Nikon News (Page 23)
It seemed awkward to show up for dinner with a tripod, but I did take a camera. Then the balance of the hotel lights with the blue hour sky called.
Until this point, most of the R6 II photo opportunities involved fast action that stressed its outstanding AF capabilities and high-speed frame rate. This subject was going nowhere, but the light was dim. While the ISO settings could be increased, a clear blue sky makes high ISO noise readily apparent.
Squatted down with a Canon RF 15-35mm F2.8 L IS USM Lens set to 27mm and mounted to the Canon EOS R6 Mark II, The R6 II captured mostly sharp 1-second exposures and a solid number of sharp 2-second exposures (even with ADD kicking in before a second of holding the shutter release down). While a tripod would have been the optimal support for this shot, IBIS did the job remarkably well.
The capabilities of IBIS are extremely valuable, adding versatility to the kit. The value of adding image stabilization to your current non-stabilized lenses (including EF models) is huge.
Note that a preproduction R6 II captured this image.
A larger version of this image is available here.
ISO 250
6000 x 4000px
From Canon USA:
Boundless Creativity: Canon Announces the Canon EOS R6 Mark II Hybrid Full-Frame Camera
New RF135mm F1.8 L IS USM Lens and Speedlite EL-5 Flash Unit Also Announced
MELVILLE, NY, November 2, 2022 – Canon U.S.A., Inc., a leader in digital imaging solutions, announced today the launch of the new EOS R6 Mark II camera body, Canon’s new hybrid full-frame camera, and the first EOS R series full-frame mirrorless to take the step into the second generation. In addition, Canon is also introducing the new RF135mm F1.8 L IS USM mid-telephoto portrait lens and Speedlite EL-5 flash unit.
Ideal for advanced amateurs and featuring user-friendly functions, the EOS R6 Mark II camera is a high-performance hybrid camera that’s designed to capture decisive moments in both photo and video formats. It will satisfy a wide range of needs including professional production, vlogging, still pictures, filmmaking, and more. The camera is also well-suited for various photography subjects such as portrait, landscape, sports and wildlife. With the EOS R6 Mark II camera, creativity has virtually no borders.
As the market share leader for mirrorless cameras in the United States through Q3 of 2022[i], Canon continues to strengthen its innovative EOS R lineup with the new EOS R6 Mark II camera. The EOS R6 Mark II offers enhanced video and photo functions, such as in-body Image Stabilization, as well as specifications that can satisfy video production needs, such as controlled focusing.
“As a filmmaker who is always on the move, I need a camera I can trust in a multitude of environments as well as keeping up with my fast paced style of shooting and the new Canon EOS R6 Mark II does just that.” said Canon Co-Lab Creator, Sam Newton.
In addition to its compact size and ease of use, the EOS R6 Mark II camera also features:
- 24.2 megapixels, full-frame image sensor
- 4K 59.94p video recording
- External 6K RAW video recording / Internal 4K video recording oversampled from 6K
- High-speed burst shooting
- Canon Log 3 maximizing dynamic range
- Autofocus (AF): highly accurate subject detection with human, animal[ii], vehicle and automatic settings
- Horses, trains, and airplanes are newly detectable through the use of deep learning technology
- Continuous movie recording that exceeds 30 minutes
- Up to 12 frames per second mechanical shutter
- Up to 40 frames per second with electronic shutter
- In-body Image Stabilization as effective as up to 8 stops faster shutter speed[iii]
Alongside the new camera body, Canon has announced a new addition to its growing line of innovative RF lenses – the RF135mm F1.8 L IS USM. This is a fixed focal length mid-telephoto portrait lens that is compatible with any EOS R-series camera. The RF135mm F1.8 L IS USM achieves beautiful and generous bokeh with the large-diameter F1.8 and comes equipped with in-lens Image Stabilization. The coordinated control of this IS coupled with the in-body IS present in the EOS R6 Mark II camera and other EOS R equipped IBIS cameras helps reduce camera shake and empowers photographers to express a feel of motion when shooting in dark areas with slow shutter speeds.
“The image quality and super smooth bokeh out of the new RF135mm F1.8 L IS USM lens is absolutely spectacular and superior to the EF version.” said Canon Explorer of Light, Vanessa Joy.
Additionally, Canon has announced the new Speedlite EL-5 flash unit, designed for superior compatibility with the new EOS R6 Mark II. The Speedlite EL-5 is Canon’s first flash product compatible with the new multi-function shoe present in the EOS R6 Mark II, EOS R3, EOS R7 and EOS R10 cameras.
“The new Canon Speedlite EL-5 flash will give that magical kiss of light that brings a picture to life and illuminates your creative vision.” said Canon Explorer of Light, Bob Davis.
Price & Availability
Canon EOS R6 Mark II camera body only and kits with either the Canon RF24-105 F4 L IS USM or the RF24-105 F4.0-7.1 IS STM USM lens will be available in late November 2022 for estimated retail prices of $2499.00, $3599.00 and $2799.00 respectively*.
The Canon RF135mm F1.8 L IS USM will be available in late January 2023 for an estimated retail price of $2099.00*.
The Canon Speedlite EL-5 flash unit will be available in late March 2023 for an estimated retail price of $399.99*.
Orders
Support this site by ordering the Canon EOS R6 Mark II from B&H | Adorama | Canon USA | WEX
Order the Canon RF 135mm F1.8 L IS USM Lens from B&H | Adorama | Canon USA | WEX
Order the Canon Speedlite EL-5 from B&H
# # #
[i] The NPD Group/Retail Tracking Service, U.S., Detachable Lens Cameras, Digital Lens Type: Mirrorless, Jan.- Sept. 2022 combined.
[ii] Effectiveness varies depending on the subject. In some cases, dogs, cats or birds may not be detected, while some animals other than dogs, cats or birds may be detected.
[iii] CIPA standards compliant, using RF24-105 F4 L IS USM as the lens, with a focal length of 105mm.
* Specifications, availability and prices are subject to change without notice. Actual prices are set by individual dealers and may vary.
Just posted: Tamron 50-400mm f/4.5-6.3 Di III VC VXD Lens Review
This lens is currently ranked 21st among the best-selling mirrorless lenses at B&H — out of 1204 lenses.
Support this site by ordering the Tamron 50-400mm f/4.5-6.3 Di III VC VXD Lens from B&H | Adorama | Amazon USA | WEX
Please share!
The foreground lighting in this Badlands National Park Milky Way image is courtesy of a pair of Simorr Vibe P96L RGB Video LED Lights on Manfrotto Befree Advanced Travel Tripods.
Even at their lowest intensity settings (1%), half the light face required gaffer tape to bring the overall light balance down to Milky Way levels.
Post-processing of this image primarily involved peripheral shading correction and increasing the contrast of the foreground and background independently.
A larger version of this image is available here.
ISO 6400
8640 x 5760px
The key to photographing at Zabriskie Point in Death Valley National Park is knowing when and where to point the camera. Fortunately, there are so many good options that it is easy to get some of them right.
The simplistic and distinct erosion features seen in this image held my attention long enough to create a selection problem. Today, it was time to pick one and move on. Well, that is at least until I decide it is time to pick another one.
This scene is looking into the rising sun, with reflected light creating a warm color temperature.
While a telephoto lens may not be an obvious first-choice landscape lens, the long focal lengths often provide easy compositions even in locations with limited beauty. The Canon RF 70-200mm F2.8 L IS USM Lens is an outstanding choice for this purpose (and Zabriskie has unlimited beauty).
A larger version of this image is available here.
ISO 100
8192 x 5464px
It is my favorite time of the year — Fall. The landscape is taking on spectacular colors, and I feel the need to make the colors last by photographing them.
However, I frequently encounter beautiful trees in full fall color with uninspiring surroundings. The challenge is to capture the beauty without including unsupporting subjects, especially power lines, in the composition.
As the relevant example for this image, our local high school grounds have a border of large maple trees that get extraordinary color each fall. While the school property and nearby neighborhood are nice, the buildings, streets, wires, etc., are not what I'm looking for in a nature picture.
In this case, the simplest tactic is often to get out the telephoto lens and isolate a portion of the tree.
The timing of this year's peak fall leaf color coincided with the Tamron 50-400mm f/4.5-6.3 Di III VC VXD Lens review. This lens has the perfect range for isolating leaves (and the excellent image quality necessary to make the shoot worthwhile).
A large tree can offer many compositions, but after moving around to figure them out, I typically come back to a small number of favorites. To find these, try zooming out to the widest focal length and then zooming in as the composition is adjusted until nothing extraneous is in the frame, and the remaining limb lines and leaf clumps are balanced. Lock the tripod head, take that shot (perhaps several if the leaves are moving in the wind), create some variations, and then zoom in further to get a different look. Then, start over, perhaps after moving to a different position.
This maple tree's foliage was not solid, meaning some background showed through. The best options were to fill the foreground tree's holes with sky or, as shown here, with a background tree across the street. Note that the horizon and other orientation-identifying subjects are not discernable in this image. In this case, it is OK to tilt the camera slightly to adjust for the available details (I keep telling myself that).
This image was captured just before the sun set. The bright red leaf color lit by warm light made the red channel the one to watch for exposure. A Breakthrough Photography circular polarizer filter reduced the reflections on the leaves, further saturating the primarily red colors.
A larger version of this image is available here.
ISO 100
8640 x 5760px
This handsome bull elk is watching his herd of cows from the forest's edge on a rainy afternoon in Rocky Mountain National Park.
Does rain keep you from your pursuit? While heavy rain hinders visibility, light rain is often not a problem. Wet foliage appears saturated, and the rain clouds create even (though dim) lighting. That combination, along with the raindrops, adds diversity to the portfolio.
Put a LensCoat rain cover on the camera and rain gear on yourself, and go out shooting.
Images captured on cloudy days or in the shade often benefit from warming the color balance — add red and subtract blue. A slight increase in vibrance brings out the colors.
A larger version of this image is available here.
ISO 2500
9621 x 5928px
Just posted: Canon RF 1200mm F8 L IS USM Lens Review page.
Fun, but expensive, lens.
Please share!
Order the Canon RF 1200mm F8 L IS USM Lens from B&H | Adorama | Canon USA | WEX
Rent the Canon RF 1200mm F8 L IS USM Lens from Lensrentals.
This is a case of the big being ideal for the small, the big Canon RF 1200mm F8 L IS USM Lens was perfect for capturing a small eastern chipmunk.
After we placed many large rocks around the house, the local chipmunk population grew significantly. These cute little animals are frequently scurrying around, and they often sit on the rocks to watch for danger and whatever else chipmunks find interesting.
The chipmunk was doing exactly what I wanted it to do. Having finished its constant chirping (what alerted me to the photo op), it was sitting on a rock in the morning sunlight doing nothing.
It gave me time to grab the RF 1200mm already mounted on an EOS R5 and a Wimberley WH-200-S Sidemount Head on a ProMediaGear TR424L Carbon Fiber Tripod and head into the front yard.
The super long focal length meant I could move into tight framing distance without spooking the chipmunk, and the still chipmunk permitted many test images (438 to be exact) from the lens.
Upon getting a solid number of images at one position, I'd move slightly to align a different background. Eventually, a rose bush added some color to the background (the 1200mm angle of view doesn't require a large background).
A sudden itch apparently prompted a quick scratching session, and that was the end of the shoot. The chipmunk left to find more breakfast.
Long shutter speeds with image stabilization were being tested when the scratching happened, meaning there was no time to change the shutter speed. However, the motion blur created a fun variation of the otherwise still-posed chipmunk.
Captured on Sabrent. Are you familiar with this company? They recently introduced CFexpress Type B and SDXC memory cards and readers. I've been working Sabrent's cards and readers into the workflow with no issues, and the low prices are especially attractive. Find these cards and readers at B&H.
A larger version of this image is available here.
ISO 640
8416 x 5800px
Do you leave room for words?
Leaving room for words is a great excuse to pull out when focal length limited, so be sure to keep that answer ready for when the situation dictates. However, many uses for photos, especially paid uses, involve adding words.
If the subject fills the frame, overlaid words can appear awkward, with subject lines and details competing with the message. Leaving space, especially strongly blurred space, permits aesthetic message presentation.
I create invitation cards for an annual sportsman's banquet. While wildlife portrait images are plentiful in my collection, message-ready images are less so, and I've been working on changing that balance.
For this bighorn ram image, a relatively long subject distance, very distant background, long focal length, wide aperture, and low shooting position combine to provide adequate smoothly blurred space for inclusion of a message.
It is usually easier to be farther away from an animal but don't let the distance lower the quality bar. Many of the same factors important to close portraits still apply. Look for good light and body position — and spectacularly large horns are advantageous.
We encountered this big boy in Badlands National Park. Observation showed that he was eating the yellow flowers. Moving into position for the next flower patch made preparation easy.
Heatwave distortion is frequently encountered when shooting at long subject distances in direct sunlight. The solution here was to shoot many images at a fast frame rate. Periodically, a photo with a sharp sheep head was captured.
A larger version of this image is available here.
ISO 100
8192 x 5464px
I did not set out to photograph coyotes this evening, but Rocky Mountain National Park sometimes produces the unexpected.
While waiting for a herd of elk to do something interesting, movement in the tall grass caught my eye. It didn't take long to determine that a coyote was on the hunt. However, it was mostly obscured by the grass. Autofocusing on the coyote was impossible, and focusing on the grass at precisely the same distance was nearly as challenging.
Then, the coyote made a pounce to catch a rodent. On heightened alert, I readied to hit the shutter release on the next leap. This process was mostly waiting with little shooting, but it only takes one successful sequence to get the desired image.
As the coyote cleared the grass, a Sony Alpha 1 shutter release press instantly locked the FE 600mm F4 GM OSS Lens's focus and tracked through the leap.
Yes, this leap also resulted in dinner for the coyote. Of course, that dinner was mostly hidden by the grass.
A larger version of this image is available here.
ISO 6400
6796 x 4531px
I just returned from over two weeks of chasing the elk rut (and landscapes and nightscapes), including nearly two weeks of leading small photography groups in Rocky Mountain National Park.
With the incredible performance of the cameras now available, selecting a small number of images to share is daunting, to say the least. The image shared here was low-hanging fruit. Why do I like it?
The subject is a good starting point. Elk make great photo subjects, and this bull is an especially great specimen, having a big body and a large set of antlers, with all points visible. Also, all four legs are partially visible (no overlap).
Bugling is one of the primary elk rut activities, and this bull, angled slightly toward the camera, has his nose up and curled back. The high head position better facilitates a catchlight.
The cloudy sky provided even lighting void of harsh shadows.
The 600mm f/4 compression and shallow depth of field combined with a low shooting position render the foreground and background strongly blurred, making the subject stand out. At the same time, the juxtaposition of the blurred items is complementary to the bull.
While working on a monopod is significantly more demanding than working on a tripod, the monopod permits fast position adjustment that makes captures such as this one possible.
When photographing wildlife in dim light levels, it is advantageous to use a relatively slow shutter speed to enable optimally bright images with a lower ISO setting for less noise. However, motion-blurred subjects are not usually acceptable.
Elk seldom move fast when bugling, and the bugle usually lasts long enough for a quick adjustment before shooting. However, once the bugle is completed, the bull may suddenly chase after another animal. This fast action requires a significantly faster shutter speed.
I use manual exposure mode with the ISO set to Auto to enable quick shutter speed adjustment. A quick roll of the top dial takes the camera from still motion to fast action shutter speeds in a fraction of a second, with the ISO automatically adjusting as needed.
To accommodate auto exposures being affected by bright grass or a dark forest (both seen in this image), I adjust exposure compensation. That adjustment is simply the turn of a dial on the Sony Alpha 1.
A larger version of this image is available here.
ISO 400
8640 x 5760px
From Western Digital
Western Digital Turbocharges Versatility with New SanDisk Professional PRO-G40 SSD
San Jose, Calif. - October 05, 2022
Western Digital Corp. (NASDAQ: WDC) today announced it has expanded its SanDisk® Professional line of premium storage solutions with the new PRO-G40™ SSD that supports dual-mode compatibility with both Thunderbolt™ 3 and USB 3.2 Gen 2 interfaces. Inspired by the way people create and share data today, this new drive is the company’s most rugged offering to date with a high-level IP68 rating, allowing professionals to immerse themselves in the action wherever their work or vision takes them.
“The nature of my work is unpredictable and as a result I must be incredibly flexible and versatile. I share the same expectations for every piece of equipment that I use from capture to archive which is why the SanDisk Professional PRO-G40 drive will immediately be a crucial part of my workflow,” said Andy Handcock, action, portrait and reportage photographer, and PRO-TEAM ambassador. “I need storage solutions that are lightweight, compact, rugged, and insanely fast. This checks all the boxes for me. The PRO-G40 SSD can easily withstand the rigors of travel and location work while doing so with a minimal footprint. Thanks to SanDisk Professional products like these, workflow is one less thing I need to stress about which frees me to focus more on the creative. That is paramount.”
Whether for a business professional or creative pro, the PRO-G40 SSD is a simple, flexible solution that offers great efficiency to get the job done. Professionals who are ingesting, editing, rendering, and transferring large amounts of mission-critical content need portable storage that is powerful enough to eliminate unnecessary downtime, and durable enough to handle heavy usage. The versatility of both Thunderbolt 3 and USB 3.2 Gen 2 interface compatibility when collaborating eliminates the need to have two different drives, one for each interface. The PRO-G40 SSD offers extreme speed and durability for real-time editing 4K/8K straight off the drive, smooth AR/VR rendering, or transferring daily workloads in quickly.
“The new PRO-G40 SSD eliminates the problem we have all experienced before: grabbing the wrong USB-C™ cable or computer for our Thunderbolt 3 or USB devices,” said Hector Sandoval, vice president of product marketing, pricing and programs at Western Digital. “By supporting both interfaces and including a cable that does as well, this drive enables creatives to efficiently collaborate across devices without having to worry about carrying the right gear nor diminishing sustained performance as they continue producing impactful content that powers our world.”
Key Features
- Dual-mode compatibility with both Thunderbolt 3 (40Gbps) and USB 3.2 Gen 2 (10Gbps) hosts through a single port makes collaboration across devices easier for maximized efficiency.
- The new offering boasts super-fast speeds up to 2700MB/s** read and 1900MB/s** write with a Thunderbolt 3 (40Gbps) interface. Move 50GB in 30 seconds or less and power through even the most demanding workloads. The cool aluminum core pulls heat away from the internal drive to help maintain super-fast transfer speeds over time.
- The PRO-G40 SSD has a pro-grade enclosure that is ready for any adventure and delivers a premium strength you can feel. Its ultra-rugged design with IP68 dust/water resistance, up to 4000-pound crush resistance, and up to 3-meter drop resistance*** help withstand the elements in just about every location for ultra-durability.
Availability
The PRO-G40 SSD is available now for MSRP $299.99 (1TB*) and $449.99 (2TB*) in the United States with a five-year limited warranty.
Orders
Order the SanDisk Professional PRO-G40 SSD from B&H.
* 1TB = 1 trillion bytes. Actual user capacity may be less depending on operating environment.
** 1 MB/s = 1 million bytes per second. Based on internal testing; performance may vary depending upon host device, usage conditions, drive capacity, and other factors.
*** On a carpeted concrete floor.
From Benro:
Introducing Polaris
The world’s first electric tripod head with camera interface controller, remote DSLR preview & configuration through WiFi/cellular.
Remote Shooting - From Anywhere, Easily Capture the Best Moments, Smooth & Precise
As the world’s first electric tripod head with camera interface controller, Polaris enables remote precision - whether you’re adjusting the composition of a photo - or programming the geared head and camera to capture a series of photographs to create a high resolution motion timelapse. The head also supports WiFi or Cellular connection - you can preview, review, and download files quickly and from anywhere.
The intuitive app based pre-programming and electromotion system allows you to customize your own shooting schedule or routine. Simply frame the shot by adjusting your pitch and pan angles - then check and input your parameters like ISO, apeture, shutter and more.
After that - let Polaris take care of your pro-level shooting without the need to even snap the shutter. Moreover, Polaris is so smart that it analyzes your shots and automatically dials in exposure values and sharpens details in your creations, saves you from the time consuming hassle of image retouching like focus stacking and time-lapse, etc.
More than just a remote head, Polaris contains high-precision brushless motors that allow you to have control over micro adjustments to framing both vertically and horizontally.
Even a novice can tune in the perfect composition by adjusting the head through the app or manually using the physical knobs. Make the fine details in your photos even finer and capture enrapturing videos without missing a degree of what you were trying to capture.
Also, the built in GPS & compass can easily determine celestial paths and adjust the camera angles for you to capture your perfect starry sky shot or hone in on a breathtaking timelapse of a stunning landscape during sunrise or sunset.
Remote-Shooting-From-Anywhere, Strong, From Inside Out
Engineered to withstand the harsh elements outdoor shooting presents, Polaris is made with aluminum alloy that endures severe working environments. Having a bad weather day? With an IPX6 waterproof level, Polaris resists water and dust even when it comes as a splash, light rain, or a heavy storm - your inspiration is no longer limited. Polaris’s weather resistance makes every event you want to capture possible.
Moreover, driven by a high-efficiency power supply system with low consumption, Polaris ensures you an outdoor shooting experience that is both concise and reliable; The unique power-saving design further prolongs Polaris’s battery life for ultra-long outdoor shooting.
Polaris not only allows you to adjust the composition of a photo, but it enables users to program the intelligent head to capture a series of photographs, easily track and take long exposures of stars, or create high resolution motion timelapses. Polaris also offers a wireless connection so you can do all of the above remotely as well as preview, review, and download files via a dedicated app from nearly anywhere.
The Astro version is capable of all intelligent modes, and the Timelapse version is capable of all modes apart from star tracking. An Astro module add-on is also available separately if wish to upgrade your Timelapse version to be Astro capable.
Suport this site buy ordering the Benro Polaris Smart Tripod Head from B&H.
Image quality test results are now available on the Tamron 50-400mm f/4.5-6.3 Di III VC VXD Lens page.
I like what I see except the wide open 400mm results are a bit soft (f/8 produces better sharpness).
Create a few comparisons.
Support this site by ordering the Tamron 50-400mm f/4.5-6.3 Di III VC VXD Lens from B&H | Adorama | Amazon USA | WEX
Please share!
From Topaz Labs:
Topaz Photo AI is here.
Maximize your image quality on autopilot. Edit sharper, cleaner, enhanced, and upscaled photos with our brand new flagship app.
We know you love Topaz apps! This is your chance to get the all-new Topaz Photo AI at a huge discount! Topaz Photo AI is on sale until October 7, 2022
Buy Topaz Photo AI once, own it for life with unlimited upgrades for 1 year.
Learn more at Topaz Labs.
"Capture One 22 (15.4.0) is a service pack containing several bug fixes, along with additional lens support."
Get the full details of this update in the release notes.
Order Capture One Pro at B&H.
+Released%2c+Features+Bug+Fixes+and+Additional+Lens+Support "Share on Pinterest!"){kind=small}
Learn more about the GoPro HERO11 Action Camera at B&H.
Learn more about the DJI Osmo Action 3 at B&H.
From Canon USA:
Help Make Your Memories Last with the New Canon SELPHY Photo Printer
For crafting, decorating, and more – the new Canon SELPHY compact photo printer provides high quality prints quickly and easily
MELVILLE, NY, September 14, 2022 –Scrapbookers and parents rejoice as Canon U.S.A., Inc., a leader in digital imaging solutions, announced today the SELPHY CP1500 compact photo printer as the newest addition to the SELPHY printer line. Delivering long lasting1, durable, high-quality prints in less than a minute2, gifting friends and family physical memories and keepsakes which can be shared and enjoyed for decades3 (when stored in an album) has never been easier.
Designed with Space in Mind
In a stylish and compact design, the Canon SELPHY CP1500 photo printer is small enough to fit in a pocket or small purse and can be taken on the go – whether using the included AC adapter or the optional battery (sold separately)4. Its diminutive size doesn’t make the CP1500 short on function, though. The printer’s standard print size is 4”x 6” postcard – printed in approximately 41 seconds2. With the purchase of the optional cassette (sold separately)5, it can also print card (2.1” x 3.4”) and square label (2.1” x 2.1”) sizes. Thanks to protective coating, the CP1500 creates long-lasting photos that can withstand wear for more than 100 years when stored in an album3. Those looking for a bit more fun can personalize photos with a variety of borders, text, and pattern overlays – such as hearts around your family or paw prints for your furry friends. The creative possibilities are endless – customers can use these photos for crafting, journaling, decorating, or for school projects such as family trees.
Photos In A Pinch
The SELPHY CP1500 compact photo printer comes with diverse connectivity, allowing users to connect wirelessly to a compatible smart phone using the Canon PRINT Inkjet/SELPHY app6. Additionally, users can utilize the SELPHY Photo Layout app7 to convert a URL into a QR code that can be printed onto a photo – directing to social media pages or to photo locations on a map.
Specific product specs of the SELPHY CP1500 compact photo printer include:
- Dye-Sub technology
- Accommodates paper sizes: Postcard (4.0” x 6.0”) and, with purchase of optional cassette (sold separately)5, Card Size (2.1” x 3.4”) and Square Label (2.1” x 2.1”)
- Enlarged LCD monitor (3.5 inches) compared to the CP1300 printer
- Pattern overcoats (stars, hearts, flowers, and others)
Pricing
The Canon SELPHY CP1500 compact photo printer is scheduled to be available in October 2022 for an estimated retail price of $139.998 and will be available in two colors, black and white.
Orders
Order the Canon Selphy CP1500 Compact Photo Printer from B&H.
###
Availability and specifications subject to change without notice.
1 Canon cannot guarantee the longevity of prints; results may vary depending on printed image, display/storage conditions, and environmental factors.
2 Postcard size (4” x 6”) prints in approximately 41 seconds. Print speed obtained using compatible digital camera incorporating DIGIC II (other camera models may vary).
3 Based on accelerated testing by Canon in dark storage under controlled temperature, humidity and gas conditions, simulating storage in an album with plastic sleeves. Canon cannot guarantee the longevity of prints; results may vary depending on printed image, display/storage conditions, and environmental factors.
4 Supplies may be limited. Battery has an anticipated suggested retail price of $89.99. Actual price is set by individual dealers and may vary. Price is subject to change without notice.
5 Supplies may be limited. Cassette has an anticipated suggested retail price of $12.99. . Actual price is set by individual dealers and may vary. Price is subject to change without notice
6 Requires an Internet connection and the Canon PRINT Inkjet/SELPHY app, available for free on the App Store and at Google Play. Compatible with Apple devices running iOS 7.0 or later and Android mobile devices running Android 4.0 or later. Your device must be connected to the same working network with wireless 802.11 b/g capability as your printer. Requires a compatible social media account and is subject to that social media account's Terms of Service. Certain exceptions may apply.
7 Requires an Internet connection and the SELPHY Photo Layout app, available for free on the App Store and at Google Play. Compatible with Apple devices running iOS 7.0 or later and Android mobile devices running Android 4.0 or later. Your device must be connected to the same working network with wireless 802.11 b/g capability as your printer. Requires a compatible social media account and is subject to that social media account's Terms of Service. Certain exceptions may apply.
8 Price is subject to change without notice. Actual price is set by individual dealers and may vary.
App Store is a service mark and Apple is a trademark of Apple Inc., registered in the U.S. and other countries and regions. iOS is a trademark or registered trademark of Cisco in the U.S. and other countries, and is used under license. Android and Google Play are trademarks of Google LLC. All other product and brand names are trademarks of their respective owners.
Just posted: Sigma 20mm F1.4 DG DN Art Lens Review
Image quality test results from a second lens (Sample 2) are now available. The second lens performs similarly to the first.
Please share!
Order the Sigma 20mm F1.4 DG DN Art Lens from B&H | Adorama | WEX
Rent the Sigma 20mm F1.4 DG DN Art Lens from Lensrentals.
+Review%2c+Second+Lens+Tested "Share on Pinterest!"){kind=small}
 "Share on Pinterest!"){kind=small}
 |
|