Canon News (Page 13)

Canon has added second quarter financial results to the Investor Relations page.

Presentation Material
Results
Supplementary Data
Presentation Material and Speech Summary

Quotes From the Presentation Material (in addition to the included chart).

In markets in which we compete, demand remained weak in certain regions due to slowdown in global economic growth

Recovery in camera, network camera, and laser printer sales as inventory adjustments were completed as planned

Steady growth in semiconductor lithography equipment, commercial printing equipment, and medical business sales where medium- to long-term market growth is expected

Achieved 14% increase in sales compared to the same period last year and record high sales for second quarter

Nearly 30% increase in operating profit, profitability raised to 10.1%

Imaging was +11.6% sales and +19.0% operating profit for the quarter and +2.1% sales and -22.9% operating profit for the half.

For B-to-C products (Cameras and inkjet printers), stimulate demand by launching new products and strengthening marketing activities

The 2024 net sales forecast is +10.0% and net income +26.6%

The 2024 net sales forecast for Imaging is +13.0% over the previous forecast, and the operating profit forecast was adjusted +10.8%.

Buy your Canon cameras, lens, and accessories at B&H.

Let's compare the Canon EOS R5 Mark II to the Canon EOS R6 Mark II.

Check out the R5 II vs. R6 II specification comparison along with the visual comparison of these cameras. What are the differences between the Canon EOS R5 Mark II and the R6 II? Here are the R5 II's advantages:

• 45-megapixel backside illuminated (BSI) imaging sensor vs. 24 non-BSI (the difference is big, but not everyone needs the higher resolution)
• 6.3 ms electronic shutter imaging sensor readout speed vs. 14.5 (the faster readout speed is most advantageous for fast movement)
• DIGIC X plus DIGIC Accelerator vs. DIGIC X
• 6144-zone metering vs. 384-zone (more areas evaluated yields potential improvement in auto exposure results)
• Up to 1/32000 shutter speed vs. 1/16000 (extremely fast vs. really fast)
• Individual files are rapidly saved during pre-continuous shooting vs. a consolidated file written after the capture ends (the individual files create a significantly faster workflow in-camera and during post-processing)
• Upgraded AF system, including improved subject detection (especially for photographing subjects in motion)
• Eye Control AF vs. no (dramatically faster AF point or area positioning)
• AF at EV -7.5 vs. -6.5 (darker is better, but EV -6.5 is extremely dark)
• 5.76 million Dot EVF vs. 3.69 for improved viewing experience
• Blackout-free EVF vs. no (tracking a moving subject while continuously shooting is considerably easier)
• 14-bit with electronic shutter vs. 12
• Adjustable frame rates (30, 20, 15, 12, 10, 7.5, 5, 3, 2, and 1 fps)
• 2.1 million dot LCD vs. 1.62 million
• In-body image stabilizer provides up to 8.5 stops of shake correction vs 8 (while 8.5 is better than 8, the difference seems modest)
• Up to 8k DCI 60p RAW, 4k DCI 60p SRAW, 4k DCI 120p MP4, 2k DCI 240p vs. 6K 60fps, 4K UHD 60 fps, FHD 180 fps
• Full-size HDMI Type-A port vs. micro type D
• Tally lamp vs. no (informs subject that movie is being recorded)
• 802.11ax Wi-Fi 6E and 6 (6, 5, and 2.4 GHz) vs. 2.4 GHz
• CFexpress Type B plus SD vs. dual SD (CFexpress Type B is considerably faster but larger and more expensive)
• Neural Network upscaling (2x larger in both dimensions to 179 megapixels) and noise reduction processing in camera
• Includes a top LCD panel
• Speedlite shooting with electronic shutter supported
• Slightly raised Magnify, Info, and Q buttons
• New LP-E6P battery pack

That is a solid list.

Here are the R6 II's advantages:

• Up to ISO 102400 and 204800 vs. 51200 and 102400 (at the same ISO settings, the R6 II will have less noise when viewed at the pixel level. However, the R5 II image properly downsampled to 24 MP should appear similarly clean. The highest ISO settings are unusable)
• 40 fps vs. 30 (having faster continuous shooting available is an advantage, but 30 fps is really fast)
• 6K 60p ProRes RAW available (external recording only, with in-camera FHD proxy, 10-bit)
• Lower price

While few would choose the R6 II over the R5 II for features and capabilities, that last bullet, the lower price, makes this camera a great value and a top seller.

If you have not already done so, order the R5 II immediately if you have even a remote interest in it.

More Information

Canon EOS R5 Mark II

Canon EOS R6 Mark II

Is upgrading to the Canon EOS R5 Mark II from the EOS R5 worth the upgrade cost?

Check out the R5 II vs. R5 specification comparison along with the visual comparison of these cameras. What are the differences between the Canon EOS R5 Mark II and the R5? Here are the R5 II's advantages:

• 45-megapixel backside illuminated (BSI) imaging sensor vs. non-BSI
• 30 fps full-bit depth (14) RAW frames per second vs. 20 fps 12-bit (30 is considerably faster than 20, which is also fast. Remember that focus bracketing uses the electronic shutter, which drops the bit depth to 12 on the R5)
• 6.3 ms electronic shutter imaging sensor readout speed vs. 16.3 (the R5 II is better suited for rendering fast action, such as a bird taking flight)
• Pre-continuous shooting (hindsight is far clearer than foresight, and recording an image of an action in the near past is game-changing)
• DIGIC X plus DIGIC Accelerator vs. older DIGIC X (enables processing performance improvements)
• Up to 1/32000 shutter speed vs. 1/8000 (extremely fast compared to what was historically the fastest)
• Significantly upgraded AF system, including improved subject detection (vast improvement, especially for photographing subjects in motion)
• Eye Control AF vs. no (dramatically faster AF point or area positioning)
• AF at EV -7.5 vs. -6 (darker is better, but EV -6 is already extremely dark)
• 6144-zone metering vs. 384-zone (more areas evaluated yields potential improvement in auto exposure results)
• Brighter and blackout-free EVF vs. no (tracking a moving subject while continuously shooting is considerably easier)
• In-body image stabilizer provides up to 8.5 stops of shake correction vs 8 (while 8.5 is better than 8, the difference seems modest)
• Adjustable frame rates (30, 20, 15, 12, 10, 7.5, 5, 3, 2, and 1 fps)
• Up to 8k DCI 60p RAW, 4k DCI 60p SRAW, 4k DCI 120p MP4, 2k DCI 240p vs. 8K 30p RAW, 4K DCI to 120 fps (the video capabilities are noticeably improved)
• Canon Log 2, Log 3 vs. Canon Log
• Simultaneous proxy recording at 8K 30p MP4 with Full HD MP4 proxy
• Pre-recording (3 or 5 seconds) (hindsight is far clearer than foresight)
• Waveform monitor, false color, and tally lamp vs. no
• Full-size HDMI Type-A port vs. micro type D
• Longer record times before overheating, with cooling vents and the CF-R20EP cooling fan grip is available
• Integrated workflow with Cinema EOS, RAW/MP4
• Anti-flicker along with High-Frequency Anti-Flicker that evaluates the scene and precisely adjusts the shutter speed to avoid banding and flicker, including from LED signage
• Speedlite shooting with electronic shutter supported
• Next-generation multi-function shoe capable of data communication and power delivery supporting new accessories
• Neural Network upscaling (2x larger in both dimensions to 179 megapixels) and noise reduction processing in camera (with JPG output only)
• SuperSpeed Plus USB 3.2 Gen 2 USB Type-C vs. 3.1 Gen 2
• 6, 5, and 2.4 GHz Wi-Fi vs. 5 and 2.4 GHz
• Power switch was moved to right side, a stills and video switch replaces the former power switch (the switch capability is a big upgrade, but the shape and position will drive R5 users crazy)
• Slightly raised Magnify, Info, and Q buttons (the raised buttons are easier to locate, especially in the dark)
• New LP-E6P battery pack
• Slightly lighter

What are the Canon EOS R5 advantages over the R5 II?

• Now discounted for a lower cost

The R5 II has the overwhelming advantage in all regards aside from price. Especially if your subjects moves, the R5 II is worth the upgrade cost.

However, the R5 is an outstanding camera, and the release of the R5 II does not change that. Especially with the R5 substantially discounted (while it lasts), those with less demanding needs may find that the R5, having the same resolution, is sufficient and that the R5 II is not worth the additional cost.

Landscape photographers must weigh the R5 II's advantages more carefully than wildlife and sports photographers. Videographers will prefer the R5 II.

If you have not already done so, order the R5 II immediately if you have even a remote interest in it.

More Information

Canon EOS R5 Mark II

Canon EOS R5

It is surprising how similar the performance and feature set of the Canon EOS R5 Mark II are to those of the flagship EOS R1 announced at the same time.

Check out the R5 II vs. R1 specification comparison along with the visual comparison of these cameras. What are the differences between the Canon EOS R5 Mark II and the R1? Here is a summary of the R1's advantages:

• 40 fps for 230 frames vs. 30 fps for 93 (having faster continuous shooting available is an advantage, but 30 fps is really fast)
• 2.7 ms imaging sensor readout speed vs. 6.3 (faster is better, but 6.3 ms is sufficient for most needs)
• Up to ISO 102400 and 409600 vs. 51200 and 102400 (at the same ISO settings, the R1 will have less noise when viewed at the pixel level. However, the R5 II image properly downsampled to 24 MP should appear similarly clean. The highest ISO settings are unusable)
• Up to 1/64000 shutter speed vs. 1/32000 (crazy fast holds a small niche advantage over extremely fast)
• Cross-type AF points (holds the potential for higher AF precision)
• Smart Controllers (powerful controls after some acclimation)
• 9.44 million dots, 0.90x EVF vs. 5.76 and 0.76x (bigger and better)
• Dual CFexpress type B memory card slots vs. CFexpress type B and SD (though some may prefer having an SD slot available)
• Integrated vertical grip, LAN port, and GPS (outstanding grip ergonomics, the grip, port, and GPS are available accessories for the R5 II)
• Superior dust and weather resistance (with both bodies significantly sealed, will we notice the difference?)
• More controls and buttons (these make the camera faster and easier to use. And, more complicated?)
• More powerful 2750 mAh LP-E19 battery pack vs. 2130 mAh (but the R5 II holds 4260 mAh in the vertical grip)

The R5 II's advantages are:

• 45-megapixel imaging sensor vs. 24 (a big difference, but not everyone finds the higher resolution worth the increased storage size and processing time)
• 8k vs. 6K (higher resolution is better if you use 8k)
• Waveform monitor (why doesn't the R1 have this?)
• Has an SD card slot available (accommodates less expensive, but slower, memory cards)
• Holds 4260 mAh of power in the vertical grip vs. 2750 mAh
• Considerably smaller size and lighter weight (without a vertical grip)
• Has a cooling fan available
• Considerably less expensive (always a solid advantage)

While the most demanding professionals will want the R1, the R5 II's performance is sufficient for a high percentage of needs and some of its advantages are significant.

Let me know if I missed a meaningful difference.

If you have not already done so, order these cameras immediately if you have even a remote interest in them.

More Information

Canon EOS R5 Mark II

Canon EOS R1

The good news is that the Canon RF 35mm F1.4 L VCM Lens dropped from the list. From Canon Japan (translated):

Apology and information regarding product supply status

Update date: July 23, 2024

Thank you for your continued patronage of Canon products.

Currently, we are experiencing delays in delivery for the following products due to orders exceeding our expectations and also due to the impact of global parts supply. We sincerely apologize to our customers and business partners for the inconvenience caused. We would like to apologize again for keeping our eagerly awaiting customers waiting for such a long time. We will continue to take measures to ensure a stable product supply so that we can deliver the products as soon as possible. We appreciate your understanding.

Product Name – About Supply

Canon EOS R1: We plan to ship the products one by one, but delivery may take longer than usual.

Canon EOS R5 Mark II: We plan to ship the products one by one, but delivery may take longer than usual.

Coling Fan: We plan to ship the products one by one, but delivery may take longer than usual.

Speedlight EL-1: We plan to ship the products one by one, but it is expected that it will take a considerable amount of time for delivery. If you place a new order, it may take up to six months for delivery.

Before we dig into the details, I strongly advise preordering these cameras immediately if you have even a remote interest in them. They are in extremely high demand, and I expect preorders to long consume supply. Orders are easy to cancel, but lines are not easy to get to the front of.

Important: Using the links on this site, including below, to place your order provides important support. Thanks in advance for that!

Extensive Hands-On Information:   Canon EOS R5 Mark II     Canon EOS R1

If you are short on time, browse the feature summaries near the top of each page. Note the comparisons between the R5 II and the R5, R6 II, R3, and R1 included on the Canon EOS R5 Mark II page.

Preorders

Canon EOS R5 Mark II: B&H | Adorama | Canon USA | Amazon (all available countries) | WEX | Camera Canada

Canon EOS R1: B&H | Adorama | Canon USA | Amazon (all available countries) | WEX | Camera Canada

Get extra Canon LP-E6P Batteries: B&H | Adorama | Canon USA | WEX

Canon BG-R20 Battery Grip: B&H | Adorama | Canon USA | WEX | Camera Canada

Canon BG-R20EP LAN Port Grip: B&H | Adorama | Canon USA | WEX | Camera Canada

Canon CF-R20EP Cooling Fan Grip: B&H | Adorama | Canon USA | WEX | Camera Canada

If you have not already done so, preorder these cameras immediately if you have even remote interest in them.

From Canon USA:

CANON OFFICIALLY LAUNCHES THE NEW EOS R1 AND EOS R5 MARK II FULL-FRAME MIRRORLESS CAMERAS

MELVILLE, N.Y., - July 17, 2024 — Canon U.S.A., Inc., a leader in digital imaging solutions, today launched two new professional full-frame mirrorless cameras, the EOS R1 and EOS R5 Mark II. The EOS R1 camera is designed for both professional still photographers and video creators in a wide range of fields including sports, news reporting and high-end video production. The EOS R5 Mark II camera features improved video focused features for the advanced creators and real-time multi recognition tracking system for those who focus on still photography.

Canon EOS R1 Camera is “Ahead of the Game”

Canon’s EOS 1-series legacy continues with the unveiling of the flagship EOS R1 camera. This high-performance, reliable, and weather-resistance camera is designed for professionals in the photojournalism, sports and wildlife fields. Key features of the EOS R1 camera include:

• Back-illuminated stacked 24.2 megapixel full-frame sensor and new processing system for extremely fast reading
• Increased read-out speed, reducing “rolling shutter” distortions
• Still-image shooting speeds up to 40fps
• “Cross-type AF” imaging sensor for more positive focus on subjects with linear detail
• Strong video capabilities, up to 4K (also 6K RAW video options)

Canon EOS R5 Mark II Camera helps users “Master the Moment”

For the professional who demands high-quality still and video output, the EOS R5 Mark II camera is ready to deliver. Designed with performance and image quality at its core, the EOS R5 Mark II camera offers the fundamental elements in one package for sports/wildlife photographers, journalists/producers, video producers and visual creators. Key features of the EOS R5 Mark II camera include:

• Back-illuminated stacked 45 megapixel full-frame sensor and new processing system for extremely fast reading
• When compared to previous EOS R camera models, more advanced and powerful AF system including Eye Control AF and new subject tracking technologies
• Cinema EOS video features such as:
  • Custom Picture color profile including Canon Log 2
  • False Color Wave Form Monitor
  • 4CH Audio with 24bit LPCM
  • Pre-recording up to 5 seconds

Accessories for the EOS R5 Mark II camera were designed thoughtfully with the end-user in mind. There is a new, more powerful battery. The LP-E6P battery, when compared to previous battery versions, features higher continuous power and two-times the amperage. Optional battery grips were also thoughtfully designed, and there are three options:

• BG-R20 – For vertical operability
• BG-R20EP with Ethernet Port – Enables high-speed wired communication
• CF-R20EP with Cooling Fan and Ethernet – Cooling fan helps maximize movie performance

Both cameras feature the new DIGIC Accelerator, which is an addition to the DIGIC X processor. The DIGIC Accelerator assists with deep learning processing which helps to quickly analyze large volumes of data and supports the next-gen AF system, Dual Pixel Intelligent AF. Dual Pixel Intelligent AF is based on Accelerated Capture and deep learning, allowing end-users to experience tracking advancements, such as body, joint and head area estimation and focus on people other than the main subject.

Price and Availability

The Canon EOS R1 camera is expected to be available in the Fall of 2024, for an estimated retail price of $6,299.00*. The Canon EOS R5 Mark II camera is expected to be available in August 2024, for an estimated retail price of $4,299.00* for the camera body only. The EOS R5 Mark II camera kit, which will include the RF24-105mm F4 L IS USM lens, will have an estimated retail price of $5,399.00*.

Pricing for the battery grips: BG-R20 – $349.99; BG-R20EP - $499.99; CF-R20EP - $399.99

Much More Information

Canon EOS R5 Mark II

Canon EOS R1

Order your cameras here.

# # #

*Specifications, availability and prices are subject to change without notice. Actual prices are set by individual dealers and may vary.

Just posted: Canon RF 35mm F1.4 L VCM Lens Review.

Find out how the new lighter, smaller, and more affordable 35 L lens performs. Additional sample photos are coming.

Support this site by ordering the Canon RF 35mm F1.4 L VCM Lens from B&H | Adorama | Canon USA | WEX | Amazon (all available countries) | Camera Canada

One power adapter to replace them all. The Xcellon PDG-4200B 4-Port 200W GaN USB Charger is on sale for half price today ($59.99) at B&H.

We have an ever increasing number of USB charged and powered devices, and often, each has its own power adapter, often vying for receptical space in the same location. Taking all those chargers traveling is another complication.

What if a single charger could cover of all your needs? And, what if that charger had more power than all your other chargers combined? This might be that one.

B&H recently sent me the high-quality, ultra-useful, Xcellon PDG-4200B GaN (Gallium Nitride, remains cooler than silicon) charger, featuring 4 ports with up to 200W total power output. Increasing our productivity (and feeding our impatience) is this charger's support of PD 3.0, PPS (Programmable Power Supply), QC4+, and Samsung Super Fast fast charging. Short circuit, overcurrent, overvoltage, and overtemperature preventions are provided.

The individual port ratings add up to more than the 200w this charger is capable of, and thus, limits are imposed. Here are the possible power distribution combinations:

USB-C (Port 1 or 2): 100W
USB-C (Port 3): 65W
USB-A: 60W
USB-C (Port 1 and 2): 100W + 100W
USB-C (Port 1 or 2 and 3): 100W + 65W
USB-C (Port 1 or 2) and USB-A: 100W + 60W
USB-C (Port 3) and USB-A: 12W + 12W
USB-C (Port 1 & 2) and USB-C (Port 3) or USB-A: 100W + 65W + 30W
USB-C (Port 1 or 2), USB-C (Port 3), and USB-A: 100W + 12W + 12W
USB-C (All 3 Ports) and USB-A: 100W + 65W + 12W + 12W

The 3' (0.9m) power cable moves the snarl and space competition away from recepticals.

The simple charger is compact, measuring only 3.5 x 2.5 x 1.4" (89.2 x 64.7 x 36.3 mm), with the 11.7 oz (331 g) weight being its primary con. The weight feels substantial compared to the small size, but it aids in the solid feel.

With various devices connected to the same charger, it seems that hub capabilities would have been an easy feature to include, but this device is dedicated to providing power.

Consider pairing this charger with Pearstone USB4 Type-C 240W Power Delivery Cables (up to 40 Gb/s, 48V/5A, Thunderbolt 3 & 4) to power laptops, cameras, etc.

Get the Xcellon PDG-4200B 4-Port 200W GaN USB Charger for half price today at B&H.

On June 5th, Canon promised firmware updates delivering enhanced features for Cinema EOS cameras and pro camcorders. Those updates are now available.

EOS C500 Mark II/ EOS C300 Mark III Cameras

• “Sensor Mode” will be saved to an assignable button on the camera body to quickly change between Full-frame, Super 35mm and Super 16mm crop modes.
• The Focus Guide box will have two size options: Standard and Large (approximately two times larger than standard).
• Camera LCD screen will display a playback marker in Media Mode.
• For the EOS C300 Mark III camera:
  • Cinema RAW Light HQ/ST/LT recording modes will be added.
  • Auto ISO/Gain functions that can be operated from the camera menu, an assignable button, or with a compatible remote-control unit will be added.

EOS C70/EOS R5 C Cameras

• Same Focus Guide and playback marker enhancements as the C500 Mark II and C300 Mark III cameras will be added.
• Option of assigning functions to the select dial on the back of the camera, including AF subject selection, shutter, iris, ISO/gain, and white balance mode will be added.
• For the EOS R5 C camera, the following will be added:
  • Ability to adjust the thickness of the AF frame, making it easier to see in certain lighting conditions
  • Ability to reset the AF position by pushing the joystick or set buttons
  • When shooting RAW VR content with Canon’s dual fisheye lens, you will be able to record both the peripheral illumination and chromatic aberration data. This will help with processing footage into smoother and even more amazing VR content than before the firmware update.
  • New features from the March 2024 R5 firmware update.

XA75/70, XA65/60 and VIXIA HF G70 Camcorders

• Option to view the date and time in the on-screen display (OSD) while recording will be added. White balance will be able to be changed while recording.

Download the firmware updates from the Canon USA Support page.

Image quality, vignetting, and distortion test results are now available on the Canon RF 35mm F1.4 L VCM Lens page.

Here are some comparisons to get you started:

Compared to the Canon EF 35mm f/1.4L II USM Lens

Compared to the Sony FE 35mm F1.4 GM Lens

Compared to the Sigma 35mm f/1.4 DG DN Art Lens

Compared to the Tamron 35mm f/1.4 Di USD Lens

Please share!

Support the site by ordering the Canon RF 35mm F1.4 L VCM Lens from B&H | Adorama | Canon USA | WEX | Amazon (all available countries) | Camera Canada

Rent the Canon RF 35mm F1.4 L VCM Lens from Lensrentals.

Skylum has announced Aperty Portrait Software.

The first 1,000 customers get a lifetime license.

From Skylum:

Skylum Announces A New Photo Editing App For Professional Portrait Photographers

NEW YORK, NY – May 23, 2024 - Skylum, a leading innovator in photo editing software and the company behind the award-winning, AI-powered program Luminar Neo, is proud to announce Project “Barcelona”, a new desktop application specifically for professional portrait retouching.

Recognizing the increasing demand for time-saving tools in portrait photography that would enable professional and semi-professional photographers to focus on creative growth and client engagement, Skylum is collaborating with renowned portrait photographer Julia Trotti to develop this specialized software solution. Set for release in September 2024, Project “Barcelona” will empower photographers by automating routine face retouching processes through an efficient, AI-optimized workflow that runs locally on the user’s device, making it as easy as applying presets. With the added advantage of precise and adjustable masking tools, it provides enhanced control and accuracy for perfect results every time. This, in turn, will allow portrait photographers to balance the time-intensive task of photo retouching with shooting and growing their photography business.

Designed with the specific needs of portrait photographers in mind, the new app’s key features include:

Skin Toning: Make subtle changes to the skin tone of specific areas thanks to an accurate facial skin segmentation model; remove the red hue or unify the overall color. On top of that, the new app's state-of-the-art face mesh model provides unique makeup correction capabilities, allowing the application of extra textures like blush, highlight, and contour, and changing the color of lips, brows, and other elements.

Eye Enhancement: Add iris flare, remove redness, and adjust eye shape with a comprehensive suite of tools to perfect a subject’s eyes in portraits.

Teeth Whitening: Ensure radiant smiles with advanced teeth whitening and brightening capabilities.

Makeup Application: Enjoy customizable options for creative makeup styles and colors to compliment any complexion, clothing, or backdrop.

Bokeh Effects: Create stunning depth-of-field effects with the bokeh feature, adding dimension and allure to portraits.

Body Enhancement: Adjust bodily proportions to correct posture and account for unflattering angles, making sure portraits capture subjects in their best light.

"In the development of Project “Barcelona” (public name to be announced soon), we’re working closely with acclaimed photographer Julia Trotti to infuse our software with professional insights that meet the specific needs of portrait photographers everywhere," says Ivan Kutanin, CEO of Skylum. "Just as Luminar Neo provides convenient editing solutions for a broad set of photography challenges, this new app uses cutting-edge AI technology to help portrait photographers achieve top-quality retouching and inspire them with new creative possibilities."

Early bird offer starts June 25, 2024. Find out more on Skylum’s website and sign up for the waiting list for early access.

In April 2024, Sigma announced a list of lenses slated to gain Canon RF lens mount compatibility. The first lens on that list has now been formally announced. Expect the demand for the RF mount version of the #1 best selling mirrorless lens at B&H to be high.

Learn more about this lens in the site's review: Sigma 18-50mm F2.8 DC DN Contemporary Lens

Here is the official announcement from SIGMA Corporation:

Launch schedule of SIGMA 18-50mm F2.8 DC DN | Contemporary for Canon RF Mount

SIGMA Corporation is pleased to announce the launch schedule of SIGMA 18-50mm F2.8 DC DN Contemporary for Canon RF Mount.

Supplied accessories: PETAL-TYPE HOOD LH582-02, FRONT CAP LCF-55 III, REAR CAP LCR II

Mount: Canon RF Mount

Launch : July, 2024

* Product appearance and specifications are subject to change.

#SIGMA #SIGMA1850mmF28Contemporary #SIGMAContemporary #SIGMADCDN #SIGMARFMount

A large F2.8 aperture zoom lens that need never leave your camera. This exceptionally light, bright, and sharp standard zoom for crop-sensor mirrorless cameras is the ultimate workhorse lens.

Long-awaited Canon RF Mount addition

SIGMA's first APS-C size mirrorless dedicated zoom lens, the SIGMA 18-50mm F2.8 DC DN | Contemporary, will now be available for the Canon RF Mount. This addition allows users to enjoy high-performance, and high-quality SIGMA zoom lenses in native mount on their Canon RF Mount system.

A control algorithm including AF drive and communication speed optimization has been developed specifically for Canon RF Mount interchangeable lenses. In addition to realizing high-speed AF, the lens also supports Servo AF and in-camera aberration correction*. The mount is rubber-sealed to cater for use in a variety of environments.

* Available on supported cameras only.

Mount Conversion Service is available to convert other mounts of SIGMA 18-50mm F2.8 DC DN Contemporary to Canon RF Mount.

Features

1. Large F2.8 aperture and superb image quality

The compact body offers a versatile full-frame equivalent zoom range of 28.8mm to 80mm, a wide aperture of F2.8 throughout the entire zoom range that allows you to enjoy bokeh expressions, and sharp images achieved by the latest optical design technology. With a minimum focusing distance of 12.1cm and a maximum magnification of 1:2.8*1, it allows photographers to take advantage of the compact shooting system, such as shooting close-ups of your subject.

2. Exceptionally compact and lightweight body ideal for mirrorless cameras

The main feature of the SIGMA 18-50mm F2.8 DC DN | Contemporary is its overwhelmingly compact and lightweight body that maximizes the excellent portability and advantages of an APS-C mirrorless camera. Despite its large aperture of F2.8, it is the smallest and lightest in its class*2 boasting a maximum diameter of f69.2mm, a length of 74.5mm and weight of 300g.*3 This makes the large-aperture standard zoom easy to carry around in daily life.

*1 The minimum focusing distance and maximum magnification ratio are both values at the wide end.

*2 As an AF compatible, F2.8 constant aperture standard zoom lens for APS-C (as of June 2024, by SIGMA).

*3 Size and weight measurements given for Canon RF Mount version.

Specifications

Values are for Canon RF Mount

Lens Construction: 10 groups, 13 elements (1 SLD and 3 aspherical lenses)
Angle of View (APS-C): 73.4°(W)-30.0°(T)
Number of Diaphragm Blades: 7 (rounded diaphragm)
Minimum Aperture: F22
Minimum Focusing Distance: 12.1 (W) - 30 (T) cm / 4.8 (W) - 11.9 (T) in.
Maximum Magnification Ratio: 1:2.8 (W) - 1:5(T)
Filter size: 55mm
Dimensions (Diameter × Length): 69.2mm × 74.5mm / 2.7in. x 2.9in.
Weight: 300g / 10.6oz.

Product Barcode

Canon RF Mount: 00-85126-58572-3

Accessories (Supplied) Name of product / Product Barcode
LENS HOOD LH582-02: 0085126 939694
FRONT CAP LCF-55 III: 0085126 930066
REAR CAP LCR II: For Canon RF Mount 0085126 941468

Accessories (Optional) Name of product / Product Barcode
SIGMA WR PROTECTOR 55mm: 0085126 930912
SIGMA PROTECTOR 55mm: 0085126 931049
SIGMA WR UV FILTER 55mm: 0085126 930653
SIGMA WR CIRCULAR PL FILTER 55mm: 0085126 930783

Orders

Order the Sigma 18-50mm F2.8 DC DN Contemporary Lens in your preferred mount at B&H.

Just posted: Tamron 50-300mm F/4.5-6.3 Di III VC VXD Lens Review.

An attractive addition to Tamron's lineup.

Support this site by ordering the Tamron 50-300mm F/4.5-6.3 Di III VC VXD Lens (or anything else) from B&H | Adorama | WEX

Please share!

Canon has released a new version of EOS Utility.

Changes for EOS Utility 3.18.5:

• Supports RF-S3.9mm F3.5 STM DUAL FISHEYE

To install the updates, select "Check for updates" on the application's Help menu. Alternatively, download EOS Utility 3.18.5. (thanks, Scott!)

Image quality test results are now available on the Tamron 50-300mm F/4.5-6.3 Di III VC VXD Lens page.

Interesting addition to Tamron's lineup.

Compared to the Tamron 50-400mm f/4.5-6.3 Di III VC VXD Lens

Support this site by ordering the Tamron 50-300mm F/4.5-6.3 Di III VC VXD Lens (or anything else) from B&H | Adorama | WEX

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Just posted: Sony FE 16-25mm F2.8 G Lens Review.

Great lens.

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Support this site by ordering the Sony FE 16-25mm F2.8 G Lens (or anything else) from B&H | Sony | Adorama | Amazon (all available countries) | WEX | Camera Canada

Rent the Sony FE 16-25mm F2.8 G Lens from Lensrentals.

You are not likely shocked by the addition of the RF 35 F1.4 to this list. From Canon Japan (translated):

Apology and information regarding product supply status

Update date: June 11, 2024

Thank you for your continued patronage of Canon products.

Currently, we are experiencing delays in delivery for the following products due to orders exceeding our expectations and also due to the impact of global parts supply. We sincerely apologize to our customers and business partners for the inconvenience caused. We would like to apologize again for keeping our eagerly awaiting customers waiting for such a long time. We will continue to take measures to ensure a stable product supply so that we can deliver the products as soon as possible. We appreciate your understanding..

Product Name – About Supply

Canon RF 35mm F1.4 L VCM Lens

We plan to ship the products one by one, but delivery may take longer than usual.

RF200-800mm F6.3-9 IS USM

We plan to ship the products one by one, but delivery may take longer than usual.

Speedlight EL-1

We plan to ship the products one by one, but it is expected that it will take a considerable amount of time for delivery. If you place a new order, it may take up to six months for delivery.

Note that B&H has a used Speedlight EL-1 in stock as I post this notice.

From Canon, Inc.:

Canon developing new RF-S7.8mm F4 STM DUAL lens for EOS R7 camera for recording spatial video for Apple Vision Pro

TOKYO, June 11, 2024—Canon Inc. announced today that it is developing the RF-S7.8mm F4 STM DUAL lens for its popular EOS R7 camera¹, enabling users to capture life's most precious moments in spatial video, and then relive those memories on the Apple Vision Pro. The new DUAL lens is the latest addition to Canon's EOS VR System lineup, and will be available later this fall². Canon is the first³ camera manufacturer to introduce a dedicated, interchangeable lens that enables pro users to capture stunning spatial video to experience on the Apple Vision Pro.

With the RF-S7.8mm F4 STM DUAL lens, videographers can record gorgeous spatial video even in the most challenging lighting conditions. After capturing video with the interchangeable lens, the EOS VR Utility app transforms the video captured from the camera to spatial video, which viewers can enjoy on the Apple Vision Pro.

The RF-S7.8mm F4 STM DUAL lens features a field angle that is similar to a person’s field of view, which enables videographers to naturally capture memorable moments. The lens is also equipped with a high-speed autofocus mechanism, so users of all levels can record amazing spatial video.

Canon launched the EOS VR System for capturing immersive and VR video in 2021, and since then has met the needs for video production in diverse fields including entertainment, tourism, and education. The EOS VR System features dual lenses and utilizes the left and right lenses to produce beautiful content with incredible depth and dimension. To streamline the video production workflow, the light entering from the respective lenses is recorded on a single CMOS sensor, which eliminates the need for camera position adjustments or synchronization prior to shooting, or the need for piecing together footage after filming.

The RF-S7.8mm F4 STM DUAL lens is the latest example of how Canon is continuing to meet the creative needs of pro users who strive to produce stunning immersive video as they explore new ways of storytelling.

¹ As of the release date of the RF-S7.8mm STM DUAL lens, the only compatible camera is the EOS R7 (released in June 2022). Requires a firmware update scheduled for release at the same time as the lens.

² Between September 21, 2024, and December 20, 2024.

³ As of June 10, 2024.