EOS Kiss X9i / EOS REBEL T7i / EOS 800D, EOS 9000D / EOS 77D, EOS M6, EOS-1Ds Mark III, EOS-1Ds Mark II, EOS-1D X Mark II, EOS-1D X, EOS-1D Mark IV, EOS-1D Mark III, EOS-1D Mark II N, EOS-1D Mark II, EOS-1D C, EOS M5, EOS M3, EOS M2, EOS M10, EOS M, EOS Kiss X8i / EOS REBEL T6i / EOS 750D, EOS Kiss X80 / EOS REBEL T6 / EOS 1300D, EOS Kiss X7i / EOS REBEL T5i / EOS 700D, EOS Kiss X70 / EOS REBEL T5 / EOS 1200D / EOS Hi, EOS Kiss X7 / EOS REBEL SL1 / EOS 100D, EOS Kiss X6i / EOS REBEL T4i / EOS 650D, EOS Kiss X50 / EOS REBEL T3 / EOS 1100D, EOS Kiss X5 / EOS REBEL T3i / EOS 600D, EOS Kiss X4 / EOS REBLE T2i / EOS 550D, EOS Kiss X3 / EOS REBEL T1i / EOS 500D, EOS Kiss X2 / EOS DIGITAL REBEL XSi / EOS 450D, EOS Kiss F / EOS REBEL XS / EOS 1000D, EOS Kiss Digital X / EOS DIGITAL REBEL XTi / EOS 400D DIGITAL, EOS Kiss Digital N / EOS DIGITAL REBEL XT / EOS 350D DIGITAL, EOS 80D, EOS 8000D / EOS REBEL T6s / EOS 760D, EOS 7D Mark II, EOS 7D, EOS 70D, EOS 6D, EOS 60Da, EOS 60D, EOS 5DS R, EOS 5DS, EOS 5D Mark IV, EOS 5D Mark III, EOS 5D Mark II, EOS 5D, EOS 50D, EOS 40D, EOS 30D, EOS 20Da, EOS 20D, PowerShot SX60 HS, PowerShot S120, PowerShot S110, PowerShot S100V, PowerShot S100, PowerShot G9 X Mark II, PowerShot G9 X, PowerShot G7 X Mark II, PowerShot G7 X, PowerShot G5 X, PowerShot G3 X, PowerShot G16, PowerShot G15, PowerShot G1 X Mark II, PowerShot G1 X
EOS Kiss X9i / EOS REBEL T7i / EOS 800D, EOS 9000D / EOS 77D, EOS M6, EOS-1Ds Mark III, EOS-1Ds Mark II, EOS-1D X Mark II, EOS-1D X, EOS-1D Mark IV, EOS-1D Mark III, EOS-1D Mark II N, EOS-1D Mark II, EOS-1D C, EOS M5, EOS M3, EOS M2, EOS M10, EOS M, EOS Kiss X8i / EOS REBEL T6i / EOS 750D, EOS Kiss X80 / EOS REBEL T6 / EOS 1300D, EOS Kiss X7i / EOS REBEL T5i / EOS 700D, EOS Kiss X70 / EOS REBEL T5 / EOS 1200D / EOS Hi, EOS Kiss X7 / EOS REBEL SL1 / EOS 100D, EOS Kiss X6i / EOS REBEL T4i / EOS 650D, EOS Kiss X50 / EOS REBEL T3 / EOS 1100D, EOS Kiss X5 / EOS REBEL T3i / EOS 600D, EOS Kiss X4 / EOS REBLE T2i / EOS 550D, EOS Kiss X3 / EOS REBEL T1i / EOS 500D, EOS Kiss X2 / EOS DIGITAL REBEL XSi / EOS 450D, EOS Kiss F / EOS REBEL XS / EOS 1000D, EOS Kiss Digital X / EOS DIGITAL REBEL XTi / EOS 400D DIGITAL, EOS Kiss Digital N / EOS DIGITAL REBEL XT / EOS 350D DIGITAL, EOS 80D, EOS 8000D / EOS REBEL T6s / EOS 760D, EOS 7D Mark II, EOS 7D, EOS 70D, EOS 6D, EOS 60Da, EOS 60D, EOS 5DS R, EOS 5DS, EOS 5D Mark IV, EOS 5D Mark III, EOS 5D Mark II, EOS 5D, EOS 50D, EOS 40D, EOS 30D, EOS 20Da, EOS 20D, PowerShot SX60 HS, PowerShot S120, PowerShot S110, PowerShot S100V, PowerShot S100, PowerShot G9 X Mark II, PowerShot G9 X, PowerShot G7 X Mark II, PowerShot G7 X, PowerShot G5 X, PowerShot G3 X, PowerShot G16, PowerShot G15, PowerShot G1 X Mark II, PowerShot G1 XDownload: Canon Digital Photo Professional 4
World-renowned photographer Don McCullin was knighted in the Queen’s New Year Honours list this month. CPN spoke exclusively to Sir Don and discovered more about what this award means to him...See the entire article on the Canon Professional Network.
Sir Don, one of the most influential photojournalists in the history of photography, has a career that spans over half a century. His knighthood, which recognises his services to photography, is particularly special for him. “It’s one of those things that you can’t really come to terms with right away,” he remarks. “There I am at 80 years of age and then suddenly this thing is bestowed upon me. I don’t think for a second that it’s going to make the slightest difference to the last few years of my life but it’s a warm and comfortable feeling knowing that my life’s work has been appreciated. I’m very happy about it, of course.”
The EOS-1D X Mark II has won rave reviews since its launch back in February 2016 and to help users get more from its incredibly advanced focusing system, Canon has produced a handy downloadable AF Setting Guidebook for smartphone and tablets.Download the Canon EOS-1D X Mark II AF Setting Guidebook via the Canon Professional Network.
by Jennifer BorgetRead the entire article on the Canon Professional Network.
There is so much information available about taking photos of your children, and how to become a better photographer. Another important factor to keep in mind when you’re working to be your family’s historian is to make sure you’re documented as a part of their memories.
For times you don’t have someone around to help take nice photos of you and your kids together, it’s nice to know you can do it yourself. In this article, I’ll outline the tools you need to take self-portraits so you can get out from behind the camera and into the shot with your kids.
World Press Photo Foundation revealed this week the launch of exciting new activities, including a new contest, a year-long talent scouting program and a new platform for debating industry issues. CPN Web Editor Deniz Dirim reports...See the entire article on the Canon Professional Network
National Geographic contributing photographer and biologist Christian Ziegler often works in a world of miniature. His photographic techniques used to capture the intricacies of life in the rain forests of Panama have won him awards and recognition but he does it all, as he explains to CPN Editor David Corfield, to give the world beneath his feet a bigger voice...Read the entire article on the Canon Professional Network.
Canon Explorer Markus Varesvuo has built up an enviable reputation in his native Finland for exceptional images of birds. To capture those extraordinary and fleeting moments he relies heavily on his equipment, and has recently added the EOS-1D X Mark II to his arsenal to help push back the boundaries of creative capture even further, as CPN Editor David Corfield discovers in this exclusive interview...Read the entire article on the Canon Professional Network.
|Live View shooting||Live View touch control|
|Live View Face detection AF||High-speed shooting in Live View|
|Flash and Silent Live View shooting||Silent shooting|
|Live View Exposure simulation||Exposure simulation in low light|
|Live View on a television||Electronic Level and Face Tracking|
|GPS log data||MOV, MP4 and 4K|
|GPS logging||EOS battery life|
|Manually updating clock||Shooting in cold temperatures|
|GPS and time setting||Shooting in hot temperatures|
|GPS signal frequency||AF in low temperatures|
|GPS and EOS Movies||Hot cards|
|GPS notifications||New batteries|
|Movie Servo AF Speed||Battery calibration|
|Movie servo AF when magnified||Battery compatibility|
|Line Input||AF point illumination|
|Movie Servo AF track sensitivity||MP4 and MOV|
|Movie Servo AF focus pull||4K video frame grabs|
|Movie and Custom Controls||CF and CFast 2.0 cards|
|FlexiZone and Face Tracking||4K video|
|Caring for touchscreen||f/8 focusing|
We pause to reflect on Helmut Newton, an abrasive character to many, but to Swannell a bit of a diamond in the rough. “I once spent four days with Helmut on a shoot in the south of France and he took a shine to my camera bag.”From Canon Professional Network.
“I’d found the bag in a charity shop in London for a couple of quid and really loved it because it had lots of pockets. But Helmut wanted it and wouldn’t take no for an answer. He kept on offering me money for it during the shoot and went up to $500 and still I wouldn’t sell it to him.”
Swannell laughs at the recollection: “This made him really grumpy with me and on the last day, as we were walking across the tarmac to board the aircraft, he turned round to me and said ‘there must be something of mine you want, I have to have that bag!’ so I replied ‘OK, sign me a print from the cover of your book White Women’ and you can have it. He said ‘you must be mad, that’s about $3000!’
“He was so mean, was Newton, and wouldn’t have it. But I held my ground and said that was the price of the bag. And then suddenly, in front of everybody, he took my bag off me and tipped all my stuff onto the tarmac, and marched off with it. I turned to his wife Alice [Springs] and said ‘you are my witness!’ And a few days later, a signed print arrived. Ten years later I sold that print for £32,000. So that old bag wasn’t a bad investment...”
Photographer, conservationist, activist and Canon Master Michael ‘Nick’ Nichols, bowed out from National Geographic in suitably impressive style this year. His final photo essay – a grand finale involving teamwork, logistical hurdles and the occasional stray bear – was perhaps his biggest career challenge yet, as he reveals to CPN Editor David Corfield...See the entire article on the Canon Professional Network.
As Laci Perényi prepares for his tenth summer Olympic Games, CPN writer Mark Alexander spoke with the celebrated sports photographer and Canon Explorer about his relationship with one of the greatest shows on earth...Read the entire article on the Canon Professional Network.
Laci Perényi's boundless energy is matched by seemingly endless experience, giving the German photographer an unbeatable temperament that inspires confidence. He has witnessed Olympic history first-hand, capturing moments of heroic success and failure in stunning detail and beautifully timed observation. He is a staple of the sports photography industry and a character to boot.
When planning their next IMAX 3D film ‘A Beautiful Planet’ about the International Space Station, Director Toni Myers and Cinematographer James Neihouse soon realised they would have to make the move from film to digital. Since their last Space Station film together in 2002, the Space Shuttle had been withdrawn from service, removing the option to shift weighty film canisters in and out of orbit. CPN writer James Morris asked Neihouse how the 4K quality of Canon’s EOS C500 and EOS-1D C digital cinema cameras helped reveal space in all its three dimensional glory...See the entire article on the Canon Professional Network.
Top wildlife photographer Thorsten Milse recently took a trip to Madagascar to capture the beauty of the island's nature and many of its endemic species with the new EOS-1D X Mark II DSLR. In an exclusive interview he spoke to CPN writer Steve Fairclough to reveal how the camera performed for him in the field...See the entire article on the Canon Professional Network.
Photographer John Dibbs has a passion for classic aircraft and turned a boyhood dream of flying with iconic warbirds into an incredible career. He reveals to CPN Editor David Corfield the challenges involved in capturing those mighty legends of the skies and how his Canon DSLR system gives him that all-important creative and technical edge...See the entire article on the Canon Professional Network.
“I never take this job for granted. Never.” John Dibbs is at pains to point out that while his day job is up there on most people’s bucket lists, it’s a job he takes extremely seriously. “It’s because of the amount of preparation, paperwork and co-ordination that goes into every flight of a classic aircraft,” he says. “People might say that I have the easy part, just taking the picture; but let me tell you, the pressure to photograph these aircraft from another aircraft, just a wingtip away, is immense because you know you’re not just facing your own set of technical challenges, but you’re also representing everybody else on the ground who worked so hard to make these shoots happen.”
Since early 2016 Marc Aspland has been working with the 20.2 Megapixel EOS-1D X Mark II DSLR, covering many of the major events in the sporting calendar and shooting portraits of top sports celebrities in his role as Chief Sports Photographer of The Times newspaper. In an exclusive interview he spoke to CPN writer Steve Fairclough on how he uses the camera and how it has helped to push the boundaries of his photography...Read more on the Canon Professional Network.
Having an EOS-1D X Mark II is the only major change in Marc Aspland’s kitbag this year as he currently uses: “…all of the same EF lenses that I used with the 1D X – ranging from my 15mm f/2.8 Fisheye all the way through to the 70-200mm f/2.8L and the 200-400mm f/4L IS USM EXTENDER 1.4x. In fact, at the [English] FA Cup Final I used a 2x Extender on it so I had an 800mm [focal length]. So, it’s anything from 15mm all the way up to 800mm, which is probably the stock choice of any sports photographer.”
Marc has been a lifelong user of Canon cameras but his style of sports photography is usually more about capturing the essence of an event, often in a creative way, rather than the key single ‘action moment’. He explains: “I don't need to be constantly pressing that ‘send’ button on the back of my camera to send everything – as the agency guys might do because their market is so vast. I know what my sports editor is after and I know what players the writers in the press tribune are specifically writing about – a manager or a player – so I can be a great deal more selective about the pictures I send. I don’t need to plug my camera into the ethernet… obviously I can but it's not a difference in speed to me – it’s a quality rather than quantity issue with my photography.”
Few wildlife photographers have made a bigger splash than Andy Rouse. CPN writer Mark Alexander finds out how this Canon Explorer is using the new EOS-1D X Mark II to reach even greater heights...See the entire article on the Canon Professional Network.
In the realm of image-making, Andy Rouse is one of those rare individuals to achieve almost celebrity status. His name has become inextricably linked with the world of wildlife photography with demand for his unique views never seeming to wane. The 50-year-old photographer’s images have graced the covers of magazines across the world and he has picked up a clutch of prestigious awards for his efforts. As professional photography goes, Rouse is a success story. And yet, despite his prominence in the wildlife arena, you get a sense that the Englishman has come to a crossroads in his career. As he packs for his next expedition to India to photograph tigers, he reveals his latest venture into aviation photography is as much to do with changes at home as it is about trying something new.
Liz Kreutz is a photographer with a big reputation for capturing the essence of her subjects. CPN writer Mark Alexander finds out how the latest Canon technology is helping the documentary sports photographer develop her unique style...Read the entire article and see the image gallery on the Canon Professional Network.
Liz Kreutz loves the sport of boxing. The emotional accessibility of it and the action inside the ring gives her a buzz. Throw in some frenetic action and tricky lighting and the US-based photographer is in her element.
“My heart is in my throat the entire time,” says Liz. “It’s an experience unlike any other. That’s why I like it. You’re anticipating that moment. You’re waiting; you’re ready for it. That’s the kind of photography I like to do. I love the unpredictability of that. I have a knot in my stomach the whole time.”
Camera shake is the thief of sharpness. If you are hand-holding a camera and lens, they will move as you press the shutter release. Movement during exposure blurs the image.Check out the entire article on the Canon Professional Network.
Much of the time, you will not notice the effects of camera shake. If you are shooting with a fast shutter speed or a wide-angle lens, the blurring may not be significant- but it will still be there, and might appear if you have a big enlargement made from the image.
The only way to overcome camera shake is to eliminate the movement of the camera and lens during the exposure. The obvious way to do this is by taking the camera out of your hands and fixing it to something that will not move, such as a photographic tripod. However a tripod is only effective if it is sturdy, which usually means heavy.
Fortunately, Canon offers another method of reducing, if not eliminating, the effects of camera shake. Image stabilised lenses, first seen in 1995, approach the problem laterally. Rather than trying to stop the movement of a hand-held camera, they seek to introduce an opposing movement within the lens. The aim is to keep the image static on the sensor or film, despite the movement of the camera.
Don McCullin is one of the world’s greatest photographers and now, aged 80, is working on a project that he hopes will serve as a lasting legacy of a life well-lived. But, as CPN Editor David Corfield discovers in this exclusive interview, some truths will never be fully reconciled...See the entire article on the Canon Professional Network. If interested, don't miss seeing the video Don McCullin – Seeking the Light, also on CPN.
“I’m on the edge of the volcano. I’m standing on the precipice looking into the lava...” admits Don McCullin metaphorically, remarking on how he sees this latest chapter of an extraordinary life. A special three-volume retrospective of his work is due to be released soon. It’s taken two years to complete and, for McCullin, represents the very best of his photography. Called ‘Irreconcilable Truths’ the title is a nod to the soul-searching that went into the project as recollections of atrocities resurfaced in his darkroom as he reprinted many hundreds of images. It’s not been an easy journey, reliving some of those memories...
“There are some images that I will never print again, because I don’t think I’m able to,” he explains, citing one image in particular – of the starving albino boy taken in Biafra nearly 50 years ago. The memory, and the image, haunts him to this day.
Belgian filmmaker Matthew Vandeputte is rapidly emerging as one of the leading exponents of motion timelapse photography. CPN Editor David Corfield caught up with him to find out how technology, social media, and Canon’s high-resolution EOS 5DS R have helped take his work to exciting new heights...See the entire article on the Canon Professional Network.
Canon Explorer and travel photographer Joel Santos makes the most of every adventure he organises. As CPN writer Mark Alexander finds out, a recent trip to Namibia with the EOS 7D Mark II and the new EF100-400mm telephoto zoom was no different...Read the entire article on the Canon Professional Network and be sure not to miss the beautiful 25-image gallery.
AF Microadjustment - image qualityOr did you know that a lens's image stabilization is always activated in Live View on the 5Ds/5Ds R, not just when you press the shutter button half-way? (assuming that IS is not switched off on the lens)
Several EOS models feature the ability to adjust the focus of the lens to ensure it is in perfect registration with the camera. When performing microadjustment, make sure you set the camera recording quality to large JPEG, even if you normally shoot in RAW, as this will help identify focus issues more easily.
EOS 5DS and EOS 5DS R: Live View and IS lensesOther recently added topics include:
When using an Image Stabilizer (IS) lens in Live View on the EOS 5DS and EOS 5DS R, you will find that the IS is always activated when Live View is turned on, even if you don’t half-press the shutter button. This will shorten the camera’s battery life, so unless you need to use the IS, you should manually switch it off on the lens to preserve power.
"New levels of shooting performance — speeds to 14 fps, with AI Servo AF — along with 360,000 pixel RGB metering, multiple on-board processors, and so on mean that the EOS-1D X Mark II needs an even more powerful battery than in previous generation EOS-1D cameras. To meet these demands, the EOS-1D X Mark II is launched along with a higher-energy battery, the Canon LP-E19 battery pack."For more detailed information on the LP-E19, including backwards compatibility, check out the full article on the Canon Professional Network.
"British photographer Tim Flach uses his technical and artistic skills to capture almost-human moments from a wide variety of creatures. His work helps us look at our animal cousins in more profound ways, as he explains to CPN Editor David Corfield..."See the entire article and intriguing animal images at the Canon Professional Network.
"Colin McMaster is one of the world’s best when it comes to rally photography. The fast-paced motorsport that covers the globe throws up more than its fair share of great images – and great challenges – as he explains to CPN Editor David Corfield...Read the entire article on the Canon Professional Network.
Colin McMaster lives life by the clock. The sport of rallying – itself governed by hours, minutes and seconds – extends far beyond the lens for him. Rallying is his livelihood and much of his downtime is given over to his passion: photography."
By Laura Morita, Professional Child and Family PhotographerSee the entire article on the Canon Professional Network.
"It's pretty much the most amazing thing in the world when you look at the back of your camera and you see the incredible image you have captured. Perfect light, perfect moment, perfect expression. You get it home and and upload it onto your computer only to discover that it's out of focus. Wompwomp. In the early days of learning about photography, I struggled with getting sharp images. In this article, you'll learn my tips for getting sharp images. "
The launch of the PowerShot G5 X – with its electronic viewfinder (EVF) plus classic DSLR handling in a compact body – was a significant moment for Canon. In an in-depth interview, CPN discovers the technical challenges faced by the PowerShot development team – Takashi Yoshida, Ryuji Fukute, Kenji Ito, Koki Kitaya, Atsushi Fujita and Yoshikazu Sakagami from the Image Communication Products Operations Department and Yoshihiro Miyazawa from the Design Centre. Together they discuss the technical and design challenges they faced when turning concept into reality...See the entire article on the Canon Professional Network.
In recent years, the photographic industry has called for clearer criteria on entering and judging World Press Photo Contest submissions. The World Press Photo Foundation has answered this call for the 2016 Photo Contest by publishing a new code of ethics, revised entry rules, and a transparent description of the judging and verification processes. The 2016 Photo Contest changes are part of a new strategy which the World Press Photo Foundation devised during a five-month review involving 17 consultations with photographers, editors and publishers at events in 15 locations worldwide.See the entire article on the Canon Professional Network for full details.
Entries to the highly anticipated annual World Press Photo Contest are regarded as visual documents and are therefore expected to be an accurate and fair representation of the scene the photographer witnessed. The first entry rule concerning manipulation was enforced in 2009 and in the 2014 Photo Contest World Press Photo began requesting photographers submit original camera files. The challenge being addressed now is making contest participants more aware of what counts as manipulation.
Managing Director of World Press Photo, Lars Boering, says: “In the past two years 33 entries, out of a total of 240 in the second last round, were excluded, and one story was disqualified after the award. If we want pictures to be documents and evidence, we cannot accept the addition or removal of content, even if it is just ‘tidying up the image’.”
As photographs are at risk for manipulation during every stage in the photographic process – capture, production, publication, and circulation – the World Press Photo Foundation has introduced a new code of ethics and committed to continued use of independent digital analysts and a fact-checking team to review original camera files, metadata and caption accuracy.
Owners and purchasers of the Canon EOS C300 Mark II can now benefit from a new lens mount service option which offers the capability to change the 4K Digital Cinema Camera’s original EF mount to EF Mount with Cinema Lock or to a PL mount and back again.For more information on the Lens Mount Conversion Service, see the entire article on the Canon Professional Network.
The Lens Mount Replacement service can be booked in at the Canon Regional Competence Centres (RCC) in France, Germany, Italy, Sweden or the UK. Alternatively, the PL lens mount and SHIM kit are also available for direct sale.
Canon has also revealed that from early 2016 a PL mount version of the C300 Mark II will be available to purchase in all EMEA territories. Up until now the camera has only been available in an EF mount but by January 2016 customers can choose whether to purchase an EF mount or a PL mount version. The upcoming PL mount version of the camera will provide support for all of Canon’s PL mount Cinema lenses and other industry-standard PL lenses (Cooke/i not supported), thus allowing for even greater shooting possibilities.
Wildlife photographer and Canon Explorer Marina Cano discusses her career with CPN Editor David Corfield, revealing how music, cameras and a new pair of binoculars have helped her get closer to the natural world...Read the entire article and see Marina Cano's excellent wildlife imagery at the Canon Professional Network.
If it weren’t for a flute, Marina Cano wouldn’t be the wildlife photographer she is today. It’s been an unusual journey for the Spanish lenswoman, but she is grateful for her past life as a professional flutist and says it is her love of music that has brought her closer to nature. “I was a teacher of music for more than 15 years – it’s my other passion,” Marina reveals. “I feel that music helps me with my aesthetic vision.”
“My work is about a celebration of the natural world,” she continues. “I think I have a special aesthetic sense and this comes to me naturally. The city in which I live, Santander, is incredibly beautiful and the land around me is beautiful too. So my life is steeped in all this beauty and I try to recreate it in my photography.”
“There is a really strong sense of design in my work. I can’t simply document a subject. I have to try and do something artistic, either by finding some drama with the subject or waiting for the light.”
Marina continues: “My father was a keen amateur photographer and when I was about 17 years old I started taking pictures with his old camera, just taking pictures of everything really; but a few years later I discovered wildlife photography and instantly I was in love.”
"What makes a good food photo?Read the entire article on the Canon Professional Network.
Showcasing the dish’s best traits is essential to any successful food image. Its colors and textures are the key details that make you want to take a bite, so you want to have them all clearly in focus.
Food photography trends change as often as fashion trends and the more you can familiarize yourself with what industry leaders are doing, the more successful your images will be. Take a look at the websites and feeds from companies like Williams-Sonoma, Martha Stewart, Food & Wine, Donna Hay (Australia), Bon Appetite, Sur La Table, etc. and see what color schemes are of the moment. Is it the light bright or is it moody and based in shadow? Is the food messy and broken up, strewn about the plate, or is it tidy, tight and neat? Does the food have a homemade appeal or does it look highly constructed by a professional chef? Is the look attainable or aspirational? Are the props simple or highly stylized? Is the food the focus or is the scene and story that the props create more significant? As you continue to pour though these publications and ask yourself these questions, your eye will become stronger and your own imagery will improve."
"If you’re like me, you love looking at photographs. Creating images that capture a viewer’s interest and holds it usually doesn’t happen by accident. When you look at a photograph that captivates you, what is it that keeps you looking at the image? There are several answers to this question and in this blog, I’ll share with you some tips to help you create better composition in your images.See the entire article on the Canon Professional Network.
It’s important to look at a scene through your camera and intentionally use elements in the image to improve composition. I’ll talk about the use of compositional aids such as rule of thirds, negative space, leading lines, balance and the use of color. Sometimes making a great photograph means choosing a slightly different camera position or lens choice. More than simply pointing and shooting, a solid thought process should go into composing an image. Be an observer!"
"In the fast-paced, high-octane world of automotive photography, you might be surprised to learn that changing opinions takes time. Despite this, top car photographer Dom Romney tells CPN writer Mark Alexander that Canon’s new 5DS is beginning to turn heads..."Read the entire article on the Canon Professional Network.
"Canon's series of Speedlite flashguns range from the professional 600EX-RT and the recently introduced 430EX III-RT to compact units like the 320EX and 270EX II. Lighting expert Syl Arena advises on what to look for when selecting the best Speedlite for your needs..."Read the entire article on the Canon Professional Network.
"Top sports photographer Al Bello (Getty Images) has been working in the photographic industry since 1990 and has thus far won four World Press Photo Awards for his work. In an exclusive interview he spoke to CPN writer Steve Fairclough about his career, his inspirations and how he shot some of his most famous pictures."Even if the name looks unfamiliar to you, you're probably familiar with some of Bello's work. His most famous image – that of New York Giants receiver Odell Beckham's three-fingered catch – is one almost any NFL football fan will recognize. [Sean]
"Fireworks are one of the most inspiring and photogenic, yet challenging subjects, to capture. And unfortunately, this is one of those shooting situations where fully automatic exposure and focusing may not help. However, with these tricks up your sleeve, a few accessories and a willingness to experiment, you'll capture amazing fireworks photos this Fourth of July!"Check out the full CPN Article for all the helpful tips.
"Travel photographer and Canon Explorer Lucie Debelkova was one of the first to shoot with the high-resolution EOS 5DS R and, as she explains to CPN, she found 50.6 Megapixels brought her much closer to the magic of the north...The images in the article's showcase gallery are quite stunning and definitely worth a look. [Sean]
Regular visitors to CPN will be familiar with Lucie’s intoxicating mix of majestic vistas, full of stunning colour and detail. Her precision with her camera and a love for wide-angle lenses has won her acclaim around the world. So it was entirely appropriate that she had chance to sample a new world of high-resolution imaging with a pre-production EOS 5DS R. So how did it all go?
'Well, I went to shoot the Northern Lights and an ice hotel in Sweden, about 250km north of the Arctic Circle,' she reveals, 'And I put myself at the mercy of the weather and conditions...'"
“I didn’t know I needed it, until I saw the quality...”See the entire article on the Canon Professional Network.
Fashion photographer and Canon Explorer Quentin Caffier is on fashion photography’s fast track. One of Europe’s new breed of busy modern professionals, his recent shoot with a pre-production EOS 5DS has convinced him that – to stay ahead of the curve – he needs every one of those 50.6 Megapixels. CPN caught up with him recently to find out why...
“I am always looking for quality in my pictures,” he states. “But in my work I have to shoot fast. From my previous experience with high megapixel medium-format cameras, the bigger the megapixels meant the slower the camera. And for me, when I use a camera like that, the risk I face when working with models spinning around in dresses, for example, was always that I might lose the shot. That’s why I always preferred to use my EOS-1D X DSLR because I knew it would never let me down. Its reactions were always so much faster.”
But the advantage of speed always came at the expense of ultimate image quality. In Quentin’s business, detail is king and when the EOS 5DS arrived he was keener than most to see how it performed.
“I only had the opportunity to use it twice, because there was only one body to share amongst all the other Canon Explorers,” Quentin explains, “But it was enough. I shot JPEG because the RAW software was still being developed at the time, but I can tell you that I was impressed.”
"Photographer and filmmaker Vincent Laforet has flown over some of America’s most iconic cities at night with a camera – with breathtaking results. He is now winging his way to Europe and wants you to be a part of 'Project AIR', as he explains to CPN Editor David Corfield..."See the entire article on the Canon Professional Network.
"Canon Explorer Fernando Guerra originally qualified as an architect, but went on to combine this training with his love of photography, to become one of the world’s foremost architectural photographers. The new EOS 5DS DSLR – with its extraordinary 50.6 Megapixel sensor – is the perfect tool for people in Fernando’s line of work, as well as for landscape and studio photographers. So when Canon invited him to put a pre-production model of the camera through its paces, he was only too happy to accept. Once his test run was over, CPN caught up with Fernando to get his first impressions..."See the entire article on the Canon Professional Network.
"Canon Explorer David Noton was the first landscape photographer in the world to get the opportunity to work with the 50.6 Megapixel EOS 5DS DSLR and he promptly jumped on a plane to South Africa to photograph the stunning western Cape region and discover exactly what the camera was capable of. In an exclusive CPN interview and film he reveals his first impressions of working with a camera that combines easy portability and intuitive handling with high-resolution image quality never before seen in a DSLR..."Check out the entire article on the Canon Professional Network.
"We’ve had the ability to capture time-lapse images with Canon EOS cameras for some time. What was needed was an interval timer to attach to the camera to fire it at a regulated interval. This interval could be as short as 1 second to as long as days. To do this, you needed to purchase an interval timer (intervolameter) and carry it with you. Canon’s answer for advanced DSLRs is the TC-80N3 Timer/Remote Controller. It has several functions beyond being an interval timer and is usually found in my camera bag. But there have been numerous times that I’ve been out photographing and didn’t have all my tools with me, including the TC-80N3, and I was out of luck when it came to time-lapses.See the entire article on the Canon Professional Network.
The new Canon EOS 7D Mark II has the interval timer built into the camera. Access the 4th Red Menu on the camera’s LCD and follow the procedure below. You will have the option of setting the number of captures from 1 to 99 or set to “Unlimited.” The time between each exposure can be set from 1 second to 99 hours, 59 minutes and 59 seconds."
"The EOS 5DS and EOS 5DS R represent a new line of ultra high-resolution EOS DSLR cameras – featuring 50.6 Megapixel sensors – that are ideal for photographers who want to capture an extraordinary amount of detail in their images. The new cameras will be popular with those shooting landscape and architectural photography, as well as those shooting commercial or high-end editorial work in the studio. The EOS 5DS and EOS 5DS R sit alongside the EOS 5D Mark III in the EOS range, and use new technologies to make the most of both of the cameras’ high-resolution capabilities."Featured Segments
"CPN recently got the unique opportunity to meet and talk to Tsunemasa Ohara - Senior General Manager of Camera Research and Development at Canon Inc. - who is the key man behind the development of the revolutionary 50.6 Megapixel Canon EOS 5DS and EOS 5DS R DSLRs. In an exclusive interview he reveals how he came up with the concept for the cameras and how and why some of the key technologies contained within them were developed..."See the entire article on the Canon Professional Network.
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