This awesome-for-sports-and-wildlife focal length range and wide-aperture combination with promised flagship ultra-telephoto prime lens imge quality at a surprisingly low price makes the Sigma 300-600mm F4 DG OS Sports Lens super attractive. Those features combined with a low initial supply will make the this lens hard to get. Preorder it now at B&H | Adorama | WEX | Camera Canada
The innovative Sigma 300-600mm F4 DG OS | Sports combines the power of a prime lens with the freedom to zoom
Ronkonkoma, New York - Sigma Corporation of America, the US subsidiary of Sigma Corporation (CEO: Kazuto Yamaki. Headquarters: Asao-ku, Kawasaki-shi, Kanagawa, Japan) is pleased to announce the Sigma 300-600mm F4 DG OS | Sports lens for the US Market. The Sigma 300-600mm F4 DG OS | Sports is a revolutionary large-aperture ultra-telephoto zoom lens that delivers all the convenience and versatility of a zoom lens with the superior optical performance of an ultra-telephoto prime lens. The fast and precise AF performance of its High-response Linear Actuator (HLA) and 5.5 stops of optical stabilization at 600mm make the Sigma 300-600mm F4 DG OS | Sports a powerful choice for the challenges of sports, action and wildlife photography. Available for Sony E-mount and Leica L-Mount, the lens is priced at $5,999 and will be available through US retailers in April 2025. Exclusively for mirrorless cameras|Compatible with full-frame cameras
Sigma 300-600mm F4 DG OS | Sports
Supplied accessories: Case LS-598SEL, Lens Hood LH1615-01, Tripod Socket TS-171, Cover Lens Cap LC-598E, Rear Cap LCR III, Shoulder Strap, Drop In Filter Holder RFH-21
Available mounts: L-Mount, Sony E-mount
Launch date: April 2025
* Product appearance and specifications are subject to change.
* L-Mount is a registered trademark of Leica Camera AG.
* This product is developed, manufactured and sold based on the specifications of E-mount which was disclosed by Sony Corporation under the license agreement with Sony Corporation.
#Sigma #Sigma300600mmSports #SigmaSports #SigmaSportsZoom #SigmaDG
Superior optical performance and agility for professionals:
The innovative Sigma 300-600mm F4 DG OS | Sports combines the power of a prime lens with the freedom to zoom
The Sigma 300-600mm F4 DG OS | Sports is a revolutionary large-aperture ultra-telephoto zoom lens that delivers all the convenience and versatility of a zoom lens with the superior optical performance of an ultra-telephoto prime lens. With the Sigma 300-600mm F4 DG OS | Sports, photographers can move freely between focal lengths of 300mm and 600mm without changing lenses. The fast and precise AF performance of its High-response Linear Actuator (HLA) and 5.5 stops of optical stabilization at 600mm make the Sigma 300-600mm F4 DG OS | Sports a powerful choice for the challenges of sports, action and wildlife photography, where situations change quickly and the opportunity for the perfect photo lasts only a few moments. Featuring a magnesium alloy body, thermal insulation paint and additional features such as the newly added function ring, the Sigma 300-600mm F4 DG OS | Sports has been designed to support professionals achieve their best shots.
[Key features]
Ultra-telephoto zoom lens with the optical performance and brightness of a prime lens
Exceptional versatility in the ultra-telephoto range
The Sigma 300-600mm F4 DG OS | Sports extends the capabilities of a 600mm F4 prime lens with the freedom to zoom out all the way to 300mm without compromising optical performance. Its inner zoom mechanism minimizes center of gravity fluctuations throughout the entire zoom range, making it a versatile and easy-to-use tool for an unprecedented range of shooting situations.
Extremely high optical performance
The Sigma 300-600mm F4 DG OS | Sports features 28 lens elements in 21 groups, including 6 FLD and 1 SLD glass elements, anomalous dispersion glass, and high refractive index glass. Its optical design provides excellent correction of various optical aberrations, such as chromatic aberration, throughout the entire zoom range. Although a zoom lens, the Sigma 300-600mm F4 DG OS | Sports delivers the unparalleled optical performance of a prime lens.
High-speed autofocus and powerful optical stabilization to never miss a decisive moment
HLA-driven high-speed AF
Despite its large aperture of F4, the Sigma 300-600mm F4 DG OS | Sports features a lightweight focus lens group thanks to the use of a high-thrust HLA (High-response Linear Actuator), optimized optical power arrangement and state-of-the-art glass materials. The result is high-speed autofocus functionality with outstanding accuracy.
Powerful Optical Stabilization function driven by the OS2 algorithm
The Sigma 300-600mm F4 DG OS | Sports delivers exceptional optical stabilization of 5.5 stops* at 600mm. Powered by Sigma’s sophisticated OS2 algorithm and featuring a drive unit with a specially designed actuator and high-precision sensor, this lens effortlessly meets the demands of a large-aperture ultra-telephoto. Additionally, photographers have the choice between two Optical Stabilization (OS) modes: Mode 1 is suitable for most still photography and video situations, while Mode 2 was specially designed for panning shots. Driven by Sigma’s Intelligent OS2 algorithm, this mode stabilizes the image during horizontal, vertical, or diagonal movements, regardless of the camera’s orientation, enabling photographers to capture moving subjects with professional precision.
* Based on CIPA guidelines. (Measured at a focal length of 600mm with a 35mm full-frame camera)
Exceptional quality, functionality and features as the flagship of the Sigma’s Sports line
Combines high robustness and mobility
The lens barrel is made of magnesium alloy for the main parts and the hood is made of carbon, achieving both high robustness and light weight. In addition, the optical design with the center of gravity toward the camera greatly improves the weight balance, which tends to be front-heavy.
Thermal insulation paint for perfect lens performance
The exterior of the lens body is coated with a thermal insulation paint that effectively suppresses heat absorption from sunlight. This prevents the lens from heating up, even during long outdoor shoots in sunny weather, such as nature or motorsports photography.
New function ring adds extended functionality
The Sigma 300-600mm F4 DG OS | Sports features a newly added function ring that further expands the options of the lens. The focus ring offers two different modes, selected via its setting switch:
Focus Preset Mode:
By turning the function ring to the left or right, the focus can be instantly shifted to a pre-registered focus position. This is useful when frequently shooting at a fixed focus position.
Power Focus Mode:
Focusing at a constant speed is possible by operating the function ring. This allows for smooth focus shift during movie shooting as well as for focusing with minimal movement when shooting hand-held. Focusing speed can be changed in two steps depending on the angle at which the function ring is operated.
Durable and easy-to-handle tripod socket
The tripod socket's rotating mechanism uses bearings for both high durability and smooth rotation with an optional click/declick mechanism for each 90° angle to assist in accuracy. The tripod socket foot is compatible with Arca-Swiss type clamps, whichcan be easily removed and replaced with different interchangeable tripod sockets (available separately) to suit a variety of situations and preferences.
Equipped with a drop-in filter holder
The Sigma 300-600mm F4 DG OS | Sports features a drop-in filter holder for standard ø40.5mm filters. In addition, Sigma has developed a new drop-in circular polarizing filter and a variable ND filter (available separately) that can be adjusted by approximately 7-stops while dropped into the lens.
Weatherability of Sigma’s Sports line specifications
The mount joints, manual focus ring, zoom ring, custom switches and other control switches, and exterior joints are all protected from dust and splash by a dust- and splash-resistant structure*. Further, the frontmost surface of the lens is coated with a water- and oil-repellent coating to facilitate maintenance when water droplets or dust adhere to the lens.
* The structure is designed to be dust- and splash-resistant, but not waterproof. Be careful not to bring the lens in contact with a large amount of water. Water inside the lens may cause major damage and even render the lens unrepairable.
Various functions to support shooting
The lens features a variety of buttons and switches to accommodate individual preferences and the demands of different shooting situations, including AFL buttons in four different locations, a focus mode switch, a focus limiter switch, an OS mode switch (Mode 1 or Mode 2), and a custom mode switch. The L-Mount version of the lens is also compatible with Tele Converters (TC-1411/TC-2011) for AF-enabled shooting at a maximum focal length of 1,200mm.
[Additional features]
[Key specifications] The figures below are for the L-Mount version.
Lens construction: 28 elements in 21 groups (6 FLD, 1 SLD)
Angle of View: 8.2-4.1°
Number of Diaphragm Blades : 13 (Rounded Diaphragm)
Minimum Aperture : F22
Minimum Focusing Distance: 280cm(W) - 450cm(T) / 110.3in.(W) - 177.2in.(T)
Maximum Magnification Ratio: 1:6 at f=470mm | Filter Size: f40.5mm (Rear)
Maximum Diameter x Length: f167.0mm x 467.9mm / f6.6in. x 18.4in.
Weight: 3,985g / 140.6oz.
[Product Barcode]
L-Mount 0085126 598693
Sony E-mount 0085126 598655
[Accessories (Supplied)] Name of product / Product Barcode
Lens Hood LH1615-01 0085126 941680
Cover Lens Cap LC-598E 0085126 941703
Rear Cap LCR III L-Mount 0085126 941628, Sony E-mount 0085126 941635
Tripod Socket TS-161 0085126 941697
Drop In Filter Holder RFH-21 L-Mount 0085126 941727, Sony E-mount 0085126 941710
[Accessories (Optional)] Name of product / Product Barcode
USB Dock UD-11 L-Mount 0085126 878696
Tele Converter TC-1411 L-Mount 0085126 825690
Tele Converter TC-2011 L-Mount 0085126 826697
Drop In WR Circular PL RCP-21 L-Mount 008512 6941741, Sony E-mount 008512 6941734
Drop In WR Variable ND RND-21 L-Mount 0085126 941765 Sony E-mount 0085126 941758
Orders
Get the Sigma 300-600mm F4 DG OS Sports Lens at B&H | Adorama | WEX | Camera Canada
Get the affordable Sigma 16-300mm F3.5-6.7 DC OS Contemporary Lens at B&H | Adorama | WEX | Camera Canada
Sigma presents the world's first mirrorless lens with an approximate zoom ratio of 18.8x. Powerful yet portable, the 16-300mm F3.5-6.7 DC OS | Contemporary delivers outstanding results in any situation.
Ronkonkoma, New York - SIGMA Corporation of America, the US subsidiary of SIGMA Corporation (CEO: Kazuto Yamaki. Headquarters: Asao-ku, Kawasaki-shi, Kanagawa, Japan) is pleased to announce the 16-300mm F3.5-6.7 DC OS | Contemporary lens for the US market. the Sigma 16-300mm F3.5-6.7 DC OS | Contemporary features an 18.8x zoom ratio, the world’s largest1 for an APS-C format mirrorless lens. Equivalent to 24-450mm in 35mm format, this portable lens covers everything from wide-angle for landscapes and interiors to super-telephoto for sports, wildlife and aviation. This extremely versatile lens brings the full range of photographic subjects within reach, from landscapes and portraits to wildlife and sports photography. The lens is available in L-Mount, Sony E-Mount, Fujifilm X Mount and Canon RF Mount and will retail for $699 through authorized US retailers.
1 As an AF compatible interchangeable lens exclusively for mirrorless, as of February, 2025 by Sigma.
Exclusively for mirrorless cameras|Compatible with crop sensor cameras Sigma 16-300mm F3.5-6.7 DC OS | Contemporary
Launch date: April, 2025 L-Mount, Sony E-Mount. May, 2025 FUJIFILM X Mount, Canon RF Mount
Supplied accessories: Lens Hood LH706-03, Front Cap LCF-67 IV, Rear Cap LCR III, Pouch
Available mounts: L-Mount, Sony E-mount, FUJIFILM X Mount, Canon RF Mount
* Product appearance and specifications are subject to change.
* L-Mount is a registered trademark of Leica Camera AG.
* This product is developed, manufactured and sold based on the specifications of E-mount which was disclosed by Sony Corporation under the license agreement with Sony Corporation.
* This product is developed, manufactured and sold under license from Canon Inc.
#Sigma #Sigma16300mmContemporary #SigmaContemporary #SigmaContemporaryZoom
Sigma presents the world's first1 mirrorless lens with an approximate zoom ratio of 18.8x. Powerful yet portable, the 16-300mm F3.5-6.7 DC OS | Contemporary delivers outstanding results in any situation.
The all-new Sigma 16-300mm F3.5-6.7 DC OS | Contemporary features an 18.8x zoom ratio, the world’s largest1 for an APS-C format mirrorless lens. Covering the entire range from wide-angle to super-telephoto, this extremely versatile lens brings the full range of photographic subjects within reach, from landscapes and portraits to wildlife and sports photography. With a maximum magnification ratio of 1:2, the 16-300mm F3.5-6.7 DC OS | Contemporary captures detailed close-ups with ease. Its HLA (High-response Linear Actuator) motor provides exceptionally fast, smooth and accurate autofocus — ideal for fast-moving subjects such as birds and aircraft. The lens offers 6 stops of image stabilization at the wide end and 4.5 stops2 at the telephoto end, helping photographers achieve blur-free results even at longer focal lengths and in low light. This ultra versatile all-in-one zoom is the perfect tool for creative photographers who want to work in a wide range of photographic genres.
1 As an AF compatible interchangeable lens exclusively for mirrorless, as of February, 2025 by Sigma.
2 Based on CIPA guidelines. (Measured at a focal length of 16mm and 300mm using an APS-C camera)
[Key features]
Wide-angle, super-telephoto and macro photography in one lens
The world's first 18.8x zoom with a 16mm wide-angle setting
The Sigma 16-300mm F3.5-6.7 DC OS | Contemporary is the world's first mirrorless lens with an 18.8x zoom ratio. Equivalent to 24-450mm* in 35mm format, this portable lens covers everything from wide-angle for landscapes and interiors to super-telephoto for sports, wildlife and aviation.
* Approximately 25.6-480mm for the Canon RF Mount version.
Maximum magnification ratio of 1:2 at 70mm for striking close-ups
With a maximum magnification ratio of 1:2 at 70mm, the Sigma 16-300mm F3.5-6.7 DC OS | Contemporary provides excellent close-up performance, perfect for capturing flowers, insects and other small subjects in great detail. With a maximum magnification of 1:3 at the wide end and 1:4 at the telephoto end, photographers have access to a huge range of creative expression.
Small, lightweight and portable
Despite its impressive zoom range of 16-300mm, the Sigma 16-300mm F3.5-6.7 DC OS | Contemporary prioritizes high portability, measuring just 73.8mm in diameter by 121.4mm in length and weighing just 615g*. This is achieved through advanced mechanical and optical design, including a high refractive index glass element with significant thickness variation and an aspherical lens element.
* The figures are for the L-Mount version.
High-speed autofocus and image stabilization for effortless shooting with reliable results
Accelerated AF speed and accuracy with HLA autofocus
To help photographers capture even the most fleeting moments, the Sigma 16-300mm F3.5-6.7 DC OS | Contemporary uses a High-response Linear Actuator (HLA) to achieve high-speed autofocus functionality with excellent drive accuracy.
Outstanding optical stabilization powered by the OS2 algorithm
Inspired by the same technology that powers Sigma's super-telephoto lenses used by professional wildlife and sports photographers, the Sigma 16-300mm F3.5-6.7 DC OS | Contemporary features 6 stops of optical stabilization at the wide end and 4.5 stops at the telephoto end. The latest OS2 optical stabilization algorithm provides superior image stabilization to mitigate the effects of camera shake, helping photographers achieve blur-free results without the need for a tripod, even when shooting in low light and at full zoom.
* Measured using an APS-C camera at focal lengths of 16mm and 300mm according to CIPA standards.
Equipped with a zoom lock switch at the wide end
The Sigma 16-300mm F3.5-6.7 DC OS | Contemporary features a zoom lock switch that can be fixed at the wide end to prevent the lens from extending.
Dust- and splash-resistant structure* and water-repellent coating
Designed to help photographers work in all environments, the Sigma 16-300mm F3.5-6.7 DC OS | Contemporary features a dust- and splash-resistant structure for use in harsh conditions. In addition, the front element features a water- and oil-repellent coating that helps keep the lens free of contaminants.
* The structure is designed to be dust- and splash-resistant, but not waterproof. Be careful not to bring the lens in contact with a large amount of water. Water inside the lens may cause major damage and even render the lens unrepairable.
Uncompromising optical quality that redefines the standard for super-zoom performance
Consistently high image quality across the entire zoom range
Thanks to its advanced optical design with 1 FLD, 4 SLD and 4 aspherical elements, the lens has excellent aberration correction and delivers sharp results throughout the whole zoom and focus range.
Engineered to minimize flare and ghosting
By measuring light incidence under all conditions and using advanced simulation technology, the Sigma 16-300mm F3.5-6.7 DC OS | Contemporary guarantees superior resistance to flare and ghosting, allowing photographers to capture crisp, clear images in even the most challenging lighting conditions - just as an all-in-one lens should.
Suppressed focus breathing for consistent framing
The Sigma 16-300mm F3.5-6.7 DC OS | Contemporary is designed to effectively suppress focus breathing, making it a perfect choice for filmmakers as well as photographers working with multi-shot techniques such as focus stacking. Throughout the zoom range, changes in angle of view are kept to an absolute minimum when changing focus.
[Additional features]
[Key specifications] The figures below are for the L-Mount version.
Lens construction: 20 elements in 14 groups (1 FLD, 4 SLD, 4 aspherical elements)
Angle of View: 83.2-5.4°
Number of Diaphragm Blades: 9 (Rounded Diaphragm)
Minimum Aperture: F22-45
Minimum Focusing Distance: 17cm(W) - 105cm(T) / 6.7in.(W) - 41.4in.(T)
Maximum Magnification Ratio: 1:2 at f=70mm
Filter Size: f67mm
Maximum Diameter x Length: f73.8mm x 121.4mm / f2.9in. x 4.8in.
Weight: 615g / 21.7oz.
Orders
Order the affordable Sigma 16-300mm F3.5-6.7 DC OS Contemporary Lens at B&H | Adorama | WEX | Camera Canada
Even the product name is succinct. Order the Sigma BF from B&H
Introducing the “Radically Simple” Sigma BF camera
Ronkonkoma, New York - SIGMA Corporation of America, the US subsidiary of SIGMA Corporation (CEO: Kazuto Yamaki. Headquarters: Asao-ku, Kawasaki-shi, Kanagawa, Japan) is pleased to announce the Sigma BF, a 24-megapixel full-frame L-Mount camera. The Sigma BF presents an uncompromising new vision for the digital camera. Stripped to the essence but packed with power, innovative yet rooted in the origins of photography, it is designed to accompany you throughout your day and to capture the spontaneous beauty of everyday life. The BF balances performance with simplicity and returns the focus to what matters most: your photographs. The Sigma BF will retail for $1,999 and be available in April 2025.
Supplied accessories: Li-ion Battery Pack BP-81, Metal Body CapA
Body colors: Silver, Black
Launch date: April 2025
* Product appearance and specifications are subject to change.
* L-Mount is a registered trademark of Leica Camera AG.
#SigmaBF #Sigma
A radically simple camera that evokes the essence of photography
A full-frame mirrorless camera offering an unprecedented intuitive shooting experience
Staying close to the photographer, the Sigma BF captures the beauty that lies hidden in everyday life, and becomes the catalyst to be aware of that beauty.
The BF focuses on the joy of photography that only a camera as a tool can provide. By simplifying and stripping away all excess elements, this full-frame mirrorless camera redefines the process of taking a photograph as a natural act.
The unique user interface, which provides a new sense of connection between the photographer and the camera in a true seamless unibody, is more intuitive than ever with its pressure-sensitive haptic buttons and dial. The high-definition expression of the approximately 24-megapixel full-frame sensor and the reliable dual autofocus system bring your vision to life.
Key features
Simple, clear, and completely new user interface
The user interface has a completely new information structure compared to conventional digital cameras, with the main shooting-related settings stored on the live view screen, secondary settings in the optional menu, and management functions and detailed settings in the system menu. Users can easily operate the shutter speed, aperture, ISO sensitivity, EV compensation and color mode, along with other important shooting-related elements at the touch of a finger. Combined with the auto setting, the functions of the general shooting mode dial are also covered.
Clear live view and status monitor
The default live view screen displays only the minimum necessary information and can be changed to display no information at all. Since the currently active setting is displayed on the status monitor, the users can concentrate solely on composition and the subject on the live view screen.
Minimal controls and haptics
All controls are integrated into just three buttons, one dial, the shutter release, and the power button. The BF is the first mirrorless camera* to incorporate haptics into its Dial, Center button, Option button, and Playback button, resulting in minimal physical wear. The buttons are always accurate and comfortable to press.
* As of February 2025, by Sigma.
Unibody structure
The BF is the first camera in history* to feature a true unibody, which boasts unprecedented rigidity. Each camera is carved from a single, solid block of aluminum over the course of seven hours. The reliable, comfortable weight of its seamless all-metal body harmonizes perfectly with any attached lens.
* As of February 2025, by Sigma.
Internal storage
The BF features 230 GB of internal memory, capable of storing more than 14,000 JPEG files, 4,300 uncompressed RAW images or 2.5 hours of video at the highest-quality setting, with the USB-C port offering fast charging and data-transfer speeds.
Various color modes
Thirteen different color modes are available to open up new avenues of creativity. The modes range from unique options like Teal and Orange, Powder Blue, and Warm Gold to creative yet versatile options such as Rich, and Calm.
Evolved autofocus
A hybrid autofocus system combining image phase detection and contrast detection utilizes state-of-the-art algorithms to capture subjects accurately and reliably. In addition to people, dogs and cats can be detected in the subject detection mode.
Video shooting (6K, L-Log)
The BF supports high-resolution 6K and L-Log recording, enabling video production that takes advantage of the wide dynamic range of a full-frame sensor.
Equipped with L-Mount
The L-Mount lens mount allows the camera to be used with a wide variety of interchangeable lenses for mirrorless cameras from Sigma as well as other L-Mount Alliance partners.
[Key specifications]
Type: Interchangeable-lens Mirrorless Type Digital Camera
Memory Media: Internal Memory (Approx. 230 GB) , USB Storage (for Backup)
Lens Mount: L-Mount
Image Sensor: 35 mm full-frame Back-illuminated CMOS sensor
Camera Effective Pixels / Total Pixels: Approx. 24.6 MP / Approx. 25.3 MP
Movie Recording Format: MOV: H.264, H.265, L-Log
Movie Recording Size / Frame Rate: 6K 29.97 fps, UHD 29.97 fps, FHD 119.88 fps
ISO Sensitivity: ISO 100-102400 / Expanded sensitivity ISO 6, 12, 25, 50
Monitor: 3.15 type, Approx. 2.1M dots
Color Mode: 13 types — Standard, Rich, Calm, Powder Blue, Warm Gold, Teal and Orange, FOV Classic Blue, FOV Classic Yellow, Forest Green, Sunset Red, Cinema, 709 Look, Monochrome
Dimensions (W x H x D): Approx. 130.1 x 72.8 x 36.8 mm / 5.1 x 2.9 x 1.4 in.
Weight: Approx. 388 g / 13.7 oz. (Camera Body Only)
Orders
From Sigma Corporation of America:
Sigma Introduces Renewed I Series Lenses
Ronkonkoma, New York – Sigma Corporation of America, the US subsidiary of Sigma Corporation (CEO: Kazuto Yamaki. Headquarters: Asao-ku, Kawasaki-shi, Kanagawa, Japan, is pleased to announce the renewed I series lenses for the US market. The nine stylish, compact full-frame prime lenses for mirrorless cameras have been updated to reflect the brand’s new elevated visual identity. Updated include a silver variation for L-Mount lenses, updated black exterior for both L-Mount and Sony E-Mount variations, and updated laser engravings. The renewed L-Mount versions will be available for purchase through authorized US retailers in April, 2025, and the update Sony E-Mount versions will be available beginning in May, 2025.
Applicable products: All I series lenses (9 lenses)
Available mounts: L-Mount, Sony E-mount
Launch date: L-Mount: April , 2025 / Sony E-mount: beginning May, 2025
* Product appearance and specifications are subject to change.
* L-Mount is a registered trademark of Leica Camera AG.
* This product is developed, manufactured and sold based on the specifications of E-mount which was disclosed by Sony Corporation under the license agreement with Sony Corporation.
#Sigma #SigmaIseries #SigmaContemporary #SigmaDG #SigmaLMount #SigmaEmount #Sigma17mmF4Contemporary #Sigma20mmF2Contemporary #Sigma24mmF2Contemporary #Sigma24mmF35Contemporary #Sigma35mmF2Contemporary #Sigma45mmF28Contemporary #Sigma50mmF2Contemporary #Sigma65mmF2Contemporary #Sigma90mmF28Contemporary
Silver is added to color variations for L-Mount lenses
In addition to the existing black models, brand-new silver models are added to the lineup for all nine I series L-Mount lenses. The new lineup enables photographers and filmmakers to enjoy the unique color of the I series, which is made from machined metal.
The silver and black colors of the Sigma BF camera, also announced at this time, have the same finish to match, creating a unified shooting system by combining a lens from the I series with the Sigma BF.
* Sony E-mount compatible models will continue to be available in black only.
Black exterior is updated for both L-Mount and Sony E-mount lenses
The laser engraving on the body and product line badge are newly updated for all nine black models in the Sigma I series for both L-Mount and Sony E-mount lenses.
Sigma 45mm F2.8 DG | Contemporary now supports the Magnetic Metal Lens Cap
Sigma 45mm F2.8 DG | Contemporary now supports the Magnetic Metal Lens Cap, making all nine I series lenses fully compatible with the dedicated lens cap.
* Due to the specification change, the weight of the Sigma 45mm F2.8 DG | Contemporary has increased by 5 g for both the L-Mount and Sony E-mount respectively, compared to their previous models.
Optical performance is maintained to the highest standard
There are no changes to the optical design or product edition number. Photographers and filmmakers can continue to enjoy the same level of high rendering performance as before.
Product name is changed
The product name, as well as the product code are changed due to the renewal. For details, please refer to the information in the [Lineup] section.
(Then) SIGMA 45mm F2.8 DG DN | Contemporary
(Now) Sigma 45mm F2.8 DG | Contemporary
[Lineup]
Sigma 17mm F4 DG Contemporary Lens
Sigma 20mm F2 DG Contemporary Lens
Sigma 24mm F2 DG Contemporary Lens
Sigma 24mm F3.5 DG Contemporary Lens
Sigma 35mm F2 DG Contemporary Lens
Sigma 45mm F2.8 DG Contemporary Lens
Sigma 50mm F2 DG Contemporary Lens
Sigma 65mm F2 DG Contemporary Lens
Sigma 90mm F2.8 DG Contemporary Lens
There are few sounds better than a bull elk bugling.
Observation is a wildlife photography skill that pays off with better images. For example, learning that bugling elk usually hold their pose momentarily, giving the photographer time to (quickly) reframe the image and select a slower shutter speed, is beneficial from an image quality perspective.
Join me to photograph the elk rut in Rocky Mountain National Park this September (2025). I recently learned that a repeat tour participant had to cancel their reservation for both weeks due to medical reasons, so I have one opening for the first week of this previously filled tour.
Learn more: Elk Rut in Rocky Mountain National Park Photo Tour
Contact me for more information or to sign up.
A larger version of this image is available here.
The new DJI RS 4 Mini is in stock at B&H.
From DJI:
DJI Launches All-New Compact and Lightweight Gimbal for Cameras and Smartphones
DJI RS 4 Mini Delivers Efficient and Seamless Filming Experience for Content Creators
February 20, 2025 – DJI, the global leader in civilian drones and creative camera technology, today launched the DJI RS 4 Mini, an all-new compact and lightweight gimbal for cameras and smartphones that weighs just 890g (less than 2 pounds) and can carry payloads up to 2kg (4.4 pounds). Designed for the quick-filming needs of creators, the RS 4 Mini offers the automated axis locks first introduced in DJI’s flagship gimbals, allowing for faster setups, transitions, and breakdowns. Other features that deliver a more efficient and seamless filming experience include a new intelligent tracking module, faster switching to vertical shooting, and Teflon™ coating for a smoother balancing experience. "The Ronin Series continues to push the imaging industry forward as we bring new innovations to our ecosystem and democratize technology to more applications. Specifically, the DJI RS 4 Mini continues to feature our Emmy® Award-winning three-axis gimbal stabilization, offering seamlessly smooth and steady footage," says Ferdinand Wolf, Product Experience Director at DJI. "In adding the DJI RS 4 Mini to our offering, we have rounded out this generation of stabilizers to cater to every level of creator, from professional filmmakers to independent commercial videographers and content creators.”
Next-Gen design for a more efficient workflow
The RS 4 Mini incorporates many proven features from DJI’s flagship gimbals, allowing creators to work more efficiently. With the 2nd-Gen auto-axis locks, creators can unlock the gimbal’s three-axis locks in one second, speeding up the filming, transition, and storage processes. The 3rd-Gen Native Vertical Switch offers the fastest switch experience in the RS series1. With the meticulous upgrades to Teflon™ interlayers1 and a fine-tuning knob, the RS 4 Mini can achieve smoother and more precise millimeter-level balancing when installing a camera.
Intelligent filming for stunning results
The RS 4 Mini Combo comes standard with the new DJI RS Intelligent Tracking Module1 for intelligent framing and composition1. Enabling ActiveTrack on any camera system or phone with or without the DJI Ronin app, it can keep a human subject in frame up to 10 meters, even in complex environments. Tracking can be enabled with one push of the trigger or an open-palm visual command.
In the new Responsive mode, the gimbal responds faster to hand movements upon start or stop, designed to suit fast-moving subject circling shots. Meanwhile, the classic Smooth follow mode provides a fluid gimbal response, ideally for normal subject following shots.
Other notable features include:
Price and Availability
DJI RS 4 Mini will be available for purchase today from authorized retailers, including B&H with two purchase options available.
The standalone DJI RS 4 Mini retails for $369 and includes one Gimbal, Quick-Release Plate, RS 4 Mini Tripod, L-Shaped Multi-Camera Control Cable, USB-C Charging Cable and one Screw Kit.
The DJI RS 4 Mini Combo retails for $459 and adds an RS Intelligent Tracking Module and RS 4 Mini Briefcase Handle.
1 All data was tested in controlled conditions. Actual experience may vary. For more details, please refer to the product page on the official DJI website.
Tamron 35-150mm f/2-2.8 Di III VXD Lens firmware update version 5 is available is available for download via the Tamron Lens Utility app.
Firmware Version 5 incorporates the following fixes and enhancements:
Get the Tamron 35-150mm f/2-2.8 Di III VXD Lens at B&H.
As I mentioned before, I was blessed to photograph an all-out over-8-minute battle between two whitetail bucks in Shenandoah National Park. I'm sharing another moment from that fight.
As shared in the last battle shot, the Canon EOS R5 Mark II and RF 400mm F2.8 L IS USM Lens get credit for the photos.
A larger version of this image is available here.
I can't think of anything that saturates the landscape like rain, which, in this case, exaggerated the fall foliage color. Fall foliage arrives during the summer in Denali National Park, but I suppose the meaning supersedes that technicality.
The big ram alone makes a great subject, but the background takes the image to the next level, making it stand out for selection over a vast number of alternative choices.
As often happens these days, the Canon EOS R5 Mark II and RF 100-500mm F4.5-7.1 L IS USM Lens made it in the pack, and this combination left no regrets.
A larger version of this image is available here.
Zeiss posted a teaser on their Instagram page, hinting at a new Otus lens.
"Get ready for owlsome news! ZEISS Otus 1.4/85"
Get your Zeiss lenses at B&H.
Sony's 2024 Q3 financial results are available on the Investor Relations page.
Presentation
(track ET&S for the Entertainment, Technology & Services Segment, I&SS for the Imaging and Sensing Solutions segment)
Speech Transcript
Financial Statements
Supplementary Information
Webcast
Supplemental Information
Television sales continue to decline, impacting the ET&S results. Also mentioned was "Impact of deterioration of the product mix of digital cameras".
In the recently shared Bull Elk Among the Pines image, I suggested that thinking like a landscape photographer should be a top priority, seeing and capturing the environmental wildlife photo option when the right scenario unfolds. Still, I can't resist the in-your-face shot when it is availed.
The Canon EOS R5 Mark II and RF 100-500mm F4.5-7.1 L IS USM Lens teamed for this image. The compact size and light weight of this combination made it ideal for the long hike required to get to this enormous bull, the focal length range enabled fast adjustment to quickly capture a wide range of compositions, and the delivered image quality is outstanding.
A larger version of this image is available here.
Tamron shared the Full Year 2024 Financial Results.
The report shows strong numbers and a positive outlook. However, the "Photographics Products (Own-Brand)" increases are not coming from America or Europe.
Just posted: Kondor Blue 501 Arca-Type Pivot Camera Plate Review.
John Reilly shares the solution to his fluid head mounting problem.
Support this site by ordering the Kondor Blue 501 Arca-Type Pivot Camera Plate (or anything else) from B&H | Adorama | Amazon (all available countries)
"Your Ultimate Camera Companion" [Lowepro]
Learn more about the Lowepro ProTactic Lite SLX 120 AW III Sling Bag (Black, 5L) at B&H (in stock, used model available at huge savings).
From Sony Electronics:
Sony Electronics Enhances Creators’ Cloud with Addition of Direct Transfers to Google Drive or Adobe Lightroom
SAN DIEGO, CA – Feb. 4, 2025 – Sony Electronics Inc. has made updates to its Creators’ Cloud platform, enhancing the Creators’ App1 to streamline content management for creators with new automated cloud transfer options. Based on feedback from the creative community, this latest update simplifies workflows by enabling direct uploads from select Sony cameras2 to Google Drive or Adobe Lightroom, empowering creators to seamlessly integrate their work into widely used editing and storage solutions.
This release of version 2.6.0 of the Creators’ App marks another step forward in Sony’s ongoing commitment to supporting the creative process with practical, user-driven enhancements, that give creators powerful, intuitive tools to move from shooting to sharing with minimal steps, with fewer technical barriers.
Overview of Creators’ Cloud System Capabilities:
The Creators' Cloud platform enhances flexibility, control, and efficiency for photographers and videographers by offering an all-in-one platform for remote camera operation, content management, and seamless media transfer. This comprehensive ecosystem empowers modern content creators with a suite of innovative apps designed to streamline every stage of the creative process.
From capturing footage to editing and finalizing projects, the platform offers specialized tools that cater to the unique needs of photographers and videographers. The Monitor & Control (M&C) app provides real-time, mobile-based control over camera settings, ideal for complex shooting environments, while the Creators' App acts as a central hub for connectivity, facilitating camera-to-phone transfers, live streaming, and cloud uploads3. Then, for postproduction, the Catalyst Prepare Plugin accelerates workflows with metadata-driven tools for fast, precise edits, compatible with DaVinci Resolve and Adobe Premiere Pro, simplifying the editing process while delivering professional-grade results.
What’s New:
The recent updates brought further optimized workflow with features like a USB connection for stable monitoring, a Shutter Angle Display, improved iris control, and enhanced smartphone transfer options. In addition, upgraded live streaming capabilities streamline YouTube integration for faster setup and operation.
Key Feature Highlights of Creators’ App v2.6.0:
These updates are available immediately and continue Sony’s mission of fostering an inclusive ecosystem that grows in response to the needs of the creator community.
To download the latest Creators‘ Cloud updates and for further details on compatibility, please visit:
https://creatorscloud.sony.net
To download the latest version of the Creator’s App, please visit: https://creatorscloud.sony.net/catalog/en-us/creatorsapp/index.html
Notes:
1 Download app at Google Play and the App Store. Network services, content, and operating system and software subject to terms and conditions and may be changed, interrupted or discontinued at any time and may require fees, registration and credit card information.
2 Creators’ App supported cameras include FX3, FX30, a1 II, a1, a9 III, a7R V, a7S III, a7 IV, a7CR, a7C II, a6700, ZV-E1, ZV-E10 II, ZV-1 II, ZV-1F, ILX-LR1. For other models not listed, Imaging Edge Mobile app is available. Monitor & Control App supported cameras include BURANO, PXW-Z200/HXR-NX800, FX6, FX3, FX30, a1, a9 III, a7R V, a7S III, a7 IV, ZV-E1. App compatibility may require a camera firmware update. See sony.com/electronics/support/downloads to download the latest camera firmware.
3 Download app at Google Play and the App Store. Network services, content, and operating system and software subject to terms and conditions and may be changed, interrupted or discontinued at any time and may require fees, registration and credit card information.
4 A portion of which is used for data management functions.
5 Creators’ App supported cameras include FX3, FX30, a1 II, a1, a9 III, a7R V, a7S III, a7 IV, a7CR, a7C II, a6700, ZV-E1, ZV-E10 II, ZV-1 II, ZV-1F, ILX-LR1. For other models not listed, Imaging Edge Mobile app is available. App compatibility may require a camera firmware update. See sony.com/electronics/support/downloads to download the latest camera firmware.
Entire careers are made around photographing vehicles, so most of us will not go beyond dabbling in this genre. Still, dabbling is great fun (and could generate a profit if you get good at it).
To get started, you need a vehicle subject. Fortunately, these are plentiful and available nearly everywhere. Find something old, new, special (such as because you own it), or just for sale. The car can be yours, a friend's, a client's, or someone willing to trade car time for pictures.
Next, you need a place to put the car, and the background matters. Even with the car filling the width of the image (with some breathing room on both sides and the bottom), the background (and some foreground) is often a huge percentage of the image. A supportive background will minimally be nondistracting, especially void of strongly contrasting lines intersecting the perimeter of the vehicle that compete for attention. Even if blurred, the background should be void of clashing colors. Mow the grass and remove leaves and other distractions/detractions.
Even small cars are large, so a large space is optimal, and that option is often outdoors, including in yards, parking lots, etc. For inside shoots, find a large garage (including a commercial parking garage), warehouse, airplane hanger, etc.
Clean the car. Of course, one of Bryan's Laws of Photography is that if you wash the car, it will rain. Still, give it a go.
Show love to the wheels and tires as they are the car's soul and have a primary role to play. Tire shine will give the tires a deep, rich, better-than-new look, but understand the penalty. The tire shine I've used holds dirt and makes the tires virtually uncleanable, creating an always-dirty look. The easiest way to get them clean is to replace them.
In some locations and times of the year, insects landing on the vehicle can be problematic, and they seem to be attracted to a clean vehicle. Usually, they are easy to remove in post-processing, but when they start accumulating in greater numbers or land on features that are not easily replaced by the healing or cloning brush tools, chasing them away is a better idea.
Cars (most, at least) are reflective, so consider what is reflecting in the body and windows. A large open space often works well, leaving primarily the sky to reflect. Also, consider using a circular polarizer filter.
Lighting a large subject is challenging. The easiest high-quality lighting is a broad sky immediately after the sun sets or, for those preferring to get started early, before the sun rises. A cloudy day and a low sun at your back also work well. Light painting the exterior at night provides a different look and, potentially, a different look to every image.
Especially if shooting at dawn or dusk, turn on the car lights to add life to the vehicle. Adding a touch of interior light can work well.
Camera selection is easy. Unless the car is in motion, even entry-level cameras can perform this job well.
Lens selection is more critical, but there are many good options depending on the desired look.
The basics always apply, and perspective plays an especially big role for big subjects that are easy to get close to. 2x farther from the camera means 2x smaller in appearance. If the camera is close to the front of the car, the back of the car will be rendered considerably smaller. That size difference is OK if that is the look you want.
Shooting from a high position, such as from a ladder, enables a top view with reduced perspective distortion (and a different looks at the vehicle's shape). Shooting at car level from the front, back, or side and not too close can reduce visible perspective distortion, and moving back is always certain to reduce perspective distortion.
Select the focal length or focal length range that supports the desired perspective and composition within the working space. Select the aperture for thedesired depth of field and background blur.
This BMW image was captured just after sunset on a clear day, with the car strategically positioned to show only sky reflection in the windows. The 85mm f/1.2 combination yielded a strong background blur despite the relatively distant subject. The slightly forward of straight on camera position meant that most of the visible portion of the car was within the plane of sharp focus.
A larger version of this image is available here.
Just posted: Canon RF 16-28mm F2.8 IS STM Lens Review.
This lens is a great addition to the RF lineup.
Support this site by ordering the Canon RF 16-28mm F2.8 IS STM Lens (or anything else) from B&H | Adorama | Canon USA | WEX | Camera Canada
Rent the Canon RF 16-28mm F2.8 IS STM Lens from Lensrentals.
From Canon USA:
Canon Launches imagePROGRAF PRO-310 Inkjet Printer
MELVILLE, N.Y., January 30, 2025 – Canon U.S.A., Inc., a leader in digital imaging solutions, today announced the launch of the imagePROGRAF PRO-310 Professional Inkjet Printer, a 13-inch device for professional and prosumer photographers, students, and others looking for a home printer that can generate excellent color reproduction while possessing longevity and durability.
The imagePROGRAF PRO-310, designed to provide superior light resistance for long-term preservation of high-quality printed works, adopts the newly developed pigment ink, "LUCIA PRO II"1 – featuring 10 colors – to help meet the needs of professional photographers who want to print high-quality photos while preserving the appeal of their work for the future.
“The PRO-310 is designed to assist our customers achieve vivid colors while offering easy and efficient output, and we are excited to deliver the ability for users to make professional-looking prints and layouts to help meet their dynamic needs and continue to deliver exceptional results.” said Shuji “Steve” Suda, vice president of Canon U.S.A., Inc.
Designed for excellent color reproduction
The Canon imagePROGRAF PRO-310 adopts a newly developed LUCIA PRO II1 pigment ink system designed to help improve the image quality from previous models while also enhancing resistance to light. Improved black density on art paper was achieved by changing the formulation and material of matte black ink. The reformulated Chroma Optimizer is designed to give the surface a clear coat of transparent ink that helps suppress bronze phenomena and helps reduce uneven glossiness.
Improved longevity and durability
The pigment ink, "LUCIA PRO II," adds wax to ink to help provide scratch resistance, designed to make it easier to handle in framing, packaging, transportation, display, and other situations where the print could be easily damaged, while allowing for long-term appreciation and preservation.
For efficiency, a nozzle recovery system works to help ensure that is a clog is detected in one nozzle, other will automatically compensate, contributing to the reduction in the frequency of head cleanings while working to prevent print waste due to banding.
A built-in skew correction mechanism straightens paper fed diagonally from the top tray or manual feed tray, working to reducing printing errors by stabilizing output for thick paper and other paper types.
Canon is proud to announce the imagePROGRAF PRO-310 has registered for EPEAT Gold designation as a product, which, if awarded, would show that it has met EPEAT’s most demanding set of criteria for sustainability leadership in electronics1. The new model contributes to Canon’s commitment to sustainability by eliminating the use of polystyrene foam in product packing in favor of recyclable corrugated cardboard.
Availability and Pricing
The Canon imagePROGRAF PRO-310 is scheduled to be available February 2025 for a Manufacturer's Suggested Retail Price (MSRP) of $899.99
Orders
The Canon imagePROGRAF PRO-310 Inkjet Printer is in stock at B&H.
# # #
*Actual prices set by dealer and may vary. Specifications and availability are subject to change without notice.
1 Newly developed ink (released in January 2024) is used for 10 colors. Matte Black uses the same ink as imagePROGRAF GP-4000/2000 (released in September 2021).
2 Electronic Product Environmental Assessment Tool. An environmental assessment system established by GEC (the Green Electronics Council), American NPO, for the purpose of developing and promoting the market for environmentally friendly products.
Nextorage has announced 6 new CFexpress 4.0 Type B memory cards, 3 in the Advanced Edition series, and 3 in the Standard Edition series.
"Both series utilize TLC NAND Flash Memory and support the CFexpress 4.0 standard, offering backward compatibility with CFexpress 2.0 host devices. The NX-B3AE Series complies with VPG400 standards for stable video recording, while the NX-B3SE Series is ideal for still images especially for portraits, landscapes, and product shots." [Nextorage]
Check out the fast new Nextorage NX-B3AE Series CFexpress 4.0 Type A Memory Cards at B&H.
Check out the also fast Nextorage NX-B3SE Series CFexpress 4.0 Type A Memory Cards at Amazon.