Canon and Sony News for Jan 2015 (Page 3)

From PocketWizard:

You must be using PocketWizard Utility version 1.54 or later before installing the latest firmware.

Canon MiniTT1 & FlexTT5 – 7D Mark II (beta)
The current Canon ControlTL beta firmware version is 6.726 and is available through the PocketWizard Utility right now. It adds support for Canon's latest DSLR, the Canon EOS 7D Mark II, and corrects a few issues. See the release notes for more information.

Nikon MiniTT1 & FlexTT5 – D750 / SB-500 (beta)
You should install the latest camera firmware, C:1.01, in your Nikon D750 before continuing.

The current Nikon ControlTL beta firmware version is 3.707 and is available through the PocketWizard Utility right now. It adds support for Nikon's latest DSLR, the Nikon D750, as well as the SB-500 Speedlight. It also corrects a few issues. See the release notes for more information.

B&H carries PocketWizard products.

From the B&H YouTube Channel:

The Flex is a 10”x10” flexible light panel with 166 LED diodes which are dimmable 5600k daylight balanced, or there’s a model with 3200k tungsten LEDs.

B&H carries the Wescott Flex LED Light Panel.

From the Canon USA YouTube Channel:

With some significant steps up in speed, flexibility and responsiveness from previous EOS 5D Series cameras, you'll see why the Canon EOS 5D Mark III deserves your serious consideration.

B&H has a Canon EOS 5D Mark III Bundle that's available for $2,499.00 after rebate.

From the Canon Digital Learning Center:

"There’s nothing like a fresh snowfall to make a landscape truly dramatic! Snow is an inspiring photographic subject, whether you’re shooting mountain vistas, or single flakes. But it’s also a tricky subject, and many photographers find that the glowingly bright snow scene in front of their lens mysteriously turns into a depressingly gray photo after they take the shot.This article explains why that happens, and how to avoid it, for wonderful snow photos this winter season!"

by Sean Setters

Ever since posting about the Canon EOS 7D L on April Fool's Day back in 2013, we receive the occasional email from site visitors who are truly interested in a camera they can operate with their left hand. More often than not, the user has experienced a trauma or some other condition which has left them partially (or completely) disabled on the right side of their body.

Being able to use both hands with relative equal dexterity is a blessing that I (as well as most of us, I'm sure) take for granted. I can scarcely imagine the obstacles and challenges of completing everyday tasks with one hand. And photography gear, with its overwhelming preference for right-handed design, becomes especially challenging to use if you do not have complete functionality on your right side.

As such, we wanted to provide a solution for those photographers who may not have full use of their right hand. What we came up with appears at the top of this post.

It's a Flip Flash Bracket from Alzo Digital with their Flash Bracket Shutter Release.

Normally speaking, the flash bracket and shutter release are designed to be used in a right-handed fashion. However, if you simply mount the camera backwards and then change the direction of the shutter release (so that it points the other way), the bracket can be held with the left hand and the shutter can be triggered with the left index finger.

One benefit of this solution is that it is camera body agnostic – it can be used with any camera body that has a tripod socket and a remote sync port (Alzo Digital sells several different versions of the shutter release to fit all types of cameras). Also, it's a relatively inexpensive solution at around $100.00.

Is it a perfect solution? Not really. In order to change camera settings, the user will need to set the camera down and go through the rather clunky process of changing settings with the left hand. However, this camera bracket does at least provide a viable solution for holding and triggering the camera for those who may only have the use of their left hand.

From Adobe:

Tonight we’re announcing the immediate availability of Lightroom mobile for Android phones.

Lightroom mobile extends your existing workflows beyond the desktop, allowing you to utilize your Android phone to review and edit your images and have the changes sync back to your Lightroom catalog at home, including:

• access images in your Lightroom catalog
• make selects, reject unworthy photos
• apply a preset
• fine tunes your images using the Basic panel
• import new photos directly from the Gallery

Once you’ve told Lightroom a collection of pictures should be sent to Lightroom mobile, the process is handled automatically and the pictures will become available on your Android phone once it is connected to the internet. Any changes you make in Lightroom mobile will be automatically synced and updated back to the Lightroom catalog on your desktop.

Lightroom mobile utilizes Smart Previews to provide raw editing functionality on the go. Smart Previews are:

• Based on the DNG file format
• Limited to 2560 pixels on the long edge
• Smaller versions original raw files
• Can be used to make adjustments even when the original files aren’t available locally
• Adjustments made to Smart Previews are applied to the original when the original files are available

How to get started:

Download the latest version of Lightroom 5

Lightroom mobile is a companion to Lightroom desktop. Please update to the latest version of Lightroom 5 using either the Creative Cloud app or by clicking on the “Help-> Check for Updates” menu option.

Sign In

Lightroom mobile utilizes cloud services to sync Smart Previews and changes between Lightroom desktop and Lightroom mobile. Lightroom mobile requires a qualifying Creative Cloud or Photoshop Photography Plan subscription:

• Creative Cloud Photography plan
• Creative Cloud complete plan
• Creative Cloud Student and Teacher Edition
• Creative Cloud for teams complete plan

Sync a collection

Lightroom mobile is organized around Collections. Images within Collections will be synced and be available in Lightroom mobile.

Download Lightroom mobile

Visit the Google Play store and download Lightroom mobile. Once you login with the same Creative Cloud account, you’ll see all of your synced Collections.

Check out your photos at lightroom.adobe.com

In addition to Lightroom mobile, we’ve also launched Lightroom web, a new way to view and share your images from any web browser. Available at http://lightroom.adobe.com.

System Requirements

• Processor : Quad Core CPU with 1.7 GHZ ARMv7 architecture
• RAM : 1 GB
• Internal Storage: 8 GB
• Android Jellybean, KitKat, or Lollipop

Adobe's Creative Cloud Photography Plan (Photoshop CC + Lightroom 5) is only $9.99 per month.

From Canon:

Thank you for using Canon products.

The purpose of this announcement is to inform our customers of the details of the phenomenon described below, as well as of the actions Canon is taking to address this phenomenon. Because we value the trust our customers have placed in us, we are dedicated to delivering industry-leading service and support for our products. We offer our sincerest apologies to any customer who may be inconvenienced.

Phenomenon
In rare instances, it is possible that units of the Potentially Affected Products listed below may exhibit the following operation errors, depending on usage conditions, due to insufficient contact between the camera’s battery terminal and the battery, even when the battery has sufficient power remaining.

• The message “Charge the battery” appears immediately.
• The power sometimes does not turn on.
• The power turns off during use.

Potentially Affected Product
Please confirm whether your camera may be a Potentially Affected Product by checking the sixth digit from the left in the serial number which is located on the bottom of the camera body.

Product	Location of serial number	Potentially Affected units
PowerShot ELPH 135		Products whose sixth digit from the left is “0” may be affected.
PowerShot ELPH 150 IS		Products whose sixth digit from the left is “0” may be affected.
PowerShot ELPH 340 HS		Products whose sixth digit from the left is “0” may be affected.
PowerShot SX280 HS		Products whose sixth digit from the left is “0” to “4” may be affected.
PowerShot S120		Products whose sixth digit from the left is “0” or “1” may be affected.
PowerShot ELPH 140 IS		Products whose sixth digit from the left is “0” may be affected.

Product	Example Image	Marking Position
PowerShot ELPH 135		Marking is on the inside of battery cover.
PowerShot ELPH 150 IS		Marking is on the inside of battery cover.
PowerShot ELPH 340 HS		Marking is on the inside of battery cover.
PowerShot SX280 HS		Marking is on the inside of battery cover.
PowerShot S120		Marking is on the inside of battery cover.
PowerShot ELPH 140 IS		Marking is on the inside of battery cover.

Please note that the support above will be available until the end of 2019 only.

This information is for residents of the United States and Puerto Rico only. If you do not reside in the USA or Puerto Rico, please contact the Canon Customer Support Center in your region.

Thank you,
Customer Support Operations
Canon U.S.A., Inc

From Lexar:

New Cards Provide High-Performance Capture, Play Back, and Transfer of Photo Files and 1080p Full-HD, 3D, and 4K video

Milpitas, CA – Lexar, a leading global brand of flash memory products, today announced the new Lexar Professional 1000x microSDHC and microSDXC UHS-II cards, offering read transfer speeds up to 150MB per second.* Designed for sports camcorders, tablets, and smartphones, the new microSD cards leverage Ultra High Speed II (U3) to provide faster capture, play back, and transfer of photo and video files. The cards are also an excellent choice for photographers needing multiple memory cards for extended use to capture aerial content with a quadcopter.

Available in 32GB, 64GB, and 128GB capacities, Professional 1000x microSD UHS-II cards can quickly capture, play back, and transfer extended lengths of the highest quality 1080p full-HD, 3D, and 4K video, making it easy to preserve more than 15 hours of your greatest moments and then relive the action.*** As with all Lexar Professional cards, a lifetime copy of Image Rescue software is included to recover any lost or deleted files, and each card is backed by a limited lifetime warranty.****

“As the many uses for microSD cards grow and evolve, we want to provide users with the best possible workflow solution,” said Adam Kaufman, director of memory card product marketing, Lexar. “The Lexar Professional 1000x microSD UHS-II cards allow users to enjoy the benefits of the latest UHS-II devices, while also performing at the maximum speed threshold of UHS-I devices, and provide exceptionally fast file transfer when used with the included reader. Whether it’s with a tablet, smartphone, or quadcopter, the new Professional 1000x microSD UHS-II cards will capture and move content faster than ever before.”

“While the new UHS-II technology allows us to boost read performance in our microSD product line by more than 50%, we’ve retained full backward compatibility to older SD 2.0 and UHS-I SDR-104 hosts, allowing consumers to have full use in older devices while benefitting from the higher read speeds of the new interface,” said Wes Brewer, vice president and general manager, Lexar. “This ability, combined with a unique reader, sets the high performance Lexar Professional microSD cards miles apart from others in the market.”

The Professional 1000x microSDHC and microSDXC UHS-II cards are backwards compatible with UHS-I cameras and readers at UHS-I speeds, as well as non-UHS-I devices at Class 10 speeds. Lexar Professional 1000x microSD UHS-II cards will be available in the first calendar quarter of 2015 with a MSRP of $59.99 (32GB), $109.99 (64GB), and $189.99 (128GB).

B&H carries Lexar memory cards.

From Canon Professional Services:

Dates:
January 29, 2015 – February 1, 2015

Location:
Stadium at University of Phoenix
Photo Media Offices
1 Cardinals Drive
Glendale, Arizona 85305

Canon Professional Services will be on site at the stadium providing support to photographers shooting the Big Game in Arizona. All photographers must hold valid credentials issued by the event’s organizers in order to gain access.

Our Canon factory service technicians will be providing complimentary Clean & Check service on your DSLR cameras and EF lenses. (Limited to two items)

Daily equipment evaluation loans will be available on a first-come, first-served basis.

Pro Market representatives will be available to answer technical questions and offer product demonstrations.

The CPS support center will be located on-site, in the Photo Media Offices of the stadium.

Dates and Hours of CPS Operations:

(All times are local time and schedule and content subject to change without prior notice)

From the B&H YouTube Channel:

Following the old adage in photography, learn one light before you add more, join Bob Harrington as he shows you ways to use one light creatively and efficiently to get you on your way to lighting mastery.

From Nikon:

TOKYO - Nikon Corporation is pleased to announce the release of two new slim and stylish COOLPIX S-series cameras, a line of compact digital cameras that incorporate advanced functions in a refined design, the COOLPIX S3700 and the COOLPIX S2900.

The S3700 has an elegant, compact body with a depth of approximately 20.1 mm. It offers an effective pixel count of 20.1-million pixels, and is equipped with an 8x optical zoom NIKKOR lens that covers the wide-angle 25 mm to telephoto 200 mm angles of view (equivalent focal lengths in 35mm [135] format), and utilizes Dynamic Fine Zoom to increase zoom capability up to approximately 16x. It is equipped with a variety of advanced functions suited to portrait photography, including Smart Portrait mode, which offers an array of effects that users can enjoy applying prior to shooting, as well as Glamour Retouch, which allows users to add various effects that enhance the faces of human subjects after images are captured. In addition, built-in Wi-Fi and NFC support allow users to easily transfer images to a smart device. This means that users can not only preserve beautiful images of vacations and special events, but it expands the ways in which they enjoy connecting with others.

The S2900 offers an effective pixel count of 20.1-million pixels, and is equipped with a 5x optical zoom NIKKOR lens that covers the wide-angle 26 mm to telephoto 130 mm angles of view (equivalent focal lengths in 35mm [135] format) and utilizes Dynamic Fine Zoom to increase zoom capability up to approximately 10x, all in a slim body with a depth measuring approximately 19.8 mm. 10x Dynamic Fine Zoom makes it easier for users to enjoy zoom photography equivalent to approximately 260 mm (equivalent focal length in 35mm [135] format). In addition to an array of in-camera image editing functions, the S2900 is equipped with a number of functions that make capturing beautiful images easy while leaving everything up to the camera, including Scene Auto Selector, with which the camera identifies the subject and shooting conditions to automatically enable the optimal scene mode, and Target Finding AF, with which the camera automatically focuses on the most suitable subject when the user simply frames a photo.

From Nikon:

Two compact digital cameras that enable capture of beautiful photos with simple operation

TOKYO - Nikon Corporation is pleased to announce the release of two new COOLPIX L-series cameras, which are developed for ease of use and equipped with functions that make these digital cameras fun to use. The COOLPIX L32 makes shooting simple and processing images enjoyable, and the COOLPIX L31 offers simple operation that can be quickly mastered by even those new to digital cameras.

The L32 is a model that offers simple operation and superior image quality with an effective pixel count of 20.1-million pixels and a 5x optical zoom NIKKOR lens that covers a broad range of focal lengths, from the wide-angle 26mm to the telephoto 130mm (equivalent angles of view in 35mm [135] format). The 3-inch, approximately 230k-dot TFT LCD monitor with anti-reflection coating built into the camera ensures clear viewing with both shooting and image playback. In addition, the camera is equipped with a Glamour Retouch function (offering 8 effects) that allows users to create memorable portraits with the addition of a variety of effects to the faces of human subjects after photos are taken.

The L31 is a model that enables reliable, worry-free automatic shooting. It offers an effective pixel count of 16.1-million pixels*, and is equipped with a 5x optical zoom NIKKOR lens that covers a broad range of focal lengths, from the wide-angle 26mm to the telephoto 130mm (equivalent angles of view in 35mm [135] format).

Both the L32 and L31 make photographic expression, as intended, easy and enjoyable with adoption of Scene Auto Selector mode, with which the camera automatically chooses the optimal scene mode when the camera is simply pointed at the intended subject, as well as Special Effects mode and Quick Effects, which make enhancing images easy. What's more, the cameras are powered by readily available AA batteries, a common feature of L-series cameras. This means that users need not worry about whether or not batteries are charged, and can easily replace exhausted batteries.

B&H has the Rokinon 135mm T2.2 Cine DS Lens available for preorder.

Product Highlights

• 135mm Lens
• Full-Frame Coverage
• Multi-Layer Coating to Reduce Flare
• Standard Gearing for Focus and Iris
• Dual Side Focus and T-Stop Scales
• De-Clicked Aperture Ring
• Hybrid Aspherical Lenses
• Manual Focus and Aperture
• Removable Lens Hood
• Accepts 77mm Threaded Filter Rings

From CNN:

January 12th, 2015 – CNN has entered into a Cooperative Research and Development Agreement (CRDA) with the Federal Aviation Administration to advance efforts to integrate Unmanned Aerial Vehicles (UAVs) into newsgathering and reporting.

The cooperation arrangement will integrate efforts from CNN's existing research partnership with the Georgia Tech Research Institute (GTRI). Coordination between and among CNN, GTRI and the FAA has already begun. The FAA will use data collected from this initiative to formulate a framework for various types of UAVs to be safely integrated into newsgathering operations.

"Our aim is to get beyond hobby-grade equipment and to establish what options are available and workable to produce high quality video journalism using various types of UAVs and camera setups,” said CNN Senior Vice President David Vigilante. “Our hope is that these efforts contribute to the development of a vibrant ecosystem where operators of various types and sizes can safely operate in the US airspace.”

“Unmanned aircraft offer news organizations significant opportunities,” said FAA Administrator Michael Huerta. “We hope this agreement with CNN and the work we are doing with other news organizations and associations will help safely integrate unmanned newsgathering technology and operating procedures into the National Airspace System.”

Canon USA has just added seven (that's right, 7!) videos to its YouTube Channel featuring well-known and highly-respected photographer Aurthur Morris with tips on his specialty – bird photography.

Bird Photography with Arthur Morris Series

• Arthur's Gear Bag
• Location scouting for the perfect shot
• Getting the right exposure
• One Shot and AI Servo AF
• Sunrise and Sunset Blurs and Silhouettes
• Camera settings
• Tele-Extenders

Relevant Gear

• Canon EOS-1D-X
• Canon EOS 5D Mark III
• Canon EOS 7D Mark II
• Canon EF 200-400mm f/4L IS USM Extender 1.4x
• Canon EF 100-400mm f/4.5-5.6L IS II USM
• Canon EF 70-300mm f/4-5.6L IS USM
• Canon EF 70-200mm f/2.8L IS II USM
• Canon EF 24-70mm f/2.8L II USM
• Canon EF 16-35mm f/4L IS USM
• Canon EF 600mm f/4L IS II USM
• Canon EF 400mm f/5.6L USM
• Canon EF 300mm f/2.8L IS II USM
• Canon EF 300mm f/4L IS USM
• Canon Extender EF 1.4x III
• Canon Extender EF 2x III
• Gitzo Series 3 6X Systematic Carbon Fiber 3-Section Tripod (Long)
• Singh-Ray 77mm 3-Stop ND filter
• Singh-Ray 77mm Mor-Slo 5-Stop ND Filter
• Singh-Ray 82mm LB Warming Circlar Polarizer

I previously outlined how to use Microsoft Cliplets to turn video clips into animated GIFs. This time around, I'm going to show you how to use the 7D II's awesome burst rate capability and Adobe Photoshop to do the same thing (I like this way better, actually).

First, let's set up the 7D II for optimal capture of GIFs.

• This may be the only time you'll ever hear me say this – set your camera to JPEG (Large, or better yet – S1 or S2).
  There are several good reasons for setting your camera to capture JPEGs in this scenario. First, you'll want to be able to capture a consistent 10 fps burst for an extended period of time which would exceed the camera's buffer if shooting RAW. Second, shooting in JPEG will lessen the post-processing burden. The GIF at the top of this post was created using 60 images that were captured in a single burst, meaning my Photoshop file had 60 different layers right from the get-go. Unless your post-processing machine is a beast (mine isn't), your computer may slow to a crawl if you try working with a Photoshop PSD that has 60 (or more) 20+MP layers. As your end goal is to create a rather small GIF (that utilizes 256 colors at the most), you just don't need the benefits of RAW or even the camera's full resolution (unless you plan on cropping heavily). Shooting in JPEG S1 (2736 x 1824 pixels) or S2 (1920 x 1280 pixels) should provide plenty of resolution for most GIF applications.
• Use a tripod and a remote release.
  Most of the best GIFs have a large percentage of static imagery in the scene with a little bit of movement to capture your attention. As such, using a tripod ensures that the static parts of your scene stay just that [static] allowing for the moving parts of your scene to have a good frame of reference. Also, a remote shutter release (either corded or wireless) will help make the capture process easier.
• Set your camera to Manual Mode with High Speed Burst, Manual Focus and a relatively low ISO.
  These settings (along with recording images as JPEGS) will allow the camera to maintain its maximum burst rate for as long as you need to record the action you're looking to capture while the locked down exposure settings and focus ensures your scene remains static in composition and exposure (except for your moving subject, of course).
• Choose your scene and fire away.

It may take several tries (and several hundred frames) to get the action you're looking for. Regarding the traffic GIF above, I probably shot 400-500 images because I couldn't actually see what or how much traffic was coming (the buildings blocked my view). Timing my burst to start just before the cars appeared was challenging, but after a few attempts (and a lot of long bursts) I had the images I wanted.

Now for the post processing...

1. If you shot in S1 or S2, you can probably move on to Step 2. Otherwise, you'll likely want to resize (and possibly crop) your images to reduce your post-processing workload. In my opinion, most photo GIFs work best in the 640-800 pixel range. You might also consider changing the aspect ratio of your images here (16x9, maybe?). For resizing my images, I generally use CoolTweak if I don't need to do any cropping. Once you've resized and/or cropped your images, you're ready to load the resized images into Photoshop.

2. In Photoshop (I'm using Photoshop CC), go to File --> Scripts --> Load Files Into Stack. In the following pop-up window, browse to and select your reduced sized images and click "OK." Wait for Photoshop to load the images.

3. Go to Window --> Timeline. The Timeline Window should appear at the bottom. Click "Create Frame Animation."

4. In the top right corner of the Timeline Window, click the options button and select "Make Frames from Layers." You may also need to choose "Reverse Frames" in the same menu if your frames are playing in the wrong order (which is likely).

5. Now you can press the Play button in the Timeline Window to see a preview of what your GIF will look like. At this point, here are some things you may want to do...

• Add adjustment layers above the top-most layer in the Layers Palette. These adjustments will be applied to all the frames.
• If there are long pauses in your sequence that you'd like to get rid of, you can simply delete the unnecessary frames from the Layers Palette.
• If you notice distracting elements in some of the frames, you can use a base frame and mask out areas in it that you do not want to change over the animated sequence. Find the frame that you want to use as the base frame in your Layers Palette and Right Click --> Duplicate Layer. Now move that duplicated layer above all the other layers, apply a white layer mask and paint black over the areas of your frame where the movement occurs that you want to capture throughout the sequence. You can see my base layer below.

6. Once you have your GIF sequence edited, hold down CTRL + SHIFT +ALT + S (on Windows) to bring up the Save for Web window. Choose GIF from the drop-down menu, select "Forever" from the Looping Options menu and tailor the other settings to suit your needs (you can see which settings I used below).

7. And now you have your GIF! For easy sharing on social networks, you can upload your creation to Giphy and they will provide the embed code that you can use to share your GIF.

Check out Bryan's full review of the EOS 7D Mark II for more information on this full-featured (and fun) camera.

From the Canon Digital Learning Center:

"Most Canon super telephoto lenses have a cool feature called Focus Preset, which allows for quick focusing to a predetermined distance. It is an ideal tool when shooting sports or wildlife, where you might be rapidly changing focus from two vastly different distances. At a basketball game, for example, you can preset the focus on a basketball rim. Then, follow-focus the action using AI Servo AF mode via either the shutter button or the back button. When the action shifts to under or around the rim you’ve preset focus on, a slight twist of the serrated Focus Preset Ring brings that preset distance immediately into focus. The ring, located just in front of the manual focus ring, falls readily to my hand, whether I am hand-holding the lens or shooting from a monopod."

• EF 200mm f/2.0L IS
• EF 200-400mm f/4L IS Extender 1.4x
• EF 300mm f/2.8L IS II
• EF 400mm f/2.8L IS II
• EF 400mm f/4 DO IS II
• EF 500mm f/4L IS II
• EF 600mm f/4L IS II
• EF 800mm f/5.6L IS

See the entire article on the Canon Digital Learning Center.

From Canon:

TOKYO, January 13, 2015—Canon Inc. again ranked first among Japanese companies and third overall for the number of U.S. patents awarded in 2014, according to the latest ranking of preliminary patent results issued by IFI CLAIMS Patent Services on January 12, 2015.

Canon actively promotes the globalization of its business and places great value on obtaining patents overseas, carefully adhering to a patent-filing strategy that pursues patents in essential countries and regions while taking into consideration the business strategies and technology and product trends unique to each location. Among these, the United States, with its many high-tech companies and large market scale, represents a particularly important region in terms of business expansion and technology alliances.

Canon U.S. patent ranking among Japanese companies 2005 - 2014

Canon prizes its corporate DNA of placing a high priority on technology. And with regard to research and development results, the Company actively promotes the acquisition of patent rights in accordance with the management direction of the Canon Group and technology trends while conducting thorough pre-application searches to raise the quality of applications. Through close cooperation between Canon's technology and intellectual property divisions, the Company aims to improve its technological capabilities while further enhancing its intellectual property rights.

B&H has the long rumored and hinted about Rokinon 135mm f/2.0 ED UMC Lens available for preorder.

Image quality results from the EOS 7D Mark II have been added to the Canon EF-S 24mm f/2.8 STM Lens review.

As expected, the 7D II results show sharper details and slightly more resolution. The bottom line is that this lens is a bargain.

B&H has the Canon EF-S 24mm f/2.8 STM Lens in stock.

Through February 28, select Tamron lenses qualify for Warm Up with Winter Savings mail-in rebates.

Qualifying Tamron Lenses

Model	Rebate Amount
Tamron 16-300mm f/3.5-6.3 Di II VC PZD Lens	$30.00
Tamron 18-270mm f/3.5-6.3 Di II VC PZD Lens	$50.00
Tamron 24-70mm f/2.8 Di VC USD Lens	$100.00
Tamron 70-200mm f/2.8 Di VC USD Lens	$100.00
Tamron 70-300mm f/4-5.6 Di VC USD Lens	$50.00
Tamron 90mm f/2.8 Di VC USD Macro Lens	$50.00