MELVILLE, N.Y., April 4, 2013 – Canon U.S.A., Inc., a leader in digital imaging solutions, today announced the opening of its service and support center in Ridgefield Park, New Jersey. This facility is located just across the George Washington Bridge outside of New York City, and will provide comprehensive product repair and maintenance services for the growing customer base of Canon's professional imaging products.
The Ridgefield Park on-site repair operations include state-of-the-art camera and lens dark rooms, Canon's most advanced adjustment and calibration equipment, spare parts inventory, and an experienced repair staff that will work to quickly return Canon's professional products to their original factory condition and operation. This new facility, available exclusively for Platinum and Gold level members of Canon's Professional Services (CPS) program, including owners of Cinema EOS products, and broadcast lens clients, confirms Canon U.S.A.'s commitment to providing personalized and local service and support to imaging professionals in the New York/New Jersey metro region.
This facility is Canon's second service facility exclusively available to professional clients, joining the Canon Hollywood Professional Technology & Support Center that debuted in the heart of Hollywood, CA, early last year. Both facilities provide factory quality repair and maintenance service for Canon's extensive lineup of professional-grade cameras, including EOS Digital SLR cameras, Cinema EOS cameras, and high-definition camcorders. All of Canon's professional lenses, including EF series photography lenses, Cinema lenses, and broadcast and studio lenses are also supported at this new facility.
"The opening of another support facility that caters exclusively to imaging professionals signifies the growth and demand of Canon's professional imaging products and Canon's commitment to imaging professionals," said Yuichi Ishizuka, executive vice president and general manager, Imaging Technologies and Communications Group, Canon U.S.A. "Opening this location illustrates our desire to bring Canon's industry-leading support directly to our clients in areas where they work and live. Being closer to our customers will help enable us to further improve on our outstanding repair processing times for professional products, which average less than three days in most instances."
An advance reservation is required for all service and support requests handled by the Ridgefield Park, N.J. facility. Canon Professional Services (CPS) Platinum and Gold level members can make a reservation via the CPS hotline by calling 1 (888) CPS-4540. Owners of Cinema EOS, professional video cameras and broadcast lenses should call 1 (855) CINE EOS to schedule an appointment.
Additional camera and lens service facilities for both professional and consumer clients are located in Jamesburg, N.J., Irvine, C.A., and Newport News, V.A. Each of these facilities operates with the same Canon speed and quality that is unrivaled in the industry. By the end of the year, Canon plans to further expand its local service center presence to the Midwest with the opening of a new service and support facility to support imaging professionals in the Chicago market.
OK - There will be enough new/updated pages to cover a week and a half. So I'm starting this "week" on a Wednesday.
It is Spring in the northern hemisphere and we are ready to end hibernation and to start filling memory cards. Spring sports have started and I *think* the grass is showing a hint of green-ness. Leaves will soon be pushing out and the landscape will take on a new attractiveness.
The Canon lens recommendation pages on the site were showing some age, so I'm going to be announcing updates and additions all this "week". Hopefully you can find a cure to that Spring Fever amid these pages.
118 new lens / camera combinations have been added to the DxO Optics Modules library, providing support for Canon, Olympus, Panasonic, Pentax and Tamron lenses for Canon, Olympus, Panasonic and Pentax cameras.
To see supported and planned combinations, click on the link below then select the second tab.
New Upgrades, Including Support for Industry-Standard ACES, Look to Help Deliver Greater Production Workflow Efficiency
MELVILLE, N.Y., April 3, 2013 – Canon U.S.A., Inc. a leader in digital imaging solutions, announced today new firmware and application software upgrades for the Company's Cinema EOS System lineup of cameras. New ACES compatibility software for the Cinema EOS C500 and Cinema EOS C500 PL Digital Cameras will be available as a free download expected in June 2013. Additional Cinema EOS firmware upgrades, including a new 1,440 x 1,080 pixel recording mode at 35Mbps for the Cinema EOS C300 and Cinema EOS C300 PL Digital Cameras, are expected to be available as free downloads starting in October 2013, all from the www.usa.canon.com.
In response to strong demand from professionals working in the fields of motion picture, commercial and television production, the firmware and application software upgrades will offer enhanced color management efficiency and camera functionality, contributing to improved video production workflow efficiency.
ACES Compatibility for Greater Production Workflow Efficiency (EOS C500/EOS C500 PL) Cinema EOS C500 and Cinema EOS C500 PL camera users will be able to download a new version of Canon's Cinema RAW Development Software for working with 4K RAW data. The new version provides support for the Academy Color Encoding System (ACES) color management standard, as defined by the Academy of Motion Picture Arts and Sciences (AMPAS) and standardized by the Society of Motion Picture & Television Engineers (SMPTE). Compatibility with ACES helps make efficient workflows possible, enabling color management using a uniform color space - even when handling video captured using multiple cameras with different color characteristics.
Automatic Functions (EOS C300) and New Recording Mode (EOS C300/EOS C300 PL) A new firmware upgrade for the Cinema EOS C300 Digital Camera adds Push Auto Iris and One-Shot Autofocus (AF), two outstanding automatic functions incorporated in the Cinema EOS C100 Digital Camera (released in November 2012). These functions enable users to automatically adjust lens aperture and focusing through a simple one-touch operation, which can be particularly useful for cinematographers and videographers shooting without the support of an assistant.
In addition, a firmware upgrade for the Cinema EOS C300 and Cinema EOS C300 PL Digital Cameras adds a 1,440 x 1,080 pixel recording mode at 35Mbps, a resolution widely used in terrestrial digital television broadcasting. This new mode will expand the versatility of the XF codec and can be a useful addition for broadcast applications where the reduced bandwidth requires less transmission time while still maintaining a high level of image quality.
Shifting Display Location during Magnified Focus Assist (EOS C100, EOS C300/EOS C300 PL, EOS C500/EOS C500 PL) Firmware upgrades for the EOS C500 and EOS C500 PL, EOS C300, EOS C300 PL, and EOS C100 Digital Camera models enable the Magnified Focus Assist function's magnified view area within the viewfinder and LCD monitor to be shifted to locations other than the center of the screen, allowing users to confirm focus across the entire display area.
Designed for Film-Style Operation, Canon Cinema Prime Lenses Deliver 4K Imaging Performance
MELVILLE, N.Y., April 3, 2013 - Canon Inc., the parent company of Canon U.S.A., Inc., a leader in digital imaging solutions, has announced the development of a 35mm cinema prime lens for large-format single-sensor cameras employing Super 35mm, full-frame 35mm, and APS-C size imagers. The 35mm cinema prime lens will look to join Canon's line of 14mm, 24mm, 50mm, 85mm, and 135mm EF-mount Cinema prime lenses. The 35mm cinema lens in development will look to become the sixth in the line, filling a strategic optical need between Canon's 24mm and 50mm lens offerings. As with Canon's precision-matched, competitively priced CN-E prime lenses, the 35mm lens under development will look to deliver 4K optical performance and inherit the professional operability of the existing CN-E prime lens line.
Canon Cinema prime lenses are part of the Canon Cinema EOS System of professional digital cinematography products, which also include the EOS C500 4K/2K Digital Cinema Camera, EOS C300 Digital Cinema Camera, EOS C100 Digital Video Camera, EOS-1D C 4K DSLR Cinema Camera, and four Canon Cinema zoom lenses. A development sample of the 35mm cinema lens will be on display in the Canon booth #C4325 during the 2013 NAB Show in Las Vegas, NV, April 8-11, 2013, and the lens itself is currently expected to officially launch sometime this year.
"Canon is committed to supporting cinematic culture and the continued advancement of tools for visual storytelling at all levels," affirmed Yuichi Ishizuka, executive vice president and general manager, Imaging Technologies & Communications Group, Canon U.S.A. "During the past 18 months, Canon has brought our Cinema EOS product line to market, and in that time we have introduced HD, 2K, and 4K cameras, lenses and workflow solutions, as well as structured a comprehensive service and support network for professionals in the theatrical motion picture and television markets to enable customers to create and deliver exceptional imaging content and cinematic brilliance."
The CZ.2 28-80/T2.9 can be seen for the first time at NAB Show in Las Vegas
OBERKOCHEN/Germany, 03.04.2013. Carl Zeiss presents its new zoom lenses from the Compact Family at the NAB Show 2013 (8-11 April) in Las Vegas at its booth C9043. Versatile, flexible and yet small and manageable – these are the characteristics that describe the Compact Zoom CZ.2 lenses. For the first time, the new CZ.2 28-80/T2.9 will be presented in the US. The Compact Zoom Family currently comprises the CZ.2 28-80/T2.9 and the CZ.2 70-200/T2.9; the latter won the prestigious iF product design award in February 2013.
The ZEISS Compact Zoom lenses weigh just 2.5 to 2.8 kilograms (5.5 to 6.2 pounds). “For cinema zoom lenses, that is very little. The light and compact design is ideal for hand-held and steadicam shooting,” explains Helmut Lenhof, Product Manager for the Compact Family in the Carl Zeiss Camera Lens Division. The lenses are suited for owner operators as well as episodic television series, documentary films, features and big-screen productions. Especially for shooting projects on a tight budget and time schedule, a ZEISS Compact Zoom lens is an extremely flexible solution. The zoom lens enables faster work and minimizes long set-up times.
Unlike zoom lenses for still photography, the ZEISS Compact Zoom cinema lenses each have three independently moveable zoom groups. This complex design prevents undesired focus shift and ensures optimal image quality. The lenses have a continuous high aperture of T2.9 over the entire zoom range.
Filmmakers can also look forward to a new shorter super wide-angle zoom lens designed for the owner-operator when the Compact Zoom series will expand to a family of three at the end of 2014. This new zoom lens will replace the Lightweight Zoom LWZ.2.
As members of the ZEISS Compact Family, the Compact Zoom CZ.2 lenses are the perfect complement to the fixed focal length Compact Prime CP.2 s well as other ZEISS cine-style lenses. Thanks to the exact color matching within the ZEISS cinema lens family, all lenses in this series can be combined flexibly with each other, with no visible deviations.
They cover full-frame format (24x36mm) and can therefore be used on HDSLR cameras, as well as professional HD video and cinema cameras. Being designed as full-frame lenses, they create a sweet spot effect and a uniformity of illumination when used on Super 35 sensors and are ‘future-proofed’ for next generation digital cinema cameras utilizing larger sensors.
Moreover, the interchangeable mount system makes it possible to use the lenses of the Compact Family on various camera models. The mounts currently available are for PL, EF, F, MFT and E. “Investing in this lens family is especially attractive for cinematographers and rental companies because the interchangeable mount also ensures the lenses’ long-term compatibility in the rapidly changing camera market. For all relevant future camera models, mounts will be available which the user can exchange very easily,” adds Lenhof.
Cinematographers can also rely on the quality features that ZEISS is known for: The T* anti-reflective coating and the internal stray light reduction eliminate bothersome light reflections.
All Compact Zoom CZ.2 lenses have the same front diameter of 95 mm. The large focus rotation angle of almost 300 degrees and the calibrated focus scales ensure comfortable handling. All lenses in the Compact Zoom Family correspond to 4K production standards and cover a resolution of 4096 x 2160 with no distortion.
Australian cinematographer Warwick Brown has already used the Compact Zoom CZ.2 70-200/T2.9 for shooting a television production. “I have just finished shooting a dramatic short film using this lens and the Compact Prime CP.2 Super Speed lenses together. They are a real winning combination. The zoom is sharp and handles highlights beautifully.”
The delivery of the Compact Zoom CZ.2 70-200/T2.9 began in early 2013. The Compact Zoom 28-80/T2.9 will be available starting July. Carl Zeiss authorized dealers are now accepting orders on both zoom lenses. The suggested list price of each Compact Zoom CZ.2 lens will be €14,900 or US$19,900 (excluding VAT).
The lead time for the Compact Zoom CZ.2 70-200/T2.9 is currently six to seven months. A higher demand as expected led to these lead times. Carl Zeiss will increase its production capacities in order to reduce the lead time to three to four months.
Highlights Include Live 4K Workflow Demonstrations in a Full On-Site DI (Digital Intermediate) Suite, Live 4K Broadcast Demonstrations for HD “Ultra-Zoom” Applications, and the Canon Theater
MELVILLE, N.Y., April 3, 2013 - At the 2013 NAB Show in Las Vegas, Canon U.S.A., Inc., a leader in digital imaging solutions, will showcase its full line of professional, high-definition imaging equipment for motion picture, television production, video content creation, and still photography at booths C3628 and C4325. Within this year’s booth, Canon will feature a live 4K Workflow Demonstration where visitors will have the opportunity to interact with industry-leading colorists and editors in a 4K DI (Digital Intermediate) suite. In a live color grading session of 4K footage from Canon’s groundbreaking C500 4K camera, on-site professionals will demonstrate the imaging possibilities of Canon’s 4K image capture technology and view the results on Canon’s prototype 4K reference displays, currently under development.
Building off the recent successes of the Canon Cinema EOS C500 4K digital camera’s broadcast capabilities, the Company will be exhibiting a live demonstration of 4K Remote Broadcast, highlighting how spectacular HD broadcast footage can be captured, digitally rendered and cropped for live-action broadcast applications using Canon’s Cinema EOS equipment. Visitors to this demonstration will see, in real-time, the results and stunning coverage that can be used in multiple high-speed productions, including live-action sports.
Exhibiting some of the recent artistry and award-winning footage shot on Canon Cinema EOS equipment, show attendees are welcome to enter a 90-seat Canon Theater to view spectacular footage and testimonials that illustrate HD, 2K and 4K projects including behind-the-scenes footage on how each project was captured. Demonstrating the full breadth of Canon capabilities from image capture through output, the Canon Theater will take visitors beyond capture and feature additional 4K reference display prototypes currently under development.
The Company has also announced and will showcase the new Cinema EOS C100 EF 24-105 Lens Kit, a cost-effective solution to assist cinematographers, including single-person and small cinematography crews, with the ability to purchase and produce high-quality pieces at an affordable price-point.
In addition, visitors to the Canon booth will have the opportunity to touch-and-try a full range of Canon equipment on display throughout the week. Canon products, such as the EOS-1D C Digital Cinema SLR, EF Cinema zoom lenses and various other cameras and accessories will be available to demo.
Professional cinematographers in need of a fast, easy way to print images for scene continuity or to preserve highlights of a recently completed project can appreciate the convenience and versatility of Canon’s photo-quality printers. On-hand in the Canon booth will be the 24-inch imagePROGRAF iPF6450, and the 44-inch imagePROGRAF iPF8400, 12-color large-format printers. Both are equipped with LUCIA EX pigment ink set, an enhanced multi-sensor and advanced printing technologies to help achieve extraordinary quality and enhanced color range in large format printed output. Also being shown are the PIXMA PRO series of desktop inkjet printers. The PIXMA PRO-1 printer, the flagship model in Canon’s professional inkjet printer lineup, features a 12-color LUCIA Pigment ink system that expands the color gamut with improved saturation of colors and darker, deeper blacks, over previous models. The PIXMA PRO-10 printer, with its 10-color pigment ink system, and the PIXMA PRO-100 printer, with its 8-color dye-based ink system provide photographers with a number of options to help satisfy their printing needs. The SELPHY CP900 compact photo printer will be on display allowing professionals to see first-hand the convenience and high-image quality of this compact photo printer.
In the BCTV Shooting Gallery, booth visitors will have the opportunity to experience the performance and capabilities of Canon’s Broadcast HDTV lenses through various simulated shooting situations.
Throughout the 2013 NAB Show, Canon will host a series of unique live-learning stage demonstrations with renowned cinematographers, broadcast specialists, and filmmakers at the Canon booth. These industry professionals will provide insight into the ever-changing field of optical and imaging technology and showcase their projects and works that were shot on Canon equipment, as well as share best practices and real-world applications for Canon technology.
Additionally, Canon is hosting a special, three-hour learning session focusing on the intricacies of the Canon Cinema EOS C500 4K digital camera. Led by Los Angeles-based Director of Photography, Suny Behar, the “Canon Cinema EOS C500 4K digital camera Workflow: 2K/4K from Set-Up to Shoot” session will explore camera set-up choices from System Priority, Recording Mode and Resolutions to file output options. Behar will also demonstrate a step-by-step configuration of the Cinema EOS C500 4K digital camera with external recorders. “The Cinema EOS C500 4K digital camera Workflow: 2K/4K From Set-Up to Shoot” will take place on Tuesday, April 9th in rooms N239 and N241with two convenient sessions - the first from 9:30am to 12:30pm and the second from 2:00pm to 5:00pm. NAB attendees with the Conference Flex Pass, the Exhibits-Only (Open to All), the Post|Production World and the SMART Pass are eligible to attend.
For the first time at NAB, Canon’s Professional Services (CPS) is proud to host the CPS Hospitality Suite. Providing service and support to the professional imaging industry and its high demands, the CPS Hospitality Suite is open to all NAB Tradeshow attendees and CPS Members. Located just off of the tradeshow floor visitors to the suite can see Canon’s latest products and take advantage of touch-and-try counters in a private setting.
Canon technical representatives will be on-hand to provide consultations for cinema, video and DSLR users and CPS Gold and Platinum members can receive free onsite Clean & Checks for current professional equipment*. Suite visitors will also be able to chat with Canon experts about Canon’s exciting developments in cinema, video and DSLR technology as well as sign up for Canon CPS membership. Product serial numbers for qualifying CPS equipment will be needed in order to process on-site membership applications.
The Canon CPS Hospitality Suite will be open April 8th through April 10th from 9:00 a.m. to 6:00 p.m. and April 11th from 9:00 a.m. to 2:00 p.m.
April 2, 2013 This version of the DNG Converter supports over 20 new cameras including the Canon EOS-1D C, Nikon Coolpix A, and Samsung NX300. Visit the Camera Raw page for a complete list of supported cameras.
Join us, Thursday, April 4th from 3PM-4PM EST, as Datacolor Experts David Saffir and C. David Tobie walk you through the issues they have encountered through their years of architectural rendering and photography and offer helpful techniques to be utilized.
Architectural photography offers accurate representation of a building or structure. Achieving this is often complex. Even though photographing interiors and exteriors can be similar, they do have some differences and may require different equipment.
Perspective and context issues may arise when photographing exteriors, while distortion issues may arise with interiors. Other issues may include scale, vignette, chromatic aberration and color accuracy. Technique is key. Helpful tips focusing on low light images, various HDR options, one-point and multi-point perspective versus elevation and isometric will be shared.
An interactive Q&A will take place throughout the webinar to answer any questions you may have.
One lucky webinar guest will win a free Spyder4PRO!
Title: Architectural Photography and Editing Date: Thursday, April 4, 2013 Time: 3:00 PM – 4:00 PM EST
Tamron Co., Ltd. (Morio Ono, President & CEO) announced today that it had established a new wholly owned subsidiary in India aimed at expanding sales organization to achieve higher sales volumes and improving every facet of the customer service.
India, being one of the major markets in the world that has posted significant growths in recent years, has been served by local distributors. In 2009, Tamron established a representative office in India to collect market information and initiated extensive research activities thereafter. To take it to the next phase, Tamron decided to establish a subsidiary to be prepared for further expansion of the market relating to interchangeable lenses for DSLR/mirror-less cameras, and optics for security/surveillance cameras. This is a major strategic move of the company to solidify its foothold in one of the fast growing markets in the world by broadening the customer base as well as enhancing the brand recognition.
Specifics of the plan
TAMRON INDIA PRIVATE LIMITED
Gurgaon (Suburbs of Delhi), Haryana, India
Nitin Goel, President & CEO
Marketing and service of optical products
28 Million Indian Rupee
99.6% by Tamron Co., Ltd., 0.4% by Tamron Europe GmbH.
Update: Firmware upgrades for the Nikon D7000 and D3200 have been added.
This is the D600 C: 1.01 firmware upgrade download - Please review the information provided, and click the appropriate download link below.
Modifications enabled with this upgrade of firmware, release date April 2, 2013
Support for the AF-S NIKKOR 800mm f/5.6E FL ED VR has been added.
Subject tracking performance in AF-C (continuous-servo autofocus) autofocus mode with framing using the viewfinder has been improved.
Frame output size has been changed from 95% to 100% when movie live view display is changed to "Information off" and an HDMI-compatible device is connected.
An issue that caused the right edges of images to be somewhat white when captured at an Image area setting of DX (24x16) 1.5x with Active D-Lighting set to Off has been resolved.
When the camera's shutter-release button was pressed repeatedly for uninterrupted shooting with the "Record to:" option in Camera Control Pro 2's Storage tab set to "PC+CARD", the camera would stop responding with displaying "Err" in its control panel. This issue has been resolved.
In some very rare cases, colors would change with shooting when white balance was set to a specific color temperature, as with Preset manual or Choose color temp. This issue has been resolved.
This is the D3 A:2.03 / B:2.03, D3X A:1.01 / B:1.02, D3S A:1.02 / B:1.02, and D7000 A:1.03 / B:1.04 firmware upgrade download - Please review the information provided, and click the appropriate download link below.
Modifications enabled with this upgrade of firmware, release date April 2, 2012
Support for the AF-S NIKKOR 800mm f/5.6E FL ED VR has been added.
This is the D3200 C:1.01 firmware upgrade download - Please review the information provided, and click the appropriate download link below.
Modifications enabled with this upgrade of firmware, release date April 2, 2012
The following functions have been changed with shooting using the Wireless Mobile Utility.
When the camera's shooting mode is set to Auto or Auto (flash off), it now operates in Auto or Auto (flash off) mode. Prior to this upgrade, the camera functioned in [P] (Programmed auto) exposure mode.
Live view can now be initiated even when the camera is set to "Auto" or "No flash" in GUIDE mode.
In some very rare cases when certain memory cards were used, movie recording would stop, even when the time remaining display indicated remaining recording time. This issue has been resolved.
In some very rare cases, colors would change with shooting when white balance was set to a specific color temperature, as with Preset manual or Incandescent. This issue has been resolved.
Canon U.S.A Redefines Ease of Use for Left-Handed Digital SLR Photographers with the EOS 7D L
Lake Success, N.Y., April 1, 2013 - Canon U.S.A., Inc., a leader in digital imaging, today introduced a revolutionary new camera that finally addresses the needs of left-handed photographers worldwide: the Canon EOS 7D L Digital SLR camera. Based on the highly successful EOS 7D, the EOS 7D L features a reversed ergonomic design which left-handed photographers will fall in love with. Whether it's shooting at eight frames per second (fps), focusing with Zone AF mode or recording 24p Full HD video, the EOS 7D L DSLR camera satisfies the most rigorous professional requirements with durability, flexibility, customizable controls and impressive image quality.
To support production of the EOS 7D L, state-of-the-art manufacturing lines developed for the classic EOS 7D were reproduced in mirrored orientation.
“Canon has been a world leader in innovation for over 65 years - and the EOS 7D L is another innovative product that we are proud to have associated with that heritage,” says Yuchira Izukio, executive vice president, CMOS Imaging Development, Canon U.S.A.
Canon EOS 7D L Features:
Reversed ergonomics tailored to left-handed photographers
18-megapixel Canon CMOS sensor with Dual DIGIC 4 Imaging Processors
Advanced 19-point customizable Autofocus system
iFCL Metering System
8 frames per second (fps) burst rate
Full HD video recording (24p/25p/30p)
Manual adjustment of audio levels
ISO levels 100-6400 (expandable to 12,800)
Pricing and Availability
The Canon EOS 7D L Digital SLR camera is scheduled to be delivered to U.S. dealers at the end of May, and will be sold in a body-only configuration at an estimated retail price of $1,499.00*. It will also be offered in a kit version with Canon's EF-S 15-85mm f/3.5-5.6 IS USM zoom lens at an estimated retail price of $1,769.00*.
* Pricing subject to change at any time. Actual prices are determined by individual dealers and may vary.
I know this is a bit off-topic for a photography website, but it's no secret that I [Sean] love my Roku box. I use it every day to watch Netflix streaming, see a slideshow of Flickr's most interesting photos of the day, watch or listen to media content stored on my desktop computer (via Plex Media Server software), or simply relax to Pandora being played through my home entertainment system.
With this announcement, I can't help but wonder how Roku's latest technology might be adapted for use by photographers:
Would this be a good way to show someone a slideshow of your best images?
Could it be adapted for use by DSLR video shooters to preview videos or check focus peaking?
Roku Streaming Shades were designed with the on-the-move TV watcher in mind. Comfortable, silicone nose pads keep the lightweight frame securely in place on even the smallest-featured of faces. Our industrial designers worked side-by-side with fashion designers to create a frame that looks smart wherever you want to watch a movie secretly, whether it’s a dull work presentation or your child’s piano recital.
Simple voice commands put you in control of Roku Streaming Shades. “OK, shades, play next Breaking Bad on Netflix” will start the next episode of the gritty, award-winning drama on the built-in glass prism display (a mere 3 cm from your eyes).
Roku Streaming Shades will support over 100 Roku channels at launch, with more to be added. Video is the star. Our research shows that users don’t want to use head-mounted displays to send text messages to people 10 feet away, learn the length of the Brooklyn Bridge or creep friends out by live casting a party. They want to veg out to marathon sessions of Homeland.
Two models of Roku Streaming Shades will be available:
Roku Streaming Shades – Plastic frames in tortoise shell, mulberry or onyx. Up to 720p video. 801.11 a/b/g/n. Bluetooth 4.0.
Roku Streaming Shades XS – Aluminum frames in ultramarine, persimmon, cornsilk or dust storm. Up to 1080p video. 801.11 a/b/g/n (801.11n in 2.4 GHz and 5.0 GHz. GSM/EDGE, LTE connections (data plan $50/month for 50GB from to-be-announced wireless carrier). Bluetooth 4.0.
Both models support voice commands via a built-in microphone and audio output with speakers and a stereo headphone mini-jack. A mini bluetooth Roku remote makes it simple to skip songs on Pandora when you don’t want to appear to be talking to yourself. The rechargeable lithium-ion battery provides up to 10 hours of video streaming bliss.
An accelerometer and a three-axis gyroscope make it possible to play Roku games with natural head motions – just keep an eye out for curbs and oncoming traffic. Both models come with Angry Birds Star Wars free.
Use your Streaming Shades with the recently announced Roku 3 player for seamless video viewing. If you walk in the door halfway through an episode of Game of Thrones on your Streaming Shades, simply command “Okay, shades, send show to TV” to finish up on your Roku 3.
Roku Streaming Shades ($399.99) and Roku Streaming Shades XS ($499.99) will be available on Roku.com, Amazon.com and other major online retailers beginning April 31.
For those of you who live, breathe and eat technology, Roku Streaming Shades are the new way to ensure that nature, social events and family don’t get in the way of watching your favorite shows 24/7. It’s TV time. Anytime and ANYWHERE.
THK Photo Products, Inc based in Huntington Beach, CA will formally change it's corporate name to Kenko Tokina USA, Inc effective April 01, 2013.
THK Photo Products, Inc is the USA authorized importer and distributor of Tokina lenses, Hoya filters, Slik tripods and Kenko photo accessories. The company is also a wholly owned subsidiary of Kenko Tokina Co, Ltd of Tokyo Japan. THK Photo Products, Inc is executing this official name change to align itself with the parent company's global marketing strategy.
Mr. Yasumi Suga, president of THK Photo products comments, "We have seen tremendous growth in our core brands over the last 37 years. We are excited about the name change to Kenko Tokina USA because it best reflects our company's identity. As we continue to grow our brands moving forward, this name change will allow our customers to easily identify our company and the brands we distribute.”
Operating as Kenko Tokina USA, Inc, the company will continue to promote, distribute and service it's core brands of products in the USA.
Note: By all accounts, this appears to be a legitimate news story today.
I [Roger Cicala] was able to talk with Dr. Eno Lirpa, one of the optical physicists on the Baceolus team, about their new sensors.
“When looked at from a physics point of view, current sensor technology is just a foolish design”, Lirpa says. “You give away so much resolution just to detect color. It’s just not necessary. Every photon already carries a color message.”
Every first-year physics student learns the simple formula E = hc/ ? where E equals photon energy and ? it’s wavelength. If you know a photon’s energy it’s simple to calculate wavelength and therefore determine the photon’s color.
For example, blue light, with a wavelength of 400nm has an energy of 3 electron volts per photon, while 700nm wavelength red light has an energy level of 1.77 electron volts, and green light 2.43.
“It’s a fairly simple engineering matter to measure a photon’s energy as it strikes the camera sensor, but everyone has been so focused on cramming more megapixels onto the chip,” Lirpa continues. “There hasn’t been much interest in adding additional technologies to the chip.”
There is no Bayer array over a Baceolus sensor. Other manufacturers have used new back-illuminated sensor technology to move the wiring behind the actual photosensor, rather than in front of the sensor.
Baceolus goes one step further. They’ve taken advantage of a back illuminated sensor to place energy sensing circuitry in front of each photo well. A simple calculation converts energy level to wavelength, determining that photon’s color
RØDE has announced the i16, a surround sound microphone for iPhone, iPad and iPod touch that combines sixteen discrete microphone capsules to capture the user’s surrounding audio environment in broadcast quality.
RØDE’s iXY stereo microphone for iOS devices was released in January, and has already gained critical praise from both musical and mainstream media, including a recent Red Dot product award.
The company is quickly emerging as the leader in microphones for Apple’s portable devices, and the i16 aims to consolidate this reputation.
RØDE’s founder and president, Peter Freedman, explains: “When developing the iXY we were focussed on providing the ultimate in stereo audio capture for iOS devices. But during the project it became that there was a large proportion of the market who wanted to record in complete surround. We’ve taken that seriously and produced the i16.”
The new microphone uses RØDE’s own field recording app, RØDE Rec, to record the sixteen tracks simultaneously at quality up to 24-bit/96kHz.
At the heart of the i16 is an incredible sixteen individual gold-sputtered cardioid condenser capsules, which allows the user a high amount of freedom to record in either surround, stereo, mono, or anywhere in between.
“Once the user records the surrounding environment, software processing inside RØDE Rec will allow them to cancel background noise through phase manipulation of the other channels, working much in the same way as noise-cancelling headphones.” explained Mr Freedman. “In this way the i16 is even more effective at recording dialogue than a traditional shotgun microphone.”
Once the user records the surrounding environment they can then use that track to phase cancel any background noise, very much like noise-cancelling headphones. This results in highly intelligible dialogue and crystal-clear audio.
The i16 is available with both Apple Lightning (iPhone 5, iPad mini) and 30-pin connections. Both are shipping now, with a MSRP of US$399.