Canon and Nikon News for Oct 2016 (Page 7) Report News & Deals  ►

 Sunday, October 9, 2016
The Canon Store has reduced a huge array of refurbished DSLR cameras, lenses and Speedlite flashes by 10% or more.
This appears to be one of the Canon Store's better sales with a lot of gear eligible for discounts. Inventory probably won't last very long.
Update: Canon refurb. EOS M3 and EF-M lens deals have been added.
In Stock & Discounted Refurb. Gear
Refurbished ItemOrig. PriceSavingsSale Price
Canon EOS 5DS R Body3,119.20120.202,999.00
Canon EOS 5Ds Body2,959.20160.202,799.00
Canon EOS 7D Mark II + EF-S 18-135 IS STM1,719.20320.201,399.00
Canon EOS 7D Mark II1,439.20240.201,199.00
Canon EOS 6D Body1,359.20210.201,149.00
Canon EOS 70D + EF-S 18-135 IS STM1,239.20359.21879.99
Canon EOS Rebel T6s + EF-S 18-135 IS STM & 55-250 IS STM1,199.19320.00879.19
Canon EOS 70D + EF-S 18-55 IS STM1,079.20349.21729.99
Canon EOS Rebel T6i + EF-S 18-55 IS STM & 55-250 IS STM959.98350.00609.98
Canon EOS Rebel T6s + EF-S 18-135 IS STM959.20159.21799.99
Canon EOS 70D Body959.20259.21699.99
Canon EOS Rebel T5i + EF-S 18-135 IS STM799.99170.00629.99
Canon EOS Rebel SL1 + 18-55 IS STM, 75-300 III719.98350.00369.98
Canon EOS Rebel T5i + EF-S 18-55 IS STM639.99160.00479.99
Canon EOS M3 + EF-M 18-55 IS STM639.9991.00548.99
Canon EOS Rebel T5 + EF-S 18-55 IS II & 75-300 III USM627.98318.00309.98
Canon EOS Rebel T5 + 18-55 IS II & 75-300 III599.98300.00299.98
Canon EOS Rebel SL1 + EF-S 18-55 IS STM559.99230.00329.99
Canon EOS M3543.9965.00478.99
Canon EOS Rebel T5 + EF-S 18-55 IS II439.99180.00259.99
Canon EF-S 10-18mm f/4.5-5.6 IS STM239.9924.00215.99
Canon EF-S 10-22mm f/3.5-4.5 USM519.9952.00467.99
Canon EF-S 15-85mm f/3.5-5.6 IS USM639.9964.00575.99
Canon EF 16-35mm f/2.8L II USM1,279.20127.921,151.28
Canon EF 17-40 f/4L USM639.9970.00569.99
Canon EF-S 18-135mm f/3.5-5.6 IS STM439.9944.00395.99
Canon EF-S 18-135mm f/3.5-5.6 IS399.9940.00359.99
Canon EF-S 18-200mm f/3.5-5.6 IS559.9956.00503.99
Canon EF 24-70mm f/2.8L II USM1,519.20151.921,367.28
Canon EF 24-70mm f/4L IS USM719.9972.00647.99
Canon EF 24-105mm f/4L IS USM799.99150.00649.99
Canon EF 28-135mm f/3.5-5.6 IS USM383.9938.40345.59
Canon EF-M 55-200mm f/4.5-6.3 IS STM279.9928.00251.99
Canon EF-S 55-250mm f/4-5.6 IS II199.9920.00179.99
Canon EF-S 55-250mm f/3.5-5.6 IS STM239.99110.00129.99
Canon EF 70-200mm f/2.8L USM1,079.20107.92971.28
Canon EF 70-200mm f/4L IS USM959.2095.92863.28
Canon EF 70-200mm f/4L USM519.9952.00467.99
Canon EF 70-300mm f/4.5-5.6 DO IS USM1,119.20111.921,007.28
Canon EF 70-300mm f/4-5.6L IS USM1,079.20107.92971.28
Canon EF 70-300mm f/4-5.6 IS USM519.99200.00319.99
Canon EF 100-400mm f/4.5-5.6L IS USM1,359.20135.921,223.28
Canon TS-E 17mm f/4L1,719.20171.921,547.28
Canon EF 20mm f/2.8 USM431.9943.20388.79
Canon EF-M 22mm f/2 STM199.9920.00179.99
Canon EF 24mm f/2.8 IS USM479.9948.00431.99
Canon EF-S 24mm f/2.8 STM119.9920.0099.99
Canon EF 28mm f/1.8 USM407.9940.80367.19
Canon EF 28mm f/2.8 IS USM439.9944.00395.99
Canon EF 35mm f/2 IS USM479.9948.00431.99
Canon EF 50mm f/1.2L USM1,159.20115.921,043.28
Canon EF 50mm f/1.4 USM319.99100.00219.99
Canon EF 50mm f/1.8 STM100.7911.0089.79
Canon EF 50mm f/1.8 II100.7910.0890.71
Canon EF-S 60mm f/2.8 Macro USM375.9937.60338.39
Canon EF 85mm f/1.2L II USM1,599.20159.921,439.28
Canon EF 85mm f/1.8 USM335.9976.00259.99
Canon EF 100mm f/2 USM399.9940.00359.99
Canon EF 100mm f/2.8L Macro IS USM719.9972.00647.99
Canon EF 100mm f/2.8 Macro USM479.9948.00431.99
Canon EF 400mm f/5.6L USM999.2099.92899.28
Canon Speedlite 600EX-RT439.9960.00379.99
Canon Speedlite 270EX II135.9956.0079.99
Posted to: Canon News
Post Date: 10/9/2016 7:55:33 AM CT   Posted By: Sean
 Saturday, October 8, 2016
Through 10/15, the Canon Store has a selection of refurbished gear specially marked down for Columbus Day. Free standard shipping is included.
A few of the reduced refurbished items that caught my eye:
  • Canon PowerShot G7X
  • Canon EOS M3
  • Canon EOS Rebel T6i with 18-55 & 55-250 IS STM
There are also a few lenses which don't qualify for the Columbus Day sale but are in stock at the regular refurbished discount:
  • Canon TS-E 17mm f/4L
  • Canon EF 50mm f/1.2L USM
  • Canon EF 85mm f/1.2L II USM
  • Canon EF 100mm f/2.8L Macro IS USM
  • Canon EF 400mm f/4 DO IS USM
  • Canon EF 400mm f/5.6L USM
  • Canon EF 800mm f/5.6L IS USM
  • Canon EF 16-35mm f/2.8L II USM
  • Canon EF 16-35mm f/4L IS USM
  • Canon EF 24-70mm f/2.8L II USM
  • Canon EF 24-70mm f/4L IS USM
  • Canon EF 70-200mm f/2.8L USM
  • Canon EF 70-200mm f/4L IS USM
  • Canon EF 70-300mm f/4-5.6L IS USM
  • Canon EF 100-400mm f/4.5-5.6L IS USM
  • and many more!
Check out the following links for all the available gear:
Refurb. Canon DSLRs | Refurb. Canon Lenses
Posted to: Canon News
Post Date: 10/8/2016 8:46:53 AM CT   Posted By: Sean
Sold Out: eBay (via BuyDig) has the Sigma 150-600mm F5-6.3 DG OS HSM Contemporary Lens for Canon available for $679.00 with free shipping. Regularly $989.00.
Posted to: Canon News
Post Date: 10/8/2016 7:44:34 AM CT   Posted By: Sean
Pronghorn were on my to-photograph list for my time in Grand Teton National Park and I had some success in this pursuit.
Upon arriving at the park, I made a scouting drive around the main loop and then drove through Antelope Flats where a large heard of bison roams and pronghorn are frequently found. In this last section of the drive, a line of short trees in brilliant red and orange fall colors caught my attention. I made a mental note about working these trees into an image, perhaps as a background to a bison or pronghorn portrait.
The next morning, the buck pictured here and I spent some quality time together. It didn't care that I was there and I was mostly moving away from it to maintain my distance. The pronghorn was walking and feeding in what appeared to be a random route. After about 30 minutes and over a mile covered, this buck crossed the road and unbelievably walked right up into the beautiful red and orange trees I had been admiring. I was of course seeing what could unfold in front of me and made sure that I was in place to capture the visualized image.
Pronghorn are most typically seen with grass and sage surroundings, so capturing one in front of fall foliage was unique for me.
The Canon EOS 5D Mark IV performed splendidly behind the EF 600mm f/4L IS II USM Lens and another favorite image joined my collection.
The 5D IV's increased resolution over the 5D III was appreciated in this situation. While the entire frame looked nice, I decided that modest cropping would greater-emphasize the beautifully colored animal.
I very much appreciated the 5D IV's fast 7 fps high speed continuous frame rate as I was able to select an image with both good body position and good alignment with the background. The animal was in constant motion, so AI Servo AF mode was selected with a single point selected and held on the eye or base of the horns. I rapidly changed the selected AF point to match the animal's current position (this is often a challenge).
With heavy cloud cover yielding a varying amount of light, a relatively neutral-brightness subject/scene and my focus being on getting a well-framed shot, I gave the camera the job of determining the brightness. Although I utilized the camera's AE capabilities, I still used manual mode so that I could choose the aperture (wide open f/4 for maximum light and background blur) and shutter speed (I adjusted this as needed to keep the subject sharp). The Auto ISO setting took care of the brightness (I adjusted this image +.13 EV in post).
Note that I was using a monopod instead of a tripod in this situation due to the faster setup and height adjustment it afforded as I worked fast while maintaining good position with the pronghorn. The downside of this strategy was the challenge of keeping the animal in the frame due to very strong winds I was shooting in. This large lens catches a lot of wind.
A tripod would have better kept the lens in place and made the job easier (if I could have set it up in time). However, this better support would not have resolved the issue as the tripod head would not have been tightened due to the animal being in constant motion and the wind would have remained an issue. Removing the large lens hood could have helped greatly, but I was shooting in rain some of the time and even the huge hood was not deep enough to keep all of the rain off of the front lens element.
Grand Teton National Park is a very popular photo destination – for more than one good reason. The wildlife is one of those reasons and I was able to check off the pronghorn line item on my to-photograph list during this trip.
A larger version of this image is available on SmugMug, Flickr, Google+, Facebook, 500px and Instagram. If reading from a news feed reader, click through to see the framed image.
Camera and Lens Settings
600mm  f/4.0  1/1000s
ISO 320
4961 x 3307px
Posted to: Canon News,
Post Date: 10/8/2016 7:30:00 AM CT   Posted By: Bryan
 Friday, October 7, 2016

Shooting a wedding can be a nerve–racking experience. However, photographing under the pressure of enemy fire makes wedding photography seem like casual walk in the park.
Watch as British photographer Rupert Frere switches seemlessly from his Nikon to his combat rifle as enemy fire ensues.
For more information, check out this interview with Rupert Frere and the adrenaline fueled photography on his website.
via Petapixel
Posted to: Canon News,
Post Date: 10/7/2016 1:24:19 PM CT   Posted By: Sean
I love to photograph a bit of everything and especially try to use gear in the situations it is best suited for during evaluations. This use also gains me invaluable experience. But, if required to choose what I consider my three primary subjects, landscapes/cityscapes, wildlife and sports would comprise my list. These are subjects that both interest me and are frequently available to me. You likely care less about my photography than the reviews I create and to that purpose, my primary subjects also tend to challenge camera gear. Wildlife is most frequently found in low light, athletes are often moving very fast (and erratically) and landscapes readily show any lens aberrations. That a wide range of weather conditions encountered during these outdoor activities is helpful (for evaluations).
Since evaluating the Canon EOS 5Ds and 5Ds R, the 5Ds R has become my primary camera model. I fell in love with the 50.6 MP resolution along with the rest of the package including the great AF system. I have two of these cameras in my kit and a third spends most of its time in the lab testing lenses.
While the 5Ds R is an incredible camera, its max frame rate is not so impressive. Of the three categories I listed above, "sports" (and sometimes wildlife) imagery can be substantially improved with a fast frame rate and I am blessed to also have a Canon EOS-1D X Mark II in the kit to handle those scenarios.
I'm always looking to improve my kit and a new, great-performing full frame EOS camera model, such as the 5D Mark IV, always garners my attention. So, the "Am I going to keep this camera?" was an ever-present question to myself while reviewing the 5D IV.
The short answer is "No", or at least "Not now", but listen to my reasoning.
First, here are some of my personally-important 5D Mark IV vs. 5Ds differentiators:

  1. 30.4 (6720 x 4480) vs. 50.6 (8688 x 5792) megapixels
  2. 7 fps vs. 5 fps
  3. Built-in GPS, Wi-Fi and NFC vs. optional accessories
  4. Improved AF system with better f/8 max aperture support (61 pts vs. 5 pts)
  5. AF at EV -3 vs. EV -2
  6. ISO 32000 vs ISO 6400 (extended 102400 vs. 12800)
  7. Touch screen 3.2" (8.10cm) Clear View LCD II, approx. 1620K dots vs. non-Touch 3.2" (8.11cm) Clear View II, approx. 1040K dots
  8. Dual Pixel CMOS Live View/Video continuous AF vs. contrast detection AF
  9. 4k, 1080p 60 fps, 720p 120 fps with no 4GB file limit using exFAT CF card plus other advantages vs. 1080p 30fps, 720p 60 fps
  10. 28.2 oz (800g) vs. 32.8 oz (930g)
  11. Requires 2-second self-timer for mirror lockup delay options vs. has 1/8, 1/4, 1/2, one or two second delay optionally selectable

Check out the Canon EOS 5D Mark IV vs. 5Ds specification comparison to fully compare these cameras.
The first option on the above list represents one of only two 5Ds R advantages listed. But, it is a major one. All other things being equal, a 50.6 MP image has significantly higher resolution than a 30.4 MP image. Here is a resolution test chart comparison between the 5D IV and the 5Ds R. The 5Ds R, with it low-pass cancellation filter, delivers incredible detail, bringing fur, feathers, hair, foliage, eye lashes, etc. to life. With APS-C-level pixel density, this imaging sensor provides plenty of headroom for cropping when needed, adding "reach" to inadequately-long focal lengths, with adequate-for-many-purposes resolution remaining.
The second difference listed above is very tempting to me as the difference between 5 and 7 fps is quite noticeable. But, that is where my 1D X Mark II takes over. The 1D X II's 14 fps is twice as good as 7 fps, though I give up resolution in this trade-off.
List item #3, GPS and Wi-Fi, was only a minor differentiator for me. The Canon W-E1 Wi-Fi Adapter will give my 5Ds R the Wi-Fi capability and I've not yet found a strong need for the GPS coordinates in my EXIF.
An improved AF system, including lower light performance, is always important to me (an out of focus image usually heads straight to the recycle/trash bin) and the expanded AF point coverage area is definitely a 5D IV benefit for my wildlife and sports photography. While the 5D IV's f/8 AF advantages are really nice, I do not frequently use the lens plus extender combinations that make use of this feature.
Having higher ISO settings available is definitely an advantage, but only if the noise levels are acceptable for the intended purpose of the image. As hinted to by the higher standard max ISO setting, the 5D IV delivers lower high ISO noise levels than the 5Ds R. In general, you can have low noise or high resolution. Technology continues to bring us improvements in this compromise and the the 5D IV performs better than the 5Ds in this regard at the pixel level. Better, but not close to as much better as the max available ISO settings may indicate. Downsize the 5Ds image to 5D IV dimensions and the comparison becomes considerably closer. The 5D IV is still the better performer, but the equivalent resolution comparison shows this attribute being less of a decision factor.
While I continue to make increasing use of Canon's touch screen LCDs, they are not yet a must-have feature for me. That the 5D IV has this feature is an advantage, but ... this is not yet a decision maker for me.
The Dual Pixel AF feature is an important advantage for the IV, but ... my 1D X II has this feature when I need it. Same with the 4k video feature.
The 5D IV's weight is an advantage, but the amount of difference was not enough to "weigh" in on my personal decision.
While the last option on this list, mirror lockup delay, may seem minor, I use it constantly and it saves me time in the field.
While price is often a differentiator between camera models, there is a relatively small difference between these two. That I already owned the 5Ds R was a disadvantage to the 5D IV in this scenario and the budget wasn't open to an additional camera joining the kit at this time.
In the end, it was the resolution that compelled me to stay the course with the 5Ds R bodies. I love reviewing images with incredible detail, especially when I work really hard to get something special. I love to be able to print huge. I love to be able to crop when I fine tune (change my mind) later, when I was focal length limited or when I needed to choose less-than-ideal framing to hold a focus point on a subject in motion. Perhaps most important is that when evaluating lenses, I want to see any aberrations present as clearly as possible and I want to know if the lenses are up to use on a camera of this resolution.
Everyone's criteria for camera selection is not the same. You must make the decision that is right for you. If the resolution advantage is unimportant to you, the answer is easy – get the 5D IV. It is an incredible camera and a great upgrade from most other models in many respects.
The Canon EOS 5D Mark IV is available at B&H Photo | Adorama | Amazon | Wex Photographic
You may also be interested in:
Should I get the Canon EOS 5D Mark IV or the 5D Mark III?
Should I get the Canon EOS 5D Mark IV or the 5Ds/5Ds R?

Posted to: Nikon News
Post Date: 10/7/2016 9:32:05 AM CT   Posted By: Bryan
eBay (via photovideo4less) has the Nikon D500 DSLR Camera available for $1,499.00 with free shipping. Compare at $1,996.95.
Note: This is likely a grey market item and therefore would not qualify for a Nikon USA warranty.
Posted to: Nikon News
Post Date: 10/7/2016 6:46:57 AM CT   Posted By: Sean
B&H has the Canon EOS C100 Cinema EOS Camera with Dual Pixel CMOS AF available for $2,999.00 with free expedited shipping. Regularly $4,499.00.
Product Highlights
  • Super 35mm 8.3MP CMOS Sensor
  • 1920x1080 60/50i, 24/25p, PF30, PF24
  • Dual Pixel CMOS AF Hardware Upgrade
  • EF Lens Mount
  • ISO 320 to 80,000
  • Uncompressed HDMI Output with Timecode
  • Canon Log and Wide DR Gamma
  • Dual SD/SDHC/SDXC Memory Card Slots
  • Two XLR Audio Connectors
  • Built-In ND Filters with Manual Controls
Note: The Canon EOS C100 without DPAF is also marked down $1,500.00.
Posted to: Canon News
Post Date: 10/7/2016 5:27:22 AM CT   Posted By: Sean
From Canon USA:
Akana Partnered with The Groundlings Comedy Troupe to Build Confidence in Victims of Bullying Through Humor, as Documented on Canon EOS Rebel T6i DSLR Cameras
MELVILLE, N.Y., October 5, 2016 – Canon U.S.A., Inc., a leader in digital imaging solutions, is showcasing YouTube video creator and anti-bullying advocate Anna Akana as its latest Canon Rebel With A Cause. Since first sharing her personal story on YouTube after her sister’s suicide as a result of bullying, Akana has used comedy as her own form of therapy. Her ability to put a unique spin on typically uncomfortable topics led Canon to select her as a Rebel With A Cause, in honor of the 25th anniversary of the first EOS Rebel SLR camera. Anna’s cause focuses on using comedy to build confidence in youth that have been bullied, and the video of her cause, shot entirely on Canon EOS Rebel T6i DSLR cameras, can be seen here:
Along with The Groundlings comedy troupe, Anna worked with bullied teenagers ranging in ages from 13 to 17 to teach them how to use the power of comedy to face their fears and confidently use their personal experiences as the basis for their own comedic material.
"I was able to find peace and tackle my own anxieties through comedy, so it was amazing to work with teenagers to show them that humor is far more powerful than words of hate,” said actress and filmmaker, Anna Akana. “I hope the video of our experience will inspire others to consider the impacts of bullying and help those who are bullied feel that they are not alone - and can overcome!” “According to the US Department of Health and Human Services, Cyberbullying Research Center, more than 85 percent of students in the United States have been bullied at school, online or via text, so we wanted to give Anna, a modern day rebel, a platform and a camera to socialize the power of her voice,” said Yuichi Ishizuka, president and COO, Canon U.S.A., Inc.
Child and Adolescent Psychiatrist, Jeff Sugar, MD, a Distinguished Fellow of the American Psychiatric Association, worked with the youth in this video to provide counsel throughout the experience. Tapping into Dr. Sugar’s expertise, Anna was able to help foster a supportive atmosphere while helping the teenagers involved overcome their bullying-focused experiences and come out on top…laughing. Once finished with the workshops, the teenagers got their chance at center stage for a stand-up routine in front of their families and friends.
In late 2015, Canon launched Rebel With A Cause, a campaign designed to profile modern day rebels who challenge convention in their own unique way, shown through the eye of a Canon EOS Rebel DSLR camera. With American Daredevil Nik Wallenda, the first and only person to walk a tightrope across Niagara Falls and the Grand Canyon, an unexpected group of people were encouraged to check items off of their personal bucket lists. In February 2016, Canon continued Rebel With A Cause, with its second iteration featuring GRAMMY winning producer Swizz Beatz. Aiming to showcase artistic talent that may have otherwise fallen under the radar of the art community through #TheUnknowns, Swizz worked to curate an art show for the world to see on the facades of museums in New York City, followed by a gallery event at Sotheby’s Auction House and an online auction. The campaign videos, both shot entirely on Canon EOS Rebel T6i DSLR cameras, can now be viewed here: and here:
Concluding the year-long Canon "Rebel With A Cause" campaign, one lucky consumer winner was chosen from an online contest searching for the next great inspiration. Photographer Guinnevere Shuster, an advocate for homeless sheltered animals, was selected as the winner and Canon will help bring her cause to life with a documentary production created, similar to those of the previous Rebels with a Cause. Guinnevere has photographed over 7,000 shelter animals and continues to strive to help find animals a loving and lasting home.
 Thursday, October 6, 2016
B&H has the Canon EF 16-35mm f/2.8L III USM Lens in stock with free expedited shipping.
Posted to: Canon News
Post Date: 10/6/2016 9:55:09 AM CT   Posted By: Sean
Firmware Version 2.0.2 incorporates the following fixes:
  1. Corrects a phenomenon in which, in rare cases, the digital compass is not displayed and the location information is not updated when using the GP-E2 through the USB connection.
  2. Corrects a phenomenon in which, in rare cases, the GPS log's time information will show the date of the next day.
Firmware Version 2.0.2 is for the GP-E2 with firmware up to Version 2.0.1. If the GP-E2's firmware is already Version 2.0.2, it is not necessary to update the firmware.
When updating the firmware of the camera, please review the instructions thoroughly before you download the firmware.
Please note: Do not downgrade the firmware of the product to Version 2.0.1 or earlier after updating to Version 2.0.2. To update the firmware of this product, Map Utility that is bundled with the product is required. Furthermore, before updating the firmware, use Map Utility to save the GPS log files in the built-in memory to your computer. After the GPS log files are saved to your computer, make sure to delete the log files from the built-in memory of the GPS receiver before updating the firmware.
Download: Canon GPS Receiver GP-E2 Firmware v.2.02
B&H carries the Canon GPS Receiver GP-E2.
Posted to: Canon News
Post Date: 10/6/2016 9:30:16 AM CT   Posted By: Sean
From Manfrotto Distribution (for Bowens):
Upper Saddle River, N.J. (October 5, 2016) – Manfrotto Distribution, Inc., distributor of Bowens products in the United States, proudly announces the launch of the new Generation X flash range by Bowens. These innovative units will debut in the U.S. at PhotoPlus Expo in New York City later this month and mark a renaissance for the legacy lighting manufacturer.
Generation X comprises two new flash systems: XMT – an all-in-one battery unit for location lighting and XMS – engineered to be the go-to system for photographers who need a function-rich and completely reliable flash in the studio.
Announcing the launch, David Hollingsworth, Marketing Manager, said, “Generation X is just the first step in relaunching Bowens to the imaging world. These barrier-breaking new products combine state-of-the-art technology and cutting-edge design and are the result of many months of very intense market research and product development. They will be the vanguard of our plans for ongoing and regular new unit roll-outs in coming months and years.”
Added Hollingsworth, “We believe these are simply the best lights in their class available on the market today. New-look Bowens is creating beautifully designed and engineered products, tailored to our customers’ needs.”
John Gass, Technical Director said, “Generation X is the result of highly-focused analysis of our customers’ feedback through the years. These new units are revolutionary products which we believe are absolutely unbeatable in their class in terms of functionality, aesthetics and cost.”
He added, “For decades, customers have frequently described our products as ‘workhorses’ in the studio and on location. Now the workhorse has been transformed into a stallion; we tested the XMS at full power every five seconds over consecutive days and we couldn’t force this product to overheat.”
Generation X – at a glance
The all-new 500Ws XMT boasts TTL and high speed sync functionality (up to 1/8000s) compatible with Canon, Nikon and Sony cameras: 9-stops of flash power adjustment; flash durations as short as 1/10309s: faster recycle times than ever before (as rapid as 0.01s): easy swap lithium-ion battery provides up to 500 full power flashes per charge: rear curtain sync; sync delay and strobe mode allow creative set-ups on the move.
The XMS, available in 500,750 and 1000Ws models (all fully controllable via the XMSR 2.4 Ghz radio control and trigger) features multi-voltage operation. These units offer outstanding specification with faster recycling times and flash durations. The XMSR model includes groundbreaking Bowens ‘Sync Offset’ functionality, enabling photographers to embrace any brand of camera to shoot at high sync speeds – up to 1/8000s.
The following models will be available this fall:
XMT 500 $1,799.99
XMS 500 $1,099.99
XMS 750 $1,299.99
XMS 1000 $1,499.99
XMSR Trigger $289.99

B&H will carry the Bowens XMT and XMS flashes.
Posted to: Canon News,
Category: Bowens News
Post Date: 10/6/2016 9:20:18 AM CT   Posted By: Sean
B&H has the Custom Photo Props Faux Flokati Fur Newborn Photo Prop (Blondie, 20 x 32") available for $19.95. Regularly $27.95.
This item qualifies for free shipping on orders of $49.00 or more.
Product Highlights
  • Machine Washable
B&H has the Canon EOS-1D C Camera available for $4,499.00 with free expedited shipping. Regularly $7,999.00.
Product Highlights
  • 4K 4096x2160 8-Bit 4:2:2 Cinematic Video
  • Canon Log with 12 Stops of Dynamic Range
  • Continuous Recording, No 29:59 Min Limit
  • Full HD 1080p Recording at up to 60fps
  • 18.1MP CMOS Sensor
  • Dual CF Card Recording Media
  • Dual DIGIC 5+ Image Processors
  • 3.2" LCD Screen
  • 61-Point High Density Auto Focus
  • EF Lens Mount; Magnesium Alloy Body
Posted to: Canon News
Post Date: 10/6/2016 5:29:07 AM CT   Posted By: Sean
B&H has the Dracast LED500 Silver Series Bi-Color LED Light with V-Mount Battery Plate available for $199.95 with free shipping. Regularly $534.95.
Product Highlights
  • 3200-5600K Variable Color Temperature
  • Works with V-Mount Batteries
  • 10 x 10.4 x 1.8", Weighs 2 lb
  • 45-Degree Beam Angle
  • AC or DC Operation
  • 100-0% Dimming
  • CRI: 95
  • 100-240 VAC Power Adapter Included
  • Carry Case
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