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 Friday, June 5, 2015
Canon Copa America Chile 2015 Logo
From Canon USA:
 
Canon U.S.A. to be Official Supplier
 
MELVILLE N.Y., June 05, 2015 - Canon U.S.A., Inc., a leader in digital imaging solutions, today announced the Company will provide onsite service support to help professional photographers and broadcasters capture the iconic moments of Copa America Chile 2015. Canon's professional onsite service support will include simple equipment repair, clean and check service and equipment loans to outfit professionals with the proper gear to capture the excitement on the field. Service and support will be available in the media centers in each of the nine stadia hosting matches in the tournament.
 
"Canon is thrilled to join the Latin America community once again in supporting the Copa America soccer tournament," said Kenji Kobayashi, senior vice president, Canon U.S.A. Latin America Group. "This tournament is an excellent opportunity for Canon to strengthen our bond with our Latin American consumer and business markets. We are proud to provide onsite service and support to assist imaging professionals in sharing the action of the games with devoted fans across the world."
 
The international soccer tournament will take place in Chile from June 11- July 4, 2015 in eight cities, with 12 countries participating, including Argentina, Bolivia, Brazil, Chile, Colombia, Ecuador, Jamaica, Mexico, Paraguay, Peru, Uruguay and Venezuela.
 
For more information visit http://www.canon.cl/canon/cps/cps-en.htm.
SIRUI W-2004 Alloy Waterproof Tripod
SIRUI W Series Waterproof tripods expand the capabilities of outdoor photographers and videographers like no other tripod. While most tripods warn against use in or near water and sand, the W Series welcomes it!
 
The SIRUI designed WPS Waterproof Sealing System has a series of waterproof rings that prevent water from seeping into the tripod leg tubes and locks and causing damage.
 
The SIRUI designed waterproof leg locks incorporate waterproof and leak-proof materials used in the automotive industry. The rubber locking components firmly grasp the legs without any gap when they are tightly locked - preventing water, dust or small particles from entering the legs or the locking system. This waterproof (not just water resistant) system lets you safely shoot in extreme environmental conditions (also ideal for use with spotting scopes and binoculars).
 
Equally impressive is SIRUI’s ability to extend and contract the legs as smoothly as their standard models. And with ½ twist leg locks, setup and break down is fast and easy.
 
Using the highest quality materials and precisely manufactured leg tubes lets SIRUI achieve uncompromising stability. The SIRUI W-2204 extends up to an impressive 70.9 in. (1800 mm) - vital when shooting in deeper water or to keep your equipment away from splashes and salt spray - while folding down to only 20.5 in. (520 mm). It weighs just 3.7 lb (1.7 kg.), but, holds up to 39.7 lb. (18 kg).
 
The redesigned Leg Angle Locks make adjustments faster and easier than ever before. Push the lock and it stays open until you select the desired position. Extremely convenient with wet or gloved hands! The slip-resistant rubber feet can be replaced with stainless steel spikes (included) for added grip and stability.
 
The SIRUI W Series tripod’s unique leg mechanism lets you invert the legs 180° - for compact storage and easy transport. And the split center column makes changing from standard center column to short center column fast and easy.
 
One of the legs can be converted into a waterproof monopod! Ideal when a tripod is not allowed or when you’re shooting in tight spaces. Attach the center column to increase the height of the monopod.
 
SIRUI W Series Waterproof tripods are available in economical Aluminum Alloy or Lightweight 10-Layer 100% Carbon Fiber legs.
 
Feaures:
 
  • Waterproof leg design - SIRUI designed waterproof ring system prevents water from seeping into the
  • pod legs and causing damage. Not just water resistant - actually waterproof!!
  • Ergonomic Leg Angle Locks make adjustments fast and easy. Extremely convenient with wet or gloved hands!
  • For speed and convenience, each leg has an automatic leg angle lock mechanism.
  • Tripod leg converts into waterproof monopod. Center column can be attached for increased height.
  • The center column can be detached and inverted for low angle or macro shooting.
  • Legs fold up 180° for extra compactness.
  • Three leg angle positions for uneven terrain.
  • Bubble level for fast horizontal alignment
  • Slip-resistant rubber feet can be replaced with stainless steel spikes (included).
  • Hook on bottom of the center column can hold a weight bag for added stability
B&H carries SIRUI tripods.
Category: Sirui News
Post Date: 6/5/2015 10:55:34 AM CT   Posted By: Sean
Refurb. Canon 55-250mm f/4-5.6 IS STM Lens
B&H has the Refurbished Canon 55-250mm f/4-5.6 IS STM Lens (review) available for $199.95 with free expedited shipping. Compare at $299.00 new.
Posted to: Canon News
Post Date: 6/5/2015 10:19:32 AM CT   Posted By: Sean

 
B&H has posted a hands-on mini review of Rode's first foray into wirless audio – the RodeLink Filmmaker Kit.
 
B&H carries the RodeLink Wireless Filmmaker Kit.
Post Date: 6/5/2015 9:40:20 AM CT   Posted By: Sean
Canon EOS 5Ds & 5Ds R DSLR Cameras
B&H has updated the status of the Canon EOS 5Ds / 5Ds R listings to include "Will begin shipping Sun, Jun 14."
 
We expect the preorder list to be fairly large for these highly anticipated DSLRs. If you haven't already preordered, now would be a good time to do so if one of Canon's ultra-high resolution cameras is on your wish list.
 
If you were one of the first to preorder, then your wait is likely coming to and end. :-)
Posted to: Canon News
Category: Canon Preorders
Post Date: 6/5/2015 8:41:05 AM CT   Posted By: Sean
Canon EOS Rebel T5
Focus Camera has a Canon EOS Rebel T5 with 2 Lenses, PIXMA PRO-100 & Lightroom 5 Bundle available for $399.95 after $250.00 mail-in rebate.
 
Bundle Includes
 
  • Canon EOS Rebel T5 DSLR Camera
  • Canon EF-S 18-55mm f/3.5-5.6 IS II Lens
  • Canon EF 75-300mm f/4-5.6 III Lens
  • Canon PIXM PRO-100 Professional Inkjet Printer
  • Canon 13x19 Luster Photo Paper
  • Adobe Photoshop Lightroom 5 (OEM / PC/Mac)
Posted to: Canon News
Post Date: 6/5/2015 8:20:11 AM CT   Posted By: Sean
Bolt Cyclone DR PP-400DR Dual Outlet Power Pack
For a limited time, B&H has the Bolt Cyclone DR PP-400DR Dual Outlet Power Pack available for $199.95 with free expedited shipping. Regularly $499.95.
 
Product Highlights:
 
  • Fast Recycle Time of 1 Sec
  • Up to 1400 Full-Power Flashes
  • For 2 On-Camera Flash Units
  • Lightweight (1.2 lb)
  • Locking Feature for Secure Connection
  • Includes PP-400BP Removable Battery Pack
  • Microcontroller Prevents Overheating
  • Includes 100-240 VAC Charger
  • Neoprene Shoulder Strap Supplied
This is just the battery pack, so you'll need the appropriate cable to connect your flashes.
Post Date: 6/5/2015 7:43:17 AM CT   Posted By: Sean
 Thursday, June 4, 2015
Canon EF 24-105mm f/4 L IS USM Lens
eBay (via GetItDigital) has the Canon EF 24-105mm f/4 L IS USM Lens (review) available for $631.99 with free shipping. Compare at $999.00.
 
Note: This is likely a grey market item and therefore would not technically qualify for a Canon USA warranty.
Posted to: Canon News
Post Date: 6/4/2015 11:36:04 AM CT   Posted By: Sean
Canon Logo
From Canon USA:
 
Actor and Longtime Baseball Fan Invites Fans to Enter Photo Contest For Chance to Win a Trip to Little League World Series in August
 
MELVILLE, N.Y., JUNE 3, 2015 - Canon U.S.A., Inc., a leader in digital imaging solutions, today announced its partnership with actor Mario Lopez, host of TV's EXTRA, in support of the Canon Little League Photo Contest powered by PIXMA Printers. As part of the "Picture Perfect Season" initiative that kicked off last month, Lopez is encouraging his fans, and baseball fans everywhere, to take part in the photo contest for the chance to win a trip to the Little League Baseball World Series in South Williamsport, PA.
 
"I've always been such a fan of the game of baseball, and it really starts for so many families, including mine, with Little League," said Lopez. "I'm excited to take part in this celebration of family photos and especially the printed images that we all cherish, and showcase the excitement and passion of the game."
 
By submitting photos based on a monthly theme in May, June and July, fans will have the chance to win one of three trips to join Lopez in South Williamsport, PA and see their photos on display in the World of Little League Museum in the Richard "Hank" Bauer, Jr. Little League Photography Exhibit in the World Series Gallery presented by Easton Foundations.
 
This month, the Canon Little League Photo Contest powered by PIXMA Printers focuses on "Fandemonium," a theme focusing on shots of the passionate fans. Whether it's the parents of a Little Leaguer cheering them on or a whole crowd doing the wave, these images should capture the essence of what it means to be a fan. Entries will be judged on the use of the theme and on the quality of the image and overall impression.
 
"Canon is thrilled to welcome Mario Lopez to this special partnership with the Little League World Series, as we encourage enthusiasts everywhere to capture meaningful moments of fans, families and players," said Yuichi Ishizuka, president and COO, Canon U.S.A., Inc. "He is a great advocate as we continue to share the power of the printed image with fans across the country and deepen our relationship with Little League."
 
Canon Little League Photo Contest: NO PURCHASE NECESSARY. Open only to legal residents of the 50 United States, D.C. and Canada (excluding Quebec) who are 18 years of age or older as of the time of entry. The contest begins at 9:00 a.m. ET on May 5, 2015 and ends at 9:00 p.m. ET on July 24, 2015. The contest consists of a three separate Entry Periods for which there are separate entry deadlines. See Official Rules for complete entry details and restrictions, prize descriptions and odds of winning. U.S. and Canadian law govern. Void where prohibited. Sponsored by Canon U.S.A., Inc.
Posted to: Canon News
Category: Canon USA News
Post Date: 6/4/2015 10:27:54 AM CT   Posted By: Sean
As usual, this self-portrait was created in order to answer a question I had rolling around in my head:
Is it possible to make an outdoor portrait taken in bright, sunny conditions appear to be taken at night? And with relatively limited gear (shoe-mount flashes)?
I knew that choosing the right location was key to producing the effect I wanted. It was about 1:30pm and the sun was high in the sky and very bright. Speedlites are not necessarily the best choice when overpowering the sun (especially when used with a light modifier). I chose a spot in my driveway that was completely shaded by an overhanging tree. The pointed the camera at a fence that borders my driveway which was also in shade. I set up a tripod mounted 5D Mark III with the versatile EF 70-200mm f/2.8L IS USM (forerunner to the version "II" model) attached and framed the shot. I used a 4-stop ND filter on the lens so that I could use a wide aperture to limit my depth-of-field (the fence behind me wasn't all that interesting) while staying below my flash max x-sync speed. Truth is, I could have easily gotten away with a 2-stop ND filter as I had to use ISO 400 with the 4-stop ND Filter in place. So why didn't I change out NDs having had a 2-stop ND filter inside the house? The answers – 1) laziness and 2) it simply didn't matter. The 5D III's performance meant that the difference between ISO 100 and ISO 400 was not significant enough to worry with, so leaving the 4-stop ND filter on the lens wasn't a problem (especially as the 5D III's autofocus is quite sensitive in low light).
 
The main light (Canon 580EX in Westcott Rapid Box Octa) was boomed overhead using an Avenger 40" Extension Arm mounted to a C-stand. The extension arm allowed me to position the light above me (slightly in front) without having the light stand in the way. I gelled it with two full CTO gels with the intent of shifting the color balance blue to simulate the cooler colors of nighttime.
 
I wanted the picture to have a dark, ominous look to it. The modified main light was positioned a little high to light my face while leaving my eyes in shadow (thanks to my pronounced brow ridge). Having the eyes in shadow added to the effect I was going for. Still, I was asking a lot of the shoe-mount flash. With two gels in place and a diffusion panel in front eating away at the flash's output, I had the flash set to full power and still could have used a bit more light (I upped the exposure a small amount in post).
 
I used a bare 580EX (ungelled) as a rim light (positioned behind me). I decided not to gel this flash so that it would produce a cool rim light that would contrast well with the still-slightly-warm main light. I think that flash was set to 1/32 power. Both flashes were fired via radio triggers.
 
To trigger the camera, I used a wireless RC-1 remote and simply pointed the tripod-mounted camera at my desired spot using the AF points to cover the area where my head would be. Then it was simply a matter of standing in the right spot (roughly middle of the frame) and pushing the RC-1's shutter release button.
 
EXIF:
Canon EOS 5D Mark III
Canon EF 70-200mm f/2.8L IS USM (forerunner to version "II")
125mm, f/3.2, 1/160 sec, ISO 400
 
Click on the post image to see a larger version on Flickr.
 
Fun Fact: Conveying a specific image is often about the ideal framing. In this instance, you'd never know that I was wearing baggy, tan colored cargo pants with my button-up shirt and suit jacket. Because of the framing, I knew that changing into matching black dress pants (on this warm day) would be superfluous. ;-)
Post Date: 6/4/2015 9:37:01 AM CT   Posted By: Sean
Heat Waves on Railroad Bridge
Did you ever look at images you captured with a telephoto lens on a beautiful afternoon and wonder why they were not sharp? As I write this tip, I have been evaluating several long focal length lenses that share an attribute common with other telephoto lenses. Ever see shimmering in the distance such as where a road goes over a hill? Telephoto focal lengths magnify these heat waves and longer subject distances are more likely to be negatively influenced by the distorting effect.
 
If there is a heat source (relative to the ambient temperature) between you and your subject (or below that line of sight), you can expect some heat wave impact at even relatively short subject distances. Heat waves can occur practically anywhere, but this issue is primarily encountered outdoors and the sun is the primary (but not the only) cause. I frequently see degradation caused by heat waves over artificial turf athletic fields, running track surfaces and even thick green grass in the front yard. Asphalt, being dark in color and high in heat absorption/retention, is a classic source of heat waves, including the source in my "road goes over a hill" example.
 
Many other heat waves sources exist, including a flowing river on a cold day as illustrated in the included photo.
 
That image is a 100% crop from a 600mm picture of a steel railroad bridge. No, I did not use an "Art" filter on this image. Yes, the steel should be straight and sharp. No, this blurry image is not the fault of the lens.
 
When present, heat shimmer will create optical distortion that will diminish the quality of medium and long distance photos. It was 13° F (-11° C) on a clear, sunny morning when I photographed the distant railroad bridge. The warmer water in the river I was shooting over was creating turbulence for the light waves reaching the lens.
 
Know that heat waves are not limited to affecting only long distance subjects. While testing a lens at 600mm on a sunny afternoon, the strong focal length magnification made heat wave micro-distortion easy to see over thick green grass with only a roughly 100' (30m) subject distance.
 
The moon is a common photo subject for telephoto lenses and to photograph the moon means that light must pass completely through the earth's atmosphere. That distance leaves plenty of opportunity for light bending to occur.
 
Heat waves are definitely an obstacle for creating accurate outdoor lens comparisons. Generally, a clear sky is needed for consistent lighting between captures and the sun of course needs to be at least relatively high in the sky. That means the sun will be heating anything it shines on.
 
Note that heat waves can negatively impact AF performance as well. Because the optical irregularities caused by heat waves are presented to the camera's autofocus system(s) (both phase detection and contrast detection systems), focus distance calculations can be impacted. Especially keep this in mind when dialing in AF microadjustment.
 
What can you do about this problem? Heat waves are an image quality factor that you generally can't spend money to put behind you. For example, a sharper lens and a better camera are not going to be helpful. Selecting a different location, a different time of day and/or a different day completely or even a different season is often the best solution. A cloudy day with low temperature fluctuation may work for your image.
 
Many times, the photographer does not have control of the day and time of a shoot and will need to deal with the issue. Sports photographers typically fall into this group. For example, auto racing often takes place mid-day on asphalt tracks and photographers capturing these events will encounter this distortion.
 
If opting to shoot through the heat waves, move closer if possible (but not dangerously so – referring to the auto racing scenario). The less air that light passes through, the less likely that heat waves will cause strong distortion. Also, capture lots of images to allow selection of the least-influenced and to give your camera opportunity to lock in proper AF distances.
 
How Heat Waves Affect Photography Summary
 
The summary is short. The reason why some of your telephoto images are not sharp is because heat waves are bending the light and confusing your camera's AF system. The basic lesson here is that using the long focal lengths to photograph distant (and sometimes no-so-distant) subjects must be done with consideration to the effect of heat waves.
Post Date: 6/4/2015 9:23:00 AM CT   Posted By: Bryan
Lightroom CC Cheat Sheet Screenshot
Graphic designer Jamie Spencer of SetupABlogToday has created an Adobe Lightroom CC Quick Keys Cheat Sheet that may prove useful for Lightroom customers. You can find the full cheat sheet on their website or you can simply download it here (PDF).
 
Adobe's Creative Cloud Photography Plan (USD$9.99 per month) is an excellent value and includes Photoshop CC and Lightroom CC.
Post Date: 6/4/2015 7:57:21 AM CT   Posted By: Sean
Canon EOS M3 Mirrorless Camera Body
DigitalRev has the Canon EOS M3 Mirrorless Camera Bodyavailable for $554.00.
 
Note: When purchased by US customers, items sold by DigitalRev are considered grey market.
Posted to: Canon News
Post Date: 6/4/2015 6:08:07 AM CT   Posted By: Sean
 Wednesday, June 3, 2015
Canon EOS 70D DSLR with EF-S 18-55mm IS STM Lens
eBay (via ElectronicsValley - 98.5% Positive Feedback) has the Canon EOS 70D DSLR with EF-S 18-55mm IS STM Lens available for $849.00 with free shipping. Compare at $1,049.00.
 
Note: This is likely a grey market item and therefore technically ineligible for a Canon USA warranty.
Posted to: Canon News
Post Date: 6/3/2015 12:48:21 PM CT   Posted By: Sean
SanDisk 64GB Connect Wireless Flash Drive
B&H has the SanDisk 64GB Connect Wireless Flash Drive available for $52.95 with free expedited shipping. Regularly $94.95.
 
Product Highlights:
 
  • Includes a microSDXC Memory Card
  • Wirelessly Store, Share, Stream Content
  • Preformatted exFAT for Windows
  • Windows, Mac, iOS, & Android Compatible
  • Supports 8 Simultaneous Connections
  • Supports 3 Simultaneous Media Streams
  • Wireless Range up to 150'
  • USB 2.0 Connection, Charges Via USB
  • Up to 4 Hours of Battery Runtime
  • Wi-Fi (WPA2) Password Protection
Category: SanDisk Deals
Post Date: 6/3/2015 11:40:17 AM CT   Posted By: Sean
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