do you want to press the shutter release without saving the image file)
  13. Shooting Menu, Tab 2: Lens Aberration Correction: All options "OFF" (though Chromatic Aberration correction is a good option to leave enabled for most)
  14. Shooting Menu, Tab 3: Photo ISO speed settings: ISO speed range: L(50) – H2(102400) (settings used for testing, adjust to your tolerance)
  15. Shooting Menu, Tab 4: White balance: AWB W (White) (I seldom use another white balance setting while shooting, though I often adjust modestly during post processing)
  16. Shooting Menu, Tab 4: Picture Style: Neutral with Strength = 1 (Note: the low contrast "Neutral" picture style provides a histogram on the back of the camera that most-accurately shows me blown highlights and blocked shadows on the camera LCD. I usually change the Picture Style to "Standard" in DPP after capture.)
  17. Shooting Menu, Tab 5: Long exp. noise reduction: Auto (when active, LENR captures a dark image that is used to correct the long exposure noise in the primary image)
  18. Shooting Menu, Tab 5: High ISO speed NR: Off (or Low) (noise reduction is destructive to images details – I prefer to add noise reduction sparingly during post processing)
  19. Shooting Menu, Tab 6: High speed display: ON (note that the camera must be set to Servo AF and high speed continuous frame rate to enable this option)
  20. Shooting Menu, Tab 7: Touch & drag AF settings: Touch & drag AF: Enable (allows a thumb drag across the rear LCD to quickly move the AF point while looking through the electronic viewfinder)
  21. Playback Menu, Tab 4: Playback information display: 1 and 3 enabled (avoids too many playback information options)
  22. Playback Menu, Tab 4: Highlight Alert: Enable (causes overexposed pixels to blink)
  23. Playback Menu, Tab 4: Playback grid: 3x3 (sometimes helps with checking alignment)
  24. Playback Menu, Tab 4: Magnificatn (apx): Actual size (from selected pt) (allows one button press during playback to zoom deeply into the image)
  25. Tools Menu, Tab 1: Auto Rotate: On computer (only) (images are properly rotated when viewed on a computer, but are always oriented to fill the LCD when viewed on the camera)
  26. Tools Menu, Tab 1: Mode guide: Disable (useful for beginners)
  27. Tools Menu, Tab 1: Feature guide: Disable (useful for beginners)
  28. Tools Menu, Tab 3: Beep: Disable (probably no one wants to hear you beeping camera setting changes or focus confirmation)
  29. Tools Menu, Tab 4: Shooting info. display: Screen info. settings: Enable 1 (press Info, disable basic shooting info and enable Electronic level), 3 and 4
  30. Tools Menu, Tab 4: Shooting info. display: VF info/toggle setting: Enable 1, (press Info, disable Detailed shooting info and Histogram disp, enable Electronic level) and 3 (press Info, disable Detailed shooting info, enable Histogram disp and Electronic level)
  31. Tools Menu, Tab 4: Shooting info. display: Grid display: 3x3 (sometimes helpful for alignment checking)
  32. Tools Menu, Tab 4: Shooting info. display: Histogram disp: Brightness/RGB: RGB, Display size: Small (I want to see the brightness levels of each channel separately and don't want the graph to take up much space in the display)
  33. Tools Menu, Tab 6: Custom shooting mode (C1 - C3): Auto update set: Enable (see Configuring Custom Shooting Modes)
  34. Tools Menu, Tab 6: Copyright information: enter as desired
  35. Custom Functions Menu, C.Fn I: Exposure: 3: Bracketing auto cancel: OFF (I want to control when AEB (Auto Exposure Bracketing) is enabled and disabled)
  36. Custom Functions Menu, C.Fn I: Exposure: 4: Bracketing sequence: -0+ (if images are captured in brightness sequence, they are easier to work with during post processing. Capturing the darkest image first means that I quickly get at least the first frame)
  37. Custom Functions Menu, C.Fn II: Autofocus: 6: Orientation linked AF point: 1:Separate AF pts: Pt only (instructs camera to individually save the selected AF points for vertical and horizontal orientation)
  38. Custom Functions Menu, C.Fn III: Operation/Others: 4: RF lens MF focus ring sensitivity: Linked to rotation degree (I do not like most variable speed AF rings)
  39. Custom Functions Menu, C.Fn III: Operation/Others: Customize buttons: Up, Down, Left and Right buttons: Direct AF point selection
  40. Custom Functions Menu, C.Fn III: Retract lens on power off: OFF (avoids having a carefully-selected focus distance resetting when camera auto powers off)
  41. My Menu: Add the first tab; Register the following options for Tab 1: Format card, Image review (disable when speed is needed), Expo. simulation, Long exposure noise reduction, Date/Time/Zone (great for monitoring what time it is), Expo.comp./AEB (found back up near the top of the list) (nothing in my My Menu is found on the Quick Control display as those functions are already quickly accessed)
  42. With a lens mounted and a subject focused on, adjust the viewfinder diopter until the scene is sharp
Many other menu and other setting changes are made based on the current shooting scenario, but this list covers my initial camera setup process.
 
To copy this configuration would mean that you intend to shoot similar to how I shoot – including shooting in RAW-only format. While my setup works great for me, your best use of this list may be for tweaking your own setup.
 
If you can't remember your own menu setup parameters, keeping an up-to-date list such as this one is a good idea. Anytime your camera is reset-to-factory state for some reason, such as when being serviced, you will be ready to restore your setup quickly while ensuring that you do not miss an important setting. If you purchase another same or similar camera, you will be able to quickly set it up.
 
More Information
 
Canon EOS RP
 
Get the Canon EOS RP at B&H | Amazon | Adorama | WEX
 
Posted to: Canon News
Post Date: 2/21/2019 7:47:00 AM CT   Posted By: Bryan
 Wednesday, February 20, 2019
The Canon EOS RP Camera Review has been significantly updated.
 
Now included are ISO noise test results and a look at the dynamic range (with comparisons available). A handful of sample pictures and product images have been added, many additional details have been included and a few corrections were made.
 
Remember, if you purchase an EOS RP + lens kit before March 30, you'll get to take advantage of up to $300.00 in instant savings and free gear.
 
Canon EOS RP Promotion Poster Feb Mar 2019

Canon EOS RP – B&H | Adorama | Amazon US | Henry's | Wex
 
Canon EOS RP + EF 24-105 IS STM – B&H | Adorama
 
Canon EOS RP + RF 24-105 IS USM – B&H | Adorama | Amazon US | Henry's | Wex
Posted to: Canon News
Post Date: 2/20/2019 8:23:24 AM CT   Posted By: Bryan
 Friday, February 15, 2019
Will there be a professional Canon EOS R-series mirrorless full frame camera introduced? Especially based on the grade of RF-mount lenses being introduced, few of us will be surprised to know that answer is "Yes!" The Canon, Inc. quote is: "Have no doubt that a professional model is coming", shown here on a slide presented by Canon USA Senior Tech Specialist Drew MacCallum during the EOS RP introduction in New Orleans in February.
 
The next question: When is the professional R-series camera model coming? Canon (USA and Inc) will not say. However, conjecturing ... the 2020 Olympics are being held in Tokyo and Canon is a major sponsor. Fitting would be for an incredible new pro camera model to be released in time for professionals to get acquainted with prior to photographing these games.
 
Canon representatives were quick to say that there are multiple new RF-mount cameras coming. Not said is whether or not there would be multiple professional models coming though it would be logical for Canon to cover all segments as this line fills out.
 
Also noted by Canon during the New Orleans presentation was that in-body image stabilization is coming to the EOS R family.
 
These are exciting times and it is great to see the gear we use being enhanced.
Posted to: Canon News
Post Date: 2/15/2019 8:56:14 AM CT   Posted By: Bryan
A brand new and very useful Canon EOS RP feature is Focus Bracketing. This feature has a lot of details to be understood and the Canon Focus Bracketing page delves into this topic.
Posted to: Canon News
Post Date: 2/15/2019 8:32:44 AM CT   Posted By: Bryan
 Wednesday, February 13, 2019
Just posted: Canon EOS RP Camera Review.
 
This is an ultra-low-cost, tiny and light full frame mirrorless interchangeable lens camera that will make a great step-up or even first camera. The review awaits some lab testing, but a significant amount of the information is already included.
 
The short Canon EG-E1 Extension Grip Review is also available. It's a nice little accessory for the RP.
 
The Canon EOS RP is available for preorder at B&H, Adorama and Amazon US.
 
For a full list of preorders (including kits with awesome savings and free accessories), click here.
Posted to: Canon News
Post Date: 2/13/2019 10:15:00 AM CT   Posted By: Bryan
 Monday, February 11, 2019
Just posted: Datacolor SpyderX Pro/Elite Review.
 
Notable is that the SpryderX brings a very significant speed benefit over its Spyder5 predecessor.
 
The Datacolor SpyderX Pro/Elite is available for preorder at B&H.
Post Date: 2/11/2019 8:21:09 AM CT   Posted By: Bryan
 Sunday, February 10, 2019
I have a Nikon D850 in my hands and it is time to set up the camera for use. Following are the 31 steps I took to make an out-of-the-box Nikon D850 ready for use.
 
  1. Charge battery
  2. Install neck strap
  3. Mount a lens
  4. Insert charged battery and power on the camera
  5. While looking at an in-focus subject through the viewfinder, adjust the viewfinder diopter until the view is sharp. To do this, pull out on the adjustment knob beside the viewfinder and turn it until the view is sharp. Then press it back in to lock the setting.
  6. Download and install any Nikon software you want to have available.
  7. Insert memory card
  8. Scroll through all of the menu tabs to configure the camera as follows:
  9. Playback Menu: Display Options: RGB Histogram (I want to see the graph of individual channels)
  10. Playback Menu: Image review: On
  11. Photo Shooting Menu: Image Quality: RAW
  12. Photo Shooting Menu: Set Picture Control: Neutral with sharpness set to "1" and all other parameters set to "0" (this option provides a low contrast view and better shows available dynamic in the histogram)
  13. Photo Shooting Menu: High ISO NR: Off (Low is also a good option)
  14. Photo Shooting Menu: Vignette control: Off
  15. Movie Shooting Menu: Frame size/frame rate: 3840x2160; 30p
  16. Movie Shooting Menu: Set Picture Control: Standard with Sharpening = +2
  17. Movie Shooting Menu: High ISO NR: Low
  18. Custom Setting Menu: Autofocus: AF-C priority selection: Focus
  19. Custom Setting Menu: Autofocus: 3D-tracking face-detection: On
  20. Custom Setting Menu: Autofocus: Store by orientation: Focus point
  21. Custom Setting Menu: Shooting/display: ISO display: ON
  22. Custom Setting Menu: Viewfinder grid display: On
  23. Custom Setting Menu: Bracketing/flash: Bracketing order: Under > MTR > over (having my bracketed shots in brightness sequence makes post processing visually easier)
  24. Custom Setting Menu: Controls: Custom control assignment: Fn1: Viewfinder virtual horizon, RESET Select center focus point, Sub-selector: Same as multi selector
  25. Custom Setting Menu: Controls: Custom control assignment: f10: Assign MB-D18 buttons: Fn button: Viewfinder virtual horizon
  26. Setup Menu: Date and time: <use current>
  27. Setup Menu: Format memory card
  28. Setup Menu: Copyright information: <set as desired>, Attach copyright information: selected
  29. Setup Menu: Airplane mode: ON
  30. Setup Menu: Slot empty release lock: Lock (I want the camera to prevent me from taking a picture if a memory card is not installed)
  31. My Menu: Add items: Setup menu: Format memory card, Lock mirror up for cleaning, Focus shift shooting, Shooting menu: Long exposure noise reduction, Flicker reduction; Shooting/display: d5 Exposure delay mode
I of course make other menu and setting changes based on current shooting scenarios, but this list covers my initial camera setup process.
 
To copy this configuration would mean that you intend to shoot similar to how I shoot – including shooting in RAW-only format (highly recommended). While my setup works great for me, your best use of this list may be for tweaking your own setup.
 
If you can't remember your own menu setup parameters, keeping an up-to-date list such as this one is a good idea. Anytime your camera goes in for a service visit, the camera will likely be returned in a reset-to-factory state (unless you request otherwise). If your camera ever needs reset to factory settings any reason (or you purchase a second model), you will be ready to restore your setup quickly while ensuring that you do not miss an important setting. Your list will ensure that you do not miss an important setting when putting the camera into service.
 
More Information
 
Nikon D850 Review
 
The Nikon D850 is in stock at B&H | Amazon | Adorama | WEX.
 
Rent the Nikon D850 from Lensrentals.
Posted to: Nikon News
Post Date: 2/10/2019 7:00:00 AM CT   Posted By: Bryan
 Monday, February 4, 2019
Just posted: Canon EF 400mm f/2.8L IS III USM Lens Review.
 
It's another phenomenal big white Canon lens. Even if not interested in this lens, you might find the review interesting.
 
Hurry! The Canon EF 400mm f/2.8L IS III USM Lens just showed up in stock at B&H and WEX!
 
This lens is also available for preorder at Amazon and Adorama.
 
Rent the Canon EF 400mm f/2.8L IS III USM Lens from Lensrentals.
 
Please share this review with your friends!
Posted to: Canon News
Post Date: 2/4/2019 8:51:46 AM CT   Posted By: Bryan
 Friday, February 1, 2019
 Wednesday, January 30, 2019
Upon loading the product images for the Canon EF 400mm f/2.8L IS III USM Lens, the first side-by-side comparison I wanted to see was of the three 400mm f/2.8 IS versions. I figured you might also want to see them.
 
At first glance, it appears that little has changed between the II (center) and III (left), but upon closer inspection, it seems that nearly everything has been changed. Hit the last link above to see larger versions of these images, but especially note that the tripod collar and foot have been moved significantly rearward, reflecting the much-improved weight distribution of this much lighter lens.
Posted to: Canon News
Post Date: 1/30/2019 7:55:13 AM CT   Posted By: Bryan
 Monday, January 28, 2019
Gimbal tripod heads make using big super telephoto lenses very easy. With a level tripod under them (and the lens collar tightened at precisely 0° or 90° rotations), gimbal heads allow a neutrally-balanced camera to be easily panned and tilted up or down with the camera always remaining level. All of the gimbal heads I've used provide an adequate range of motion for most of the subjects typically encountered, but occasionally, there is a need to shoot at a strong upward angle. For me, those occasions seem to frequently have the word "eclipse" associated with them and fresh on my mind is the Jan 2019 lunar eclipse.
 
When shooting at a strong upward angle with a gimbal head, the bottom of the camera will typically impact the tripod apex and that impact will solidly prevent any further upward angle to be achieved. Most of us photographers will not let gear get in the way of a good image and there are some work-arounds for this one.
 
Remove the Battery Grip
 
When the bottom of a camera impacting the tripod is the problem, a battery grip compounds the problem. Remove the grip to gain some extra degrees of upward rotation. If battery life is going to be a problem, periodically swap out the drained battery with a fresh one.
 
Warning
 
Before reading any further, I need to raise a very important point: using any of the strategies discussed below will destabilize your tripod and the entire setup tipping over will be a real concern. Use extreme caution if implementing any of these ideas and be ready to catch your rig if tipping happens.
 
Highly recommended is the use a very strong tripod (the UniqBall IQuick3Pod 40.4 for example). Extending one or more of the tripod legs longer while using the next-higher leg locks can provide a larger, more-stable footprint. The orientation of tripod legs relative to the camera's weight can make a difference in stabilization. Also wise is to strap/stake the tripod down, add weights to the tripod feet and/or to use counterweights. Pressing long, spiked tripod feet deep into the ground can also aid tripod stabilization.
 
Tripod Leg Orientation
 
Orienting the tripod legs so that the camera is centered between two of them usually provides the camera the most range of vertical motion. If the subject will be moving horizontally (solar and lunar eclipses check this box), the tripod may need to be repositioned to keep the camera centered.
 
Lens Plate Position in Clamp
 
Observe your setup and determine if adjusting the lens plate or tripod foot dovetail's location within the gimbal head's clamp will provide additional clearance. Remember that longer lens plates offer a greater range of adjustment.
 
Meade Glass White Light Solar Filter Camera Setup
 
Raise the Gimbal Head Cradle
 
When using a gimbal head with a height-adjustable cradle, such as some of the excellent Wimberley Gimbal Heads, typical is to place the center height of the lens at the axis of the tilt pivot. This position provides ideal balance and handling. However, raising the cradle higher will raise the camera higher above the tripod apex, providing more clearance and allowing a greater degree of camera tilt. The cradle is raised only partially in the above image, but this height provided enough angle to photograph a high-overhead sun (important: solar filter in use). This tactic also moves the center of gravity of the camera and lens combination when the lens is not positioned level. Tilting up will then make this setup back-heavy.
 
Use a Tripod with a Narrower Apex
 
Tripods designed for big camera and lens combinations often have big, broad apexes. While a large apex is great for strength and rigidity, it can impact cameras at lower angles than narrow apexes. If a strong-enough tripod with a narrower apex can be used, a few degrees of upward angle may be gained. Note that the tripod legs can also be the first-impacted. The top of the legs being positioned tighter together can be helpful in this regard.
 
Tilt the tripod Apex
 
If the tripod and head combination will not provide enough upward angle, it might be time to tilt the tripod, or more accurately, tilt the tripod apex to move it out of the camera's way. This may be as simple as extending a leg or two by a short amount or it can be more involved such as using far-rear-extended legs positioned in the next-up angle lock (reaching back like the wheelie bars on a dragster) with the front leg angled more sharply toward the ground and raised higher.
 
Tilting the apex of course eliminates the level base that is ideal for gimbal head use. One solution is to use the camera's tripod collar to level the camera each time it is repositioned. Much better is to use a leveling base or a tripod that has a leveling base built in.
 
Use great caution with the tilted-apex strategy as the tripod can become strongly unbalanced.
 
Canon EF 400mm f/2.8L IS III USM Lens Vertical
 
Reverse the Vertical Arm
 
If the gimbal head uses a vertical arm design similar to that of the Really Right Stuff PG-02 Pano-Gimbal Head and FG-02 Fluid-Gimbal Head, reversing the vertical arm places the camera to the side of the apex, clearing potentially great amounts of space. The image above shows a pro-sized DSLR (Canon EOS-1D X Mark II) and a non-gripped Nikon D850 is shown in this article's lead image.
 
Both of these rigs are shown with the reversed vertical arm as close to the center of the head as possible. Moving this arm toward the other end of the horizontal panning base would permit even more rotation, potentially 360°.
 
Assuredly, this technique is going outside of the manufacturer's intended use for this gear and tipping of the tripod is a serious risk. Consider positioning a longer-extended leg locked into the next-up angle lock under the camera and lens' center of balance. Also note that the right hand (or a reaching-over left hand) will be needed to access the gimbal head's now-right-side-located tilt angle lock.
 
Use a Ball Head
 
With the tripod foot raising the camera up and a drop notch likely available for use, a very high upward angle can often be achieved when using most ball heads. The downside to this option is that using a big, heavy lens over a ball head is not ideal and such a lens tipping over can cause an entire tripod to crash to the ground. Finding the sun and moon in a 1200mm angle of view while using a ball head is very challenging and keeping that setup level increases the challenge. But, it can work. A strong ball head is needed if the lens is substantial in size.
 
Wrap Up
 
I don't shoot at strong upward angles with my big lenses very often, but when I do, I quickly remember that camera or lens contact with the tripod quickly becomes an issue when using a gimbal head. While perhaps none of the above strategies may be the perfect solution, hopefully a combination of them can get your upward shooting angle job done.
 
Do you have a strategy for photographing upward with a gimbal tripod head that I missed? Please share it with us!
Post Date: 1/28/2019 7:37:49 AM CT   Posted By: Bryan
 Monday, January 21, 2019
Just posted: Nikon D850 Review.
 
Is this the best DSLR ever?
 
The Nikon D850 is in stock at B&H | Amazon | Adorama | WEX.
 
Save 10%: B&H currently has a 10-rated used Nikon D850 in stock.
 
Rent the Nikon D850 from Lensrentals.
Posted to: Nikon News
Post Date: 1/21/2019 10:08:40 AM CT   Posted By: Bryan
 Saturday, January 19, 2019
In addition to the Image quality test results shared recently, image quality results from the 7D Mark II, vignetting, flare and distortion test results along with specs and measurements are now available on the Canon EF 400mm f/2.8L IS III USM Lens page.
 
The specs and measurements comparison between the Canon EF 400mm f/2.8L IS III USM Lens and the Canon EF 400mm f/2.8L IS II USM Lens reveals the big deal for this upgrade. The weight difference is huge. Even more impressive is the comparison between the Canon EF 400mm f/2.8L IS III USM Lens and the Canon EF 400mm f/2.8L IS I USM Lens.
 
The Canon EF 400mm f/2.8L IS III USM Lens is in stock at B&H and available for preorder at Amazon | Adorama | WEX.
 
Rent the Canon EF 400mm f/2.8L IS III USM Lens from Lensrentals.
Posted to: Canon News
Post Date: 1/19/2019 9:25:23 AM CT   Posted By: Bryan
 Friday, January 18, 2019
For as long as I can remember, Canon's super telephoto lenses came in a rigid lens trunk. These shaped, lockable trunks were very protective and were good for storage, stacking and shipping purposes. However, these trunks were expensive, often far oversized, could not hold a camera body, were not especially comfortable to shoulder carry and rarely left my studio.
 
Upon opening the Canon EF 400mm f/2.8L IS III USM Lens box, I found a surprise. New with the version III telephoto lenses is a sling-style (single strap) shoulder case, the Canon LS400 Soft Lens Case, replacing the trunk.
 
This nylon case looks great, is relatively compact and light, is well-padded, is easy to use with smooth-functioning zippers and large pulls, and has a round molded-plastic bottom that keeps it upright on a flat surface. A thin 7" (178mm) tall by 5" (127mm) wide zippered pocket and two strap attachment points are provided on both sides of the case. The shoulder strap is padded and strong, and breathable padding is provided on the case side of the strap, adding to the shoulder-carrying comfort. The convenient hand strap on top is also strong with breathable-padding. Four hook-and-loop-adjustable pads are provided for interior use.
 
Canon EF 400mm f/2.8L IS III USM Lens Case Pads

 
My first impressions were good and upon first looking into the case, I got a little extra excited – it was over-sized at the top and it appeared that a mounted DSLR might fit. Unfortunately, that excitement was short lived – the case is not quite big enough at the top to hold even a non-gripped DSLR.
 
Canon EF 400mm f/2.8L IS III USM Lens Case Open

 
Leaving the extra 2" (50mm) of vertical space at the top of the case for an extender to be mounted makes some sense, but for that purpose, the case could have been made less broad at the top for more compact design, though perhaps not as aesthetically pleasing. Making the case shorter seems more logical to me. Of course, the extra 2" on top would make this case accommodate larger lenses. The Canon EF 600mm f/4L IS III USM Lens was announced at the same time as the Canon EF 400mm f/2.8L IS III USM Lens, but it is too long to fit in this case. Perhaps an upcoming Canon EF 500mm f/4L IS III Lens will share this case?
 
Making the case large enough for a mounted DSLR to fit would have been my preference. The additional cost would have been very little (especially relative to the cost of the lens) and the utility of the case would have been greatly increased.
 
For those who love the trunk style case, Canon has you covered. The Canon 400E Lens Case is available. Brace yourself before looking at the price. And, take good care of your LS400, because it also has a very big price tag.
Posted to: Canon News
Post Date: 1/18/2019 11:15:25 AM CT   Posted By: Bryan
 Monday, January 14, 2019
Image quality test results have been added to the Canon EF 400mm f/2.8L IS III USM Lens page.
 
Is the Canon EF 400mm f/2.8L IS III Lens sharper than the EF 400mm f/2.8L IS II? It is hard to tell the difference in a perfection vs. perfection comparison. That the III weighs so much less than the II makes the III's image quality look much better to me.
 
The Canon EF 400mm f/2.8L IS III USM Lens is in stock at B&H and available for preorder at Amazon | Adorama | WEX.
 
Rent the Canon EF 400mm f/2.8L IS III USM Lens from Lensrentals.
Posted to: Canon News
Post Date: 1/14/2019 8:10:38 AM CT   Posted By: Bryan
 Friday, January 11, 2019
Just posted: Nikon Z 6 (AKA Z6) Review.
 
Only a small set of differences separate the Z 6 and Nikon Z 7 cameras and the two reviews, created simultaneously, will also share significant content. The low price will be the most significant Z 6 advantage for most. Again, please share the review with your Nikon friends.
 
The Nikon Z 6 is in stock at B&H | Amazon | Adorama | WEX.
 
Rent the Nikon Z 6 from Lensrentals.
Posted to: Nikon News
Post Date: 1/11/2019 11:03:37 AM CT   Posted By: Bryan
 Thursday, January 10, 2019
Just posted: Nikon Z 7 (AKA Z7) Review.
 
As you likely expected to hear, the Z 7 is a great little camera (though not flawless). Be sure to share the review with your Nikon friends!
 
The Nikon Z 7 is in stock at B&H | Amazon | Adorama | WEX.
 
Check out the used Nikon Z 7 cameras at B&H in conditions rated as high as "Open Box with full manufacturer warranty".
 
Rent the Nikon Z 7 from Lensrentals.
Posted to: Nikon News
Post Date: 1/10/2019 11:18:09 AM CT   Posted By: Bryan
 Wednesday, January 9, 2019
Image quality test results have been added to the Nikon 200-500mm f/5.6E AF-S VR Lens page.
 
This is a much-loved lens that has great utility. However, this model does seem to show more than average image quality variability. This particular copy shows good performance at the focal length extents (typically the most-used on a zoom lens). The lateral CA in the with-2x Teleconverter III corners is ... rather extreme.
 
The Nikon 200-500mm f/5.6E AF-S VR Lens is in stock at B&H (note the used options in up to 10 condition) | Amazon (note the certified refurbished option)| Adorama | WEX.
 
Rent the Nikon 200-500mm f/5.6E AF-S VR Lens from Lensrentals.
Posted to: Nikon News
Post Date: 1/9/2019 8:00:54 AM CT   Posted By: Bryan
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