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 Wednesday, June 21, 2017
From Zeiss:
 
The tenth lens in the ZEISS Milvus series for DSLR cameras already shows its many benefits at full aperture
 
OBERKOCHEN/Germany, 2017-06-21 – ZEISS has launched a new lens for full-frame DSLR cameras from Canon1 and Nikon2 on the market: the ZEISS Milvus 1.4/35. Now the tenth lens in the Milvus family, the ZEISS Milvus 1.4/35 is particularly suitable for portrait photography thanks to its speed. "The high maximum aperture enables the subject to stand out clearly against the background, and the photographer can achieve creative combinations of focus and blur," says Christophe Casenave, Product Manager at ZEISS. "The manual focus enables very exact focusing, and the creamy bokeh provides an excellent image look. And even at full aperture the image quality leaves nothing to be desired.” The ZEISS Milvus 1.4/35 is also perfectly at home in landscape photography: "The 35-millimeter focal length is a genuine all-rounder." Like all lenses in the ZEISS Milvus family, it is protected against dust and splashes and, according to Casenave, even bad weather is no problem. The metal barrel gives the lens its robust and durable character.
 
Practically no chromatic aberrations thanks to a new optical design
 
With aspherical lens elements, special glass materials and advanced correction, ZEISS has given the lens a completely new optical design. “This means the photos are practically free from chromatic aberrations," says Casenave. Thanks to their excellent edge-to-edge imagery the ZEISS Milvus lenses are designed for high-performance digital cameras. "The resolutions of camera sensors are constantly becoming higher, and this also increases the demands made on the lenses. For ZEISS Milvus lenses this is no problem. They are a solid investment in the future."
 
Also suitable for filming
 
The ten lenses in the ZEISS Milvus family, ranging between 15 and 135 millimeters, are also suitable for film productions: the manual focus with a large rotation angle can be operated with the aid of a ZEISS Lens Gear with a follow-focus system. The de-click function allows the aperture to be set continuously in the version for Nikon3 cameras. A further benefit for filming: ZEISS has matched the color characteristics of the ten lenses. Filmmakers can therefore switch between the focal lengths and still have a uniform color look. "This facilitates editing enormously," says Casenave.
 
Price and availability
 
The ZEISS Milvus 1.4/35 will be available from specialist dealers and in the ZEISS Online Shop from July 2017. The recommended retail price is 1,999 euros.
 
Zeiss Milvus 35mm f/1.4 Preorders:
B&H – Canon | Nikon
Adorama – Canon | Nikon
Category: Zeiss News
Post Date: 6/21/2017 6:09:03 AM CT   Posted By: Sean
 Thursday, April 27, 2017
OBERKOCHEN/Germany, 24/04/2017 - No matter if it is Star Wars, Harry Potter or Avatar: these days, just about every film features special effects. For many small film productions, having visual effects in their movie would be a dream come true. Unfortunately, making the image fit the look of the footage has required expensive tools – until now. At the NAB Show in Las Vegas, ZEISS presented new metadata technology that makes this possible: the company has equipped its new ZEISS CP.3 XD compact lens family with ZEISS eXtended Data.
 
ZEISS eXtended Data supports and enhances /i-Technology
 
What exactly is this? "ZEISS eXtended Data is the first metadata technology which stores the lens distortion and shading – for every single frame," explains Christophe Casenave, Product Manager at ZEISS. "Moreover, all /i-Technology metadata are recorded, including the focus distance, aperture value and depth of field, which is supported by most cameras." This makes the technology ideal for working with visual effects: by using the metadata, it just takes a few clicks to modify the image generated on the computer to fit the lens characteristics, and to then splice it together with the footage to create a realistic image. Distortion and shading can be corrected or even amplified in post-production.
 
"It used to be that only big blockbusters could take this approach," says Casenave. "Cine lenses that provide metadata are relatively expensive and, up until now, distortion and shading had to be manually measured – a time-consuming and expensive process." However, since ZEISS has incorporated the technology into its compact CP.3 XD cine lens family, low-budget productions can now take the same approach to creating their own special effects. "With ZEISS eXtended Data, we are offering Hollywood technology for everyone, providing small film teams with new creative opportunities."
 
An end-to-end solution: cooperation with Ambient and Pomfort
 
With the ZEISS CP.3 XD, ZEISS not only offers the lenses with metadata, but has also given thought to storage and processing. It has teamed up with partners in the industry: the company Ambient has developed the MasterLockit Plus system together with ZEISS. It records all metadata along with a time code in case the technology is not supported by the camera. "This way truly everyone can work with ZEISS eXtended Data, no matter what equipment they use," says Casenave. Thanks to the cooperation with the software developer Pomfort, distortion and shading can be modified on the set in real-time using the Pomfort tool LiveGrade Pro. The film crew already gets a sense of what the final look will be during the shoot. The film clips and lens data can be consolidated and organized with Silverstack, Pomfort's file manager.
 
ZEISS plans to further expand the new metadata technology in the future. "Our customers will then be able to upgrade to the new version, making the CP.3 XD a long-term investment," says Casenave.
 
Compact and light-weight
 
In addition to the metadata, filmmakers have even more reasons to get excited about the new lens family: the ten prime lenses between 15 and 135 millimeters cover full-frame. As is typical for ZEISS, the image has a clean, crisp look, and ZEISS says the image quality is excellent. "These lenses deliver outstanding results, even in light situations with a large dynamic range, i.e. highlights and shadows within the same scene," says Casenave. The maximum speed of the seven focal lengths between 25 and 135 millimeters is T2.1, the 15, 18 and 21 millimeter lenses have a speed of T2.9. With a front diameter of 95 millimeters, the lenses are light-weight and compact. They are particularly well-suited for hand-held filming or shooting with gimbals, Steadicam or drones. ZEISS has also improved focusing: the manual focus is now noticeably smoother. According to ZEISS, it is comparable with the ZEISS Master Primes and can also be operated with a small motor. The focus rotation angle is 300°. The lenses are equipped with an interchangeable mount so that they can be used on almost any camera. In addition to the ZEISS CP.3 XD, there is also a version available without metadata: the ZEISS CP.3.
 
Price and availability
 
Initially, a limited number of ZEISS CP.3 XD and CP.3 lenses will be available at dealers.
 
ZEISS CP.3 XD
 
Focal lengthRecommended
retail price (EUR/USD)
Available from
15mm/T2.9 XD6,400 Euro / 7,490 USDSeptember
18mm/T2.9 XD5,800 Euro / 6,690 USDSeptember
21mm/T2.9 XD5,000 Euro / 5,790 USDSeptember
25mm/T2.1 XD5,000 Euro / 5,790 USDSeptember
28mm/T2.1 XD5,000 Euro / 5,790 USDOctober
35mm/T2.1 XD5,000 Euro / 5,790 USDSeptember
50mm/T2.1 XD5,000 Euro / 5,790 USDSeptember
85mm/T2.1 XD5,000 Euro / 5,790 USDSeptember
100mm/T2.1 XD5,800 Euro / 6,690 USDSeptember
135mm/T2.1 XD6,400 Euro / 7,490 USDSeptember

ZEISS CP.3
 
Focal lengthRecommended
retail price (EUR/USD)
Available from
15mm/T2.94,900 Euro / 6,090 USDSeptember
18mm/T2.94,300 Euro / 5,290 USDJuly
21mm/T2.93,500 Euro / 4,390 USDJune
25mm/T2,13,500 Euro / 4,390 USDJune
28mm/T2.13,500 Euro / 4,390 USDOctober
35mm/T2.13,500 Euro / 4,390 USDJune
50mm/T2.13,500 Euro / 4,390 USDJune
85mm/T2.13.500 Euro / 4.390 USDJune
100mm/T2.14,300 Euro / 5,290 USDSeptember
135mm/T2.14,900 Euro / 6,090 USDSeptember

B&H will carry the Zeiss Cine lenses.
Post Date: 4/27/2017 6:29:48 AM CT   Posted By: Sean
 Wednesday, April 5, 2017

 
From the ZEISS Camera Lenses YouTube Channel:
 
Long focal length, fast autofocus, optical image stabilization, lightweight. Thanks to the outstanding correction of all chromatic aberrations, the ZEISS Batis 2.8/135 is a high-performance telephoto lens with an Apo Sonnar design. The lens is the optimum solution for medium-distance portrait photography.
 
B&H has the Zeiss Batis 135mm f/2.8 Lens for Sony E Mount available for preorder.
Posted to: Sony News
Post Date: 4/5/2017 12:07:47 PM CT   Posted By: Sean
 Thursday, September 8, 2016
Zeiss has uploaded official sample photos for their newly announced Milvus lenses to its Flickr account. You can find the album links below.
 
Note that these images are not necessarily straight out of the camera results. For instance, EXIF information shows that the sample image displayed above for the 18mm f/2.8 Milvus has been edited in Photoshop CS6 with adjustments to specific color channels, contrast, vibrance, sharpness and clarity with chromatic aberrations corrected as well.
 
Preorders:
 
Category: Zeiss News
Post Date: 9/8/2016 9:26:37 AM CT   Posted By: Sean
From Zeiss:
 
The lens family with manual focusing for DSLR cameras is now also available with focal lengths of 15, 18 and 135 millimeters
 
OBERKOCHEN/Germany, 08/09/2016 – Two super-wide angle lenses, the ZEISS Milvus 2.8/15 and ZEISS Milvus 2.8/18, and the telephoto lens ZEISS Milvus 2/135 have expanded this family of manual focus lenses for DSLR cameras, bringing the total number of ZEISS Milvus focal lengths to nine. “The ZEISS Milvus family of lenses is an invaluable investment for the future due to its excellent imaging quality and its large range, which now covers 15 to 135 millimeters,” says Christophe Casenave, product manager at ZEISS Camera Lenses. Delivery of the new ZEISS Milvus lenses begins at the end of October 2016.
 
For high-end DSLR cameras
“The ZEISS Milvus lenses have been designed in particular to fulfill the requirements of today’s powerful digital cameras and those of the future thanks to their high imaging performance, even in difficult lighting situations,” says Casenave. The new lenses are characterized by a harmonious bokeh and very high degree of flare control due to the T* anti-reflective coating from ZEISS. Further optimization of the lens coating has also ensured less likelihood than ever of ghosting, flare or shading effects, even in critical lighting situations. And all ZEISS Milvus lenses come with a floating elements design, which compensates imaging errors at different distance settings.
 
ZEISS Milvus for video
The new ZEISS Milvus lenses also allow the user to create high-quality film shoots with a pleasing cinematic bokeh. “Due to their extremely high contrast rendition, the lenses fulfill the most modern video standards of 6K and higher, and have uniform color characteristics,” said Casenave. All ZEISS Milvus lenses have a focus ring with a very large rotation angle to enable precise focusing, and are made of comfortable rubber to ensure a good grip while focusing. The De-Click function on lenses with a ZF.2 mount lets cinematographers set the aperture in a soft and infinitely variable way so they can work professionally in changing lighting conditions. The ZEISS Milvus lenses’ robust full-metal barrel ensures long and reliable usage. In addition, the lenses are protected against dust and spray water. The robust metal lens shade is an integral part of the overall product design and included with all ZEISS Milvus lenses.
 
The new focal lengths of the ZEISS Milvus family are also compatible with the ZEISS Lens Gears, providing filmmakers with additional value-add. The ZEISS Lens Gears, which are made of high-quality aluminum with a hardened surface coating, slide into the respective lens and are attached to the focus ring by turning two counter-rotating rings through a simple mounting procedure.
 
The new ZEISS Milvus lenses in summary:
 
ZEISS Milvus 2.8/15:
This super wide-angle lens with a field of view of 110 degrees allows every photographer to consciously compose using extreme perspectives. The lens has excellent imaging performance – even with an open aperture – thanks to the correction of color errors. Color fringing and distortion are minimal. This is all thanks to a ZEISS Distagon lens design with 15 lens elements in 12 groups, including two aspheric lenses, special glass with anomalous partial dispersion, and the floating elements design. A removable lens shade and the 95-millimeter filter thread also make this lens the ideal companion for special applications with additional slide-in filter holders.
 
ZEISS Milvus 2.8/18:
This compact super-wide angle lens with a newly calculated ZEISS Distagon optical design has 14 lens elements in 12 groups, including two aspheric elements. The ZEISS Milvus 2.8/18 has a short close-up distance of 0.25 meters and internal focusing. With an angular field of 99.9 degrees, this lens is the ideal companion for landscape and architectural photography, as it allows creative shots to be taken using unusual perspectives. The filter thread has a diameter of 77 millimeters. The ZEISS Milvus 2.8/18 delivers outstanding imaging performance and very good distortion correction.
 
ZEISS Milvus 2/135:
This fast telephoto lens delivers excellent correction of all color errors. Thanks to a large aperture and pleasing bokeh, it is the perfect lens for portrait photography from a medium distance. The angular field is 18.7 degrees. The short minimum object distance of 0.80 meters makes this lens even more versatile. It has an optical design with 11 lens elements in eight groups and, like the ZEISS Milvus 2.8/18, a filter diameter of 77 millimeters.
 
Price and availability
The delivery worldwide of the three new lenses will begin at the end of October 2016. The lens shade is included with the corresponding lens. Sales prices are EUR 2,699 (including 19% German VAT) or 2.699US$ for the ZEISS Milvus 2.8/15; EUR 2,299 (including 19% VAT ) or 2.299US$ for the ZEISS Milvus 2.8/18; and EUR 2,199 Euro (including 19% German VAT) or 2.199US$ for the ZEISS Milvus 2/135. For ambitious cinematographers and photographers, a set solution is also available for up to six ZEISS Milvus lenses. A discount of 8% is available with the purchase of three to four lenses. Purchasing more than five lenses gives the user a 10% discount.
 
Preorders:
 
Category: Zeiss News
Post Date: 9/8/2016 6:00:28 AM CT   Posted By: Sean
 Monday, May 2, 2016
Zeiss has posted a teaser image via Facebook which seems to indicate the announcement of three new lenses next week.
 
Hmm....looks intriguing, doesn't it? [Sean]
Category: Zeiss News
Post Date: 5/2/2016 11:05:44 AM CT   Posted By: Sean
 Wednesday, October 14, 2015
From ZEISS:
 
With the new ZEISS Otus 1.4/28, users of shorter focal lengths can now also take advantage of the most powerful image quality of the ZEISS Otus lens family.
 
Where details count in wide-angle photography, the Otus 1.4/28 for DSLR cameras with F- and EF-mount is the lens of choice.
 
The Otus 1.4/28 shows off its strengths particularly in landscape and nature photography. Even with a maximum aperture, the corners of the image are completely usable, so there are no limits to composition. In poor light combined with fast-moving objects, the lens also doesn’t break a sweat – thanks to its high speed of f/1.4. While other lenses reveal their shortcomings in correction in night photography, especially when lots of open light sources dominate an image, the ZEISS Otus 1.4/28 boasts a stellar performance. Finally, the latest member of the ZEISS Otus family is excellent for taking pictures of image elements in the foreground, as they take on a greater feeling of depth to the scene due to the wide background and the open aperture; here, the lens’s harmonious bokeh ensures a 3D effect.
 
For professional photographers
Inner focusing, a dial window and yellow labeling of the dials for easy legibility designate the Otus 1.4/28 as a lens, developed to meet the high demands of professional photographers. The mechanical quality also impresses: the soft focus operation with the large rotation angle allows for the finest variations when focusing – something that is only possible with a metal construction. In every focusing situation, the user is given freedom to compose – one of the most important creative factors in photography. An artistic tool is literally put in the photographer’s hands. With its robust all-metal barrel and easy-to-grip focus ring, the Otus 1.4/28 is also well suited for a photographer’s demanding everyday work.
 
With high image contrast all the way into the edges of the image – already at an open aperture of f/1.4 – the Otus 1.4/28 demonstrates its optical brilliance. At all distances it offers consistent performance (minimum working distance of 0.15 m), highly detailed images without any bothersome artifacts, and a neutral bokeh in the background.
 
Intricate construction for uncompromising imaging performance
A view inside the lens reveals how such optical excellence is achieved: The lens consists of 16 elements in 13 groups. One of the lens elements has an aspheric optical surface and one element is aspheric on both sides. Eight other lens elements are made of special glass. The basis of the optical design is a Distagon. The special glass has anomalous partial dispersion, as is typical for an apochromatic lens. This corrects the longitudinal chromatic aberrations superbly, which therefore lie considerably below the tightly defined boundaries. Bright-dark transitions in the image, in particular highlights, are depicted almost completely free of color artifacts. The floating elements design (the change of distances between certain lens elements when focusing) allows for unrivalled imaging performance along the entire focusing range, from 0.3 m to infinity.
 
The ZEISS Otus lens family
When ZEISS introduced the ZEISS Otus 1.4/55 in 2013, creating a new family of high-end SLR lenses, the trade press and users alike were enthusiastic. The ZEISS Otus 1.4/55 has exceeded its promises up to this day. The second member of the family, the ZEISS Otus 1.4/85, which was presented at photokina 2014, continued this success story in the short telephoto range. It enables photographers to express their creativity in a unique way – and that with the unsurpassed high imaging performance for which the lenses in the ZEISS Otus family are known.
 
“The ZEISS Otus 1.4/28 continues the tradition of its lens family. It is the best wide-angle that has ever existed. Now we can offer three outstanding lenses for the widest variety of applications,” added Casenave.
 
Price and availability
The Otus 1.4/28 ZF.2 and Otus 1.4/28 ZE will be available worldwide starting in the second quarter of 2016. The lens shade is included with delivery. The retail sales price is unknown to date.
 
For high resolution sample images, check out the Carl Zeiss Lenses Flickr Photostream.
 
B&H carries ZEISS Otus lenses.
Category: Zeiss News
Post Date: 10/14/2015 6:43:09 AM CT   Posted By: Sean
 Thursday, October 8, 2015
Cosina Japan is listing the following (Nikon Mount) Zeiss lenses as discontinued:
 
  • Zeiss 18mm f/3.5 Distagon T* ZF
  • Zeiss 21mm f/2.8 Distagon T* ZF.2
  • Zeiss 25mm f/2.8 Distagon T* ZF
  • Zeiss 28mm f/2 Distagon T* ZF
  • Zeiss 35mm f/2 Distagon T* ZF, ZF.2
  • Zeiss 50mm f/1.4 Planar T* ZF
  • Zeiss 50mm f/2 Makro-Planar T* ZF, ZF.2
  • Zeiss 85mm f/1.4 Planar T* ZF
  • Zeiss 100mm f/2 Makro-Planar T* ZF, ZF.2
With the recent announcement of Zeiss's Milvus line of lenses, it's no surprise that some of their older lenses would be discontinued. However, if the source is accurate, a few of the discontinued lenses have not been incorporated into the Milvus lineup thus far.
 
Can we expect to see the 18, 25 and 28mm Milvus lenses in the not-so-distant future or are those particular focal lengths falling by the wayside?
 
What do you think?
 
Most of these lenses (and their Canon equivalents) currently qualify for instant savings up to $300.00.
Category: Zeiss News
Post Date: 10/8/2015 9:04:01 AM CT   Posted By: Sean
 Thursday, September 10, 2015

 
ZEISS has just announced a new series of high quality, weather-sealed, manual focus DSLR lenses called Milvus. The new lineup includes the following lenses with noticeable OTUS design cues:
 
ZEISS Milvus DSLR Lenses

B&H has the ZEISS Milvus lenses available for preorder.
 
Note: The composite photo above may not show the lenses perfectly to scale. I tried to make the mounts all the same size, but I may not have gotten them exact. [Sean]
Category: Zeiss News
Post Date: 9/10/2015 9:14:20 AM CT   Posted By: Sean
 Monday, March 23, 2015
From ZEISS:
"ZEISS has been producing camera lenses for more than a century – and the tradition of creating major innovations has continued to this very day. For example, the current ZEISS Otus SLR lenses are setting new standards in image quality. The first camera lenses left the Jena production facility on 21 March 1890."
Check out the entire article to learn more about the history of ZEISS camera lenses.
 
To find out more about currently produced ZEISS lenses, check out Bryan's ZEISS lens reviews.
 
B&H carries ZEISS lenses.
Category: Zeiss News
Post Date: 3/23/2015 8:55:26 AM CT   Posted By: Sean
 Friday, February 27, 2015
From the ZEISS Blog:
 
Over the course of time ZEISS has published a lot of interesting technical articles about the physical basics of camera lenses. However, after some years not every article can be found that easily. That’s why we decided to publish them all in one blog post to give you easy access.
 
Relevant Camera and Lens Technical Articles (PDFs)
 
Check out Bryan's ZEISS lens reviews for more information on these high quality lenses.
 
B&H carries Zeiss lenses.
Category: Zeiss News
Post Date: 2/27/2015 9:59:18 AM CT   Posted By: Sean
 Monday, October 6, 2014

 
From the Carl Zeiss Lenses YouTube Channel:
 
Watch our time-lapse video on how to change the mount of a Compact Prime CP.2 lens shot at IBC 2014 in Amsterdam at our booth. In the video you can see how easy it is to exchange the lens's mount of an EF lens to PL mount.
 
The-Digital-Picture.com's Take:
Sigma made headlines last year when it announced its lens conversion service that allowed users to change brands without having to buy brand new lenses. Now Zeiss is highlighting similar functionality (although it looks like this quick-change mount design was built into its Compact Lens series long before Sigma announced their service).
 
Considering that two brands have the ability to change mounts, it got me thinking – how easy can 3rd party lens manufacturers make it? Will either one be developing a quick release system to make mount changes as simple as installing an extender? Then a user could easily buy different mounts for their lenses and simply replace them at home with no tools required.
 
And if that kind of feature could be implemented, would the incremental costs of development and manufacturing make it a worthwhile marketing ploy? [Sean]
 
B&H carries Zeiss Compact Cinema lenses.
Category: Zeiss News
Post Date: 10/6/2014 7:16:15 AM CT   Posted By: Sean
 Friday, October 3, 2014

 
From the Carl Zeiss Lenses Youtube Channel:
 
Every two years Cologne hosts photokina, the world’s most important imaging trade fair. And from September 16 to 21, 2014, around 185,000 film and photography fans, from 160 countries, attended this year’s event by the Rhine. Many of them headed straight to ZEISS in hall 2.2, stand C-018, where they could talk with optics experts and experience close-up four new lenses that really whet your appetite for photography.
 
B&H carries Zeiss lenses. Check out Bryan's full review of the Zeiss Otus 85mm f/1.4.
Category: Zeiss News
Post Date: 10/3/2014 8:50:21 AM CT   Posted By: Sean
 Tuesday, September 9, 2014
From ZEISS:
 
OBERKOCHEN/Germany, 09/09/2014 – This year during the IBC in Amsterdam (September 12-16, 2014) ZEISS will present another highlight for discerning cinematographers at its booth 11.F50: prototypes of a servo unit for the high-end ZEISS Compact Zoom CZ.2 cine lenses.
 
With the CZ.2 15-30/T2.9, CZ.2 28-80/T2.9 and CZ.2 70-200/T2.9, ZEISS has set new performance standards for cine zooms. Equipped with an exchangeable mount (IMS), the CZ.2 lenses can be used flexibly on virtually all current and future camera models. The full-frame cine zooms (36x24mm) are suitable for HDSLR cameras, as well as for professional HD video and cinema cameras. All lenses in the ZEISS Compact Zoom family already correspond to 4K production standards.
 
With the new modularly-built ZEISS Servo Unit which will be shown in Amsterdam, cinematographers can leverage all of these advantages for situations when there is no direct access to the lens, for example on a crane, on rails or a Russian Arm. The servo unit also supports the comfortable operation of the zoom when using a shoulder camera, thus allowing the ZEISS Compact Zooms to be used conveniently for reportages.
 
The ZEISS Servo Unit was specially designed for the three ZEISS Compact Zoom CZ.2 lenses and can be flexibly used with all three of them. The user-friendly surface of the cine zooms enables them to be operated manually and, if desired, with follow-focus systems or the new ZEISS Servo Unit attached. The main unit controls aperture and zoom through powerful electric motors. A sensitive rocker switch allows for smooth zooming as well as fast changes in the image crop. An integrated iris motor enables the automatic control of the aperture via the camera. A manual operation of the aperture is, of course, still possible.
 
The new ZEISS Servo Unit can be controlled directly on the hand grip, through broadcast demands, or via wireless lens control systems, as is often the case for cranes.
 
Unique for the ZEISS Servo Unit is that no tools are needed for assembly, which can save time in critical moments. With a snap-on mechanism, the main unit can be exchanged easily, fast and without tools between the three different ZEISS Compact Zoom CZ.2 lenses. For each lens, this is done with a sleeve and installation plate. In addition, the optional focus unit can be mounted on the main unit with little effort, and adjusts quickly to the respective lens during lens changes. Electricity to the servo unit can be supplied via a PL-mount with contacts (at the zero position), through the camera interface cable, or externally. For ZEISS Compact Zoom CZ.2 lenses already available on the market, the necessary modifications for the contacts on the PL-mount can be carried out by ZEISS Service.
 
“The new ZEISS Servo Unit for the Compact Zoom CZ.2 family consistently expands the creative uses of our cine zooms, which have a growing fan community among professional cinematographers, production companies and in the rental business,” said Helmut Lenhof, Product Manager with ZEISS Camera Lenses. “Flexibility and longevity were our guiding ideas when developing the Compact Zoom CZ.2 lenses and these principles are reflected in the patented interchangeable mount system (IMS) and the optical design for the full frame. The ZEISS Compact Zoom CZ.2 lenses are therefore growing in step with the requirements of their users. The new servo unit is a powerful component that lets cinematographers flexibly extend the use of their CZ.2 lenses, whether for professional film productions or on a hand camera for reportage, documentary, and live events.”
 
During the IBC 2014, ZEISS will again present its comprehensive product portfolio of lenses for movie productions and HD video: ZEISS Compact Zoom CZ.2, ARRI/ZEISS Master Anamorphic, ARRI/ZEISS Master Prime, ARRI/ZEISS Ultra Prime, ZEISS Compact Prime CP.2, and SLR lenses for HD video. Visitors to the booth will be able to test ZEISS lenses on a large variety of the latest camera models, as well as meet and talk to experts on site.
 
The official market launch for the new ZEISS Servo Unit is planned to coincide with the NAB 2015. The total price of the system, including the focusing element, is expected to lie between € 5.000 and € 6.000 or US$ 7,800 and (net price). Orders can be taken starting April 2015.
 
B&H carries ZEISS Compact Zoom lenses.
Category: Zeiss News
Post Date: 9/9/2014 10:08:53 AM CT   Posted By: Sean
 Monday, September 8, 2014
In addition to the press release, you can find more Zeiss Otus 85mm f/1.4 Lens information and lots of eye candy on the Zeiss Otus 85mm f/1.4 Lens Review placeholder page. Otus 85 images are also loaded into the product image comparison tool. I'll be sharing a full review of this amazing lens very soon.
 
B&H has the ZEISS Otus 85mm f/1.4 available for preorder.
Category: Zeiss News
Post Date: 9/8/2014 7:42:19 AM CT   Posted By: Bryan
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