Nikon News (Page 15)

DJI has announced a new wireless mic system:

DJI Mic 2: Elevating Professional Audio Recording Excellence

with Unparalleled Quality, User-Centric Design, and Exceptional Stability

Jan 17, 2024 – DJI, the global leader in civilian drones and innovative camera technology, today announced the launch of the new DJI Mic 2, setting a new benchmark in audio recording solutions. With DJI Mic 2, creators can expect an exceptional experience, marked by high-quality recording functions, user-friendly designs, and remarkable stability.

"DJI Mic 2 represents a leap forward in audio recording technology. We've combined high-quality recording functions, user-friendly designs, and noteworthy stability to empower content creators with the tools they need to capture extraordinary audio, no matter where their creativity takes them," said Paul Pan, Senior Product Line Manager at DJI.

Pro Audio Recording Functions in Pocket-Size

At the heart of DJI Mic 2 lies the promise of capturing brilliance in different sounds. It's equipped with omnidirectional recording capabilities, thoughtfully optimized for vocal clarity, ensuring that the audio content of users shines in various scenarios. Whether content creators are producing engaging vlogs, conducting insightful interviews, or recording in diverse environments, DJI Mic 2 guarantees that their audio is of high quality.

DJI Mic 2 also features intelligent noise-canceling technology1, a game-changer for content creators working in bustling urban areas or crowded rooms. This innovative feature effectively reduces environmental noise, delivering clear vocals and uninterrupted audio recordings. Regarding windy or fast-moving scenarios, DJI Mic 2 has included windscreen to lower wind noise, ensuring clean sound capture in windy outdoor scenarios.

As an added layer of protection for the user's audio, DJI Mic 2 offers the Safety Track feature. It allows content creators to record a second track at -6dB alongside the primary audio track, safeguarding against unexpected audio level spikes. Even in the midst of audibly complicated environments such as rock concerts, DJI Mic 2 delivers balanced results with remarkable ease.

User-Friendly Design for a Seamless and Intuitive Experience

DJI Mic 2 is not just developed with technical advancement, but also designed with users in mind. Its sleek and smart aesthetic is elevated by a premium metal charging case that not only has a minimalistic appearance but also offers a newly added locking latch, which provides a secure and reliable solution to prevent accidental drops for peace of mind during use.

To suit the style and preferences of different users, DJI Mic 2 is available in two transmitter colors: Shadow Black and Pearl White2. Shadow Black adds a discreet, high-tech appearance to the Mic 2 setup, while Pearl White offers an elegant alternative for those seeking a light-tone colorway.

When it comes to getting started, DJI Mic 2 simplifies the process. The system is ready to use anytime, anywhere. Users can just open the charging case, and DJI Mic 2 will then spring to life, automatically pairing the receiver and transmitters while charging them. Additionally, DJI Mic 2 can be seamlessly connected to DJI Osmo Action 4, DJI Osmo Pocket 3 and smartphone devices3 via Bluetooth, while also offering hassle-free compatibility with various recording devices through USB-C, Lightning Adapters, as well as 3.5mm TRS analog output.

DJI Mic 2 also puts control at the fingertips of the user with its effortless touchscreen operation. A 1.1-inch OLED touchscreen paired with a precision dial provides quick access to critical information. Content creators will be able to adjust volume, gain, brightness, and more with ease, achieving the optimal audio setup smoothly.

With magnetic attachment for quick concealment, the transmitters feature a user-friendly clip-on design that simplifies the process of attaching them to clothing. DJI Mic 2 even offers dual-channel recording, allowing content creators to capture audio from two sources simultaneously, simplifying multi-source recording and enhancing efficiency during post-production.

To further expand the creative horizons of the user, DJI offers practical accessories4 such as the DJI Lavalier Mic and DJI Mic 2 Charging Case.

Stability and Reliability in Every Recording

Stability is a hallmark of DJI Mic 2, ensuring that the audio recordings of the user are consistently outstanding. DJI Mic 2 is equipped with 8GB of internal storage per transmitter, offering up to 14 hours of uncompressed 48kHz 24-bit audio recording5. This ensures that content creators can record for extended periods without worrying about storage constraints.

DJI Mic 2 stands out significantly due to its cutting-edge 32-bit float internal recording6 capability. This feature not only delivers high-quality recording but also adapts seamlessly to complex sound environments, capturing nuances of sounds, from quiet whispers to booming decibel levels. This level of flexibility provides greater reliability in erratic noise scenarios and offers more options for post-production fine-tuning.

When it comes to range and battery life, DJI Mic 2 shines. It offers an impressive maximum audio transmission range of up to 250 meters7 (820 ft.) in open, unobstructed environments without interference. This range caters to common scenarios such as live streaming, studio recording, and outdoor recording. Plus, each transmitter and receiver has a remarkable 6-hour operating time8, which can be extended to a generous 18 hours with the charging case, making it perfect for extended content creation sessions.

Price and Availability

The DJI Mic 2 is available to order from store.dji.com and authorized retail partners, with shipping starting today, in the following configurations:

The DJI Mic 2 (2 TX + 1 RX + Charging Case) retails for $349, and includes a DJI Mic 2 Receiver, two DJI Mic 2 Transmitters (Shadow Black), a DJI Mic 2 Charging Case, DJI Mic 2 Camera Audio Cable (3.5mm TRS), a DJI Mic 2 Mobile Phone Adapter (Type-C), a DJI Mic 2 Mobile Phone Adapter (Lightning), two DJI Mic 2 Windscreens, two DJI Mic 2 Clip Magnets, a DJI Mic USB-C Charging Cable and a DJI Mic 2 Carrying Bag.

The DJI Mic 2 (1 TX + 1 RX) retails for $219, and includes a DJI Mic 2 Receiver, a DJI Mic 2 Transmitter (Shadow Black), a DJI Mic 2 Camera Audio Cable (3.5mm TRS), a DJI Mic 2 Mobile Phone Adapter (Type-C), a DJI Mic 2 Mobile Phone Adapter (Lightning), a DJI Mic 2 Windscreen, a DJI Mic 2 Clip Magnet, a DJI Mic Splitter Charging Cable, and a DJI Mic 2 Carrying Pouch. The DJI Mic 2 Transmitter (Shadow Black) and DJI Mic 2 Transmitter (Pearl White) can also be purchased separately at $99 each. The DJI Lavalier Mic retails at $39 and DJI Mic 2 Charging Case retails at $69.

Orders

Get the DJI Mic 2 at B&H or Adorama.

Footnotes:

1. Intelligent noise canceling of DJI Mic 2 cannot be enabled when the transmitter is connected to a smartphone via Bluetooth.

2. Both the DJI Mic 2 (2 TX + 1 RX + Charging Case) combo and the DJI Mic 2 (1 TX + 1 RX) combo come with transmitter(s) in Shadow Black. DJI Mic 2 Transmitter (Pearl White) is sold separately.

3. The transmitter needs to be worked with third-party video recording software when connected to smartphones via Bluetooth. For more details on compatibility, refer to the product page on the official DJI website.

4. Sold Separately.

5. Each transmitter has 8 GB of internal storage to store up to 14 hours of uncompressed 48kHz 24-bit audio.

6. Internal recording of DJI Mic 2 cannot be used when the transmitter is connected to a smartphone via Bluetooth.

7. Measured with FCC compliance in an unobstructed environment without interference (160 m under CE). This data is for reference only. Actual transmission distance may vary depending on the environment.

8. Tested with both transmitters connected to the receiver, without backup recording, and the receiver connected to a camera with the Camera Audio Cable (3.5mm TRS).

Check out the tiny X nano S Touchscreen TTL Wireless Flash Trigger that Godox just introduced — order it at B&H.

From Think Tank Photo:

Designed for the photographer who has a lighter kit and wants a smaller less bulky bag, the BackLight Sprint is a slim, lightweight backpack that is ideal for hiking or treks around town.

Despite its slim profile, the pack will hold a standard-sized camera body and the trifecta of zoom lenses. A minimal but plush harness systems provides comfortable, all-day carry and two large side pockets each fit a 32 oz Nalgene water bottle or can be used to carry a tripod.

KEY FEATURES:

• Back-panel access to your camera gear without taking the pack off, allowing you to work out of the bag without getting your harness dirty, wet, muddy or icy
• Slim, lightweight backpack for the minimalist photographer
• Front pocket offers 2 liters of capacity for personal gear and opens vertically on the right side for easy access without taking off the pack

Check out the new compact Backlight Sprint Backpack at Think Tank Photo.

Just posted: Canon RF-S 10-18mm F4.5-6.3 IS STM Lens Review.

This lens fills a void in the Canon lineup. I intend to add sample photos to this review.

Please share!

Support this site by ordering the Canon RF-S 10-18mm F4.5-6.3 IS STM Lens (or anything else) from B&H | Adorama | Canon USA | Amazon (all available countries) | WEX | Camera Canada

Rent the Canon RF-S 10-18mm F4.5-6.3 IS STM Lens from Lensrentals.

Just posted: Canon RF 200-800mm F6.3-9 IS USM Lens Review.

Note that the review still needs sample photos added. Wildlife has been uncooperative, but I didn't want to hold back the rest of the review for that matter.

Please share!

Order the Canon RF 200-800mm F6.3-9 IS USM Lens from B&H | Adorama | Canon USA | WEX | Camera Canada

Rent the Canon RF 200-800mm F6.3-9 IS USM Lens from Lensrentals.

For infrequent, casual underwater photography, it is challenging justify the cost, carry and storage size and weight, and maintenance of an underwater housing for your DSLR or mirrorless camera, especially when the phone already in your pocket is said to be "waterproof".

When reading your smartphone's specifications, you may learn that it (such as an iPhone 14 Pro or iPhone 14 Pro Max) is "Splash, Water, and Dust Resistant³ — Rated IP68 (maximum depth of 6 meters up to 30 minutes) under IEC standard 60529"

But, you always follow the footnotes, and ³ teaches you that the:

"iPhone 14 Pro and iPhone 14 Pro Max are splash, water, and dust resistant and were tested under controlled laboratory conditions with a rating of IP68 under IEC standard 60529 (maximum depth of 6 meters up to 30 minutes). Splash, water, and dust resistance are not permanent conditions. Resistance might decrease as a result of normal wear. Do not attempt to charge a wet iPhone; refer to the user guide for cleaning and drying instructions. Liquid damage not covered under warranty." [Apple]

As you know, "water resistant" is not "waterproof". This footnote suggests that getting an underwater housing to protect the expensive phone is a smart move, and a phone in a relatively compact underwater housing is a great option for the infrequent, casual underwater photography goal.

Now, AquaTech teamed with Joby to create a new underwater phone housing to meet this need. From Joby:

JOBY SeaPal

The Premium Waterproof Phone Case that Unleashes Your Creativity Underwater

• A complete ecosystem for smartphone content creation underwater, encompassing outdoor, adventure travel, surfing and other water sports
• Compatible with iPhone 12 / 13 / 14 / 15 and Samsung Galaxy S22 / S23
• Designed by AquaTech: water housings manufacturer for the world’s best ocean creators for over 20 years

JOBY – the reference brand for content creator gear that empowers creators and helps uplift their creativity announces the launch of the JOBY SeaPal: a premium waterproof phone case designed in partnership with AquaTech that takes content creation to new levels, unlocking new creative possibilities to produce stunning footage in and around water.

JOBY has always focused on uplifting the potential of content creators who dream big, supporting their creative journey with a product ecosystem that simplifies content production, making it faster and better while having fun. The launch of the JOBY SeaPal waterproof phone case marks the introduction of an additional creative playground for expert creators, combining JOBY’s deep understanding of the content creators’ needs with AquaTech’s technical know-how of ocean photography for guaranteed reliability.

Fully compatible with iPhone 12/13/14/15 and Samsung Galaxy S22/S23, JOBY SeaPal is the safest ecosystem for smartphone content creation, dedicated to surfers looking to capture epic, wave-riding shots, creators who want to share the beauty of coral reefs or mobile travel vloggers engaged in water activities such as kitesurfing, jet skiing, snowboarding or waterpark adventures. Additionally, JOBY SeaPal is the perfect companion for expert creators on the go who don’t have space to carry bulky, waterproof camera casings or want a quicker alternative to an action camera.

Designed by AquaTech to ensure waterproof, shockproof and dustproof capabilities, JOBY SeaPal allows creators to trust their phones are fully enclosed and protected at all times without fear of damage.

The new JOBY SeaPal collection not only includes the phone case (case depth rated to 10m / 33ft with glass lens port), but also a Bluetooth shutter grip, and a quick release split water dome port with cover, that enables the creation of breathtaking content both above and beneath the water’s surface.

Above water, the clear soft membrane means users can maintain full control of their phones, allowing full navigation of the screen as normal. Below the water surface, the Bluetooth Shutter Grip establishes a connection with the phone to ensure that no action shots are missed.

With JOBY SeaPal, JOBY and AquaTech have created a reliable and versatile ecosystem that empowers mobile content creators to deliver exceptional content whilst enjoying their journey out in the water.

The JOBY SeaPal Collection consists of:

SeaPal Waterproof Case - $239.95 / £219.99
SeaPal 6" Dome - $199.95 / £169.99 [a great option for split under/over water shots]
SeaPal Bluetooth Shutter Grip - $159.95 / £139.99
SeaPal GoMount - $17.95 / £15.99
SeaPal 6" Dome Cover - $19.95 / £16.99
SeaPal Sports Leash - $19.95 / £16.99

The JOBY SeaPal Waterproof Case for Smartphone is in stock at B&H.

What is the best underwater smartphone case? The JOBY SeaPal Waterproof Case for Smartphone is a great option. A low end option is the AquaTech AxisGO, and a high end option is the SeaLife SportDiver Underwater Housing for Smartphones.

Image quality, distortion, flare, and vignetting test results are now available on the Canon RF 24-105mm F2.8 L IS USM Z Lens page.

Here are some comparisons to get you started:

Compared to the Canon RF 24-70mm F2.8 L IS USM Lens

Compared to the Canon RF 24-105mm F4 L IS USM Lens

Compared to the Canon RF 24-105mm F4 L IS USM Lens (at f/4)

Order the Canon RF 24-105mm F2.8 L IS USM Z Lens from B&H | Adorama | Canon USA | Amazon (all available countries) | WEX | Camera Canada

Rent the Canon RF 24-105mm F2.8 L IS USM Z Lens from Lensrentals.

Please share!

Image quality, distortion, flare, and vignetting test results are now available on the Canon RF 200-800mm F6.3-9 IS USM Lens page.

Note that 1485mm is the longest focal length I have enough working distance and a small enough chart to test. Thus, the 2x results were captured a bit short of the lens's capability.

I'll share the wide-open aperture comparisons. Consider also comparing the lenses at the shared widest aperture.

Compared to the Canon RF 100-500mm F4.5-7.1 L IS USM Lens

Compared to the Canon RF 100-400mm F5.6-8 IS USM Lens

Compared to the Canon RF 600mm F11 IS STM Lens

Compared to the Canon RF 800mm F11 IS STM Lens

Compared to the Sigma 150-600mm f/5-6.3 DG DN OS Sports Lens

Compared to the Sony FE 200-600mm F5.6-6.3 G OSS Lens

Please share!

Order the Canon RF 200-800mm F6.3-9 IS USM Lens from B&H | Adorama | Canon USA | WEX | Camera Canada

Rent the Canon RF 200-800mm F6.3-9 IS USM Lens from Lensrentals.

Lensrentals just shared their annual top rented photo and video products of the year lists.

Canon and Sony dominate the lists.

Now go rent something, a great option for trying new gear or for getting otherwise unaffordable gear to use for a short duration.

From Capture One:

Express is coming to an end

We're constantly working to improve our tools for you. And to give you the best creative and collaborative experience, we need to focus on our main products. This means that starting January 30, 2024, Capture One Express will no longer be available.

You’ll be able to use Express until January 30, and all your images and edits will also be available until this date.

Starting January 30, you won’t be able to download or use Express from our website. Also, you can’t activate any Express license keys after January 30, even though you downloaded the license key before this date.

We’ll end all support for Express after January 30.

You can easily transfer your images and edits from Express to Pro. Just open your Express Catalog in Pro and keep creating.

You have three options:

a. Export your edits to TIFF, JPEG, or other formats.

b. Export your RAW files with or without adjustment metadata by choosing Export Originals.

c. Access Finder (macOS) or File Explorer (Windows) and extract them manually.

Get Capture One at B&H.

Just posted: Tamron 70-180mm F2.8 Di III VC VXD G2 Lens Review.

This is a great little lens.

Support this site by ordering the Tamron 70-180mm F2.8 Di III VC VXD G2 Lens (or anything else) from B&H | Amazon (all available countries) | Adorama | WEX | Camera Canada

Rent the Tamron 70-180mm F2.8 Di III VC VXD G2 Lens from Lensrentals.

Please share!

"Capture One Pro (16.3.2) is a service release containing bug fixes, a new preference for cameras capable of saving to both card and Capture One during tethered shooting, and support for new camera models."

New camera support includes:

Sony Alpha 7C R
Sony Alpha 7C II

Get the full details of this update in the release notes.

Get Capture One at B&H, where it is on sale for less than half price — only $139.00 (reg. $299.00).

Image quality test results are now available on the Sigma 70-200mm F2.8 DG DN OS Sports Lens page.

I expect that you are going to like these results. Be sure to explore the range of focal lengths.

Let's look at some comparisons:

Compared to the Sony FE 70-200mm F2.8 GM OSS II Lens (then look at the price difference)

Compared to the Sigma 70-200mm f/2.8 DG OS HSM Sports Lens

Compared to the Tamron 70-180mm F2.8 Di III VC VXD G2 Lens

Compared to the Canon RF 70-200mm F2.8 L IS USM Lens

Support this site by ordering the Sigma 70-200mm F2.8 DG DN OS Sports Lens (or anything else) from B&H | Adorama | WEX | Camera Canada

Rent the Sigma 70-200mm F2.8 DG DN OS Sports Lens from Lensrentals.

Please share!

Just posted: Tamron 17-50mm F4 Di III VXD Lens Review.

Find out how this record-setting lens performs!

Support this site by ordering the Tamron 17-50mm F4 Di III VXD Lens (or anything else) from B&H | Amazon (all available countries) | Adorama | Camera Canada | WEX

Please share!

From Sigma Corporation:

Sigma Announces Release of 70-200mm F2.8 DG DN OS | Sports Lens

Ronkonkoma, NY, November 16, 2023 – SIGMA Corporation of America, the US subsidiary of SIGMA Corporation (CEO: Kazuto Yamaki. Headquarters: Asao-ku, Kawasaki-shi, Kanagawa, Japan) is pleased to announce the official release of the highly-anticipated SIGMA 70-200mm F2.8 DG DN OS | Sports lens.

A reliable and lightweight large-aperture telephoto zoom lens designed exclusively for full-frame mirrorless cameras, the 70-200mm F2.8 DG DN OS | Sports is available for Sony E-mount and Leica L-Mount. Combining high-speed AF, remarkably effective OS, exceptional mechanical reliability, and superior optical performance, this high-performance lens is purpose-built to meet the rigorous demands of professionals, and is suitable for a wide range of styles and genres including nature, wildlife, photojournalism, action sports, wedding and portraits. The lens will retail for $1,499 USD and will be available through authorized retailers on December 7, 2023.

Dust and splash-proof construction, high-performance optical stabilizer (OS), and an inner zoom mechanism that does not affect barrel length, are all features designed for the most demanding photographic conditions. It is also the first SIGMA DN zoom lens to be equipped with an aperture ring (click/declick type).

Streamlined optical design and a multi-material structure featuring magnesium and TSC have resulted in a lightweight lens body. A new compact tripod collar and foot also help minimize weight, as does a CFRP (carbon fiber-reinforced plastic) lens hood. Compared to the 70-200mm F2.8 DG OS HSM | Sports for DSLR cameras (1,805g for SA mount), the 70-200mm F2.8 DG DN OS | Sports is significantly lighter (1,345g for L-Mount).

Featuring Dual HLA-driven floating focus for fast, accurate AF, the focus lens is driven using a high-thrust HLA (High-response Linear Actuator) as the focus actuator, and a floating focus is used to achieve high-speed AF drive. The floating configuration of this lens, in which the two focus groups are driven in opposite directions, reduces the amount of movement of each focus group to about half that of a single group focus system, achieving extremely fast AF that is highly responsive. The latest OS2 stabilization algorithm achieves image stabilization performance of 7.5 stops at the Wide end and 5.5 stops at the Tele end.

The SIGMA 70-200mm F2.8 DG DN OS | Sports has very minimal focus breathing on both the wide and tele ends, making it a powerful lens for video applications. The minimal change in center of gravity enables stable shooting in all situations, including handheld, on a tripod, and with a gimbal. During zooming, five groups are moved to suppress aberration fluctuation, achieving high optical performance throughout the zoom range.

Exclusively for mirrorless cameras | Compatible with full-frame cameras

S | Sports
SIGMA 70-200mm F2.8 DG DN OS

Performance, reliability, and mobility at its highest level.

• High-speed AF and optical stabilizer function that maximize superior optical performance
• Top-level build quality condensed into a highly mobile lens
• A wealth of functions to assist professionals

Supplied accessories: Case, LENS HOOD LH860-01, TRIPOD SOCKET TS-151, FRONT CAP LCF-77mm III, REAR CAP LCR II

Available mounts: L-Mount, Sony E-mount

Launch date: December 7, 2023

* The appearance and specifications of the products are subject to change.

* Sony E-mount lenses are developed, manufactured and sold in accordance with the E-mount specifications licensed under a license agreement with Sony Corporation.

* L-Mount is a registered trademark of Leica Camera AG.

#SIGMA #SIGMA70200mmSports #SIGMASports #SIGMADGDN

Packed with all the technology SIGMA has to offer.

The large F2.8 aperture provides stable and high descriptive performance at all zoom and focus ranges. The high-speed AF with a dual HLA (High-response Linear Actuator) based on a floating focus structure, and the Optical Stabilizer function with the OS2 algorithm with up to 7.5 stops of correction effect*, ensure that users can take the right shot when there is no room for error. The highly mobile lens with high durability, rigidity, and texture is equipped with a wealth of functions to assist comfortable shooting, including an inner zoom mechanism for easy handling, as well as an aperture ring and switches with various customization functions. The flagship SIGMA 70-200mm F2.8 DG DN OS | Sports, combined with the best of SIGMA's latest technologies to meet the high-level demands of professionals, has finally arrived.

* Based on CIPA guidelines (Measured at 70mm and 200mm with a 35mm full-frame image sensor)

[Key Features]

1. High-speed AF and optical stabilizer function that maximize superior optical performance

The SIGMA 70-200mm F2.8 DG DN OS | Sports, developed with professional use in mind, offers not only high optical performance, but also high-speed AF with a dual HLA (High-response Linear Actuator) and an optical stabilizer function with up to 7.5 stops. The Sports line lenses offer high optical performance, and all functions are based on state-of-the-art technology.

High descriptive performance at all zoom and focus ranges

The latest optical design, which employs luxurious glass materials including 6 FLD and 2 SLD elements of special low-dispersion glass, delivers high resolving power throughout the entire zoom range. Three aspherical lenses are used, as they are now indispensable for superior optical performance and streamlined lens construction. The exceptionally high precision of the aspherical lenses, which take advantage of the technical capabilities of SIGMA's only production facility, the Aizu factory, further improves optical performance. The incorporated floating focus is advantageous in improving short-range performance, ensuring a stable, high-level image quality throughout the entire range from the minimum focusing distance to infinity.

High-speed AF with a dual HLA

The SIGMA 70-200mm F2.8 DG DN OS | Sports with floating focus has a structure in which the two focus groups move in opposite directions, thereby reducing the amount of focus lens movement by about half. In addition, the use of an HLA (High-response Linear Actuator) motor in each of the two focus groups enables high-speed autofocusing. In addition to being fast and accurate, the lens also employs a control program that is designed to be quiet, so users can shoot movies comfortably without worrying about noise.

OS2 algorithm in optical stabilizer function

The latest OS2 optical stabilization algorithm provides an extremely high image stabilization effect of 7.5 stops at the wide end and 5.5 stops at the telephoto end*. The lens is equipped with two OS modes: Mode 1 is suitable for general shooting, and Mode 2 is ideal for panning shots of motorsports and other sports. In Mode 2, SIGMA's Intelligent OS, an algorithm specially designed for panning shots, enables effective image stabilization even when the camera is moved vertically or diagonally, irrespective of the horizontal and vertical orientation. This ensures that the subject's movement can be captured without losing the panning shot effect.

* Based on CIPA guidelines (Measured at 70mm and 200mm with a 35mm full-frame image sensor)

Designed to minimize focus breathing

The lens has been designed to suppress focus breathing. The change in angle of view due to focus shift is minimized, creating a natural-looking focus shift when recording video.

Designed to minimize flare and ghosting

Flare and ghosting, which reduce image quality, are addressed under all conditions of incident light based on the most advanced simulation technology. High backlight resistance enables clear and sharp images under any lighting conditions.

2. Top-level build quality condensed into a highly mobile lens

SIGMA is committed to excellent build quality in all its lenses. Among them, the SIGMA 70-200mm F2.8 DG DN OS | Sports, which is part of the Sports line, offers not only high weather resistance performance for shooting in harsh environments, but also improved quality and durability through the use of cutting-edge materials in appropriate places based on a streamlined optical and mechanical design. At the same time, a high level of mobility is also realized, resulting in a professional equipment that can be used with confidence over the long term.

High quality and durability despite its small size and light weight

The latest optical and mechanical design streamlines the lens configuration and internal structure, resulting in a significantly smaller and lighter body than the previous SIGMA 70-200mm F2.8 DG OS HSM | Sports model. The body, including the hood, features a "multi-material structure" that optimally arranges materials such as magnesium, CFRP*1, and TSC*2. Even with enhanced mobility, the lens features SIGMA's renowned excellent build quality, including high durability, reliable rigidity, and various control rings and switches that have been carefully designed to feel good.

* 1 CFRP (carbon fiber reinforced plastic), a light but strong material used in the interior and exterior fittings of aircraft, among many other applications.

* 2 TSC (Thermally Stable Composite) is a type of polycarbonate with a thermal expansion rate similar to that of aluminum. It has high affinity to metal parts which contributes to high quality product manufacturing.

Adoption of inner zoom mechanism

The zoom mechanism employs an inner zoom. Since the total length of the lens does not change with zoom operation, it is easy to handle when shooting hand-held, highly stable when installed on a gimbal, and resistant to dust and water droplets.

Weatherability of Sports line specifications

The mount connection, manual focus ring, zoom ring, switches, switch panel and exterior connection are all dust and splash resistant* to prevent dust and dirt from entering the lens. Further, the front element of the lens features a water and oil repellent coating to facilitate maintenance when water droplets or dust adhere to the lens.

* The structure is designed to be dust and splash resistant, but not waterproof. Be careful not to bring the lens in contact with a large amount of water. Water inside the lens may cause major damage and even render the lens unrepairable.

3. A wealth of functions to assist professional photographers

In addition to an aperture ring, a magnesium tripod mount, and various switches, the highly mobile lens has a wealth of functions available, enabling a more comfortable and versatile shooting experience for users.

Equipped with an aperture ring

This is the first SIGMA zoom lens for still photography to be equipped with an aperture ring. It is also equipped with an aperture ring click switch and an aperture ring lock switch, allowing for aperture operation suited to the shooting application.

Newly developed tripod socket

The lens body incorporates an Arca-Swiss compatible magnesium alloy tripod socket. The detachable leg is newly designed for the SIGMA 70-200mm F2.8 DG DN OS | Sports in order to achieve a compact and lightweight design.

Customizable functions

Equipped with a Focus Limiter switch, the lens enables users to limit the focus driving range during AF when necessary, allowing quick and precise focusing.

Further, the lens features three AFL buttons* ready to be assigned to preferred functions using the camera. The AFL buttons are easy to operate regardless of how the camera is oriented or which settings are used.

For the L-Mount version, the SIGMA USB DOCK UD-11 can be used to set OS operation or focus limiter range for the Custom Mode switch.

* Only on compatible cameras. Available functions may vary depending on the camera used.

Tele Converter for L-Mount (1.4x / 2.0x)

The L-Mount version of the lens is compatible with the SIGMA TELE CONVERTER TC-1411 (1.4x) and TC-2011 (2.0x). Using a tele converter, the focal length can be multiplied by 1.4x and even 2x, for AF-enabled shooting at ultra-telephoto focal lengths of up to 400mm.

Cover-type lens hood included

A lightweight, high-strength, exclusive cover-type lens hood made of CFRP* is included. In addition to its slim design that does not impair the mobility of the lens, the tip of the hood is rubberized to protect the lens from abrasion and scratches caused by placing the lens upside down.

* CFRP (carbon fiber reinforced plastic), a light but strong material used in the interior and exterior fittings of aircraft, among many other applications.

[ Additional Features ]

• Lens construction: 20 elements in 15 groups (6 FLD, 2 SLD, 3 aspherical elements)
• OS (Optical Stabilizer) function with the latest "OS2" algorithm
• Inner zoom
• Inner focus system
• Compatible with high-speed autofocus
• HLA (High-response Linear Actuator)
• Compatible with Lens Aberration Correction
  * Function available on supported cameras only. Available corrections or auto correction functionality may vary depending on the camera model.
  * On cameras where lens aberration correction is controlled with 'ON' or 'OFF' in the camera menu, please set all aberration correction functions to 'ON' (AUTO).
• Supports DMF and AF+MF
• Compatible with AF assist (Sony E-mount only)
• Nano Porous Coating
• Super Multi-Layer Coating
• Water and Oil Repellent Coating (front element)
• Aperture ring
• Aperture ring click switch
• Aperture ring lock switch
• AFL button (3 buttons)
  * Only on compatible cameras. Available functions may vary depending on the camera used.
• Focus Limiter switch
• Focus Mode switch
• Support for switching between linear focus / non-linear focus ring settings (for L-Mount only)
• Function available on supported cameras only.
• OS switch
• Custom Mode switch
• Dust and Splash Resistant Structure
• LENS HOOD LH860-01
• TRIPOD SOCKET TS-151 (detachable lens foot type)
• Compatible with SIGMA TELE CONVERTER TC-1411 / TC-2011 (sold separately / for L-Mount only)
• Compatible with SIGMA USB DOCK UD-11 (sold separately / for L-Mount only)
• Designed to minimize flare and ghosting
• Every single lens undergoes SIGMA's proprietary MTF measuring system
• 11-blade rounded diaphragm
• High-precision, durable brass bayonet mount
• Mount Conversion Service available
• "Made in Aizu, Japan" craftsmanship

[ Key Specifications ]

The following specifications are for L-Mount.

Lens Construction: 20 elements in 15 groups (6 FLD, 2 SLD, 3 aspherical elements) Angle of view: 34.3° - 12.3° Number of diaphragm blades: 11 (rounded diaphragm) Minimum aperture: F22 Minimum focusing distance: 65 (W) - 100 (T) cm / 25.6 (W) - 39.4 (T) in. Maximum magnification ratio: 1:5.2 (at focal length 200mm) Filter size: 77mm Dimensions (Max. Diam. x Length): 3.6 x 8.1 in. / 90.6 x 205mm Weight: 47.4 oz. / 1,345g (includes tripod foot)

Orders

Support this site by ordering the Sigma 70-200mm F2.8 DG DN OS Sports Lens (or anything else) from B&H | Adorama | Camera Canada

"Capture One Pro (16.3.1) is a service release containing bug fixes and support for new camera models and lenses."

New lens support includes:

Canon RF-S 10-18mm F4.5-6.3 IS STM Lens
Canon RF 24-105mm F2.8 L IS USM Z Lens
Canon RF 200-800mm F6.3-9 IS USM Lens

Get the full details of this update in the release notes.

Get Capture One at B&H.

DxO Software has introduced PureRAW 3.7 (and recently introduced FilmPack 7).

"New Versions. Lifetime License. No Subscription." Free trail.

More from DxO:

For over two decades, DxO has stood as the unrivaled leader in photo hardware enhancement using advanced image processing.

We've developed an unparalleled database of 90,000 DxO Optics Modules — meticulously crafted mathematical models that, with laboratory-grade precision, identify the characteristics of any specific sensor and optics combination.

These DxO Optics Modules enable us to unlock the essence of the information buried deep within your RAW files, and to supercharge the image quality of any camera and lens — from entry-level gear with smaller sensors to professional-grade, full-frame setups and beyond.

The 6 technologies that make photographers love DxO PureRAW

1. Exclusive lens softness corrections tailored specifically to your optics

Achieve uniform sharpness across the entire field of view with this exclusive DxO technology. Your entry-level optics will look amazing, and your expensive ones - wow! DxO Optics Modules leverage knowledge of your exact camera-lens combination for any focal length and aperture.

2. Ultimate distortion correction that provides the maximum field of view

Not all distortion corrections are created equal! Gain up to 40% more field of view compared to the competition. Now you can benefit from the true focal length of your expensive wide-angle optics – and get the true benefit from all of your high resolution sensor.

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5. Laboratory-grade vignetting compensation

Drawing upon its extensive knowledge of 90,000 camera-lens combinations, DxO PureRAW eliminates all vignetting on demand by considering all shooting parameters — even on the most complex optical designs.

6. Lens-tailored correction of both longitudinal and lateral chromatic aberrations

DxO PureRAW understands and corrects the misalignment of colors, both longitudinal and lateral, and eliminates color fringing using its detailed knowledge of 90,000 camera-lens combinations.

Seamless integration with any workflow, including Adobe Lightroom and others

DxO PureRAW is crafted to seamlessly integrate into every photographer's unique workflow. For instance, you can use DxO PureRAW right within Adobe Lightroom and still retain all the edits you've made to your image.

This applies even if you edited the image in Adobe Lightroom before using DxO PureRAW. Plus, it's now even easier to use DxO PureRAW with Adobe Lightroom collections.

90,000 DxO Optics Modules, custom-made profiles for your equipment

DxO’s software isn’t like the rest — we don’t use generic profiles to correct flaws. Instead, our lab performs detailed analyses of every camera and lens combination in order to achieve greater accuracy, ensuring that you get the best possible performance from your gear.

Order DxO PhotoLab 7, PureRAW 3.7, and FilmPack 7.