Canon and Sony News and What's New (Excluding Deals) (Page 15)

If you have reasonable interest in this lens and have not already preordered it, do so immediately. This long overdue lens will be in high demand. It is easy to cancel an order, but getting back to the front of this line could take a long time.

Find more information about the RF 35 F1.4, including the specifications and MTF charts, on the Canon RF 35mm F1.4 L VCM Lens page (more information coming soon).

While an RF 35mm f/1.4 lens was expected long before this one arrived, Canon had another high-performing option in their easily adaptable EF lineup, the Canon EF 35mm f/1.4L II USM Lens

The MTF charts indicate the RF lens is optically improved from the EF II.

The Canon RF 35mm F1.4 L VCM vs. EF 35mm f/1.4L II USM Lens comparison shows the RF lens an impressive 7.4 oz (210g) lighter and modestly smaller.

Also smaller are the RF lens's filter threads, 67mm vs. 72mm. The RF lens has a removable rear filter holder.

The RF lens has 11 aperture blades vs. 9 to keep stopped down out-of-focus highlights round and maintain overall smooth bokeh. It also has an aperture ring, control ring, and lens function button to its advantage. The RF lens has VCM and USM AF motors (far better for video) vs. Ring USM, but the EF lens has a slightly higher maximum magnification of 0.21x vs. 0.18x. Making the decision easy is the RF lens's much lower price.

Get the Canon RF 35mm F1.4 L VCM Lens from B&H | Adorama | Canon USA | WEX | Amazon (all available countries) | Camera Canada

Get the Canon Speedlite EL-10 from B&H | Adorama

Advice: If you have any interest in the Canon RF 35mm F1.4 L VCM Lens, I highly recommend that you preorder it immediately. Ask questions later. Orders are easy to cancel, but getting to the front of a preorder line is not. Canon's best newly-introduced lenses have been remaining out of stock for extended periods, and it stands to reason that this one will create an extensive preorder line.

Without further ado, here is a long-awaited announcement from Canon USA:

CANON ANNOUNCES FIRST LENS IN SERIES OF FIXED FOCAL LENGTH RF HYBRID LENSES - RF35MM F1.4L VCM

New Portable Speedlite with New Multi-Function Shoe Design Also Available

MELVILLE, N.Y., - June 5, 2024 — Canon U.S.A., Inc., a leader in digital imaging solutions, today announced the RF35mm F1.4 L VCM¹ lens and Speedlite EL-10 flash. The new RF35mm lens is the first in a series of fixed focal length RF lenses with hybrid video and still design, and the Speedlite EL-10 integrates with Canon’s new multi-function shoe design, for users of recent Canon EOS cameras.

Answering the needs of many professional high-level photographers, the new RF35m F1.4 L VCM lens can be looked upon as a standard lens for video and still users — for example, those who use the EOS R5 and EOS C70 cameras. This lens is the beginning of a new hybrid lens series and with its fixed focal length, fills a gap as there is not a fixed focal length lens wider than 50mm in the L-series — until now. Ideal for low-light, the RF35mm F1.4 L VCM lens features a manual iris (aperture) ring which helps provide better control when shooting movies. The lens allows very little focus “breathing” as focus is moved, and it’s highlighted by two Aspherical lens elements and two ultra-low Dispersion glass elements. Overall, this lens has the outstanding L-series optical design many professionals have grown accustomed to. In addition, the lens can be used with the newly announced Canon EOS C400 cinema camera, further reinforcing Canon’s full support of the video market.

“The new RF35mm F1.4 L VCM lens is the answer for high-level video in the mirrorless market – while also providing still-imaging storytellers the durability and optical performance that is synonymous with Canon lenses,” said Brian Mahar, senior vice president & general manager, Canon U.S.A., Inc.

The Speedlite EL-10 flash is designed for the amateur photographer who is stepping into the mirrorless world, and the veteran user who is looking to get reacquainted with flash photography. The multi-function shoe helps the still imagery storyteller by providing immediate access to the flash control menu, and either an on-camera EL-10 or the optional super-compact Speedlite Transmitter ST-E10 assists with triggering from one through up to fifteen off-camera flashes². The Speedlite EL-10 is a radio-based wireless flash with 2nd-curtain sync capabilities, and leverages four AA batteries instead of a separate battery that requires charging — making operation more streamlined for some users. In addition, it features a Custom Flash Mode function, allowing the end-user to register and store up to three sets of flash settings, and is approximately the same size and weight as its predecessor the Speedlite 430EX-III RT — while also pushing out the same amount of power. Automatic balanced fill flash is a key benefit to using flash photography, whether during daytime or low-light with slow shutter speed, and the Speedlite EL-10 is an excellent gear bag addition to achieve that creative look in one’s photos.

“Flash photography is a simple yet versatile way to add drama to one’s photos and with Canon’s steadfast commitment to reliability, the Speedlite EL-10 provides a full-circle Canon shooting experience,” continued Brian Mahar, senior vice president & general manager, Canon U.S.A., Inc.

Price & Availability

RF35mm F1.4 L VCM lens is expected to be available in June for an estimated retail piece of $1,499.00 and the Speedlite EL-10 is also expected to be available in June for an estimated retail price of $249.99*. For more information, please visit usa.canon.com.

# # #

¹ This product emits low level magnetic flux. If you use an implantable cardiac pacemaker or other medical device and feel abnormalities, please keep away from this product and consult your doctor.

² Speedlite Transmitter ST-E10 is an optional accessory for Wireless off-camera flash control, available through Canon dealers. Speedlite EL-10 is compatible as an on-camera Sender unit or off-camera Receiver unit for wireless flash, along with any previous EX- or EL-series Canon Speedlites or Speedlite Transmitters having RT-based wireless flash capability.

* Specifications, pricing, and availability are subject to change without notice.

Orders

Get the Canon RF 35mm F1.4 L VCM Lens from B&H | Adorama | Canon USA | WEX | Amazon (all available countries) | Camera Canada

Get the Canon Speedlite EL-10 from B&H | Adorama

From Canon USA:

Canon Announces New EOS C400 6K Full-Frame RF Mount Cinema Camera and RF-Mount CINE-SERVO Lens

New EOS C400 Camera Features a 6K Full-Frame, Back-Illuminated CMOS Sensor, With Triple-Base ISO; New CINE-SERVO Lens Compatible with RF Mount Cinema Cameras

MELVILLE, N.Y., June 5, 2024 —Canon U.S.A. Inc., a leader in digital imaging solutions, is pleased to announce the new Canon EOS C400 cinema camera, with a native RF-mount and full-frame, back-illuminated stacked CMOS sensor, designed with the film and live production markets in mind. Canon is also proud to announce the company’s first MOUNT ADAPTER PL-RF, and an RF-mount version of the popular and award-winning CINE-SERVO 17-120mm cinema lens.

“Canon is proud to provide filmmakers and videographers with a variety of tools to capture high-quality and visually stunning images,” said Brian Mahar, senior vice president and general manager, Canon U.S.A., Inc. “The new camera and lens strengthen Canon’s already impressive lineup of cinema products.”

EOS C400 Camera Back-Illuminated Stacked Sensor

For the first time in the cinema EOS system, the Canon EOS C400 camera features a newly developed 6K full-frame, back-illuminated CMOS sensor, with triple-base ISO, allowing the camera to deliver stunning imagery in a wide range of lighting conditions. The base ISOs of 800, 3200, and 12,800 maximize the full dynamic range of the camera.

An additional benefit of the EOS C400 camera’s sensor is the support for the next generation of Canon’s Dual Pixel CMOS Autofocus, Dual Pixel AF II. The back-illuminated stacked positioning offers better light-capturing efficiency, which widens the area of the sensor that can be used for autofocusing. The sensor also empowers faster readout speed, as well as better 4K image quality from 6K oversampling.

EOS C400 Camera Recording Options

The EOS C400 camera records in 6K full frame up to 60p in 12-bit Cinema RAW Light. By changing the sensor mode, the camera can record 4K RAW up to 120fps and 2K RAW up to 180fps. This is all recorded in Canon’s latest iteration of Cinema RAW Light, which provides three different recording modes to choose from depending on your file size preference and workflow.

Other recording options include the Canon-developed, industry standard XF-AVC codec which can be recorded in 10-bit 4:2:2 with oversampling from the 6K sensor, helping to create rich detail and smooth imagery, at frame rates up to 120P, without the need for cropping the image from the sensor. Canon is also introducing two new recording codecs into the EOS C400 camera, XF-AVC S and XF-HEVC S. These formats feature an easy-to-manage naming system and folder structure, while recording in the familiar MP4 format and preserving metadata.

All of these options are recorded to the camera’s CFexpress slot with sub-recording and proxy options available to the SD Card slot, which allows for simultaneous recording even when shooting RAW.

EOS C400 Camera Production Options

For live productions, the EOS C400 camera body features a dedicated 12-pin lens terminal for broadcast and cine-servo lenses, a variety of output and input interfaces including mini-XLR audio inputs, DIN connectors for time code, genlock and return video, 12G-SDI and 3G-SDI monitor outputs, a full-size HDMI output, built-in Wi-Fi connectivity, Ethernet and much more. The camera also features SRT protocol for IP streaming of video and audio. For shooting scenarios where the camera will be controlled remotely, you can use the Ethernet port or Wi-Fi connectivity to enable remote control, including support for the Canon Multi-Camera Control app, browser remotes, or the Canon RC-IP100 or RC-IP1000 controllers via use of the included XC protocol.

The EOS C400 camera can also provide frame-by-frame metadata in real-time and post-production to support virtual production workflows. Ready for 180-degree VR shooting, the EOS C400 camera has built-in compatibility with the Canon RF5.2mm F2.8 L dual fisheye lens.

CINE-SERVO 17-120mm Cinema Lens

This latest cinema lens from Canon builds upon the legacy of the company’s CINE-SERVO line, with the added benefit of a native RF mount. The additional pins of the RF mount increase communication with RF-mount cameras such as the EOS C400, enabling auto focus, distortion correction and metadata output for virtual productions. The lens comes in either RF or PL mount configurations, with the PL mount version supporting ZEISS eXtended Data and ARIA (Automatic Restoration of Illumination Attenuation)¹.

The lens’ new e-Xs V servo drive unit helps to improve its focus and iris speed, enables focus breathing compensation, and includes a USB-C connector for copying drive unit configurations.

PL to RF Mount Adaptor

Canon is also introducing the newly developed MOUNT ADAPTER PL-RF. This adapter opens up a broad range of PL mount lenses to the EOS C400 camera. The adapter maintains compatibility for Cooke i/Technology metadata communication between camera and lens and includes locking plates to help achieve maximum mount strength. To learn more about these new products and Canon’s array of cinema solutions, please visit here.

Pricing and Availability

The Canon Cinema EOS C400 Full-Frame RF Mount Camera is scheduled to be available in September 2024 for an estimated retail price of $7,999.00*. The CINE-SERVO 17-120mm will be available in October 2024 for an estimated retail price of $23,850.00*. The MOUNT ADAPTER PL-RF will be available in September 2024 for an estimated retail price of $1,599.00. * For more information, including accessory prices and availability, please visit here. About Canon U.S.A., Inc. Canon U.S.A., Inc., is a leading provider of consumer, business-to-business, and industrial digital imaging solutions to the United States and to Latin America and the Caribbean markets. With approximately $29.4 billion in global revenue, its parent company, Canon Inc. as of 2023 has ranked in the top-five overall in U.S. patents granted for 38 consecutive years†. Canon U.S.A. is dedicated to its Kyosei philosophy of social and environmental responsibility. To learn more about Canon, visit us at www.usa.canon.com and connect with us on LinkedIn at https://www.linkedin.com/company/canonusa. # # #

Orders

Get the Canon EOS C400 from B&H | Adorama

Get the Canon Cine-Servo 17-120mm in RF Mount from B&H | Adorama

[1] Sony ARIA is a camera function established by Sony and the ARIA name was determined by Sony.

*Specifications, pricing, and availability subject to change without notice. Actual prices are set by dealers and may vary.

From Canon USA:

Canon Announces Firmware Updates Delivering Enhanced Features for Cinema EOS Cameras and Pro Camcorders

MELVILLE, N.Y., June 5, 2024 — Canon U.S.A., Inc., a leader in digital imaging solutions, announced today a variety of firmware updates for key models in its Cinema EOS and professional camcorder line of cameras, including the EOS C500 Mark II, EOS C300 Mark III, EOS C70, EOS R5 C cameras and the XA75/70, XA65/60 and VIXIA HF G70 camcorders. All updates are a direct result of customer feedback and will be available through a free download at the end of June 2024.

Highlights for each of the Canon products:

EOS C500 Mark II/ EOS C300 Mark III Cameras

• “Sensor Mode” will be saved to an assignable button on the camera body to quickly change between Full-frame, Super 35mm and Super 16mm crop modes.
• The Focus Guide box will have two size options: Standard and Large (approximately two times larger than standard).
• Camera LCD screen will display a playback marker in Media Mode.
• For the EOS C300 Mark III camera:
  • Cinema RAW Light HQ/ST/LT recording modes will be added.
  • Auto ISO/Gain functions that can be operated from the camera menu, an assignable button, or with a compatible remote-control unit will be added.

EOS C70/EOS R5 C Cameras

• Same Focus Guide and playback marker enhancements as the C500 Mark II and C300 Mark III cameras will be added.
• Option of assigning functions to the select dial on the back of the camera, including AF subject selection, shutter, iris, ISO/gain, and white balance mode will be added.
• For the EOS R5 C camera, the following will be added:
  • Ability to adjust the thickness of the AF frame, making it easier to see in certain lighting conditions
  • Ability to reset the AF position by pushing the joystick or set buttons
  • When shooting RAW VR content with Canon’s dual fisheye lens, you will be able to record both the peripheral illumination and chromatic aberration data. This will help with processing footage into smoother and even more amazing VR content than before the firmware update.
  • New features from the March 2024 R5 firmware update.

XA75/70, XA65/60 and VIXIA HF G70 Camcorders

• Option to view the date and time in the on-screen display (OSD) while recording will be added. White balance will be able to be changed while recording.

To download the firmware updates once available, or for more information regarding the firmware updates and all of Canon’s professional video products and solutions, please visit usa.canon.com.

Just posted: Sigma 28-45mm F1.8 DG DN Art Lens Review.

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From Sigma Corporation of America:

Introducing the SIGMA 28-45mm F1.8 DG DN | Art, the First Full-Frame F1.8 Zoom Lens for Mirrorless Camera Systems

Ronkonkoma, NY – June 3, 2024 – SIGMA Corporation of America, the US subsidiary of SIGMA Corporation (CEO: Kazuto Yamaki. Headquarters: Asao-ku, Kawasaki-shi, Kanagawa, Japan) is pleased to announce the SIGMA 28-45mm F1.8 DG DN | Art lens. This is the world's first zoom lens with a constant F1.8 aperture for full-frame mirrorless camera systems. Available for Sony E-mount and L-Mount, this new wide-to-standard zoom spans several popular focal lengths from 28mm to 45mm, with image quality comparable to prime lenses.

The SIGMA 28-45mm F1.8 DG DN | Art was developed as a full-frame successor to the SIGMA 18-35mm F1.8 DC HSM | Art (for APS-C DSLR cameras), which in 2013 became the first lens in the world to achieve F1.8 throughout the entire zoom range.

While offering the convenience of a zoom, this new lens does not compromise on optical performance. By effectively arranging 3 aspherical lens elements and 5 SLD glass elements, this lens suppresses various aberrations and achieves performance comparable to single focal length lenses, even surpassing the SIGMA 24mm F1.4 DG DN | Art and SIGMA 50mm F1.4 DG DN | Art, which have an established reputation for their optical quality.

In particular, the 28-45mm F1.8 DG DN | Art focuses on suppressing axial chromatic aberration, which is often noticeable in large-aperture lenses, to achieve images with minimal coloration on both the focus plane and bokeh, and to demonstrate high optical performance from open aperture. The minimum focusing distance is 30cm (11.8 inches) throughout the entire range, and the maximum magnification ratio of 1:4 is achieved at the 45mm focal length.

Featuring internal zoom and HLA (High-response Linear Actuator) autofocus, and an optical design that minimizes focus breathing, the SIGMA 28-45mm F1.8 DG DN | Art is well-suited for video work, including gimbal setups, thanks to its balanced design. The click/de-click switch and lockable aperture ring are designed to suit a variety of personal capture preferences, and the dust- and splash-resistant design also makes it suitable for shooting stills and video out in the elements.

The SIGMA 28-45mm F1.8 DG DN | Art lens will be available for $1,349 through authorized retailers in the US in late June 2024.

Exclusively for mirrorless cameras | Compatible with full-frame cameras

A | Art
SIGMA 28-45mm F1.8 DG DN | Art

The world's first* F1.8 full-frame mirrorless zoom.

*as of June 2024 by SIGMA

• The world's first* full-frame, F1.8 maximum aperture zoom lens
• Excellent optical performance comparable to that of a prime lens
• High-speed AF and innovative features

Supplied accessories: CASE, LENS HOOD LH878-06, FRONT CAP LCF-82 III, REAR CAP LCR II

Available mounts: L-Mount, Sony E-mount

Launch date: June 20, 2024

* Product appearance and specifications are subject to change.

* This product is developed, manufactured and sold based on the specifications of E-mount which was disclosed by Sony Corporation under the license agreement with Sony Corporation.

* L-Mount is a registered trademark of Leica Camera AG.

#SIGMA #SIGMA2845mmF18Art #SIGMAArt #SIGMAArtZoom #SIGMADGDN

The SIGMA 28-45mm F1.8 DG DN | Art is the world's first full-frame zoom lens with a constant maximum aperture of F1.8, delivering sharpness and clarity comparable to that of a prime lens.

Already the pioneer of unique, large-aperture zoom lenses including the SIGMA 18-35mm F1.8 DC HSM | Art and the SIGMA 24-35mm F2 DG HSM | Art, SIGMA introduces another fast, portable and versatile tool to its Art lineup.

In addition to its unprecedented brightness, the SIGMA 28-45mm F1.8 DG DN | Art delivers sharpness and clarity comparable to that of a prime lens throughout its entire zoom range. Also equipped with fast and precise AF and superior operability, this innovative optic turns a new page in the history of zoom lenses and their creative possibilities. It is a lens that will inspire full-frame filmmakers, while bringing unparalleled versatility to stills photographers.

* As of June 2024 by SIGMA

[Key Features]

1. The world's first* full-frame, F1.8 maximum aperture zoom lens

SIGMA has successfully developed the world's first full-frame zoom lens with a maximum aperture of F1.8. The SIGMA 28-45mm F1.8 DG DN | Art incorporates an inner zoom mechanism, a minimum focusing distance of 30cm across the entire zoom range, and a filter size of f82mm. Despite its advanced feature-set, the lens weighs less than 1kg, making it a portable and versatile option for either hand-held shooting or a gimbal setup.

Constant maximum aperture of F1.8

Once a privilege reserved only for prime lenses, the maximum F1.8 aperture allows full-frame camera users to expose hand-held in low light and produce beautiful bokeh, while enjoying the flexibility of a zoom. This unique optical achievement has been created through SIGMA's accumulated optical design experience and advanced production technology at the company's sole production base in Aizu, Japan.

Practical and stable inner zoom

Employing an inner zoom mechanism, the overall length of the lens remains constant when the focal length or focus distance changes. This means the lens is easy to use when shooting hand-held, highly stable when mounted on a tripod or gimbal, and more resistant to dust and water contamination.

Consistent close focus

The minimum focusing distance is a constant 30cm across the entire zoom range, with a maximum magnification ratio of 1:4 at the telephoto end, providing excellent close-up shooting capabilities. As well as offering precise focus in confined spaces, the lens can therefore be used close to a subject without affecting sharpness when using the zoom.

Premium build at a lighter weight

By rights, such a fast zoom should be big and heavy, but while the lens's rigidity and durability protect its sophisticated optical design, this is achieved at a weight of less than 1kg. What's more, this reliable photographic tool uses a versatile filter size of f82mm, meaning no compromise in portability or convenience.

2. Excellent optical performance comparable to that of a prime lens

With each optical aberration meticulously corrected throughout the zoom range, the SIGMA 28-45mm F1.8 DG DN | Art rivals prime lenses for clarity and definition. Thanks to its advanced coatings, the lens produces clear images, even in backlit environments, while focus breathing is thoroughly suppressed, bringing expressive power to filmmakers and photographers.

The pinnacle of optical quality in a zoom

Through the effective arrangement of 5 SLD elements and 3 aspherical elements, aberrations are rigorously corrected. Axial chromatic aberration, which is particularly noticeable with large-aperture lenses, has been thoroughly suppressed, and the lens delivers clear images with minimal coloration, from sharply focused details to large, smooth bokeh.

Suppression of focus breathing

When using regular lenses, the angle-of-view can change as focus moves from near to far, affecting precise composition. With the SIGMA 28-45mm F1.8 DG DN | Art this focus breathing is suppressed, enabling natural focus pulls when shooting video.

Minimal flare and ghosting

Flare and ghosting, which reduce image quality, have been largely eliminated using advanced simulation technology, ensuring the lens renders rich, high-contrast results in all conditions. In addition, in order to keep flare and ghosting to a minimum, the lens uses SIGMA's Nano Porous Coating and Super Multi-Layer Coating, producing superior resistance to backlighting and enabling clear, saturated images in all lighting conditions.

3. High-speed AF speed and innovative features

The SIGMA 28-45mm F1.8 DG DN | Art delivers a range of professional features as impressive as its outstanding optical performance. With high-speed and adaptable AF, a durable weather-resistant structure, a de-clickable aperture ring, smooth manual focusing and on-barrel AFL buttons, all features combine to create a versatile photographic tool capable of responding to any situation.

Faster focus with a linear motor

The lens's AF mechanism uses an HLA (High-response Linear Actuator) to combine accelerated focusing speed with exquisite precision. And because the motor is near-silent it allows video recording without noise.

Precise and comfortable manual focusing

To deliver delicate and accurate manual focus, the lens employs a bi-wire driven focus ring with optimum torque setting, high resolution and an adjustable rotation angle between 90° and 720°*. This allows filmmakers to pull focus with organic smoothness, and photographers to focus manually with outstanding accuracy.

* Only for L-Mount, and with compatible cameras.

Aperture ring refinements

The lens is equipped with an aperture ring as well as an aperture ring click switch and an aperture ring lock switch, allowing for aperture operation suitable for various shooting situations.

Equipped with two AFL buttons

Located on the side and on top of the barrel, two customizable* AFL buttons can be easily reached in either horizontal or vertical shooting positions.

* Assignment of functions is limited to supported cameras and assignable functions vary depending on the camera.

Built to withstand the elements

In addition to a dust- and splash-resistant body*, the frontmost surface of the lens is coated with a water- and oil-repellent coating so that it can be used safely even in harsh outdoor environments.

* The product is designed to be dust- and splash-resistant but is not waterproof. When using the lens near water, etc., take care not to allow large amounts of water to splash on it. If water gets inside the lens, it may cause a major malfunction and render the lens unrepairable.

Includes locking petal-type hood

A petal-type hood is included to shield the lens from light. It has a locking mechanism for secure attachment and can be reversed for easier storage.

[ Additional Features ]

• Lens construction: 18 elements in 15 groups (5 SLD, 3 aspherical elements)
• Inner zoom
• Inner focus system
• High-speed AF
• HLA (High-response Linear Actuator)
• Compatible with Lens Aberration Correction
  * Only cameras that are compatible with the function are allowed to use this function. Also, the items that can be corrected may vary depending on the camera, or automatic correction may be performed.
  * On a camera that allows selecting ON/OFF for lens aberration correction, set the various aberration corrections to ON (AUTO) from the camera menu.
• Supports DMF and AF+MF
• Compatible with AF assist (for Sony E-mount only)
• Nano Porous Coating
• Super Multi-Layer Coating
• Water- and Oil-Repellent Coating (front element)
• Aperture ring
• Aperture ring click switch
• Aperture ring lock switch
• AFL button (2 locations)
  * Assignment of functions is limited to supported cameras and assignable functions vary depending on the camera.
• Focus Mode switch
• Support for switching between linear and non-linear focus ring settings (for L-mount only)
  * Only cameras that are compatible with the system are allowed to use the system.
• Dust- and Splash-Resistant Structure
  * The product is designed to be dust- and splash-resistant but is not waterproof. Take care not to allow large amounts of water to splash on the lens. If water gets inside the lens, it may cause a major malfunction and render the lens unrepairable.
• Petal-type hood with lock LH878-06
• Compatible with SIGMA USB DOCK UD-11 (sold separately / for L-Mount only)
• Designed to minimize flare and ghosting
• Every single lens undergoes SIGMA's proprietary MTF measuring system
• 11-blade rounded diaphragm
• High-precision, durable brass bayonet mount
• Mount Conversion Service available
• "Made in Aizu, Japan" craftsmanship

[ Key Specifications ]

The following specifications are for L-Mount.

Lens Construction: 18 elements in 15 groups
(5 SLD, 3 aspherical elements)
Angle of view: 75.4 - 51.3°
Number of diaphragm blades: 11 (rounded diaphragm)
Minimum aperture: F16
Minimum focusing distance: 30cm / 11.9 in.
Maximum magnification ratio: 1:4 at 45mm
Filter size: 82mm
Dimensions (Max. Diam. x Length): 87.8 x 151.4mm / 3.5 x 6.0 in.
Weight: 960g / 33.9 oz.

[ Accessories: Supplied ]

LENS HOOD LH878-06: 0085126 941444
FRONT CAP LCF-82 III: 0085126 930028
REAR CAP LCR II (for L-Mount): 0085126 937256
REAR CAP LCR II (for Sony E-mount): 0085126 929879

Orders

Support this site by ordering the Sigma 28-45mm F1.8 DG DN Art Lens (or anything else) from B&H | Adorama | WEX

From Sony:

Sony Announces Major Update to Monitor & Control App with Expanded Compatibility and Enhanced Features

SAN DIEGO, CA – May 30, 2024. Sony Electronics announces the release of Monitor & Control (M&C) app version 2.0.0, an updated offering for Creators’ Cloud for individuals, bringing a suite of powerful new features and expanded compatibility for filmmakers and content creators. This latest update underscores Sony’s commitment to delivering innovative tools that enhance the creative process.

The “Monitor & Control" mobile app for visual content creators supports a myriad of Cinema Line and Alpha cameras, and enables wireless monitoring, precise exposure adjustment, and intuitive focus control on smartphones and tablets, effectively transforming these devices into wireless monitors with professional camera controls. Key features include real-time exposure monitoring, customizable histograms and waveforms, remote control of camera settings, and advanced color settings, providing creators with a more flexible workflow without needing a separate external monitor. It also offers intuitive focus controls, enabling touch focus, autofocus sensitivity adjustments, and Real-time Tracking directly from a mobile device. The on-screen control bar provides precise manual focus adjustments, with configurable settings for focus transition speeds, limits, and magnification.

Expanded Compatibility:

The M&C v2.0.0 app now supports a wider range of camera models, including BURANO, FX6, FX3, FX30, a1, a9 III, and a7S III. This expansion ensures more creators can benefit from the advanced monitoring and control capabilities offered by M&C.

Multi-Camera Monitoring:

Exclusive to iPad OS, the Multi-Camera Monitoring feature allows setting adjustments, control and display of up to four cameras. This function supports both wired and wireless connections through Wi-Fi routers or hotspots, providing flexibility for various shooting environments.

Key Improvements for BURANO and FX6:

• Monitoring Resolution: Enhanced support for FX6, bringing it on par with other high-end models.
• Exposure Monitoring: New support for BURANO and FX6, enabling precise exposure adjustments with tools like waveform, false color, histogram and zebra.
• LUT Import: FX6 now supports Look-Up Table (LUT) import directly from mobile devices, allowing real-time application to live view.

Enhanced Monitoring Features:

• Full Screen Monitoring: Provides an unobstructed view of live images across all supported models.
• Focus Map: Available for FX6, this feature offers intuitive focus control by visualizing depth settings.

User Interface Improvements:

• Simple UI: The updated interface matches the camera body design of CineAlta cameras, ensuring an intuitive user experience.
• Intuitive Controls: Frequently used settings can easily be controlled from a smartphone or tablet including; frame rate, sensitivity, shutter speed, ND filter2, look, and white balance.
• Focus Modes Integration: Seamlessly control focus while monitoring.
• Improved White Balance Settings UI: Allows for more accurate adjustments of Kelvin scale.
• Anamorphic De-Squeeze Display: Correctly displays images shot with anamorphic lenses.
• Grid Line: Assists in composing shots with a thirds grid overlay.

Tool Menu Enhancements:

Users can select and customize up to three tools for their screen, including advanced adjustments for options like waveform, histogram, false color, zebra, de-squeeze, grid lines, and rotation.

The “Monitor & Control" mobile app is available for iOS and Android devices.¹

Notes:

¹ Some cameras will require latest firmware update. Please check the website for compatible camera software versions.

² FX6 and BURANO

Canon has a "Cinema" product announcement scheduled for June 5th at 12:00 PM PDT / 3:00 PM EDT. Stop back here for the announcement details.

From Canon USA:

Amplifying Social Content Creation: Canon Announces New Firmware Update for the PowerShot V10 Vlog Camera That Improves Image Stabilization

MELVILLE, N.Y, May 30, 2024 – Canon, a leader in imaging solutions, announced today an upcoming firmware update for the PowerShot V10 Vlog Camera that will provide an updated algorithm for optimized and improved image stabilization. Designed for the on-the-go content all details below and hope you can consider covering. creator who wants to level-up from their smartphone to craft more impressive, higher quality visuals, users of the PowerShot V10 Vlog Camera will see even better results from the firmware update.

Content creators know that some of the most exciting moments to capture happen while in movement. The update will optimize and improve image stabilization performance for shooting while walking, helping to create beautiful visuals even in unstable positions or shooting with one hand extended. Creators can choose the IS mode setting according to the scene they are looking to capture –options such as “On” and “Enhanced” have now been improved through the firmware update. The update also corrects small to large blur levels with high precision, enabling high-quality image representation.

The PowerShot V10 camera, released in June 2023, is the first product in the Company’s consumer video production, live streaming and vlogging line, the PowerShot V (V= Video Communication) camera series. Packed with key features, including an intuitive control user interface on the touch panel and frame AF mode for product reviews, the PowerShot V10 Vlog camera can be the priority piece of imaging equipment used for almost all things video.

Availability

The firmware update for the Canon PowerShot V10 is expected to be available in late June.

Get the Canon PowerShot V10 Vlog Camera at B&H.

From Tamron Americas:

TAMRON Announces Update of TAMRON Lens Utility™ and TAMRON Lens Utility Mobile™

The lens customization software expands the possibilities of still photography and video shooting.

May 30, 2024, Commack, NY – TAMRON Americas, a leading provider of high-quality lenses, announces updates of the TAMRON Lens Utility, dedicated computer software, and the TAMRON Lens Utility Mobile, dedicated application for Android¹ OS compatible smartphones and tablets. This update will provide additional functionality for greater convenience in the field and expands the possibilities of still and video photography. The software versions will change from the currently released Ver.2.0 to Ver.3.0, and the updated version will be available for download on May 30, 2024.

TAMRON Lens Utility and TAMRON Lens Utility Mobile Ver.3.0 overviews

October 2021 marked the release of TAMRON Lens Utility, a dedicated computer software that allows users to customize the functions of various TAMRON lenses according to their photographic and video shooting styles. In November 2022, we released TAMRON Lens Utility Mobile for Android OS, as we received many requests for the ability to customize lens functions in the field. In pursuit of even greater convenience, TAMRON has upgraded existing functions, added new functions for both the computer and mobile software, and added a new function exclusively for TAMRON Lens Utility Mobile. We plan to further expand and enhance functions to make video production more friendly to our customers.

Additional features with the Ver.3.0 update:

• Delay Time Start (upgrade to an existing feature)
This feature delays activation of a focus shift after the Focus Set Button has been pressed to activate. This is used to avoid shaking or button noises to be recorded when the Focus Set Button is pressed, and action starts.
* In addition to the Focus Set Button on the lens, this can also be used with the Remote Set Button with the TAMRON Lens Utility Mobile.

• Focus Stopper (new feature)
This feature fixes the focus range when manual focus is operated during video shooting. This will prevent the user from passing over the focal point.
* The stopper will automatically be released when switching to AF mode.
* In addition to the Focus Set Button on the lens, this feature could also be controlled from the Remote Set Button featured in the TAMRON Lens Utility Mobile.

• Astro Focus Lock (Astro FC-L) (new feature)
This feature fixes the focus on stars, which is useful for astrophotography. The focus is shifted to infinity and operation of the focus ring will be disabled (locked). Locking the focus ring prevents the focus from slipping through inadvertent operation.
* In addition to the Focus Set Button on the lens, this can also be used with the Remote Set Button with the TAMRON Lens Utility Mobile.

• Digital Follow Focus (DFF) (new dedicated feature only for TAMRON Lens Utility Mobile)
This feature allows you to fix a focus range between two points and perform focus operations from your smartphone screen, just like follow focus techniques. The direction of rotation of the aperture and focus rings, units indicated, and EV steps can also be changed.
*Aperture ring control and EV step configuration is not supported on Nikon Z mount lenses.

To learn more, please check the page introducing features of the TAMRON Lens Utility: https://www.tamron.com/global/consumer/soft/lensutility.html

1 Android is a trademark of Google LLC. Only compatible with Android devices fitted with USB Type-C ports.

* To use TAMRON Lens Utility Mobile, you will need to update the firmware of a compatible lens. To perform lens firmware updates, please use the TAMRON Lens Utility for computers.

* When using the mobile version, the dedicated TAMRON Connection Cable (USB Type-C to Type-C/ Model CC-350) is required.

* Information on lens firmware updates is posted to the support page: https://www.tamron.com/global/consumer/support/ as needed.

In addition, check a compatible lens list from the following link: https://www.tamron.com/jp/consumer/support/help/lensutility/en/compatible_lenses/

Minimally, the following Tamron lenses have firmware updates available:

20-40mm f/2.8 Di III VXD
28-75mm f/2.8 Di III VXD G2
35-150mm f/2-2.8 Di III VXD
50-400mm f/4.5-6.3 Di III VC VXD

Just posted: Sony FE 24-50mm F2.8 G Lens Review.

There is a lot to gain by giving up 20mm.

Support this site by ordering the Sony FE 24-50mm F2.8 G Lens (or anything else) from B&H | Sony | Adorama | Amazon (all available countries) | WEX | Camera Canada

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This just in from ProGrade Digital:

Refresh Pro is now Free

ProGrade DigitalProGrade Digital is now offering Refresh Pro as a free software product. Refresh Pro continues to stand out as a revolutionary product in the removable storage market. ProGrade Digital created this product to solve several issues with flash memory that no one was addressing. The first issue that Refresh Pro solves is that flash memory slows down over time. See our whitepaper on this topic here.

Refresh Pro sanitizes a card to bring it back to factory-fresh speed. This sanitize function is available in hard drives and some removable storage formats but ProGrade Digital created the ability to enable this function on all ProGrade Digital Memory cards. Refresh Pro can run this process in seconds compared to doing a secure format, level 2 on a Mac which can take considerably longer. ProGrade was also the first company to commercially make the Sanitize function available on SD cards through customization of its exclusive Firmware shipped with all Refresh Pro enabled SD cards.

The second issue that Refresh Pro solves is that flash memory wears out over time and Refresh Pro can check the long-term health of ProGrade Digital memory cards to enable the user to see how much useful life is left on their card before an important shoot.

Finally, Refresh Pro enables the ability to update the firmware on the ProGrade Digital memory card. Most people are familiar with updating the firmware on their camera and even on their lens. What many people don’t realize is that when new cameras are introduced to the market or as existing cameras have new codecs added, memory cards need to have their firmware updated to optimize the memory for these new functions to ensure 100% compatibility.

The technology development that has gone into Refresh Pro is extensive and in order to accomplish all the functions listed above, ProGrade Digital created customized firmware in the ProGrade Digital readers and cards that was necessary to function with the software to detect, alter and update the memory card. * Originally ProGrade Digital offered Refresh Pro as a subscription because of the extensive development that went into the software and the development that takes place on an on-going basis to update the software to work with the ever-changing pace of technology in the Mac and Windows computers, the new and existing cameras and the advances in memory cards.

*These functions require a ProGrade Digital memory card with the “R” logo on the label, a ProGrade Digital reader with the “R” logo on the box and Refresh Pro software.

Seeing the vital importance of all these functions for the hard-working creators, photographers, and filmmakers, ProGrade Digital is making Refresh Pro free for all customers.

For customers that purchased a Refresh Pro license within the last 12 months, ProGrade is proactively issuing a refund of their subscription. (ProGrade Digital will issue a refund to the original purchase method used for the purchase. Check your next statement for this credit.) Customers with an active license can update to Refresh Pro 4.0 in the Refresh Pro software by clicking on the “About” menu. Customers who had a license that expired are not eligible for this refund; they can download the free copy of Refresh Pro v4.0 from the ProGrade website here.

The ProGrade Digital Team

Get your ProGrade Digital cards and readers at B&H.

Just posted: Sigma 24-70mm F2.8 DG DN II Art Lens Review

Destined to be the next best-seller.

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Support this site by ordering the Sigma 24-70mm F2.8 DG DN II Art Lens (or anything else) from B&H | Amazon (all available countries) | WEX | Camera Canada

Rent the Sigma 24-70mm F2.8 DG DN II Art Lens from Lensrentals.

Image quality, vignetting, flare, and distortion test results are now available on the Sony FE 16-25mm F2.8 G Lens page.

This is a compact, lightweight, sharp lens. Here are some comparisons.

Compared to the Sony FE 16-35mm F2.8 GM II Lens

Compared to the Sony FE PZ 16-35mm F4 G Lens

Compared to the Sony FE 12-24mm F2.8 GM Lens

Compared to the Sigma 16-28mm F2.8 DG DN Contemporary Lens

Compared to the Sigma 14-24mm f/2.8 DG DN Art Lens

Compared to the Tamron 17-28mm f/2.8 Di III RXD Lens

Support this site by ordering the Sony FE 16-25mm F2.8 G Lens (or anything else) from B&H | Sony | Adorama | Amazon (all available countries) | WEX | Camera Canada

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Image quality, vignetting, and distortion test results, along with specs, measurements, and standard and varied product images, are now available on the Sigma 24-70mm F2.8 DG DN II Art Lens page.

As I just said in the press release, this lens's predecessor, the Sigma 24-70mm f/2.8 DG DN Art Lens, is less than 4 years old and, remarkably, the #1 best seller at B&H — out of 1,782 mirrorless lenses.

Here are some image quality comparisons.

Compared to the Sigma 24-70mm f/2.8 DG DN Art Lens

Compared to the Sony FE 24-70mm F2.8 GM II Lens

Compared to the Sigma 28-70mm F2.8 DG DN Contemporary Lens

Compared to the Tamron 28-75mm f/2.8 Di III VXD G2 Lens

Compared to the Canon RF 24-70mm F2.8 L IS USM Lens

Many more image quality comparisons are available — create your own using the site's tools.

From a measurements and specifications perspective, here is the Sigma 24-70mm F2.8 DG DN II compared to the 24-70mm f/2.8 DG DN Art Lens. Here is the visual comparison (the version II lens is to the left):

Here is the rotated and extended with hoods version:

Support this site by ordering the Sigma 24-70mm F2.8 DG DN II Art Lens (or anything else) from B&H | Adorama | WEX

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This lens's predecessor, the Sigma 24-70mm f/2.8 DG DN Art Lens, is less than 4 years old and, remarkably, the #1 best seller mirrorless lens at B&H — out of 1,782 lenses.

Order the Sigma 24-70mm F2.8 DG DN II Art Lens at B&H.

From Sigma Corporation of America:

SIGMA Announces 24-70mm F2.8 DG DN II | Art Lens, an Upgraded Follow-Up to its Popular Standard Zoom for Full-Frame Mirrorless Cameras

Ronkonkoma, NY – May 16, 2024 – SIGMA Corporation of America, the US subsidiary of SIGMA Corporation (CEO: Kazuto Yamaki. Headquarters: Asao-ku, Kawasaki-shi, Kanagawa, Japan) is pleased to announce the SIGMA 24-70mm F2.8 DG DN II | Art lens. This is the second generation of the highly successful SIGMA 24-70mm F2.8 DG DN | Art. The new lens has undergone a significant evolution, including enhanced optical performance, AF speed and operability, while also achieving a more compact size than the original.

The advancement of optical design has shortened the total optical length, and the lens barrel has been made slimmer by thoroughly downsizing the zoom mechanism. In addition, the lens barrel has been downsized by placing buttons and switches directly on the lens barrel. The weight has been reduced by approximately 10% compared to the SIGMA 24-70mm F2.8 DG DN | Art. By driving the lightweight focus group with the high-thrust HLA, autofocus is significantly swifter than the original version.

6 FLD glass elements, 2 SLD glass elements, and 5 double-sided aspheric lenses are used. Aberrations are highly corrected through advanced optical design made possible by advanced basic technologies in both design and manufacturing, including the use of new glass materials and aspherical lenses with thin walls and high degrees of asphericity. In particular, sagittal coma flare is heavily corrected to achieve MTF characteristics surpassing those of the highly-acclaimed 24-70mm F2.8 DG DN | Art. The high level of flare resistance also results in point images, such as stars, at the periphery of the image being closer to ideal points.

A close-focusing distance of 6.7 inches (17cm) at the wide end at 1:2.7 magnification* adds to the versatility of this lens, and the addition of a click/de-click and lockable aperture ring, along with an additional AF-L button for vertical orientation still or video capture, are additional enhancements of this second-generation lens. The zoom lock switch, which disengages when zooming, is inherited from the SIGMA 24-70mm F2.8 DG DN | Art. Manual focus can be switched between Linear and Non-linear response (L-Mount only). A splash- and dust-resistant structure, plus water and oil-repellent coating on the front element, add to durability.
* close-focusing distance of 13.4 inches (34cm) with 1:4 magnification at 70mm

The new SIGMA 24-70mm F2.8 DG DN II | Art lens builds on the success and popularity of the original 24-70mm F2.8 DG DN | Art, and offers an impressive upgrade with added features and performance in a more compact package that is perfect for working pros in both still and video applications. Offered in Sony E-mount and L-Mount, the lens will be available through authorized retailers in late May 2024 and will sell for $1,199.

Exclusively for mirrorless cameras | Compatible with full-frame cameras

A | Art
SIGMA 24-70mm F2.8 DG DN II

A classic, evolved.

• Rendering performance worthy of the flagship name
• Improved portability and expanded feature set
• A wealth of professional functions including high-speed autofocus

Supplied accessories: CASE, LENS HOOD LH878-05, FRONT CAP LCF-82 III, REAR CAP LCR II

Available mounts: L-Mount, Sony E-mount

Launch date: May 30, 2024

* The appearance and specifications of the products are subject to change.

* Sony E-mount lenses are developed, manufactured and sold in accordance with the E-mount specifications licensed under a license agreement with Sony Corporation.

* L-Mount is a registered trademark of Leica Camera AG.

#SIGMA #SIGMA2470mmF28IIArt #SIGMAArt #SIGMAArtZoom #SIGMADGDN

The Art 24-70mm F2.8, evolved on all levels:

Rendering performance, functionality, and portability.

The SIGMA 24-70mm F2.8 DG DN II | Art is SIGMA's flagship lens that has evolved significantly from the previous model by incorporating the most advanced technologies available to SIGMA from design to production. Compared to the previous SIGMA 24-70mm F2.8 DG DN | Art, the SIGMA 24-70mm F2.8 DG DN II | Art has improved resolving power throughout the entire zoom range, and also benefits from functional enhancements such as the addition of an aperture ring and high-speed AF with a redesigned AF motor, HLA (High-response Linear Actuator). The lens is also approximately 7% smaller and 10% lighter. This 24-70mm F2.8 Art zoom is a versatile and high-performance tool that will help photographers and filmmakers unlock their creative potential.

[Key Features]

1. Rendering performance worthy of the flagship name

The SIGMA 24-70mm F2.8 DG DN II | Art is the successor to the SIGMA 24-70mm F2.8 DG DN | Art, which is known for its high optical performance, and has further improved resolution throughout the zoom range. The lens has high sharpness throughout the entire image from its maximum aperture, even on high-resolution cameras. Focusing on enhancing its rendering performance, the brightness of F2.8 produces a large, beautiful bokeh effect, and allows users to experience the power of a flagship lens in all types of visual expression. In addition to its advanced close-up capability and resistance to flare and ghosting, the lens is designed to minimize focus breathing.

High optical performance across the entire image and zoom range

The optical design of the lens includes 6 FLD glass elements, 2 SLD glass elements, and 5 aspherical lens elements to thoroughly suppress various aberrations throughout the entire zoom range. In particular, sagittal coma flare has been well controlled to achieve consistently high resolution all the way to the periphery of the image. By also effectively correcting lateral chromatic aberration, high resolution, beautifully rendered images can be achieved, free from color fringing can be achieved.

Incorporating 5 aspherical lenses

The use of 5 high-precision aspherical lenses enables both high optical performance with minimal aberration correction and a compact optical design. The SIGMA's only manufacturing base, the Aizu factory’s ultra-high-precision aspherical molding technology makes it possible to produce the thin, highly polarized aspherical lenses that are essential for the construction of this lens. This has brought about a higher degree of freedom in optical design.

Excellent close-up capability

The lens has excellent close-up capability with a minimum focusing distance of 17cm / 6.7in. at the wide end and a maximum magnification ratio of 1:2.7. This is useful when composing close-up shots of a subject, or when shooting in tight spaces where it is difficult to get a good distance from the subject.

* Be extremely careful that the front lens element does not hit the subject when photographing. Remove the lens hood when photographing at the minimum focusing distance at the wide-angle end.

Designed to minimize flare and ghosting

Flare and ghosting, which reduce image quality, have been largely eliminated using advanced simulation technology, ensuring the lens renders rich, high-contrast results in all conditions. In addition, Nano Porous Coating and Super Multi-layer Coating have been applied to help suppress flare and ghosting to the utmost degree. High backlight resistance enables clear and sharp images under any lighting conditions.

Minimal focus breathing

The lens has been designed to suppress focus breathing. The change in angle-of-view due to focus shift across the entire zoom range is minimized, creating a natural-looking focus pulls when recording video.

2. Improved portability and expanded feature set

The body of the SIGMA 24-70mm F2.8 DG DN II | Art is approximately 7% smaller in size and 10% lighter in weight than the previous model, while improving usability by adding an aperture ring and two AFL buttons. Despite the reduction in size and added features, the lens maintains SIGMA’s renowned excellent build quality, with the uncompromisingly precise and robust construction expected of a professional photographic tool.

Highly portable lens body

While the number of lens elements used in its construction is the same as that of the previous model, the overall length has been shortened owing to an advanced optical design. In addition, the more efficient mechanical design has resulted in a highly portable lens body with a maximum diameter of 87.8mm / 3.5in., length of 120.2mm / 4.7in., and weight of 745g / 26.3oz.*

* These figures are for L-Mount.

Excellent build quality

Simultaneously focusing on reducing the size and weight of the lens body, the use of metal parts for the zoom extension unit and other parts, as well as the robust internal structure ensure rigidity during use, such as when operating the ring, pressing buttons, and carrying the lens. The design emphasizes the lens’ longevity and reliability as a tool, which cannot be achieved by solely pursuing a compact and lightweight body.

Equipped with an aperture ring

The lens is equipped with an aperture ring as well as an aperture ring click switch and an aperture ring lock switch, allowing for aperture operation suitable for various shooing situations.

Equipped with two AFL buttons

The lens is equipped with two AFL buttons*, to which a range of functions can be assigned via the menu on selected cameras, one more than the previous model. In addition to the side, the additional button has been positioned on the top to facilitate button operation when the camera is held in vertical orientation.

* Functions can be assigned on supported cameras only. Available functions may vary depending on the camera used.

3. A wealth of functions including high-speed autofocus

In addition to high-speed AF with HLA (High-response Linear Actuator), the SIGMA 24-70mm F2.8 DG DN II | Art has a full range of features including weather resistance such as a dust and splash resistant structure* and water and oil repellent coating, as well as a zoom lock switch. The lens delivers the best possible results in every shooting situation.

* The structure is designed to be dust and splash resistant, but not waterproof. Be careful not to bring the lens in contact with a large amount of water. Water inside the lens may cause major damage and even render the lens unrepairable.

Incorporating a linear motor HLA

The lens incorporates a linear motor HLA (High-response Linear Actuator) for the AF actuator. The high output HLA makes the maximum drive speed more than three times faster than the previous model*, ensuring responsive AF shooting.

* Compared by the maximum drive speed of the SIGMA 24-70mm F2.8 DG DN II | Art with that of the SIGMA 24-70mm F2.8 DG DN | Art (It is different from the actual time for AF to focus).

Dust and splash resistant structure and water and oil repellent coating

In addition to a dust and splash resistant structure, the front element of the lens features a water and oil repellent coating, allowing users to shoot without concerns even in harsh outdoor environments.

Equipped with a zoom lock switch at the wide end

The lens is equipped with a zoom lock switch that locks the lens at the wide end and prevents the barrel from extending unintentionally under its own weight. The lock can be released not only by the switch but also via zoom operation, allowing for flexible handling of even impromptu shooting.

Includes petal-type hood with lock

A dedicated petal-shaped hood is supplied. A locking mechanism is provided for secure attachment.

[ Additional Features ]

• Lens construction: 19 elements in 15 groups (6 FLD, 2 SLD, 5 aspherical elements)
• Inner focus system
• Compatible with high-speed autofocus
• HLA (High-response Linear Actuator)
• Compatible with Lens Aberration Correction
  * Function available on supported cameras only. Available corrections or auto correction functionality may vary depending on the camera model.
  * On cameras where lens aberration correction is controlled with "ON" or "OFF" in the camera menu, please set all aberration correction functions to "ON" (AUTO).
• Supports DMF and AF+MF
• Compatible with AF assist (for Sony E-mount only)
• Nano Porous Coating
• Super Multi-Layer Coating
• Water- and Oil-Repellent Coating (front element)
• Aperture ring
• Aperture ring click switch
• Aperture ring lock switch
• AFL button (2 buttons)
  
* Function can be assigned on supported cameras only. Available functions may vary depending on the camera used.
• Focus Mode switch
• Support for switching between linear and non-linear focus ring settings (for L-Mount only)
  * Function available on supported cameras only.
• Dust- and Splash-Resistant Structure
• Petal-type hood with lock LH875-05
• Compatible with SIGMA USB DOCK UD- (sold separately / for L-Mount only)
• Designed to minimize flare and ghosting
• Every single lens undergoes SIGMA's proprietary MTF measuring system
• 11-blade rounded diaphragm
• High-precision, durable brass bayonet mount
• Mount Conversion Service available
• "Made in Aizu, Japan" craftsmanship

[ Key Specifications ]

The following specifications are for L-Mount.
Lens Construction: 19 elements in 15 groups
(6 FLD, 2 SLD, 5 aspherical elements)
Angle of view: 84.1 - 34.3°
Number of diaphragm blades: 11 (rounded diaphragm)
Minimum aperture: F22
Minimum focusing distance: 6.7 (W) - 13.4 (T) in. / 17 (W) -34 (T) cm
Maximum magnification ratio: 1:2.7 (W) - 1:4 (T)
Filter size: 82mm
Dimensions (Max. Diam. x Length): 3.5 x 4.7 in. / 87.8 x 120.2mm
Weight: 26.3 oz. / 745g

[ Accessories: Supplied ]

LENS HOOD LH878-05: 0085126 941406
FRONT CAP LCF-82 III: 0085126 930028
REAR CAP LCR II for L-Mount: 0085126 937256
REAR CAP LCR II for Sony E-mount: 0085126 929879

[ Accessories: Optional ]

SIGMA USB DOCK UD for L-Mount: 0085126 878696
SIGMA WR CERAMIC PROTECTOR 82mm: 0085126 931834
SIGMA WR PROTECTOR 82mm: 0085126 930974
SIGMA PROTECTOR 82mm: 0085126 93 00
SIGMA WR UV FILTER 82mm: 0085126 930714
SIGMA WR CIRCULAR PL FILTER 82mm: 0085126 930844

Orders

Order the Sigma 24-70mm F2.8 DG DN II Art Lens at B&H.

From Canon USA:

CANON DEVELOPS EOS R1 AS FIRST FLAGSHIP MODEL FOR EOS R SYSTEM

New Image Processing System Further Improves AF and Image Quality

MELVILLE, N.Y., May 15, 2024 - Canon U.S.A., Inc. today announced that its parent company, Canon Inc. announced today that it is currently developing the EOS R1, a full-frame mirrorless camera, as the first flagship model for the EOS R SYSTEM equipped with an RF mount and is aiming for a 2024 release.

The EOS R1 is a mirrorless camera geared toward professionals that brings together Canon’s cutting-edge technology and combines top-class performance with the strong durability and high reliability sought in a flagship model. This camera will dramatically improve¹ the performance of both still images and video and meet the high requirements of professionals on the frontlines of a wide range of fields including sports, news reporting, and video production.

This camera employs the newly developed image processor DIGIC Accelerator in addition to the pre-existing processor DIGIC X. The new image processing system, composed of these processors and a new CMOS sensor, enables large volumes of data to be processed at high speeds and delivers never-before-seen advancements in Auto Focus (AF) and other functions.

By combining the new image processing system and deep learning technology to an advanced degree, Canon has achieved high-speed and high-accuracy subject recognition. For example, subject tracking accuracy has been improved so that in team sporting events where multiple subjects intersect, the target subject can continually be tracked even if another player passes directly in front of them. In addition, the AF “Action Priority” function recognizes subject movement by rapidly analyzing the subject’s status. In moments during a sports game when it is difficult to predict what will happen next, this function automatically determines the player performing a certain action, such as shooting a ball, as the main subject and instantly shifts the AF frame, thereby helping to capture decisive moments of gameplay.

The combination of the new image processing system and deep learning technology will help to improve image quality. Canon implements the image noise reduction function, which has been previously developed and improved as part of the software for PCs, as a camera function to further improve image quality and contribute to user creativity.

Canon is working on field tests for this camera and will support capturing definitive and impactful moments at international sporting events to be held in the future.

Going forward, Canon will continue to expand the EOS R SYSTEM lineup of fascinating cameras and RF lenses, thereby continuing to meet the demands of a wide range of users and contribute to the development of photography and video culture.

¹ In comparison to EOS R3 (released in November 2021)

Image quality test results are now available on the Sony FE 24-50mm F2.8 G Lens page.

Covering a common set of general-purpose focal lengths, this lens has many comparisons available. I'll get you started.

Compared to the Sony FE 24-70mm F2.8 GM II Lens

Compared to the Sigma 28-70mm F2.8 DG DN Contemporary Lens

Compared to the Tamron 28-75mm f/2.8 Di III VXD G2 Lens

Support this site by ordering the Sony FE 24-50mm F2.8 G Lens (or anything else) from B&H | Sony | Adorama | Amazon (all available countries) | WEX | Camera Canada

Rent the Sony FE 24-50mm F2.8 G Lens from Lensrentals.

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