The CZ.2 28-80/T2.9 can be seen for the first time at NAB Show in Las Vegas
OBERKOCHEN/Germany, 03.04.2013. Carl Zeiss presents its new zoom lenses from the Compact Family at the NAB Show 2013 (8-11 April) in Las Vegas at its booth C9043. Versatile, flexible and yet small and manageable – these are the characteristics that describe the Compact Zoom CZ.2 lenses. For the first time, the new CZ.2 28-80/T2.9 will be presented in the US. The Compact Zoom Family currently comprises the CZ.2 28-80/T2.9 and the CZ.2 70-200/T2.9; the latter won the prestigious iF product design award in February 2013.
The ZEISS Compact Zoom lenses weigh just 2.5 to 2.8 kilograms (5.5 to 6.2 pounds). “For cinema zoom lenses, that is very little. The light and compact design is ideal for hand-held and steadicam shooting,” explains Helmut Lenhof, Product Manager for the Compact Family in the Carl Zeiss Camera Lens Division. The lenses are suited for owner operators as well as episodic television series, documentary films, features and big-screen productions. Especially for shooting projects on a tight budget and time schedule, a ZEISS Compact Zoom lens is an extremely flexible solution. The zoom lens enables faster work and minimizes long set-up times.
Unlike zoom lenses for still photography, the ZEISS Compact Zoom cinema lenses each have three independently moveable zoom groups. This complex design prevents undesired focus shift and ensures optimal image quality. The lenses have a continuous high aperture of T2.9 over the entire zoom range.
Filmmakers can also look forward to a new shorter super wide-angle zoom lens designed for the owner-operator when the Compact Zoom series will expand to a family of three at the end of 2014. This new zoom lens will replace the Lightweight Zoom LWZ.2.
As members of the ZEISS Compact Family, the Compact Zoom CZ.2 lenses are the perfect complement to the fixed focal length Compact Prime CP.2 s well as other ZEISS cine-style lenses. Thanks to the exact color matching within the ZEISS cinema lens family, all lenses in this series can be combined flexibly with each other, with no visible deviations.
They cover full-frame format (24x36mm) and can therefore be used on HDSLR cameras, as well as professional HD video and cinema cameras. Being designed as full-frame lenses, they create a sweet spot effect and a uniformity of illumination when used on Super 35 sensors and are ‘future-proofed’ for next generation digital cinema cameras utilizing larger sensors.
Moreover, the interchangeable mount system makes it possible to use the lenses of the Compact Family on various camera models. The mounts currently available are for PL, EF, F, MFT and E. “Investing in this lens family is especially attractive for cinematographers and rental companies because the interchangeable mount also ensures the lenses’ long-term compatibility in the rapidly changing camera market. For all relevant future camera models, mounts will be available which the user can exchange very easily,” adds Lenhof.
Cinematographers can also rely on the quality features that ZEISS is known for: The T* anti-reflective coating and the internal stray light reduction eliminate bothersome light reflections.
All Compact Zoom CZ.2 lenses have the same front diameter of 95 mm. The large focus rotation angle of almost 300 degrees and the calibrated focus scales ensure comfortable handling. All lenses in the Compact Zoom Family correspond to 4K production standards and cover a resolution of 4096 x 2160 with no distortion.
Australian cinematographer Warwick Brown has already used the Compact Zoom CZ.2 70-200/T2.9 for shooting a television production. “I have just finished shooting a dramatic short film using this lens and the Compact Prime CP.2 Super Speed lenses together. They are a real winning combination. The zoom is sharp and handles highlights beautifully.”
The delivery of the Compact Zoom CZ.2 70-200/T2.9 began in early 2013. The Compact Zoom 28-80/T2.9 will be available starting July. Carl Zeiss authorized dealers are now accepting orders on both zoom lenses. The suggested list price of each Compact Zoom CZ.2 lens will be €14,900 or US$19,900 (excluding VAT).
The lead time for the Compact Zoom CZ.2 70-200/T2.9 is currently six to seven months. A higher demand as expected led to these lead times. Carl Zeiss will increase its production capacities in order to reduce the lead time to three to four months.
New application laboratories, sales and service offices and customer facilities
CAMBRIDGE/UK, 27.02.2013. - The UK manufacturing and sales divisions of Carl Zeiss have cemented their roots in Cambridge with an expansion of their existing production site and the construction of new application laboratories, sales and service offices and customer facilities.
Coldhams Lane in Cambridge has been home to Carl Zeiss Microscopy Ltd for some years. Due to the sustained growth in international orders, the business has acquired neighbouring premises in order to increase production of their scanning electron microscopes, including EVO, ΣIGMA and process specific tools. This provided opportune timing for the UK Sales and Service business, Carl Zeiss Ltd, to relocate from Welwyn Garden City to Cambridge where one larger ZEISS campus could be formed. The new building, located at 509 Coldhams Lane, has taken on Head Office status for both Carl Zeiss Microscopy Ltd and Carl Zeiss Ltd. The new facilities include five application laboratories for electron and light microscopes as well as demonstration and training facilities for surgical microscopes, medical diagnostic equipment, camera lenses, binoculars and scopes.
The first recorded sale in the UK for the German-owned company stems back to 1851. Furthermore, as Cambridge Scientific Instruments, the company designed and developed the world’s first commercial scanning electron microscope in 1965. It is clear from today’s modern business that its long history has paved the way for its success as an international leader in the field of optics and opto-electronics. Paul Adderley, Managing Director for Carl Zeiss Ltd, commented “Customers from several of the Carl Zeiss business groups, including Microscopy, Medical Technology, Camera Lenses and Sports Optics, will be able to visit us in Cambridge, the hub for innovative technology, for product demonstrations and expert applications support in our new facilities.”
The Cambridge site is one of 20 ZEISS construction projects currently underway around the world. The end goal is to achieve a modern working environment for all employees with a consistent corporate design and welcoming environment for customers.
Carl Zeiss Wins Five iF 2013 Product Design Awards
From Carl Zeiss:
ZEISS camera and cine lenses receive coveted iF product design award
OBERKOCHEN/Germany, 25.02.2013. - Carl Zeiss has won five product design prizes as part of the prestigious iF design awards 2013. Three ZEISS camera lenses and two cine lenses were presented with an award during a festive ceremony on February 22 in Munich. More than 3,000 products were submitted for the iF product design award 2013, which is now in its 60th year.
The winners are the cine lenses Compact Zoom CZ.2 70-200/T2.9, the ARRI/ZEISS Master Anamorphic MA 50/T1.9 (which was developed jointly with camera maker ARRI), as well as three new camera lenses for single-lens reflex (SLR) and mirrorless system cameras (CSC). One of the lenses for Sony NEX and Fujifilm X cameras even received the coveted iF gold award for particularly exceptional design, which this year was presented to only 50 of the 981 winners. This new product family of autofocus lenses for mirrorless system cameras (CSC) should be available starting the summer of 2013.
The iF product design award pays tribute to an entirely new design approach at Carl Zeiss. "For the first time, we have established a design language that aims to convey the strengths and the identity of our lenses already through their appearance, how they feel to the human touch, and the impression they create," says Martin Dominicus, Head of Marketing of Carl Zeiss Camera Lens Division. The new product design language, which will be applied to all future lenses, was created in close cooperation with the Stuttgart design studio Phoenix Design. "While ZEISS lenses have until now mainly been known for their technical precision, excellent image performance and ergonomics, our lenses will now also meet the highest aesthetic standards of our customers by becoming design objects in and of themselves," explains Dominicus. "Important in this respect are not only functional aspects such as convenient handling and operation, but also the effect that is communicated through high-quality design."
Carl Zeiss and Phoenix Design, which was founded in 1987, developed the new design language in an extensive two-year process that began with in-depth interviews with experienced users and business partners. Tom Schönherr, co-founder and partner of Phoenix Design, explains: "From the brand values of ZEISS lenses we derived product characteristics for the areas usability, perception and technology which should be mirrored in the product design. Attributes such as logical, reliable and user-oriented are reflected in the new concept for labeling and manageability." The industry designers have described the characteristics in a guideline. These characteristics will distinguish the ZEISS brand in all future products and ensure recognition across all product lines. Brand recognition will be reflected in such form elements as contour lines, the look and feel of the operating areas, and the properties of the surface. New features include an optimized focus ring, a smooth coating, and a stray light lens hood which presents itself as an optical component part of the camera lens. The lens hood's funnel-shaped form signals the high speed and performance which ZEISS lenses are known for, among others.
The names and scales on the lenses are — fully in line with a uniform and recognizable typography — in the standardized typeface DIN 1451. This typeface is not only known for its clear, classic and modern appearance; used since 1936 for German road and rail signage, it is intended to be quickly recognizable and optimally legible, even in poor lighting conditions. These are characteristics to which photographers and cinematographers also attach great importance as they make it easier to handle a lens.
"Being honored with the iF product design awards confirms that we have succeeded in creating a distinctive design. Especially for a lens, this is a major challenge as the scope to influence the design is very limited. With few but all the more typical elements, we have developed a new and modern design language that is already gaining acceptance," says product designer Schönherr.
Dominicus adds: "For us it was important that the appearance of ZEISS lenses be just as unique as their technical characteristics. We have developed a concept that enables Carl Zeiss to achieve its premium claim more consistently in the future: uncompromising technology with outstanding product design."
Carl Zeiss Photo Contest 2012 seeks moments without limits
Entries until January 15, 2013 on Flickr
Oberkochen/Germany, 12.12.2012 “The moment that knows no limits” is the motto of the Carl Zeiss Photo Contest 2012, which begins today and runs until January 15, 2013. As in every year, the contest is open to anyone, as long as pictures are taken with a ZEISS lens. It does not matter if an image has been created with an SLR reflex camera or with a Nokia smartphone with a built-in ZEISS lens.
The theme There are moments in life when suddenly everything is possible. In such a moment, nothing can hold you back – no routine, no comfort, no walls and no boundaries in this world. “We want to see moments that are so full of energy that they create room for something completely new,” explains Martin Dominicus, Head of Marketing for the Carl Zeiss Camera Lens Division.
Carl Zeiss invites photographers from around the world to look for these moments and to submit an image that fits the theme by January 15. “We intentionally chose to keep the theme relatively open so that photographers can interpret it in very different and creative ways. We are very curious what we will receive,” says Dominicus.
As in 2011, the contest can be followed on Flickr, the online photo community. Participants should upload their best image to the theme “The moment that knows no limits” on the OFFICIAL Carl Zeiss Lenses Group on Flickr(www.flickr.com/groups/carlzeisslenses) and tag it with the keyword “ZEISSContest2012”.
The jury After January 15, a jury with Carl Zeiss employees and professional photographers will select the best images and nominate the photographers for the shortlist. The jury will evaluate both the idea behind the image as well as the execution. The jury will in particular look for images that have been consciously composed and that play with photographic stylistic elements. The most prominent jury member will be the light artist and photographer JanLeonardo Woellert. He knows all about moments that cannot hold him back: In his images, Woellert extends the boundaries of perception, sometimes even walking through fire. Woellert is the recipient of the “German Prize for Scientific Photography.” His clients include well-known global brands and pop bands.
The jury will award the highest amount of points to images that have been consciously composed and in which one can recognize a story. From the jury’s shortlist, the Flickr community will be invited to select the ten best photographers. The images that receive the most “favorites” on Flickr will win.
The prizes 1st prize: The latest rangefinder (ZM) or SLR lens (ZE or ZF.2) of the winner’s choice* as well as matching Carl Zeiss T* UV filter, Carl Zeiss Lens Cleaning Kit and Carl Zeiss Comfort Camera Strap
2nd prize: Carl Zeiss cinemizer OLED, Carl Zeiss Lens Cleaning Kit and Carl Zeiss Comfort Camera Strap
3rd prize: Sony DSC-RX100 camera an Carl Zeiss Lens Cleaning Kit
4th prize: Nokia Lumia 920 smartphone
5th prize: Logitech TV Cam, Carl Zeiss Comfort Camera Strap, Carl Zeiss knapsack, Carl Zeiss watch und Carl Zeiss umbrella
6th – 10th prizes: Carl Zeiss camera carrying straps, Carl Zeiss knapsack, Carl Zeiss watch, Carl Zeiss umbrella and Carl Zeiss Lens Cleaning Kit
DateTime: 12/12/2012 8:48:50 AM CT Posted By: Sean
Wednesday, September 19, 2012
Zeiss Q&A Regarding High-End SLR Lens Family
The Zeiss blog just posted a Q&A regarding their new high-end SLR family of lenses.
From the Zeiss blog:
Carl Zeiss is heralding a particularly powerful new full-frame SLR lens at photokina 2012. Dr. Michael Pollmann, Consumer Lenses Product and Program Manager in the Carl Zeiss Camera Lenses Division, is addressing strengths and technical details of the new high-end SLR lens family in a Q&A.
What is meant by “high-end SLR lens family”?
This is about lenses for full-frame (36x24mm) SLR cameras with manual focusing capability. This family of lenses is geared towards delivering uncompromising image quality for demanding users. The lenses are perfect for high-resolution, full-format digital cameras with more than 30 megapixels such as D800. The combined performance approaches that of medium format systems. If you shoot with the largest aperture, cameras with smaller number of pixels also benefit from much better image contrast.
Will it be a family or just a single lens?
It will be its own family of lenses independent of our current ZE and ZF.2 lenses.
What focal lengths will be available?
Currently, we are developing three prime lenses, with more in the planning stage. We are not ready to reveal them at this time.
How much will the lenses cost?
Since the lenses are more demanding in terms of material selection and construction than our previous ZE and ZF.2 lenses, the price level will be higher. We are expecting prices around EUR 3,000.
For which bayonets will the lenses be available?
They will be available for EF bayonet (ZE) and F bayonet (ZF.2).
Where will the lenses be made?
The lenses will be manufactured in Japan. They will be developed in close consultation with our longstanding global production network of trusted partners in the optical industry to ensure that the lenses’ actual performance corresponds to their theoretical optical design performance.
What does “uncompromising image quality” mean?
The new lenses will achieve extremely high image quality throughout the entire picture including edges even at maximum aperture. At the same time, chromatic aberration is extremely low.
How come 1.4/55 is considered a Distagon type despite its standard focal length?
Due to the high performance required, we were looking for a fresh approach. It is true that the Distagon type is predominantly found in wide-angle lenses. This is because wide-angle lenses also require additional design effort in terms of number and arrangement of lenses. Since we were aiming for the best possible imaging performance for the new family of lenses, we decided to manufacture the 1.4/55 as a Distagon. Due to the number and arrangement of lenses, this lens unit is slightly larger in size and weight but uncompromising in its performance.
Zeiss Debuts High End 55mm f/1.4 Distagon T* Lens for Canon and Nikon
The Zeiss 55mm f/1.4 Distagon T* Lens, to be available in both Canon and Nikon mounts, "is the first model of a new product family designed for demanding users."
photokina 2012: Preview
Carl Zeiss at photokina 2012
During photokina 2012 in Cologne (September 18-23), Carl Zeiss will present attractive new products as well as its well-known classics, all of the highest technical quality. Among them will be a new moderate telephoto lens for SLR cameras which will celebrate its world premiere at photokina and be available in stores from the end of 2012. Carl Zeiss will also unveil two new product families to the public. Carl Zeiss’s new stand concept integrates product presentations, possibilities to apply and test Carl Zeiss products, and the company’s global social media community with the hashtag #zeissphk12.
Carl Zeiss will present its entire range of camera and cine lenses, binoculars and spotting scopes during photokina. The latest Nokia smartphone models with built-in ZEISS optics will again be shown at Carl Zeiss’s stand. Visitors will be able to try out all the exhibits right on the spot, from high-quality SLR lenses, Sony cameras with ZEISS optics, ZEISS lenses for Sony system cameras to the new Nokia 808 PureView smartphone with 41-megapixel camera sensor. The VICTORY HT binoculars can also be tested. An innovative optics concept from Carl Zeiss in connection with HT glasses from SCHOTT makes VICTORY binoculars with transmission values of more than 95 percent very fast.
A must-see attraction is a high-performance, full-format SLR camera lens with manual focus. With a focal length of 55 mm and aperture of f/1.4, this lens is the first model of a new product family designed for demanding users. Thanks to a newly developed optical design, this lens is superior to conventional full-frame lenses, and it achieves with powerful full-frame, full-format cameras an image performance that until now has only been seen with medium-format systems. The first prototype of this new range will celebrate its world debut at photokina. The family of lenses is expected to be on the market in the second half of 2013 for EF bayonet (ZE) and F bayonet (ZF.2).
Another highlight will be the presentation of a design study, with which Carl Zeiss will offer a sneak preview of a new family of autofocus lenses for mirrorless system cameras (CSC) that will most likely be available in mid-2013. Due to their performance and high speed, these new lenses will be ideal for deliberate photo composition, making them perfect for more sophisticated photographers as well. Carl Zeiss plans to initially offer fixed focal lengths in the wide angle and standard range as well as a macro. „The trend toward mirrorless system cameras has accelerated since 2010 and we notice growing interest for them among ambitious photographers. We are convinced that as a result of the new and very high-quality cameras and lenses that are coming onto the scene, this market will become even more important. We see lots of potential, which is why we will offer more products for this target group in the future,” said Dr. Winfried Scherle, Vice President and General Manager of the Camera Lens Division of Carl Zeiss AG.
For fans of the Carl Zeiss family of ZM systems for rangefinder cameras, Carl Zeiss has a special surprise in store. In 2013, at least one fast lens with M bayonet will go on sale. Using lenses from the ZM series with adapters is also very popular on mirrorless system cameras.
“The market is extremely dynamic at the moment with numerous innovations across all areas. Our broad range of high-quality products and our successful partnerships with Sony, Nokia, Logitech and ARRI make us very well positioned in the market,” says Scherle. “As the world’s leading trade fair for photography approaches, we are full of optimism, especially considering the many new features and products we will present. We hope that both the public and visitors to our stand will be excited about them too.”
The “walk-in lens”, which first appeared at photokina in 2008, makes a comeback this year and promises to be the main optical eye-catcher at Carl Zeiss’s stand. Visitors are welcome to take a stroll through the oversized lens and experience the fascinating development of a ZEISS lens. Moreover, there will be an extensive applications ‘island’ at the Carl Zeiss stand where visitors can take as much time as they like to test and experiment with Carl Zeiss’s entire portfolio of lenses on different cameras and to talk to experts.
Carl Zeiss has created a special section on its website about photokina (www.zeiss.com/photo/phk12). Photography enthusiasts from around the world can use the site to get the latest news each day about the trade fair and to ask Carl Zeiss any question they want about all topics related to photokina. The website is available in various languages. Carl Zeiss will also report live from photokina on its social media channels and invites its social media community to likewise share their thoughts, ideas and suggestions about products from Carl Zeiss using the hashtag #zeissphk12.
Zeiss CZ.2 28-80mm T2.9 Compact Zoom Lens Announced
Carl Zeiss presents new Compact Zoom CZ.2 lens at IBC 2012 in Amsterdam
Carl Zeiss will display the new cine zoom lens Compact Zoom CZ.2 28-80/T2.9 at the IBC in Amsterdam, the leading international trade show for film, radio and television, from September 7 to 11, 2012 in hall 11 booth G64. The new Compact Zoom CZ.2 28-80/T2.9 by Carl Zeiss is a cine zoom lens ideally suited to a wide variety of shooting situations. It is easy to handle, compact and versatile. It takes pictures in 4K resolution — in full format. This is the second Compact Zoom CZ.2 lens from Carl Zeiss, complementing the Compact Zoom CZ.2 70-200/T2.9 presented in April at the NAB Show 2012 in Las Vegas for the longer focal length range. For color rendition, contrast and other parameters such as great flare suppression, calibrated focus scales, consistent aperture over the zoom range, round iris the new CZ.2 family is closely aligned to one another, making these lenses ideal for attaining a con- sistent optical performance when changing lenses.
With a length of 196 millimeters and weighing in at 2.5 kg (5.5lbs), the Compact Zoom CZ.2 28-80/T2.9 is sleek and lean. Thanks to the five different mounts (PL, EF, F, MFT and E), this new zoom lens from Carl Zeiss can be easily adapted to numerous camera systems both now and in the future, as well as on HDSLR cameras, HD video cameras and professional cine cameras.
“Thanks to the interchangeable mount and the 36 x 24mm image-circle illumination, the new Com- pact Zoom CZ.2 28-80/T2.9 is highly versatile and a future proof investment,” says Michael Schieh- len, Director of Sales of the Camera Lens Division of Carl Zeiss AG. “With focal lengths from 28 to 80mm and outstanding image performance, it offers professionals as well as ambitious cinema- tographers a lot of room to explore their creativity in many types of shooting situations. The Com- pact Zoom CZ.2 70-200/T2.9 has already proven that there is no comparable zoom family on the market with full frame coverage and interchangeable mount.”
With its slim build, the Compact Zoom family follows the current market trend towards smaller and lighter lenses that are perfect for handheld cameras, Steadicam systems, or for shooting in tight spaces. The Compact Zoom CZ.2 is espe- cially comfortable to use thanks to its ergonomi- cally designed and partly rubber-coated surface, which allows both precise manual focusing as well as mechanical focusing via follow-focus systems. The Carl Zeiss T* anti-reflective coating ensures maximum contrast and color rendition by minimizing stray light and ghosting within the lens. The Compact Zoom CZ.2 lenses delivers flare- free results and has no focus shift over the whole zoom range.
During the IBC, Carl Zeiss will display in a huge glass case all of its camera lenses that are currently available on the market — lenses that guarantee images of the highest quality, whether used on Hollywood movie cameras, HDSLR or HD video cameras.
The Compact Zoom CZ.2 28-80/T2.9 will be delivered in the second quarter of 2013. The recommended retail price is €14,900 or US$19,900 (excluding VAT)*.
DateTime: 8/30/2012 10:09:30 AM CT Posted By: Bryan
Zeiss CP.2 25mm T2.1 Compact Prime Lens Announced
Carl Zeiss presents new Compact Prime CP.2 25/T2.1 lens at IBC 2012 in Amsterdam
Carl Zeiss will present a new cine lens from the Compact Prime CP.2 lens family during the IBC 2012 in Amsterdam, the leading international trade show for film, radio and television, from September 7 to 11, 2012, in hall 11 booth G64. With an even larger aperture, the new Compact Prime CP.2 25/T2.1 lens from Carl Zeiss achieves outstanding images in challenging lighting conditions.
The Compact Prime CP.2 25/T2.1 succeeds the Compact Prime CP.2 25/T2.9, which will continue to be available as long as supplies last. “We are responding to the wish of many cinematographers and video producers who would like a high-speed CP.2 lens with a maximum aperture of T2.1 for the 25mm focal length range as well,” says Anna Rausch, Product Manager Cine Lenses in the Camera Lens Division of Carl Zeiss AG. “Our optical experts have virtually eliminated the chromatic aberrations on these lenses through a special design and selection of materials. We can now offer a constant max T-Stop of 2.1 for all of our CP.2 lenses in the focal length range of 25-135mm.” This gives users even more possibi- lities to compose their images and requires less effort with the lighting. The biggest advantage on set is that the light does not have to be adapted when switching lenses because they all have the same F-Stop. The lens speed is ideal for playing with the depth-of-field.
The Compact Prime CP.2 lens series, extremely popular among ambitious cinematographers thanks to its 14 fixed focal lengths from 15 to 135mm, will again be the center of attention during Carl Zeiss's presence at the IBC 2012. By using the interchangeable mounts for PL, EF, F, MFT and E, the lenses can be easily adapted to numerous camera systems, ensuring compati- bility with future cameras as technology changes. Thanks to the interchangeable mounts and the 36 x 24mm image-circle illumination the Compact Prime CP.2 lens family is versatile to use — on HDSLR and HD video cameras as well as on professional cine cameras. The lenses are characterized by their robustness, a standard focus rotation angle of 300 degrees and uniform measurements. This combination makes the lenses ideally suited for every demand on the film set. All Compact Prime CP.2 lenses have a standard cine-style housing with gearing that allows the attachment of any standard follow-focus system.
All the new features that Carl Zeiss presented at the NAB Show in Las Vegas in April will now enjoy a European debut at the IBC 2012: two Compact Prime CP.2 lenses (CP.2 15/T2.9 and CP.2 135/T2.1), three Compact Prime CP.2 Super Speed lenses as well as the Compact Zoom CZ.2 70-200/T2.9. The new focal lengths 15mm and 135mm expand the offering of the Compact Prime CP.2 family and open up many new creative possi- bilities, from super wide angle to tele. The three Compact Prime CP.2 Super Speed lenses have an aperture of T1.5 and are available in focal lengths 35mm, 50mm and 85mm. These high- lights as well as other cine and camera lenses can be experienced and tried out on the spot during the IBC.
Alongside the new features, Carl Zeiss will display behind a huge glass case all of its cine and camera lenses that are currently available on the market — lenses that guarantee images of the highest quality, regardless of whether they are used on cameras to shoot Hollywood movies, on HDSLR cameras or HD video cameras. The dis- play will include the well-known Master Prime, Ultra Prime, Compact Prime CP.2 and Compact Zoom CZ.2, DigiPrime, Lightweight Zoom LWZ.2 lenses, as well as SLR camera lenses, which are ideal for getting started in the HD video segment.
In addition, Carl Zeiss and its partner ARRI will present the long-awaited anamorphic lens to public. Visitors to the Carl Zeiss stand will have an opportunity to try out a prototype of the lens that is currently in the final design phase on an ARRI Alexa Studio camera.
Carl Zeiss will start shipping the new Compact Prime CP.2 25/T2.1 on October 1st, 2012. The expected retail price is EUR 3,300 (excl. VAT) or US$ 4,500 (excl. VAT)*.
I had the pleasure of using the Zeiss 25mm f/2.0 Distagon T* ZE Lens at PhotoPlus Expo in New York City yesterday.
The build quality of this lens is on par with the other Zeiss ZE lenses - which is to say that this is an incredibly-well built lens. Zeiss ZF.2 Nikon mount lenses are built similarly to the ZE Canon mount counterparts. This lens is rather small (does not take up much space in a bag), but solid feeling (if you fill all the space in your bag with similar Zeiss lenses, your back may regret you having done so).
Compact Prime CP.2 lenses from Carl Zeiss now also with F-mount
In 4th quarter of 2010, ZEISS Compact Prime CP.2 lenses will be available with F-mount. The Compact Prime CP.2 series, presented last April, were the first lenses developed especially for shooting with HDSLR cameras. Since then, the lenses have been highly sought after by cinematographers and film photographers alike. In addition to the PL-, EF- and F-mount, Carl Zeiss will soon also be offering the Compact Prime CP.2 lenses with Micro 4/3 and A-mount.
The Compact Prime CP.2 lenses’ inter- changeable mount means the lenses can be used for many purposes. The lenses have a compact and robust build so that they can handle any demand on the film set.
“With the new enhancement of mounts we want to meet the needs of our customers”, says Michael Schiehlen, Head of Sales of Carl Zeiss AG Camera Lens Division. “The possibility of using our CP.2 lenses flexibly for three different camera systems is not only interesting for new customers. Stores that rent cameras and camera equipment also benefit from the lenses’ enhanced flexibility.”
Just in time for the IBC in Amsterdam, Carl Zeiss has announced two new focus lengths that will also be available with F-mount: Compact Prime CP.2 50 mm/T2.1 Makro and CP.2 100mm/T2.1 CF. They complement the seven focal lengths from 18 to 85 millimeters that are already available.