Canon and Sony News for Nov 2019 (Page 2)
Image quality, vignetting, and distortion test results along with specs and measurements have been added to the Canon RF 70-200mm F2.8 L IS USM Lens page.
Compare this lens' image quality, at various focal lengths, against your favorite RF lens (or against the Canon EF 200mm f/2L tested with the EOS R).
Also, looking at the specs and measurements, the Canon RF 70-200mm F2.8 L IS USM Lens compared to the Canon EF 70-200mm f/2.8L IS III USM Lens is awesome.
So far, I'm really impressed with the RF 70-200. Canon USA says: "Estimated Ship Date: 11/21/19".
Get in line now: the Canon RF 70-200mm F2.8 L IS USM Lens is available for preorder at B&H | Adorama | Amazon USA | WEX
Please remember to support us by using our links for all of your shopping needs and by sharing the site with others!
From the Adorama YouTube Channel:
Join Daniel Norton OnSet as he creates dappled patterns of light for a fun portrait look. Often times when we are using natural light, we see patterns coming through trees/fences etc and use that light to accent our portraits. With this technique you can do it in a consistently repeatable fashion.
Products Used:
- Chimera Frame for Frame/Panel Reflectors, 48x48”
- Chimera Pattern Holder
- Chimera Window Pattern Cucoloris
- Profoto A1
- Nikon Z6
- Nikon Nikkor Z 24-70 f/4
From Canon USA:
Approximately 70 Percent of Press Photographers at the Games used Canon ILC Cameras and Lenses
MELVILLE, NY, November 12, 2019 – During the 2019 Rugby World Cup imaging professionals from around the world gathered across Japan to shoot all of the exciting and history-making action of the tournament’s knock out stage. Canon Inc., is excited and proud to announce that approximately 70 percenti of those imaging professionals used Canon ILC cameras and lenses to capture the timeless memories and moments of the most celebrated Rugby tournament in the world.
Canon understands that in order for professional photographers to be able to reach their goals at these world class events they need the support of digital imaging companies, like Canon. The company provided state-of-the art technology, top performance and most importantly customized and comprehensive on-site service and support.
Canon Professional Services (CPS) was active behind the scenes at the tournament assisting photographers with their equipment needs to help ensure they had “zero downtime” and never missed the opportunity to capture the defining moments of the tournament. At each of the tournament venues, CPS was able to provide efficient and timely maintenance and repair of equipment. Additionally, CPS was able to go above and beyond and provide on-site emergency repair and equipment loans to professional photographers in need.
“Getty Images was delighted for the opportunity to continue working with an official Rugby World Cup Partner, such as Canon Inc. Our photographers demand cutting edge technology and a camera they can rely on,” said Paul Gilham, Director of Getty Images “Canon’s amazing service and support during the tournament in Japan helped to ensure our photographers were equipped to capture the images that will tell the story of the Rugby World Cup, creating a lasting legacy of the iconic moments.”
Canon will continue to strive towards the goal of providing powerful and reliable digital imaging products and world class service and support at sporting events across the globe. This commitment Canon believes will help to further advance the photographic vision of imaging professionals today and in the future.
Noise test results have been added to the Sony a7R IV Review.
Use the over/under-exposed results for a look at dynamic range.
Sony a7R IV compared to the Sony a7R III at ISO 6400.
Sony a7R IV compared to the Sony a7R III exposed +3 stops and processed at -3 stops for a look at dynamic range (both cameras are great in this regard).
MANY more comparisons are available.
The Sony a7R IV is in stock at B&H | Adorama | Amazon USA | WEX
Rent the Sony a7R IV from Lensrentals.
From Canon:
Firmware Version 1.0.4.0 incorporates the following enhancement:
- The focus following speed during zooming has been improved.
Download: Canon 4K Camcorder XF405 / XF400 Firmware Version 1.0.4.0
Act fast: The Sony FE 24mm f/1.4 GM Lens is in stock at B&H. This is the first time I recall this lens being in stock at B&H since it was introduced. There are of course good optical reasons for it being so hard to get.
Check out our Sony FE 24mm f/1.4 GM Lens review to learn more.
Adorama has the Canon EOS Rebel T6 DSLR with 18-55mm IS & 75-300mm III Lens bundled with a large number of free accessories for only $399.00, a $350.00 savings.
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Image quality test results have been added to the Sony FE 35mm f/1.8 Lens page.
Here are the requisite comparisons:
Sony FE 35mm f/1.8 Lens Compare to the Canon EF 35mm f/2 IS USM Lens
Sony FE 35mm f/1.8 Lens Compare to the Nikon 35mm f/1.8G AF-S Lens
Sony FE 35mm f/1.8 Lens Compare to the Sony FE 35mm f/1.4 ZA Lens
Sony FE 35mm f/1.8 Lens Compare to the Tamron 35mm f/1.8 Di VC USD Lens
The Sony FE 35mm f/1.8 Lens is in stock at B&H | Adorama | Amazon USA | WEX
Rent the Sony FE 35mm f/1.8 Lens from Lensrentals.
Please remember to support us by using our links for all of your shopping needs and by sharing the site with others!
From the Adorama YouTube Channel:
Battery powered flashes are great for shooting portraits on location. There's plenty to choose from and they vary between small speedlights and bigger, more powerful monolights. In theory more power means more light and that's usually a good thing for location portraits but can a speedlight be used to light location portraits like a monolight? That's the question Gavin Hoey puts to the test in this video.
Gavin sets each flash the challenge of being used as a simple fill flash, creating dramatic skies by "over powering" the ambient light and finally getting some beautiful shallow depth of field portraits using HSS (high speed sync) flash. The results might surprise you!
Products Used
From MAC Group:
White Plains, NY USA – Today Benro announced the S PRO series of video fluid heads. S PRO is the successor to the original S series of flat base video fluid heads which grew popular among wedding filmmakers, documentarians, and other small video crews.
Built for a range of video cameras and accessories, the S PRO series supports up to 17.6 lb./8kg. Equipped with a flat base, the S PRO video heads are a versatile creative tool allowing you to mount the head separately on sliders, jibs, or monopods. Each video head includes two accessory mounts for attaching monitor arms or audio recorders directly to the head. The S PRO also feature metal ratchet style knobs and an improved CNC machined aluminum sliding camera plate.
S8 PRO
Built for a range of video cameras and accessories, the S8 PRO video head supports up to 17.6 lb./8kg. Equipped with a 75mm flat base with a 3/8"-16 thread, the S8 PRO is a versatile creative tool allowing you to mount the head separately on sliders, jibs, or monopods. Other features include: pan & tilt lock, continuous pan & tilt drag, 8-step counterbalance (0-7), illuminated bubble level and two 3/8"-16 accessory mounts for attaching monitor arms or audio recorders directly to the head. This allows you to attach accessories without needing a cage or rig to do so. Tilt range for the S8 PRO is +90°/-75°. The forward 90 degree tilt helps with table top setups. The S8 PRO also features metal ratchet style knobs and an improved CNC machined aluminum sliding camera plate.
Features
- 75mm Video Head – The S8PRO is a 75mm head with continuous tilt drag, pan drag, tilt lock and pan lock.
- Two Accessory Mounts – Two 3/8”-16 mounts for attaching accessories.
- Flat Base Versatility – Can be used on other flat surfaces with its 3/8”-16 mounting thread such as sliders, jibs and half ball adapters.
- 17.6lb/8kg weight capacity – Supports cameras both large and small.
- 8 Steps of Counterbalance (0-7) – The S8PRO has 8 individual steps of counterbalance to help properly balance your camera rig.
S6 PRO
Ideal for a small video cameras and mirrorless rigs with accessories, the S6 PRO video head supports up to 13.2 lb./6kg. Equipped with a 65mm flat base with a 3/8"-16 thread, the S6 PRO is a versatile creative tool allowing you to mount the head separately on sliders, jibs, or monopods. Other features include: pan & tilt lock, continuous pan & tilt drag, 6-step counterbalance (0-5), illuminated bubble level and two 1/4"-20 accessory mounts for attaching monitor arms or audio recorders directly to the head. This allows you to attach accessories without needing a cage or rig to do so. Tilt range for the S6 PRO is +90°/-75°. The forward 90-degree tilt helps with table top setups. The S6 PRO also features metal ratchet-style knobs and an improved CNC machined aluminum sliding camera plate.
Features
- 75mm Video Head – The S6PRO is a 65mm flat base (will pair with 75mm half ball) head with continuous tilt drag, pan drag, tilt lock and pan lock.
- 6 Steps of Counterbalance (0-5) – The S6PRO has 6 individual steps of counterbalance to help properly balance your camera rig.
- 13.2lb/6kg weight capacity – Supports cameras both large and small.
- Flat Base Versatility – Can be used on other flat surfaces with its 3/8”-16 mounting thread such as sliders, jibs and half ball adapters.
- Two Accessory Mounts – Two 1/4”-20 mounts for attaching accessories.
S4 PRO
Despite its small size, the S4 PRO is a versatile video head with additional counterbalance. The S6 PRO video head supports up to 8.8 lb./4kg. Equipped with a 60mm flat base with a 3/8"-16 thread, the S4 PRO is a versatile creative tool allowing you to mount the head separately on sliders, jibs, or monopods. Other features include: pan & tilt lock, fixed pan & tilt drag, additional counterbalance (1-2), bubble level and two 1/4"-20 accessory mounts for attaching monitor arms or audio recorders directly to the head. This allows you to attach accessories without needing a cage or rig to do so. Tilt range for the S4 PRO is +90°/-75°. The forward 90-degree tilt helps with table top setups. The S4 PRO also features metal ratchet-style knobs and an improved CNC machined aluminum sliding camera plate.
Features
- 60mm Video Head – The S4PRO is a 60mm flat base (will pair with 75mm half ball) video head with fixed tilt drag, pan drag, tilt lock and pan lock.
- 2 Steps of Counterbalance (1-2) – The S4PRO has 2 individual steps of counterbalance to help properly balance your camera rig.
- 8.8lb/4kg weight capacity – Supports cameras both large and small.
- Flat Base Versatility – Can be used on other flat surfaces with its 3/8”-16 mounting thread such as sliders, jibs and half ball adapters.
- Two Accessory Mounts – Two 1/4”-20 mounts for attaching accessories.
S PRO Heads: Common Features
- Flat Base Versatility
- Improved Counterbalance
- Two Accessory Mounts
- New Camera Plate
- Refined Design
B&H has the Benro S PRO Video Fluid Heads available for preorder.
Canon has released firmware version 1.1.2 for the Canon EF 400mm f/2.8L IS III USM Lens and the Canon EF 600mm f/4L IS III USM Lens. This is a very-welcomed update.
Download the new firmware here: EF 400mm f/2.8L IS III | EF 600mm f/4L IS III
Firmware Version 1.1.2 incorporates the following enhancements:
1. Increases the manual focus speed when the manual focus speed switch is set to 1 or 2. *The speed when the switch is set to 3 (slowest speed) will be unchanged.
2. Improves the image stabilization effect during handheld shooting with a slow shutter speed when used with EOS 5D Mark IV, EOS 6D, or EOS R.
*Enables a full-time manual focus function during Servo AF when used with the EOS-1D X Mark II. The lens must be sent to the Factory Service Center in order for this funcion to be enabled.
If the lens' firmware is already Version 1.1.2, it is not necessary to update the firmware.
The lens' firmware version can be checked from the camera's menu.
Image quality test results have been added to the Sony FE 35mm f/1.4 ZA Lens page.
Let's dive right into comparisons for this one:
Sony FE 35mm f/1.4 ZA Lens Compared to Canon EF 35mm f/1.4L II USM Lens
Sony FE 35mm f/1.4 ZA Lens Compared to Nikon 35mm f/1.4G AF-S Nikkor Lens
Sony FE 35mm f/1.4 ZA Lens Compared to Rokinon (Samyang) 35mm f/1.4 US UMC Lens
Sony FE 35mm f/1.4 ZA Lens Compared to Sigma 35mm f/1.4 DG HSM Art Lens
Sony FE 35mm f/1.4 ZA Lens Compared to Tamron 35mm f/1.4 Di USD Lens
The Sony FE 35mm f/1.4 ZA Lens is in stock at B&H | Adorama | Amazon USA | WEX
Rent the Sony FE 35mm f/1.4 ZA Lens from Lensrentals.
Please remember to support us by using our links for all of your shopping needs and by sharing the site with others!
Noise test results have been added to the Canon EOS 90D and the EOS M6 Mark II reviews.
You are going to notice that the results from these two cameras appear remarkably similar. They are using the same imaging sensor and the same DIGIC processor and are expected to have identical image quality. As this is a very time consuming test, including carefully capturing 180 images and prepping a crop from each, I opted to fully test only one of the cameras (the 90D) and show the same results for the M6 II.
A full narrative of the results is coming soon. In the meantime, create your own comparisons including a look at dynamic range using the +/- exposure variations.
The Canon EOS 90D is in stock at B&H | Adorama | Amazon USA | WEX
Rent the Canon EOS 90D from Lensrentals.
The Canon EOS M6 Mark II is in stock at B&H | Adorama | Amazon USA | WEX
Rent the Canon EOS M6 Mark II from Lensrentals.
From Sigma:
Sigma Announces New 24-70mm F2.8 DG DN Art Zoom Lens for Full Frame Mirrorless Cameras; Available in Sony E-mount and L-mount
November 6, 2019
Sigma Corporation today made the following announcement:
Launch of the 24-70mm F2.8 DG DN Art Zoom lens for full frame mirrorless cameras, leveraging the top-level Art zoom performance, featuring:
- Best-in-class optical performance
- Compatibility with the latest full-frame mirrorless camera bodies
- Flexibility for various uses and photographic environments
Sigma 24-70mm F2.8 DG DN Art Lens
This second newly-designed Art zoom lens from Sigma is a large-aperture standard zoom for full-frame mirrorless camera systems and is available in Sony E-mount and L-mount. The Sigma 24-70mm F2.8 offers best-in-class performance due to a sophisticated optical design that delivers high resolution throughout the entire zoom range. This new Art zoom lens from Sigma follows the debut of the lauded 14-24mm F2.8 DG DN Art zoom for mirrorless cameras. The Sigma 24-70mm F2.8 DG DN Art lens exerts superiority in mirrorless camera-dedicated designs, resulting in a reduced lens size and weight while achieving uniformity and high resolution from the center to the periphery throughout the zoom range. Compatibility with the latest mirrorless camera bodies and functions assists in various photographic environments and meets the high demands of both professional and advanced amateur photographers.
Key features include:
- Best-in-class optical performance. The F2.8 Art flagship zoom lens series is developed to achieve superior optical performance. By employing three aspheric lenses, this zoom lens thoroughly subdues aberrations such as axial chromatic aberration or sagittal coma aberrations, which are difficult to correct in post-processing, tailors the resolution and achieves uniformity and superior optical performance from the center to the periphery throughout the zoom range. In addition to Super Multi-Layer Coating, Sigma’s proprietary Nano Porous Coating is employed to achieve high-contrast and clear image quality. This lens is designed to be less affected by strong incident light such as flare.
- Ensuring compatibility with the latest full-frame mirrorless camera bodies. The Sigma 24–70mm F2.8 DG DN ensures compatibility with various types of the latest full-frame mirrorless camera bodies for Sony E-mount and L-mount, (including the new Sigma fp camera), capable of exerting the best performance under any photographic circumstances.
- Flexibility for various uses and photographic environments. Featuring a dust and splash-proof body and zoom lock mechanism for preventing the lens barrel from extending unexpectedly, the 24-70mm F2.8 meets a wide range of needs for a variety of photographic environments. The maximum magnifications are 1:2.9 at the wide-angle end and 1:4.5 at the telephoto end, which provides a wider range of expression for close-up photography. The minimum focusing distance is 18 cm at the wide-angle end.
Additional features:
- Zoom lock switch
- Lens hood with a lock
- Mount with dust- and splash-proof structure
- Compatible with the Lens Aberration Correction
- Available Mount conversion service
- Designed to minimize flare and ghosting
- Evaluation with Sigma’s own MTF measuring system: A1
- 11-blade rounded diaphragm
- High-precision, rugged brass bayonet mount
- “Made in Japan” craftsmanship
The Sigma 24-70mm F2.8 DG DN Art will be available in L-mount and Sony E-mount in mid-November 2019 through authorized US dealers. Pricing will be announced at a later date.
Watch this page at B&H for Sigma 24-70mm F2.8 DG DN Art Lens preorders to open.
From Canon U.S.A.:
CAPTURE THE BEAUTY OF THE NIGHT SKY WITH CANON’S FIRST FULL-FRAME MIRRORLESS CAMERA FOR ASTROPHOTOGRAPHY
Introducing the EOS Ra Camera with Specialized Filtration that Delivers Four Times Greater Hydrogen-alpha Wavelength (656.3 nm) Transmittance Compared to the EOS R
MELVILLE, N.Y., November 5, 2019 — In the words of poet Quintus Ennius, “No one regards what is before his or her feet; we all gaze at the stars.” Helping to gaze and capture the beauty of the stars and beyond, Canon U.S.A., Inc., a leader in digital imaging solutions, today announced the company’s first full-frame mirrorless camera for astrophotography, the EOS Ra. This new camera was built off the EOS R system combining new features, such as four times greater transmittance of hydrogen-alpha (Ha) light of 656.3 nm compared to the original EOS R. For astrophotographers and hobbyists who enjoy capturing the detailed splendor of the night sky, the new EOS Ra will be an ideal camera to shoot with.
“Since the introduction of the EOS R full-frame mirrorless camera system last fall, Canon has remained committed to launching a line of impressive and innovative EOS R models and a strong variety of RF lenses and accessories to meet the needs of every skill level of photographer,” said Kazuto Ogawa, president and chief operating officer, Canon U.S.A., Inc. “As a group of photographers who are passionate about capturing what we can’t see with our naked eyes, the new EOS Ra is designed for astrophotographers looking to capture vivid imagery of the night sky.”
Targeting the needs of astrophotographers, the new EOS Ra full-frame mirrorless camera incorporates many advanced features of the EOS R, such as RF mount design, a 30.3MP CMOS sensor, high-precision electronic viewfinder, high-sensitivity, low-noise performance and 4K time-lapse shooting. Optional accessories include an AC adapter kit, which allows the camera to be powered through an AC wall outlet or a battery-powered inverter, a BG-E22 battery grip and three EF-EOS R mount adapters to accommodate the entire range of over seventy EF & EF-S lenses.
Other features include:
- Enhanced transmission of Ha rays (656.3 nm wavelength) through an infrared cutoff filter, helping to capture high-precision images of the deep-red wavelengths emitted by nebulae in vivid color, without any special camera alterations.
- A 30x maximum magnification, allowing users to make extremely precise manual focus adjustments*.
- Support for all Canon RF, EF and EF-S lenses (with the use of an optional EF-EOS R mount adapter), including more than 70 lenses from the EF series as well as RF series lenses, which deliver superb image quality. The variety of lenses, such as the large-diameter f/1.2 lenses, ultra-wide-angle lenses, and super-telephoto EF lenses, among others, are all well suited to help photographers to choose the best match for their specific astrophotography purposes.
Availability and Pricing
The Canon EOS Ra full-frame mirrorless camera is scheduled to be available in mid-December 2019 for an estimated retail price of $2,499.00 for the body only**.
* This magnification ratio applies to the camera only. Not supported by EOS Utility.
**Specifications, availability and prices are subject to change without notice. Actual prices are set by individual dealers and may vary.
Preorders
Preorders for the Canon EOS Ra open on Tuesday Nov 19 At 12:01AM EST. If you are going to make one of these cameras yours, stop back here and use one of these links to place your order: B&H | Adorama | WEX
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