Zeiss Announcements RSS Feed for Zeiss Announcements Report News & Deals  ►

 Wednesday, October 18, 2017
From ZEISS:
 
With its new wide-angle focal length, the ZEISS Milvus family now boasts eleven lenses for single-lens reflex cameras, including four focal lengths with a maximum aperture of 1.4, which are perfect for videographers too.
 
OBERKOCHEN/Germany, 2017-10-18 – The ZEISS Milvus 1.4/25 is the latest focal length to be added to ZEISS’s largest range of lenses for full-frame single-lens reflex cameras. The lens, which was developed for the DSLR systems from Canon1 is a trademark or registered trademark of Canon Inc. and/or other members of the Canon Group. and Nikon2 is a registered trademark of Nikon Corporation., is suitable primarily for landscape and architecture photography, and for journalistic shots and videos. “The completely new optical design ensures superior performance across the entire image field,” says Christophe Casenave, Product Manager at ZEISS. “This results in high-contrast photos and a harmonious bokeh.”
 

High-speed wide-angle lens
 
Thanks to a maximum aperture of 1.4, this lens can even capture exceptional images in poor light. “Even at full aperture, there are hardly any color fringes,” says Casenave. “The finest details can be reproduced in high definition and contrast all the way into the corners.” The metal housing is what makes the lens robust, and its dirt and dust protection even makes the ZEISS Milvus 1.4/25 ready for action in adverse weather. The large 172-degree focus rotation angle enables precise manual focusing for adding creative touches to photos and videos.
 
The largest ZEISS lens family yet
 
Featuring eleven focal lengths ranging from 15 to 135 millimeters, including two macros, the ZEISS Milvus family covers a host of applications, such as portrait, landscape, architecture and street photography. “We can offer every photographer just the right lens,” says Casenave.
 
Perfect for videographers too
 
The four ZEISS Milvus focal lengths 25, 35, 50 and 85 millimeters with an aperture of 1.4 are just perfect for filming. Thanks to their high speed, they are suitable primarily for interviews and documentaries where the videographer can utilize natural light. Thanks to the de-click function in the version for the Nikon-Mount the aperture can be adjusted continuously. ZEISS Lens Gears in a range of sizes permit the use of follow-focus systems.
 
Price and availability
 
The ZEISS Milvus 1.4/25 retails for 2,399 euros incl. 19 percent sales tax (RRP) or $2,399USD and will be available starting 2 November 2017.
 
B&H has the Zeiss Milvus 25mm f/1.4 available for preorder.
Post Date: 10/18/2017 6:37:59 AM CT   Posted By: Sean
 Thursday, April 27, 2017
OBERKOCHEN/Germany, 24/04/2017 - No matter if it is Star Wars, Harry Potter or Avatar: these days, just about every film features special effects. For many small film productions, having visual effects in their movie would be a dream come true. Unfortunately, making the image fit the look of the footage has required expensive tools – until now. At the NAB Show in Las Vegas, ZEISS presented new metadata technology that makes this possible: the company has equipped its new ZEISS CP.3 XD compact lens family with ZEISS eXtended Data.
 
ZEISS eXtended Data supports and enhances /i-Technology
 
What exactly is this? "ZEISS eXtended Data is the first metadata technology which stores the lens distortion and shading – for every single frame," explains Christophe Casenave, Product Manager at ZEISS. "Moreover, all /i-Technology metadata are recorded, including the focus distance, aperture value and depth of field, which is supported by most cameras." This makes the technology ideal for working with visual effects: by using the metadata, it just takes a few clicks to modify the image generated on the computer to fit the lens characteristics, and to then splice it together with the footage to create a realistic image. Distortion and shading can be corrected or even amplified in post-production.
 
"It used to be that only big blockbusters could take this approach," says Casenave. "Cine lenses that provide metadata are relatively expensive and, up until now, distortion and shading had to be manually measured – a time-consuming and expensive process." However, since ZEISS has incorporated the technology into its compact CP.3 XD cine lens family, low-budget productions can now take the same approach to creating their own special effects. "With ZEISS eXtended Data, we are offering Hollywood technology for everyone, providing small film teams with new creative opportunities."
 
An end-to-end solution: cooperation with Ambient and Pomfort
 
With the ZEISS CP.3 XD, ZEISS not only offers the lenses with metadata, but has also given thought to storage and processing. It has teamed up with partners in the industry: the company Ambient has developed the MasterLockit Plus system together with ZEISS. It records all metadata along with a time code in case the technology is not supported by the camera. "This way truly everyone can work with ZEISS eXtended Data, no matter what equipment they use," says Casenave. Thanks to the cooperation with the software developer Pomfort, distortion and shading can be modified on the set in real-time using the Pomfort tool LiveGrade Pro. The film crew already gets a sense of what the final look will be during the shoot. The film clips and lens data can be consolidated and organized with Silverstack, Pomfort's file manager.
 
ZEISS plans to further expand the new metadata technology in the future. "Our customers will then be able to upgrade to the new version, making the CP.3 XD a long-term investment," says Casenave.
 
Compact and light-weight
 
In addition to the metadata, filmmakers have even more reasons to get excited about the new lens family: the ten prime lenses between 15 and 135 millimeters cover full-frame. As is typical for ZEISS, the image has a clean, crisp look, and ZEISS says the image quality is excellent. "These lenses deliver outstanding results, even in light situations with a large dynamic range, i.e. highlights and shadows within the same scene," says Casenave. The maximum speed of the seven focal lengths between 25 and 135 millimeters is T2.1, the 15, 18 and 21 millimeter lenses have a speed of T2.9. With a front diameter of 95 millimeters, the lenses are light-weight and compact. They are particularly well-suited for hand-held filming or shooting with gimbals, Steadicam or drones. ZEISS has also improved focusing: the manual focus is now noticeably smoother. According to ZEISS, it is comparable with the ZEISS Master Primes and can also be operated with a small motor. The focus rotation angle is 300°. The lenses are equipped with an interchangeable mount so that they can be used on almost any camera. In addition to the ZEISS CP.3 XD, there is also a version available without metadata: the ZEISS CP.3.
 
Price and availability
 
Initially, a limited number of ZEISS CP.3 XD and CP.3 lenses will be available at dealers.
 
ZEISS CP.3 XD
 
Focal lengthRecommended
retail price (EUR/USD)
Available from
15mm/T2.9 XD6,400 Euro / 7,490 USDSeptember
18mm/T2.9 XD5,800 Euro / 6,690 USDSeptember
21mm/T2.9 XD5,000 Euro / 5,790 USDSeptember
25mm/T2.1 XD5,000 Euro / 5,790 USDSeptember
28mm/T2.1 XD5,000 Euro / 5,790 USDOctober
35mm/T2.1 XD5,000 Euro / 5,790 USDSeptember
50mm/T2.1 XD5,000 Euro / 5,790 USDSeptember
85mm/T2.1 XD5,000 Euro / 5,790 USDSeptember
100mm/T2.1 XD5,800 Euro / 6,690 USDSeptember
135mm/T2.1 XD6,400 Euro / 7,490 USDSeptember

ZEISS CP.3
 
Focal lengthRecommended
retail price (EUR/USD)
Available from
15mm/T2.94,900 Euro / 6,090 USDSeptember
18mm/T2.94,300 Euro / 5,290 USDJuly
21mm/T2.93,500 Euro / 4,390 USDJune
25mm/T2,13,500 Euro / 4,390 USDJune
28mm/T2.13,500 Euro / 4,390 USDOctober
35mm/T2.13,500 Euro / 4,390 USDJune
50mm/T2.13,500 Euro / 4,390 USDJune
85mm/T2.13.500 Euro / 4.390 USDJune
100mm/T2.14,300 Euro / 5,290 USDSeptember
135mm/T2.14,900 Euro / 6,090 USDSeptember

B&H will carry the Zeiss Cine lenses.
Post Date: 4/27/2017 6:29:48 AM CT   Posted By: Sean
 Wednesday, April 5, 2017

 
From the ZEISS Camera Lenses YouTube Channel:
 
Long focal length, fast autofocus, optical image stabilization, lightweight. Thanks to the outstanding correction of all chromatic aberrations, the ZEISS Batis 2.8/135 is a high-performance telephoto lens with an Apo Sonnar design. The lens is the optimum solution for medium-distance portrait photography.
 
B&H has the Zeiss Batis 135mm f/2.8 Lens for Sony E Mount available for preorder.
Posted to: Sony News
Post Date: 4/5/2017 12:07:47 PM CT   Posted By: Sean
   
Canon News, Nikon News Archives
2017   Jan   Feb   Mar   Apr   May   Jun   Jul   Aug   Sep   Oct   Nov
2016   Jan   Feb   Mar   Apr   May   Jun   Jul   Aug   Sep   Oct   Nov   Dec
2015   Jan   Feb   Mar   Apr   May   Jun   Jul   Aug   Sep   Oct   Nov   Dec
2014   Jan   Feb   Mar   Apr   May   Jun   Jul   Aug   Sep   Oct   Nov   Dec
2013   Jan   Feb   Mar   Apr   May   Jun   Jul   Aug   Sep   Oct   Nov   Dec
2012   Jan   Feb   Mar   Apr   May   Jun   Jul   Aug   Sep   Oct   Nov   Dec
2011   Jan   Feb   Mar   Apr   May   Jun   Jul   Aug   Sep   Oct   Nov   Dec
2010   Jan   Feb   Mar   Apr   May   Jun   Jul   Aug   Sep   Oct   Nov   Dec
2009   Jan   Feb   Mar   Apr   May   Jun   Jul   Aug   Sep   Oct   Nov   Dec
2008   Jan   Feb   Mar   Apr   May   Jun   Jul   Aug   Sep   Oct   Nov   Dec
2007   Jan   Feb   Mar   Apr   May   Jun   Jul   Aug   Sep   Oct   Nov   Dec
2006   Jan   Feb   Mar   Apr   May   Jun   Jul   Aug   Sep   Oct   Nov   Dec
2005   Jan   Feb   Mar   Apr   May   Jun   Jul   Aug   Sep   Oct   Nov   Dec
Feedback
Help  |  © 2017 The Digital Picture, LLC  |  Bryan CarnathanPowered By Christ!